#BookReview: Judge Dee and the Limits of the Law by Lavie Tidhar

#BookReview: Judge Dee and the Limits of the Law by Lavie TidharJudge Dee and the Limits of the Law (Judge Dee, #1) by Lavie Tidhar
Format: ebook
Source: purchased from Amazon
Formats available: ebook
Genres: fantasy, horror, paranormal, short stories, vampires
Series: Judge Dee #1
Pages: 32
Published by Tor Books on November 11, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBetter World Books
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No vampire is ever innocent…
The wandering Judge Dee serves as judge, jury, and executioner for any vampire who breaks the laws designed to safeguard their kind’s survival. This new case in particular puts his mandate to the test.

My Review:

I’m not quite sure what I was expecting when I picked this up, but what I got was kind of interesting and sorta cute and blissfully short yet still told a good story and somehow managed to fit – albeit weirdly and oddly – into the whole Judge Dee rabbit hole I fell down last week.

Like many vampire stories, it needs a human touch. And it has one in this case, as it is told by vampire Judge Dee’s current human assistant, Jonathan. Who is often just a bit hard done by the Judge, as poor Jonathan needs the occasional meal of real food, and the occasional break to catch his labored breath, while the vampire clearly does not. And sometimes forgets to care.

That the human is a considerably messier eater than the average vampire, let alone the rather fastidious Judge Dee, is just part of the byplay between these two unequal companions.

The story here still manages to display Judge Dee’s much vaunted ability to, well, judge evildoers within the limits of the law and render a fit punishment – when punishment is what’s due.

The case that introduces this pair to readers is just such a case – more convoluted that one might expect leading to a rather elegant ending – and not the one the reader expects when Judge Dee first knocks on the door.

Escape Rating B: I picked this up this week for two reasons. The first is part of the reason I grabbed this at all, that I fell down a reading rabbit hole about Judge Dee and discovered this series and simply couldn’t resist. A lack of resistance that may have had something to do with the cover art which is just this side of comic but bizarre in a way that pulled me in.

The second reason, and the why right now reason, is that these are blissfully short. I’ve overcommitted myself this week and needed that really, really badly.

But I’ll admit that I wasn’t expecting a lot, because there is literally not a lot here. Howsomever, I got more than I expected.

Judge Dee does his damndest to stick to the letter of the law while leaning over it just enough to find justice in a situation where there might not have been any to find. He’s beyond clever and yet is amused when a potential defendant before his traveling bench manages to out-clever him.

What makes the story fun – more than fun enough that I’ll be picking up the next story the next time I need something short to tide me over an overcommitted calendar – is the first person perspective of poor, put upon, Jonathan. He’s snarky, he’s both world-weary and vampire-weary, but he’s always aware of the side on which his bread is buttered – when he can get any, that is. So his commentary covers the Judge, the law he administers, his opinions and predilections, but also the companionship they provide each other.

Along with Jonathan’s constant scramble to get enough food in his belly to keep him upright for another day trudging after the indefatigable vampire Judge Dee. And one of these days soon I’ll be, not trudging but skipping along right beside him with Judge Dee and the Three Deaths of Count Werdenfels.

A++ #BookReview: Court of Wanderers by Rin Chupeco

A++ #BookReview: Court of Wanderers by Rin ChupecoCourt of Wanderers (Silver Under Nightfall, #2) by Rin Chupeco
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, epic fantasy, fantasy, fantasy romance, Gothic, horror, steampunk, vampires
Series: Reaper #2
Pages: 448
Published by Gallery / Saga Press on April 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Remy Pendergast and his royal vampire companions return to face an enemy that is terrifyingly close to home in Rin Chupeco’s queer, bloody Gothic epic fantasy series for fans of Samantha Shannon’s The Priory of the Orange Tree and the adult animated series Castlevania.
Remy Pendergast, the vampire hunter, and his unexpected companions, Lord Zidan Malekh and Lady Xiaodan Song, are on the road through the kingdom of Aluria again after a hard-won first battle against the formidable Night Empress, who threatens to undo a fragile peace between humans and vampires. Xiaodan, severely injured, has lost her powers to vanquish the enemy’s new super breed of vampire, but if the trio can make it to Fata Morgana, the seat of Malehk’s court—dubbed “the Court of Wanderers”—there is hope of nursing her and bringing them back.
En-route to the Third Court, Remy crosses paths with his father, the arrogant, oftentimes cruel Lord of Valenbonne. He also begins to suffer strange dreams of the Night Empress, whom he has long suspected to be Ligaya Pendergast, his own mother. As his family history unfolds during these episodes, which are too realistic to be coincidence, he realizes that she is no ordinary vampire—and that he may end up having to choose between the respective legacies of his parents.
Posing as Malek and Xiaodan’s human familiar, Remy contends with Aluria’s intimidating vampire courts and a series of gruesome murders with their help—and more, as the three navigate their relationship. But those feelings and even their extraordinary collective strength will be put to the test as each of them unleashes new powers in combat at what may be proven to be the ultimate cost.

My Review:

I loved this second book in the Reaper duology even more than I loved the first book, Silver Under Nightfall. Which means that it is going to be damn near impossible to keep my SQUEE under enough control to write this review.

But then again, I loved this so hard that I have literally nothing truly serious to say, except to tell people to go out and read this duology and to start with Silver Under Nightfall and be prepared to forgo sleep until you’ve finished the set.

The story in Court of Wanderers picks up right after the ending of Silver Under Nightfall, and everything that happened in that first book is part of the setup for this second. So my one very serious thing to say is to start with Silver Under Nightfall to get acclimated to this intricately designed and convoluted world where the good humans are working with the good vampires, the bad vampires are killing the bad humans and someone or something is maneuvering behind the scenes on both sides for dastardly reasons of their own.

Because divide and conquer has been a sound strategy since the dawn of, well, strategy.

At the heart of this truly epic dark fantasy are Malekh, Xiodan and especially Remy. Malekh and Xiodan are vampires at the center of seemingly ALL the power plays among their people. A people who are distrustful of each other and seem to hold humans in contempt. But are forced to or hopeful of or a bit of both regarding an alliance with at least some humans in order to fight a common enemy that is targeting them both with armies of infectious, unkillable monsters.

(And yes, anything that a vampire thinks is a monster is pretty damn monstrous – as are the people (for loose definitions of ‘people’) controlling them.)

Remy Pendergast, the point of view character for the story, is a garden-variety human. Or so he believes, in spite of all the rumors to the contrary he grew up with and was constantly reviled for. His father leads the human armies on behalf of the Alurian Queen Ophelia.

His father, quite frankly, is also a bastard – the marital status of HIS parents notwithstanding.

Remy was supposed to be his father’s spy among the vampire courts. Instead, Remy has found the first place he could ever call home. A place where he is respected, appreciated, and most definitely loved. By Malekh and Xiodan, the leaders of the third and fourth vampire courts, who want to make him their acknowledged third, whether he remains human or lets himself be turned.

But Remy isn’t quite the mere human that he believed himself to. Then again, quite a few of the things he believed and the people he believed in are not exactly what he believed them to be, either.

The war that Remy is at the forefront of, on both sides at the same time, will test his courage, his mettle, his resolve – and most especially, his heart.

What comes out the other side – intact or otherwise – is for Remy to discover. If he survives – and if his world survives with or without him.

Escape Rating A++: The SQUEE is strong with this review. Let’s get into at least a bit of the why of that fact.

The comparison that keeps being made in the blurbs is to Castlevania. I’ve never played the game, so I can’t say if that’s on point or not. What is very much on point – and not just the pointy fangs of the vampires themselves, is that the Reaper duology does a fantastic – no pun intended – job of combining the battle of good vs. evil that so often lies at the heart of epic fantasy with epic fantasy’s complex worldbuilding AND its underlying thread of very long, downright historical forces teeing up to fight the same battles over and over again.

At the same time, and I think this is where the Castlevania reference comes in, some of the prime movers and shakers in this world are vampires. And it has been observed, at least by this reader, that vampire politics tend to run towards exceedingly long games and even longer grudges because those original movers and shakers are still doing the moving and the shaking down through the millennia. It’s difficult to get a fresh start when the people who need it are battling not against institutional memory or country-founding ethos but against actual memory – usually in worlds where therapy is not remotely a thing.

A big part of what is ultimately uncovered, the evil at the heart of this world, is that the forces arrayed have been maneuvering on the down low for longer than the short-lived humans could possibly imagine – not that plenty of them haven’t either been caught up in it or killed by it or both over the centuries.

Our point of view on those discoveries, and on those centuries of underhanded and underground dealings, is Remy Pendergast. In Silver Under Nightfall, we’re with Remy as he’s used and abused by everyone around him in the human world, and we follow his perspective as he learns that the vampire courts are not much like he’s always been taught. And that he has considerably more value as a person than the human courts – particularly his own father – have ever led him to believe.

As Court of Wanderers begins to unravel the plots and counterplots that have set up the epic confrontation, Remy learns that so much of what he’s been taught to believe just ain’t so. We feel for him as his illusions are destroyed, as some of them get rebuilt, and as the layers of the whole onion of his life peel back with tears every step of the way. We get caught up in his journey as well as the battle yet to come and its multiple horns of dilemma consequences.

I got caught up in this story for Remy, because it was impossible not to feel for him, and because the way that his continual discoveries of how the world REALLY works as opposed to how he thought it did gave me a captivating and compelling ‘in’ to this complex world.

I stuck around because as the romance – and it is absolutely a romance – between Malekh, Xiodan and Remy gets deeper I found myself feeling for them, both in the romance AND for the centuries of trauma they had experienced and the way that their world was damaged and how desperately they wanted to fix it in spite of the forces arrayed against them.

I was fascinated with the way that the good vs. evil battle that has been fought through the whole story wasn’t reduced in any way to the easy fixes. Although many people at the beginning believed it was vampires vs. humans, and the villains were trying hard to make that point stick, in the end there was good among both and evil among both and deception on all sides. And redemption as well.

When I closed the final page of Court of Wanderers, I left this world with a deeply conflicted reaction. The ending of this book, and this duology, is utterly right for the story that was told within. The mix of the bitter of loss with the sweet of possibilities was, in the immortal words of Goldilocks, ‘just right’. But I’m deeply sad that this marvelous story is over, and that I won’t get to see the outcome of the life-altering choices that Remy has before him – and I desperately want to know.

Maybe I’ll find out in some future story by this author. I hope so. I KNOW that I’ll be all in on their next adult fantasy, whenever it appears, because Silver Under Nightfall and Court of Wanderers constitute a tale that I’m going to remember for a long, long time.

Review: Vampire Weekend by Mike Chen

Review: Vampire Weekend by Mike ChenVampire Weekend by Mike Chen
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, horror, paranormal, vampires
Pages: 368
Published by Mira on January 31, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Being a vampire is far from glamorous...but it can be pretty punk rock.
Everything you've heard about vampires is a lie. They can't fly. No murders allowed (the community hates that). And turning into a bat? Completely ridiculous. In fact, vampire life is really just a lot of blood bags and night jobs. For Louise Chao, it's also lonely, since she swore off family ages ago.
At least she's gone to decades of punk rock shows. And if she can join a band of her own (while keeping her...situation under wraps), maybe she'll finally feel like she belongs, too.
Then a long-lost teenage relative shows up at her door. Whether it's Ian's love of music or his bad attitude, for the first time in ages, Louise feels a connection.
But as Ian uncovers Louise's true identity, things get dangerous--especially when he asks her for the ultimate favor. One that goes beyond just family...one that might just change everything vampires know about life and death forever.

My Review:

Vampires don’t sparkle. Everybody knows that’s a complete fabrication. Totally fictional. Also slightly ridiculous.

As Louise Chao has discovered over the decades, most of the things that people thought they knew about vampires are every bit as mythical as that sparkle. And Louise ought to know. She’s been a vampire for those same decades. For her, being a vampire isn’t remotely glamorous, nor is she accumulating wealth. She certainly doesn’t have super-strength or any other super-senses.

She’s absolutely not draining innocent – or even not so innocent – victims dry every night. Not only is that frowned upon – with extreme prejudice – by the vampire community, but honestly it’s not nearly as easy as it looks to bite someone in the carotid artery. The angles are just all wrong and the fangs aren’t nearly as sharp as fiction would have one believe.

For Louise, being a vampire is an endless search for night jobs to pay the bills while scrounging for safe sources of blood to stave off starvation. Her only solace is the best dog in the world, Lola.

Her best human friend died in a car crash just before COVID really sunk its teeth into the human population and psyche. Her Aunt Laura, the only family who ever accepted her as her punk rock, non-conforming self, died years ago and left her the house they shared in San Francisco.

It’s a lonely life. When the local blood supplies start running low, literal starvation is just a metaphor – although a gnawing, achingly, empty metaphor – for the starvation of the heart and spirit that Louise is already living in.

Until her self-imposed isolation is invaded by her long-lost family. Two of them. A middle-aged man who seems vaguely familiar, and a teenage boy who reminds Louise so very strikingly of the young, rebellious music loving rebel she used to be. And deep in her bruised heart, still very much is.

Ian needs a refuge from his mother’s impending death that will give him just a bit more distance and perspective than the bad attitude he’s currently fronting as his defense against the world. Louise isn’t able to admit it, even to herself, but she needs somebody to connect her to the world that might otherwise pass her by. She needs more than just a shitty job and a refrigerator full of blood bags.

All she has to do is let herself connect. To this teenager who needs a safe place to be himself. To the self that she left behind. And to the community that is willing to make her life a whole lot easier – and just a bit closer to some of those powers she thought were myths – if she’ll just let all of them in.

Escape Rating B+: Louise’s journey in Vampire Weekend is a combination of “no matter where you go, there you are” and “who do you want to be when you grow up?” Because Louise hasn’t. Grown up, that is. And that not-grown-up self has been dragging behind her and holding her back for decades. When Ian drops into her life – and all the landmines in her past that he unwittingly brings with him – she’s forced to reckon with who she once was and the baggage she’s still carrying from that person.

(One thing about all those vampire myths to get out of the way before anyone gets skeeved about Louise’s relationship with Ian. Vampires in Louise’s world are all asexual. The genetic and biological change of human to vampire kills off all the chemistry that creates both arousal and sexual gratification. Another vampire myth shot down.)

What makes Louise’s journey interesting is that her vampiric existence has meant that she hasn’t had to move on from the traumas of her family of origin. She hasn’t grown up because she hasn’t had to. So everything she took with her from her parent’s house when she left is still festering. When Ian and his grandfather drop into her life, because they’re part of the family that rejected both her and her beloved Aunt Laura, she has to finally process her shit because Ian is tangential to it and his grandfather is a bigger part of it than she even recognizes.

While the heart of this story is Louise’s growing relationship with Ian and her reconciliation with her own past, there’s another story woven into its edges that moves toward center stage as it progresses.

When there are vampires, it seems as if there are always politics and this story is no exception. At first the larger vampire community is on the periphery of Louise’s life – and that’s where she wants them to stay. But the blood supply is suddenly dwindling and she needs that network of support to locate supplies. And they need her – but not in any of the ways that she is worried about or that the reader expects.

That political angle felt a bit tacked on, to the point where its resolution seemed like a bit of a deus ex machina for the issues that brought Ian into Louise’s life in the first place. Not badly, and it made a certain kind of sense for the resolution of the whole story, but it just wasn’t as solid as Louise’s journey and Ian’s impending grief – although it does eventually tie into both.

This is not the first time that vampires have been into music, and not even the first story mixing vampires with some variety of rock and roll. The book The Vampire Lestat features the titular vampire fronting a rock band. And the WVMP series (starts with Wicked Game) by Jeri Smith-Ready (which took me forever to dig out of memory) is all about a radio station where the DJs are vampires who only play the music of the era when they were turned.

There is also a real band named Vampire Weekend. This isn’t about them, although there are a couple of in-jokes that refer to the real band, just as there are in-jokes featuring Louise’s beloved punk rock and rock music in general. I would imagine that an appreciation of those jokes and knowledge of that scene in general would add just that little something extra to the reader’s appreciation of the story. Howsomever, as someone who was not into punk in particular the story is still terrific. I’m not sure you need to be a fan of any genre of music in particular, as the heartbeat of the story is about loving music, particularly live performances, and needing it to be a part of your life. YMMV.

In the end, Vampire Weekend was a delightful surprise. It wasn’t any of the things I was expecting, much in the way that the author’s Light Years From Home wasn’t quite any of the things that I expected when I picked it up (and loved it!) either. But both stories are about families and making peace with them as well as yourself. Both have just the right touch of bittersweetness to tug at the heartstrings. And both are are terrific reads!

Review: Silver Under Nightfall by Rin Chupeco

Review: Silver Under Nightfall by Rin ChupecoSilver Under Nightfall by Rin Chupeco
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, epic fantasy, fantasy, Gothic, horror, steampunk, vampires
Series: Reaper #1
Pages: 512
Published by Gallery / Saga Press on September 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Full of court intrigue, queer romance, and terrifying monsters—this gothic epic fantasy will appeal to fans of Samantha Shannon’s The Priory of the Orange Tree and the adult animated series Castlevania.
Remy Pendergast is many things: the only son of the Duke of Valenbonne (though his father might wish otherwise), an elite bounty hunter of rogue vampires, and an outcast among his fellow Reapers. His mother was the subject of gossip even before she eloped with a vampire, giving rise to the rumors that Remy is half-vampire himself. Though the kingdom of Aluria barely tolerates him, Remy’s father has been shaping him into a weapon to fight for the kingdom at any cost.
When a terrifying new breed of vampire is sighted outside of the city, Remy prepares to investigate alone. But then he encounters the shockingly warmhearted vampire heiress Xiaodan Song and her infuriatingly arrogant fiancé, vampire lord Zidan Malekh, who may hold the key to defeating the creatures—though he knows associating with them won’t do his reputation any favors. When he’s offered a spot alongside them to find the truth about the mutating virus Rot that’s plaguing the kingdom, Remy faces a choice.
It’s one he’s certain he’ll regret.
But as the three face dangerous hardships during their journey, Remy develops fond and complicated feelings for the couple. He begins to question what he holds true about vampires, as well as the story behind his own family legacy. As the Rot continues to spread across the kingdom, Remy must decide where his loyalties lie: with his father and the kingdom he’s been trained all his life to defend or the vampires who might just be the death of him.

My Review:

I wasn’t sure what I was getting myself into this book, and now that I’ve read it I’m still not entirely sure. Except that it was fantastic. Heart-pounding, fingernail-biting, stay up until 3 in the morning to finish fantastic.

But the question about whether this is fantasy or horror still feels a bit up in the air.

Let me explain…

Remy Pendergast is a Reaper. In this world that means vampire hunter. But Remy only hunts so-called “rogue” vampires – ones who are causing mischief in human-controlled countries like Aluria. Vampires also have fiefdoms of their own where the rules are undoubtedly different.

Where Remy wouldn’t exactly be welcome because he’s famous for hunting their kind.

Not that Remy is exactly welcome in his own country, either. And not because he’s a Reaper. There are plenty of Reapers in high positions in Aluria’s government. In fact, his father used to be one of them.

But his father, who is a cantankerous old bastard at the best of times – of which he has damn few – is also in the midst of a lifelong feud with the head of the Reaper’s Guild – who also happens to be the Royal Chancellor. A man who is just as big a bastard as Remy’s father, and who is taking his feud out on the son now that the father has publicly retired.

And that’s just the tip of the really massive and ugly iceberg of why Remy is persona non grata in his own country – unless they need something killed and everyone else is too scared or too prissy to get their hands dirty.

That’s where the zombies come in. Well, not really and not exactly zombies. But sorta/kinda and close enough.

Someone is creating monsters that at first seem to be super-duper enhanced vampires. But they’re not. They’re mindless husks who regenerate at will and seem to be impossible to kill. Upon closer scientific study (this world is steampunk-ish so there’s plenty of mad science at least of the medical variety) it’s revealed that these mindless husks were never vampires – and that vampires are immune to the infection that creates them.

Lord Malekh and Lady Song, leaders of the Third and Fourth vampire Courts, have come to Aluria to ally with its Queen in order to combat what they call “The Rot” and whoever is behind that threat.

They need a human liaison. They both want Remy (in more ways than one) – who isn’t at all sure what he wants except to get out of Aluria for a while. The political temperature is getting way too hot for him and his father’s demands are becoming even more outrageous than they always have been.

And he’s tempted. Even though becoming a vampire’s familiar is against the law. Even though he’s fought vampires all his life. Even though a vampire killed his mother and he was born from her corpse.

Even though Malekh and Song are clearly in love and engaged to marry each other. Remy can’t understand why either of them wants him when no one else has ever wanted to do anything except use him for their own purposes.

He has a chance at having the kind of happiness that he never expected to even get a glimpse of. And he’s so, so certain that someone will take it away from him – unless he does it to himself first.

Escape Rating A+: Clearly, the setup for this is ginormous. It’s also endlessly fascinating. I got stuck into this and absolutely could not get out until I finished the last page at about 3 AM. It was just that good.

To the point where I’ll probably be squeeing uncontrollably more than reviewing per se. But I did love it so, so hard.

While the blurbs reference the anime series (and videogame) Castlevania, I think that’s because of the vampires, the politics and the monsters. I haven’t played or watched that so it’s not where my mind went. Instead, I kept seeing Remy as a younger, less confident Geralt of Rivia, in a world where hunting magical creatures gone rogue is needed while the people who do it are reviled. I would call it a bit of a coming-of-age story for The Witcher but I’m not sure Remy is fully adulting even by the end of the story – although he’s finally getting there.

Where I started with this review was that I still wasn’t sure whether the book was horror or fantasy. It was presented to me as horror and the scientific experimentation with zombie-like monsters who roam the countryside and infect others definitely has that vibe. There’s even a Doctor Frankenstein who is entirely too proud of his work even if he doesn’t use electricity to achieve his goals.

And then there’s the vampires, both the rogue vampires and the sexy vampire nobility. Which pushes the whole thing towards the paranormal which is an offshoot of horror.

But the form of the story reads like a big, sprawling epic fantasy. The world is huge and vastly complicated. The political agendas have political agendas and everyone is trying to knife everyone else in the back. The grudges seem to last for centuries – and not just among the vampires who have the excuse of living that long.

Basically, the politics behind everything are beyond Byzantine – as much as that is still an understatement if I ever heard one.

All of that makes the story feel epic in scope in a way that horror seldom is. And most of what is truly horrible in this story isn’t the monsters. It’s all the endless betrayals. It feels like the foundations of Remy’s world get pulled out from under him over and over as he keeps learning that under the corruption of everything if you scrape it away there’s yet another layer of, you guessed it, rot and corruption. Nothing he thinks he knows turns out to have any bearing on any truth.

That the triad relationship between Malekh, Song and Remy becomes both his only source of solace and a never-ending well of betrayal AT THE SAME TIME is just the icing on what is an utterly decadently delicious devil’s food cake of a story.

Whether it’s horror or fantasy or gothic or all of the above it’s riveting and downright compelling every step of the way. But whatever genre it falls into, I’m absolutely thrilled that the story isn’t over. Silver Under Nightfall is the first book in a projected duology, so there’s more dark, deadly and decadent delights to come!

Review: Detroit Kiss by Rhys Ford

Review: Detroit Kiss by Rhys FordDetroit Kiss by Rhys Ford
Format: ebook
Source: purchased from Amazon
Formats available: ebook
Genres: M/M romance, urban fantasy, vampires
Pages: 150
Published by Dreamspinner Press on April 12, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

For Javi Navarro, Detroit will become another blood-splattered city in his rearview mirror after he puts its dead back into the ground. Expecting an easy hunting job, Javi instead finds a kiss of ancient vampires on the hunt for a descendant of their long-dead creator.

Reclusive Ciarnan Mac Gerailt abandoned his family legacy of blood and death magic after it nearly destroyed him. Unfortunately for Ciarnan, the Motor City can only be saved if he resumes his dark arts and joins forces with Javi Navarro, the hunter who brought the vampire apocalypse—and hope for the future—straight to Ciarnan’s front door.

Previously published as "Legacy of Blood and Death" in the anthology Creature Feature 2

My Review:

Have you been wondering where urban fantasy went? I certainly have. Once upon a time, it was the hottest thing since, well, whatever metaphor seems appropriate for the 1980s or thereabouts, but then it kind of died off, sort of like the vampires that seemed to be the backbone of its antiheroes and tormented villains, sometime in the late 1990s or early 2000s. Not that ongoing series didn’t continue, but new ones just didn’t emerge from the shadows.

So to speak. Ahem.

I love urban fantasy and missed it when it slunk back into those shadows. It was one of my go-to genres when I was in a reading slump. But it’s starting to feel like it’s back from the dead. Or the graveyard. Or wherever it’s been hiding for the last decade or so. (If you don’t believe me, take a look at Holly Black’s Book of Night when it comes out next month. Because the heroine Charlie Hall is pretty much every hard luck and worse trouble kick ass heroine to ever stalk the pages of an urban fantasy. But I digress. Sort of.)

Because when I started reading Detroit Kiss, the first, second and third things I thought of were just how much it reminded me of the early Dresden Files books, to the point where I’m not sure whether Javi’s musings as to why so many magic-wielding heavy-hitters ended up in Detroit instead of Chicago. It felt like half explanation, half intercity rivalry and half homage to Harry Dresden’s stomping ground.

I realize that’s too many halves, but there are always too many somethings nasty in this kind of urban fantasy. In the case of Detroit Kiss, too many feral vampires. The bloodsuckers are definitely not the heroes of this piece. They’re the evil pests, to the point where the good guys call them “ticks” because they are mindless evil bloodsuckers.

So the tone of Detroit Kiss, with Javi Navarro working as a bounty hunter for the beleaguered Detroit Police Department, had the same feel as the early Dresden books, minus Harry’s somewhat leery male gaze. Plus, however, a slightly better love life – eventually – as Javi’s luck turns out to be better than Dresden’s frequently was. At least so far.

We’re introduced to this version of Detroit in decay when a construction crew attempting to revive the city yet again uncovers a “kiss” of vampires who have been trapped underground, gnawing on the bones of their makers and each other for a century. They’ve been stuck in the ruins of a speakeasy since Prohibition with nothing to drink except each other.

Until they eat the construction crew, that is.

But these ticks are fixated on the two magic users whose bones they’ve been picking clean all these years, so once they escape they go hunting for whoever is left of the bloodlines that made them.

And that’s where Ciarnan Mac Gerailt comes in, the only descendant of one of those mages within easy reach. Ciarnan is existing someplace between hiding out and living in an old theater he’s never bothered to refurbish in one of the many down-at-heels neighborhoods in this version of the city. He’s given up the death magic that is his family’s heritage and taken up growing vegetables and just trying to get himself, his wolf dog Elric and his fae familiar Shaddock through the day and the sometimes very long and dark nights.

Ciarnan looked into the abyss, the abyss looked back and took his friends, his apprentice and very nearly his life. He’s given up magic. Really, truly.

At least until Javi Navarro helps him put down one of the entirely too many ticks that has come after him in place of his several greats-grandfather. Javi wants Ciarnan to help gather up the ticks so they can pick the place and time and have a better chance at bringing them down.

And honestly, he just wants Ciarnan the minute he sees him – even though Ciarnan clocks him with a shovel the minute after.

But in order to help Javi, Ciarnan will have to look back into that abyss – and hope to heaven or hell that this time it doesn’t swallow him whole. While praying that the vampires don’t either.

Escape Rating A-: I have one and only one complaint about Detroit Kiss. It’s too damn short.

I mean that. Seriously. It’s too damn short and there aren’t any more. Rather like the author’s Dim Sum Asylum, which was another gem of urban fantasy that bordered just a bit on paranormal romance AND also had a fascinating world that seemed like there was oodles of backstory to explore, a riveting case to solve, a terrific pair of heroes and DAMN no sequel.

I loved the way that this almost-now/nearish future Detroit felt like an all too easy extension of where the city has been for the past decade or two (or maybe three), partially devastated and partly gentrifying and still trying to get back up on its feet in spite of all the forces trying to tear it down.

The magic system seems cool and interesting, and the whole idea of finding a buried speakeasy filled with rogue vamps was an absolutely chilling way to kick things off.

Ciarnan is one of the author’s signature wounded-but-trying heroes who do the right thing even if sometimes for the wrong reasons and are always one half-step away from backsliding into darkness.

The climactic scene is dark, deadly, dangerous AND squicky and heroic at the same time. I’d absolutely adore seeing where these guys and their world go next. I hope the author gets there someday because I’d be all in for it!

Review: Insurrection by Nina Croft

Review: Insurrection by Nina CroftInsurrection by Nina Croft
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: science fiction, science fiction romance, space opera, vampires
Series: Dark Desires Origins #3
Pages: 384
Published by Entangled: Amara on October 18, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Malpheas is one of the most powerful demons from Earth, but when he wakes up from cryo on the other side of the galaxy, he notices something is wrong—he’s human. Oh, hell no. In order to get his powers back, he must remove the sigil on his arm by carrying out three good deeds. But acts of kindness aren’t exactly his strong suit. Working undercover as a security officer investigating a suspicious death, he’s assigned to work with Hope, the most softhearted woman he’s ever met. If she can’t teach him how to be good, no one can.
Hope is in a pot of trouble, and if anyone finds out what she did, that pot would quickly boil over. She just needs to lay low until she can figure out a way to fix this mess. But when she’s ordered to show Mal the ropes and introduce him to everyone, sorting out her problems becomes impossible. Mal is sexy as sin, broody as hell, and believes she can help him change his bad-boy ways. Fine. If that keeps him from discovering her ties to the rebellion, she’ll teach him how to be a perfect angel.
As they work together, though, it becomes clear that Hope isn’t the only one with a hidden agenda, and their irresistible attraction to each other just adds fuel to the fire. When secrets are exposed, they must make the impossible choice between doing what’s right and doing what’s necessary.
Light meets dark, good meets evil…and love can hurt like Hell.

My Review:

At the end of Insurrection, it feels a bit like the circle just got squared. Or it feels like the series has either come to a conclusion or is headed for one. It kind of depends on whether you boarded the ship on the way to the Trakis system at the beginning of the Dark Desires Origins series in Malfunction, or whether you’ve been aboard for the whole wild ride starting at the very beginning in Break Out.

Because at the end of Insurrection, while we aren’t exactly where we were at the opening of Break Out, we can certainly see that beginning from here. The pieces that we picked up then are just about in place now, which makes a certain kind of sense as the Dark Desires Origins series, which began with Malfunction and was followed by Deception, seems to be heading towards its conclusion here in Insurrection.

Break Out, the first book of the Dark Desires series, takes place several centuries after the events in Insurrection. Events that are so far back in the rearview mirror that they’ve taken on the patina of myths and legends – even though Rico Sanchez lived through it all, as we’ve seen in this prequel series.

But then Rico has lived through a LOT of human history – even though he is no longer exactly human himself, and hasn’t been since the Spanish Inquisition. While no one expects the Spanish Inquisition in the first place, even less do they expect to meet a vampire who began hunting the night at that same time.

The premise behind the entire Dark Desires and Dark Desires Origins series is that Earth was well on its way to becoming uninhabitable, so a fleet of sleeper ships left the dying planet for what would hopefully be greener pastures.

Or at least pastures less fucked up by humans. At least not yet.

In the series that seems to conclude with Insurrection (I could be wrong about this being the conclusion but it feels close) we watched the maneuvering and the finagling, the bribery and the theft, as the places that should have been assigned by lottery were instead filled with the rich and the powerful. While Rico Sanchez bought, bribed or murdered his way into filling half of one ship with his own people. Not just vampires, but also shapeshifters and other things that go bump in the night, including one warlock (his story is in Deception) and one of the seven lords of the Abyss, more colloquially called Hell.

The demon Malpheas just so happens to be the warlock’s father. True to his demonic nature, Malpheas is used to getting his own way, reigning from the top of the heap, and killing anyone who gets in his way. In other words, he’s an entitled alphahole with the power to back it up.

Power he has been cut off from by the time Rico wakes him from cryosleep at the beginning of Insurrection. Malpheas has to commit three “good deeds”, definition rather nebulous, before he’ll have access to all his powers again. The curse he has to labor under is one last “present” from his old frenemy Lucifer.

All Mal has to do is figure out what “good” means, keep the humans on the other ships from discovering just what Rico has been hiding aboard his own ship, and plot and scheme to take over everything once he’s managed to beat the curse.

Unless Mal learns the lesson that his curse is trying to teach him, first.

Escape Rating A-: Now that I’ve finished Insurrection I have the strongest urge to go back and reread the expanded version of Break Out again. It feels so much like this story puts all the pieces in place for that one, and I want to check just how well it did.

This also feels like a great place to end the Dark Desires Origins prequel series, as we’ve seen in detail just how much the humans of the Trakis expedition brought humanity with them, very much warts and all. Readers who began this journey with Malfunction will leave Insurrection primed and ready to see where things have ended up by the time of Break Out, while readers who boarded this flight there will be sorely tempted to see how well the ends meet.

I’m not sure that readers who start here will be completely satisfied. On the other hand, their appetites may be whetted well enough to tempt them to read the entire series from start to finish!

In addition to all of the historical and human – or human-ish – pieces being put in place for the story to continue in that already explored future, one of the reasons that this story read like so much a part of the original book was that both deal explicitly with the problems not of mortality but of immortality.

The process that is discovered on Trakis Seven makes people practically immortal, just as Rico’s vampirism does. People who have gone through the process CAN be killed – decapitation is always an option – but don’t die from disease or accidents or even extreme old age.

The problem with immortality is that the human lifespan is meant to be finite. Psychologically, we need purpose and surprise and a whole bunch of other things that stop being important if one knows one literally has all the time in the universe. Time enough to have been there and done that for every possible thing one could be or do. It gets boring.

In Break Out, Rico may be a bit bored, but the people who have gone through the Trakis immortality treatment are getting really, really bored. And jaded. Just as the immortal demon, Malpheas has gotten bored and jaded with his already extremely long life.

So the romance in this story is wrapped around Malpheas experiencing the old curse of “may you live in interesting times.” As an immortal demon with all his powers, he can make whatever and whoever he wants happen. Nothing is interesting. With his powers locked away, he’s just human. A big, strong, and very sexy human, but human nonetheless. Everything is frustrating. Everything is weird. Everything is fascinating. His times are suddenly very interesting indeed in a way that he hasn’t experienced for a very long time. For Malpheas, the curse has become a blessing.

And the biggest part of the blessing is Hope Featherstone. Not just because she’s nice and she’s pretty, but because she’s real and so are all her emotions. She may want the big, sexy beast, but she doesn’t actually like him all that much. She also finds him surprisingly resistible, and that’s something Mal has never experienced in his life. He has to become a better person to have a chance with her.

That he discovers that she’s not nearly as good as she appears makes them perfect for each other. Now they just have to survive the mess that both their secrets have gotten them into. And get themselves as far away as possible from the brave new world being established – because it’s already every bit as FUBAR’d as the old world they left behind.

Because of the situation on Trakis Four at the end of this book, this feels like the end of the Dark Desires Origins series. But it may not actually be the end. It was great fun to go back to the beginning, to see how the situation we saw in Break Out came to be, with paranormal beings from Earth flying spaceships in a far-flung corner of the galaxy. I never expected to read about vampires in space but I’m certainly glad I did.

This was a fitting sendoff for the whole thing, as not only do we see how things got to be the way they were, but the ending puts a fair amount of focus back on the character most of us fell for at the beginning, vampire and captain Rico Sanchez. It’s been an exciting ride from beginning to end, and I’m glad I took the trip.

If the author ever chooses to return to this universe I’ll be right there.

Review: The Route of Ice and Salt by Jose Luis Zarate

Review: The Route of Ice and Salt by Jose Luis ZarateThe Route of Ice and Salt by José Luis Zárate, David Bowles
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: Gothic, horror, vampires
Pages: 196
Published by Innsmouth Free Press on January 19, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A reimagining of Dracula’s voyage to England, filled with Gothic imagery and queer desire.
It’s an ordinary assignment, nothing more. The cargo? Fifty boxes filled with Transylvanian soil. The route? From Varna to Whitby. The Demeter has made many trips like this. The captain has handled dozens of crews.
He dreams familiar dreams: to taste the salt on the skin of his men, to run his hands across their chests. He longs for the warmth of a lover he cannot have, fantasizes about flesh and frenzied embraces. All this he’s done before, it’s routine, a constant, like the tides.
Yet there’s something different, something wrong. There are odd nightmares, unsettling omens and fear. For there is something in the air, something in the night, someone stalking the ship.
The cult vampire novella by Mexican author José Luis Zárate is available for the first time in English. Translated by David Bowles and with an accompanying essay by noted horror author Poppy Z. Brite, it reveals an unknown corner of Latin American literature.

My Review:

Everyone thinks they know the story of Dracula – and we all do. Sorta/kinda. Not necessarily because we’ve read the original but because we’ve seen one or more variations of it. The Count’s story is part of the cultural zeitgeist. We ALL know who he is.

(If you haven’t read the original, it’s available in ebook free from your local public library AND from a host of online retailers including Amazon. If you want to get the flavor of the story there’s also an excellent full-cast recording by L.A. Theatreworks that I highly recommend – especially for Halloween.)

But one of the things that gets lost in adaptations of the original work is that Dracula is an epistolary novel. It’s a story told in documents – not just letters but also newspaper accounts, diary entries and, as expanded upon in The Route of Ice and Salt, the terse entries in the captain’s log of the ship that brought Dracula’s crates of Transylvanian soil to Britain. And, unbeknownst to the captain and crew of the Demeter, Count Dracula himself.

Not that the captain doesn’t eventually find out about the vampire – just before he dies.

However, The Route of Ice and Salt is not a retelling of the original Dracula story. Rather, it’s an illumination and expansion of a dark and hidden place in that more famous tale. In the original, we read the terse prose of the captain’s official log. We learn that when the ship reached its destination, the crew was missing, presumed dead. And the unnamed captain was discovered lashed to the wheel of his doomed ship with a rosary clutched in his cold, dead hands.

This is his story.

Escape Rating A-: Dracula may be the entry point for this story for many readers, but the Count isn’t exactly THE point of the story. The Route of Ice and Salt is cult classic of Mexican fantasy, first published in 1998 by a small comic book publisher that didn’t survive its attempt to jump from comic books to prose. This is the first translation of the work into English, and it’s a creeping fever dream of a story that picks up on themes that were subtext in Dracula – and other early vampire stories – and moves them from subtext to explicit text.

The still-unnamed captain of the Demeter is gay, horny and has very explicit thoughts and feelings about his crew that he keeps to himself in the dark of the night but never indulges. For reasons that have explicitly to do with keeping discipline aboard the ship, maintaining the chain of command and the acknowledgement that his crew can’t really give consent because he’s their master while they’re aboard.

And that, if they report him to the ship’s owners when the Demeter is back home, he’ll not just be fired – he’ll be prosecuted, imprisoned and quite possibly killed. Just as his first lover was – something that he is still blaming himself for years if not decades later.

That blame brings up a second theme, the question of what, and who is truly the monster in this or any other monster tale. The captain sees himself as a monster, both for his own part in his lover’s death and for the desires that his society and his church consider monstrous.

It’s only at the end that he comes to the liberating realization, in the face of a literal bloodsucking fiend who has murdered his crew, that he is not a monster at all – no matter what anyone else might say.

But those aren’t reasons to read The Route of Ice and Salt. As much as it has to say in its own subtext, it’s the way that it says it that are the reasons to read the story.

This thing is creepy as hell. If you like horror of the creeping, crawling, looming variety, if you enjoy that sensation of drowning horror as you read deeper into something that you know is going to keep you up half the night, this is an excellent story of that type. I finished at 2 am and I honestly should have waited until morning because it left me seriously creeped out.

The language of the story is beautiful. At times it’s lush and poetic, and then it turns sharp as a knife – or a tooth. I suspect it’s even more lyrical in the original Spanish but the translation is quite lovely. In that aspect it reminds me of Nothing but Blackened Teeth although their language and vernaculars are literally at least a century apart. But still, that same sense of sinking into a pool of beautiful words – only to have the story almost literally jerk you down into its depths of nightmarish horror.

If you’re looking for a truly creepy Halloween read, take The Route of Ice and Salt.

Review: The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

Review: The Southern Book Club’s Guide to Slaying Vampires by Grady HendrixThe Southern Book Club's Guide to Slaying Vampires by Grady Hendrix
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: horror, vampires
Pages: 404
Published by Quirk Books on April 7, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Fried Green Tomatoes and "Steel Magnolias" meet Dracula in this Southern-flavored supernatural thriller set in the '90s about a women's book club that must protect its suburban community from a mysterious and handsome stranger who turns out to be a blood-sucking fiend.
Patricia Campbell had always planned for a big life, but after giving up her career as a nurse to marry an ambitious doctor and become a mother, Patricia's life has never felt smaller. The days are long, her kids are ungrateful, her husband is distant, and her to-do list is never really done. The one thing she has to look forward to is her book club, a group of Charleston mothers united only by their love for true-crime and suspenseful fiction. In these meetings, they're more likely to discuss the FBI's recent siege of Waco as much as the ups and downs of marriage and motherhood.
But when an artistic and sensitive stranger moves into the neighborhood, the book club's meetings turn into speculation about the newcomer. Patricia is initially attracted to him, but when some local children go missing, she starts to suspect the newcomer is involved. She begins her own investigation, assuming that he's a Jeffrey Dahmer or Ted Bundy. What she uncovers is far more terrifying, and soon she--and her book club--are the only people standing between the monster they've invited into their homes and their unsuspecting community.

My Review:

This was exactly what I was expecting when picking up horror. But the friends who recommended it to me mentioned the words “laughing” and “humor” in relation to this book, and I just didn’t get any of either.

What I did get read like a really odd twist on the first book in the Sookie Stackhouse series – and I know that sounds insane. But really, we have a tight-knit Southern community where an unattached but charismatic man turns up, moves in, can’t manage sunlight and has been around a LOT longer than anyone thinks. Admittedly, when James Harris moves into this neighborhood, he makes Bill the Vampire seem like a big, ole pussycat. Because Bill doesn’t come to Bon Temps to prey on the locals, while James Harris has that plan in mind from the very beginning – and he’s ruthless in carrying it out.

But the story isn’t the monster’s story. Instead, it’s the story of the group of suburban women who band together, first to read true crime and murder mysteries, and then to deal with the unreal but absolutely true crime that has invaded their very own little town.

The portrayal of the women’s friendships, through all their ups and downs, was the real highlight of the story. But the way that they not only turn on each other, but turn on their own very selves, was a big part of the sadness. None of their husband’s are remotely worthy of them, as they prove over the course of the story.

They have all caged themselves, and it takes a monster, and a monster’s rampage, to finally get them to set themselves free. They’ve spent their lives cleaning up men’s messes, after all, and they are damn good at it. Which is a good thing, because this monster left one big damn mess.

Escape Rating C: Most readers seem to have loved this book. Certainly all the people who recommended it to me did. And I really did need to read it for reasons that I can’t get into. And I did finish and the ending was compelling. Getting to that point was less so, at least for this reader.

Part of the reason that I didn’t enjoy this book is that it reminded me of all the reasons I don’t normally read horror. It was gruesome and terrible things were happening and nobody wants to believe the book club members and no one wants to pay attention to what’s going wrong.

But it felt like all of the reasons that no one wanted to pay attention had to do with the women themselves. They were all small and narrow and put upon and put down and disregarded in their own lives. They didn’t pay attention to themselves or each other and no one else did either. They were dismissed at every turn, not just by society as a whole, but by their husbands and children. They didn’t believe each other and they didn’t believe in themselves.

Also, this is supposed to be a satire of suburban life in the 90s, but to me it felt flat. Probably because this just didn’t read like the 90s. During the 90s, I was in my late 30s, so relatively close in age to the members of the book club, but I was divorced, childfree and working. I worked in a female dominated profession, so ALL the women I knew worked. Many had stepped out when their kids were very young, but had returned to work at some point when their kids got a bit older, as the children of these women already had. It was difficult if not impossible to maintain a suburban life with multiple children without both spouses working. So for this reader their lives were small, sad and unrealistic and that colored my opinion of the whole book. Your experience of that time period may certainly vary, and your reaction may be entirely different. If this had been set in the 1960s or earlier I would have had a different reaction. I would have still felt the sadness and smallness, but it would have fit better into the times.

I did like, well, not the villain, you’re not supposed to like the villain, but that the monster didn’t exactly fit into any preconceived versions of monster. He’s referred to as a vampire, but it felt more in the sense that some people are emotional vampires sucking the life out of everyone around them. Not that he didn’t suck blood, but he also put it back. It’s complicated. But he didn’t just take blood, he took everything. He was a force of eternal hunger, always wanting more, always taking advantage, always leaving destruction in his wake. And we never do discover how he came to be. Or whether or not he actually came to end.

So that part was cool. But he also represented the way that the men in these women’s lives had also sucked them dry and left devastation in their wakes, and that leads me back to sad, and a bit disappointed. Your reading mileage may definitely vary.

Review: Dead Man Stalking by TA Moore + Excerpt + Giveaway

Review: Dead Man Stalking by TA Moore + Excerpt + GiveawayDead Man Stalking (Blood and Bone #1) by T.A. Moore
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: M/M romance, paranormal, urban fantasy, vampires
Series: Blood and Bone #1
Pages: 266
Published by Dreamspinner Press LLC on September 10, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


A Blood and Bone Novel
Agent Luke Bennett proved that humans could rise just as high in the ranks as their vampire colleagues—until a kidnapper held him captive for a year and turned him without his consent.

Now he’s Took: a reluctant monster afraid to bite anyone, broke, and about to be discharged from his elite BITERs unit.

When an old colleague suggests he consult on a BITERs case, Took has little to lose. The case is open and shut… but nothing is ever that easy. As he digs deeper, he discovers a lot more than one cold case is at stake, and if he wants to solve this one, he’ll need the help of the BITERs team. Even if that brings his old commander, Madoc, back into his life.

My Review:

Dead Man Stalking was a terrific reminder of what makes urban fantasy one of my go-to genres, especially when I’m in a reading slump and need to be knocked out of it! Because this one really knocked me out of my slump – and knocked one out of the park into the bargain.

As with the best of the genre, this is a story that turns some of the usually accepted paradigms around, as it makes heroes out of groups that are normally villains – and vice versa. It’s also, as so much of urban fantasy is, a detective story, where our “cops” have to investigate a series of crimes and figure out who, or what “dunnit.”

Of course, things are not as they seem, and not just because the cops in this case are vampires – not that they call themselves that.

Instead, we have a case that the investigators are positive is all sewn up, and a profiler who no longer trusts his own judgment poking his nose into that case and discovering that either the investigators missed something or that he’s further off the rails than he thought.

Took, formerly Luke, Bennett used to be the best profiler in the agency, until he was betrayed by someone he trusted, held captive for over a year, and changed from one of the few successful humans in the agency into shaky vampire who believes he’s lost his nerve.

Which doesn’t stop him from investigating that supposedly open-and-shut case, and doesn’t stop his former boss – and would-be lover – from racing across the country to get his ass out of the fire yet again.

And again.

Leading both of them deep into a case that gets darker and nastier the deeper they get into it. And exposes more of the fault lines in the trust between them as they dig under the surface of what they feel for each other.

Escape Rating A-: This was an absolute blast – a terrific way to spend a lazy afternoon, lost in a fascinating world, following a deadly investigation and a romance that shifts from cold to hot in the blink of an eye. And the whole world catches fire.

I didn’t even mind the cat on my chest holding me in place. He was doing me a favor, after all, providing an excuse for my reading binge.

One of the things I loved about this one was the way that history had worked in this alternative to our own. The way that the vampires (and werewolves) had always existed, and how that changed history, felt reminiscent of some of my favorites in the genre, like Sookie, and Pentonville, the Black Dagger Brotherhood and surprisingly, The Others.

Several of those series wrap around the idea that vamps have always not just walked among us, but run things either covertly or overtly. Also that vampire politics and vampire grudges are both epic and eternal.

And from The Others, that concept that “original recipe” humans are really hard-headed about their own superiority, in spite of repeated evidence to the contrary.

There’s a sense in Dead Man Stalking that we’ve been dropped into the middle of a case – only because we have – and into the midst of a fully realized world. I kept wanting a bit more background on who the players in the shadows are, and how things got to be the way they are. Although the introduction of the historical figure Elizabeth Bathory certainly added weight and depth and horror to that shadowy history. It’s something I’d love to see more of in future entries in the series.

I keep referring to Dead Man Stalking as urban fantasy, even though sometimes it gets referred to as paranormal romance. Yes, there is a romance, but it doesn’t feel like the center of the story. The case felt like the backbone of this one, at least to me. Your mileage may vary.

Whatever you think is the heart of this one, whether it’s an actual romantic heart or the kind that gets cut out by one’s enemies, Dead Man Stalking is compelling and absorbing and I can’t wait for the next book in the Blood and Bone series. This is a world I want to explore more deeply, and in the company of these characters.

A Few Words from our author, T.A. Moore!

First of all, thank you so much for having me! I’m thrilled to be here with my new urban fantasy Dead Man Stalking. This is the first book in the Blood and Bone series and I am thrilled to put it out there into the world. I was meant to be writing an entirely different book, but then Took and Madoc took up residence in my head and I had to give in and let them have their say.

I had a blast creating this world and these characters, and I hope you enjoy them too. I’ve included a chapter of a prequel short story that you can follow through the blog tour. 

Chapter Eight

“Henry stayed out of the field,” Kit said harshly to Madoc. “And he, at least, had magic to fall back on.”

The door to Nina’s house opened and the coroner’s assistants carried her out, wrapped in black plastic and padlocked down with silver to the stretcher. Just in case. Silver would kill a vampire, but something would occasionally move into what was left. It might mimic who they’d been before–whatever it could piece together from the brain tissue left–but it was generally agreed the revenants were other.

Luke rinsed his mouth and spat green and pink froth into a bowl. The wintergreen didn’t mask the taste of blood so much as mix with it, sharp and potent like salt on minted lamb. He rubbed his jaw and pressed on the tender points around his jaw. It was jarred, but not dislocated.

“If he had a year to prepare, he could bring a dragon to tinkle on them,” Luke said. “Maybe.”

 It was unfair. Slightly. By repute Henry had been a dangerous man, but sorcery was high investment for small returns. It was why the scholomance existed despite sorcerers being as community minded as a spoiled house cat. Five sorcerers could bundle their spells and flood a city to execute a man they’d arranged to be stranded there with a woman he couldn’t resist. It would still take a year.

“You could have been killed,” Kit said. He grabbed the back of Luke’s head and shoved him around to look at his reflection in the mirror. The shadows of fresh bruises bloomed grey and red over Luke’s jaw and cheek. “Are you really so arrogant you can’t see that.”

Enough,” Madoc said icily. “Go and make sure Nina’s consort doesn’t do anything foolish.”

“I need to speak to him,” Luke said as he scrambled up off the tailgate of the ambulance. “Before he goes to the hospital.”

Madoc put a hand on his shoulder and pinned him in place. “He doesn’t want to see you right now.”

Probably not, Luke supposed, but… “It’s important.”

“Give him time to grieve,” Madoc said. “Kit? Go.”

He waited until Kit grumbled and stalked off. Then he put his thumb under Madoc’s jaw and turned his head around to study the bruise. “You’ll ache tomorrow.”

“I ache now,” Luke said. He swallowed and moved away from the too-careful touch. “I know how the killer is.”

“Dead, surely,” Madoc said as he glanced after Nina. “She choose her own punishment.”

“It wasn’t her,” Luke said. Habit made him check his holster and he hissed in annoyance as his fingers found empty leather and nylon. The local cops had taken his gun when they got there. It wasn’t how they did it, but it generally wasn’t a good idea to argue with anxious, trigger happy police officers alarmed that you’d blown off someone’s entire head. Madoc reached around and pulled a gun out of the back of his jeans. He offered it up on the palm of his hand. “She was just…”

Scared. Angry. Threatened.

Luke took the gun. He checked it over briskly, made sure it was loaded and the safety was on, before it holstered it. 

“I made a mistake,” he said stiffly. The words felt like gravel in his throat. “I pushed when I should have pulled, and she caught me off guard. It shouldn’t have been necessary to kill her.”

“But you did,” Madoc said.

Luke gave him a puzzled look. “At that point it was necessary.”

“Why not here?” Madoc asked. “Jamie got over-possessive, thought a midnight snack meant a commitment and pressured her. She’d lived here for a long time. Anakim that entrenched can react extremely to any threat to their nest.”

“I got that,” Luke said. He rubbed his jaw. “But what about the others?”

“Senescence,” Madoc said. Vampire senility. “Maybe she didn’t have a reason.”

Luke shook his head. “No one kills without a reason,” he said. “We might not think it is a good reason, but it’s still a reason to them.”

Madoc looked exasperated. “So you came out, executed the daughter of the Tsar’s favourite, and it was all for nothing?”

“No,” Luke said. “Nina was involved, she just didn’t know how. When can I talk to Darren?”

“Tomorrow.”

Luke made a sound of protest in his throat.

“Fine, when he’s ready,” Madoc conceded. “Let him grieve first.”

Luke shrugged an apology. “That might be too late,” he said. “I need to talk to him now.”

Not that he’d be able to if Madoc decided to stop him. He waited and, after a second, Madoc shook his head and stepped aside. Luke jogged over to where Darren, coffee all over his trousers, sat under Kit’s awkward sympathy. When Darren saw Luke he snarled and tried to lurch to his feet. Kit pushed him back down and gave Luke an exasperated look.

“Jamie,” Luke said. “Tomas, Bray, Loretta”

“What about them?” Darren asked bitterly. “Are you going to shoot them too?”

Luke bit the ‘someone beat us to it’ off the tip of his tongue. “They were all mules, right?”

Colour pinched Darren’s cheeks. “UnKissable,” he said bitterly. “Resistant. Mules are animals.”

“You all met at a support group right?” Luke said. He barely waited for Darren’s resentful noise before he pressed on. “And someone there introduced you to Nina right,, you and Jamie both?”

It took a moment for Darren to answer. When he did, he sounded wary. “We don’t talk about who we meet there.”

Of course not. Being a mule was somewhere between being a saint and being a leper. The Pentecostals saw them as souls too pure to be condemned in life, the rogues saw them as nothing but cattle, and the Anakim pitied them. Any of the above was an awkward place to live. So first names only, and if you had the means you’d attend a support group away from where you lived.

“So yes.”

Darren glared at him but, after a quick wary glance at Kit, reluctantly nodded.

“Who introduced you?” 

“Why do you care?”

Luke changed direction. “You were her favourite, the consort. She gave you somewhere to live, she let you drink her blood, she let you love her.” 

Most mules found out what they were when they tried to court the Kiss, and it didn’t take. It usually ended badly. The Anakim didn’t care to love anything that would die centuries before they did. Darren took a shaky breath as the grief pinched him again.

“But she liked variety, so then Jamie came along. Nina gave him money to keep himself nice, to come and see her. More money. More visits. Until you and Jamie fought over her. He wanted to take your place?”

“I didn’t kill him,” Darren protested. He stiffened under Kit’s hand as his voice pitched up an octave from nerves. “Jamie was…After he left Nina told me she loved me, that she’d not replace me!”

Except she would have. Eventually. She’d been willing to kill for Darren today, but one day he’d have been too old to be beautiful, then too old to be fun. She might keep him, a fond friend and ex-loved, but someone new would be in her bed. Even if she’d stayed with him when he was old, he’d die and she’d need to find a new mule to love.

“What if she had?” Luke pressed. “What if Nina had gotten tired of you, replaced you with someone younger and prettier. Would you still have loved her?”

“Of course!”

“Would you be willing to do anything to get her back?”

They both knew the answer. Darren stared at Luke for a second as the idea dawned on him. Then he shut down as he clenched his jaw and looked away.

“Fuck you.”

“Who introduced you?” Luke pushed.

“You killed her!” Darren spat furiously. He lurched up out and tried to grab Luke’s shirt, but Kit dragged him back. “I hope you’re next to get strung up.”

“More likely to be you,” Luke said. “The old wether. Like Jamie was the rutting stag and Loretta was the fish.”

Grief crumpled Darren’s face like a tissue. “I don’t care,” he said. “I can’t do this again.”

Shit. Luke grimaced as he tried to think how to drag the truth out of Darren. Before he could change tactics, Madoc put a hand on his shoulder.

“Wait,” he said. He moved Luke out of the way and crouched down in front of Darren. He smiled at him, a disarmingly pleasant expression. “Darren, right. Darren Voight-Kares.”

Darren fired a bleak look of triumph at Luke, as if that changed anything.

“Yes.”

Madoc put a hand on Darren’s voice and dropped his voice slightly, a hint of his old accent furred over the words. 

“You’ll be the executor of her estate, there’ll be a lot of things to sort out. We’ll help you with that, if you want,” Madoc said. He nodded and Darren nodded with him. Then Madoc grimaced. “If we can. Until we find this killer, there’s not a lot of time we can give up.”

Luke shifted his weight uncomfortably. He wasn’t sure he didn’t agree with Madoc’s plan, or was just uncomfortable at seeing that charm turned elsewhere. Kit gestured him to silence.

“I..need help,” Darren admitted. “Her family. The Russians.”

His hands knotted anxiously in his lap, twisted painfully together.

“What was his name?” Madoc asked, his voice suddenly hard and thick with something that caught in the back of Luke’s throat. “The man that introduced you. Tell us.”

“Mark,” Darren said obediently. Then he stalled. “I don’t know anymore than that. Just Mark.”

Luke shifted again and glanced askance at Madoc. After a glance at Darren’s face, Madoc gave Luke a nod of approval to rejoin the conversation.

“He’d been a soldier, right?” Luke said. That fit his profile. Someone who was willing to kill, but who balked at the hot gore of butchery. “That’s where he found out what he was?”

There was a pause and then Darren nodded. “He was wounded, lost half his stomach. One of the medic Anakim tried to turn him, save his life, but it didn’t work. They thought he’d die, but he survived. Discharged. Came home. Nina helped him put his life back together, set him up in a job.”

“What job?”

Darren shrugged. “I don’t know. A security company or something? It doesn’t matter because he messed it up anyhow, lost everything. Nina had to step in again, get him a job as a security guard somewhere.”

The pieces slotted together. “Mark,” Luke said. He remembered the ginger security guard, wiry muscle under a fresh layer of indulgent flab. But still there. “Mark Clade?”

Darren made a helpless gesture. “I don’t know. I guess,” he said. “Nina called him last night about Jamie, told him that she didn’t need the support group anymore. She had me.”

And that meant Mark only had one thing left. So he wasn’t going to give that up.

__________

Last chapter of the story on my blog tomorrow! Www.tamoorewrites.com. All the blog tour posts will also be linked here: http://tamoorewrites.com/deadmanstalking/

Author Bio:TA Moore – 

TA Moore is a Northern Irish writer of romantic suspense, urban fantasy, and contemporary romance novels. A childhood in a rural, seaside town fostered in her a suspicious nature, a love of mystery, and a streak of black humour a mile wide. As her grandmother always said, ‘she’d laugh at a bad thing that one’, mind you, that was the pot calling the kettle black. TA Moore studied History, Irish mythology, English at University, mostly because she has always loved a good story. She has worked as a journalist, a finance manager, and in the arts sectors before she finally gave in to a lifelong desire to write.

Coffee, Doc Marten boots, and good friends are the essential things in life. Spiders, mayo, and heels are to be avoided.

 

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Review: Sweep of the Blade by Ilona Andrews

Review: Sweep of the Blade by Ilona AndrewsSweep of the Blade (Innkeeper Chronicles, #4) by Ilona Andrews
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction, space opera, urban fantasy, vampires
Series: Innkeeper Chronicles #4
Pages: 314
Published by NYLA on July 16, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Maud Demille is a daughter of Innkeepers—a special group who provide ‘lodging’ to other-planetary visitors—so she knows that a simple life isn't in the cards. But even Maud could never have anticipated what Fate would throw at her.

Once a wife to a powerful vampire knight, Maud and her young daughter, Helen, were exiled with him for his treachery to the desolate, savage planet of Karhari. Karhari killed her husband, and Maud—completely abandoned by his family—has spent over a year avenging his debts. Rescued by her sister Dina, she's sworn off all things vampire.

Except... In helping Dina save the world, she met Arland, the Marshal of House Krahr, one of the most powerful vampire houses. One thing led to another and he asked for her hand in marriage. She declined. Arland is not used to hearing the word ‘no;’ and try as she might, Maud can't just walk away from Arland. It doesn't help that being human is a lot harder for Maud than being a vampire.

To sort it all out, she accepts his invitation to visit his home planet. House Krahr is extremely influential and Maud knows that a woman—a human, with a very questionable past—who's turned down a proposal from its most beloved son won't get a warm reception. Maybe she’s not sure about marrying Arland, but House Krahr isn’t going to decide for her. Maud Demille has never run from a fight, and House Krahr will soon discover that there's a lot more to Maud than they’re expecting.

My Review:

Vampires and politics. They go together like love and marriage. Complete with ALL the possibly messy endings. Along with the occasional happy ever after – as well as the rare but not unheard of “red wedding”.

This is also a book that manages to be both considerably different from the previous books in the Innkeeper Chronicles and follow directly from its immediate predecessor, the marvelous One Fell Sweep.

In this version of the universe, there is interstellar travel, and there are plenty of places and peoples in the very big galaxy, not all of whom are even humanoid. But Earth is not a participant in any of what’s “out there”. Because Earth sits on a very large and very rare nexus of space travel conduits, it has been declared a kind of intergalactic Switzerland – albeit one kept a bit in the space-faring dark ages.

Earth is off-limits to every species out there, and it’s an off-limit that’s enforced by everyone in return for safe passage through that nexus. Earth’s knowledge of the wider galaxy is confined to a group of people called innkeepers, who have complete control over the grounds of their inns. Inns that provide safe harbor, safe haven and safe rest-and-recuperation for any beings traveling through the nexus.

The story of the first three books has revolved around Dina Demille, daughter of two lost innkeepers, returning to Earth and taking control of the inn her parents left behind – and defending it from all comers, of which there have been entirely too many.

Dina’s adventures have been the heart of the first three books, and they are awesome. This is also a broad hint to start with the first book, Clean Sweep. This worldbuilding in this series is fascinating and grows with each new book in the series.

Sweep of the Blade is the story of Dina’s sister Maud. Formerly Lady Maud. Exiled and disowned ex-wife of one of the lesser ruling Vampiric Houses. There are vampire knights in this universe, but they are not much like our versions of vampires. On the other hand, the werewolves seem to be pretty much on the legendary nose.

I digress.

Maud survived a prison planet that spit her lying, deceitful, cheating husband out in little tiny pieces. And she, in her turn, avenged his death on every single one of his killers. Now she’s out, and safe, and home with her sister Dina.

But safe is not what Maud is built for. She could make a home with her sister, or become an innkeeper on her own. She could also, and more likely, become an enforcer for the innkeeper’s guild. Because Maud is a fighter – and she’s good at it.

However, Maud has a daughter, Helen, who is five years old and half-vampire by genetics, but all vampire in spirit. Earth, and the Innkeeper network, may be safe for Helen, but not what’s best for her. She’ll always be isolated and alone.

Maud’s other option is a tall, handsome hunk of vampire Marshall, who loves her, wants to marry her, and can provide Helen with a place where she can be who she is. Maud just has to accept.

But she can’t. She spent years as one vampire house’s trained human monkey, only to be discarded like trash for a crime her husband committed that she had no part of. She’s not willing to be anyone’s second class citizen ever again.

Arland offers her a place where she can fight to be first, for herself and for her daughter. She just has to survive every single thing, and every person, that his House can throw at her. Including a murderous attack by her potential mother-in-law and a pirate coup led by his House’s enemies.

And a very red wedding.

Escape Rating A+: This was a book that I gobbled up over dinner, and didn’t let go of until it was done. It starts with a bang, ends with a mic drop, and in the middle there’s the biggest and most delicious story of political skullduggery, underhanded betrayals, complex negotiations and epic romance.

This series is awesome from beginning to end, but this entry is a bit different. The previous stories have been set on Earth, with the ever expanding galaxy of characters making their way to Dina’s inn. While there have been some epic battles, the fighting has all been defensive, protecting Dina’s inn and her varied guests.

Maud goes away from Earth and she goes on the offensive – even if that is sometimes in the sense of the best defense being a good offense. She has a goal, and for the most part it’s the same goal she’s always had – to protect her daughter at all costs.

She wants what’s best for Helen, and that means making a place for them among Arland’s ancient, respected and feared House. He is, in effect, a prince among his people, and if Maud is to stand at his side as his equal, she’ll have to earn that place. That’s the story here, of her earning that place – not by pretending to be a trained monkey, as she did in her first marriage – but by being her fighting self. And by letting Helen fight an appropriate number of her own battles.

It’s that fight that makes the story so much fun. There are maneuvers, there are counter-measures. There are wheels within wheels within wheels. The vampires respect strength, so that’s what Maud must project at all times – no matter how much she hurts or how wounded she is.

At the same time, she is underestimated at every turn, and has to walk a fine line between lowering her enemies’ guards and not letting them walk all over her. The way that she eventually earns her place is by combining her strengths, both as a warrior and as a human. And it’s glorious. And so is she.

I enjoyed this book so much because I really liked Maud and wanted her to succeed. She is both kickass and clever, and both of those characteristics were needed in order for her to defeat her enemies – as well as to earn her place in Arland’s House by defeating theirs!

Sweep of the Blade ends, thank goodness not with a cliffhanger, but with a truly thunderous mic drop that promises more story in this universe. I can’t wait.