#BookReview: Last Chance to Save the World by Beth Revis

#BookReview: Last Chance to Save the World by Beth RevisLast Chance to Save the World (Chaotic Orbits #3) by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #3
Pages: 133
Published by DAW on April 8, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The explosive, satisfying conclusion to the Chaotic Orbits novella trilogy sees Ada and Rian breaking into a high-security facility to give Earth a fighting chance at survival

Sexy, fast, fun and funny, this happily-ever-after ending is perfect for fans of the Murderbot novels and the Wayfarers series

After a few weeks trapped on board a spaceship with Ada (and, oh look, there’s only one bed), Rian has to admit that maybe Ada’s rebels have a point. The nanobots poised to be unleashed on Earth are infected with malware that will ultimately leave the residents of Earth in a worse position than they’re in now. But is it too late?

Ada and Rian arrive on Earth with little time to spare. Together, they have to break into a high-security facility and infect the nanobots with a counter-virus before they’re released in order to give Earth a fighting chance. And if Ada happens to notice some great tech laying around in this high-security facility she shouldn’t have access to and then happens to steal a bunch of it when Rian’s not looking? Well, he knew who she was before he teamed up with her. And if he wants it back, he’s going to have to catch her first.

With countless twists and turns, this enemies-to-lovers slow-burn and high-tension romance plays on a Sherlock and Moriarity character dynamic rooted in science fiction with a heavy romance and mystery angle.

My Review:

Ada Lamarr’s caper-and-heist riddled ‘chaotic orbit’ of the galaxy is on its way back to a corporate controlled, pollution ravaged Sol-Earth when this third entry in the series opens. Ada and her reluctant passenger, government agent Rian White, have finalized their plans to thwart an evil corporate kingpin who planned to hold Earth’s environmental recovery for ransom for the next, well, forever.

Of course, no plan survives contact with the enemy. The second biggest problem with this plan is that the first enemies it has to survive are each other, because Ada and Rian, no matter how much they might be on the same page when it comes to Earth’s potential recovery – are enemies in every other way.

They might both wish that they were enemies-with-benefits, but they are also both smart enough not to get that deeply involved – all puns intended – with someone they can’t trust. Particularly when they know that said enemy ALREADY has plans to betray them at the first available opportunity.

But the real problem, at least from Ada’s perspective, is that the first enemy that her plan has to survive isn’t the uptight government agent she’s been lusting after since they crashed into each other in Full Speed to a Crash Landing.

The first enemy Ada’s plan has to get passed isn’t Rian, it isn’t the government, it isn’t even the squadrons of corporate security drones and goons her target has stationed to protect his ‘investment’.

First, foremost and with way less prep than Ada ever likes to have, Ada has to get her crazy, convoluted scheme past her mother.

Escape Rating B+: A HUGE part of the fun of the Chaotic Orbits series in both Full Speed to a Crash Landing and How to Steal a Galaxy is that the story is told from the inside of Ada Lamarr’s, wheels-within-wheels, lies-hiding-lies and misdirections all around very intelligent and utterly snarky head.

Which means that we’re aware that Ada is pulling some kind of con – but not necessarily the same con – on every single person around her. Including herself. So even though we’re in her very own skull there are still secrets that aren’t revealed until the very end of the caper – if not a bit after – because there are plenty of things in Ada’s mind and heart that she doesn’t want to think about. Possibly ever.

The biggest thing she’s not willing to think about is her sure and certain knowledge that Rian is going to betray her in the end – if he hasn’t already. It’s only fair, because her plan to betray him has been baked into this caper from its opening gambit back in that first book.

The part that she’s not willing to think about is that she wishes the situation were otherwise. He’s Mister Law-and-Order. He can’t live the chaotic, one-step-ahead-of-the-authorities, the ends-justify-the-means-as-long-as-there’s-a-big-payday, next-heist-please life that Ada thrives on.

And those natures are much too baked into both of their psyches for either of them to ever change. So in addition to her many, many thoughts and concerns about her plans for this particular caper, Ada also spends a lot of her internal energy veering away from the heartbreak she tried to avoid but knows, deep in her heart, is coming anyway.

So, on the top level of this story, the takedown of the stupid evil villain/greedy corporate monster, the thing that Ada has been working on from before the beginning of the series, and every single lie and misdirect since – all of that is absolutely righteous. And it’s a win all the way around. Earth has a chance to get better – if we don’t screw it up again.

But the catharsis of that HUGE win is blunted because we’re pretty much all on Team Ada, we’re all shipping Ada and Rian – and their relationship takes a HUGE, messy hit in this story. They’ve both been forced to realize that what they feel for each other, as totally ill-advised as it might be, is also absolutely real. And that they can’t both be themselves AND have each other.

That part of the story ends on a note of possibility, both for Ada and Rian finding each other again and for that finding to be part of another caper/heist of some sort. Whether that means another book in the series, or was just a way to end things with a hint of will they/won’t they/can they/should they is something we’ll hopefully see in the future. Which means that the HEA promised in the blurb is still some ways off – at best.

As for this reader, I want to keep right on shipping Ada and Rian, but I can’t see a way to make it work. I hope the author can, and that we ALL get to see it!

A- #AudioBookReview: Trap Line by Timothy Zahn

A- #AudioBookReview: Trap Line by Timothy ZahnTrap Line by Timothy Zahn
Narrator: Greg D. Barnett
Format: audiobook, ebook
Source: borrowed from Amazon Kindle Unlimited
Formats available: ebook, audiobook
Genres: science fiction, space opera
Pages: 49
Length: 1 hour and 21 minutes
Published by Amazon Original Stories on March 25, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazon
Goodreads

An engineer’s groundbreaking solo mission is rudely interrupted when he stumbles into an interstellar trap. The New York Times bestselling author of the Thrawn trilogy is back with a wholly original short story of first contact.
En route to far-off stars, Toby’s consciousness has a crucial mission: inhabit his clone long enough to repair a spaceship, then zip back to Earth. He’s done it a million times, more or less. OK, twelve times. It should only take a few hours.
Until he wakes up in jail. And he’s not alone.
His fellow prisoners: a cadre of alien soldiers. His prison: an ethereal boundary that will imprison their spirits until their bodies die. His jailers can’t even see him. But their pet cat (er, iguana cat?) can—and it’s got a serious case of the zoomies.
With humanity’s place in the odd and ever-widening universe riding on Toby’s choices, it’s time to saddle up for a ghostly game of cat and mouse.

My Review:

What Toby Collier comes to appreciate when his ‘astral’ manifests in an alien trap instead of aboard the Terran FarJump ship Janus out in the far flung galaxy is something attributed to poet William Butler Yeats centuries before Toby was born, that “There are no strangers here; Only friends you haven’t yet met.”

Certainly neither Toby, nor anyone from Earth, has ever met anyone similar to the vaguely avian-like Hyfisk, the soldiers with whom Toby is trapped in a small, family-operated space ship in the middle of the great, wide galaxy that all of them were traversing.

The family, Porpou, his wife, their daughter Ibbi and her ‘iguana cat’ Bisqitty, make their living by trapping astrals like Toby and the Hyfisks and reporting them to the ‘Overmasters’, whoever or whatever THEY are. For the family, it’s a living – if not necessarily a luxurious or even steady one.

But the trap is a roadblock for the astrals, an interruption that will lead to Toby’s death when he doesn’t complete his job out on the far reaches of human-discovered space and return in a reasonable time frame. Because his bosses will cut their losses along with the life-support of his physical body.

The Hyfisks’ situation is more dire – they are soldiers on the way to defend an important colony from an aggressive enemy. Not that they also won’t die when their life support is cut, but their duty is more important to them than their individual lives.

Except that they have been stuck in that trap long enough to give up. Toby, freshly trapped, hasn’t. And is determined not to. He’s also an engineer rather than a soldier, and he hasn’t yet met a puzzle that he’s not going to at least attempt to solve.

The Hyfisk can’t solve the problem with the knowledge they have. Toby, on the other hand, brings fresh – if non-corporeal – eyes and mind to the same problem and figures out that if they share their knowledge, they can escape. If they trust each other enough.

And if they can get the iguana cat to cooperate – which might be the most difficult part of the whole thing. Her name isn’t pronounced ‘BisKITTY’ for nothing.

Escape Rating A-: Trap Line turned out to be a whole lot of fun and I’m very glad I listened to/read it. Even though I initially picked it up because I was having a difficult time getting into anything. Monday’s book seriously did a number on my concentration, but this little story turned out to be the cure.

I picked this up through Kindle Unlimited – a subscription I get happier about all the time. It was fun, it was quick, the audio narrator did a great job portraying Toby AND the Hyfisks and it all just made for the reading pick-me-up I was desperate for.

For an SF story, Trap Line was surprisingly cozy. It’s a small cast in an even smaller setting, just ten Hyfisks, three insectoid aliens, an iguana cat, and Toby. It’s also small in length, but it sets itself well AND gives the reader just enough to get why and how Toby and Irion, the commander of the Hyfisks, manage to come to (mostly) trust each other in this “enemy of my enemy is my friend’ scenario. Particularly as Toby and the humans aren’t aware of the Overmasters enough to BE their enemy – at least not yet – AND Toby manages to convince Irion that the trap-keeping family are not really an enemy to either of them. They’re all just trying to get by – like everyone else.

That this is also a story about the cleverness of humans and the inventiveness of our species instead of any attempt to win by domination or violence – and not just because it wouldn’t work in this situation AT ALL – made this a whole lot of fun, with a comforting layer of competence over the whole thing.

It broke my reading slump – and I’m incredibly grateful for that!

Even though Toby, the Hyfisks, and Porpou have no ability to communicate all together (Toby and the Hyfisks can communicate because they’re all astrals), they still manage to concoct a mutually beneficial plan that has the wonderful added benefit of sticking it to the Overmasters for all of them without the Overmasters being aware that they’ve been shafted. Toby, the Hyfisks and Porpou have made friends, even if they haven’t managed to share a single word in ANY language – and their quiet rebellion makes for a glorious – and friendly – ending to this delightful short story.

#BookReview: Chaos by Constance Fay

#BookReview: Chaos by Constance FayChaos (Uncharted Hearts, #3) by Constance Fay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: science fiction, science fiction romance, space opera
Series: Uncharted Hearts #3
Pages: 344
Published by Bramble Romance on March 11, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Lore Olympus meets Winter's Orbit in this pulse-pounding romance between a space mercenary and a super soldier whose mind-control breaks when she touches him.
He's a mind controlled killing machine, until her touch frees him
Engineer Caro Ogunyemi thinks she has everything in control. Sure, she has a dark secret in her past and aim so bad that she can’t shoot the side of a spaceship when she’s right in front of it, but those are minor details in the life of a space mercenary. When Caro embarks on a solo mission infiltrating a prison planet that is run by the deadly Pierce family, she embraces the opportunity to prove she’s a hero.
It's there that Caro meets Leviathan, a super soldier with a chip in his head that turns him into a mindless killer. He’s drop dead gorgeous with an emphasis on drop dead, until she touches him and renders his chip inert. The danger begins when she lets him go.
In the heart of enemy territory, where love is at stake, life is treacherous and time is short, Caro and Leviathan must figure out how to recover his agency, protect her crew from Pierce’s sinister machinations, and stage a prison-break before Leviathan is lost to her―and himself―forever.

My Review:

First of all, consider the title to be a hint. In fact, consider the individual titles of ALL of the books in the Uncharted Hearts series to be ginormous hints. Just as there were so many calamities in Calamity that the ship was ultimately named for the phenomenon, and the operation in Fiasco turned out to be a complete one of those, so too the ‘rescue mission’ that ace tinkerer Caro is bamboozled/emotionally manipulated into results in complete and utter chaos.

Which does not mean that Caro doesn’t, in the end, get the job done. Because she absolutely does. She just doesn’t get that job done in anything like the way she thought she would. Then again, the job isn’t remotely like what she was sold/told it was, either.

She thinks she’s rescuing two of her crewmates from a job gone wrong. And she does in the end. But they might not have even needed rescuing if she hadn’t concocted a truly lame plan to turn herself in to the rich, rapacious megacorp family that she’s been on the run from for years.

They should welcome her back, right? To pick up her old, truly ethically disgusting chip hacking job right where she left off when she ran away when her gorge rose past her naivete. So, Caro is still more than a bit naive. But she’s a whole lot better at hacking than she used to be.

Or she would be if she could get the tools to work for her – which they suddenly aren’t. Which is where the chaos enters into the picture. When she discovers that her old work has been repurposed to hack the mind of a man who looks like all of her hottest dreams in one gorgeous package, the chaos of the whole situation enters her heart as well.

Now she has more people to rescue than she planned on – and some of them aren’t aware enough to be aware that they need rescuing until Caro and her glitchy ability to glitch whatever she touches glitches them – and for once and always in a really, really, really good way.

Which provides a whole ‘nother avenue for that pesky chaos to enter the picture.

In the end, Caro’s success hinges on the one thing she absolutely never would have counted on in a million years. That the result of one of the terrible ethical lapses she fell into when she was young and dumb coming back, not to haunt her but to help her, in the form of her very own Murderbot.

Escape Rating B+: As Caro herself says, very late in the story, “Comparisons are toxic”. Which is something I wish she’d said a whole lot sooner, as it’s a truth that I REALLY needed to keep in mind while reading this third book in the Uncharted Hearts series.

Because, much as Caro herself did, I couldn’t stop comparing Caro to the protagonists of the previous entries in this series, Temper and Cyn. And Caro kept coming up wanting in my mind – just as much as she did in her own.

At the same time, this was a really compelling read, filled with plenty of the titular chaos, a plot that careened from one high-stakes, high-tension crisis to the next, injected with just the right amount of romance and sexytimes to grease the story into a fast and furious adventure.

But, but, but the plot hinged on Caro’s complete and utterly infuriating obliviousness to the macguffin that was literally just under her skin the whole time. That everything is going to hinge on the weird bugs and their even weirder bites that Caro is exposed to in the opening scenes is so screamingly obvious to the reader and this reader at least wanted to scream at Caro in return until she caught on. Which she eventually did but DAMN that took a frustratingly long time.

Once she does figure out what’s going on and starts to USE both the ‘glitch’ and the prodigious brains she always brings to the table the story kicks into high gear. But I did want to grab her and shake her for quite a while.

Moving right along – just as the story eventually did – there is still a LOT to love in Chaos and in the entire Uncharted Hearts series, starting with an utterly chaotic prison break scene that is straight out of the first Guardians of the Galaxy movie – or at least it is if you swap a combination of the Incredible Hulk and the Winter Soldier for Peter Quinn – which might, come to think of it, have been an upgrade to the movie. (Your intergalactic mileage may vary.)

But seriously, the hulk that Caro calls Levi and gives her heart – as well as her very willing body – to is just the kind of scarred and wounded hero that this series redeems every time – even as he reclaims the better parts of himself and redeems the heroine as well.

On the surface – and after that initial bobble of cluelessness – the story in Chaos is a whole lot of science fiction romance adventure and excitement. But there’s more if you think about it for a bit. The ‘verse of the Uncharted Hearts series is often likened to Firefly, and that’s a description that still very much works three books in.

The thing about the comparison to Firefly that’s definitely held up and flown away with in Uncharted Hearts, is that the ‘verse in Firefly is really, really FUBAR’d, and so is the universe of Uncharted Hearts. The individual entries in this series, at least so far, absolutely show the plucky underdogs of the Calamity poking the evil, rapacious, megacorps in the collective eye with a big sharp stick and getting away with it – for now.

But those megacorps are truly evil examples of the old adage about power corrupting and absolute power corrupting absolutely – and they really do rule their ‘verse. I hope that the crew of the Calamity can somehow manage to acquire a big enough ‘stick’ to poke them all where it will really, really hurt – no matter how unlikely that seems in anything like our reality.

I certainly intend to follow any continuing adventures of Temper and company – and this book absolutely does read as though there will BE more – to find out!

A- #BookReview: How to Steal a Galaxy by Beth Revis

A- #BookReview: How to Steal a Galaxy by Beth RevisHow to Steal a Galaxy (Chaotic Orbits #2) by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #2
Pages: 144
Published by DAW on December 3, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Sparks fly when Ada and Rian just-so-happen to find themselves at the same charity gala—but there’s something rotten behind the sparkling gowns and dazzling wealth on display

This heist turned rom-com from New York Times bestselling author Beth Revis is perfect for fans of sexy, romantic science fiction and readers of Martha Wells and Becky Chambers

Ada had no intention whatsoever to continue working for the rebel group that hired her to retrieve the government’s plans for a nanobot climate cleaner if they weren’t willing to pay her for it, but then they offer a different perk: an undercover mission to a charity gala where Rian will be in attendance. Rian, meanwhile, has volunteered his services for the gala believing that the rare items up for auction will attract Ada’s eye. Hoping to catch her in the act and pin her with a punishable crime, Rian has no idea Ada’s really after.

In a high-stakes game of theft and deception, Ada plays to win...and Rian will do anything to stop her.

My Review:

In this arresting follow-up to the first book in the Chaotic Orbits trilogy, Full Speed to a Crash Landing, mercenary hacker/thief Ada Lamarr is on the trail of a much more interesting quarry than a mere locked data box. This time she’s not after treasure, she’s after the person who has set himself up as the guardian of a whole, entire museum full of priceless antiquities.

Agent Rian White has his eye on Ada from the moment she arrives at the Museum of Intergalactic History, absolutely certain she’s planning to steal one of the Sol-Earth artifacts no matter how many times she’s says that she’s there for him.

She’s not even lying. She’s certainly toying with the man – but she’s not lying. Not that she wouldn’t like to steal one of the artifacts – and not that she wouldn’t enjoy tweaking the ego of the rich rat bastard who’s the star of this particular charity gala – but she really, truly isn’t there for either of those things.

She really is there for Rian White – for considerably more reasons than she’s willing to admit, even to herself. So all of Rian’s operatives are busy watching her, while she has her eye on her prize all along.

And not that she doesn’t put the dominoes in motion for a couple of secondary prizes along her way.

Ada may not be fooling with White – but someone else already has. Her job – for which she is being paid very good money – – is to remove the scales from White’s eyes and get him to come in on her saving the world caper.

She may be in it for the money, but he’s a true believer. All she has to do is get him to believe – in her.

Escape Rating A-: The caper – and it absolutely is a caper every step of the way – is delightfully frothy, light and sparkling, and filled with witty banter covering plenty of wry undertones and more than a hint of forbidden romance.

Ada is, after all, a thief, and it’s Rian’s job to keep her from stealing anything. But she’s also, in this particular case, the misdirection. He – and his fellow agents – are so busy following Ada that they miss entirely too much of what’s going on around them.

Which is what underpins the whole story of the series – and it’s a doozy once all the sparkling bubbles have popped.

Because White and his fellow agents believe that they are protecting the plan to save a world. This world, in fact. Earth-Sol, the cradle of humanity. They believe that the government that they work for is more-or-less on the side of the angels. That they are doing good while Ada and her employers’ efforts are getting in the way of something both righteous and virtuous.

But that’s not the way the universe works. Especially not when doing good gets in the way of making a really huge, neverending, profit.

The way that this particular story works is that Ada’s seemingly aimless wandering through the Museum Gala is meant to misdirect Rian White, any of his agents, the reader AND the story, all at the same time.

It reads like a bit of light froth, that she’s playing with him, while he’s doing his damndest not to play with her, and that she’s then playing with the scene around her and filling in time while something happens in the background.

And that’s somewhat true and also a bit of a tease for the reader. It makes the story seem much lighter hearted than it really is and keeps White guessing as well. We know Ada is wearing a mask, she even admits as much, but we don’t really see what that mask is in service of.

When she rips it off at the end it’s an ‘aha!’ moment for the reader and an utter shock to White – and that’s when we all get the shape of things to come – or at least we think we do. Ada may have fooled us all again and we won’t learn in exactly what way until the final book in the trilogy, Last Chance to Save the World, coming April. I can’t wait to finally see Ada put all of her cards on the table – and to see if Rian picks them up.

A couple of final notes. Readers who have played Mass Effect may find Ada’s infiltration of the Museum reminiscent of Kasumi Goto’s infiltration of Donovan Hock’s party in Mass Effect 2 – complete with sexy, high-end wardrobe. However, in comparison to Strom Fetor, Hock is fairly penny-ante even if he bears a strong resemblance to a certain real world tech billionaire, amasser of tech companies that he claims to have invented but then destroys, and all around teflon coated, egotistical, arsehole.

Your reading mileage may vary on that bit, but seeing Ada obviously set him up for some comeuppance at a later date did add a bit of just desserts to the impending evil in both worlds that added just an extra fillip of deliciousness to the whole story so far. The ending in Last Chance to Save the World looks like it’s going to be a doozy!

Grade A #BookReview: Darkside by Michael Mammay

Grade A #BookReview: Darkside by Michael MammayDarkside (Planetside, #4) by Michael Mammay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: military science fiction, science fiction, space opera
Series: Planetside #4
Pages: 336
Published by Harper Voyager on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this thrilling, action-packed fourth installment in the Planetside series from acclaimed science fiction author Michael Mammay, retired Colonel Carl Butler gears up for another military investigation, full of danger, corporate intrigue, and tech people would kill for—perfect for fans of John Scalzi and Craig Alanson.
Colonel Butler has paid his dues and just wants to enjoy his retirement on a remote planet. But the galaxy has had other plans. He has been roped into searching for a politician’s missing son and an industry magnate’s missing daughter. He has been kidnapped, violated numerous laws, and caused the destruction of colonial facilities. He’s famous—or infamous, depending on who you ask—praised and reviled in equal measure across the galaxy for his exploits.
And he is determined to never let the government drag him into another investigation.
But when a runaway twelve-year-old girl whose father has gone missing asks him for help, well…it’s a lot harder to say no.
The girl’s father, Jorge Ramiro, was supposed to have been on Taug, a moon orbiting the gas giant Ridia 5, working on a dig with a famous archaeologist. But now there’s no sign of him and no record of him being there. Mining operations on the moon are run by two different consortiums, Caliber and Omicron—both of which have tried to kill Butler in the past. Butler doesn’t believe in coincidence.
Landing on Taug with his right-hand man Mac, computer genius Ganos, and an elite security squad, Butler soon finds that they’ve charged back into the crosshairs—because Ramiro is not the only who has disappeared, and the perpetual darkside of this moon is hiding more than the truth about a missing archeologist…

My Review:

Carl Butler has the worst best luck in universe. Or the other way around. He always gets his team out of whatever FUBAR situation he’s gotten them into. Then again, it’s a FUBAR situation that they’re in because FUBAR follows him around like a lost puppy that doesn’t seem to realize it’s already found a forever home.

Or, to put it the way that Butler’s ace hacker Ganos put it, “This is a Carl Butler operation. When is it not the worst-case scenario?”

Carl and company put themselves into this particular mess because an almost literal lost puppy – or at least a young girl with puppy dog eyes – has shown up on his rather remote doorstep.

He’s retired and he’s enjoying it. Dammit. At least that’s what Butler says, anyway.

But he can’t resist Eliza Ramiro and her crowdfunded campaign to hire him to find out what happened to her missing father. Based on her story, he’s pretty sure it’s going to be bad news. At 12, she’s old enough to know that as well.

Still, she needs to KNOW and not just assume. And he gets that. And he’s probably a bit bored – even if he’s trying to tell himself that he’s not.

His team knows he’s going as soon as Eliza tells her story. It just takes Carl a while to catch up. Which is fine because they are way ahead of him on planning this trip he says he doesn’t want to take – when they all know that he really does.

The problem that Butler discovers when he reaches the last place Jorge Ramiro was seen is that everyone on Taug is way, way ahead of him as well. Including not one but two interstellar mining corporations who have each done their damndest to kill Butler in the past – and are unlikely to have compunctions about doing so in the present.

Especially on a remote little moon where each corporation is sure that they control all the shots on the surface and all the lawyers and spin doctors they could possibly need to make sure that what happens on the darkside stays buried there forever.

Escape Rating A: I got caught up in Carl Butler’s (mis)adventures back in the first book in this series, Planetside, and I’ve been just as captivated by each of the subsequent “clusterf–ks” the man has somehow managed to get himself into, Spaceside and Colonyside. And now here we are on Darkside, literally the darkside of a moon. And it looks like Butler is going to leave this moon as the scapegoat for everything that happens – even the stuff that happened before he arrived – again.

Which seems to be his role in the universe. I wouldn’t say he’s exactly “OK” with that role, but he’s willing to accept it as long as the job gets done and he and his people get out more or less in the same number of pieces they started in. He’s honestly less invested in whether he, himself, gets out intact – but his team is VERY invested in THAT, in spite of himself.

What makes this book, and this whole series, work, is that it rides or dies – and does it ever ride – on the universe-weary voice of its protagonist, Colonel Carl Butler (ret.) Butler had and still has a reputation for getting the job done. At the same time, he had more than enough rank in the military to have gotten a good picture of how the universe’s sausage gets made. He’s pragmatic about pretty much everything except the fate of his team, and will bend ALL the rules to the point of breakage to take care of business.

He’s experienced enough and smart enough – when he lets himself take the time to BE smart – to understand how the levers of power get pulled – and to make sure that a realistic number of them get pulled in his favor whenever possible.

Above all, he’s loyal to his team – and they’re loyal to him. And that loyalty inspires others to be loyal as well. One of the things that he does very well, that shines as part of his personality, is the way that he does his best to bring out the best in everyone he works with.

He’s a good man who does some very bad things – but tries to mitigate the damage whenever he realistically can. Which doesn’t mean he isn’t perfectly willing to ream EVERYNONE involved in this CLUSTERF*** a new one. Then again, they deserve it. And we’re right there with him hoping that they all get exactly what they deserve.

At the top, I said that Carl Butler has the worst best luck in the universe. He’s actually not alone in that distinction. I was listening to Ghostdrift, coincidentally also the fourth book but in the Finder Chronicles, as I read Darkside, and Fergus Ferguson has pretty much the same kind of luck that Butler does. He’s a walking avatar for Murphy’s Law, he gets into the worst situations at the drop of a hat, everyone’s plans go straight to hell in his vicinity, but he somehow manages to survive and bring his team out intact. The two stories are both told in the first-person, and both characters have similar universe-weary voices which they each came by honestly although from different directions. Meaning that if you like one you’ll like the other. I certainly do.

Which means that I was thrilled to read in the author’s blog that he’s working on book 5 in this series and has started planning book 6. Wherever those stories take Butler and his team, I’ll be along for the ride.

Grade A #BookReview: New Adventures in Space Opera edited by Jonathan Strahan

Grade A #BookReview: New Adventures in Space Opera edited by Jonathan StrahanNew Adventures in Space Opera by Jonathan Strahan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: science fiction, short stories, space opera
Pages: 338
Published by Tachyon Publications on August 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Have you ever wanted a faster-than-light trip to the future? Are you tired of reading science fiction novels that feel like they’re taking literal eons to finish? These fifteen award-winning and bestselling science fiction authors, including Charlie Jane Anders, Alastair Reynolds, Yoon Ha Lee, Becky Chambers, Tobias S. Buckell, Ann Leckie, and Sam J. Miller, and more, are here as your speedy guides to infinity and beyond.
In “Zen and the Art of Starship Maintenance,” a cloud-based contractor finds a human war criminal clinging to the hull of the ship. The clones of “All the Colours You Thought Were Kings,” about to attend their coming-of-age ceremony, are plotting treason. During “A Temporary Embarrassment in Spacetime,” two outlaws go on the run after stealing a device from a space cult.
Here are the new, adventurous―and most efficient―takes on interstellar battles, sentient spaceships, and political intrigue on a galactic scale. Discover where memories live and die, and where memes rise and fall in moments. Remember, the future is sooner than you think, and there’s only so much time for visiting it.

My Review:

These space opera stories aren’t exactly new as they’ve all been published before in a variety of not necessarily widely available sources. But all are from the last decade and every single story represents an author who is at the top of their game. And, for the most part, they are marvelous.

I’m usually hit or miss with short story collections, sometimes they work, occasionally they don’t, and often there are a couple of stories that go ‘clunk’ and not in a good way and/or one or two where I can see why people liked them but I’m just not the right reader for them.

This particular collection only had three stories that weren’t absolutely stellar – all puns intended. Which means that I read through the whole thing and had at least a bit to say about each, leading to an overall Escape Rating of A.

“Zen and the Art of Starship Maintenance” by Tobias S. Buckell
What is the difference between having free will but not having any real choices and being bound by contracts and programming – but having time to work one’s way around both? What does it REALLY mean to be human? And how much time and freedom does one need to find ALL the loopholes – and exploit the hell out of them? Escape Rating A for an absolutely beautiful asskicking of an ending.

“Extracurricular Activities” by Yoon Ha Lee (2018 Hugo nominee in the Novelette category)
Well, this just moved Ninefox Gambit up the virtually towering TBR pile, because I think this story is set in that universe and features one of the same characters, Shuos Jedai. Obviously one does not need to have read the series to get into this story because clearly I haven’t but just as clearly I most definitely did. Translating this to Trek a bit, because that’s what I was doing in my head, this story is what you’d get if Starfleet sent Section 31 to deal with the Tribbles, used Harry Mudd’s ship as cover – along with a much better looking version of Mudd – and it all worked out anyway in spite of all the reasons the entire operation should go terribly, horribly wrong. This is a story that shouldn’t be nearly as light as it turns out to be – but it is and it does and it was a LOT of fun along the way. Shuos Jedai fails up REALLY HARD in this story and it really works. Escape Rating A

“All the Colors You Thought Were Kings” by Arkady Martine
A different empire, different memories thereof. Three teens about to become cogs in the empire, except that they’ve chosen to take it over instead. A plot, a plan, a triangle of either siblinghood or romance or both, and a million to one shot that comes through but probably won’t change things half as much as they hoped. Escape Rating A

“Belladonna Nights” by Alastair Reynolds
What is the quality of mercy, and what does it mean to remember? Neither of which questions feel remotely like they should go together. I was expecting something about political shenanigans and jockeying for position and/or a bit of a star-crossed lovers romance, and what I got instead was something beautiful and sad and surprisingly elegiac. Which is exactly what the story is, an elegy for a people long dead, as seen through the eyes of the one person willing to remember them. Escape Rating A-

“Metal Like Blood in the Dark” by T. Kingfisher (2021 Hugo winner in the  Novelette category)
Not all learning organisms are human, and not all learning is on the side of the angels. But when your opponent is definitely working from the dark side of the Force, even a machine has to learn to fight fire with fire. Reminiscent of T.J. Klune’s In the Lives of Puppets in its story of machines being required to learn the worst lessons from humans – because some of them already have. Escape Rating A+

“A Temporary Embarrassment in Spacetime” by Charlie Jane Anders
This was just so deliciously, delightfully and dementedly over the top that it’s rolling on the floor laughing its ass off on the other side. A belly laugh of a tale, with a sensibility and a naming convention reminiscent of The Hitchhiker’s Guide to the Galaxy. Escape Rating A-

“Immersion” by Aliette de Bodard (2013 Hugo nominee in the Short Story category)
The weapons of conquest are not necessarily the kind that kill. Sometimes they just do their damndest to kill the culture instead and let the people conquer themselves. And sometimes the culture being appropriated manages to fight back in ways that aren’t exactly deadly weapons, but can be deadly all the same. Escape Rating A

“Morrigan in the Sunglare” by Seth Dickinson
Don’t read this one when you already have a sad because trust me, it won’t help at all. However, in its heartbreaking sadness it’s a beautiful story about what is, what was, what might have been, what it means to be human vs. what it means to have what it takes to defend those who are, what we owe to the people we love vs. what we owe to the people that love us AND it’s about saving what can be saved – even if that means we have to lose it. I have all the words and none of them convey this story properly because it’s beautiful and sad and HARD. Escape Rating A

“The Old Dispensation” Lavie Tidhar
My thoughts about this one went on two completely separate tracks. There are a TON of religious references in this far-future SFnal story, but what made all of that interesting was that every single one of those references, including place names and names of ships, originated in Judaism instead of any of the usual suspects. Very much on my other hand, however, the story doesn’t quite gel. The idea that the agent of the Exilarch was essentially dismembered and mind-raped was plenty creepy, and the whole idea of what the conflict was at its heart was kind of fascinating, but it didn’t pull together in the end and lost its way more than a few times in the middle. Escape Rating C

“The Good Heretic” by Becky Chambers
This was a heartbreaker in the best way, a story about friendship, and being true to yourself, and daring to be different no matter what it costs, and discovering that difference doesn’t have to mean bad or evil no matter what everyone else tells you. It’s part of the author’s Wayfarers universe but can absolutely be read as a standalone – I haven’t read Wayfarers yet but its moving up the TBR pile as I write. Escape Rating A++

“A Voyage to Queensthroat” by Anya Johanna DeNiro
There’s something in this one that reminds me of The Empress of Salt and Fortune by Nghi Vo, although I can’t totally put my finger on why. Part of it is the way that both stories are memoirs of secondary characters telling the story of someone famous and even legendary from a previously untold point of view, and that both have a gut-punch of an ending. I’m on the fence – with both stories actually – about whether the length was just right or whether there should have been just a bit more. Escape Rating A-

“The Justified” by Ann Leckie
The needs of the many outweigh the needs of the few or of the one – even when the one is supposedly the ruler of all they survey. And sometimes the only way to obey an order is to disobey the person who gave it. I think I needed more background than I had, or something like that, because this one only sorta/kinda worked for me and I was expecting it to be a wow. Escape Rating B

“Planetstuck” by Sam J. Miller
This was a story that works and works heartbreaking well because it’s completely invested in and riding on its characters. So even though we don’t have nearly enough about how this particular universe works, it doesn’t matter because what we care about – and deeply – are the desperate feelings of its protagonist and its lesson that you really can’t go home again – no matter how badly you want to, because some gifts really do come at much too high a price. Escape Rating A+

“The Last Voyage of Skidbladnir” by Karin Tidbeck
A beautiful ending to a terrific collection. It’s a bit steampunk-ish, not in setting but in the feel of the way the world is set up, but the story it reminds me of most is Floating Hotel by Grace Curtis, in that this is also about the last voyage of a cruise ship that is much bigger than it appears from the outside. Escape Rating B

A- #BookReview: Full Speed to a Crash Landing by Beth Revis

A- #BookReview: Full Speed to a Crash Landing by Beth RevisFull Speed to a Crash Landing by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #1
Pages: 192
Published by DAW on August 6, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A high octane sexy space heist from New York Times-bestselling author Beth Revis, the first in a novella trilogy.
Ada Lamarr may have gotten to the spaceship wreck first, but looter’s rights won’t get her far when she’s got a hole in the side of her ship and her spacesuit is almost out of air. Fortunately for her, help arrives in the form of a government salvage crew—and while they reluctantly rescue her from certain death, they are not pleased to have an unexpected passenger along on their classified mission.
But Ada doesn’t care—all that matters to her is enjoying their fine food and sweet, sweet oxygen—until Rian White, the government agent in charge, starts to suspect that there’s more to Ada than meets the eye. He’s not wrong—but he’s so pretty that Ada is perfectly happy to keep him paying attention to her—at least until she can complete the job she was sent to pull off. But as quick as Ada is, Rian might be quicker—and she may not be entirely sure who’s manipulating who until it’s too late…
A phenomenally fun novella that kicks off a trilogy of sexy space heists and romantic tension, Full Speed to a Crash Landing is packed with great characters and full of twists and turns that will keep you guessing until the end.

My Review:

It’s pretty clear – at least to the reader – from the opening pages of Full Speed to a Crash Landing that Ada Lamarr’s ‘Mayday’ isn’t exactly on the up and up. Even if her little spaceship does have a real, honest-to-larceny hole blown in its side – taking her airlock not merely offline but blown out into little bitsies in the surrounding black of space.

That hole is unequivocally real and true – although every other single thing about Ada’s story sounds like a fake and a lie – even the parts that aren’t either of those things. The government agent in charge of the Halifax, the much bigger and better funded ship that has dawdled to her rescue is certain that Ada has got something going on on the down low that necessitated her ship’s presence in this particular sector in orbit over this particular tectonically active (extremely active) baby planet.

He’s sure that both Ada and his ship are after the same quarry, the cargo ship that crash landed, very badly and in multiple pieces, on that earthquake-ridden and volcano prone little planetoid.

Agent Rian White knows what his crew is after, but he’s less than certain about Ada’s stake in this particular game. Only that he’s absolutely positive that she has one.

But he’s so bewitched, bothered and bewildered by the seemingly open but utterly devious smuggler that he doesn’t figure out that she’s already stolen everything she planned on until after she warps away with the contents of a much-sought-after and destructively secured datadrive, the key to opening it – and, quite possibly, his heart.

Unfortunately for Ada, she’s all too aware that he has hers – and that it’s the one thing she never expected to lose – let alone to a government agent who is too good and too good-looking for his own – or certainly her own – good.

Escape Rating A-: This one is pure, sheer, unadulterated fun. It just hits on so many levels in a way that keeps both the reader and the characters delightfully guessing every step of the way. Because we know from the beginning that Ada Lamarr is, as that old saying goes, no better than she ought to be. We know she’s an unreliable narrator because she teases us – along with government agent Rian White, with her secrets and plans and wheels-within-wheels plot even as she’s running out of oxygen and wondering if perhaps she went just a bit too far with her opening gambit.

At least until it works – and gives her one up on the stick up her ass captain of the Halifax. Who is NOT really in charge and is absolutely not Rian White – whose ass is delectable and absolutely does not have a stick up it. (And I’ll leave the rest of the possible salacious jokes and puns right here no matter how tempting they are. Ada has several thoughts in that direction but absolutely does not go there in this first book in the Chaotic Orbits trilogy – no matter how much she wants to.)

On the surface, this is very much a wheels-within-wheels long game kind of caper plot. Ada clearly has a hidden agenda from the off – even if she doesn’t reveal the full extent of it even inside the privacy of her own head. Rian sees the wheels spinning, even if he can’t see what they’re spinning around and about, Ada sees his wheels spinning and is attracted by his obvious intelligence. They’re both clearly playing with each other on multiple levels and that’s already fun.

Which gives the story a bit of lightness that brightens the world creation – because it’s equally clear that the way this particular SF world is set up is not all that light. And it’s a bit murky, at least at this early stage, whether Ada is on the side of the angels or on the side of the biggest paycheck. She’s undoubtedly morally gray, but one of the questions that we’re left with at the end is whether Rian White is even grayer, or not.

That the grayness revolves around a very interesting question adds a bit of depth to that world creation. Because this isn’t a case where the established government is evil in one way or another, the question is whether or not it can possibly be effective at fixing what’s been broken. Not a question of whether or not it’s on the side of the angels, but whether or not it has enough angels on its side to get the shit that needs to get done, done.

Between the caper aspects, the questions about which side is the righteous one in a universe going mad, and the possibility of romance – or at least eventual sexytimes – between its deceitful heroine and its play-mostly-by-the-rules hero, Full Speed to a Crash Landing fits right into the marvelous moment that science fiction romance is currently having.

So if you’ve fallen hard for Valerie Valdes’ Chilling Effect, Rachel Bach’s Fortune’s Pawn, Cat Rambo’s You Sexy Thing and/or Constance Fay’s marvelous Fiasco and Calamity, you’ll be as pleased as I am to know that the second book in the Chaotic Orbits trilogy, How to Steal a Galaxy, will be speeding our way in December. Rian White will be staking out an auction hoping it will attract Ada – while Ada plans to convince him to join her on the dark side – where the cookies are – by kidnapping him into her own questionably legal plans.

It should be a BLAST!

A- #BookReview: Navigational Entanglements by Aliette de Bodard

A- #BookReview: Navigational Entanglements by Aliette de BodardNavigational Entanglements by Aliette de Bodard
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: science fiction, science fiction mystery, space opera
Pages: 176
Published by Tordotcom on July 30, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Award-winning author Aliette de Bodard presents yet another innovative space opera that broadens the definition of the this time bringing xianxia-style martial arts to the stars.

Using the power of Shadows generated from their own bodies’ vitality, Navigators guide space ships safely across the a realm of unreality populated by unfathomable, dangerous creatures called Tanglers. In return for their service, the navigator clans get wealth and power―but they get the blame, too. So when a Tangler escapes the Hollows and goes missing, the empire calls on the jockeying clans to take responsibility and deal with the problem.

Việt Nhi is not good with people. Or politics. Which is rather unfortunate because, as a junior apprentice in the Rooster clan, when her elders send her on a joint-clan mission to locate the first escaped Tangler in living memory, she can’t exactly say no.

Hạc Cúc of the Snake clan usually likes people. It says so on her “information gathering”―right after “poisoning” and “stabbing.” So she’s pretty sure she’s got the measure of this they’re the screw-ups, the spares; there isn’t a single sharp tool in this shed.

But when their imperial envoy is found dead by clan poison, this crew of expendable apprentices will have to learn to work together―fast―before they end up cooling their heels in a jail cell while the invisible Tangler wreaks havoc on a civilian city and the reputation of all four clans.

My Review:

The ‘navigational entanglements’ of the title aren’t just a bit of clever phrasing – not that it isn’t a clever and evocative phrase! In the case of this novella, it’s also a literal description of the whole story – in more ways than one.

This SF mystery, shot through with political shenanigans and a tart but gooey center of sapphic romance, begins its entanglement with its solution for the faster-than-light travel conundrum with actual creatures called Tanglers who live in the realm of unreality that makes faster than light travel and the galaxy-spanning empires it makes possible, well, possible.

As is often the case in stories that use this method of FTL travel, navigating the Hollows requires highly skilled navigators who are born with special gifts. In this particular universe, the power of Shadows generated from their own bodies’ life force.

It could be considered magic, at least magic of the Clarke’s Law variety that “Any technology, sufficiently advanced, is indistinguishable from.’ However one thinks of it, it takes special training and special talent and is especially valuable. Particularly to the clans who have a near monopoly on intergalactic shipping because of their success in nurturing navigators.

A hegemony that is under threat when this story begins. Which is why this story begins. The exact nature of the threat, and the clans’ decision on how to meet that threat, is the exact thing that Hạc Cúc of the Snake clan is pretty sure she’s not supposed to figure out.

The clans, or at least her own clan, should have known better. Because if there is one thing that Hạc Cúc can’t resist, it’s a secret. Especially not the kind of secret that is intended to get her killed whether she figures it out or not.

Escape Rating A-: I grabbed this book because I’ve been picking my way through the author’s vast, sprawling, Xuya Universe series and figured that this would be similar without being an actual part of THAT tangled mess.

Two things at the top, Navigational Entanglements is NOT part of Xuya. I’m not saying there aren’t similarities in style and in the way that the culture and history work, but this is a standalone. So if you’re looking to sample the author’s work, this is a good place to start.

Howsomever, one of the characteristics of Xuya is that the publication order and the chronological order don’t have even a nodding acquaintance. Each story in the series is intended to be read without prior knowledge and starts a bit in medias res of the whole series. As in the reader is thrust into the middle of a story that they may or may not have read the background of, or the background may or may not yet exist, and is supposed to sink or swim with what they have in front of them.

Navigational Entanglements is written in that same manner, even though there aren’t any previous or succeeding stories – at least not yet. (If we get more stories in this universe this reader at least would be very happy because the politics are just so fascinatingly messy.)

In other words, this is a story that requires the reader to figure things out as they go. Not that these characters don’t turn out to be doing exactly that, but going with their flow means that the reader has to jump in feet first and that’s not every reader’s comfort zone.

Part of what makes the story work, however, is that this is very much an SF mystery from the top and at the top. It’s just unusual in that the team was purposely created to fail, because they all hate each other. It’s only that Hạc Cúc’s love of secrets allows her to stand outside of the group’s bickering, see it for what it is, and redirect their weaknesses and their enmity into a productive, if not always harmonious, team.

Which allows friendship, love and trust to all blossom – rather like a cactus flower complete with spikes! – and provides this novella with its surprising – especially to the protagonists – happy for now with the possibility (hopefully) of more political and investigative shenanigans to come.

#BookReview: Lost to Eternity by Greg Cox

#BookReview: Lost to Eternity by Greg CoxLost to Eternity by Greg Cox
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera, Star Trek
Series: Star Trek: The Original Series
Pages: 400
Published by Pocket Books/Star Trek on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A thrilling new Star Trek “movie era” novel from New York Times bestselling author Greg Cox!
Three Eras. Three Mysteries. One Ancient Enemy?
2024: Almost forty years ago, marine biologist Gillian Taylor stormed away from her dream job at Sausalito’s Cetacean Institute—and was never seen or heard from again. Now a new true crime podcast has reopened that cold case, but investigator Melinda Silver has no idea that her search for the truth about Gillian’s disappearance will ultimately stretch across time and space—and attract the attention of a ruthless obsessive with his own secret agenda.
2268: The USS Enterprise ’s five-year mission is interrupted when Captain James T. Kirk and his crew set out to recover an abducted Federation scientist whose classified secrets are being sought by the Klingons as well. The trail leads to a barbaric world off limits to both Starfleet and the Klingon Empire—and an ageless mastermind on a quest for eternity.
2292: The Osori, an ancient alien species, has finally agreed to establish relations with its much younger the Federation, the Klingons, and the Romulans. A joint mission involving ships from all three powers, including the Enterprise -A , turns explosive when one of the Osori envoys is apparently killed. Each side blames the others, but the truth lies buried deep, nearly three hundred years in the past…

My Review:

Star Trek IV: The Voyage Home (the one with the whales), was one of the great movies of the Original Series movie era, alongside The Wrath of Khan. Voyage Home had something for everyone, in that it told a great story, had lots of sweet moments of nostalgia for fans, addresses important and still relevant issues of its day with its tale of species extinction, had oodles of funny scenes and memorable, quotable lines – and ends with a heartwarming scene of the ‘band getting back together’ in a crowning moment of awesome.

It also presents a heaping helping of wish fulfillment for legions of fans then and now as the 20th century cetacean biologist, Dr. Gillian Taylor, time travels with the crew of the Enterprise and the whales George and Gracie from her time to their 23rd century.

It was the stuff that both dreams and fanfic were made of.

But it left a mystery in Taylor’s time that, nearly forty years later, is still unsolved. That mystery serves as the inspiration for a true-crime podcast – because of course it would. And thereby, as the saying goes, hangs this tale that spans from intrepid podcasters in 2024 to a medical researcher’s abduction in 2268 and onward to a planned peace conference with an advanced species in 2292.

What do those three widely separated incidents have in common? None other than Captain James T. Kirk, the crew of the U.S.S. Enterprise – with or without their equally famous ship – and an enemy that no one saw coming.

Escape Rating B: Like most media novelizations, Lost to Eternity is absolutely a story for the fans – and not just because of its homage to the fanservice of Dr. Gillian Taylor’s fate in Star Trek IV.

There are three separate stories in this one, set in 2024, 2268 and 2292. At first, with the focus on the podcasters in 2024, the story is thoroughly grounded in our here and now. It’s easy to get caught up in Melinda Silver’s need to find out what happened to Taylor, and the way that it devolves into conspiracy theories and men in black even as it picks up the remaining threads of Voyage Home as seen through the eyes of the people those events left behind in puzzlement was absolutely riveting.

If you’ve ever wanted the X-Files to cross with Star Trek, that part of this story is pretty much that story.

But the story unwinds across all three eras in turn, so the 2024 chapter is followed by a 2268 chapter and then a 2292 chapter. It all makes sense in the end – but as it goes along it takes a long time and a lot of pages to get a glimmer of just what makes these three stories connect up.

At the same time, the stories in each of the timelines and the way that they are interwoven with previous (from a certain point of view) events in the Star Trek timeline as a whole allows for a whole lot of loose ends from an amazing number of stories to get referenced and eventually closed – which goes back to this being a story for the fans because the more of those loose ends that one recognizes the more familiar – and fun – the story feels.

I had a good time with this story – as I always do when I pick one of these up. I love slipping back into this familiar and beloved universe, and that carried me over the points late in each timeline’s story where I just wanted to see all the dots get connected – and to see if the connections that my brain was making were the ones the author intended to make.

In the end, I enjoyed all three of the individual stories, liked the way they merged, had fun with the way they tied up different loose ends, and loved spending time with these characters. I also thought the author did a great job of making sure that the stories got told from different perspectives – that it wasn’t all Kirk and Spock saving the day no matter how much I do love those stories.

But I found the villain just a bit flat. He read a lot like Arne Darvin, the villain of the episodes The Trouble with Tribbles (TOS) and Trials and Tribble-ations (DS9)combined with the motive but not the scenery chewing of the villains in Star Trek: Insurrection. The villain of Lost to Eternity unfortunately got all of his character from Darvin – who was fairly colorless. A little bit of scenery chewing might have improved him a bit – for select definitions of the word ‘improvement’. Perhaps it would be better to say that a little bit of scenery chewing might have made him a bit more colorful – and interesting.

Still, a good reading time was absolutely had by this reader and I loved the way that it did exactly what Voyage Home did – it connected our present with Star Trek’s future and dreamed a dream of getting from here – to there.

A+ #AudioBookReview: Ghostdrift by Suzanne Palmer

A+ #AudioBookReview: Ghostdrift by Suzanne PalmerGhostdrift (Finder Chronicles #4) by Suzanne Palmer
Narrator: Paul Woodson
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #4
Pages: 384
Length: 13 hours and 37 minutes
Published by Blackstone Publishing, DAW on May 28, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The fourth and final installment of the Finder Chronicles, a hopepunk sci-fi caper described as Macgyver meets Firefly, by Hugo Award–winner Suzanne Palmer

Fergus Ferguson, professional finder, always knew his semi-voluntary exile wouldn’t last, but he isn’t expecting a friend to betray him. One of the galaxy’s most dangerous space pirates, Bas Belos, wants him, and what Belos wants, he gets. Belos needs help finding out what happened to his twin sister, who mysteriously disappeared at the edges of space years ago, and he makes Fergus an offer he can’t refuse.

Mysterious disappearances and impossible answers are Fergus’s specialties. After he reluctantly joins Belos and his crew aboard the pirate ship Sidewider, he discovers that Belos is being tracked by the Alliance. Seeking to stay one step ahead of the Alliance, Fergus and Belos find themselves marooned in the middle of the Gap between spiral arms of our galaxy, dangerously near hostile alien territory, and with an Alliance ship in hot pursuit.

That’s just the beginning of the complications for Fergus’ newest—and possibly last—job. The puzzle is much bigger than just Belos’s lost sister, and the question of his future, retirement or not, depends on his ability to negotiate a path between aliens, criminals, and the most powerful military force he’s ever encountered. The future of entire planets hangs in the balance, and it remains to be seen if it’s too big for one determined man and his cranky cat.

My Review:

I couldn’t resist. Even though I knew going in this was one of those situations where you don’t know whether to cry because it’s over or smile because it happened, I had to find out just what happened to Fergus Ferguson that led to Ghostdrift being the final book in the utterly awesome Finder Chronicles.

Over the course of the series (Finder, Driving the Deep, The Scavenger Door and now Ghostdrift), Fergus has proven to be the consummate survivor. Not because he’s particularly good at any one thing except finding the stuff he’s been contracted to find, but because no plan seems to survive contact with Fergus – not even his own. No matter how big and how scary the villains are, no matter how many layers within layers of plans they have to get away with whatever it is they think they’re getting away with, the minute Fergus happens to them Murphy’s Law arrives in his wake and the shit keeps hitting the fan – both theirs and his – until he emerges from the wreck of everything they expected.

It’s a gift. It’s also a curse. A judgment that does not depend on whether you are on the side of Fergus or his enemies. As I said, Fergus’s own plans don’t survive contact with him either.

But it does explain why his friend (or sometimes frenemy) Qai doesn’t feel all that terrible about kidnapping Fergus and delivering him – alive and unharmed, along with his cat Mister Feefs – into the custody of notorious space pirate Bas Belos in exchange for the safe return of Qai’s partner Maha – yet another of Fergus’s friends.

Qai knows Fergus can handle himself and knows that Belos’ plan isn’t likely to survive Fergus either. She’s basically delivering her revenge on Belos for kidnapping her partner in a Fergus Ferguson shaped form and isn’t sorry about it in the least.

She’s sure she’s brought Belos more trouble than even an interstellar space pirate can handle. And she’s right. It’s the way in which she’s right and the places that right takes the pirate, his ship, his crew, Fergus AND Mister Feefs, that makes the whole entire story.

Fergus’s story. Belos’s story. And quite possibly the whole damn universe’s story – again – if Fergus doesn’t manage to pull off one more doggedly determined find.

Escape Rating A+: June is Audiobook Month, and this final book in the Finder Chronicles was the perfect audiobook to listen to this month, particularly as I listened to the first book in the series, Finder, in June of 2019.

Even though I didn’t want this story to end – I desperately needed to know how it ended, so I started alternating between audio and text just past halfway – as much as I hated to miss out on the totality of narrator Paul Woodson’s perfect read of Fergus Ferguson’s universe-weary, ‘been there, done that, got all the t-shirts’ voice.

(Fergus really does have all the t-shirts – and he wears them throughout the series. The man has definitely been around.)

The series as a whole rides or dies on that voice, to the point that if you like Fergus you’ll love the series but if he drives you as insane as he does the people he runs up AGAINST you probably won’t. Also, if you like a universe-weary, first-person or first-person focused protagonist, you’ll probably also love Michael Mammay’s Carl Butler in his Planetside series. (I digress, just a bit.)

What about this particular entry in the series? It combines some really classic tropes into one single terrific story.

First there’s the whole ‘White Whale’ angle. Actually, it’s two of those angles. On the one hand, pirate captain Bas Belos just wants to find out what happened to his twin sister and her crew. It’s been ten years since she disappeared, he knows that the ‘Alliance’s’ claim that they killed her and hers was a lie. He’s kidnapped/hired Fergus to lead him towards closure – no matter what it takes.

And then there’s the real Captain Ahab of this story, an Alliance captain for whom Bas Belos is his white whale, and he’ll trail the pirate literally past the end of the galaxy to catch him – even if he’s leading his crew straight to their demise. And wasn’t that Ahab all over?

But then there’s the third corner of this delicious story, the one where Belos and his crew, the Alliance captain and his, all end up stranded in the gap between galaxies, on a little tiny planet that threatens to be their own ‘Gilligan’s Island’ – because it already has.

Together, those three plots, Belos’ need for closure, Captain Ahab – actually Captain Todd – following Belos where no one REALLY should have gone before, or again, and all the crews stuck on their very own tiny Gilligan’s Island planetoid, doing their best – or worst – to get along well enough to get back home.

With Fergus in the middle, knowing his personal goose is cooked either way. Unless he can find a really, truly, seriously out-of-the-box solution for his own dilemma as well as theirs.

I loved this last adventure in the Finder Chronicles. On top of this beautiful layer cake of a story, there was also a bit of marvelous icing in Fergus’ relationship with Mister Feefs that will add extra feels for anyone who has ever loved a companion animal and grounded their very existence on that love. (Don’t worry about Mister Feefs, he comes out of this adventure just fine – it’s Fergus we have to worry about. As usual.)

The only sour note in this whole thing is in the author’s note at the end, where she declares that this really is Fergus’ last recorded adventure. And it could be, she left him in a good place – WITH MISTER FEEFS – and they’ll be just fine. But she also left them in a place where it’s clear that Fergus will manage to make his way back to his own galaxy, one way or another, given enough time and supplies. And he has the supplies. So he could come back. We could come back at some point in the future to see whose plans Fergus is destroying at that point in his life. I don’t expect we will, but I can still hope.