Review: Osprey by M.L. Buchman

Review: Osprey by M.L. BuchmanOsprey (Miranda Chase NTSB, #13) by M L Buchman
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure, political thriller, technothriller, thriller
Series: Miranda Chase NTSB #13
Pages: 392
Published by Buchman Bookworks on September 17, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Russia teeters on the brink of collapse, spoiling for a battle to end all wars. All it needs? One thin excuse. World War I began with the assassination of Archduke Ferdinand. World War II launched with the invasion of Poland. As for Russia's invasion of Ukraine... A Russian flyby of an American CMV-22 Osprey tiltrotor goes desperately wrong over the North Sea. Will the tipping point for World War III break the moment a favored daughter of the Oligarchy goes down in flames? When the NSA's secret military base at Menwith Hill in the UK needs specialized expertise, they call in Miranda Chase. She and her elite team of air-crash investigators must avert a crisis like none before. A crisis that unravels her past, batters at her autism, and threatens to crush her team in the ultimate grinder of East vs. West. "Miranda is utterly compelling!" - Booklist, starred review "Escape A. Five Stars! OMG just start with Drone and be prepared for a fantastic binge-read!" -Reading Reality

My Review:

Osprey, in addition to being about the investigation of a series of airplane crashes, as the books in the Miranda Chase series always are, is fundamentally the story of a woman who has based her life on a series of truths that turn out to be lies.

Miranda Chase is not merely A lead investigator for the National Transportation and Safety Board, but at this point in the series, THE premiere investigator for the NTSB. Miranda, along with her team, are the people that not just the NTSB but federal government all the way up to the President call whenever the crash is either too thorny for a regular investigator OR, as is very much true in this particular case, has the potential to start World War III and/or bring about the end of the world.

Considering the nuclear arsenals of the U.S. and other countries, they are likely to be one and the same.

Which is what drags Miranda and her team out of their vacation in Yorkshire, hiking the Herriot Trail, all the way to the top secret US/UK communication and intelligence support station at RAF Menwith Hill, which is, according to Miranda’s teammate Holly Harper, the place where the world ends. Because, on Holly’s last mission for Australia’s SSAR, Menwith Hill’s sister station in Pine Gap ended Holly’s.

This time around, they’re about to end Miranda’s – even as she and her team prevent the end of pretty much everyone else’s in the whole damn world.

Escape Rating A+: This was one of those books that turned out to be a much harder read than I was expecting – even as it sucked me right in and wouldn’t let me go until the end. By saying Osprey is a ‘hard read’ I mean that in the sense that, 13 books into this series, I’ve become very fond of Miranda and her team and hate seeing any of them in serious distress. But it’s clear that this is the 13th book in the series for a reason in that it seems like all the bad luck and worse trouble in Miranda’s life comes home to roost in this one and probably won’t leave anytime soon.

Like all of the books in this series so far, starting with the marvelous Drone and continuing through ALL of the team’s compelling adventures along the way, each story pretty much has two plots. The first is the actual plot that results in the crash that Miranda and company are tasked with investigating. The second line is tied up in a particular team member’s personal circumstances, whether that’s how they become part of the team, falling in love with either a fellow team member, a friend or an enemy, or when those relationships crash and burn.

With the case in Osprey it’s a question of which will burn first, Miranda or the entire world, which makes the stakes the highest they can be on both sides of that equation.

The initial crash could have, and in other circumstances would have, been put down to pilot error combined with a bit of stupid people doing stupid things. In other words, humans just being human – unfortunately at tens of thousands of feet in the air while piloting state of the art aircraft.

The situation escalates, and fast, because the initial less-than-stellar piloting was on the part of a Russian military jet playing ‘chicken’ with a brand new U.S. craft that is capable of switching from taking off like a helicopter to flying like an airplane. Sounds cool, doesn’t it? But when the jet’s wings got tied up in the Osprey’s proprotor, everything went to hell in a handbasket and both countries, already über tense – as they are in real life – were on the brink of nuclear war.

Figuring out how that crash occurred, and the even stupider one that followed, is all in a day’s work for Miranda and her team. The President of the U.S. is thrilled to take her very expert word that the crash was merely the stuff of stupid and not a deliberate provocation to war.

But the Russian side of this equation is a whole lot messier. A mess which raises questions about just how Miranda’s parents REALLY died – because the newly discovered and always obscured – evidence makes it clear that it didn’t exactly happen the way that the world, even the CIA’s hidden world, believed it did. And that’s only the beginning of how Miranda’s world falls apart, even as the rest of the world gets put back together. At least for now.

The reader knows most of what’s coming – at least as far as Miranda’s parents’ deaths are concerned – from the very first scene, so that’s not exactly a spoiler. We know it’s going to be devastating, and we’re waiting for that shoe to drop through the entire book. It’s agonizing. It’s also not all she’ll have to contend with, but getting into that would be a spoiler.

Let’s just say that on Miranda’s personal front, this is a heartbreaking story and it’s hard to watch her even begin to go through the inevitable fallout. Howsomever, as one of the strengths of this series is the way that the characters and relationships change and grow over time, Miranda’s situation is one that I expect to see explore and change and resolve over the next several books in the series, starting with Gryphon, coming in late January of 2024.

One final note; there’s a surprising bit of a parallel to The Last Devil to Die, the most recent book in the Thursday Murder Club series. The leaders of each series, Miranda and Elizabeth, are brought low by heart-shattering personal catastrophes, and it’s up to the other members of their teams to keep the case on track even as their leader, rightfully and righteously, falls apart for an understandable bit. It’s terrible seeing those leaders stumble and fall, but lovely to watch the other members of their teams carry them and carry on.

 

Review: Into the Riverlands by Nghi Vo

Review: Into the Riverlands by Nghi VoInto the Riverlands (The Singing Hills Cycle, #3) by Nghi Vo
Narrator: Cindy Kay
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Singing Hills Cycle #3
Pages: 112
Length: 2 hrs 21 mins
Published by Tantor Audio, Tordotcom on October 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Wandering cleric Chih of the Singing Hills travels to the riverlands to record tales of the notorious near-immortal martial artists who haunt the region. On the road to Betony Docks, they fall in with a pair of young women far from home, and an older couple who are more than they seem. As Chih runs headlong into an ancient feud, they find themselves far more entangled in the history of the riverlands than they ever expected to be.
Accompanied by Almost Brilliant, a talking bird with an indelible memory, Chih confronts old legends and new dangers alike as they learn that every story-beautiful, ugly, kind, or cruel-bears more than one face.

My Review:

The entire Singing Hills Cycle is a story about stories; the collection of them, the interpretation of them, and especially the way in which that interpretation changes over time as those stories fade in and out of conscience and memory.

Cleric Chih has come to the Riverlands to learn what the Riverlanders themselves have to say about the many, many martial arts legends that once walked the Riverlands, only to find themselves in the middle of one.

Or perhaps two. Or even an infinite number of interpretations of the very same one.

Chih, with their friend, mascot and memory recorder, the neixin bird Almost Brilliant, are on the road to Betony Docks, intending to wind their way home to Singing Hills to deliver their report of the stories and legends they have found along their most recent journey.

It’s who they are. It’s what they do. It’s what Singing Hills is all about.

Chih sees the opportunity to travel with the young martial arts master Wei Jintai, her sworn sister Mac Sang, and the middle-aged couple Lao Bingyi and Mac Khanh as a way of traveling the rather dangerous road through the Riverlands in somewhat greater safety while taking the opportunity to hopefully learn some new stories to take home.

However, the stories come to life – and death – as they travel into the lands of the Hollow Hand sect of bandits, thugs and marauders. The Hollow Hand is supposed to have been wiped out long ago, and the martial heroes who did the wiping, Wild Pig Yi and Gravewraith Chen, are assumed to be long dead.

But legends never die. Sometimes they don’t even fade away. They just become different legends. Over and over and over again. Even as they hide in plain sight and boss everyone around.

Escape Rating A+: At first, Into the Riverlands seems as if it’s a play on the Canterbury Tales, with Cleric Chih taking the place of Geoffrey Chaucer himself (who, come to think of it, by certain definitions was himself a ‘cleric’). Into the Riverlands is a journey, and every person in the party has at least one story to tell. It’s Chih’s duty to record those stories – not to become a part of one themselves.

Which most definitely doesn’t stop that from happening anyway.

It’s pretty clear from the beginning of their trip that Lao Bingyi and Khanh are more than they seem – a devoted middle-aged married couple where the wife knows everyone and everything and can’t stop from bossing people around and telling them all about themselves, while her husband is a man of few words who indulges her every whim.

And that portrait is manifestly true – while still only being one face that they wear. It’s who people expect them to be at this point in their lives. But it’s not who they have been, or even who they ARE. Those are faces they reveal only in part, and only when they must.

It’s only when the crisis comes upon them – or they come upon it – that Chih gets a glimpse of those true faces, and even those are masks that conceal one or more truths that they are not ready to reveal – if they ever will be.

It’s as though Li Mu Bai and Yu Shu Lien, the protagonists of the film Crouching Tiger, Hidden Dragon, had managed to survive their tragic story and outlive their legends into middle age. If they had, or if their tragic ending was either smoke and mirrors on their parts or literary license on the part of some chronicler, they might have become Mac Khanh and Lao Bingyi. And perhaps they did.

Certainly Lao Bingyi lies at the heart of a whole host of tales that Chih gets the barest glimpse of and is informed in no uncertain terms that it’s all they are entitled to get. That the story is hers and not theirs and NOT the Singing Hills Abbey’s.

And that’s the right ending of this tale, which was lovely in the telling even if a bit nerve-wracking for the participants in the doing.

But, as I said in last week’s review of Mammoths at the Gates, throughout the Singing Hills Cycle Chih has been moving steadily from the periphery of the story to the center of the narrative. Their own story is in Mammoths at the Gates, and it was marvelous to finally see their perspective on their own world rather than merely being a witness and recorder to others.

I read Into the Riverlands before it came out in 2022 for a Library Journal review and loved it at the time but didn’t take the opportunity to write it up for Reading Reality while it was still fresh in my memory. After re-reading Mammoths at the Gates last week in the same circumstance, I wasn’t ready to leave Chih’s world and decided to take a trip back through audio. It seemed appropriate as the stories that Chih records are stories that they are being told and I wanted to experience them the same way.

I’m very glad I went back, as Into the Riverlands made an excellent audiobook, thanks to the expert narration of Cindy Kay. And the story had added depth and meaning after reading Mammoths at the Gates and exploring the neixen birds in general, and Almost Brilliant in particular, in a story that better showcased her talents and personality. On the whole I enjoyed this book even more the second time around, to the point where it’s making me think I might want to pick up the audiobooks for the first two books in the series, The Empress of Salt and Fortune, and When the Tiger Came Down the Mountain, and go all the way back to the very beginning!

One final note in reference to the ‘neixin’ and the audiobook. The thing about reading without hearing the words is that you learn how to spell words like ‘neixin’ without knowing how they sound. Listening to an audiobook is the reverse, in that you hear the word without knowing how it’s spelled (which can be frustrating when writing a review!) ‘Neixin’ does not sound at all like I thought it did, and I’m glad to sit corrected.

So reading/re-reading the Singing Hills Cycle has been lovely, and I’m already looking forward to the next book in the series, The Brides of High Hill. But listening to the story, as I think it’s meant to be told, has been a delight.

Review: Prophet by Sin Blache and Helen MacDonald

Review: Prophet by Sin Blache and Helen MacDonaldProphet by Sin Blaché, Helen Macdonald
Narrator: Jake Fairbrother, Ryan Forde Iosco, Charlotte Davey
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: espionage, mystery, science fiction, thriller
Pages: 480
Length: 17 hours and 1 minute
Published by Grove Press, Recorded Books on August 8, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Daring, surprising and superbly plotted, this is a fresh, thrilling page-turner from a dynamic new duo in genre fiction
Your happiest memory is their deadliest weapon.
THIS IS PROPHET.
It knows when you were happiest. It gives life to your fondest memories and uses them to destroy you. But who has created it? And what do they want?
An all-American diner appears overnight in a remote British field. It's brightly lit, warm and inviting but it has no power, no water, no connection to the real world. It's like a memory made flesh - a nostalgic flight of fancy. More and more objects materialise: toys, fairground rides, pets and other treasured mementos of the past.
And the deaths quickly follow.Something is bringing these memories to life, then stifling innocent people with their own joy. This is a weapon like no other. But nobody knows who created it, or why.
Sunil Rao seems a surprising choice of investigator. Chaotic and unpredictable, the former agent is the antithesis of his partner Colonel Adam Rubenstein, the model of a military man. But Sunil has the unique ability to distinguish truth from lies: in objects, words and people, in the past and in real time. And Adam is the only one who truly knows him, after a troubled past together. Now, as they battle this strange new reality, they are drawn closer than ever to defend what they both hold most dear.
For Prophet can weaponise the past. But only love will protect the future.

My Review:

From the opening of Prophet, two things are immediately clear. Sunil Rao and Adam Rubenstein are both FINE, and the situation they are in is already FUBAR.

Whatever is going on – which neither they nor the reader know yet – Adam and Rao are both Fucked-up, Insecure, Neurotic (and) Egotistical (although Rao is way more of the last than Adam) and the world is already Fucked Up Beyond All Recognition. FINE and FUBAR to the max, both of them and all of it.

In other words, they’re both hot messes and not a single thing that happens in Prophet helps either of them get any better.

Pretty much the opposite, in fact.

Calling Sunil Rao a human lie detector isn’t nearly enough of a description. It is TRUE, which matters a lot because that’s what Rao, as he prefers to be called, really does. He can tell when someone or something is true. Which explains why Rao gets called in – and out of a psychiatric institute after a suicide attempt – to the sight of something that so clearly does not belong even as he’s staring at the manifestation of it.

Come to think of it, Rao’s ‘gift’, for lack of a better word, also explains the psych hold, as well as why his work partner/keeper, Lt. Colonel Adam Rubenstein, has been brought in to make sure that Rao doesn’t go off the rails, again, no matter how much the situation they have been dragged into might justify it.

And that’s where both the thriller and the SFnal aspects come into this story. Prophet isn’t a person, there is no one predicting the future. And it’s not ‘profit’, which is what I first thought when I heard the title and hadn’t yet seen it in print.

Although, that’s for select definitions of both of those things, as there is a cabal that intends to make profit on Prophet in the long run, and they do believe that they can control the future with it. They’re oh-so-far off base on both counts.

Prophet is a drug. It’s an attempt to weaponize nostalgia. Which would be one hell of a power IF the side effects could be dealt with. At least the side effects that are a bug and NOT an actual feature. (As we already know because it’s already sorta/kinda happening IRL)

But Prophet isn’t exactly what anyone thought it was, and Rao’s special talent isn’t exactly what anyone has been led to believe, while Adam’s motivations for letting himself get roped into this FUBAR are not what anyone who thinks they are in charge of the whole thing has any reason to have a clue about.

Which leads to this story about finding those clues, the truth about Prophet, who thinks they’re behind it and what actually is. The truth about what Rao can really do. The truth about who Rao and Adam really are. The truth about the relationship between them that they have spent years trying to hide from themselves and each other.

And especially the truth about the nature of the universe, which is not a place that anyone would have predicted this story would go – but is oh-so-utterly fascinating once it gets there.

Escape Rating A+: The thing about Prophet as a story is that it is damn difficult to categorize. It’s kind of like Michael Crichton and Robert Ludlum had a book baby, and as wild and crazy as that thought is the whole thing still needs a lot of midwives and stepparents to get a glimpse at just how much is packed into the story.

But still, that’s a start. (It’s also a clue that any expectations that Prophet will have any resemblance at all to co-author Helen MacDonald’s H is for Hawk are going to be thoroughly disappointed.)

At first it all seems a bit SFnal, of the laboratory school of science fiction – much like Michael Crichton’s Jurassic Park and The Andromeda Strain. Prophet is created in a laboratory, and tested in a more-or-less scientific fashion. Or at least a scientific fashion for scientists who had their ethics surgically removed – which would also be science fiction. (We hope, we really, really do!)

But the way the story works is as a kind of mystery/thriller, particularly of the spy thriller school. Which is interesting because espionage fiction is usually about governments spying on other governments and that’s not what’s happening here. It’s not even, exactly, corporate espionage. Although it’s not exactly not either. (There are a LOT of things in Prophet that are not exactly what they seem but not exactly not what they seem, all at the same time.)

It’s more that Adam and Rao are kind of but not exactly undercover within the organization that is working with Prophet, playing with things they don’t understand, and trying their damndest to figure out what the hell is going on.

Which leads to the mystery. At first it’s the mystery of what created a 1950s era, American-style diner in the middle of the English countryside in a literal instant with someone actually watching the whole time. And what keeps happening to the people who get exposed to Prophet, whether accidentally or on purpose. Mostly on purpose.

Along with the mystery of why Adam Rubenstein is immune and Sunil Rao can safely extract it from people who have been exposed. It’s all a puzzle and a mystery and Adam and Rao become deeply invested in solving it – because they must.

Mixed in with ALL of that, and it’s a lot, is the relationship between Rao and Adam that is, that isn’t, that might be, that can’t be, and that is always more and different than anyone thinks it is. Which includes themselves. And quite possibly, the multiverse.

The inability to figure out what box Prophet falls into will drive some readers bananas. Certainly it gave the reading group that recommended it to me a whole bunch of very mixed reactions because it’s not easily defined. They collectively liked it and were not sure about it at the same time.

What carries the story, and carries the reader through the story, is the ever-evolving, often hidden, always on the verge of heartbreak relationship between Sunil Rao and Adam Rubenstein. They are not who they appear to be – not even to each other. Their histories are both shared and opaque to each other. And they’re both so FINE (in the sense of the acronym) that they are on the edge of mutually assured destruction almost all the time. And yet, they’re always on the same page and always have the same goals, even if it doesn’t seem that way at first, not even to them.

If the reader falls for them and their relationship, and I did, the story is an absolute WOW from beginning to end. An end which still manages to be a bit deus ex machina in spite of the reader being able to see it coming a mile away AND the way that it’s not the deus that saves the day. It’s the machina.

I listened to this one all the way to the end, and the readers were terrific every step of the way, even when they were voicing each other’s characters because the story is told in three, sometimes dueling, first person perspectives. This is the kind of first-person narration I love listening to, because the readers were so good and the story so compelling and the characterization, both in the text and in voice was so very much each of them individually that I really did feel like I was in their heads. Which made for an awesome listening experience.

One of my ongoing frustrations with multiple narrators in audiobooks, as much as I utterly love the style and how much it adds to the storytelling, is that while the list of narrators is credited, it’s seldom detailed into precisely who narrates whom. In this particular production, I believe that Jake Fairbrother ‘played’ Rao and Ryan Forde Iosco took Adam’s part, but I can’t be 100% certain of that in the way that I’m sure that Charlotte Davey voices Veronica, the absolutely psychopathic researcher in charge of Prophet R&D.

To sum things up, Prophet is absolutely bonkers in the best of all possible ways. If you like laboratory-based SF, the implications of the story are fascinating. If you love espionage fiction, especially if you miss it and wonder how those kind of stories are going to be told post-Cold War, this is a fantastic exploration of who might still be spying on whom and why. And if you love a good bromance/buddy thriller, especially one that has the potential for more, Prophet could be your jam across the board, and even better in audio.

It absolutely, positively was mine.

Review: Mammoths at the Gates by Nghi Vo

Review: Mammoths at the Gates by Nghi VoMammoths at the Gates (The Singing Hills Cycle, #4) by Nghi Vo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Singing Hills Cycle #4
Published by Tordotcom on September 12, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The Hugo and Crawford Award-Winning Series!
The wandering Cleric Chih returns home to the Singing Hills Abbey for the first time in almost three years, to be met with both joy and sorrow. Their mentor, Cleric Thien, has died, and rests among the archivists and storytellers of the storied abbey. But not everyone is prepared to leave them to their rest.
Because Cleric Thien was once the patriarch of Coh clan of Northern Bell Pass--and now their granddaughters have arrived on the backs of royal mammoths, demanding their grandfather’s body for burial. Chih must somehow balance honoring their mentor’s chosen life while keeping the sisters from the north from storming the gates and destroying the history the clerics have worked so hard to preserve.
But as Chih and their neixin Almost Brilliant navigate the looming crisis, Myriad Virtues, Cleric Thien’s own beloved hoopoe companion, grieves her loss as only a being with perfect memory can, and her sorrow may be more powerful than anyone could anticipate. . .
The novellas of The Singing Hills Cycle are linked by the cleric Chih, but may be read in any order, with each story serving as an entrypoint.

My Review:

When the Cleric Chih returns home to the Singing Hills Abbey after three years on the road collecting stories, they are astonished to discover that there really are mammoths at the gates of the abbey. It’s not exactly like saying there are barbarians at the gates – but as Chih learns it’s not exactly unlike, either.

Because in the stories that the clerics of the Singing Hills Abbey collect, mammoths ALWAYS come at the end. After they’ve trampled everyone and everything that stood in their way.

So Cleric Chih already knows that something terrible has happened even before they walk through the gates of the Abbey. And it doesn’t take them long to learn at least the tip of the iceberg of the rest.

Discovering that under the trumpeting of mammoths, it’s grief and stories all the way down.

The abbey is virtually empty, as most of the chroniclers and archeologists rushed to the site of a temporarily uncovered village, located in a valley that has been flooded for years, has been temporarily and briefly unflooded, and will be flooded again in just a few short months. Stories are what the Singing Hills Abbey is, and what it does, and there have been stories sunken in that village for decades that won’t survive the re-flooding.

So away they went.

In their absence, Chih’s best friend Ru has been made temporary Abbot, making the divide between the two lifelong friends even deeper than it has been, as Chih’s duty is to leave the Abbey to gather stories, while Ru, disabled in childhood by disease, is left behind to learn how to administer the place.

Which he is, and has, but…nearly the first thing that happened after most of the abbey’s population was out of reach was the death of the most senior cleric, Cleric Thien. Thien was both Chih’s and Ru’s mentor and father-figure. But before he became a Cleric, Thien was a high-ranking advocate (read lawyer) in the Empire.

Thien was disowned by his family and stripped of his imperial status when he became a Cleric. But the mammoths at the gate demonstrate that someone official, at least, has not forgotten Thien’s imperial service. And now they want him back. Dead or alive.

Escape Rating A+: I love the Singing Hills Cycle, and have from its very beginning in The Empress of Salt and Fortune. At first, it seemed like this series was a bit of an exercise in mythmaking, fantasy not because there’s any particular magical system, but because it feels like fantasy and doesn’t fit, neatly or otherwise, into any other box.

Also the writing is utterly lovely every step of the way, and it’s easy to get caught up in Cleric Chih’s world and the stories in it, even if we’re never quite sure whether or not it has any relationship to our own. There’s magic in these stories, they’re magically compelling, and that’s all that’s necessary to make for a captivating read.

Howsomever, while each story is complete in and of itself, the series as a whole is Chih’s literal journey around their world to learn and record the stories they find in that world, and that overarching frame provides a vehicle for telling fantastic adventures.

One of the fascinating points about that overarching story is the way that Chih began very much on the periphery of it. In The Empress of Salt and Fortune, Chih seemed merely to be the vessel into which the handmaiden Rabbit poured her tale of the Empress that she served, loved and hated, all at the same time, while Chih was there to make a record of it and explicitly not become a part of it.

But the following stories, When the Tiger Came Down the Mountain and Into the Riverlands, nudged Chih towards the center, as they spend the night When the Tiger Came Down the Mountain telling the tiger of the tale the tale of the tiger as it is remembered among humans, in the hope that said tiger won’t eat them and their companions before morning. While in Into the Riverlands it almost seems as if the tale is happening around them even as the villagers tell that tale to Chih.

The tale in Mammoths at the Gates is Chih’s own story, it’s happening TO them as we read it. It’s a story about love and loss, a story about friendship and compromise, and a story about growing up and letting go.

It’s also a heartbreakingly beautiful tale of a truth that sets no one free, and a love that both transcends and transforms death.

This was my second read of Mammoths at the Gates, and it was even better this second time around, as I had more time to savor it. I didn’t want to leave Chih and their world when I turned that final page, and I’m happy to say that I won’t be. I picked up the audio of Into the Riverlands, which I read when it came out but didn’t review here, because I wanted a chance to experience the Singing Hills Cycle as it feels like it’s meant to be, as a story being told and recorded.

AND, and I’m oh-so-happy about this, a fifth book in the Singing Hills Cycle, The Brides of High Hill, just popped up on Edelweiss last night as coming out in May, 2024. I’m thrilled and already looking forward to it!

Review: Contrarian by L.E. Modesitt Jr.

Review: Contrarian by L.E. Modesitt Jr.Contrarian (The Grand Illusion #3) by L.E. Modesitt Jr.
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, gaslamp, steampunk
Series: Grand Illusion #3
Pages: 624
Published by Tor Books on August 15, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

L. E. Modesitt, Jr., bestselling author of Saga of Recluce and the Imager Portfolio, continues his gaslamp political fantasy series which began with Isolate and Councilor . Welcome to the Grand Illusion

In Contrarian , protests against unemployment and poor harvests have become armed riots as the people sink deeper into poverty. They look to a government struggling to emerge from corruption and conspiracy.

Recently elected to the Council of Sixty-Six, Steffan Dekkard is the first Councilor who is an Isolate, a man invulnerable to the emotional manipulations and emotional surveillance of empaths―but not the recent bombing of the Council Office Building by insurrectionists.

His patron, the Premier of the Council, has been assassinated, leaving Dekkard with little first-hand political experience and few political allies.

Not only must Dekkard handle political infighting, and continued assassination attempts, but it appears that someone high up in the government and corporations has supplied arms and explosives to insurrectionists.

Insurrectionists who have succeeded in taking over a naval cruiser that no one can seem to find.

My Review:

If diplomacy is war conducted through other means, then it can be argued that politics must be civil war conducted by other means. There’s certainly a civil war going on between the three political parties in Guldor, complete with campaigns, strategies and entirely too many casualties.

The first book in this series, Isolate, ended in triumph. The second, Councilor, ended in tragedy. This third book, Contrarian, ends in – well, you’ll see – or at least you’ll see enough to make you want to pick it up. I hope.

The overall theme of The Grand Illusion series (Isolate, Councilor and now Contrarian) is wrapped around the grand and all-too-often grandiose illusion that government can somehow take care of all of the people all of the time even as it caters to the elites at the top of the dogpile.

While spinning pretty much everything they can – or can invent – to convince people that the folks who are sincerely trying to fix things are actually the people causing it because they are the ones bringing attention to the injustices.

We all know it works because we’ve seen it in action, much too often and much too recently, in real life.

However, by setting this intense political discourse in a gaslamp fantasy world and embodying it in the literal body of one political neophyte who is doing his damndest to make real life better for average people, we get to see the arguments from the outside and can pretend, if necessary for our psyches, that the story doesn’t have relevance to the real world.

The first book ended in triumph, as the middle-class, working-class Craft Party was swept into power in the constitutional monarchy of Guldor because they had a charismatic leader at the head of the party, his security aides were exceptionally good at keeping the man alive in spite of the number of assassination attempts he faced, AND the competing parties, Landor (nobility) and Commerce (megacorporations) had screwed the pooch so thoroughly and so often that their abuses of power became too obvious to cover up.

The second begins in the triumph of starting to stab at the myriad problems afflicting the country, only for that triumph to be cut tragically short when that charismatic and effective Craft leader was assassinated along with many of his most able councilors.

All except one, who was one of those exceptionally good security aides turned councilor in his own right. In Contrarian, Steffan Dekkard is caught on the horns of multiple dilemmas and in the midst of overwhelming changes both personal and professional.

Dekkard is the ‘contrarian’ of the title. He is one of THE most junior councilors in the Council of Sixty-Six, both in age and political experience. He is also the clear ‘spiritual’ heir to the assassinated Axel Obreduur, but can’t take up the reins of power – at least not yet. This is the story of him finding a way to operate, not so much from the shadows but from the back benches, managing up the levels of his party while continuing to dodge the political machinations of his enemies – along with the increasing number of assassins they aim at his head.

The opposition Commerce party is like a hydra, sprouting two heads for every one of their plots he manages to thwart. It is part of the cut and thrust of politics even at the best of times, but he knows he can and will lose some of the battles in pursuit of the greater war.

An assassin only has to succeed once. If Dekkard, with the assistance of his friends, working under the eagle eye and mind of his security aide and new bride Avraal, has to practice ‘Constant Vigilance’ while still serving his office, taking care of his constituents, and somehow managing to have a life – for as long he can.

Escape Rating A+: This series is my catnip. I could read about Steffan’s work day, his colleagues, his attempts to maneuver around a great many of them, and the crises in his country that he tries to prevent, pretty much all day long. As I did for the two days it took me to finish the book a few months ago for Library Journal, AND the day it took me to skim-read just now for this review. .

The book – and the previous books in the series – combine a kind of ‘slice of life’ story with an ongoing exploration of how the sausage of politics is made and why most people really don’t want to know about exactly what goes into it.

What makes it work, or at least work fantastically for this reader, is the way that all of the political maneuvering, whether for good or for evil, is embodied in the characters. Which means that this isn’t traditional epic fantasy, even though it is certainly epic in scope.

But we are meant to like Steffan Dekkard and his wife Avraal Ysella-Dekkard, and we do. We believe they’re working for, not an abstract good, not a ‘greater good’ but to make the lives of as many people as they can better by getting their government to work for all its citizens and not merely a privileged few who grease the wheels.

They are fighting the good fight, and it’s fun to watch them do their work – surprisingly so as watching them work often involves just watching them go through their day. It shouldn’t be riveting but it is and I was every step of the way.

The progress of the series so far reminds me a lot of the author’s Imager Portfolio, although not so much the first three books as the rest of the series that started (honestly re-started) with Scholar. Which means I’m expecting the Grand Illusion series to encompass Steffan Dekkard’s political career and end with a book titled Premier – or at least with Steffan holding that title in the book.

Whether or not my surmise about the far-off ending of the series is correct, Contrarian ends in a way that absolutely begs a return to this world and this series. It is clear from the book’s conclusion that neither the series nor Steffan’s career is remotely near done. And that he’ll have plenty of political battles to get through before it is. So, even though the author has returned to one of his other series this year, I have high hopes that we’ll get to see more of Guldor through Steffan and Avraal’s eyes in the years and books to come.

Review: Jade Shards by Fonda Lee

Review: Jade Shards by Fonda LeeJade Shards (Green Bone Saga #0.75) by Fonda Lee
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy, urban fantasy
Series: Green Bone Saga #0.75
Pages: 136
Published by Subterranean Press on July 31, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Fonda Lee returns to the acclaimed Green Bone Saga with four prequel short stories that delve into the personal histories of the Kaul and Ayt families.
The Witch and Her Friend. Before she was the ruthless leader of the Mountain clan, Ayt Mada was an orphan without friends at school except for one: Aun Ure, a teenage girl feared and renowned as an assassin but yearning for a simpler life.
Not Only Blood. Before he was the heir apparent of the No Peak clan, Kaul Lan challenged his grandfather and clan patriarch to help a boy who had lost everything.
Better Than Jade. Before they were married, Kaul Hilo and Maik Wen were a young couple facing long odds: the son of a top Green Bone clan in love with a stone-eye girl from a disreputable family.
Granddaughter Cormorant. Before she left and returned to Kekon, Kaul Shae was the apple of her grandfather’s eye…as well as a daring secret informer to a foreign country.
Contains an introduction and story notes by the author.

My Review:

Jade Shards isn’t a single story in the world of the Green Bone Saga, rather, just as the title indicates, it’s a series of little stories, shards if you will, of the magically beautiful big green stone that is the entire epic saga that begins with Jade City.

The stories in this collection feature the defining characters of Jade City, Jade War and Jade Legacy, but they are ‘before they were famous’ kinds of stories. In The Witch and Her Friend, we get to meet the towering figure of Ayt Mada on the very first steps of her journey to become the woman who set herself and her entire clan against the Kaul family.

Back when she was not a towering figure – and at that point in Kekon history had no hopes of becoming one. She was young, she was female, she was of unknown origin and she had been adopted into one of the two great families of Kekon. She was expected to be an asset to her new clan, but on the business side. She was never supposed to be the Pillar. WOMEN were not supposed to become Pillars. Period. But here we see the first inkling of the woman who did it anyway.

Ayt Mada was the powerful antagonist of the entire saga, but in that saga, she stood alone as her story does in this collection. The other stories dive deeply into the Kaul family, just as the other three stories here give us a peek into the early days of the three members of the Kaul family who drive the Green Bone Saga, Kaul Lan, Kaul Hilo and Kaul Shae.

All three were the heirs of Kaul Sennington, one of the two great heroes of Kekon’s liberation, along with Ayt Mada’s adopted father Ayt Yugontin. But where Ayt Mada was always alone, and had to fight to become the Pillar, Kaul Lan was always the intended heir of the Kauls.

Their three stories, Not Only Blood, Better Than Jade and Granddaughter Cormorant bring us perspectives on their characters before they became leaders. It’s a view of Lan as he is growing into the person he should have become, Hilo as he takes the first steps on the road to who he will be, and Shae as she attempts to fly away from her destiny.

Everyone who was enthralled by Janloon and fell in love with the characters that truly do live in the pages of the Green Bone Saga will be thrilled to get this glimpse into their earlier lives. And on this last trip back to Kekon will be caught between the pillars of smiling because it happened, and weeping because it’s over.

Escape Rating A+: I’m giving this one an A+ because that’s how deeply I escaped back into the world of the Green Bone Saga, how much I loved going there one more time, and just how damn sad I am that this looks like the last time based on the author’s introduction and notes in the book.

Unlike the first prequel to the Green Bone Saga, The Jade Setter of Janloon, even though all the stories in Jade Shards take place before the opening of Jade City, this is not the kind of prequel that stands alone, nor can it serve as an entry point for Jade City in the way that The Jade Setter of Janloon could.

The story shards in Jade Shards require prior knowledge of both the characters and the setting to have the resonance necessary to make them work. In other words, you have to already care about these people to want to read how they got to be the towering figures they eventually become.

It’s not nearly as interesting to watch their early fumbles and stumbles if you don’t already know just how sure and certain they eventually became on the roads they had to, or chose to, walk. But if you do care, if you’ve already visited Janloon, then Jade Shards is a bittersweet delight from beginning to end.

I finished the Green Bone Saga in tears at the end of Jade Legacy. By the end I felt like I’d walked the road with these marvelous characters and was beyond sad to their story end. It was a right, proper and fitting ending, but I just wasn’t ready to leave this world behind.

And neither was the author, as she admits in the notes for Jade Shards that these stories are a case of her writing fanfiction in the universe that she created. IMHO it’s a universe that is made even richer by these portraits of the clan leaders as young men and women. So I’m glad she was able to put these out into the world and sad that it looks like these will be the last.

The Green Bone Saga gave me the biggest book hangover I can remember in a very long time, one that is still stuck in my brain now two years after I finished Jade Legacy. To the point where I’m highly tempted to start listening to the damn thing all over again.

If you’re still a bit stuck in Janloon and looking for a way to alleviate the ache of missing it, may I recommend Ebony Gate by Julia Vee and Ken Bebelle. It’s the first thing that has scratched even the tiniest bit of my itch to return to Kekon. If you have that same itch, it might do the same for you.

And if you don’t have that itch and you’ve read this review to the end, what are you waiting for? Take your very own trip to Jade City and prepare to be captured and captivated.

Review: Ebony Gate by Julia Vee and Ken Bebelle

Review: Ebony Gate by Julia Vee and Ken BebelleEbony Gate (Phoenix Hoard, #1) by Julia Vee, Ken Bebelle
Narrator: Natalie Naudus
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: fantasy, urban fantasy
Series: Phoenix Hoard #1
Pages: 448
Length: 14 hours and 7 minutes
Published by Macmillan Audio, Tor Books on July 11, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Julia Vee and Ken Bebelle's Ebony Gate is a female John Wick story with dragon magic set in contemporary San Francisco’s Chinatown.
Emiko Soong belongs to one of the eight premier magical families of the world. But Emiko never needed any magic. Because she is the Blade of the Soong Clan. Or was. Until she’s drenched in blood in the middle of a market in China, surrounded by bodies and the scent of blood and human waste as a lethal perfume.
The Butcher of Beijing now lives a quiet life in San Francisco, importing antiques. But when a shinigami, a god of death itself, calls in a family blood debt, Emiko must recover the Ebony Gate that holds back the hungry ghosts of the Yomi underworld. Or forfeit her soul as the anchor.
What's a retired assassin to do but save the City by the Bay from an army of the dead?

My Review:

When we first drop into Emiko Soong’s life, she has been living in San Francisco for two years trying to seem normal – leaving behind as much as possible that made her hated and reviled as the Blade of Soong, the Butcher of Beijing.

But assassins don’t get to retire, and members of high-ranking Hoard Custodian families don’t get to leave their clans or their pasts behind – no matter how much they might want to. Or need to.

Emiko’s San Francisco both is and is not the one we Waīrén – read as garden-variety, no-magical-talent, original recipe-type humans see. Because Emiko is a member of one of the clans descended from the Eight Sons of the Dragon, and she has talents that seem magical. Or at least the other members of her family and the rest of the clans do. Emiko is a dud, a disappointment to her parents and her clan.

Or so she believes. (I left the book wondering a whole lot about the truth of that, but that’s me wondering and nothing revealed – at least not in this first book in the trilogy. We’ll see.)

If you haven’t guessed, Ebony Gate is urban fantasy, in a setting that’s a bit like The Nameless Restaurant where the magic and magic-users are hidden in plain sight from the mundanes, but in a world where the danger is dialed up to the max due to both political skullduggery and outright violence.

(There are also touches (or more) of Nice Dragons Finish Last, The City We Became and Jade City if you get the same book hangover from Ebony Gate that I did and are looking for readalikes. I digress.)

Emiko is a woman caught between worlds, and destinies. Without power of her own, she’s been a pawn of everyone around her, from her parents to her clan to the rest of her people, the Jiārén to the primal forces at the heart of both her world and her adopted city.

At her heart she’s a protector – but she’s been molded into a killer through guilt and manipulation. San Francisco was her chance to start over, but her mother’s machinations have just pulled her back into the middle of everything she tried to set aside.

She can’t avoid the duty – because her powerful mother has put her in a position where taking up that obligation is the only way she can keep her beloved brother safe. So Emiko is back where she started, wading through blood and guts and hoping that her martial arts skills will be enough to beat back people with the power to create whirlwinds and tornadoes.

What awaits her if she fails is a fate that is, really, truly, worse than death. If she succeeds on the terms that everyone expects of ‘The Butcher of Beijing’ she might as well resign herself to an early death as her family’s vengeance blade.

But there’s a slim possibility that she can forge a path of her own – if she’s able to let go of enough of her own damage to accept a job that may still get her killed – but on her own terms and in a truly righteous cause.

Escape Rating A+: Hot damn but this was good. It had me hooked from the opening and I stayed engrossed until I turned the last page and kind of screamed because I wasn’t ready for it to be over. And it’s not as this is the first book of a trilogy but I want that second book NOW! Dammit.

Ebony Gate is one of those stories where I started in audio, and absolutely loved it, but switched to text because as much as I didn’t want this to end I was getting desperate to learn how this first book in the trilogy concluded.

That being said, I want to give a big shoutout to the narrator, Natalie Naudus, who also narrated Max Gladstone’s Last Exit. She was a terrific choice to narrate both books, as both are written in the first-person perspective of characters with the same attitude of take no shit, take no prisoners, get shit done no matter the cost to oneself and always, always keep one’s angst and insecurities and weaknesses on the inside where no one can take advantage of the weaknesses – but no one can help carry the burden, either.

While the urban fantasy thriller pace of Ebony Gate relentlessly keeps the reader turning pages, this is a story that leans hard on the personality of its protagonist – as do pretty much all of the characters she deals with along the way.

Everyone wants a piece of her. Everyone always has. She’s second and third guessing herself at every turn, as she always has and always does, because she’s never felt like she’s enough for any of the tasks laid before her. She plows on anyway. Always.

But through her memories of her failures and her internal monologue of her thoughts, fears and frustrations, we’re able to experience her world through the eyes of someone who is an insider but who has always seen herself as being on the outside looking in. And whose fatal flaw isn’t, after all, her lack of power, but rather her inability to get her opponents to STFU. This is Emiko’s journey and we’re absolutely taking it with her and it’s fan-damn-tastic AND nail-biting every step of the way.

Before I stop the squee – and yes, I fully recognize I’m just squeeing all over the place at this point because I loved this one SO DAMN HARD – I have one more thing to add.

Ebony Gate is the first thing that has scratched even a tiny bit of the book hangover itch from Fonda Lee’s marvelous Green Bone Saga. Not that other books haven’t given me itches nearly as bad – I’m looking at you, Glass Immortals – but this is the first thing that has assuaged even the tiniest bit of that particular itch – even as it creates one of its very own. Which means I’m looking forward, rather desperately, to the next book in this series, Blood Jade, coming hopefully sometime next year

Guest Review: Chef’s Choice by TJ Alexander

Guest Review: Chef’s Choice by TJ AlexanderChef's Choice (Chef's Kiss, #2) by T.J. Alexander
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, queer romance, romantic suspense
Series: Chef's Kiss #2
Pages: 336
Published by Emily Bestler Books on May 30, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A fake dating arrangement turns to real love in this deliciously delightful queer rom-com from the author of the sweetly satisfying Chef’s Kiss.
When Luna O’Shea is unceremoniously fired from her frustrating office job, she tries to count her blessings: she’s a proud trans woman who has plenty of friends, a wonderful roommate, and a good life in New York City. But blessings don’t pay the bills.
Enter Jean-Pierre, a laissez-faire trans man and the heir to a huge culinary empire—which he’ll only inherit if he can jump through all the hoops his celebrity chef grandfather has placed in his path. First hoop: he needs a girlfriend, a role that Luna is happy to play…for the right price. She’s got rent to pay, after all! Second hoop: they both need to learn how to cook a series of elaborate, world-renowned family recipes to prove that Jean-Pierre is a worthy heir. Admittedly, Luna doesn’t even know how to crack an egg, but she’s not going to let that—or any pesky feelings for Jean-Pierre—stop her.
Another swoon-worthy and heartwarming queer love story from a charming new voice in romance.

(More chefs! More queer folk!  Now I just need the sci-fi. Marlene’s recommendation in a comment on my last post has been added to my reading list, so look for a review on that once conference season is over for me.)

Guest Review by Amy: The opening chapter of this book hit me like a shovel to the face; Luna O’Shea gets fired, abruptly, for no other apparent reason than for being transgender. This is something that is unfortunately common among gender non-conforming people in the United States, and  that sort of discrimination is not even prohibited  by law in much of the country. Having had a number of friends this has happened to, I found the chapter very triggering and unpleasant, and I had to put the book down and sleep on it, complete with nightmares of me being treated that way.  I was tempted to tell Marlene this was a “DNF,” a book that I simply could not finish. But I knew deep in my soul somewhere that author TJ Alexander would not do us dirty like that, and there was something good right behind that painful setup. Turns out, I was right, and I’m glad I kept reading. Once you’re past the rocks and shoals of that first chapter, there’s a lovely, fun story to be had here.

Escape Rating: A+. “Wealthy heir-apparent must appear to be in a relationship to inherit, so he gets a fake girlfriend” is a tried-and-true plot; the romance industry has made use of it for decades, and it’s a great venue for some really comedic scenes. TJ Alexander gives us a slight twist on it here; the wealthy young Frenchman Jean-Pierre isn’t simply an idling playboy, he’s also a transgender man, so there’s some family-acceptance issues in his life, too. His famous chef grandfather has set him a challenge:  recreate a pretentious, difficult nine-course meal that he is famous for, and he’s the heir. Fail, and he’s out of the will.  He needs a fast cover story for why he’s in New York, instead of talking to his (also famous chef) grandmother from the other side of the family, and transwoman Luna takes the bait – money, of course – and finds herself embroiled in family drama.  They’re going to take Papi’s challenge…but neither of them have a clue how to cook.

Our story begins a few months after the end of the companion story, Chef’s Kiss, and Simone and Ray figure in heavily, along with some of the other supporting cast from the earlier novel. I was delighted to see this, as I had really enjoyed the development of their relationship, and seeing what it looked like some months later as an established relationship was nice for me. It gave me a sort of Nora Roberts-esque wish that there was a third story to tell here somewhere, that could be plugged in around these two.

Meanwhile, back to the future in Chef’s Choice…as simply must happen, the not-couple is forced to act like a couple by circumstance way too early, when Luna’s mom shows up, drawn to town by the paparazzi pictures of her daughter with the young man, and a visit to Luna’s weekly friends-gathering at the local pub. Smooth, urbane Jean-Pierre handles all this with a healthy dose of Gallic stubbornness, but when Luna points out that their arrangement is little different from sex work, he loses his cool for a bit. There’s some back and forth – these two complicated people are trying really hard to make it look like they’re the perfect couple, and the challenges pile up fast.

The pair spend a weekend at his grandmother’s lavish condo being taught to cook by Simone and Ray, and we get some of the first hints that something more might be afoot for Luna and her “JP.”  Ray is non-binary, and when introduced, Jean-Pierre takes some time to make sure he has their pronouns right in both French and English. Luna finds that sort of caring unspeakably hot – she wants to “shove JP against the labeled shelves and grind like a freaking pepper mill.” That particular statement had me laughing loudly. The book is liberally garnished with fantastic one-liners and in-jokes like that, and it helps make the well-trodden plot a light, fun read, even through all the trials and tribulations.

I shan’t ruin the ending for you. In my review of Chef’s Kiss, I gigged the book slightly for its abrupt ending. I have no such complaint here; Jean-Pierre and Luna go to France for the cook-off, and the various threads of the story come together into a smooth, satisfying end. Along the way, Alexander grasps the question of “what makes a man, a man?” in their development of Jean-Pierre’s character, and touches on how gender non-conforming folks may struggle with the choice of how to interact with the world around them. Both questions are handled in a most gentle way, giving the reader space to consider these matters for themselves without struggle or pain.

Normally, in a book review, we don’t spend much time on the author’s acknowledgements, but this bit at the very end stuck out to me:

So if you’re reading this, you beautiful, powerful, tired trans person, please know that this was my love letter to you. I hope it brought you a little joy; you deserve every bit you can get.

Both of the tales in this series absolutely did. TJ, if you ever read this: thank you, from the bottom of my non-binary transgender heart.

TJ Alexander writes with mandoline-sharp wit, a clever eye for details, and a deep understanding of queer life and culture. This work, like its predecessor, gets my strongest possible recommendation.

Guest Review: Chef’s Kiss by TJ Alexander

Guest Review: Chef’s Kiss by TJ AlexanderChef's Kiss (Chef's Kiss, #1) by T.J. Alexander
Format: paperback
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, queer romance, romantic comedy
Series: Chef's Kiss #1
Pages: 308
Published by Emily Bestler Books on May 3, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A high-strung pastry chef’s professional goals are interrupted by an unexpected career transition and the introduction of her wildly attractive nonbinary kitchen manager in this deliciously fresh and witty queer rom-com.
Simone Larkspur is a perfectionist pastry expert with a dream job at The Discerning Chef, a venerable cookbook publisher in New York City. All she wants to do is create the perfect loaf of sourdough and develop recipes, but when The Discerning Chef decides to bring their brand into the 21st century by pivoting to video, Simone is thrust into the spotlight and finds herself failing at something for the first time in her life.
To make matters worse, Simone has to deal with Ray Lyton, the new test kitchen manager, whose obnoxious cheer and outgoing personality are like oil to Simone’s water. When Ray accidentally becomes a viral YouTube sensation with a series of homebrewing videos, their eccentric editor in chief forces Simone to work alongside the chipper upstart or else risk her beloved job. But the more they work together, the more Simone realizes her heart may be softening like butter for Ray.
Things get even more complicated when Ray comes out at work as nonbinary to mixed reactions—and Simone must choose between the career she fought so hard for and the person who just might take the cake (and her heart).

Note from Amy: I realized as I was writing this that I’ve been gone from these pages since the beginning the COVID-19 pandemic; my last review was for Melanie Yaun’s PsyTek. In the early days of the pandemic, just weeks after that review was posted, we lost Melanie, so the rest of that story, sadly, is lost to us, as is her brilliant work at our shared day job, her joyous wit, and her dear, dear friendship.  In the time since then, I’ve not been as much of a reader or writer as I have been in the past. But the subject of today’s post, perhaps, marks a turning point for me, where I can get back at the keyboard.

Guest Review by Amy: Two people, who get a crush on each other and spend most of the book circling around that fact through an assortment of tribulations, until one of them apologizes and says they’ll never mention it again, and the other says, “wait, what?” and they ride off into the sunset together.  Tropey as it comes, right?  That’s the basic recipe for a rom-com, isn’t it?

When I saw a queer romance, involving a chef, I was all-in. I love to cook (ask Marlene!) and I love queer romance almost as much as I love sci-fi.  If there’s ever a queer romance set on a spaceship involving the ship’s cook, I may spontaneously combust. (Marlene’s comment: Ryka Aoki’s marvelous Light from Uncommon Stars is more cooking than cheffing, but there’s a spaceship and a queer romance and donuts and it’s marvelous. I’ll be prepared to pick up your pieces if you combust upon reading.) 

Escape Rating: A+:  One of the things that makes a whole lot of romances work is that they draw the reader – usually a female – into identifying with the – usually a female – protagonist.  It’s a formula that has driven Harlequin’s success since before Marlene or I were born.  But what happens when the reader is not drawn into the world of the protagonist from whose eyes we are seeing the story, but to their love interest?  In my case, that is what happened in Chef’s Kiss.  Our protagonist, and the lens through which we see author TJ Alexander’s New York City setting, is Simone, a trained chef, who works at a fairly staid old media company producing recipes in a test kitchen. She’s happy with her situation; it’s her dream job!  Sure, it doesn’t pay as well as it could, perhaps, but the magazine has been losing subscriptions for a while now, because 21st century, you know…

Other reviewers, and indeed, the book’s back cover, call Simone “high-strung,” but to my eyes, that is kind of a cheap shot, as no one calls her that between the covers of the book, and I’m just not seeing that. She’s a bit uptight, perhaps, something of a perfectionist, and rather resistant to change, certainly.  So when the publisher of the magazine calls her in and tells her their whole business model is changing to creating video content, and then she discovers that the long-time kitchen manager has been replaced by a much younger and more energetic person who is going to change literally everything in her orderly world, she is, to put it mildly, kind of agitated about it. I get that, and I don’t think that classifies as “high-strung.”  She’s just behaving…well, like I might, in her shoes.  And I’m not high-strung.  Am I? (Marlene’s comment: No, you’re not. Or I am too and we’re NOT going there because cheap shot is still cheap.)

It doesn’t take long, of course, until the bisexual Simone falls for the tall, good-looking and energetic new soul in the kitchen, though – Ray is super-cute, enjoys wearing a leather apron, and looks really good in it. But they’re just colleagues, you know…then, just friends, of course…

The publisher’s video guy accidentally posts a clip of Ray being hilarious and awesome on the magazine’s channel, and it goes viral, and all of a sudden, the strategy for media is changed, and Simone and Ray are co-hosting a hit show on YouTube, much to the chagrin of the company’s arrogant social media manager.  Things rock on pretty well, until…

Okay, I’m going to have to level with you here. I’m not an unbiased reader; Ray is non-binary, tending toward masculine, and I’m non-binary, tending feminine. When Ray comes out at work, they have mixed results. While Simone and the other kitchen staff are supportive, management (including that snooty social media maven) are not, continually dead-naming and misgendering them. And Ray tells their allies in the kitchen to not make a fuss, because they cannot lose this job – and when we as readers are informed of why, when Ray tells Simone, my heart just broke for them.

Yes, this story is a rom-com. And yes, it’s got all the classic elements of one – the not-quite-understanding each other’s subtexts, the “I said things when I was drunk” night, the “we’ll never mention this again.” But there is a second story here, and it’s one that Simone shows us in some pretty sharp detail – Ray’s struggle for their identity and acceptance. Simone is there for Ray, as they are Going Through It, tending to them through what – for both Ray, and for me – are some of the toughest moments of their life. Ray’s path, because it mirrors my own, resonated forcefully with me, even though the details of their path are quite a bit different from my own. It’s the same struggle, really: the struggle to be themselves.  It is a struggle I have lived with for over a decade now, and seeing Ray’s life through Simone’s eyes brought me back to some of the difficult moments of that period.

Simone is going through her own struggle, too, being a mostly-closeted bisexual woman, and when she outs herself to her manager (in the discussion over Ray’s coming-out), you see her own frustration with the struggle she sees coming. It’s not on the scale of Ray’s, but it’s there, and we get to see her respond to that in a really rewarding way when she points out to her boss that “You’re the only straight person in the room.”

Cisgender and/or straight readers might not get that resonance, and for those readers who don’t, this is still a fantastically cute, sassy, well-crafted rom-com with a little steam and some great food for thoughtful reflection. If you’re one of those readers, that’s okay, though this reviewer’s hope is that seeing Ray and Simone’s struggles educate you a bit, and give you a better feeling for those people around you who may not fit in the same mold you do. For queer folk and their allies, though, there’s so much more to see and feel here. My one gripe about this book is that the ending came too quickly, the resolution a little bit deus ex machina for my tastes – the happy-for-now ending came quite abruptly, even though it was a good end to the tale. This was TJ Alexander’s first work, and I am going to read their second work, the follow-on Chef’s Choice, right away. I’m hungry for more.

Review: A Thousand Recipes for Revenge by Beth Cato

Review: A Thousand Recipes for Revenge by Beth CatoA Thousand Recipes for Revenge by Beth Cato
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, historical fantasy
Series: Chefs of the Five Gods #1
Pages: 411
Published by 47North on June 13, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

A world on the brink of war and a mother and daughter on the run, in a thrilling novel of swashbuckling adventure, culinary magic, and just desserts.
Adamantine “Ada” Garland has an empathic connection to food and wine, a magical perception of aromas, flavors, and ingredients. Invaluable property of the royal court, Ada was in service to the Five Gods and to the Gods-ordained rulers of Verdania—until she had enough of injustice and bloodshed and deserted, seeking to chart her own destiny. When mysterious assassins ferret her out after sixteen years in hiding, Ada, now a rogue Chef, and her beloved Grand-mère run for their lives, only to find themselves on a path toward an unexpected ally.
A foreign princess in a strange court, Solenn unknowingly shares more with Ada than an epicurean gift. They share blood. With her newfound magical perception, she becomes aware of a plot to kill her fiancé, the prince. It’s part of a ploy by adversarial forces in the rival country of Albion to sow conflict, and Solenn is set up to take the blame.
As Ada’s and Solenn’s paths converge, a mother and her long-lost daughter reunite toward a common goal, and against a shadowy enemy from Ada’s past who is out for revenge. But what sacrifices must be made? What hope is there when powerful Gods pick sides in a war simmering to eruption?

My Review:

There are a thousand quotes about revenge and most of them are not kind to the person seeking it. But it’s possible that the one in the world of these particular five gods is the most bitter, literally and figuratively. “There are a thousand recipes for revenge, and they all taste like scat.”

In other words, revenge tastes like shit. In a world where the ability to perceive and even enhance the qualities of every single thing a person might eat or drink is the highest form of magic, that has to be one of its world’s greatest curses.

And a warning that entirely too many people have refused to heed in this fantastic story that has only just begun.

At first, we’re following two women who don’t seem to have much to do with each other. And even though we don’t know it yet, someone’s revenge has reached out, seemingly from beyond the grave, to do its best to turn both their lives into shit.

Or perhaps something a bit worse but surprisingly edible – even if it really, really shouldn’t be. Which is where this world’s magic comes in.

Ada Garland is one of the chefs blessed by Gyst, the God of Mysteries and Unknowns. Her tongue is literally magic. She can tell whether something is clean or polluted, poisonous or just badly prepared, too salty, too sweet, or perfectly balanced. Her magic allows her to make the dish that a person wants and needs most in that moment – and do it perfectly every time.

And she has the power to turn certain special ingredients, called epicurea, into magical items that will pass their magic on to whoever eats them.

It’s a gift and a curse at the same time, as all blessed chefs in her country are automatically conscripted into the royal service the moment their talents manifest. It’s a service that led Ada to her husband and their child. And it’s a service that split them apart when the alliance between their countries dissolved.

Ada is on the run, and has been for over a decade, taking care of her increasingly unstable grandmother while avoiding the grasping, greedy mother who wants to use her and her talent for ends that are even more unsavory than Ada first believed.

The revenge that reaches out for Ada, her friends and her family threatens to expose all of her secrets – and theirs. If it doesn’t get them all killed first. Or worse. Much, much worse.

Escape Rating A+: I picked this up because I was looking for something else with magical cookery after The Nameless Restaurant. Both stories do feature cookery as Magic with a Capital “M”, but that is the only thing they have in common. I’m still grateful for the push from the one to the other, because A Thousand Recipes for Revenge is just plain awesome and I’m so glad I read it, even if it is making me give the side-eye to pretty much everything I eat.

The magic system here is both fascinating and unsettling at the same time, because it’s all wrapped around magical foods, the ability to create them and the ability to taste them. This is a world where many people can cook, and unsurprisingly so or everyone would starve, but where it takes a gift from the actual gods to be a chef. But the silver lining of that gift comes with plenty of cloud wrapped around it, as both Ada and Princess Solenn discover to their cost.

This is also definitely one of those stories about being better off – or at least sleeping better at night – if one did not know how the sausage was made. It’s a secret that has been brutally suppressed in this world for excellent if entirely terrible reasons.

At first, this seems like a rather typical military type, gaslamp set fantasy. Ada is AWOL from her military service, while our second perspective on this story, Princess Solenn, is in the midst of being married off for a political alliance.

But then Ada’s old comrades start getting killed, Ada’s hidden existence is suddenly under threat, and it seems like she’s on the run from awful but otherwise mundane forces. Until things go completely pear-shaped and the gods start getting involved. At which point it’s off to the races – against time, against death, against the forces of oppression and most especially against petulant beings who would rather play with their food than either nurture it, treat it as a pet or kill it as prey.

And then things get really complicated.

I thought I knew where this was going. And then I thought I knew where this was going. But it didn’t go any of the places I thought it would, but where it did end up was both head spinning and stomach churning as well as a tremendous tease because there had to be more and at first I didn’t realize there was, but there is and oh thank goodness!

Ada and Solenn give readers two heroines to route for, as this is both Ada’s story of picking up the pieces of the life she left behind and Solenn’s coming of age story and both are fantastic. The world’s setup at first seems fairly standard epic fantasy and then goes to places that are fresh (if occasionally rotting) and new and unexpected. There are bits of Bujold’s World of the Five Gods and Jenn Lyons’ A Chorus of Dragons in the way that the gods of this world operate, as well as Guy Gavriel Kay’s and Jacqueline Carey‘s use of real world geography and history as a way of creating a fantasy world’s map and political divisions, but the magic system is just completely off a new wall and it’s marvelous in the way it suffuses the story.

Which, as I squeed earlier, thankfully isn’t done yet. There’s a second book in the Chefs of the Five Gods series, A Feast for Starving Stone, coming in January. And I can’t wait!