#BookReview: That Time I Got Drunk and Saved a Human by Kimberly Lemming

#BookReview: That Time I Got Drunk and Saved a Human by Kimberly LemmingThat Time I Got Drunk and Saved a Human (Mead Mishaps, 3) by Kimberly Lemming
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy, fantasy romance, romantasy
Series: Mead Mishaps #3
Pages: 353
Published by Orbit on March 5, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When I was a little girl, my Ma used to read me stories every night. Some were epic adventures with high stakes and exciting twists while others were of princesses trapped in towers guarded by fierce dragons. The pitiful princess would be stuck inside all day pining for her prince charming to come and rescue her. I always hated those stories. I couldn't imagine why the lazy thing didn't just get up and leave. Ironic since I was now stuck in that same situation. Turns out, when a dragon holds you hostage, he doesn't just let you get up and leave.Who knew?
When I thought I saw hope on the horizon, that hope was smashed to bits by - you guessed it - another damn dragon.

My Review:

Technically, this final entry in the Mead Mishaps trilogy is not, strictly speaking, a mishap involving any mead. Also, Dante wasn’t drunk. High as a kite and sick as a dog, but not drunk. Not that he didn’t drink something he shouldn’t have – but only because the human he was trying to save drugged him.

In other words, the eventual romance between Dante the Storm Dragon and the human Cherry does not exactly get off to a promising start.

Which is the story of Cherry’s current life when the story begins. Because yes, that’s Cherry Hotpepper, the missing and presumed dead sister of the heroine of the place where this whole thing started in That Time I Got Drunk and Saved a Demon.

In an absolutely delicious and utterly heartbreaking bit of the irony behind ALL the entries in this series, at the point where Cinnamon Hotpepper saved that demon – and ultimately ALL the demons – she was doing her damndest to avoid having adventures because Cherry loved adventures SO MUCH and Cherry was gone.

So Cinnamon had the adventure that Cherry would have loved, pretty much in spite of herself. When we first meet Cherry, she’s imprisoned in a dragon’s keep with the dragon literally curled about the base of the keep keeping her prisoner – and has been for five long, annoying, boring years with nothing to do but plot an escape that the dragon thwarts over and over and over again.

But he doesn’t harm her. He doesn’t touch her, not even in his human form. More frustrating still, he doesn’t even TALK to her. Cherry is bored, bored, bored. Cinnamon would have loved being locked in a literal ivory tower – particularly as good food and interesting libations are on tap courtesy of the dragon’s little frog-servants – while Cherry is ready to claw her way out by her fingernails.

Which is when Dante flies to her rescue. Or that’s his intent, at least. But Cherry has had it up to the top of her head with all her curls piled on top of it with dragons. She doesn’t trust Dante – at all.

Dante, however, is certain that Cherry is his true, fated mate. He’s stoned, she’s sorry not sorry, and he’s watching his arms crawl away and talking to bananas. Which is the point where explanations and consent go out the window and he bites her – giving her some of his magic and triggering the mating bond.

It may have been the right thing to do – and he certainly wasn’t responsible for his actions – but now that it’s done there’s no takesy-backsies. Not that even wary, suspicious Cherry wants to go quite that far.

But a little romance first would have been a much better way of wooing the woman that Dante has already made his wife. It’s too late for that to be first, but maybe, just maybe, he’ll have a chance if he can figure out how to do it second.

He’ll need just a little bit of help from his friends back in Boohail – and get more than a little bit of hindrance from his dragon sister, an enchanted, talking sword, and a cat who is all demon.

Escape Rating B: In the end, I enjoyed this nearly as much as I did the previous books in the series, That Time I Got Drunk and Saved a Demon and That Time I Got Drunk and Yeeted a Love Potion at a Werewolf.

But I’ll admit that the early stages gave me more than a few qualms that the other books didn’t. Because this book has a serious problem with consent that the previous books carefully and artfully handled – particularly that second book about the love potion and the werewolf.

Fated mate stories can easily turn just a bit squicky, as the fated mates themselves generally have no choice in the matter – but it’s mutual. In this particular fantasy world, the demons and other non or not-quite humans have fated mates – but humans don’t work that way. Making a huge portion of each of these stories about the demon partner getting their fated partner onside, because they are already all in and the human can still walk away even if the demon can’t.

That’s out the window in this book. Dante has no choice, Cherry is it for him. But he takes away her ability to make a choice for herself while he’s admittedly under the influence of the drug she gave him. So she inflicted him with a temporary condition that he’ll get over in a few hours while he inflicted her with a permanent one that will alter her entire life.

It may turn out for the better – but she doesn’t know that in the beginning. All of his attempts to persuade or seduce her consequently didn’t feel either right or romantic because she has been compromised. In the end he’s going to ‘win’ unless she kills him first – which might kill her into the bargain.

So I wasn’t feeling the romance nearly as much as I did in the other two books because it always felt predetermined. Not that Dante is exactly at fault for what happened thanks to the drugs, but it still took the romance out of things for this reader.

Howsomever, what did work for me, very much, was the weepy, teary, heartstopping reunion between Cherry, her sister Cinnamon, and their sister-of-the-heart Brie, the heroines of those first two books. Cherry’s absence – and presumed death! – casts just a bit of a pall over the whole series because Cin and Brie have Cherry-shaped holes in their hearts and their lives.

Seeing those holes filled, and finally, finally learning about the emptiness that led that original dragon to keep Cherry prisoner for so long, brought the book AND the series to a VERY satisfying conclusion!

#BookReview: That Time I Got Drunk and Yeeted a Love Potion at a Werewolf by Kimberly Lemming

#BookReview: That Time I Got Drunk and Yeeted a Love Potion at a Werewolf by Kimberly LemmingThat Time I Got Drunk and Yeeted a Love Potion at a Werewolf (Mead Mishaps, 2) by Kimberly Lemming
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy, fantasy romance, romantasy
Series: Mead Mishaps #2
Pages: 288
Published by Orbit on February 6, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Cheesemaker Brie has the world’s worst luck in love, which is how she ends up falling for a lactose intolerant werewolf, in this raunchy, laugh-out-loud rom-com fantasy by the genre’s freshest new voice, Kimberly Lemming.

Brie’s never been particularly coordinated…or lucky. Who else would accidentally throw a drink at someone’s head only to miss entirely and hit a stranger behind them? And who else would have that stranger fall madly in love with them because it turns out that the drink she threw was a love potion? Yeah, probably just Brie.…

Running her cheese business and dealing with a pirate ship full of demons that just moved into town was hard enough. Now on top of it, she has to convince a werewolf that she’s not really his fated mate. Though even she’s got to admit…having a gorgeous man show up and do all her chores while telling her she’s beautiful isn’t the worst thing to happen to a girl.

My Review:

Unlike Cin in the first book in the Mead Mishaps series, That Time I Got Drunk and Saved a Demon, Brie wasn’t quite THAT drunk, and she wasn’t even aiming at the werewolf. She caught him anyway, and thereby, quite literally, hangs a tail.

The tail that Felix, the werewolf of the title, can’t stop himself from wagging whenever Brie is anywhere near him – at least when he’s furry. There are plenty of other things bobbing and weaving when she’s around when he’s NOT furry.

But is obviously still very, very happy to see her.

I just started in the middle, didn’t I? That’s actually kind of apropos, as That Time I Got Drunk and Yeeted a Love Potion at a Werewolf is the second or even more on point, the middle book in the Mead Mishaps series that began with That Time I Got Drunk and Saved a Demon.

Back to Brie, drinking at the local watering hole in Boohail, fending off the smarmy, amorous and utterly clueless advances of one of the local get-rich-quick-scheme types who’s after her for her small plot of land and not for any of her other abundant assets.

A man who won’t take “no” for an answer in the most teeth-grinding and utterly self-absorbed way possible. (I thought at this point we had a possible ‘Gaston’ situation here, but he’s not quite that bad and certainly can’t convince nearly enough people to form a mob to come after anyone with torches and pitchforks – otherwise one of his get rich quick schemes would have worked and he might not be pursuing Brie.) He’s just the unfortunately all too common variety of male who is certain that if he hears a woman say ‘no’ in his general direction that he must have misunderstood – or that she must be misunderstanding herself.

Unfortunately, we ALL know the type.

So he goes out and buys a love potion – does his damndest to get Brie to take it and drink it – and she’s had enough. Up to HERE and over it, and yeets the disgustingly pink potion (think Pepto-Bismol pink because I certainly did) across the room, intending it to hit the asshole in the face.

He ducks, the love potion hits Pirate Werewolf Felix in the face, and we’re back to the hanging – and or wagging – of that tail again.

Because the love potion works, dammit. Felix falls instantly in love with Brie. Which is GREAT because he really is everything that other guy thinks he is. With a cherry on top. Felix is the fulfillment of every single one of Brie’s not so secret yearnings.

What he’s not, or not exactly, or Brie isn’t nearly so certain as Felix is about the whole thing, is consenting. He says he’s imprinted and that Brie is his true, fated, mate, while she says he’s under the influence of a potion and CAN’T really consent and can’t possibly be sure whether she’s his mate or not. He says he is but she doesn’t want to be abandoned again and they’re both trying to be oh-so-damned noble about the whole thing.

Which is when unattached females in Boohail start disappearing and Felix has to do his best and his damndest – and he’s certainly capable of both at the same time – to get Brie as attached to him as he is to her and as permanently as possible.

Of course it’s too late for that. All the way around.

Escape Rating B: I picked this up because DAMN the first book was so much fun that I couldn’t resist collecting the set. (Which means I’ll be reviewing the third book in the series, That Time I Got Drunk and Saved a Human, sometime in March.)

On the one hand, it’s hard to worry about spoilers with this series, because the titles do generally give the first part of the game away. In that first book, Cin really does get blind drunk and accidentally save a demon.

It turns out that Cin didn’t just save one demon – she saved ALL the demons. And helped a bunch of those demons to take over a pirate ship. And kill a goddess who was really just a different kind of demon in disguise imprisoning ALL the demons and leeching magic from all the humans.

It was a GREAT gig until Cin and Company spoiled it for her. It’s also where this second entry in the series picks up and runs away with the story – and not in any of the directions that first seem obvious. Which, come to think of it, is EXACTLY the way things worked out the first time around!

And just like in the previous book, and just as much fun as that first time around, this second cozy fantasy with sexytimes combines (frequently and often but not nearly as frequently and often as either Felix or Brie REALLY want) two tastes that go really GREAT together. There’s a surprisingly sweet romance between a girl who wants to do the right thing even if kills her and a werewolf who is sure that what they are doing IS the right thing if only she’d stop worrying about the love potion – at least right up until the point he realizes that he really, Really, REALLY should have worried a bit more about the love potion. And on the other hand, the need to foil a terrible plot to fill the worldwide vacancy in the deity department with a new face slapped on the same old trickster.

Mead Mishaps is the kind of lighthearted cozy fantasy romance to read when you’re just looking for a good reading time and to finish the last page with a smile on your face because it’s just a whole lot of fun. That the fun conceals a more fully-fledged than expected fantasy behind the gauzy but transparent curtains of its romance and sexytimes is just icing on an already delicious cake. A cake that foodie Cin would bake with oodles of cinnamon – of course – while Brie might prefer a cheese wheel. But it’s the thought that counts, after all.

I’m looking forward to one more trip to Boohail next month with That Time I Got Drunk and Saved a Human. Because so far this series has managed to tickle both my sweet tooth and my funny bone and I’m happy to be coming back for one more round!

#BookReview: That Time I Got Drunk and Saved a Demon by Kimberly Lemming

#BookReview: That Time I Got Drunk and Saved a Demon by Kimberly LemmingThat Time I Got Drunk and Saved a Demon (Mead Mishaps, #1) by Kimberly Lemming
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, fantasy romance, romantasy, cozy fantasy
Series: Mead Mishaps #1
Pages: 288
Published by Orbit on January 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Spice trader Cinnamon's quiet life is turned upside down when she ends up on a quest with a fiery demon in this irreverently quirky rom-com fantasy that is sweet, steamy, and funny as hell—perfect for fans of  Legends & Lattes  and  The Dragon's Bride. 
All she wanted to do was live her life in peace—maybe get a cat, expand the family spice farm. Really, anything that didn't involve going on an adventure where an orc might rip her face off. But they say the Goddess has favorite, and if so, Cin is clearly not one of them... 
After saving the demon Fallon in a wine-drunk stupor, all Fallon wants to do is kill an evil witch enslaving his people. And, who can blame him? But he's dragging Cinnamon along for the ride. On the bright side, at least he keeps burning off his shirt.

My Review:

There’s a reason this series is titled Mead Mishaps, and when we first meet Cin at the Hero’s Call Festival in her home village of Boohail, we’re dropped right into the thick of it. Or perhaps that should be right into the bottom of a mug of mead, because Cin is literally drunk off her ass when her story begins.

Not that she’d have wanted to think of it that way. Because Cin has become allergic to adventure after losing her sister Cherry to some kind of river monster while they were out on a little adventure of their own. And the Hero’s Call Festival is all about that call to adventure – and Cin wants no part of it.

Although she, along with most of the village, are happy to celebrate the departure of the young woman who has been called to adventure by their goddess Myva to defend the gate to the demon wastelands.

That’s kind of how those stories go, at least without the local attitude about the newly appointed heroine, Priscilla. She’s a lot, and she’s been even more of herself since she was called to join the band of heroes this time around. The village will be happy to see the back of her – in more ways than one.

Everyone in Boohail thinks that the whole adventure/hero thing is settled for the next 15 years, when the gate will open again. Cin is glad it’s not her – or so she believes – and not in the last bit sad that her ex has been chosen as one of the other heroes – or so she tells herself.

But keeping herself convinced requires a LOT of mead. Which is why she’s still more than a bit hungover when she saves the life of an injured man. Who is considerably more than merely a man – also and very much in more ways than one.

He’s a very large, very scary, and surprisingly articulate demon. All of which is supposed to be impossible. Demons are supposed to be safely kept far, far away from Boohail, on the other side of that gate that the just-departed heroes have run off to defend. Demons are supposed to be growling, grunting, inhuman monsters.

Fallon, however, is a big man with a very large plan, a plan that is about to shake Cin’s world to its knees – as well as knocking her straight into an adventure the likes of which she never could have imagined.

Escape Rating B: Every single thing that Cin thinks about her world and herself, and that the reader thinks is happening in it and to her, gets upended pretty much in the first few chapters. Except for one very important thing. As soon as we spend even half a minute inside Cin’s already half drunk head, it’s pretty damn obvious that this book is going to be an absolute romp of an adventure from beginning to end.

The fantasy setup has been done before. It’s one of those stories where everything the protagonist thinks they know turns out to be wrong, wrong, wrong. There are plenty of such stories built on those revelations being revealed, and everyone coming unglued along with them, and angsting over every betrayal.

That’s where this series turns that upending on its own head. Not that what turns out to be a quest and a road trip doesn’t have its serious side, but overall the quest is played mostly for laughs. The villain is truly villainous, and she absolutely has a damn good scam going with some terrible consequences, but overall it seems like her ultimate defeat is inevitable from the first reveal and the fun of the thing is in the journey.

The hard part of that journey, in so many senses of the word, many of which are played for salacious titters to VERY good effect, is the progress of the romance between the demon Fallon and the Spice Girl (literally, Cin’s full name is Cinnamon, she grows cinnamon on her family’s spice farm). It’s clear to everyone except Cin that Fallon is all in on their relationship – if not yet into all of Cin’s private places – from the moment they meet. Cin’s the one who needs some convincing – not about whether she and Fallon set each other on fire – but whether his fire and her desire to never get burned again have a chance at a future.

But they sure do have a LOT of fun, sexy times finding out!

That Time I Got Drunk and Saved a Demon is a lighthearted romp of a cozy fantasy that never fades to black when the romance heats up and sets fire to the sheets. It’s an excellent reading time that will leave any romantasy reader with a smile on their face.

So it’s a good thing that this is the first of a trilogy, and that the next book in the series, That Time I Got Drunk and Yeeted a Love Potion at a Werewolf, will be coming (along with a whole new pirate ship load of sexy puns) next month!

Review: The Stars Undying by Emery Robin

Review: The Stars Undying by Emery RobinThe Stars Undying (Empire Without End, #1) by Emery Robin
Narrator: Esther Wane, Tim Campbell
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Empire Without End #1
Pages: 518
Length: 16 hours and 32 minutes
Published by Orbit on November 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this spectacular space opera inspired by the lives and loves of Cleopatra and Julius Caesar, a princess stripped of her power finds control through an affair that could help regain her reign—perfect for readers of Ann Leckie and Arkady Martine.
Princess Altagracia has lost everything. After a bloody civil war, her twin sister has claimed not just the crown of their planet Szayet but the Pearl of its prophecy, a computer that contains the immortal soul of Szayet's god. Stripped of her birthright, Gracia flees the planet—just as Matheus Ceirran, Commander of the interstellar Empire of Ceiao, arrives in deadly pursuit with his volatile lieutenant, Anita. When Gracia and Ceirran's paths collide, Gracia sees an opportunity to win back her planet, her god, and her throne…if she can win the Commander and his right-hand officer over first.
But talking her way into Ceirran’s good graces, and his bed, is only the beginning. Dealing with the most powerful man in the galaxy is almost as dangerous as war, and Gracia is quickly torn between an alliance that fast becomes more than political and the wishes of the god—or machine—that whispers in her ear. For Szayet's sake, and her own, Gracia will need to become more than a princess with a silver tongue. She will have to become a queen as history has never seen before—even if it breaks an empire.

My Review:

The queen. The carpet. The conqueror. It’s an indelible image, even if it was fixed in the collective unconscious by a mistranslation of Plutarch combined with a desire for a salacious story rather than anything that might have happened in history. Several sumptuous movies cemented that image.

So it’s not exactly a surprise that this science fictionalized reimagining of the romance of Cleopatra and Julius Caesar, while it doesn’t start with that scene, features it prominently. And makes it every bit as captivating and unforgettable in this story of two towering giants at the center of the rise and fall of an intergalactic empire as it was in the same circumstances of the world-spanning empire.

At first, and on the surface, The Stars Undying reads as a grand romance. And it definitely is that – even if neither of the protagonists begin their relationship thinking that’s where they are heading and what it’s all going to be about.

Altagracia is a disgraced princess leading a rebellion against her twin sister – who has just become the Queen of Szayet and the Oracle of their god, Alekso the Undying. We experience her side of this space opera from her first-person perspective so we begin the story thinking that we’re inside her head – even as she admits that she’s lying both to us and to herself as she sets out to overthrow her sister’s divine rule and take the crown for herself.

Which is where Matheus Cierran, the Commander of all the fleets and armies of the vast Empire of Ceiao, enters the picture. And Gracia enters his quarters rolled into a rug. Gracia conquers the conqueror – not so much with her beauty as with her wit and charisma – and he conquers her sister on her behalf.

As their romance spans the galaxy between Szayet and Ceiao, we see their universe from their alternating, first-person viewpoints, never quite sure who truly conquered whom, who is lying to whom, and whose intentions are the most righteous. While we watch them fall deeper in love with each other, and while both fail to recognize who their true enemies are – and fatally underestimate those enemies and each other.

Cleopatra and Caesar, (1866) painted by Jean-Leon Gerome
Cleopatra and Caesar, painted by
Jean-Léon Gérôme (1866)

Escape Rating A++: Because The Stars Undying is, most definitely, a reimagining of the relationship, both personal and absolutely political, between Cleopatra of Egypt and Julius Caesar, we do go into this story thinking that we know how it ends and even a bit of how it gets there. And just like Friday’s book, The Cleaving, that bit of foreknowledge does not keep the reader from frantically turning pages to see how it gets there.

In addition to the epic romance, and more important than that romance in the long run, The Stars Undying is also the story of the decline and fall of empire. As it begins, as it began, when Cleopatra rolled out of that rug – or more likely rose out of a sack – Rome was at the peak of its power. Just as Ceiao is when Gracia emerges from her carpet at Ceirran’s feet.

The thing about being at the peak of something is that from that highest point there is only one direction to go. Down. So this story is not about the crest of the peak but about the tip over it and into the decline that will inevitably follow – even if the principals can’t see it. Not yet anyway.

So the romance is how we get into this story, but that beginning takes us deeply into what one writer called “the romance of political agency” as we watch Gracia and Cierran jockey for power within their relationship and attempt to maneuver their way through and around the pitfalls of the densely factional political climate of Ceiao. An empire where the backstabbing never seems to end and Ceirran is always the target whether he recognizes it or not.

One of the fascinating things about the way that this story unfolds is just how tightly it gets wrapped around religion. Not any particular religion as we know it today, but religion and its seeming antithesis nevertheless. The Empire of Ceiao was founded on the basis of the disestablishment of ALL religions, which is carried to the point of being a religion unto itself.

Szayet, very much on the other hand, is not just a religiously backed monarchy but their religion is based on the idea that their god, Alekso Undying, lives on in an oracular artifact that is worn by each of his descendants as a symbol of their holiness and his godhood. It’s not even a myth. Gracia wears the Pearl and the spirit of Alekso within it does communicate with her frequently, often and always with disappointment in her and her actions. The only question in both the reader’s mind and Ceirran’s is whether the being she is communicating with is truly Alekso’s soul or merely his mind locked in a sophisticated machine.

That question, and both Ceirran’s and Ceiao’s reaction to any and all possible answers to it, turns out to hold the key both to his downfall and Gracia’s future in a way that surprises the reader and manages to seem inevitable at the same time. But then, all great leaders sow the seeds of their own destruction – at least in fiction.

The story in The Stars Undying reads like an unlikely amalgam of the Masters of Rome series by Colleen McCullough, The Memoirs of Cleopatra by Elizabeth George, Behind the Throne by K.B. Wagers, A Memory Called Empire by Arkady Martine and Engines of Empire by R.S. Ford. As a stew it shouldn’t work but most definitely does, combining the first-person perspective of the Memoirs with the deep dive into Roman history and politics of the McCullough series with the variations of the great empire not able to see or admit that it is past its prime in all three of the space opera series.

It’s not the stew that anyone would have expected but it’s absolutely glorious in its execution and now that I’ve read it I can’t help but wonder why no one got quite all the way here sooner. That the audiobook version that I listened to gave the two central figures, Gracia and Ceirran, their own separate, distinct and extremely well-acted voices was just icing on a very tasty cake.

(I had to switch to text near the end because I couldn’t bear to hear Gracia’s perspective on learning that Ceirran was gone in “her” voice, told from her internal, intimate, point of view. It would have been just too painful.)

That ending was so inevitable, based on the source material, that saying it happened does not feel like a spoiler. Howsomever, speaking of that source material, it is equally clear that the ending of The Stars Undying cannot possibly be the ending of the entire saga. This book, unbelievably the author’s debut novel, is listed as the first book in the Empire Without End duology. The second book in the duology is tentatively titled The Sea Unbounded and I can’t wait to read it whenever it appears. I might, maybe, possibly, have gotten over the book hangover from this book by then!

Review: Eversion by Alastair Reynolds

Review: Eversion by Alastair ReynoldsEversion by Alastair Reynolds
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction
Pages: 308
Published by Orbit on August 2, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From the master of the space opera, Alastair Reynolds, comes a dark, mind-bending SF adventure spread across time and space, Doctor Silas Coade has been tasked with keeping his crew safe as they adventure across the galaxy in search of a mysterious artifact, but as things keep going wrong, Silas soon realizes that something more sinister is at work, and this may not even be the first time it's happened.
In the 1800s, a sailing ship crashes off the coast of Norway. In the 1900s, a Zepellin explores an icy canyon in Antarctica. In the far future, a spaceship sets out for an alien artifact. Each excursion goes horribly wrong. And on every journey, Dr. Silas Coade is the physician, but only Silas seems to realize that these events keep repeating themselves. And it's up to him to figure out why and how. And how to stop it all from happening again.

My Review:

Humans process ideas, events and catastrophes through stories, whether by telling them, making them or being swept away by them. It’s why things like Aesop’s Fables and the Arthurian legends, the Greek tragedies and Pride and Prejudice have all lasted so very long yet still change in interpretations and retellings as society changes. Those stories still have universal things to say about the human condition, so we keep telling them.

This is a story about processing a tragedy by telling stories around and about it until it can be approached directly. So the reason the story is told, and re-told, very nearly ad infinitum, is to give the protagonist enough time and distance to process something that he can’t bring himself to face.

No matter how much he needs to.

The way he does it is to put himself inside a story. It’s the story of a doomed exploratory ship, at the edges of the known world, searching for a possibly mythical ice fissure that will lead to an epic, world-shaking, discovery.

First, it’s a sailing ship in the Arctic. Our hero is the ship’s surgeon, who is also writing a fictional tale of adventure in the vein of Jonathan Swift and Robert Louis Stevenson. And when the doctor’s tale went awry, and he effectively rebooted his story, moving it forward to the age of steam and erasing the disaster that killed all his passengers, I was lulled into thinking this was about the story he was writing.

And it sort of is, but it really isn’t.

As the doctor successively retells the tale, it moves forward in time, from the age of sail to the age of steam to outright steampunk and into the stars. Always with the same crew, always relating the same events, getting just a little further and going just a little deeper each time.

It’s only then that he, and we, discover what looks like the truth. And that it’s even worse than anything he ever imagined.

Escape Rating A: The author of Eversion is best known for his epic, space opera type science fiction, but if that’s what you’re looking for you’re not going to find it in Eversion. Very much on the other hand, if you enjoyed the small-scale, small-cast, intimate story of his Permafrost, which I most definitely did, there’s a LOT to love in Eversion.

In the first iteration, the reader, or at least this reader, gets caught up in the story of the sailing ship Demeter’s expedition to the Arctic fjords of Scandinavia to find a mysterious ruin, or artifact, or both, referred to as the edifice. There was more than enough creeping dread, combined with the hunt for treasure and the details of sailing ship life to make me think this was a very strange but compelling combination of The Route of Ice and Salt, the Aubrey and Maturin series (Master and Commander) with Dr. Silas Coade as Maturin, and something like Indiana Jones and the Edifice of Doom. At least until Coade is forced to rewrite his story after a catastrophe kills off all the characters.

And that’s the first inkling that they might be HIS characters, part of the adventure story he’s writing.

At least until it happens again. And then again. At which point I thought I’d wandered into Groundhog Day. or to use more genre-appropriate references, the Stargate SG-1 episode Window of Opportunity or the Star Trek Next Gen episode Cause and Effect.

Along with one fascinating variation on Jules Verne’s Journey to the Center of the Earth.

As I said at the beginning, stories are one of the ways that humans process, and Eversion reminded me of more and more stories, also more and more SFnal stories, as it went through its iterations, or versions.

Until we finally get to the point of “eversions” and discover that everything we thought we might be reading isn’t quite right at all. Although in a very peculiar way it is at the heart of all of the stories.

And that even though the heart they have isn’t quite the one we thought it was, it still manages to break ours. If you’re looking for the kind of SF that will blow your mind and break your expectations, Eversion is a gem.

Review: The Undertaking of Hart and Mercy by Megan Bannen

Review: The Undertaking of Hart and Mercy by Megan BannenThe Undertaking of Hart and Mercy by Megan Bannen
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy, fantasy romance
Pages: 448
Published by Orbit on August 23, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Hart is a marshal, tasked with patrolling the strange and magical wilds of Tanria. It’s an unforgiving job, and Hart’s got nothing but time to ponder his loneliness.  
Mercy never has a moment to herself. She’s been single-handedly keeping Birdsall & Son Undertakers afloat in defiance of sullen jerks like Hart, who seems to have a gift for showing up right when her patience is thinnest. 
After yet another exasperating run-in with Mercy, Hart finds himself penning a letter addressed simply to “A Friend”. Much to his surprise, an anonymous letter comes back in return, and a tentative friendship is born.  
If only Hart knew he’s been baring his soul to the person who infuriates him most—Mercy. As the dangers from Tanria grow closer, so do the unlikely correspondents. But can their blossoming romance survive the fated discovery that their pen pals are their worst nightmares—each other?
Set in a world full of magic and demigods, donuts and small-town drama, this enchantingly quirky, utterly unique fantasy is perfect for readers of The House in the Cerulean Sea and The Invisible Library.

My Review:

Hart Ralston and Mercy Birdsall each think they have a fairly big problem when the story opens. Each other. And they are both so, so wrong, which is what makes this fantasy romance so cozily familiar even in the midst of all the dangerous creatures that are getting more numerous – and ever more dangerous – in nearby Tanria.

What makes their mutual enmity an even bigger problem is that they have to work together – sorta/kinda – in dealing with all of those dangerous creatures. Or at least in handling the remains of all of their victims.

Marshal Hart Ralston’s job is to go into Tanria and hunt down both the dangerous, deadly and also quite dead drudges – as well as get any illegal poachers out of the area before they become victims of those dead and deadly drudges and are turned into drudges themselves.

It’s a thankless job, but somebody has to do it. And lone wolf Ralston prefers to do it alone, so he doesn’t have to try to protect anyone else – and fail at it.

Mercy Birdsall is the only actual working member of Birdsall and Son, one of the undertaking companies in Eternity, just over the border from Tanria. It’s her company’s job to provide funeral rites for the dead victims – and occasionally for the dead monsters – that marshal’s like Ralston bring back from Tanria.

Hart and Mercy got on each other’s bad side the very first time they met over Birdsall and Son’s shop counter. And it’s been all downhill ever since.

Or has it?

Escape Rating B: The Undertaking of Hart and Mercy, besides being a very punny title, is one of those stories that invokes that question about whether two great tastes go great together. This is a fantasy romance, but romance readers may think it leans too much on the fantasy side and fantasy readers may have the same reaction to the romantic angle that Hart and Mercy initially had to each other.

Or, as in my case, this may seem like a strange setting for a reimagining of the Tom Hanks/Meg Ryan romcom classic movie You’ve Got Mail. Although it does work – particularly because of the marvelously sarcastic nimkilim that deliver the mail – there are a few scenes where it seems like the graft didn’t quite take. Or that the stitching of the graft is just a bit too obvious. Or both.

Not that the idea doesn’t work well in this setting because it does – with the help of the nimkilim. Hart is lonely and withdrawn. He desperately needs to reach out to someone but doesn’t know how and is afraid to try. Hence his anonymous correspondence with his nameless “friend”.

Mercy, on the other hand, is lonely in a crowd. She has family and some friends, but she’s carrying a boatload (literally in this case) of secrets and responsibilities that consume her energy while isolating her from anyone who might be able to help her in dealing with them. Which results in her responses to those letters addressed by heart, from Hart, to his nameless friend. Who turns out to be Mercy, the woman he believes is his worst enemy.

This is kind of a fence-straddling book, complete with the inevitable splinters up its ass. It was presented to me as a romance, and there certainly is a romance in it. But the fantasy setting is more than just setting. It’s an important enough element of the story that the book as a whole doesn’t sit comfortably in romance because it has more than a foot over that line into fantasy.

Even if that foot belongs to a dead body that has become a drudge.

At the same time, as much as I loved the banter between Hart and Mercy, there was something about Mercy’s situation that just didn’t sit right. I never fully got why she couldn’t take over the family business – at least until the villain of the piece took his villainy to heights (or depths) that the business couldn’t survive no matter who was in charge of it. I understood that her father wanted to pass it to her brother – who was not suited to the work AT ALL and did not want it under any circumstances whatsoever. Work that Mercy wasn’t merely suited for but actually loved.

A fact which Mercy’s family totally ignored. She does the work, she loves the work. She wants to keep doing the work. But her entire family decided that the business was a burden on her and that it would be best for her if it was sold. Without asking her what she wanted. (BTW Mercy is THIRTY YEARS OLD and very well able to decide what is best for her for her own damn self.) A lot of story water goes under that bridge before the Birdsall family stops assuming they know what’s best for each other and have an honest conversation about what each of them as an individual actually wants.

The story picked up its pace – or at least stopped frustrating the crap out of me – after that conversation finally happened.

For this reader, the thing is that this was presented to me as a romance, but it reads like a fantasy that includes a romance, which is a bit of a different beast. Both elements have to be present and fully-fleshed out for a fantasy romance to succeed. If only one is working, it falls over.

In the end, this doesn’t fall over. It works – although it does take a while to get all of its (auto)ducks in a row. In fact, it works a whole lot like Can’t Spell Treason without Tea and Legends & Lattes. Between the life of the town of Eternity and the Birdsall family dynamic – along with Mercy’s lovable big dog Leonardo – the fantasy is very cozy, with just the right amount of danger. The romance is angsty in a way that really works well, and the issues between Hart and Mercy feel real in spite of the fantasy setting, but also rising at least in part from elements that are integral to that fantasy setting.

Readers coming to The Undertaking of Hart and Mercy just for the romance may find this to be more fantasy than they bargained on. But if you loved Legends & Lattes or Can’t Spell Treason without Tea, or if you’re a fan of T. Kingfisher’s Saint of Steel series you’ll fall for The Undertaking of Hart and Mercy every bit as hard as Hart and Mercy eventually realize that they have for each other..

Review: The Monsters We Defy by Leslye Penelope

Review: The Monsters We Defy by Leslye PenelopeThe Monsters We Defy by Leslye Penelope, L. Penelope
Narrator: Shayna Small
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fantasy, magical realism, urban fantasy
Pages: 384
Length: 11 hours and 30 minutes
Published by Orbit on August 9, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A woman able to communicate with spirits must assemble a ragtag crew to pull off a daring heist to save her community in this timely and dazzling historical fantasy that weaves together African American folk magic, history, and romance.
Washington D. C., 1925
Clara Johnson talks to spirits, a gift that saved her during her darkest moments in a Washington D. C. jail. Now a curse that’s left her indebted to the cunning spirit world. So, when the Empress, the powerful spirit who holds her debt, offers her an opportunity to gain her freedom, a desperate Clara seizes the chance. The task: steal a magical ring from the wealthiest woman in the District.
Clara can’t pull off this daring heist alone. She’ll need help from an unlikely team, from a jazz musician capable of hypnotizing with a melody to an aging vaudeville actor who can change his face, to pull off the impossible. But as they encounter increasingly difficult obstacles, a dangerous spirit interferes at every turn. Conflict in the spirit world is leaking into the human one and along D.C’.s legendary Black Broadway, a mystery unfolds—one that not only has repercussions for Clara but all of the city’s residents.

My Review:

This fantastic, marvelous historical fantasy, set in Black Washington DC during the Jazz Age, brings its time, its place and its people to glorious life. It also tells a tale of big thrills, big fears and deep, deep chills. Because under its glitter and walking in its footsteps is a cautionary tale that hovers just at the point where being careful what you wish for drops straight through the trapdoor of some favors come with too high a price.

Clara Johnson was born with the ability to speak to the dead. It’s not a one-way street, because they can speak to her, too. And not just the dead, anyone or anything that exists ‘Over There’ can get her attention – or she can get theirs.

An attention she took advantage of, once upon a time, in order to save her life.

She made a bargain with a being calling herself ‘The Empress’. In return for a literal ‘Get Out of Jail Free’ card, Clara made a deal. A deal, like all deals with the enigmas that exist Over There, that left Clara with both a charm and a trick.

The charm she refuses to use or even talk about – after that one and only time it got her out from under a murder charge. The trick, however, is a binding on her soul. Whenever someone asks her for help making contact with the spirits, she has to help. She’s not allowed to take payment for that help, and she’s not permitted to make too strong a case against taking that help to the person who has made the request.

Because the help they ask for will result in that person receiving their own charm, and their own trick. And Clara has learned, to her cost, that in the end neither are worth it. A lesson she should have kept much more firmly in mind as she gets herself deeper into a case that catches her up in a battle that may cost her entire community their souls, their futures, and their destinies.

Escape Rating A+: I know I’m not quite doing this one justice because I loved it so hard. I just want to squee and that’s not terribly informative. But still…SQUEE!

Now that I’ve got that out of my system – a bit – I’ll try to convey some actual information.

The Monsters We Defy combines history, mystery and magical realism into a heist committed by a fascinating assortment of characters on a mission to save themselves, each other, and all their people. And just possibly the world as well.

The historical setting is ripe for this kind of story. On the one hand, there’s the glitter of the Jazz Age. And on the other, the divided reality of the District’s black community, where the ‘Luminous Four Hundred’ holds itself high above the working class and the alley residents, while pretending that the white power brokers who control the rest of the city don’t see everyone who isn’t white as less than the dirt beneath their feet.

It’s not a surprise that someone would take advantage of that situation for their own ends. What makes this book different is that the someone in this case is an enterprising spirit from ‘Over There’ rather than a human from right here.

And into this setting the author puts together one of the most demon-plagued crews to ever even attempt to pull off a heist. All of them, except for Clara’s roommate Zelda, are in debt to one enigma or another in a burden that they wish they could shake. Vaudevillian Aristotle can play any role he wants to or needs to, but is doomed to be invisible when he’s just himself. Musician Israel can hypnotize an individual or a crowd with his music – but no one ever cares about the man who plays it. His cousin Jesse can take anyone’s memories – make them forget an hour or a day – but the woman he loves can never remember him for more than a day.

They all thought they were getting a gift – only to discover that it’s a curse they can’t get rid of. Unless they steal a powerful ring from the most famous and best-protected woman on Black Broadway.

Unless the spirits are playing them all for fools. Again.

It all hinges on Clara, who is tired and world-weary and desperate and determined. She doesn’t believe that she’ll ever have any hope of better, but she’s determined to try for literally everyone else. And the story and her crew ride or die with her – no matter how much or how often she wishes she could do it all alone.

Because the story is told from Clara’s perspective even though it’s not told from inside her head, it was critical that the narrator for the audiobook embody Clara in all of her irascible reluctance to take up this burden she knows is hers. The narrator of the audiobook, Shayna Small, did a fantastic job of both bringing Clara to life AND making sure that the other voices were distinct and in tune with the characters they represented.

And she made me feel the story so hard I yelled at Clara to look before she leaped and think before she acted more than a few times, because I cared and I wanted to warn her SO MUCH. (Luckily I was in the car and no one could hear me.)

I found The Monsters We Defy to be a terrific book about a high-stakes heist committed by a desperate crew that led to a surprising – and delightful – redemptive ending. And the audio was superb.

If you’ve read either Dead, Dead Girls by Nekesa Afia or Bindle Punk Bruja by Desideria Mesa, you’ll love The Monsters We Defy because it’s a bit of both of those books with a super(natural) chunk of T.L. Huchu’s The Library of the Dead‘s “I speak to dead people,” thrown in for extra bodies and high-stakes scary spice!

Review: Age of Ash by Daniel Abraham

Review: Age of Ash by Daniel AbrahamAge of Ash (Kithamar, #1) by Daniel Abraham
Narrator: Soneela Nankani
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Kithamar #1
Pages: 448
Length: 14 hours and 35 minutes
Published by Orbit on February 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From
New York Times
bestselling and critically acclaimed author Daniel Abraham, co-author of
The Expanse
, comes a monumental epic fantasy trilogy that unfolds within the walls of a single great city, over the course of one tumultuous year, where every story matters, and the fate of the city is woven from them all.
“An atmospheric and fascinating tapestry, woven with skill and patience.” –Joe Abercrombie, New York Times bestselling author of A Little Hatred
Kithamar is a center of trade and wealth, an ancient city with a long, bloody history where countless thousands live and their stories unfold.
This is Alys's.
When her brother is murdered, a petty thief from the slums of Longhill sets out to discover who killed him and why.  But the more she discovers about him, the more she learns about herself, and the truths she finds are more dangerous than knives. 
Swept up in an intrigue as deep as the roots of Kithamar, where the secrets of the lowest born can sometimes topple thrones, the story Alys chooses will have the power to change everything.
For more from Daniel Abraham, check out: The Dagger and the CoinThe Dragon's PathThe King's BloodThe Tyrant's LawThe Widow's HouseThe Spider's War

My Review:

There’s a secret at the heart of the city of Kithamar, but I’m not sure that we’ve plumbed the depths of it by the end of the first book in this projected trilogy. We’ve seen it as if through that glass very darkly indeed. I imagine that we won’t get the view face-to-face until much nearer the end.

So what do we have here?

Age of Ash is, at its own heart, a whole lot of setup and worldbuilding, in a world that really, really needs it in order for the reader to see where they are and why it matters. That setup, that story is told from the perspectives of two (very) young women at the bottom of this city-state-world’s economic ladder.

Alys and Sammish are descendants of Kithamar’s indigenous population, the Inlisc. Like most Inlisc they live in the downtrodden community-not-quite-ghetto of Longhill. They are both what the city calls “street-rats”, a term that is applied to all Longhill residents, but particularly to those who are so close to the bottom of the ladder – not that anyone Inlisc or anyone in Longhill is anywhere near the top – that they are one bad break or poor choice or unprofitable “pull” from sleeping on the streets.

(A “pull” in Longhill parlance is a theft or a cheat or a con game. Everyone does it in one fashion or another, if only to get one-up on their friends or get enough coin to spend a night out of the weather.)

But someone in the rich quarters, in the palace of the Prince of the City, has committed what looks like the biggest pull of them all. They’ve managed to steal the city from the direct line of royalty by putting a “cuckoo” in the royal nest.

The forces that are arrayed to steal the city back are deeper, darker and much more dangerous than anyone imagines. The doings of the power-that-be or would-be should be far above the tiny influence of people like Alys and Sammish.

But these two young women find themselves at the heart of a conspiracy larger, deadlier and with more far-reaching consequences than either of them ever imagined.

Neither they nor their city will ever be the same. No matter how much the city itself tries to maintain the status quo that keeps it in power.

Escape Rating B: Oh do I have mixed feelings about this one, but let me get this out of the way first. I listened to the audiobook of Age of Ash, and the narrator did an excellent job with the material. But, but, but I had some serious issues with the material. This turned out to be one of those books where I was content enough to continue the audio because the reader was terrific but had absolutely ZERO compulsion to switch to the ebook because I just wasn’t compelled to finish the story any faster. The couple of times I tried to switch to the text it kind of turned me off so I went back to the audio.

One of the things that bothered me about the story, and I think it’s something that has been growing on me as an issue, is that it seems as if when a male author writes a heroine’s journey the heroine – or in this case heroines plural – is just way more angsty and suffers considerably more, well, angst, but also grief and are just generally more downtrodden than a hero would be going through the exact same circumstances. This was also true in both Engines of Empire and The Starless Crown. Don’t get me wrong, i’s great to see more female-centric stories, but male writers just seem to give their heroines more baggage than is necessary, and it’s baggage that comes from our world’s issues with female centric-stories that are not romances, and not baggage that is inherent in the created world.

There were entirely too many points where it seemed as if the two women were in a race to see which of them would win the TSTL (that’s Too Stupid To Live), award and get themselves killed. I was both amazed and pleased to see them finally get themselves out of that spiral, but it made for some rough reading.

I’m contrasting all of this with T. Kingfisher’s female-centric stories (A Wizard’s Guide to Defensive Baking, Nettle & Bone and pretty much all the women in the Saint of Steel series but especially Bishop Beartongue), because her heroines just GET ON WITH IT, whatever it is. They don’t have the time or inclination to angst about their personal issues and they don’t have to start their stories completely downtrodden. They have a problem and they set about solving it. Like male heroes do. Like women do in real life.

The above is all my 2 cents pitched from the top of a very tall soapbox. But it tasks me. It seriously tasks me.

<Give me a second, I need to summon a stepstool to get down off this box.>

Back to Age of Ash in particular. The part of the story that is both fascinating and completely shrouded in mystery is the nature of the city and its ruling class, which is the secret at the heart of both. I don’t want to spoil it completely, although we do get hints of it fairly early, but it takes concepts from Dragon Age, The Anubis Gates, The Ruin of Kings and even more surprisingly The City We Became and wraps them up into a spiky ball with an overwhelming – but very interesting – swath of collateral damage.

And I don’t think we’ve nearly found out just how deeply awful that whole situation is yet. Probably all the way down to a circle of hell that not even Dante imagined.

Particularly because there’s plenty rotten at the heart of Kithamar, and it doesn’t all have to do with the mystical, magical mess that the plot – and the political plots IN the story – all circle around. It’s like an Ankh-Morpork without Vetinari at the helm to keep the city functional. Even the weather seems to be getting worse.

It feels like Age of Ash is an attempt to show a revolution starting at the bottom, with the tiny pebble starting an avalanche that will eventually consume the city – in spite of the city’s attempts to stop it. It’s certainly a very sympathetic portrait of life at the bottom of an epic fantasy city. By centering on Alys and Sammish barely getting by the reader gets an intimate view of just how firmly the deck can be stacked against people by accident of their birth, and how much effort, legal or illegal, is required just to get through another day in circumstances that can’t be changed easily or at all.

Also, the blurb feels wrong, because in the end this is not Alys’s story. It may start out that way, but by the end it’s Sammish’s story. And it’s the city’s story all along. It always has been. Whether it always will be is something that we’ll discover in the later books in the series.

Which I think will still be worth a listen – if only to discover what happens next.

Review: Engines of Empire by R.S. Ford

Review: Engines of Empire by R.S. FordEngines of Empire (The Age of Uprising, #1) by Richard S. Ford
Narrator: Alison Campbell, Ciaran Saward, Phoebe McIntosh, Ewan Goddard, Andrew Kingston, Martin Reeve, Stephen Perring
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, steampunk
Series: Age of Uprising #1
Pages: 624
Length: 22 hours, 3 minutes
Published by Orbit on January 18, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This epic fantasy tells the tales of clashing Guilds, magic-fueled machines, intrigue and revolution—and the one family that stands between an empire's salvation or destruction.
The nation of Torwyn is run on the power of industry, and industry is run by the Guilds. Chief among them are the Hawkspurs, and their responsibility is to keep the gears of the empire turning. It’s exactly why matriarch Rosomon Hawkspur sends each of her heirs to the far reaches of the nation. 
Conall, the eldest son, is sent to the distant frontier to earn his stripes in the military. It is here that he faces a threat he could have never seen coming: the first rumblings of revolution.
Tyreta’s sorcerous connection to the magical resource of pyrstone that fuels the empire’s machines makes her a perfect heir–in theory. While Tyreta hopes that she might shirk her responsibilities during her journey one of Torwyn’s most important pyrestone mines, she instead finds the dark horrors of industry that the empire would prefer to keep hidden. 
The youngest, Fulren, is a talented artificer, and finds himself acting as consort to a foreign emissary. Soon after, he is framed for a crime he never committed. A crime that could start a war. 
As each of the Hawkspurs grapple with the many threats that face the nation within and without, they must finally prove themselves worthy–or their empire will fall apart. 

My Review:

This was a first for me. Engines of Empire turned out to be a total rage read that I enjoyed anyway – and does that ever need a bit of an explanation!

The story is fascinating – and compelling. It’s a political story about empires – well, duh – rising and falling. This first book, at least, is about the fall. Or at least the fall-ing. Since this is the first book in the series, I expect the rising to happen later. Whether that will turn out to be the rising of the empire from its own ashes, or merely the rising of the family through whose eyes we saw this chapter of the saga, remains to be determined.

So far, neither of them deserve it. Which is where the rage part of my rage reading came into play.

The story of the falling of the empire maintained by the Guilds of Torwyn is told through the first person perspectives of five characters; Rosomon Archwind Hawkspur, her three adult children, Conall, Tyreta and Fulren, and her secret lover, Lancelin Jagdor.

And I hated all of them except Lancelin. I particularly detested Rosomon, to the point where I’d have been more than thrilled to read a book about her getting EXACTLY what she deserved – if there hadn’t been quite so much collateral damage in giving it to her.

Of those five characters, Lancelin is the only one who has ever had to face ANY of the consequences of his actions. It’s not just that the rest of them have led very privileged lives, it’s that they never seemed to have grasped the concept that their privilege comes on the back of just so damn many other people.

They are all arrogant and they are all thoughtless about that arrogance. This is particularly true of Rosomon – in spite of a whole bunch of crap that should have given her some insights into the ways that the other half lives.

Instead, she’s a narcissist, to the point that she only sees her children as extensions of herself and not so much as people in their own right. So a big chunk of this story is about how they all escape her very clutching clutches and how those escapes help to make their world burn.

But those escapes manage to send them to the far corners of Torwyn’s empire, which gives the reader the opportunity to see just how the whole empire is hanging by a thread. A thread that is fraying anyway and that can be all too easily snipped if someone provides the right pair of scissors.

Which of course is exactly what happens. With catastrophic results – and an aftermath that we’ll see in the future books in the series. Which I will be unable to resist reading, pretty much in spite of myself.

Escape Rating B: I hate most of the characters in this book SO HARD. But I still feel compelled to see what happens next.

Part of the fascination with this story is that it becomes clear early on that something is very rotten in the heart of Torwyn. A rot that is hidden so completely in plain sight that no one even suspects it is there until it is much, MUCH too late for pretty much everyone.

At the same time, the source of that rot, once it is revealed, turns out to be just the kind of villain that we’ve seen before, and that is so often effective and not just in fiction. It’s someone who truly believes that everything they are doing, no matter how morally repugnant in the moment, is in the service of some “Greater Good” that only they can see. So when the manipulator of events is finally revealed, it makes for a lovely, thoroughly disgusted AHA!  It’s obvious in retrospect, but as you’re going along, it’s only the barest whisper of a possibility.

One of the good things about the way this story is told is that in spite of my hatred of pretty much everyone, the voices are very distinct, and not just because the audiobook narrators (one for each POV character) did a damn fine job. Still, even in print it is impossible to mistake Conall’s voice for Tyreta’s or Fulren’s.

Howsomever, one of things about those distinctive voices was that it seems that both Rosomon’s and Tyreta’s roles are restricted to a significant extent BECAUSE they are women. And yet, we don’t see that in the female secondary characters, who seem to be everywhere doing everything. Conall’s own second-in-command in the military is female, and it’s clear that she has lower rank not because she’s female but because she’s of a lower caste in the social hierarchy.

So the quasi-secondary status of noblewomen may be because they are noble, or it maybe because Rosomon’s a bitch and she’s treating her daughter the way she herself was treated. But it’s left for the reader to assume because of our history – not theirs. It doesn’t have to be that way in a fantasy world and isn’t always. I didn’t like the transfer of assumptions – especially once self-indulgent Tyreta turned into a total badass.

Which, I think is part of the story being told, and what I hope will redeem the later books. That Rosomon may go on being the overbearing, thoughtless narcissist that she has always been, thinking she knows the one true right answer only to discover that she was led astray by her own hubris feels likely – as well as likely to lead to several falls before any ultimate rise. Conall’s future, whether he sinks or swims after his experiences in this book, still feel up in the air. But Tyreta looks like she’s set on a fascinating, redemptive and possibly even heroic path. The question is whether she will let her mother push her off it yet again.

I can’t wait to find out.

Review: Jade Legacy by Fonda Lee

Review: Jade Legacy by Fonda LeeJade Legacy (The Green Bone Saga, #3) by Fonda Lee
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, urban fantasy
Series: Green Bone Saga #3
Pages: 713
Published by Orbit on November 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Jade, the mysterious and magical substance once exclusive to the Green Bone warriors of Kekon, is now known and coveted throughout the world. Everyone wants access to the supernatural abilities it provides, from traditional forces such as governments, mercenaries, and criminal kingpins, to modern players, including doctors, athletes, and movie studios. As the struggle over the control of jade grows ever larger and more deadly, the Kaul family, and the ancient ways of the Kekonese Green Bones, will never be the same.
The Kauls have been battered by war and tragedy. They are plagued by resentments and old wounds as their adversaries are on the ascent and their country is riven by dangerous factions and foreign interference that could destroy the Green Bone way of life altogether. As a new generation arises, the clan’s growing empire is in danger of coming apart.
The clan must discern allies from enemies, set aside aside bloody rivalries, and make terrible sacrifices… but even the unbreakable bonds of blood and loyalty may not be enough to ensure the survival of the Green Bone clans and the nation they are sworn to protect.

My Review:

As the final book in the epic – but not necessarily epic fantasy – Green Bone Saga, the story here deals with resolving the past and turning towards the future. In other words, the legacy of the two rival Green Bone clans in Kekon; The Mountain and No Peak.

A legacy that both clans continue jockeying over and for every step of the way – until the bitter end of not one but two old tigers that we’ve watched fight for control through three marvelous books.

The story that began in Jade City centered on the hot war for the city of Janloon between the Mountain clan led by the master strategist Ayt Madashi and the Mountain’s former allies turned bitter enemies, the No Peak clan founded by the Kaul family and led in its current generation by the wartime chief, or Pillar as they are termed in Asian-inspired Kekon, Kaul Hilo with his sister Kaul Shae at his side as the business leader or Weather Man of the clan.

That Ayt Mada is the first female Pillar, while Kaul Shae is the first female Weather Man is part of the long struggle between the clans.

That hot war switches to a cold war in Jade War, as the two clans have become so large and control so much of their country that neither can manage to swallow the other. Instead they fight through foreign subsidiaries, mercenaries, and proxies.

By the time that Jade Legacy begins, that cold war has turned into a “slow war” with the Ayt and Kaul families on opposite sides of both local and international conflicts. They cooperate in small ways while backing up their international proxies with money, jade, and in the case of the Mountain, the drugs that allow non-Kekonese to master the Jade disciplines. The larger countries, the Republic of Espenia and Ygutan, believe that the Ayts and the Kauls are tributaries in their wars, when from the Kekonese and clan perspectives, both clans of Green Bones are using their allies instead.

The story of Jade Legacy takes place over a span of 20+ years, as Kaul Hilo and Ayt Mada mature and even begin to grow old as both adversaries and jade warriors. As the saying goes, “Jade warriors are young, and then they are ancient.” When the story began in Jade City, they were young, barely into adulthood, newly and unexpectedly the Pillars of their respective clans, still under the long shadow cast by their predecessors, the Spear and Torch of Kekon who threw out an attempted colonization by powers who thought they could not be defeated by barbarian savages.

Jade War is the story of both in their prime, while Jade Legacy is about the long, slow progression of Kekon in their wider world, and of the transition from their generation to the next as we see Hilo’s children and the children of his family and friends grow to take their places in the clan.

It’s an epic, uplifting and heartbreaking by turns. It’s a sprawling family saga, in the same way that The Godfather was a family saga. A story about multiple generations of a family, of people who do some very bad things for what they perceive or believe are good reasons. People who are often thought of as criminals by outsiders, and whom we feel for anyway. Deeply.

Escape Rating A++: This book, and this entire series, deserve all the stars. I picked this to be the last review of the year because I wanted to finish this year’s reading with a real bang of a winner, and Jade Legacy delivered all the highs and lows I could possibly have ever wanted.

I started with the audio on this, which was ,as usual, excellent. But I read a lot faster than I listen, and I desperately needed to know how this one ended so I finished in one epic, 5-hour reading binge. I still have the epic book hangover to go with that long binge followed by that bang of an ending.

As I look back on the whole thing, the Green Bone Saga feels like it’s Shae’s story. At the beginning, she’s on her way home from exile in Espenia to pay her respects to her dying grandfather, the old hero once known as the Torch of Kekon. In the wake of his passing, Kekon explodes, eventually leaving Shae as the first female Weather Man of her clan to her brother Hilo’s Pillar.

Shae is at the center of the whole saga. Hilo and Ayt Mada may grab all the attention in the foreground of the story as much of the action centers on the more active aspects of their feud, but Shae is always in the room where it happens – and is the cause of much of it happening. And in the end, Shae is the last one of her generation still standing. Even the formidable Ayt Mada has been brought low. Only Shae is left to tell their story. And I grieved with her at the ending of it all.

It began as a story about what happens to a family and a society after the revolution has been won. How do you keep the ideals alive in the second and third generations as the memory fades and the wider world seduces with new temptations and new shortcuts?

It ends as a story about moving forward into the future by setting aside the old grievances without leaving behind the old virtues.

Ultimately, the contest between the Mountain and No Peak was a war of differing perspectives on how to accomplish that feat. And the difference between them came down, not to a specific strategy or even a specific individual, but rather a contest between a leader who relied only on herself and accepted no vision and trusted no word other than her own – and a leader who was not afraid to gather the best and the brightest around himself, listen to them even when they disagreed with him, and let them do their damn jobs. One person’s vision of “the greater good” vs. the squabbling but ultimately unified vision of an entire family.

Watching them rise, and fall, and rise again is a journey very worth taking. If you have not yet had the pleasure, start with Jade City and be prepared for a wild, satisfying and heartbreaking ride. I envy you the journey.

Although the story of the Kaul family and the No Peak clan has come to a fittingly bittersweet ending, there is still one brief visit to Janloon to look forward to. The Jade Setter of Janloon, a prequel novella for the trilogy, will be out in the spring of 2022. And I’m glad because I’m not at all ready to let this family and this world go.