Review: The Bloodprint by Ausma Zehanat Khan + Giveaway

Review: The Bloodprint by Ausma Zehanat Khan + GiveawayThe Bloodprint (The Khorasan Archives #1) by Ausma Zehanat Khan
Format: eARC
Source: publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: epic fantasy
Series: Khorasan Archives #1
Pages: 448
Published by Harper Voyager on October 3rd 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
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A dark power called the Talisman has risen in the land, born of ignorance and persecution. Led by a man known only known as the One-eyed Preacher, it is a cruel and terrifying movement bent on world domination—a superstitious patriarchy that suppresses knowledge and subjugates women. And it is growing.

But there are those who fight the Talisman's spread, including the Companions of Hira, a diverse group of influential women whose power derives from the Claim—the magic inherent in the words of a sacred scripture. Foremost among them is Arian and her apprentice, Sinnia, skilled warriors who are knowledgeable in the Claim. This daring pair have long stalked Talisman slave-chains, searching for clues and weapons to help them battle their enemy’s oppressive ways. Now, they may have discovered a miraculous symbol of hope that can destroy the One-eyed Preacher and his fervid followers: The Bloodprint, a dangerous text the Talisman has tried to erase from the world.

Finding a copy of The Bloodprint promises to be their most dangerous undertaking yet, an arduous journey that will lead them deep into Talisman territory. Though they will be helped by allies—a loyal ex-slave and Arian’s former confidante and sword master—both Arian and Sinnia know that this mission may well be their last.

My Review:

If the Taliban and The Handmaid’s Tale had a hate child, it would be The Bloodprint. Yes, I mixed my metaphors, but it feels correct. And if after reading The Bloodprint there is anyone who does not mentally link the Talisman of the book with the Taliban of real life, I’ll eat my virtual hat.

The Bloodprint is an epic fantasy that feels very definitely part of the grimdark movement. It’s a very grim story, and the world that it portrays is in that terrible place where things are always darkest just before they turn completely black.

And although our protagonists are pursuing that one last ray of hope and light before all is extinguished, by the end it just feels as if all is lost.

The interesting thing about The Bloodprint is that it is, for the most part, a heroine’s story. The characters with agency are all female, and the defenders of the light are a female order of wise women and warriors. The story passes the Bechdel-Wallace test within the first page.

And that seems fitting, because so many of the victims of the darkness that has taken over this world are also female. Women without husbands or children are automatically sold into slavery. And the slave trade is so lucrative (or something even more nefarious) that the men of entire villages are wiped out just so that their surviving wives and daughters can be sold into slavery.

That’s not all that’s wrong. The Talisman, the villainous empire of our story, are systematically wiping out all books, all writing, and anyone who has the ability to write. Our heroes refer to the time that they live in as the “Age of Ignorance” because of this systematic erasure. And the parallels to the real-world Taliban, both in their treatment of the historical record and their treatment of women, feels screamingly obvious.

One of the foundations of the side of the light are its scriptoriums. And its relentless need to pass on any and all knowledge by oral as well as written tradition. Because there’s a reason for all of this erasure of history.

Writing, or at least a particular piece of writing called the “Claim”, is magic. And those who can wield the magic of the claim are extremely powerful. And rare.

Arian is our heroine, and one of the women who can wield the magic of the Claim for both offense and defense. She is a leading member of a legendary sisterhood, and she is tasked with the duty of retrieving a mythical original manuscript of the Claim, in order to bring about the end of the Talisman.

No such quest is ever conducted alone. Arian has companions on her journey, a guardian from her sisterhood, the man who loves her but whom she of course cannot have, and a child she rescues who will probably turn out to be the key to the whole thing at some future point. (I do not know this at all, I merely speculate.)

But equally, no such quest is ever undertaken without grave risk. Arian’s problems begin within the walls of her own sanctuary, as the leader of her order seems to be pursuing a separate, and possibly inimical, political end of her own.

Arian is uncertain whether or not she has been betrayed before she even begins. But as her journey continues through the devastated lands, she discovers that there are more forces arrayed against her than even she imagined in her darkest hours.

And that things are indeed always darkest just before they turn completely black.

Escape Rating B-: I have some mixed feelings about this book. There are some parts of the story that I really liked, and some that left me completely puzzled.

I love the idea of this in a whole bunch of ways. I really liked that the story begins as a buddy-story, with both of those buddies being women. And that our initial antagonist is a woman as well. There is absolutely no reason that any story can’t have women taking on a whole bunch of the roles that men regularly do. Hero, savior, villain, companion.

I also found it interesting that the male character in the story, while he is powerful in his own right, also takes on some of the roles that usually fall to women. This is Arian’s story and Arian’s quest and Daniyar is the one following her while she leads both the party and the story.

I was also fascinated by the way that this story is rooted in an entirely different mythical background than the Norse and/or Celtic mythologies that so often dominate epic fantasy.

But it was difficult to get into the story. At the beginning, it felt like a lot had already happened, and that somehow I’d missed. It. In the end, the impression I’m left with is that The Bloodprint felt like the middle book of a trilogy, even though it isn’t. When the story begins, we’re in the middle of action that has been going on for years. The situation is already desperate. And there’s positively oodles of backstory between not just Arian and her companion Sinnia, but between Arian and Daniyar, and especially between Arian and Ilea, the leader of her order. Backstory and context which readers scramble to assemble from the clues left by the characters’ thoughts and actions.

And the world has already gone completely to hell in that handbasket and it doesn’t look salvageable. Arian’s quest has the feel of a “Hail, Mary” pass, one of those million-to-one shots that only succeed in epic fantasy and the Discworld.

But it also feels like a middle book because the narrative trajectory heads downward. Things start out bad, get steadily worse, and we end on a horrible cliffhanger with the fingers being stomped on. Things began grim and ended grimmer.

On my other hand, the final 25% is absolutely compelling page-turning reading. I could see the end coming, I knew it was probably going to be horrifying, and I could not stop myself from racing to get there as fast as I could.

In the end, The Bloodprint is compelling but very, very dark epic fantasy. I’m very curious to see how our heroines get out of the very hot frying pan they’ve landed in, and how much hotter the fire underneath will turn out to be.

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Review: Halls of Law by V.M. Escalada

Review: Halls of Law by V.M. EscaladaHalls of Law by V.M. Escalada
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy
Series: Faraman Prophecy #1
Pages: 496
Published by DAW Books on August 1st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
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The Faraman Polity was created by the first Luqs, and has been ruled for generations by those of the Luqs bloodline. It is a burgeoning empire maintained by the combined efforts of the standing military force and the Talents of the Halls of Law. While the military preserves and protects, it is the Halls' Talents—those gifted from birth with magical abilities—who serve as the agents and judges of the Law. For no one can successfully lie to a Talent. Not only can they read people by the briefest of physical contacts, but they can also read objects, able to find information about anyone who has ever come into direct contact with that object. Thanks to the Talents and the career military, the Polity has long remained a stable and successful society. But all that is about to change.
Seventeen-year-old Kerida Nast has always wanted a career in the military, just like the rest of her family. So when her Talent is discovered, and she knows she'll have to spend the rest of her life as a psychic for the Halls of Law, Ker isn't happy about it. Anyone entering the Halls must give up all personal connection with the outside world, losing their family and friends permanently. Just as Kerida is beginning to reconcile herself to her new role, the Polity is invaded by strangers from Halia, who begin a systematic campaign of destruction against the Halls, killing every last Talent they can find.
Kerida manages to escape, falling in with Tel Cursar, a young soldier fleeing the battle, which saw the deaths of the royal family. Having no obvious heir to the throne, no new ruler to rally behind, the military leaders will be divided, unable to act quickly enough to save the empire. And with the Halls being burned to the ground, and the Talents slaughtered, the Rule of Law will be shattered.
To avoid the invaders, Kerida and Tel are forced to enter old mining tunnels in a desperate attempt to carry word of the invaders to Halls and military posts that have not yet been attacked. But the tunnels hide a dangerous secret, a long-hidden colony of Feelers—paranormal outcasts shut away from the world for so long they are considered mythical. These traditional enemies of the Halls of Law welcome Kerida, believing she fulfills a Prophecy they were given centuries before by the lost race of griffins. With the help of these new allies, Kerida and Tel stand a chance of outdistancing the invaders and reaching their own troops. However, that is only the start of what will become a frantic mission to learn whether any heir to the throne remains, no matter how distant in the bloodline. Should they discover such a person, they will have to find the heir before the Halian invaders do. For if the Halians capture the future Luqs, it will spell the end of the Faraman Polity and the Rule of Law.

My Review:

If you are looking for a new epic fantasy series to sink your reading teeth into, and where you can get in at the very beginning without having to read through a huge pile of doorstop-sized books, Halls of Law is definitely a winner.

It’s also an epic fantasy for the 21st century, where we have an absolutely marvelous heroine’s journey from the outset, as well as a hero’s journey that looks like it will take us to some fascinating places.

Our point of view character is Kerida Nast. All her life she’s wanted to be a soldier, just like everyone else in her family since pretty much the dawn of time. But unfortunately for Kerida, and it looks like fortunately for the rest of Faraman Polity, Ker is a Talent, definitely with that capital T, and Talents are special.

Ker turns out to be a lot more special than most.

Talents in the Faraman Polity are psychics, born with a gift that seems to be a lot like psychometry. When a Talent touches an object, they can read the entire history of that object, AND, most importantly AND, they can read the current status and even whereabouts of all the people who have been involved with that object. And they can read people the same way.

No one can hide the truth from a Talent. Which has made the Talents, over time, the instruments and enforcers of the rule of law. They are the law.

But in order to be impartial enforcers of the law, Talents are separated from the rest of the Polity. Once their gift is discovered they are taken from their families, not just for training, but for life, and forced to cut all ties to the rest of the world and renounce all titles and inheritances.

Ker finds it a cage, sometimes gilded, sometimes lined with shit. Or at least with encrusted oatmeal. But just as she realizes that she can make a new and good life for herself within the ranks of the Talented, disaster strikes, and she is forced to combine her new abilities with her old skills as a soldier.

And that’s where this utterly marvelous story truly takes wing. On the back of a griffin.

Escape Rating A-: This is a terrific story, but I have to say that it isn’t really anything truly new in the realms of epic fantasy. For those who have read a fair bit in the genre, there are plenty of recognizable tropes. However, those tropes are put together in some unusual ways.

Throwing more than a bit of The Handmaid’s Tale into a completely epic fantasy setting gives the story many of its chills, and makes the evil that our good Kerida fights particularly malevolent. Her enemies, the Halia, seem to embody the worst of everything that makes Men’s Rights Activists so foul, while embodying their deep misogyny into an epic fantasy setting and adding a few additional twists to make things that much scarier, and the stakes that much higher for our heroes.

But in the best heroine’s journey tradition, the story follows Kerida as she discovers who she is and what she is capable of. She finds herself at the center of events that will not just hopefully drive out the enemy, but also re-shape her world for the better. If she survives – and succeeds.

An outcome that is never certain. When Halls of Law ends, Ker has merely completed the opening stages of the prophecy that she and her companions must fulfill. And the odds are firmly stacked against them.

I can’t wait to find out happens next!

Reviewer’s Note: V.M. Escalada was billed as a debut author in the material I received for my Library Journal Science Fiction and Fantasy article, Galaxy Quests. I chose to read Halls of Law because the information provided about the book sounded so good, and the book certainly was good. I’m glad I read it. But, and for me this feels like a very big but, V.M. Escalada is not, after all, a debut author. Rather, this is a new pen name for author Violette Malan. I loved her Dhulyn and Parno series, which begins with The Sleeping God. I’m thrilled to have something new by her, I wondered where she went. But a new pen name does not a debut author make, and I feel like I was misled in the materials for that article, and that I, in turn, misled the readers of the article. Next time I’ll do more research.