Genre: steampunk

Review: The Mimicking of Known Successes by Malka Older

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: The Mimicking of Known Successes by Malka OlderThe Mimicking of Known Successes (Mossa & Pleiti, #1) by Malka Older
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: climate fiction, mystery, science fiction, space opera, steampunk
Series: Mossa & Pleiti #1
Pages: 176
Published by Tordotcom on March 7, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
Goodreads

The Mimicking of Known Successes presents a cozy Holmesian murder mystery and sapphic romance, set on Jupiter, by Malka Older, author of the critically-acclaimed Centenal Cycle.
On a remote, gas-wreathed outpost of a human colony on Jupiter, a man goes missing. The enigmatic Investigator Mossa follows his trail to Valdegeld, home to the colony’s erudite university—and Mossa’s former girlfriend, a scholar of Earth’s pre-collapse ecosystems.
Pleiti has dedicated her research and her career to aiding the larger effort towards a possible return to Earth. When Mossa unexpectedly arrives and requests Pleiti’s assistance in her latest investigation, the two of them embark on a twisting path in which the future of life on Earth is at stake—and, perhaps, their futures, together.

My Review:

The Mimicking of Known Successes throws steampunk, mystery, climate fiction and planetary colonization into a blender with a soupcon of dark academia, a scintilla of romance and just a pinch of Sherlock Holmes pastiche to create a delightful story that leans hard on its central mystery and the push-pull relationship of its puzzle-solving protagonists.

It’s also a wonderful antidote to the recent spate of darkly corrupt academia. Or at least provides a much needed light at the end of some recent deeply dark tunnels in that genre. (I’m looking at Babel and both The Atlas Six and yesterday’s book, The Atlas Paradox.)

That light is in the characters, Investigator Mossa and her once and likely future lover, Scholar Pleiti. Neither of whom can resist a mystery. Or, as before and now again, each other.

The mystery begins, not with a dead body as such stories usually do, but with a missing one. It’s assumed that Scholar Bolien Trewl jumped, or was pushed off the platform at the last station on the end of the line around the gas giant moon these refugees from Earth have settled upon.

There is literally nothing else to do at that station except wait for the next train back inward, visit the four buildings on the platform, or drop off into the gas-wreathed planet below. The missing scholar isn’t still around, he didn’t board the next inbound train, so that leaves suicide or murder by plummet.

But that conclusion doesn’t make sense to Inspector Mossa. The pieces don’t add up. But those same pieces definitely lead her into temptation. The missing man was a Scholar at Valdegeld University, as is Mossa’s former flame Pleiti. Who might be of assistance in this investigation. Or the coincidence may just be an excuse to find out if the flame still burns.

As it turns out, more than a bit of both. And the game is most definitely afoot.

Escape Rating A+: This was a re-read for me. I reviewed The Mimicking of Known Successes last year for Library Journal, but I loved it so much that I kept referring to it in other reviews that I couldn’t resist giving a much longer review here.

So here we are.

At first, it was the setting that grabbed me. Mossa’s trip to that very remote station gives the reader a terrific introduction into the way this world both works and doesn’t, along with a taste of the marvelously steampunk-y nature of the whole thing.

Trains, the trains are so delightfully retro, while the planetary location is anything but. It’s not exactly a surprise that in this future view of the solar system, Earth is a painful and pined for reminder that humanity totally screwed the pooch of their home planet. Humanity is in exile, and seems caught between those who have settled down to make the most of their new home and those who are working towards a return.

That the divide reflects the town vs. gown contention that marks many college towns is just an added fillip to the whole. It’s the University that is devoted to a return, even as they spawn committees and arguments and delays and endless studies focused on the optimal way to go about it.

A process that the victim seems to have been at the heart of. As is Pleiti.

While the setting is fascinating and new, the details of academia that resemble the reader’s present provide a grounding (so to speak) a point of reference and congruence, and a whole lot of dry wit, particularly from Pleiti’s insider perspective.

As the story is told from Pleiti’s first-person perspective, we’re inside her head as she observes just how much her own profession obfuscates the important things and sweats the small stuff all the damn time.

Which lets the reader understand why Pleiti has let herself be drawn into Mossa’s investigation. It’s not just the rekindling of an old flame, it’s the need to work on something that has concrete and immediate effects that can’t be reduced to a footnote.

Even though Mossa and Pleiti nearly are reduced, not so much to a footnote as to a smear of grease on a cracked launchpad as the conspiracy and the mystery reach their explosive conclusion.

I initially picked this one up for its SF mystery blend, a combination that is having a marvelous moment right now. (If you want more of this combo, I highly recommend Station Eternity by Mur Lafferty, The Spare Man by Mary Robinette Kowal and Drunk on All Your Strange New Words by Eddie Robson along with John Scalzi’s Lock In.)

What grabbed me and kept me sucked in, TWICE, was the introduction to this quirky colony and its Sherlock and Watson investigative duo as they pursued the mystery to its surprising end. What kept me smiling and even chuckling all along the way were Pleiti’s wry observations of the familiar world of academe wrapped inside an utterly fascinating but not nearly so familiar setting.

When I first read The Mimicking of Known Successes last fall, it seemed to be a standalone book and I was a bit sad about that because I loved the characters and their world and the way they work together in it. So I was really pleased to discover that Mossa and Pleiti will return in February, 2024 in The Imposition of Unnecessary Obstacles. I’m looking forward to finding out what that title will mean for their relationship and their necessary investigations.

Review: In the Shadow of Lightning by Brian McClellan

Posted on by Marlene Harris | Author : | A+ Reviews> audio reviews> audiobooks> book reviews
Review: In the Shadow of Lightning by Brian McClellanIn the Shadow of Lightning (Glass Immortals, #1) by Brian McClellan
Narrator: Damian Lynch
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, steampunk
Series: Glass Immortals #1
Pages: 576
Length: 24 hours and 53 minutes
Published by Macmillan Audio, Tor Books on June 21, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
Goodreads

From Brian McClellan, author of The Powder Mage trilogy, comes the first novel in the Glass Immortals series, In the Shadow of Lightning, an epic fantasy where magic is a finite resource—and it’s running out.
"Excellent worldbuilding and a truly epic narrative combine into Brian's finest work to date. Heartily recommended to anyone who wants a new favorite fantasy series to read."—Brandon Sanderson
Demir Grappo is an outcast—he fled a life of wealth and power, abandoning his responsibilities as a general, a governor, and a son. Now he will live out his days as a grifter, rootless, and alone. But when his mother is brutally murdered, Demir must return from exile to claim his seat at the head of the family and uncover the truth that got her killed: the very power that keeps civilization turning, godglass, is running out.
Now, Demir must find allies, old friends and rivals alike, confront the powerful guild-families who are only interested in making the most of the scraps left at the table and uncover the invisible hand that threatens the Empire. A war is coming, a war unlike any other. And Demir and his ragtag group of outcasts are the only thing that stands in the way of the end of life as the world knows it.
"Powerful rival families, murderous conspiracies, epic battles, larger-than-life characters, and magic."—Fonda Lee, author of The Green Bone Saga
"Engaging, fast-paced and epic."—James Islington, author of In The Shadow of What Was Lost
"Clever, fun, and by turns beautifully bloody, In the Shadow of Lightning hits like a bolt through a stained glass window."—Megan E. O'Keefe, author of Chaos Vector

My Review:

As the story opens, Demir Grappo is Icarus, and we see him in the moment of his spectacular fall. A cocky young genius both in politics and on the battlefield, we catch him just at the moment when he learns that someone has decided that he has flown too close to the sun – and that it is time to clip his wings. Or burn them.

It’s a broken man who slinks away from that battlefield, covered in disgrace where there should have been glory. To say that Demir plans to hide in the lowest and meanest places he can find is a bit of an overstatement. We’d call it a psychotic break. He just runs away from his shame and his responsibilities.

Nine years later the young man is a bit older, even sadder, and doesn’t see himself as any wiser at all. He is doing a better job of getting through the days, but he has no plans, no hopes, no dreams beyond doing that for another day.

Until an old friend finds him in the back of beyond, to tell Demir that has mother Adriana Grappo, the Matriarch of the Grappo guild family, has been assassinated. And that Demir is now Patriarch, if he is willing to take up the mantle, the reins, and the responsibility he left behind.

He’ll go home to protect his guild family and hunt down his mother’s killers. Even on his worst day – and he’s had plenty of them in the intervening years – he’d be able to smell the stink of a coverup no matter how far away he was from the seething cesspit of politics and corruption that is the capital of the Ossan Empire.

Demir is willing to tear the Empire down to get the truth. Little does he know that the plot he plans to uncover will require him to save it – whether it deserves it or not.

Escape Rating A+: “Glassdamn.” It rolls easily through the mind, or trippingly off the tongue, as though it’s an epithet that we’ve always used – or at least could have if we’d had a mind to. And glassdamnit but this is a terrific story.

It’s “glassdamn” because the scientific sorcery that powers the story and the world it explores is based on the use of specifically tuned, resonating glass to provide its power. While there are multiple religions in the world none of the deities or pantheons rule much of anything. Glass is king, queen and knave and everyone swears by it and at it and about it all day long.

Glassdamn, indeed.

The title is a bit of a pun. Our protagonist, if not necessarily or always our hero, Demir Grappo, spends the entire story living in the shadow of the political and glass dancer prodigy “The Lightning Prince” – his own former self, the self that he has been running from for all these years. Demir and the man he once was are going to have to come to some kind of resolution if he is going to have even half a chance at fixing everything that’s wrong with Ossa, with his guild family, with sorcery and especially with himself. It’s difficult to tell which will be the hardest job.

The story is told from several perspectives, so that the reader is able to see what’s happening over the vast sprawling canvas that is this first book in a protected trilogy. While we follow Demir, we also have a chance to see the Ossan empire from other points of view, including the childhood friends he brings back to the capital to help him in both his quest and his more mundane work, the master craftswoman he partners with in order to carry out his mother’s last request, and his uncle Tadeus, an officer in Ossa’s much vaunted Foreign Legion, an army that takes nearly as big a fall as Demir once did.

They may rise together – or they may discover that the game is beyond them all. It’s a question that is not yet answered when the story concludes. Which is utterly fitting for the first book in a trilogy. I just wish I had an inkling of when the second book is going to be available, because this is a story that left me with a terrible book hangover. I can’t wait to go back.

One of the things that both sucked me in and drove me crazy about In the Shadow of Lightning, but which also explains why I liked it so glassdamn much, is the sheer number of recent stories it reminded me of, as well as one long-loved classic and, surprisingly, a videogame.

Throwing Age of Ash by Daniel Abraham, Engines of Empire by R.S. Ford, and Isolate by L.E. Modesitt, Jr. into an industrial-strength book blender will get you close to the feel of In the Shadow of Lightning. All are stories of empires that have already rotted from the head down. All have ‘magic’ that is treated scientifically, to the point where their worlds are all much closer to steampunk than to epic fantasy – which doesn’t stop all of them from BEING epic fantasy anyway. None of them are about classic contests between ‘good’ and ‘evil’; instead all are about people attempting to turn back the tide of the type of evil that results from power corrupting. These series starters are not exactly like each other, but they all ‘feel’ very similar and if you like one you’ll probably get equally immersed in one of the others.

The individual character of Demir Grappo, that mercurial broken genius, appearing as antihero considerably more often than hero, trying to save as much as he can and willing to sacrifice whatever it takes into the bargain, recalled a character from a much different time and place, but whose story was still conducted over a sprawling canvas. If you’ve ever read the Lymond Chronicles (start with The Game of Kings) by Dorothy Dunnett, Demir is very much in Lymond’s mold – and it was a bit heartbreaking to watch Demir making entirely too many of the same mistakes and sacrifices. I’m also wondering if he’s going to face some of Lymond’s desperate compromises and am trepidatiously looking forward to finding out.

And for anyone who has played the Dragon Age series of videogames, the corrupt guild family political power brokering – as well as the open use of assassination as a political tool – bears a surprisingly sharp resemblance to the Antivan Crows. I half expected someone to leave a message that “the Crows send their regards,” because they most certainly would, with respect upfront and a knife in the back.

The audio made that last bit even more evocative because the narrator did one hell of a job with all the accents. He also told a damn good story, giving the feeling that we were in each character’s head when it was their turn “on stage”, and making each and every voice distinct. AND he managed to put me so completely inside both Demir’s and Tessa’s heads that I would have to stop for a few minutes because I could tell that whatever was coming next was going to be awful, and I cared so much that I almost couldn’t bear to experience it so closely with them.

So, if you enjoy big sprawling epics, whether fantasy or SF, In the Shadow of Lightning is just the kind of world-spanning, world-shattering, monsterful and wonderful binge read just waiting to happen!

I can’t wait for that glassdamned second book in the trilogy. I really, really can’t.

Review: Silver Under Nightfall by Rin Chupeco

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Silver Under Nightfall by Rin ChupecoSilver Under Nightfall by Rin Chupeco
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, epic fantasy, fantasy, Gothic, horror, steampunk, vampires
Pages: 512
Published by Gallery / Saga Press on September 13, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
Goodreads

Full of court intrigue, queer romance, and terrifying monsters—this gothic epic fantasy will appeal to fans of Samantha Shannon’s The Priory of the Orange Tree and the adult animated series Castlevania.
Remy Pendergast is many things: the only son of the Duke of Valenbonne (though his father might wish otherwise), an elite bounty hunter of rogue vampires, and an outcast among his fellow Reapers. His mother was the subject of gossip even before she eloped with a vampire, giving rise to the rumors that Remy is half-vampire himself. Though the kingdom of Aluria barely tolerates him, Remy’s father has been shaping him into a weapon to fight for the kingdom at any cost.
When a terrifying new breed of vampire is sighted outside of the city, Remy prepares to investigate alone. But then he encounters the shockingly warmhearted vampire heiress Xiaodan Song and her infuriatingly arrogant fiancé, vampire lord Zidan Malekh, who may hold the key to defeating the creatures—though he knows associating with them won’t do his reputation any favors. When he’s offered a spot alongside them to find the truth about the mutating virus Rot that’s plaguing the kingdom, Remy faces a choice.
It’s one he’s certain he’ll regret.
But as the three face dangerous hardships during their journey, Remy develops fond and complicated feelings for the couple. He begins to question what he holds true about vampires, as well as the story behind his own family legacy. As the Rot continues to spread across the kingdom, Remy must decide where his loyalties lie: with his father and the kingdom he’s been trained all his life to defend or the vampires who might just be the death of him.

My Review:

I wasn’t sure what I was getting myself into this book, and now that I’ve read it I’m still not entirely sure. Except that it was fantastic. Heart-pounding, fingernail-biting, stay up until 3 in the morning to finish fantastic.

But the question about whether this is fantasy or horror still feels a bit up in the air.

Let me explain…

Remy Pendergast is a Reaper. In this world that means vampire hunter. But Remy only hunts so-called “rogue” vampires – ones who are causing mischief in human-controlled countries like Aluria. Vampires also have fiefdoms of their own where the rules are undoubtedly different.

Where Remy wouldn’t exactly be welcome because he’s famous for hunting their kind.

Not that Remy is exactly welcome in his own country, either. And not because he’s a Reaper. There are plenty of Reapers in high positions in Aluria’s government. In fact, his father used to be one of them.

But his father, who is a cantankerous old bastard at the best of times – of which he has damn few – is also in the midst of a lifelong feud with the head of the Reaper’s Guild – who also happens to be the Royal Chancellor. A man who is just as big a bastard as Remy’s father, and who is taking his feud out on the son now that the father has publicly retired.

And that’s just the tip of the really massive and ugly iceberg of why Remy is persona non grata in his own country – unless they need something killed and everyone else is too scared or too prissy to get their hands dirty.

That’s where the zombies come in. Well, not really and not exactly zombies. But sorta/kinda and close enough.

Someone is creating monsters that at first seem to be super-duper enhanced vampires. But they’re not. They’re mindless husks who regenerate at will and seem to be impossible to kill. Upon closer scientific study (this world is steampunk-ish so there’s plenty of mad science at least of the medical variety) it’s revealed that these mindless husks were never vampires – and that vampires are immune to the infection that creates them.

Lord Malekh and Lady Song, leaders of the Third and Fourth vampire Courts, have come to Aluria to ally with its Queen in order to combat what they call “The Rot” and whoever is behind that threat.

They need a human liaison. They both want Remy (in more ways than one) – who isn’t at all sure what he wants except to get out of Aluria for a while. The political temperature is getting way too hot for him and his father’s demands are becoming even more outrageous than they always have been.

And he’s tempted. Even though becoming a vampire’s familiar is against the law. Even though he’s fought vampires all his life. Even though a vampire killed his mother and he was born from her corpse.

Even though Malekh and Song are clearly in love and engaged to marry each other. Remy can’t understand why either of them wants him when no one else has ever wanted to do anything except use him for their own purposes.

He has a chance at having the kind of happiness that he never expected to even get a glimpse of. And he’s so, so certain that someone will take it away from him – unless he does it to himself first.

Escape Rating A+: Clearly, the setup for this is ginormous. It’s also endlessly fascinating. I got stuck into this and absolutely could not get out until I finished the last page at about 3 AM. It was just that good.

To the point where I’ll probably be squeeing uncontrollably more than reviewing per se. But I did love it so, so hard.

While the blurbs reference the anime series (and videogame) Castlevania, I think that’s because of the vampires, the politics and the monsters. I haven’t played or watched that so it’s not where my mind went. Instead, I kept seeing Remy as a younger, less confident Geralt of Rivia, in a world where hunting magical creatures gone rogue is needed while the people who do it are reviled. I would call it a bit of a coming-of-age story for The Witcher but I’m not sure Remy is fully adulting even by the end of the story – although he’s finally getting there.

Where I started with this review was that I still wasn’t sure whether the book was horror or fantasy. It was presented to me as horror and the scientific experimentation with zombie-like monsters who roam the countryside and infect others definitely has that vibe. There’s even a Doctor Frankenstein who is entirely too proud of his work even if he doesn’t use electricity to achieve his goals.

And then there’s the vampires, both the rogue vampires and the sexy vampire nobility. Which pushes the whole thing towards the paranormal which is an offshoot of horror.

But the form of the story reads like a big, sprawling epic fantasy. The world is huge and vastly complicated. The political agendas have political agendas and everyone is trying to knife everyone else in the back. The grudges seem to last for centuries – and not just among the vampires who have the excuse of living that long.

Basically, the politics behind everything are beyond Byzantine – as much as that is still an understatement if I ever heard one.

All of that makes the story feel epic in scope in a way that horror seldom is. And most of what is truly horrible in this story isn’t the monsters. It’s all the endless betrayals. It feels like the foundations of Remy’s world get pulled out from under him over and over as he keeps learning that under the corruption of everything if you scrape it away there’s yet another layer of, you guessed it, rot and corruption. Nothing he thinks he knows turns out to have any bearing on any truth.

That the triad relationship between Malekh, Song and Remy becomes both his only source of solace and a never-ending well of betrayal AT THE SAME TIME is just the icing on what is an utterly decadently delicious devil’s food cake of a story.

Whether it’s horror or fantasy or gothic or all of the above it’s riveting and downright compelling every step of the way. But whatever genre it falls into, I’m absolutely thrilled that the story isn’t over. Silver Under Nightfall is the first book in a projected duology, so there’s more dark, deadly and decadent delights to come!

Review: Buffalo Soldier by Maurice Broaddus

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: Buffalo Soldier by Maurice BroaddusBuffalo Soldier by Maurice Broaddus
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: alternate history, steampunk
Pages: 144
Published by Tordotcom on April 25, 2017
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
Goodreads

Having stumbled onto a plot within his homeland of Jamaica, former espionage agent, Desmond Coke, finds himself caught between warring religious and political factions, all vying for control of a mysterious boy named Lij Tafari.
Wanting the boy to have a chance to live a free life, Desmond assumes responsibility for him and they flee. But a dogged enemy agent remains ever on their heels, desperate to obtain the secrets held within Lij for her employer alone.
Assassins, intrigue, and steammen stand between Desmond and Lij as they search for a place to call home in a North America that could have been.

My Review:

As yesterday’s book was a fictionalized story of a world that was, then today’s is a leap into world that might have been.

A leap somewhat like being dropped into a roller coaster just as its about to crest that first big hill and then a wild, screaming ride all the way to the end of the ride. Only to discover that, while the ride may be over, the story is just beginning.

Although the historical turning points that created the steampunk-fueled world of Buffalo Soldier are different, in some ways the feel of the story is similar to Cherie Priest’s Clockwork Century that begins with Boneshaker. As well as, come to think of it, A Master of Djinn by P. Djèlí Clark as all three take the world down different legs of the trousers of time, and yet some forces of history seem immutable in the face of huge changes of circumstances.

The United States, well, isn’t. Not that the manifest destiny ambitions of “Albion”, the English colony that encompasses at least the East Coast and Midwest, aren’t entirely too similar. But Albion hasn’t succeeded by this point in this world’s late 19th or early 20th century.

So this story opens in independent Tejas, caught between Albion on one side and the Five Civilized Tribes on the other, as Jamaican fugitive Desmond Coke finds himself and the boy he’s guarding caught in the crosshairs between the Pinkertons, the agents of Albion, and the agents of his own truly pissed-off government as he attempts to cross the contested border.

Everyone is out to get him. Actually, only his own government really wants him all that badly. But everyone wants the boy he calls Lij. Because Lij is entirely too many things to entirely too many people.

A symbol. An experiment. An abomination. A resource. Even all of the above.

But Desmond just sees him as a little boy who deserves the chance to BE a little boy and determine his own path when he grows up. If Desmond can keep them both alive and on the run long enough to have that chance.

Unless he can find them a sanctuary. Or he dies trying.

Escape Rating A: This is one of those stories where the reader is dropped into the midst of a world that has already been fully created. We just don’t know exactly what that world is, so it comes into focus through the characters, particularly the point-of-view character Desmond Coke.

We’re not in his head, but the action follows his perspective, so we’re not omniscient. We see what he sees and know what he knows. And he knows a lot about the world in which he lives as once upon a time he was an espionage agent for his home country of Jamaica.

At least until he scooped up Lij and ran away into the predicament in which we find him as the story opens.

While the hints of how his world differs from ours and how it got that way are absolutely fascinating – at least to this reader – what kept me turning the pages was the quick, sharp peeks into his out of the frying pan into the fire journey. He’s desperate, he didn’t plan things out nearly as well as he should have, and no plan survives contact with the enemy.

Or, in this case, no plan survives contact with situations where there are enemies on every side with their weapons pointing at each other while Desmond is caught in the crossfire. Sometimes literally.

The story is a thrill-a-minute ride as every time Desmond tries to take them a little further away, he just ends up in a bigger mess, his steps dogged at every turn by agents from pretty much every power involved in North America. Some are hunting him down, some are using him as bait to hunt each other down, and some are using him as a distraction while they go after their real goals.

And in the middle, there’s a little boy who deserves the chance to grow up and become his own man instead of just the sum of all the things he was created to be. The truth of which is revealed over the course of the story and manages to catch at both the heart and the throat at the same time.

So, come to this one for the wild ride. Shake your head in rueful recognition at the ways that the powers-that-be are exactly the same as they are even in an entirely new world. Stay for the story, and the stories about stories, at its heart.

Whatever brings you on this steampunk journey, I believe you’ll find it well worth the trip.

Initially, I picked this up because I needed a couple of really short books this week and this looked like fun. Which it was! So I’m really glad I read it because it made for a terrific reading pick-me-up. It also made me look and see what else the author has available and now Sweep of Stars has moved considerably up the virtually towering TBR pile. There are so many books, and so little time, but now that I’ve read something of his work I can’t wait to dive into his latest!

Review: The Black God’s Drums by P. Djèlí Clark

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Black God’s Drums by P. Djèlí ClarkThe Black God's Drums by P. Djèlí Clark
Format: ebook
Source: publisher
Formats available: paperback, ebook, audiobook
Genres: alternate history, steampunk
Pages: 111
Published by Tordotcom on August 21, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
Goodreads

In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air--in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums.

But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.

Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans.

My Review:

There is just something about New Orleans that makes it seem, not just possible but downright plausible, that there is magic on those streets and always has been. Whether the version of the city is the one we know from history, or some other New Orleans out there in the multiverse of parallel universes and alternate histories.

The U.S. Civil War has its own magic – not that magic with a capital “M” happened, but rather the magic of possibility, that so many never weres and might have beens hinge on the events that occurred during those few years that must have felt like they lasted forever.

It’s not just that the history and meaning of that conflict have been reinterpreted, re-imagined and re-written in the century and a half that followed, but that the entire enterprise balanced on a knife edge and could have tipped in pretty much any bloody direction.

That particular “might have been” has been the stuff of much alt-history science fiction. One very readable toe in that water is Harry Turtledove’s Guns of the South, but he needed time-travel to make it work. Cherie Priest’s Boneshaker and her saga of the grim, steampunk Clockwork Century posits a U.S. Civil War that never ended as collateral damage of a catastrophic event in Seattle during the Klondike Gold Rush that created zombies.

The Black God’s Drums takes place in an alternate version of New Orleans in a world where the U.S. Civil War tipped off the knife edge in the direction of a negotiated almost-peace, into an armistice between the Union and the Confederacy. An armistice that left the crucial port of New Orleans as an independent neutral city-state, governed by its citizens – ALL its citizens, black and white.

The Union counts this New Orleans as an ally, if not officially, while the Confederacy views it as a repudiation of all they hold dear. Under the armistice, the city may not be an open battleground, but it is sometimes a covert one. Which is what takes place in this story.

Right alongside the coming-of-age story of Creeper, a girl on the cusp of adulthood (Creeper’s OK with creeping up to adulthood, but she’s much less sanguine about approaching womanhood in any way, shape, or form) who wants more than anything to find a way out of the city she has lived in all of her life. She thinks her accidental discovery of a plot to drown the city in magically created storms can be traded for a berth on a smuggler’s airship.

But Creeper has magic of her own, a magic that leads her to be in the right place at the right time to save her city. And the knowledge that this place is hers to love and hers to defend – for as long as she has the favor of her goddess.

Escape Rating A-: The Black God’s Drums was nominated for both the Hugo and the Nebula Award for Best Novella back in 2019 – and I meant to read it then but it got swallowed by the “so many books, so little time” event horizon and it didn’t happen. Then I read the author’s A Master of Djinn last year and this popped back up to the top of the virtually towering TBR pile. So when I went hunting for novellas for this week, there it was near the top of the heap.

And am I ever glad that it was – even though this is nothing like A Master of Djinn. Instead, it reads like a combination of every book of magical New Orleans from the Sentinels of New Orleans to The City of Lost Fortunes to The Map of Moments combined then tossed in with steampunk like Boneshaker but stirred with the perspective of the author’s Ring Shout in the way that magic of the African diaspora is interwoven into the story and to the events of the alternate history.

So Creeper’s New Orleans feels like New Orleans even if it isn’t exactly the one that history records. Even though the work (and misuse of the work) of those gods, the orishas, have produced effects that both remind the reader of Katrina and make the hurricane seem tame in comparison.

And on top of all that, we have not just the coming-of-age story, but a pulse-pounding adventure with deadly danger both in the immediate term and in the consequences if things go wrong. As they very nearly do. Along with the possibility of a daring rescue by pirate airship – or an ignominious crash of defeat.

The thing about novellas is that even when they are complete in and of themselves, and The Black God’s Drums does tell its story beautifully in the length it has, I’m left wanting more. This adventure does come, rightly and properly, to its end. But what happens next? And what happened before? There’s so much of this alternate version of the city – and the country – to explore.

So, just as the author’s short works, A Dead Djinn in Cairo and The Haunting of Tram Car 015 embiggened their Dead Djinn Universe into the utterly captivating A Master of Djinn, I hope that someday the New Orleans of the orisha and the pirate airships will embiggen into something bigger, bolder and even more grand.

Review: Engines of Empire by R.S. Ford

Posted on by Marlene Harris | Author : | audio reviews> B Reviews> book reviews
Review: Engines of Empire by R.S. FordEngines of Empire (The Age of Uprising, #1) by Richard S. Ford
Narrator: Alison Campbell, Ciaran Saward, Phoebe McIntosh, Ewan Goddard, Andrew Kingston, Martin Reeve, Stephen Perring
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: epic fantasy, fantasy, steampunk
Series: Age of Uprising #1
Pages: 624
Length: 22 hours, 3 minutes
Published by Orbit on January 18, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
Goodreads

This epic fantasy tells the tales of clashing Guilds, magic-fueled machines, intrigue and revolution—and the one family that stands between an empire's salvation or destruction.
The nation of Torwyn is run on the power of industry, and industry is run by the Guilds. Chief among them are the Hawkspurs, and their responsibility is to keep the gears of the empire turning. It’s exactly why matriarch Rosomon Hawkspur sends each of her heirs to the far reaches of the nation. 
Conall, the eldest son, is sent to the distant frontier to earn his stripes in the military. It is here that he faces a threat he could have never seen coming: the first rumblings of revolution.
Tyreta’s sorcerous connection to the magical resource of pyrstone that fuels the empire’s machines makes her a perfect heir–in theory. While Tyreta hopes that she might shirk her responsibilities during her journey one of Torwyn’s most important pyrestone mines, she instead finds the dark horrors of industry that the empire would prefer to keep hidden. 
The youngest, Fulren, is a talented artificer, and finds himself acting as consort to a foreign emissary. Soon after, he is framed for a crime he never committed. A crime that could start a war. 
As each of the Hawkspurs grapple with the many threats that face the nation within and without, they must finally prove themselves worthy–or their empire will fall apart. 

My Review:

This was a first for me. Engines of Empire turned out to be a total rage read that I enjoyed anyway – and does that ever need a bit of an explanation!

The story is fascinating – and compelling. It’s a political story about empires – well, duh – rising and falling. This first book, at least, is about the fall. Or at least the fall-ing. Since this is the first book in the series, I expect the rising to happen later. Whether that will turn out to be the rising of the empire from its own ashes, or merely the rising of the family through whose eyes we saw this chapter of the saga, remains to be determined.

So far, neither of them deserve it. Which is where the rage part of my rage reading came into play.

The story of the falling of the empire maintained by the Guilds of Torwyn is told through the first person perspectives of five characters; Rosomon Archwind Hawkspur, her three adult children, Conall, Tyreta and Fulren, and her secret lover, Lancelin Jagdor.

And I hated all of them except Lancelin. I particularly detested Rosomon, to the point where I’d have been more than thrilled to read a book about her getting EXACTLY what she deserved – if there hadn’t been quite so much collateral damage in giving it to her.

Of those five characters, Lancelin is the only one who has ever had to face ANY of the consequences of his actions. It’s not just that the rest of them have led very privileged lives, it’s that they never seemed to have grasped the concept that their privilege comes on the back of just so damn many other people.

They are all arrogant and they are all thoughtless about that arrogance. This is particularly true of Rosomon – in spite of a whole bunch of crap that should have given her some insights into the ways that the other half lives.

Instead, she’s a narcissist, to the point that she only sees her children as extensions of herself and not so much as people in their own right. So a big chunk of this story is about how they all escape her very clutching clutches and how those escapes help to make their world burn.

But those escapes manage to send them to the far corners of Torwyn’s empire, which gives the reader the opportunity to see just how the whole empire is hanging by a thread. A thread that is fraying anyway and that can be all too easily snipped if someone provides the right pair of scissors.

Which of course is exactly what happens. With catastrophic results – and an aftermath that we’ll see in the future books in the series. Which I will be unable to resist reading, pretty much in spite of myself.

Escape Rating B: I hate most of the characters in this book SO HARD. But I still feel compelled to see what happens next.

Part of the fascination with this story is that it becomes clear early on that something is very rotten in the heart of Torwyn. A rot that is hidden so completely in plain sight that no one even suspects it is there until it is much, MUCH too late for pretty much everyone.

At the same time, the source of that rot, once it is revealed, turns out to be just the kind of villain that we’ve seen before, and that is so often effective and not just in fiction. It’s someone who truly believes that everything they are doing, no matter how morally repugnant in the moment, is in the service of some “Greater Good” that only they can see. So when the manipulator of events is finally revealed, it makes for a lovely, thoroughly disgusted AHA!  It’s obvious in retrospect, but as you’re going along, it’s only the barest whisper of a possibility.

One of the good things about the way this story is told is that in spite of my hatred of pretty much everyone, the voices are very distinct, and not just because the audiobook narrators (one for each POV character) did a damn fine job. Still, even in print it is impossible to mistake Conall’s voice for Tyreta’s or Fulren’s.

Howsomever, one of things about those distinctive voices was that it seems that both Rosomon’s and Tyreta’s roles are restricted to a significant extent BECAUSE they are women. And yet, we don’t see that in the female secondary characters, who seem to be everywhere doing everything. Conall’s own second-in-command in the military is female, and it’s clear that she has lower rank not because she’s female but because she’s of a lower caste in the social hierarchy.

So the quasi-secondary status of noblewomen may be because they are noble, or it maybe because Rosomon’s a bitch and she’s treating her daughter the way she herself was treated. But it’s left for the reader to assume because of our history – not theirs. It doesn’t have to be that way in a fantasy world and isn’t always. I didn’t like the transfer of assumptions – especially once self-indulgent Tyreta turned into a total badass.

Which, I think is part of the story being told, and what I hope will redeem the later books. That Rosomon may go on being the overbearing, thoughtless narcissist that she has always been, thinking she knows the one true right answer only to discover that she was led astray by her own hubris feels likely – as well as likely to lead to several falls before any ultimate rise. Conall’s future, whether he sinks or swims after his experiences in this book, still feel up in the air. But Tyreta looks like she’s set on a fascinating, redemptive and possibly even heroic path. The question is whether she will let her mother push her off it yet again.

I can’t wait to find out.

Review: Marion Lane and the Deadly Rose by T.A. Willberg

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: Marion Lane and the Deadly Rose by T.A. WillbergMarion Lane and the Deadly Rose by T.A. Willberg
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fantasy, historical fiction, historical mystery, steampunk
Series: Marion Lane #2
Pages: 304
Published by Park Row on February 1, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
Goodreads


The envelope was tied with three delicate silk ribbons: “One of the new recruits is not to be trusted…”

It’s 1959 and a new killer haunts the streets of London, having baffled Scotland Yard. The newspapers call him The Florist because of the rose he brands on his victims. The police have turned yet again to the Inquirers at Miss Brickett’s for assistance, and second-year Marion Lane is assigned the case.
But she’s already dealing with a mystery of her own, having received an unsigned letter warning her that one of the three new recruits should not be trusted. She dismisses the letter at first, focusing on The Florist case, but her informer seems to be one step ahead, predicting what will happen before it does. But when a fellow second-year Inquirer is murdered, Marion takes matters into her own hands and must come face-to-face with her informer—who predicted the murder—to find out everything they know. Until then, no one at Miss Brickett’s is safe and everyone is a suspect.
With brilliant twists and endless suspense, all set within the dazzling walls and hidden passageways of Miss Brickett’s, Marion Lane and the Deadly Rose is a deliciously fun new historical mystery you won’t be able to put down.   

My Review:

The tunnels under post-war London that house Miss Brickett’s top secret and extremely secretive agency of Inquirers and Gadgeteers stretches far under the city in 1959. It seems to reach from an occasionally tenuous connection to the reality above the ground to imaginary realms as diverse as the Invisible Library, Unseen University’s library in the Discworld, all the way north to Hogwarts and out to the Scholomance. It’s a place where the science is sufficiently advanced to be indistinguishable from magic, and the magic has tentacles in entirely too many places labelled “Here be Dragons”. The monsters there are more than monstrous and dangerous enough to be, if not quite real dragons, entirely too close for comfort.

But the story in Marion Lane and the Deadly Rose, for all the secrets concealed in, for and by Miss Brickett’s, touches more on real-world dangers of the time, along with the darkness that oozes out of the human heart.

Marion Lane, who we were introduced to in the marvelous first book in this series, Marion Lane and the Midnight Murder, is now in the second year of her (hopefully) three year apprenticeship at Miss Brickett’s. The events of that first year (and first story) have left her scarred but undeterred. She loves her work, she loves Miss Brickett’s, and she is determined to become a full-fledged Inquirer at the end of her three year apprenticeship.

(This is a broad hint, even a hint and a half, to read the first book first. There are a lot of players in this game and one definitely needs a firm grasp on the scorecard.)

But Marion, like the Librarian Irene Winters of the Invisible Library, has a tendency to be the fool that rushes in where angels would rightfully fear to tread. Not that Marion is anymore foolish than Irene, but they both have that tendency bordering on compulsion to leap in hopes that the net will appear – or at least in certainty that if it doesn’t they’ll be able to think of something on the fly – sometimes literally – before they reach that sudden stop at the bottom of their current plummet towards seeming doom.

The case that Marion finds herself in the middle of, whether she planned to be there or not, has dimensions that encompass the world above and the heart of Miss Brickett’s. A case that at first seems like two cases with little to do with one another.

Out in the real world, a Russian spy known as “The Florist” has left behind a series of corpses with ugly calling cards. His victims are branded with a rose on their torsos. Through rather roundabout means, Marion’s mentor at Miss Brickett’s has been informed that Scotland Yard is stumped but is not asking for assistance from Miss Brickett’s as usual because something that has been discovered in the case has put the agency under suspicion.

At the same time, Marion has received an anonymous letter that one of this year’s intake of new recruits is not to be trusted. As the three newbies begin their first year apprenticeship, something rotten is exposed in Miss Brickett’s that may or may not have anything to do with either “The Florist” or the untrustworthy first-year. But the rot that is exposed will turn out to be the most dangerous secret of all.

Because it has divided the formerly unified Miss Brickett’s into a hotbed of suspicion, lies and power-hungry madness that has pit friend against friend and protegee against mentor. All in an attempt to satisfy greed, a lust for power, and a desperation not to be caught at all costs.

A cost that may, quite possible, include the lives of Marion and her friends.

The gorgeous UK cover

Escape Rating A-: Marion Lane and Miss Brickett’s have tunneled under the crossroads between mystery, fantasy and science fiction and sit in the center of a vast web that encompasses all three genres.

With more than a bit of espionage fiction tossed in to make this mixture a very tasty stew indeed.

While Miss Brickett’s strongly reminds me of the universe of The Invisible Library – and would serve well as a readalike for that series especially now that it has concluded – the way that things work also gives hints of Hogwarts, or the world of A Marvellous Light in that it exists in plain sight, that people in high places know about it, but that it operates in a bit of a hidden pocket of its own.

And even though Miss Brickett’s doesn’t teach or use magic, it still feels a lot like a fantasy.

Very much on my other hand, however, the two issues that Marion feels compelled to solve are both grounded in the real. The case of The Florist, his spy games and his ties to the KGB and the Soviet Union read like a fantasy or alt-history version of the historical case of the Cambridge Five and the infamous British double agents including Kim Philby and Anthony Blunt. The Florist himself may have been considerably over the top, but it’s an over the top version of stuff that actually happened.

The rot in Miss Brickett’s is also all too real, but in an entirely different way. We’ve seen, in real life, in very recent history, just how easy it is to sway people with persuasion, with lies, with propaganda, by seeding doubts, planting suspicions and reaping fears where none originally existed.

Watching those poisoned flowers bloom in a closed, hothouse environment like Miss Brickett’s was chilling – and entirely too real. The tense atmosphere created by the club that becomes a cult just added to the sense of claustrophobia, paranoia and deadly danger that always exists at the fringes of the place.

The two cases fed into one another in ways that were both completely expected and utterly chilling at the same time. We know it’s going to get worse before it even has a chance at getting better – because that part, at least, is something that has happened before and will happen again. It’s humans being human, and sometimes we suck.

As Marion Lane’s adventures (and most definitely misadventures) with the Florist and his “Deadly Rose” come to a close, it’s clear that this case may be wrapped up but that Marion’s adventuring career is FAR from over. I’m looking forward to following Marion Lane’s further escapes whenever she next emerges from the tunnels of Miss Brickett’s.

Review: The Silver Bullets of Annie Oakley by Mercedes Lackey

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Silver Bullets of Annie Oakley by Mercedes LackeyThe Silver Bullets of Annie Oakley (Elemental Masters, #16) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook
Genres: alternate history, fantasy, gaslamp, historical fantasy, steampunk
Series: Elemental Masters #16
Pages: 320
Published by DAW Books on January 11, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
Goodreads

The sixteenth novel in the magical alternate history Elemental Masters series follows sharpshooter Annie Oakley as she tours Europe and discovers untapped powers.
Annie Oakley has always suspected there is something "uncanny" about herself, but has never been able to put a name to it. But when Buffalo Bill's Wild West Show goes on tour through Germany, Bill temporarily hires a new sharpshooter to be part of his "World Wide Congress of Rough Riders": a woman named Giselle, who also happens to be an Elemental Master of Air. Alongside this new performer, Annie discovers that she and her husband, Frank, are not simply master marksman, but also magicians of rare ability.
As they travel and perform, Annie must use her newfound knowledge and rare skill to combat creatures of the night scattered across the countryside, who threaten both the performers and the locals. Annie's got her gun, and it's filled with silver bullets.

My Review:

When I read the first few books in the Elemental Masters series – as they came out back in the early 2000s – I loved these retellings of classic fairy tales set in an alternate, slightly steampunkish late Victorian/early Edwardian era for the way that they mixed a bit of magic with a bit of alternate history to put a fresh face on a tale that was oh-so-familiar.

Now that I’m thinking about this the series is an alternate version of another of Lackey’s alternate ways of telling fairy tales, her Five Hundred Kingdoms series (begin with The Fairy Godmother) where the purpose of the story was to subvert the fairy tale to keep it from subverting someone’s life.

I digress.

I stopped reading the Elemental Masters series after Reserved for the Cat as a consequence of the “so many books, so little time” conundrum that all of us who live in books are faced with so often. But I came back when the series switched from fairy tales to legendary characters with A Study in Sable and the three books that followed (A Scandal in Battersea, The Bartered Brides and The Case of the Spellbound Child) because the legendary character that was introduced and followed in this subseries of the series was none other than Sherlock Holmes.

I can never resist a Holmes pastiche, and these were no exception.

But after following the “World’s Greatest Consulting Detective”, even an alternate version thereof, through an alternate version of Holmes’ London, the series took itself across the pond to the Americas while briefly turning to its roots of retelling fairy tales with Jolene. Which I have yet to read – even though just the title is giving me an earworm of Dolly Parton’s marvelous song – which I’m sure was the intention.

I was, however, all in to read this latest book in the series, The Silver Bullets of Annie Oakley, because I was wondering how the author would blend this historical character into this world where magic is hidden just beneath the surface.

It turns out that Annie Oakley herself, the real one, provided her own introduction to this world. As this story opens, we’re with Annie as she is in contracted servitude to a married couple she only refers to as “the Wolves” in her diary. Her real, historical diary.

The Wolves – whose identity has never been conclusively determined – starved her, cheated her, threatened her and physically and mentally abused her at every turn for two years, beginning when Annie was nine years old.

In this story, those two years of hell on earth become Annie’s introduction to the magic of this alternate world. Not just because the people she calls “the Wolves” turn out to be actual wolves – or rather werewolves – but because her desperate escape from the Wolves is facilitated by the magic of this alternate world – both the magic of the fairies AND magic of Annie’s very own.

After that shocking and heartbreaking beginning, the story shifts to Annie Oakley as an adult, the star of Buffalo Bill’s Wild West show, traveling in Europe.

Where she discovers that her childhood rescue by fairies was not the fever dream she tried to convince herself that it was. And that the magic she has hidden from herself all these years is hers to command – if she is willing to learn.

And that she’ll need all the training and assistance that she can get. Because the wolves are still after her.

Escape Rating A-: When I was growing up – back in the Dark Ages – there weren’t nearly enough biographies of women in my elementary school library. Honestly, there weren’t nearly enough, period. While there still aren’t, the situation has improved at least a bit.

Annie Oakley ca. 1903

One of the few that was always available was Annie Oakley. It was easy to find stuff about her, and as someone who read as much of that library as humanly possible, I found what there was. She’s a fascinating person, as a woman in the late 19th and early 20th century who was famous for what she herself DID, and not for who she married, who she killed (I’m looking at you, Lizzie Borden) or who or what she was victimized by. Nor was she famous for her beauty. (I’ve included a picture to let you judge for yourself on that score, but whether you like her looks or not they are not what made her famous.

Her ability to shoot a gun, accurately and at a distance, is what made her famous. It also put food on the table when she was young and her family was broke.

Blending her real history and real talents into this magical story, and keeping reasonably close to what is known about her while expanding it into this created world was fascinating and fun. This was also a terrific story to get new readers into this long running series, as Annie is an adult when she finds out that she has magic, and her training in her newly discovered powers helps the reader get on board with the way that this world works AND is fascinating in its own right.

So this story’s blend of history with magic just plain worked for me – even more than I expected it to. More than enough to make me not miss the Sherlock Holmes of the earlier stories in the series too much.

Obviously, I really enjoyed this particular entry in this long-running series. MORE than enough that I’ll be back the next time the author returns to it. In the meantime, I have plenty of entries in the series that I missed to dip into whenever I’m looking for this blend of magic, myth and history.

Review: The Untold Story by Genevieve Cogman

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Review: The Untold Story by Genevieve CogmanThe Untold Story (The Invisible Library #8) by Genevieve Cogman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: fantasy, gaslamp, historical fantasy, steampunk, urban fantasy
Series: Invisible Library #8
Pages: 352
Published by Ace on December 9, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
Goodreads

In this thrilling historical fantasy, time-traveling Librarian spy Irene will need to delve deep into a tangled web of loyalty and power to keep her friends safe.
Irene is trying to learn the truth about Alberich-and the possibility that he's her father. But when the Library orders her to kill him, and then Alberich himself offers to sign a truce, she has to discover why he originally betrayed the Library.
With her allies endangered and her strongest loyalties under threat, she'll have to trace his past across multiple worlds and into the depths of mythology and folklore, to find the truth at the heart of the Library, and why the Library was first created.

My Review:

Heist and caper stories often open at the close, meaning that the reader – or viewer in the case of TV and movies – comes into the story as the caper either appears to be succeeding or failing. Then the story jumps back to the beginning and we get to see how the situation and characters got into the rather large pickle that they were in when we joined the action.

This final book in the Invisible Library series closes at the open. When we first met Irene Winters all the way back in the first book, also titled The Invisible Library, as far as the existence of the Library and Irene’s place in it were concerned, the story is in medias res, the middle of the matter.

As the story has progressed, many of Irene’s adventures have been heists or capers or both, as she generally finds herself and her friends and companions not just jumping from the frying pan into the fire, but in messes where it’s frying pans and fires all the way down.

But part of the reason for all the perils that Irene finds herself facing is that the situation between the worlds is deteriorating. The Library and its librarians guard the balance between the absolute order of the Dragons and the utter chaos of the fae.

Because the worlds in the center, the worlds that have enough chaos to prevent tyranny and allow for growth, but that also have enough order for laws and organizations and society in general to manage to function, are the only worlds on which humans thrive.

And all the librarians, except for Irene’s former apprentice, the Dragon Prince Kai, and her current apprentice, the fae bibliophile Catherine, have been human.

Someone is eliminating worlds at the far ends of the spectrum, both worlds of extreme order and worlds of absolute chaos. Someone wants to destabilize the Library and the fragile peace it brokers between the Dragons and the Fae.

In order to figure out who or what is leading their entire system into destruction, Irene will have to go all the way to the beginning of things. To the lost myths of the foundation of the Library itself. And to the truth of her own origins.

Escape Rating A: The madcap misadventures of librarian Irene Winters come to a rollicking conclusion in this final book in the epic Invisible Library series.

While this series has been very much one caper after another, the lighthearted tone of the series has slipped towards a more serious turn as it has continued. After Irene’s discovery at the end of the previous book, The Dark Archive, that she’s not the biological daughter of the two librarians who raised her, the foundations of Irene’s world have taken more than a bit of a beating.

It’s not just that her adoptive parents lied to her – along with the collusion of the Library itself, but that while Irene may not exactly be the Library’s equivalent of Luke Skywalker, her sperm donor is very definitely the Library’s version of Darth Vader – and he is her father, a revelation that lands with the same “THUD” that it does for Luke in The Empire Strikes Back.

Vader is, at least at that point in the series, exactly the villain that everyone thinks he is. Alberich’s status is a bit less clear. Not that he hasn’t committed a lot of terrible acts, but that the reason behind those terrible acts is not nearly so simple – or so black and white – as Vader’s turn to the Dark Side.

Just as Irene’s discovery of her parentage – and the Library’s role in covering it up – lead to questions that no one wants to answer, so too do her questions about the true origin of the Library itself. A truth that is shrouded in myths and legends that no one really wants to examine.

But that’s what Irene does, because that’s who she is. Librarians don’t know everything. What librarians know, in real life as well as in fantastic stories like this one, is how to find things out. Even things that no one wants found. Even things that will shake the foundations of the world.

The Untold Story has been untold for centuries because too many beings have a vested interest in NOT exposing the truth at the heart of their world. But Librarian Irene Winters tells that story anyway. And it’s the wildest ride she’s ever taken us on.

This is an intensely compelling ending to a fascinating saga. If you haven’t yet visited the Invisible Library, start at the beginning and settle in for a wild, woolly and wonderful ride.

Review: Isolate by L.E. Modesitt Jr.

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Isolate by L.E. Modesitt Jr.Isolate (The Grand Illusion #1) by L.E. Modesitt Jr.
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, gaslamp, political thriller, steampunk
Series: Grand Illusion #1
Pages: 608
Published by Tor Books on November 16, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
Goodreads

L. E. Modesitt, Jr., bestselling author of The Mongrel Mage, has a brand new gaslamp political fantasy Isolate.Industrialization. Social unrest. Underground movements. Government corruption and surveillance.
Something is about to give.
Steffan Dekkard is an isolate, one of the small percentage of people who are immune to the projections of empaths. As an isolate, he has been trained as a security specialist and he and his security partner Avraal Ysella, a highly trained empath are employed by Axel Obreduur, a senior Craft Minister and the de facto political strategist of his party.
When a respected Landor Councilor dies of "heart failure" at a social event, because of his political friendship with Obreduur, Dekkard and Ysella find that not only is their employer a target, but so are they, in a covert and deadly struggle for control of the government and economy.
Steffan is about to understand that everything he believed is an illusion.

My Review:

The Grand Illusion of the series title is the illusion that the government (any government) can solve every problem and make everyone happy – all at the same time. But as the story unfolds it acknowledges that this is very definitely an illusion, that a government can possibly make nearly all of the people happy some of the time, that it can certainly make some of the people happy nearly all of the time, but that making all the people happy all the time is neither possible nor realistic.

Although good people in government can do their best to walk the tightrope, to do the best job they can for most people most of the time. If they devote their lives to it and are even willing to give those lives in order to do the most good for the most people most of the time – even in the face of those same people not recognizing that it’s being done while resenting that it isn’t being done nearly fast enough..

In other words, this is a political story, told through fascinating characters. It also reads like a story about how to potentially stage a coup from the inside – and how to stop it. That could just be reading the real-life present into the opening salvo in what I hope will be a long and fascinating series. But the interpretation feels right to me and your reading mileage may vary.

So Isolate examines the dirty business of politics, as seen through the eyes of someone with an intimate view of just how the sausage is made, as the saying goes, and finds himself on the inside of an attempt to make it better. Or at least tastier for considerably more people than is currently the case.

Isolate can be read as an exploration of how politics and government work as well as a continuous discussion about how they should work, but the story is wrapped around the characters and that both personalizes it and makes it easier to get swept up in the discussion right along with them. It can also be read simply as a “power corrupts” type of story and it certainly works on that level, but it’s also competence porn of the highest order and I absolutely could not put it down.

(Speaking of not being able to put this down, readers should be aware that the count of 608 pages is a serious underestimate. It’s 15,000 kindle locs. I know there’s not a direct translation from locs to number of pages, but as an example, Jade City by Fonda Lee, which is awesome, BTW, is 560 pages and 7684 kindle locs. No matter how loosely you do the math, based on my reading time Isolate is more likely 806 pages, or more, than it is 608, unless they are very large pages and the print is very, very small. It is absolutely worth reading, I loved every minute, but it will take more time than you might think it will from the page count.)

I recognize that I’m all over the map in this review. There is a lot to this book, and it’s one that made me think quite a lot as I was reading it.

As I said earlier, there were quite a few points where it felt like a story about how to stage a coup from the inside – and how to stop it. At first, I thought that those currently in power were setting up the kind of coup that nearly happened in the U.S. after the election, but it didn’t get to quite that level of skullduggery – not that there wasn’t plenty but it didn’t go quite that far in quite that direction.

But there’s also an element that the forces of “good” or at least the forces we follow and empathize with the most, are staging a coup from inside the government but outside of real power to make change. That feels kind of right, but as it’s handled in the story it’s legal and on the side of the “angels”.

While never glossing over the fact that politics is a dirty business, and even those on the side of the “angels” sometimes have to get their hands dirty – even if by proxy.

Escape Rating A+: What made this story work for me was the way that it completely embodied its political discussions and political maneuvering in its characters. There’s a lot of necessary exploration and explanation of what government can and can’t, and should and shouldn’t, do for its people, in this country that reads just enough like ours – or Britain – to feel relevant without feeling so close that it ends up being either a political treatise or a work of alternate history.

Instead, it ends up being the story of three people doing the best that they can to help their country in spite of everyone who tries to get in their way. In the process, they all rise above the place they expected to be, and that’s just the kind of story I love to sink into.

It takes a bit to get the reader firmly ensconced in this world with these characters, but once it does, it’s riveting. And it ends, not so much with triumph – although that element is there – but with the sure and certain knowledge that Steffan, Avraal and Obreduur have plenty of work left to do. They’re eager to get started, and I’m eager to read what happens next in Councilor, due in August 2022.