#BookReview: Lost to Eternity by Greg Cox

#BookReview: Lost to Eternity by Greg CoxLost to Eternity by Greg Cox
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera, Star Trek
Series: Star Trek: The Original Series
Pages: 400
Published by Pocket Books/Star Trek on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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A thrilling new Star Trek “movie era” novel from New York Times bestselling author Greg Cox!
Three Eras. Three Mysteries. One Ancient Enemy?
2024: Almost forty years ago, marine biologist Gillian Taylor stormed away from her dream job at Sausalito’s Cetacean Institute—and was never seen or heard from again. Now a new true crime podcast has reopened that cold case, but investigator Melinda Silver has no idea that her search for the truth about Gillian’s disappearance will ultimately stretch across time and space—and attract the attention of a ruthless obsessive with his own secret agenda.
2268: The USS Enterprise ’s five-year mission is interrupted when Captain James T. Kirk and his crew set out to recover an abducted Federation scientist whose classified secrets are being sought by the Klingons as well. The trail leads to a barbaric world off limits to both Starfleet and the Klingon Empire—and an ageless mastermind on a quest for eternity.
2292: The Osori, an ancient alien species, has finally agreed to establish relations with its much younger the Federation, the Klingons, and the Romulans. A joint mission involving ships from all three powers, including the Enterprise -A , turns explosive when one of the Osori envoys is apparently killed. Each side blames the others, but the truth lies buried deep, nearly three hundred years in the past…

My Review:

Star Trek IV: The Voyage Home (the one with the whales), was one of the great movies of the Original Series movie era, alongside The Wrath of Khan. Voyage Home had something for everyone, in that it told a great story, had lots of sweet moments of nostalgia for fans, addresses important and still relevant issues of its day with its tale of species extinction, had oodles of funny scenes and memorable, quotable lines – and ends with a heartwarming scene of the ‘band getting back together’ in a crowning moment of awesome.

It also presents a heaping helping of wish fulfillment for legions of fans then and now as the 20th century cetacean biologist, Dr. Gillian Taylor, time travels with the crew of the Enterprise and the whales George and Gracie from her time to their 23rd century.

It was the stuff that both dreams and fanfic were made of.

But it left a mystery in Taylor’s time that, nearly forty years later, is still unsolved. That mystery serves as the inspiration for a true-crime podcast – because of course it would. And thereby, as the saying goes, hangs this tale that spans from intrepid podcasters in 2024 to a medical researcher’s abduction in 2268 and onward to a planned peace conference with an advanced species in 2292.

What do those three widely separated incidents have in common? None other than Captain James T. Kirk, the crew of the U.S.S. Enterprise – with or without their equally famous ship – and an enemy that no one saw coming.

Escape Rating B: Like most media novelizations, Lost to Eternity is absolutely a story for the fans – and not just because of its homage to the fanservice of Dr. Gillian Taylor’s fate in Star Trek IV.

There are three separate stories in this one, set in 2024, 2268 and 2292. At first, with the focus on the podcasters in 2024, the story is thoroughly grounded in our here and now. It’s easy to get caught up in Melinda Silver’s need to find out what happened to Taylor, and the way that it devolves into conspiracy theories and men in black even as it picks up the remaining threads of Voyage Home as seen through the eyes of the people those events left behind in puzzlement was absolutely riveting.

If you’ve ever wanted the X-Files to cross with Star Trek, that part of this story is pretty much that story.

But the story unwinds across all three eras in turn, so the 2024 chapter is followed by a 2268 chapter and then a 2292 chapter. It all makes sense in the end – but as it goes along it takes a long time and a lot of pages to get a glimmer of just what makes these three stories connect up.

At the same time, the stories in each of the timelines and the way that they are interwoven with previous (from a certain point of view) events in the Star Trek timeline as a whole allows for a whole lot of loose ends from an amazing number of stories to get referenced and eventually closed – which goes back to this being a story for the fans because the more of those loose ends that one recognizes the more familiar – and fun – the story feels.

I had a good time with this story – as I always do when I pick one of these up. I love slipping back into this familiar and beloved universe, and that carried me over the points late in each timeline’s story where I just wanted to see all the dots get connected – and to see if the connections that my brain was making were the ones the author intended to make.

In the end, I enjoyed all three of the individual stories, liked the way they merged, had fun with the way they tied up different loose ends, and loved spending time with these characters. I also thought the author did a great job of making sure that the stories got told from different perspectives – that it wasn’t all Kirk and Spock saving the day no matter how much I do love those stories.

But I found the villain just a bit flat. He read a lot like Arne Darvin, the villain of the episodes The Trouble with Tribbles (TOS) and Trials and Tribble-ations (DS9)combined with the motive but not the scenery chewing of the villains in Star Trek: Insurrection. The villain of Lost to Eternity unfortunately got all of his character from Darvin – who was fairly colorless. A little bit of scenery chewing might have improved him a bit – for select definitions of the word ‘improvement’. Perhaps it would be better to say that a little bit of scenery chewing might have made him a bit more colorful – and interesting.

Still, a good reading time was absolutely had by this reader and I loved the way that it did exactly what Voyage Home did – it connected our present with Star Trek’s future and dreamed a dream of getting from here – to there.

A+ #AudioBookReview: Ghostdrift by Suzanne Palmer

A+ #AudioBookReview: Ghostdrift by Suzanne PalmerGhostdrift (Finder Chronicles #4) by Suzanne Palmer
Narrator: Paul Woodson
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #4
Pages: 384
Length: 13 hours and 37 minutes
Published by Blackstone Publishing, DAW on May 28, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The fourth and final installment of the Finder Chronicles, a hopepunk sci-fi caper described as Macgyver meets Firefly, by Hugo Award–winner Suzanne Palmer

Fergus Ferguson, professional finder, always knew his semi-voluntary exile wouldn’t last, but he isn’t expecting a friend to betray him. One of the galaxy’s most dangerous space pirates, Bas Belos, wants him, and what Belos wants, he gets. Belos needs help finding out what happened to his twin sister, who mysteriously disappeared at the edges of space years ago, and he makes Fergus an offer he can’t refuse.

Mysterious disappearances and impossible answers are Fergus’s specialties. After he reluctantly joins Belos and his crew aboard the pirate ship Sidewider, he discovers that Belos is being tracked by the Alliance. Seeking to stay one step ahead of the Alliance, Fergus and Belos find themselves marooned in the middle of the Gap between spiral arms of our galaxy, dangerously near hostile alien territory, and with an Alliance ship in hot pursuit.

That’s just the beginning of the complications for Fergus’ newest—and possibly last—job. The puzzle is much bigger than just Belos’s lost sister, and the question of his future, retirement or not, depends on his ability to negotiate a path between aliens, criminals, and the most powerful military force he’s ever encountered. The future of entire planets hangs in the balance, and it remains to be seen if it’s too big for one determined man and his cranky cat.

My Review:

I couldn’t resist. Even though I knew going in this was one of those situations where you don’t know whether to cry because it’s over or smile because it happened, I had to find out just what happened to Fergus Ferguson that led to Ghostdrift being the final book in the utterly awesome Finder Chronicles.

Over the course of the series (Finder, Driving the Deep, The Scavenger Door and now Ghostdrift), Fergus has proven to be the consummate survivor. Not because he’s particularly good at any one thing except finding the stuff he’s been contracted to find, but because no plan seems to survive contact with Fergus – not even his own. No matter how big and how scary the villains are, no matter how many layers within layers of plans they have to get away with whatever it is they think they’re getting away with, the minute Fergus happens to them Murphy’s Law arrives in his wake and the shit keeps hitting the fan – both theirs and his – until he emerges from the wreck of everything they expected.

It’s a gift. It’s also a curse. A judgment that does not depend on whether you are on the side of Fergus or his enemies. As I said, Fergus’s own plans don’t survive contact with him either.

But it does explain why his friend (or sometimes frenemy) Qai doesn’t feel all that terrible about kidnapping Fergus and delivering him – alive and unharmed, along with his cat Mister Feefs – into the custody of notorious space pirate Bas Belos in exchange for the safe return of Qai’s partner Maha – yet another of Fergus’s friends.

Qai knows Fergus can handle himself and knows that Belos’ plan isn’t likely to survive Fergus either. She’s basically delivering her revenge on Belos for kidnapping her partner in a Fergus Ferguson shaped form and isn’t sorry about it in the least.

She’s sure she’s brought Belos more trouble than even an interstellar space pirate can handle. And she’s right. It’s the way in which she’s right and the places that right takes the pirate, his ship, his crew, Fergus AND Mister Feefs, that makes the whole entire story.

Fergus’s story. Belos’s story. And quite possibly the whole damn universe’s story – again – if Fergus doesn’t manage to pull off one more doggedly determined find.

Escape Rating A+: June is Audiobook Month, and this final book in the Finder Chronicles was the perfect audiobook to listen to this month, particularly as I listened to the first book in the series, Finder, in June of 2019.

Even though I didn’t want this story to end – I desperately needed to know how it ended, so I started alternating between audio and text just past halfway – as much as I hated to miss out on the totality of narrator Paul Woodson’s perfect read of Fergus Ferguson’s universe-weary, ‘been there, done that, got all the t-shirts’ voice.

(Fergus really does have all the t-shirts – and he wears them throughout the series. The man has definitely been around.)

The series as a whole rides or dies on that voice, to the point that if you like Fergus you’ll love the series but if he drives you as insane as he does the people he runs up AGAINST you probably won’t. Also, if you like a universe-weary, first-person or first-person focused protagonist, you’ll probably also love Michael Mammay’s Carl Butler in his Planetside series. (I digress, just a bit.)

What about this particular entry in the series? It combines some really classic tropes into one single terrific story.

First there’s the whole ‘White Whale’ angle. Actually, it’s two of those angles. On the one hand, pirate captain Bas Belos just wants to find out what happened to his twin sister and her crew. It’s been ten years since she disappeared, he knows that the ‘Alliance’s’ claim that they killed her and hers was a lie. He’s kidnapped/hired Fergus to lead him towards closure – no matter what it takes.

And then there’s the real Captain Ahab of this story, an Alliance captain for whom Bas Belos is his white whale, and he’ll trail the pirate literally past the end of the galaxy to catch him – even if he’s leading his crew straight to their demise. And wasn’t that Ahab all over?

But then there’s the third corner of this delicious story, the one where Belos and his crew, the Alliance captain and his, all end up stranded in the gap between galaxies, on a little tiny planet that threatens to be their own ‘Gilligan’s Island’ – because it already has.

Together, those three plots, Belos’ need for closure, Captain Ahab – actually Captain Todd – following Belos where no one REALLY should have gone before, or again, and all the crews stuck on their very own tiny Gilligan’s Island planetoid, doing their best – or worst – to get along well enough to get back home.

With Fergus in the middle, knowing his personal goose is cooked either way. Unless he can find a really, truly, seriously out-of-the-box solution for his own dilemma as well as theirs.

I loved this last adventure in the Finder Chronicles. On top of this beautiful layer cake of a story, there was also a bit of marvelous icing in Fergus’ relationship with Mister Feefs that will add extra feels for anyone who has ever loved a companion animal and grounded their very existence on that love. (Don’t worry about Mister Feefs, he comes out of this adventure just fine – it’s Fergus we have to worry about. As usual.)

The only sour note in this whole thing is in the author’s note at the end, where she declares that this really is Fergus’ last recorded adventure. And it could be, she left him in a good place – WITH MISTER FEEFS – and they’ll be just fine. But she also left them in a place where it’s clear that Fergus will manage to make his way back to his own galaxy, one way or another, given enough time and supplies. And he has the supplies. So he could come back. We could come back at some point in the future to see whose plans Fergus is destroying at that point in his life. I don’t expect we will, but I can still hope.

A+ #BookReview: Fiasco by Constance Fay

A+ #BookReview: Fiasco by Constance FayFiasco (Uncharted Hearts, #2) by Constance Fay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Uncharted Hearts #2
Pages: 352
Published by Bramble Romance on June 4, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Equal parts steamy interstellar romance and sci-fi adventure, Constance Fay's FIASCO is a perfect wild romp amidst the stars.
Cynbelline Khaw is a woman of many names. She’s Generosity, a cultist who never quite fit in. She’s Bella, the daughter who failed to save her cousin’s life. And then there’s Cyn, the notorious bounty hunter who spaced a ship of slavers.
She’s exhausted, lonely, and on her very last legs―but then a new client offers her a job she can’t refuse: a bounty on the kidnapper who killed her cousin. All Cyn has to do is partner with the crew of the Calamity, a scouting vessel she encountered when she was living under a previous alias. One tiny little issue, she’s been given an additional deliver the oh-so-compelling medic, Micah Arora, to the treacherous Pierce Family or all her identities will be revealed, putting her estranged family in danger.
Hunting a kidnapper doesn’t usually mean accidentally taking your sexy new target to dinner at your parent’s house, a local mystic predicting you’ll have an increasingly large number of children, or being accompanied by a small flying lizard with a penchant for eating metal, but, as they field investigative hurdles both dangerous and preposterous, Cyn and Micah grow ever closer. When a violent confrontation reveals that everything Cyn thought about her past is wrong, she realizes that she has the power to change her future. The first part of that is making sure that Micah Arora is around to be a part of it.

My Review:

Bounty hunter Cynbelline Khaw has traveled aboard the Calamity before – back when it was the Quest and she was masquerading as the poor, brainwashed cultist Generosity as part of her bounty to rescue one of the real brainwashed cultists in the first book in the Uncharted Hearts series, Calamity.

A job that the crew of the Calamity kept getting in the way of – because they believed Cyn’s persona was the real thing.

A belief that Cyn now has to test from the other side, as her current bounty requires her to join the crew of the Calamity in her bounty hunter persona in order to rescue the abducted daughter of one of her ‘verse’s most powerful families from the kidnapper who broke her own.

Making this mission oh-so-personal for Cyn. But it’s also personal for at least one member of the Calamity’s crew, Arcadio Escajeda. He’s the captain’s partner (their story is told in the first book in the Uncharted Hearts series, Calamity) AND, more importantly for this particular mission, the victim is his niece.

But it turns out to be even more personal for Calamity’s medic, Micah Arora. He may not know the victim or the Abyssal Abductor who has taken her, but he certainly does know Cyn. And knows exactly who she is – and who she was the last time she was aboard.

Which means that he doesn’t trust her a bit this time around. And he shouldn’t. Because while she may be publicly chasing the bounty of the Abyssal Abductor, she’s also chasing the bounty on him – whether he deserves it or not.

Because her pursuit of the Abyssal Abductor has already cost her family enough, especially on top of the lost ransom they paid for the cousin they weren’t able to save. That her current pursuit has put her family in the crosshairs of the powerful mercantile family that owns the entire planet her family lives on and everything and everyone on it means that she can’t afford to do anything that risks their lives.

At least not anything more than she’s already done – even if it risks the heart she swears she no longer has.

Escape Rating A+: They still have me at Serenity. Seriously, the resemblance to Firefly, particularly the way this ‘verse is set up, is very apparent, very much fine, and still very, very shiny.

Now that we’re two books in, however, the resemblance to Nina Croft’s Dark Desires series is a whole lot stronger, as both series are science fiction romances (or space romances as that’s a term I’m seeing more frequently) where there’s a ship of misfits, a ragtag crew of antiheroes who each find their HEA with the most unlikely people in even more unlikely places, in a ‘verse where much too much is controlled by merchant empire families who have strangleholds on entirely too many critical planets and resources.

What makes this particular entry in the Uncharted Hearts series so damn good no matter what it might remind me of is the heel turn of this particular plot. Cyn is chasing the Abyssal Abductor, because said Abductor abducted her cousin early in their crime spree, didn’t receive the ransom because of seriously extenuating circumstances, and then killed young Aymbe because that’s the MO. If they receive the ransom the abductee goes free. If they don’t, the family gets coordinates to a deep ocean abyssal dump site.

Cyn has privately pursued the Abyssal Abductor ever since, and has cut off her family, in more ways than one, in order to continue that pursuit. It’s only as the crew of the Calamity closes in on the Abductor’s latest victim that Cyn learns about all the cracks in all of her deeply held beliefs about her cousin, her childhood, her family, and pretty much everything else she thought she knew.

Ultimately, this is a story about the truth setting one free – only to be caught up in a huge lie that makes one even freer. Not to mention more available for the romance that one tried to pretend one didn’t need or want or even have time for.

This is a story where I got into it for the plot I thought I was going to get – and found myself more deeply captivated by the one I actually got. I particularly felt for Cyn and her desperate need to get away from her family’s expectations and disappointment in her for not meeting them – even as I cheered for the way that they (mostly) rose to the terrible parts of this occasion and equation right along with her.

I’ve just learned that the title of the third book in the Uncharted Hearts series will be Chaos, coming out in February, 2025. As much as I’m wondering what could possibly make the third story any more chaotic than books 1 and 2, I can’t wait to see how the crew of the Calamity manages to get themselves out of it!

#AudioBookReview: To Gaze Upon Wicked Gods by Molly X Chang

#AudioBookReview: To Gaze Upon Wicked Gods by Molly X ChangTo Gaze Upon Wicked Gods (Gods Beyond the Skies, #1) by Molly X. Chang
Narrator: Natalie Naudus
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, paperback, ebook, audiobook
Genres: coming of age, dystopian, epic fantasy, historical fantasy, science fiction, space opera
Series: Gods Beyond the Skies #1
Pages: 368
Length: 10 hours and 41 minutes
Published by Del Rey, Random House Audio on April 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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She has power over death. He has power over her. When two enemies strike a dangerous bargain, will they end a war . . . or ignite one?
Heroes die, cowards live. Daughter of a conquered world, Ruying hates the invaders who descended from the heavens long before she was born and defeated the magic of her people with technologies unlike anything her world had ever seen.
Blessed by Death, born with the ability to pull the life right out of mortal bodies, Ruying shouldn’t have to fear these foreign invaders, but she does. Especially because she wants to keep herself and her family safe.
When Ruying’s Gift is discovered by an enemy prince, he offers her an impossible deal: If she becomes his private assassin and eliminates his political rivals—whose deaths he swears would be for the good of both their worlds and would protect her people from further brutalization—her family will never starve or suffer harm again. But to accept this bargain, she must use the powers she has always feared, powers that will shave years off her own existence.
Can Ruying trust this prince, whose promises of a better world make her heart ache and whose smiles make her pulse beat faster? Are the evils of this agreement really in the service of a much greater good? Or will she betray her entire nation by protecting those she loves the most?

My Review:

I picked this up because I had the opportunity to get the audiobook from Libro.fm, saw that the narrator, Natalie Naudus, is one of my faves, looked at the summary and thought to myself that this had terrific possibilities and figured I’d be in for a decent if not outright excellent listening/reading time.

It was not to be. It was not to be so hard that I bailed on the audio at the 30% mark and it’s not the narrator’s fault. Really, truly, seriously, it’s not her fault. Natalie Naudus, as always, does a great job with the first person perspective of a protagonist who is expected to be kickass or at least grow into that role. (In this case, it may have been a bit too good of a job, as it felt like I was right there with her in a story where I’d have much preferred to be at a remove or ten.)

That decent to excellent time is not what I got. What I got for that first 30% felt like torture porn, and experiencing that neverending torment from inside the character’s own head was literally more than I could take. To the point where, if you’ve followed my comments about the book I flailed and bailed on that set nearly a whole week of reviews off-kilter, you’ve found it. This was it.

And damn was I surprised about that.

So I flailed, and bailed – also ranted and raved (not in a good way) – but in the end I finished in text. Because when I looked at the text to see where I stopped the audio, to figure out if the situation got redeemed at all, I learned that in the very next sentence – which of course I couldn’t see in the audio – the thing that nearly made me turn this book into a wallbanger in spite of a) the potential for having to replace my iphone and b) I was driving – didn’t actually happen.

Not that the character and I hadn’t already been tortured plenty at that point. But it was enough to bring me back if only to find out whether the situation got better – or worse.

The answer, as it turned out, was both.

Escape Rating D: If The Poppy War and Babel had an ugly, squalling bookbaby, To Gaze Upon Wicked Gods would be it. I loved The Poppy War, but had deeply serious issues with Babel which pretty much sums up my feelings about To Gaze Upon Wicked Gods in a desicated, unsightly, possibly even poisonous nutshell.

And that requires some explanation. Possibly a whole lot of it.

This story sits uneasily on a whole lot of crossing points. It’s right on the border between YA and Adult AND it’s at the intersection of historical fantasy with science fiction as well as at least hinting at being a romantasy – which it absolutely is not in spite of those hints in the blurb – even as it turns out to be post-apocalyptic and utterly dystopian in ways that are not hinted at anywhere at all.

And it’s torture porn. By that I mean that the entire first third of the story focuses on a protagonist whose entire life seems to be made of various axes on which she is ground, tortured and punished.

She’s female in a society that makes her property of the male head of household – in a line where those men squandered the family fortune on gambling and drugs one after another. She has magic powers that make her a target for people who want to use her gifts until those gifts use her up – and people who want to destroy her where she stands for a gift that many deem anathema.

Her entire world is under the boot heel of an overwhelming empire – in this I believe the story is intended to reference the Opium Wars and their oppressors are intended to stand in for the British Empire even if they are called Romans.

That her sister is addicted to a substance named “Opian”, provided by the Romans and engineered by the Romans to bring their society down even faster adds to that resemblance as well as to the protagonist’s torture.

That she’s 19, her sister’s and her grandmother’s only real support, and that her cultural conditioning has her blaming herself for everything wrong in their lives – including the invasion by the Romans before she was even born – is just terrible icing on an already unsightly cake overflowing with oppression and self-flagellation.

Ruying, her family and her whole entire world are in deep, deep trouble with no way out that anyone can see. I got that. I got that LONG before the story didn’t so much come out of the mire as it did finally start sloshing through the muck to the even more epically fucked up political shenanigans that are at the heart of everything that’s gone wrong for Ruying’s people.

Once the story finally, FINALLY started to reveal what was really happening and why and how, the situation got more interesting even as Ruying wallowed even more deeply in her personal angst and kept right on torturing herself every literally bloody step of the way.

At the very, very end, after all the blood and gore and guts and not very much plot movement forward, the story finally shows a glimpse of the light at the end of the tunnel, reveals that the light is an oncoming train, and at least displays a glimmer of a hint of action in this book’s sequel, titled either Immortal the Blood or  To Kill a Monstrous Prince, which will be coming out this time net year.

This reader, at least, has no plans to be there for it. I’ve been tormented enough. Your reading mileage (and/or listening mileage) may vary.

#BookReview: In Our Stars by Jack Campbell

#BookReview: In Our Stars by Jack CampbellIn Our Stars (The Doomed Earth, #1) by Jack Campbell
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Doomed Earth #1
Pages: 400
Published by Ace on May 7, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Lieutenant Selene Genji has one last chance to save the Earth from destruction in this pulse-pounding science fiction adventure, from the author of the New York Times bestselling Lost Fleet series.
Earth, 2180
Genetically engineered with partly alien DNA, Lieutenant Selene Genji is different from ordinary humans. And they hate her for it. Still, she’s spent her life trying to overcome society’s prejudice by serving in the Unified Fleet while Earth’s international order collapses into war.
Genji is stationed on a ship in orbit when humanity’s factional extremism on the planet reaches a boiling point, and she witnesses the utter annihilation of Earth. When the massive forces unleashed by Earth’s death warp space and time to hurl her forty years into the past, Genji is given a chance to try to change the future and save Earth—starting with the alien first contact only she knows will soon occur.
Earth, 2140
Lieutenant Kayl Owen’s ship is on a routine patrol when a piece of spacecraft wreckage appears out of nowhere. To his shock, there is a survivor on Selene Genji. Once her strange heritage is discovered, though, it becomes clear that Genji is a problem Earth Guard command wants to dispose of—quietly. After learning the horrifying truth, Owen helps her escape and joins her mission.
Together, they have a chance to change the fate of an Earth doomed to die in 2180. But altering history could put Genji’s very existence in danger, and Owen wonders if a world without her is one worth saving. . . .

My Review:

From the opening pages, In Our Stars read an awful damn lot like a Star Trek episode. Actually, several of them. Because this is a time travel story, of just the kind that Star Trek in ALL of its various iterations, has played with – A LOT.

It’s the year 2180, and Lieutenant Selene Genji of Earth’s United Fleet is just close enough to the event horizon to watch in horror as Earth is destroyed. Not by aliens, not by the Borg, not by accident.

But deliberately, by its own people. Not even in an attempt to throw off an alien invasion as in the first Avengers movie. In Lieutenant Genji’s 2180, Earth bombs itself out of existence in a fit of xenophobia directed at people just like her.

People who are ‘alloys’, who have a portion of alien DNA. Because after ‘First Contact’ with the Tramontine in 2140, genetic manipulation made that possible – and briefly – desirable.

But humans are gonna human, and some humans are just looking for an excuse to declare that other people aren’t people, and charismatic tyrants and despots are always available and all-too-willing to latch onto any stupid excuse to grab power.

To make a long story short, there was a large, influential group of people who believed that destroying Earth to purge it of alien influences would cause a new, pure Earth to emerge from the inevitable dust cloud.

The wrongness of that belief and her wish to change history to make sure this doesn’t happen again are Selene Genji’s last conscious thoughts before she’s rescued by Lieutenant Kayl Owen of Earth Guard, the only survivor aboard her derelict ship, in 2140, just months before First Contact.

Selene Genji has that barely conscious wish within her sights. She is in the right place – or at least at the right time – to prevent the destruction of Earth she witnessed 40 years in the future.

Whether she’s in the right place is an entirely different question, as Kayl Owen inherited his father’s disgrace to his service, and no one has any compunctions about making them both disappear in order to keep the secret of her existence from everyone who might care.

Which is way more people and forces than she expected, as the mysterious powers that took over Earth so quickly in her own time are considerably more active in her new here and now than Selene – or history – told her to expect.

It’s going to be an even longer road, NOT getting from there to here, than even a woman from the future could possibly have imagined.

Escape Rating B: I couldn’t get the resemblance to Trek out of my head, and that affected my reading of this book a lot because it felt just a bit too familiar. To the point where even though I didn’t know what was coming, I sorta/kinda knew what was coming. Also, to the point where I couldn’t resist falling down a Trek time travel rabbit hole. Or should I say, a time travel black hole, because that device was used frequently and often, even if that’s not quite what happened here.

The thing is, Star Trek played with time travel frequently and often. There’s at least one time travel episode in every Trek series to date, taking them in Trek’s chronological order, from the entire first season of Enterprise with its Temporal Cold War arc, through “What is Past is Prologue” (Discovery), “A Quality of Mercy” (Strange New Worlds), “Tomorrow is Yesterday” (The Original Series), “Yesteryear” (The Animated Series), “Yesterday’s Enterprise” (Next Gen), “Past Tense” (DS9), “Future’s End” (Voyager) and last but certainly not least, “The Star Gazer” from Star Trek: Picard’s second season. As well as one of Trek’s most famous and storied episodes, “The City on the Edge of Forever” from TOS, and two of its best and most popular movies, Star Trek IV: The Voyage Home, otherwise known as ‘the one with the whales’ and Star Trek: First Contact – the one with Steppenwolf’s marvelously apropos “Magic Carpet Ride”.

(The above list is ONLY a sampling. There are multiple time travel episodes and/or arcs in every Trek series. If you’re really curious check out the Memory Alpha wiki.)

The difference between most but not all of the Trek examples and In Our Stars is that in Trek it’s usually someone else who has mucked with the time stream and it’s the job of whatever series is running at the time to make things right. Although there have been exceptions.

The plot in In Our Stars is to prevent the worst from happening by mucking with the 2140 time stream as soon and as much as possible. The story is that neither of those things, fast or soon, are going to be as easy as Selene – and her soon-to-be life-partner Kayl Owen – either expect or even hope.

Which is clearly what is going to push the plot of The Doomed Earth series, of which In Our Stars is the first book, through the years from 2140 to 2180 and hopefully past that original disastrous day. Something that we’ll get to see in the months and years ahead, both theirs and ours.

I picked this up because Jack Campbell is an author who has been recommended to me multiple times, but by the time that happened his best known series, now called The Lost Fleet, with its follow up Lost Fleet Universe series, was already well past a dozen books in. I wasn’t in the mood to start from the beginning and don’t like picking things up in the middle if at all possible.

In Our Stars solved that problem, as it’s the opening book in a new series, so no catch up and no need to jump in the middle with both feet and hope for an informative landing. One of these days the ‘round tuit’ for reading Lost Fleet will emerge, as they do. But today is not that day.

In the meantime In Our Stars turned out to be a great place to get into a new-to-me author. The familiarity of the setup was a comfort that also made the plotting of the political craziness – because that’s definitely a feature – the touch of romance and the constant drive of our heroes on the run while building support – just that much easier to get into.

So if you’re looking for a new space opera type adventure with more than a hint of the familiar in all the best places, take a ride to 2180, or 2140, or both, In Our Stars.

#BookReview: Knightqueen by Anna Hackett

#BookReview: Knightqueen by Anna HackettKnightqueen by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction, science fiction romance, space opera
Series: Oronis Knights #3
Pages: 221
Published by Anna Hackett on May 2, 2024
Purchasing Info: Author's WebsiteAmazon
Goodreads

A queen and her battle-scarred guard are on the run on an alien planet…with a relentless enemy hunting them.
Knightqueen Carys of Oron lives a life of duty to her people and planet. After the murder of her parents, she worked hard to become a fair and dedicated leader. She never expected to be abducted by the vicious Gek’Dragar and locked in a mountain prison, but having her head knightguard at her side makes it bearable. Older, scarred Sten is duty personified, the one man she’s always been able to trust.
He’s also the only man she’s ever loved, not that she’s ever told him that.
Knightguard Thorsten Carahan has sworn to protect his knightqueen, and lives and breathes her safety. He works hard to keep his mind on his duty, and not on the too young, too beautiful, and too kind queen who is way out of his league. But now they’ve escaped their enemy’s prison and are on the run on a dangerous planet. When they learn that the Gek’Dragar have created a lethal weapon to use against the Oronis, Sten knows he must get Carys home. But with danger at every turn, lines get blurred.
With only each other to depend on, Carys and Sten’s bond of duty and respect tangles with forbidden desire and need. As passion flares, they can no longer deny their connection, and they will discover just how far they are willing to go for their people…and each other.

My Review:

When last we left our heroes – actually, in this particular case, it’s more like “when first we met our heroes” back in the first book in the Oronis Knights series, Knightmaster. In the first story, the Oronis had just welcomed a delegation from Terra, our very own Earth, in the hopes of forging an alliance to fight the rapacious Gek’Dragar.

The Terrans had already formed a similar alliance with the Eons, in spite of a somewhat rocky beginning, as part of the stories told in the marvelous Eon Warriors series. The Eons are long-standing allies of the Oronis, and now all three planets face the same enemy, the Gek’Dragar.

“The enemy of my enemy is my friend” as that saying goes. Not that this alliance was EVER smooth sailing, as it began back in Knightmaster with the Gek’Dragar kidnapping the Oronis Knightqueen and her Knightguard, and framing the Terrans for the crime.

But once that misdirection got straightened out, the Oronis and the Terrans have been on a joint mission to rescue the Knightqueen – assuming that she and her Knightguard don’t manage to rescue themselves, first.

Which is where we left those heroes at the end of the second book in the series, Knighthunter. That hunter team blew open and blew up the prison where the queen and her bodyguard, were being held, and Carys and Sten escaped in the chaos.

Meaning that they unknowingly ran away from their rescuers, jumped out of the frying pan into the fire – sometimes literally – and have spent the past several days outrunning their Gek’Dragar pursuers, throwing off the effects of the drugs they were injected with that suppressed their normally formidable powers, and generally running themselves into the ground.

Because the monsters on this hellhole planet are just as deadly as the Gek’Dragar – if not maybe a bit worse – and Carys and Sten have no weapons or armor until their powers return.

All they have is each other. Which has always been more than enough – even if neither of them has ever admitted that to themselves – let alone each other.

It’s not right, it’s not proper, for a Knightqueen to fall in love with her Knightguard. But this time, it’s inevitable.

Escape Rating B+: Knightqueen is the culmination of the whole, entire Oronis Knights series – which is only three books long. Meaning that, on the one hand, you really do kind of need to start at the beginning with Knightmaster, while on the other hand, three novellas is just a lovely amount of reading for a rainy spring weekend – of which there are PLENTY this time of year!

Knightqueen is a bodyguard romance. Maybe not exactly like the movie – certainly the SFnal setting if Knightqueen is literally light years away from the movie – but the trope is the trope is the trope – and it’s ALL here in Knightqueen.

Except the music, so you’ll just have to bring your own. I kept hearing Whitney Houston singing “I Will Always Love You” in the back of my mind as I read – and it took the longest time to figure out why.

Unlike the movie, the ending of Knightqueen results in a resounding HEA. That may seem like a bit of a spoiler, but all of this author’s stories end in either an HEA or an HFN depending on just how FUBAR the world they are set on happens to be.

It is part of why I enjoy her work so much.

But this particular entry in the series hit one of my less than favorite tropes pretty hard. The relationship between Carys and Sten does have its questionable aspects, she’s queen, he’s her bodyguard, he’s over a decade older which isn’t itself enough to make things squicky but he watched her grow up which is at least on the border of questionable.

As it’s usually not so much the years as the mileage, it’s not the age difference per se so much as it is that Carys is inexperienced with romantic relationships – which is not a surprise as she’s been queen from a very young age and it would never have been politically safe for her to go on dates or experiment with either love or sex.

Nevertheless, the trope that this fell into that put me off a bit was that Sten had a really bad case of the “I’m not worthy’s” that was a whole lot more personal and ingrained in his psyche than just the difference in their respective stations. This is a “me” thing and may not be a “you” thing.

Putting it another way – I did love the bodyguard romance but wasn’t thrilled with how little the bodyguard thought of himself in it. Your reading mileage obviously may vary.

That being said, I still had a grand time with the entire Oronis Knights series and am a bit sorry to see it come to end even though I’m happy to see the Gek’Dragar put in their place – a grave.

As this series has come to a close – and doesn’t end with teasers for a spinoff, it looks like the author will be turning back to contemporary action adventure romances for most of this year. Leaving this reader looking forward to the next book in her Unbroken Heroes series, The Hero She Craves, coming next month!

#BookReview: The Practice, the Horizon, and the Chain by Sofia Samatar

#BookReview: The Practice, the Horizon, and the Chain by Sofia SamatarThe Practice, the Horizon, and the Chain by Sofia Samatar
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: science fiction, space opera, dark academia
Pages: 128
Published by Tordotcom on April 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Celebrated author Sofia Samatar presents a mystical, revolutionary space adventure for the exhausted dreamer in this brilliant science fiction novella tackling the carceral state and violence embedded in the ivory tower while embodying the legacy of Ursula K. Le Guin.
"Can the University be a place of both training and transformation?"
The boy was raised as one of the Chained, condemned to toil in the bowels of a mining ship out amongst the stars.
His whole world changes―literally―when he is yanked "upstairs" to meet the woman he will come to call “professor.” The boy is no longer one of the Chained, she tells him, and he has been gifted an opportunity to be educated at the ship’s university alongside the elite.
The woman has spent her career striving for acceptance and validation from her colleagues in the hopes of reaching a brighter future, only to fall short at every turn.
Together, the boy and the woman will learn from each other to grasp the design of the chains designed to fetter them both, and are the key to breaking free. They will embark on a transformation―and redesign the entire world.

My Review:

This didn’t go any of the places I expected it to go. But the places it went and the themes it explored turned out to be much bigger than I expected – even though they conducted that exploration in the narrowest of spaces.

The space-faring fleet on which both the Hold and the University exist is part of a vast armada of interstellar leeches. This is not a generation ship, although generations of humans have certainly been born and died on its journey.

Instead, this is a human colony designed and engineered to roam the black, much as Quarians were in Mass Effect, but without their tragic, albeit self-inflicted, backstory.

Rather, the human population of this fleet represents humanity in all its dubious glory, greedy and rapacious by design, striving and hopeful in only a part of its execution. The stultifying caste system of Braking Day, Medusa Uploaded and even Battlestar Galactica, as highlighted in the first season episode “Bastille Day” (It took me forever to locate exactly which episode had this plot point but I just couldn’t get the reference out of my head) is on full and disgusting display, particularly in the context of the University.

Not that academia doesn’t do plenty of caste stratification of its very own, and not that it can’t be both blood thirsty and bloody minded – particularly in its small-minded, impractical politics. If an exploration of that appeals and you enjoy SF mysteries, Malka Older’s Mossa and Plieti series, The Mimicking of Known Successes and The Imposition of Unnecessary Obstacles plumbs those depths in all their ugliness while figuring out just whodunnit in a brave new/old world, while Premee Mohamed’s forthcoming We Speak Through the Mountain is a similarly searing indictment of the way that Academe rewrites its own history to obscure its pervasive condescension.

Howsomever, as is clear from the above citations, several parts of this story have been done before – and well – if not quite in this combination.

The place I wasn’t expecting it to go was into the metaphysical, quasi-religious depths of Andrew Kelly Stewart’s We Shall Sing a Song into the Deep, which is where The Practice, the Horizon, and the Chain gets both its heart and its quite literal depth.

Because the story here, in the end, is both about learning that even people who believe they are free can be conditioned – or fooled – into forgetting that they are just as chained as the obviously and literally named ‘Chained’ people that they are taught to look down upon.

And that it is only by banding together, not through violence but through perception and mindfulness and just plain finding common cause – that they can all be free.

Escape Rating B: This is a story that, at first, seems a bit disjointed. And it does have a sort of metaphysical aspect that seems foreign to its SF story – also at least at first. At the same time, as much as the obvious abuses of the Hold system resemble the contemporary carceral state, the sheer bloody-minded small-minded nastiness of academia sticks in the craw even more harshly – if only because it makes the hypocrisy of the whole, entire system that much more obvious.

This isn’t a comfortable book. It’s beautifully written, compulsively lyrical, and manages to both hit its points over the head with a hammer AND obscure any catharsis in its ending at the same time. I’m not remotely sure how I feel about the whole thing, but I’m sure I’ll be thinking about the spoken and unspoken messages it left implanted in my brain.

#BookReview: Space Holes: First Transmission by B.R. Louis

#BookReview: Space Holes: First Transmission by B.R. LouisSpace Holes (First Transmission, #1) by B.R. Louis
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: farce, humor, parody, satire, science fiction, space opera
Series: Space Holes #1
Pages: 302
Published by CamCat Books on March 26, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Saving an alien planet is nothing compared to meeting your sales quota. Marcus Aimond, untrained tag-along aboard humanity's first intergalactic exploratory commerce vessel, has a singular sell off-brand misprinted merchandise. When the rookie and his crew encounter the Nerelkor, a frog-like civilization, he is thrust head-first into an alien civil war. The opposing factions, Rejault and Dinasc, are stuck in an ill-fated feud driven by deep-rooted ineptitude. To avoid the planet’s total annihilation and establish a local sales office, Aimond and the crew must survive arena combat, reshape the very structure of the planet, establish world peace, and stay alive―for the sake of positive branding, of course.

My Review:

I’m writing this review because I desperately need to get this book out of my head. Which means that, fair warning and abandon all hope ye who enter here, this is going to be an absolute RANT of a review.

Which is really too bad because it had a lot of potential. It’s just that all that potential turned out to be added cereal filler.

I mean that literally. You’ll see.

At first, I thought the title was a pun, that ‘Space Holes’ was meant to be a play on ‘Ass Holes’ without literally giving the book the title ‘Ass Holes’. Having read it, I think that would have been a better book.

Instead, the ‘Space Holes’ of the title are wormholes, or at least one stable wormhole near Jupiter. The reason that those wormholes are not officially called wormholes in any of the promotional or merchandising brochures created by the company that owns the trademark on the term ‘Space Holes’ is that ‘wormhole’ is a word in common parlance that can’t be trademarked.

At that point, the joke was still funny but was starting to wear a bit thin. You’re wondering what the joke was, right?

The joke was that this is set in a not-too-far-distant future where a cereal company that makes really bad but ridiculously addictive cereal has taken over the entire world (except for Florida which is also part of the joke) and is desperate to find new markets for their terrible cereal and all of the cheap tchotchkes they use to market their terrible cereal and that the terrible cereal is intended to market. Yes, it’s the circle of advertising life, and yes, it really happens and yes it can be funny.

Which leads to the building of a spaceship intended to traverse that ‘Space Hole’ to another galaxy in order to set up new branch offices and sell yet more cereal and all of the many, many toys and other cheap products that fund the company’s executive offices and, at this point, the entire world government.

And it kind of was, up to a point of saturation.

Where the joke started to get thin, at least for this reader, was the point where the crew of the ship got trained, not even in simulators, but through a limited series of a mere EIGHT 45-minute point-and-click web-based training videos. It’s not a surprise that they crash-land on the first planet they find, it’s more of a surprise that they don’t crash into the sides of the wormhole.

Don’t even think that the ship has safety protocols designed to prevent such an occurrence, because it doesn’t. Have safety protocols, that is. Safety was sacrificed for cost-cutting and/or greater merchandising opportunities at every single instance. It’s both amazing that the GP Gallant flies at all AND that anyone on its crew is capable of flying her.

The whole thing lost me when a promotional advertisement interrupted the middle of a red-alert klaxon, not just once but every 30 seconds or so. Once was sorta/kinda funny. Multiple iterations wore the joke of the whole entire thing down to a nubbin and yeeted it into a black hole. Not a space hole, but a black hole of utter destruction.

And yet, in spite of everything, surprising everyone including this reader, the crew of the GP Gallant managed to find a planet filled with beings who seemed to be even less capable then they were, and saved them from their own inability to make any sense by ending their civil war.

Escape Rating D: That’s a misnomer, because I didn’t escape at all and still haven’t, dammit. I can’t get this thing out of my head no matter how much I try.

The worst part is that the ideas at the heart of this thing aren’t bad. There’s the germ of a good story here, possibly more than one, that might have worked IF this had been a series of short stories instead.

Howsomever, what this book turned out to be is a bad combination of the awesome book Redshirts and the movie Office Space. Possibly with a bit of the book Mickey7 thrown in if Mickey had less assigned functionality and no ability to acquire any.

(The erstwhile protagonist of this farce is the child of one of the corporate bigwigs who gets literally thrown onto the ship at the last minute because daddy dearest is certain the boy is useless. He isn’t really, but he sort of is, and he wants to be useful and a hero so bad, and he’s very earnest but completely unqualified and again, this had potential, but by that point the joke had been stretched way too thin and kept getting, well, thinner to the point of utter transparency.)

Leading to my ultimate conclusion that those seeming progenitors of Space Holes, all of which were very good of their type – absolutely do not belong together. Well, maybe Mickey7 and Redshirts together might be good, but the dysfunctionality of Office Space just doesn’t belong here – particularly not with added corporate shills, obsessive rule-pushers and over-the-top merchandising shenanigans.

There’s plenty of room for satire, parody and even outright farce in all of the above. But all at once just proves the rule that too much of a good thing is often NOT wonderful at all.

A- #BookReview: The Citadel of Weeping Pearls by Aliette de Bodard

A- #BookReview: The Citadel of Weeping Pearls by Aliette de BodardThe Citadel of Weeping Pearls (Xuya Universe) by Aliette de Bodard
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: science fiction, science fiction mystery, space opera
Series: Universe of Xuya
Pages: 164
Published by Jabberwocky Literary Agency on September 12, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The Citadel of Weeping Pearls was a great wonder; a perfect meld between cutting edge technology and esoteric sciences-its inhabitants capable of teleporting themselves anywhere, its weapons small and undetectable and deadly. Thirty years ago, threatened by an invading fleet from the Dai Viet Empire, the Citadel disappeared and was never seen again. But now the Dai Viet Empire itself is under siege, on the verge of a war against an enemy that turns their own mindships against them; and the Empress, who once gave the order to raze the Citadel, is in desperate needs of its weapons. Meanwhile, on a small isolated space station, an engineer obsessed with the past works on a machine that will send her thirty years back, to the height of the Citadel's power. But the Citadel's disappearance still extends chains of grief and regrets all the way into the fraught atmosphere of the Imperial Court; and this casual summoning of the past might have world-shattering consequences... A new book set in the award-winning, critically acclaimed Xuya universe.

My Review:

I wasn’t expecting to go down the “wibbly wobbly, timey wimey” rabbit hole again after yesterday’s book, but here we are all the same. Only further back and further forward, with MUCH bigger consequences, even though the motives for the time travel are every single bit as personal and emotional as they were in before.

I’ve been nibbling at the vast, sprawling Universe of Xuya ever since I read The Tea Master and the Detective and fell hard for the way that the author dips in and out of a vast history and galaxy-spanning empire that takes root in a version of Earth’s history that simply managed to go down a different leg of the trousers of time.

If China founded a colony on the west coast of North America in the 15th century and started growing both eastwards and southwards, shoring up the Aztec, Maya and Incan regimes in Central and South America, bringing the scourge of smallpox to the continent early enough that immunity has developed before the conquistadors and the pilgrims invaded, the world changes. A lot.

As with all alternate history SF, once the butterfly has flapped its wings in a different direction, the changes ripple out in all directions, resulting in the universe we find in this amazing saga. A universe where human expansion from Earth is based on Chinese and Viet traditions – because they became different types of world powers than they did – or did not – in our history. (The author goes into the history and how it changed in quite a bit of helpful and fascinating detail on her website. An explanation I’ve been staring at for several days that probably had more than a little bit to do with my picking this book up now instead of the other things I had planned.)

But human is as human does, which ties back to those “wibbly wobbly, timey wimey bits” and the all too human regrets of an Empress who faces the threat of war and wishes she had not exiled her brilliant, untraditional, defiant heir many years ago, a daughter who has carried on sailing the same sea of regrets and recriminations, and a young girl grown up without the mother who was lost in that same explosion of fear, love and war.

In this SFnal universe, however, lost does not necessarily mean dead, and advanced engineering makes entirely too many things possible – including some that it quite possibly should not. Like time travel, even if, as in yesterday’s book, it’s not possible to change the past – only to visit.

And perhaps, just a little bit more.

Escape Rating A-: The more times I dip into this series and to the author’s work in general, the more I realize that all her stories are SF mysteries to some extent, and that most of them were published ahead of the current trend for that fascinating blend.

In Citadel, the mystery begins when a famed scientist and engineer disappears just as she is getting results in her greatest and most speculative experiment. She was searching for the Empress’ heir, Bright Princess Ngoc Minh, who disappeared into deep time, or the space between the stars, or somewhere believed to be utterly mythical – and took her entire rebellious colony of ships and orbital stations, collectively known as the Citadel of Weeping Pearls, along with everyone aboard them with her wherever it is she went.

With war on the horizon, the Empress needs her daughter’s genius and the weapons and technologies it created. But the promising trail has winked out of existence along with the missing engineer, only to reappear in the hands of a pair of amateurs on a far distant orbital station.

A station that seems to be in the process of going to join the Citadel though a time portal – with someone trapped on the other side.

But nothing is quite as it seems, as the possibility of going back and bringing the Citadel forward forces everyone who has been touched by its disappearance to rethink what they did then, what they’ve felt in the absence of the shooting star that is/was Bright Princess Ngoc Minh, and what they might do with a second chance.

Whether that’s a chance for closure, a chance to say goodbye, the possibility of reconciliation or the question of whether a miracle will be enough to save an empire rests in the minds, and the hearts, of every compelling character in this glimpse into the workings of the Universe of Xuya.

I’ll certainly be back the next time I have a flail and bail week like this one. Either with On a Red Station, Drifting which looks like it might be a bit of a direct prequel to The Citadel of Weeping Pearls, or Of Wars, and Memories, and Starlight because it gathers together so many of the early stories in the series that were published in a scattered array over the years.

#BookReview: Floating Hotel by Grace Curtis

#BookReview: Floating Hotel by Grace CurtisFloating Hotel by Grace Curtis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery, space opera
Pages: 304
Published by DAW on March 19, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This cozy debut science fiction novel tells a story of misfits, rebels, found family—and a mystery that spans the stars
Welcome to the Grand Abeona home of the finest food, the sweetest service, and the very best views the galaxy has to offer. All year round it moves from planet to planet, system to system, pampering guests across the furthest reaches of the milky way. The last word in sub-orbital luxury—and an absolute magnet for intrigue. Intrigues such Why are there love poems in the lobby inbox? How many Imperial spies are currently on board? What is the true purpose of the Problem Solver’s conference? And perhaps most pertinently— who is driving the ship?
Each guest has a secret, every member of staff a universe unto themselves. At the center of these interweaving lives and interlocking mysteries stands Carl, one time stowaway, longtime manager, devoted caretaker to the hotel. It’s the love of his life and the only place he’s ever called home. But as forces beyond Carl’s comprehension converge on the Abeona, he has to face one final when is it time to let go?

My Review:

The Grand Abeona, the ‘floating hotel’ of the title, isn’t quite as grand as it used to be. Both as a place and as a story, It also isn’t quite as cozy as the blurb leads the reader to believe. Which does, however, make it much more interesting as a story.

It’s more layered than cozy, rather like an onion. Complete with tears.

Traveling through Imperial-controlled space, the Grand Abeona serves the function that once upon a time the circus used to fill in small town America. It’s a place that blows into town – or above town, as the case might be – livens up an otherwise humdrum life for a few hours or days, and then leaves, taking its crew of roadies and roustabouts along with it.

Along with, occasionally, a local or two who can’t resist the bright lights or can’t bear or afford to stay where they’ve always been for another minute, now that they’ve seen a way out.

So, the story of Floating Hotel begins with young Carl, who doesn’t so much stow himself away as he does slouch around in plain sight hoping for a chance to work his way aboard the most beautiful place he’s ever seen and away from his home planet. A place that is literally eating itself from the inside out as its people mine its resources to their own and its destruction under the orders of the rapacious empire.

Because they have no choice. It’s mine now and die later, or stop now and die now. It’s happened all over the empire and it’s happening right now on Hoxxes. But not to Carl, because he’s found a way out.

Middle-aged Carl is now the manager of the Grand Abeona, and that later he staved off all those years ago by leaving with the floating hotel is now coming for him and everyone aboard the place he’s come to call home. The place that he has let consume him, one day and one task at a time.

So welcome aboard the last voyage of the Grand Abeona. Be sure to take your heart and all your belongings with you on your way out.

Escape Rating B: This isn’t nearly as cozy as I was expecting from both the blurb AND the opening Prologue. That introduction makes it seem like its going to be Carl’s story about rising through the ranks of the hotel and that it will follow him along the way.

It isn’t and it doesn’t. While Carl opens the story – and also closes it – we absolutely don’t follow his rise through the ranks. He’s already there when the real story begins. We also don’t follow Carl, although he’s clearly the center around which the hotel revolves – even if no one quite sees him that way.

Instead, the story skips around through the crew and the regular guests, focusing on one after another as the saga of the ship’s last voyage gets told. That kaleidoscope of perspectives keeps the reader from getting invested in any one of the characters, but does show all of the facets of the hotel as it is – and pokes its way around the edges of the many, many secrets that are being kept aboard her.

One ginormous, galaxy-spanning secret most of all.

On the one hand, we have the ship and its denizens, each telling their individual bit of the story. And on the other, we have the ship and its denizens, each revealing a bit of their own secrets, as well as a soupçon of the BIG secret, while painting an excruciatingly unflattering portrait of the Empire they have escaped by becoming part of the ship’s company.

Initially believing that this was going to be cozier, The Floating Hotel gave me vibes of several recent SF stories that featured, or began with, entertainment venues in the space lanes, even if they branched out later into either mystery or space opera. I’m particularly thinking of The Spare Man, You Sexy Thing, and Veronica Scott’s Star Cruise series.

In the end, the SF book I was most reminded of is Khan Wong’s awesome The Circus Infinite, although I have to say that The Floating Hotel isn’t quite as awesome because The Circus Infinite was just a WOW of a book from beginning to end. (Therefore, saying it’s not quite as awesome as such an absolutely fantastic book means it was still pretty damn good.)

But it’s in that correlation between the circus and the cruise ship that gives the two a bit of the same resonance, as both stories begin with a character who desperately needs the kind of escape that constant traveling among the stars can provide, and finds themselves in a world that is filled with more secrets than just their own. Secrets that they will have to go to extreme lengths to keep.

So if you liked any of the above mentioned books, or if you have fond memories of either the very old book Hotel by Arthur Hailey, or the slightly less old TV series based on it, The Floating Hotel will both tickle that memory AND tell a fascinating story about the lengths that can be taken in running away and the crimes that can be committed in forcing someone back to the place they’re supposed to belong.