Grade A #BookReview: Darkside by Michael Mammay

Grade A #BookReview: Darkside by Michael MammayDarkside (Planetside, #4) by Michael Mammay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: military science fiction, science fiction, space opera
Series: Planetside #4
Pages: 336
Published by Harper Voyager on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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In this thrilling, action-packed fourth installment in the Planetside series from acclaimed science fiction author Michael Mammay, retired Colonel Carl Butler gears up for another military investigation, full of danger, corporate intrigue, and tech people would kill for—perfect for fans of John Scalzi and Craig Alanson.
Colonel Butler has paid his dues and just wants to enjoy his retirement on a remote planet. But the galaxy has had other plans. He has been roped into searching for a politician’s missing son and an industry magnate’s missing daughter. He has been kidnapped, violated numerous laws, and caused the destruction of colonial facilities. He’s famous—or infamous, depending on who you ask—praised and reviled in equal measure across the galaxy for his exploits.
And he is determined to never let the government drag him into another investigation.
But when a runaway twelve-year-old girl whose father has gone missing asks him for help, well…it’s a lot harder to say no.
The girl’s father, Jorge Ramiro, was supposed to have been on Taug, a moon orbiting the gas giant Ridia 5, working on a dig with a famous archaeologist. But now there’s no sign of him and no record of him being there. Mining operations on the moon are run by two different consortiums, Caliber and Omicron—both of which have tried to kill Butler in the past. Butler doesn’t believe in coincidence.
Landing on Taug with his right-hand man Mac, computer genius Ganos, and an elite security squad, Butler soon finds that they’ve charged back into the crosshairs—because Ramiro is not the only who has disappeared, and the perpetual darkside of this moon is hiding more than the truth about a missing archeologist…

My Review:

Carl Butler has the worst best luck in universe. Or the other way around. He always gets his team out of whatever FUBAR situation he’s gotten them into. Then again, it’s a FUBAR situation that they’re in because FUBAR follows him around like a lost puppy that doesn’t seem to realize it’s already found a forever home.

Or, to put it the way that Butler’s ace hacker Ganos put it, “This is a Carl Butler operation. When is it not the worst-case scenario?”

Carl and company put themselves into this particular mess because an almost literal lost puppy – or at least a young girl with puppy dog eyes – has shown up on his rather remote doorstep.

He’s retired and he’s enjoying it. Dammit. At least that’s what Butler says, anyway.

But he can’t resist Eliza Ramiro and her crowdfunded campaign to hire him to find out what happened to her missing father. Based on her story, he’s pretty sure it’s going to be bad news. At 12, she’s old enough to know that as well.

Still, she needs to KNOW and not just assume. And he gets that. And he’s probably a bit bored – even if he’s trying to tell himself that he’s not.

His team knows he’s going as soon as Eliza tells her story. It just takes Carl a while to catch up. Which is fine because they are way ahead of him on planning this trip he says he doesn’t want to take – when they all know that he really does.

The problem that Butler discovers when he reaches the last place Jorge Ramiro was seen is that everyone on Taug is way, way ahead of him as well. Including not one but two interstellar mining corporations who have each done their damndest to kill Butler in the past – and are unlikely to have compunctions about doing so in the present.

Especially on a remote little moon where each corporation is sure that they control all the shots on the surface and all the lawyers and spin doctors they could possibly need to make sure that what happens on the darkside stays buried there forever.

Escape Rating A: I got caught up in Carl Butler’s (mis)adventures back in the first book in this series, Planetside, and I’ve been just as captivated by each of the subsequent “clusterf–ks” the man has somehow managed to get himself into, Spaceside and Colonyside. And now here we are on Darkside, literally the darkside of a moon. And it looks like Butler is going to leave this moon as the scapegoat for everything that happens – even the stuff that happened before he arrived – again.

Which seems to be his role in the universe. I wouldn’t say he’s exactly “OK” with that role, but he’s willing to accept it as long as the job gets done and he and his people get out more or less in the same number of pieces they started in. He’s honestly less invested in whether he, himself, gets out intact – but his team is VERY invested in THAT, in spite of himself.

What makes this book, and this whole series, work, is that it rides or dies – and does it ever ride – on the universe-weary voice of its protagonist, Colonel Carl Butler (ret.) Butler had and still has a reputation for getting the job done. At the same time, he had more than enough rank in the military to have gotten a good picture of how the universe’s sausage gets made. He’s pragmatic about pretty much everything except the fate of his team, and will bend ALL the rules to the point of breakage to take care of business.

He’s experienced enough and smart enough – when he lets himself take the time to BE smart – to understand how the levers of power get pulled – and to make sure that a realistic number of them get pulled in his favor whenever possible.

Above all, he’s loyal to his team – and they’re loyal to him. And that loyalty inspires others to be loyal as well. One of the things that he does very well, that shines as part of his personality, is the way that he does his best to bring out the best in everyone he works with.

He’s a good man who does some very bad things – but tries to mitigate the damage whenever he realistically can. Which doesn’t mean he isn’t perfectly willing to ream EVERYNONE involved in this CLUSTERF*** a new one. Then again, they deserve it. And we’re right there with him hoping that they all get exactly what they deserve.

At the top, I said that Carl Butler has the worst best luck in the universe. He’s actually not alone in that distinction. I was listening to Ghostdrift, coincidentally also the fourth book but in the Finder Chronicles, as I read Darkside, and Fergus Ferguson has pretty much the same kind of luck that Butler does. He’s a walking avatar for Murphy’s Law, he gets into the worst situations at the drop of a hat, everyone’s plans go straight to hell in his vicinity, but he somehow manages to survive and bring his team out intact. The two stories are both told in the first-person, and both characters have similar universe-weary voices which they each came by honestly although from different directions. Meaning that if you like one you’ll like the other. I certainly do.

Which means that I was thrilled to read in the author’s blog that he’s working on book 5 in this series and has started planning book 6. Wherever those stories take Butler and his team, I’ll be along for the ride.

Grade A #BookReview: New Adventures in Space Opera edited by Jonathan Strahan

Grade A #BookReview: New Adventures in Space Opera edited by Jonathan StrahanNew Adventures in Space Opera by Jonathan Strahan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: science fiction, short stories, space opera
Pages: 338
Published by Tachyon Publications on August 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Have you ever wanted a faster-than-light trip to the future? Are you tired of reading science fiction novels that feel like they’re taking literal eons to finish? These fifteen award-winning and bestselling science fiction authors, including Charlie Jane Anders, Alastair Reynolds, Yoon Ha Lee, Becky Chambers, Tobias S. Buckell, Ann Leckie, and Sam J. Miller, and more, are here as your speedy guides to infinity and beyond.
In “Zen and the Art of Starship Maintenance,” a cloud-based contractor finds a human war criminal clinging to the hull of the ship. The clones of “All the Colours You Thought Were Kings,” about to attend their coming-of-age ceremony, are plotting treason. During “A Temporary Embarrassment in Spacetime,” two outlaws go on the run after stealing a device from a space cult.
Here are the new, adventurous―and most efficient―takes on interstellar battles, sentient spaceships, and political intrigue on a galactic scale. Discover where memories live and die, and where memes rise and fall in moments. Remember, the future is sooner than you think, and there’s only so much time for visiting it.

My Review:

These space opera stories aren’t exactly new as they’ve all been published before in a variety of not necessarily widely available sources. But all are from the last decade and every single story represents an author who is at the top of their game. And, for the most part, they are marvelous.

I’m usually hit or miss with short story collections, sometimes they work, occasionally they don’t, and often there are a couple of stories that go ‘clunk’ and not in a good way and/or one or two where I can see why people liked them but I’m just not the right reader for them.

This particular collection only had three stories that weren’t absolutely stellar – all puns intended. Which means that I read through the whole thing and had at least a bit to say about each, leading to an overall Escape Rating of A.

“Zen and the Art of Starship Maintenance” by Tobias S. Buckell
What is the difference between having free will but not having any real choices and being bound by contracts and programming – but having time to work one’s way around both? What does it REALLY mean to be human? And how much time and freedom does one need to find ALL the loopholes – and exploit the hell out of them? Escape Rating A for an absolutely beautiful asskicking of an ending.

“Extracurricular Activities” by Yoon Ha Lee (2018 Hugo nominee in the Novelette category)
Well, this just moved Ninefox Gambit up the virtually towering TBR pile, because I think this story is set in that universe and features one of the same characters, Shuos Jedai. Obviously one does not need to have read the series to get into this story because clearly I haven’t but just as clearly I most definitely did. Translating this to Trek a bit, because that’s what I was doing in my head, this story is what you’d get if Starfleet sent Section 31 to deal with the Tribbles, used Harry Mudd’s ship as cover – along with a much better looking version of Mudd – and it all worked out anyway in spite of all the reasons the entire operation should go terribly, horribly wrong. This is a story that shouldn’t be nearly as light as it turns out to be – but it is and it does and it was a LOT of fun along the way. Shuos Jedai fails up REALLY HARD in this story and it really works. Escape Rating A

“All the Colors You Thought Were Kings” by Arkady Martine
A different empire, different memories thereof. Three teens about to become cogs in the empire, except that they’ve chosen to take it over instead. A plot, a plan, a triangle of either siblinghood or romance or both, and a million to one shot that comes through but probably won’t change things half as much as they hoped. Escape Rating A

“Belladonna Nights” by Alastair Reynolds
What is the quality of mercy, and what does it mean to remember? Neither of which questions feel remotely like they should go together. I was expecting something about political shenanigans and jockeying for position and/or a bit of a star-crossed lovers romance, and what I got instead was something beautiful and sad and surprisingly elegiac. Which is exactly what the story is, an elegy for a people long dead, as seen through the eyes of the one person willing to remember them. Escape Rating A-

“Metal Like Blood in the Dark” by T. Kingfisher (2021 Hugo winner in the  Novelette category)
Not all learning organisms are human, and not all learning is on the side of the angels. But when your opponent is definitely working from the dark side of the Force, even a machine has to learn to fight fire with fire. Reminiscent of T.J. Klune’s In the Lives of Puppets in its story of machines being required to learn the worst lessons from humans – because some of them already have. Escape Rating A+

“A Temporary Embarrassment in Spacetime” by Charlie Jane Anders
This was just so deliciously, delightfully and dementedly over the top that it’s rolling on the floor laughing its ass off on the other side. A belly laugh of a tale, with a sensibility and a naming convention reminiscent of The Hitchhiker’s Guide to the Galaxy. Escape Rating A-

“Immersion” by Aliette de Bodard (2013 Hugo nominee in the Short Story category)
The weapons of conquest are not necessarily the kind that kill. Sometimes they just do their damndest to kill the culture instead and let the people conquer themselves. And sometimes the culture being appropriated manages to fight back in ways that aren’t exactly deadly weapons, but can be deadly all the same. Escape Rating A

“Morrigan in the Sunglare” by Seth Dickinson
Don’t read this one when you already have a sad because trust me, it won’t help at all. However, in its heartbreaking sadness it’s a beautiful story about what is, what was, what might have been, what it means to be human vs. what it means to have what it takes to defend those who are, what we owe to the people we love vs. what we owe to the people that love us AND it’s about saving what can be saved – even if that means we have to lose it. I have all the words and none of them convey this story properly because it’s beautiful and sad and HARD. Escape Rating A

“The Old Dispensation” Lavie Tidhar
My thoughts about this one went on two completely separate tracks. There are a TON of religious references in this far-future SFnal story, but what made all of that interesting was that every single one of those references, including place names and names of ships, originated in Judaism instead of any of the usual suspects. Very much on my other hand, however, the story doesn’t quite gel. The idea that the agent of the Exilarch was essentially dismembered and mind-raped was plenty creepy, and the whole idea of what the conflict was at its heart was kind of fascinating, but it didn’t pull together in the end and lost its way more than a few times in the middle. Escape Rating C

“The Good Heretic” by Becky Chambers
This was a heartbreaker in the best way, a story about friendship, and being true to yourself, and daring to be different no matter what it costs, and discovering that difference doesn’t have to mean bad or evil no matter what everyone else tells you. It’s part of the author’s Wayfarers universe but can absolutely be read as a standalone – I haven’t read Wayfarers yet but its moving up the TBR pile as I write. Escape Rating A++

“A Voyage to Queensthroat” by Anya Johanna DeNiro
There’s something in this one that reminds me of The Empress of Salt and Fortune by Nghi Vo, although I can’t totally put my finger on why. Part of it is the way that both stories are memoirs of secondary characters telling the story of someone famous and even legendary from a previously untold point of view, and that both have a gut-punch of an ending. I’m on the fence – with both stories actually – about whether the length was just right or whether there should have been just a bit more. Escape Rating A-

“The Justified” by Ann Leckie
The needs of the many outweigh the needs of the few or of the one – even when the one is supposedly the ruler of all they survey. And sometimes the only way to obey an order is to disobey the person who gave it. I think I needed more background than I had, or something like that, because this one only sorta/kinda worked for me and I was expecting it to be a wow. Escape Rating B

“Planetstuck” by Sam J. Miller
This was a story that works and works heartbreaking well because it’s completely invested in and riding on its characters. So even though we don’t have nearly enough about how this particular universe works, it doesn’t matter because what we care about – and deeply – are the desperate feelings of its protagonist and its lesson that you really can’t go home again – no matter how badly you want to, because some gifts really do come at much too high a price. Escape Rating A+

“The Last Voyage of Skidbladnir” by Karin Tidbeck
A beautiful ending to a terrific collection. It’s a bit steampunk-ish, not in setting but in the feel of the way the world is set up, but the story it reminds me of most is Floating Hotel by Grace Curtis, in that this is also about the last voyage of a cruise ship that is much bigger than it appears from the outside. Escape Rating B

A- #BookReview: Full Speed to a Crash Landing by Beth Revis

A- #BookReview: Full Speed to a Crash Landing by Beth RevisFull Speed to a Crash Landing by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #1
Pages: 192
Published by DAW on August 6, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A high octane sexy space heist from New York Times-bestselling author Beth Revis, the first in a novella trilogy.
Ada Lamarr may have gotten to the spaceship wreck first, but looter’s rights won’t get her far when she’s got a hole in the side of her ship and her spacesuit is almost out of air. Fortunately for her, help arrives in the form of a government salvage crew—and while they reluctantly rescue her from certain death, they are not pleased to have an unexpected passenger along on their classified mission.
But Ada doesn’t care—all that matters to her is enjoying their fine food and sweet, sweet oxygen—until Rian White, the government agent in charge, starts to suspect that there’s more to Ada than meets the eye. He’s not wrong—but he’s so pretty that Ada is perfectly happy to keep him paying attention to her—at least until she can complete the job she was sent to pull off. But as quick as Ada is, Rian might be quicker—and she may not be entirely sure who’s manipulating who until it’s too late…
A phenomenally fun novella that kicks off a trilogy of sexy space heists and romantic tension, Full Speed to a Crash Landing is packed with great characters and full of twists and turns that will keep you guessing until the end.

My Review:

It’s pretty clear – at least to the reader – from the opening pages of Full Speed to a Crash Landing that Ada Lamarr’s ‘Mayday’ isn’t exactly on the up and up. Even if her little spaceship does have a real, honest-to-larceny hole blown in its side – taking her airlock not merely offline but blown out into little bitsies in the surrounding black of space.

That hole is unequivocally real and true – although every other single thing about Ada’s story sounds like a fake and a lie – even the parts that aren’t either of those things. The government agent in charge of the Halifax, the much bigger and better funded ship that has dawdled to her rescue is certain that Ada has got something going on on the down low that necessitated her ship’s presence in this particular sector in orbit over this particular tectonically active (extremely active) baby planet.

He’s sure that both Ada and his ship are after the same quarry, the cargo ship that crash landed, very badly and in multiple pieces, on that earthquake-ridden and volcano prone little planetoid.

Agent Rian White knows what his crew is after, but he’s less than certain about Ada’s stake in this particular game. Only that he’s absolutely positive that she has one.

But he’s so bewitched, bothered and bewildered by the seemingly open but utterly devious smuggler that he doesn’t figure out that she’s already stolen everything she planned on until after she warps away with the contents of a much-sought-after and destructively secured datadrive, the key to opening it – and, quite possibly, his heart.

Unfortunately for Ada, she’s all too aware that he has hers – and that it’s the one thing she never expected to lose – let alone to a government agent who is too good and too good-looking for his own – or certainly her own – good.

Escape Rating A-: This one is pure, sheer, unadulterated fun. It just hits on so many levels in a way that keeps both the reader and the characters delightfully guessing every step of the way. Because we know from the beginning that Ada Lamarr is, as that old saying goes, no better than she ought to be. We know she’s an unreliable narrator because she teases us – along with government agent Rian White, with her secrets and plans and wheels-within-wheels plot even as she’s running out of oxygen and wondering if perhaps she went just a bit too far with her opening gambit.

At least until it works – and gives her one up on the stick up her ass captain of the Halifax. Who is NOT really in charge and is absolutely not Rian White – whose ass is delectable and absolutely does not have a stick up it. (And I’ll leave the rest of the possible salacious jokes and puns right here no matter how tempting they are. Ada has several thoughts in that direction but absolutely does not go there in this first book in the Chaotic Orbits trilogy – no matter how much she wants to.)

On the surface, this is very much a wheels-within-wheels long game kind of caper plot. Ada clearly has a hidden agenda from the off – even if she doesn’t reveal the full extent of it even inside the privacy of her own head. Rian sees the wheels spinning, even if he can’t see what they’re spinning around and about, Ada sees his wheels spinning and is attracted by his obvious intelligence. They’re both clearly playing with each other on multiple levels and that’s already fun.

Which gives the story a bit of lightness that brightens the world creation – because it’s equally clear that the way this particular SF world is set up is not all that light. And it’s a bit murky, at least at this early stage, whether Ada is on the side of the angels or on the side of the biggest paycheck. She’s undoubtedly morally gray, but one of the questions that we’re left with at the end is whether Rian White is even grayer, or not.

That the grayness revolves around a very interesting question adds a bit of depth to that world creation. Because this isn’t a case where the established government is evil in one way or another, the question is whether or not it can possibly be effective at fixing what’s been broken. Not a question of whether or not it’s on the side of the angels, but whether or not it has enough angels on its side to get the shit that needs to get done, done.

Between the caper aspects, the questions about which side is the righteous one in a universe going mad, and the possibility of romance – or at least eventual sexytimes – between its deceitful heroine and its play-mostly-by-the-rules hero, Full Speed to a Crash Landing fits right into the marvelous moment that science fiction romance is currently having.

So if you’ve fallen hard for Valerie Valdes’ Chilling Effect, Rachel Bach’s Fortune’s Pawn, Cat Rambo’s You Sexy Thing and/or Constance Fay’s marvelous Fiasco and Calamity, you’ll be as pleased as I am to know that the second book in the Chaotic Orbits trilogy, How to Steal a Galaxy, will be speeding our way in December. Rian White will be staking out an auction hoping it will attract Ada – while Ada plans to convince him to join her on the dark side – where the cookies are – by kidnapping him into her own questionably legal plans.

It should be a BLAST!

A- #BookReview: Navigational Entanglements by Aliette de Bodard

A- #BookReview: Navigational Entanglements by Aliette de BodardNavigational Entanglements by Aliette de Bodard
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: science fiction, science fiction mystery, space opera
Pages: 176
Published by Tordotcom on July 30, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Award-winning author Aliette de Bodard presents yet another innovative space opera that broadens the definition of the this time bringing xianxia-style martial arts to the stars.

Using the power of Shadows generated from their own bodies’ vitality, Navigators guide space ships safely across the a realm of unreality populated by unfathomable, dangerous creatures called Tanglers. In return for their service, the navigator clans get wealth and power―but they get the blame, too. So when a Tangler escapes the Hollows and goes missing, the empire calls on the jockeying clans to take responsibility and deal with the problem.

Việt Nhi is not good with people. Or politics. Which is rather unfortunate because, as a junior apprentice in the Rooster clan, when her elders send her on a joint-clan mission to locate the first escaped Tangler in living memory, she can’t exactly say no.

Hạc Cúc of the Snake clan usually likes people. It says so on her “information gathering”―right after “poisoning” and “stabbing.” So she’s pretty sure she’s got the measure of this they’re the screw-ups, the spares; there isn’t a single sharp tool in this shed.

But when their imperial envoy is found dead by clan poison, this crew of expendable apprentices will have to learn to work together―fast―before they end up cooling their heels in a jail cell while the invisible Tangler wreaks havoc on a civilian city and the reputation of all four clans.

My Review:

The ‘navigational entanglements’ of the title aren’t just a bit of clever phrasing – not that it isn’t a clever and evocative phrase! In the case of this novella, it’s also a literal description of the whole story – in more ways than one.

This SF mystery, shot through with political shenanigans and a tart but gooey center of sapphic romance, begins its entanglement with its solution for the faster-than-light travel conundrum with actual creatures called Tanglers who live in the realm of unreality that makes faster than light travel and the galaxy-spanning empires it makes possible, well, possible.

As is often the case in stories that use this method of FTL travel, navigating the Hollows requires highly skilled navigators who are born with special gifts. In this particular universe, the power of Shadows generated from their own bodies’ life force.

It could be considered magic, at least magic of the Clarke’s Law variety that “Any technology, sufficiently advanced, is indistinguishable from.’ However one thinks of it, it takes special training and special talent and is especially valuable. Particularly to the clans who have a near monopoly on intergalactic shipping because of their success in nurturing navigators.

A hegemony that is under threat when this story begins. Which is why this story begins. The exact nature of the threat, and the clans’ decision on how to meet that threat, is the exact thing that Hạc Cúc of the Snake clan is pretty sure she’s not supposed to figure out.

The clans, or at least her own clan, should have known better. Because if there is one thing that Hạc Cúc can’t resist, it’s a secret. Especially not the kind of secret that is intended to get her killed whether she figures it out or not.

Escape Rating A-: I grabbed this book because I’ve been picking my way through the author’s vast, sprawling, Xuya Universe series and figured that this would be similar without being an actual part of THAT tangled mess.

Two things at the top, Navigational Entanglements is NOT part of Xuya. I’m not saying there aren’t similarities in style and in the way that the culture and history work, but this is a standalone. So if you’re looking to sample the author’s work, this is a good place to start.

Howsomever, one of the characteristics of Xuya is that the publication order and the chronological order don’t have even a nodding acquaintance. Each story in the series is intended to be read without prior knowledge and starts a bit in medias res of the whole series. As in the reader is thrust into the middle of a story that they may or may not have read the background of, or the background may or may not yet exist, and is supposed to sink or swim with what they have in front of them.

Navigational Entanglements is written in that same manner, even though there aren’t any previous or succeeding stories – at least not yet. (If we get more stories in this universe this reader at least would be very happy because the politics are just so fascinatingly messy.)

In other words, this is a story that requires the reader to figure things out as they go. Not that these characters don’t turn out to be doing exactly that, but going with their flow means that the reader has to jump in feet first and that’s not every reader’s comfort zone.

Part of what makes the story work, however, is that this is very much an SF mystery from the top and at the top. It’s just unusual in that the team was purposely created to fail, because they all hate each other. It’s only that Hạc Cúc’s love of secrets allows her to stand outside of the group’s bickering, see it for what it is, and redirect their weaknesses and their enmity into a productive, if not always harmonious, team.

Which allows friendship, love and trust to all blossom – rather like a cactus flower complete with spikes! – and provides this novella with its surprising – especially to the protagonists – happy for now with the possibility (hopefully) of more political and investigative shenanigans to come.

#BookReview: Lost to Eternity by Greg Cox

#BookReview: Lost to Eternity by Greg CoxLost to Eternity by Greg Cox
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, space opera, Star Trek
Series: Star Trek: The Original Series
Pages: 400
Published by Pocket Books/Star Trek on July 23, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A thrilling new Star Trek “movie era” novel from New York Times bestselling author Greg Cox!
Three Eras. Three Mysteries. One Ancient Enemy?
2024: Almost forty years ago, marine biologist Gillian Taylor stormed away from her dream job at Sausalito’s Cetacean Institute—and was never seen or heard from again. Now a new true crime podcast has reopened that cold case, but investigator Melinda Silver has no idea that her search for the truth about Gillian’s disappearance will ultimately stretch across time and space—and attract the attention of a ruthless obsessive with his own secret agenda.
2268: The USS Enterprise ’s five-year mission is interrupted when Captain James T. Kirk and his crew set out to recover an abducted Federation scientist whose classified secrets are being sought by the Klingons as well. The trail leads to a barbaric world off limits to both Starfleet and the Klingon Empire—and an ageless mastermind on a quest for eternity.
2292: The Osori, an ancient alien species, has finally agreed to establish relations with its much younger the Federation, the Klingons, and the Romulans. A joint mission involving ships from all three powers, including the Enterprise -A , turns explosive when one of the Osori envoys is apparently killed. Each side blames the others, but the truth lies buried deep, nearly three hundred years in the past…

My Review:

Star Trek IV: The Voyage Home (the one with the whales), was one of the great movies of the Original Series movie era, alongside The Wrath of Khan. Voyage Home had something for everyone, in that it told a great story, had lots of sweet moments of nostalgia for fans, addresses important and still relevant issues of its day with its tale of species extinction, had oodles of funny scenes and memorable, quotable lines – and ends with a heartwarming scene of the ‘band getting back together’ in a crowning moment of awesome.

It also presents a heaping helping of wish fulfillment for legions of fans then and now as the 20th century cetacean biologist, Dr. Gillian Taylor, time travels with the crew of the Enterprise and the whales George and Gracie from her time to their 23rd century.

It was the stuff that both dreams and fanfic were made of.

But it left a mystery in Taylor’s time that, nearly forty years later, is still unsolved. That mystery serves as the inspiration for a true-crime podcast – because of course it would. And thereby, as the saying goes, hangs this tale that spans from intrepid podcasters in 2024 to a medical researcher’s abduction in 2268 and onward to a planned peace conference with an advanced species in 2292.

What do those three widely separated incidents have in common? None other than Captain James T. Kirk, the crew of the U.S.S. Enterprise – with or without their equally famous ship – and an enemy that no one saw coming.

Escape Rating B: Like most media novelizations, Lost to Eternity is absolutely a story for the fans – and not just because of its homage to the fanservice of Dr. Gillian Taylor’s fate in Star Trek IV.

There are three separate stories in this one, set in 2024, 2268 and 2292. At first, with the focus on the podcasters in 2024, the story is thoroughly grounded in our here and now. It’s easy to get caught up in Melinda Silver’s need to find out what happened to Taylor, and the way that it devolves into conspiracy theories and men in black even as it picks up the remaining threads of Voyage Home as seen through the eyes of the people those events left behind in puzzlement was absolutely riveting.

If you’ve ever wanted the X-Files to cross with Star Trek, that part of this story is pretty much that story.

But the story unwinds across all three eras in turn, so the 2024 chapter is followed by a 2268 chapter and then a 2292 chapter. It all makes sense in the end – but as it goes along it takes a long time and a lot of pages to get a glimmer of just what makes these three stories connect up.

At the same time, the stories in each of the timelines and the way that they are interwoven with previous (from a certain point of view) events in the Star Trek timeline as a whole allows for a whole lot of loose ends from an amazing number of stories to get referenced and eventually closed – which goes back to this being a story for the fans because the more of those loose ends that one recognizes the more familiar – and fun – the story feels.

I had a good time with this story – as I always do when I pick one of these up. I love slipping back into this familiar and beloved universe, and that carried me over the points late in each timeline’s story where I just wanted to see all the dots get connected – and to see if the connections that my brain was making were the ones the author intended to make.

In the end, I enjoyed all three of the individual stories, liked the way they merged, had fun with the way they tied up different loose ends, and loved spending time with these characters. I also thought the author did a great job of making sure that the stories got told from different perspectives – that it wasn’t all Kirk and Spock saving the day no matter how much I do love those stories.

But I found the villain just a bit flat. He read a lot like Arne Darvin, the villain of the episodes The Trouble with Tribbles (TOS) and Trials and Tribble-ations (DS9)combined with the motive but not the scenery chewing of the villains in Star Trek: Insurrection. The villain of Lost to Eternity unfortunately got all of his character from Darvin – who was fairly colorless. A little bit of scenery chewing might have improved him a bit – for select definitions of the word ‘improvement’. Perhaps it would be better to say that a little bit of scenery chewing might have made him a bit more colorful – and interesting.

Still, a good reading time was absolutely had by this reader and I loved the way that it did exactly what Voyage Home did – it connected our present with Star Trek’s future and dreamed a dream of getting from here – to there.

A+ #AudioBookReview: Ghostdrift by Suzanne Palmer

A+ #AudioBookReview: Ghostdrift by Suzanne PalmerGhostdrift (Finder Chronicles #4) by Suzanne Palmer
Narrator: Paul Woodson
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #4
Pages: 384
Length: 13 hours and 37 minutes
Published by Blackstone Publishing, DAW on May 28, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The fourth and final installment of the Finder Chronicles, a hopepunk sci-fi caper described as Macgyver meets Firefly, by Hugo Award–winner Suzanne Palmer

Fergus Ferguson, professional finder, always knew his semi-voluntary exile wouldn’t last, but he isn’t expecting a friend to betray him. One of the galaxy’s most dangerous space pirates, Bas Belos, wants him, and what Belos wants, he gets. Belos needs help finding out what happened to his twin sister, who mysteriously disappeared at the edges of space years ago, and he makes Fergus an offer he can’t refuse.

Mysterious disappearances and impossible answers are Fergus’s specialties. After he reluctantly joins Belos and his crew aboard the pirate ship Sidewider, he discovers that Belos is being tracked by the Alliance. Seeking to stay one step ahead of the Alliance, Fergus and Belos find themselves marooned in the middle of the Gap between spiral arms of our galaxy, dangerously near hostile alien territory, and with an Alliance ship in hot pursuit.

That’s just the beginning of the complications for Fergus’ newest—and possibly last—job. The puzzle is much bigger than just Belos’s lost sister, and the question of his future, retirement or not, depends on his ability to negotiate a path between aliens, criminals, and the most powerful military force he’s ever encountered. The future of entire planets hangs in the balance, and it remains to be seen if it’s too big for one determined man and his cranky cat.

My Review:

I couldn’t resist. Even though I knew going in this was one of those situations where you don’t know whether to cry because it’s over or smile because it happened, I had to find out just what happened to Fergus Ferguson that led to Ghostdrift being the final book in the utterly awesome Finder Chronicles.

Over the course of the series (Finder, Driving the Deep, The Scavenger Door and now Ghostdrift), Fergus has proven to be the consummate survivor. Not because he’s particularly good at any one thing except finding the stuff he’s been contracted to find, but because no plan seems to survive contact with Fergus – not even his own. No matter how big and how scary the villains are, no matter how many layers within layers of plans they have to get away with whatever it is they think they’re getting away with, the minute Fergus happens to them Murphy’s Law arrives in his wake and the shit keeps hitting the fan – both theirs and his – until he emerges from the wreck of everything they expected.

It’s a gift. It’s also a curse. A judgment that does not depend on whether you are on the side of Fergus or his enemies. As I said, Fergus’s own plans don’t survive contact with him either.

But it does explain why his friend (or sometimes frenemy) Qai doesn’t feel all that terrible about kidnapping Fergus and delivering him – alive and unharmed, along with his cat Mister Feefs – into the custody of notorious space pirate Bas Belos in exchange for the safe return of Qai’s partner Maha – yet another of Fergus’s friends.

Qai knows Fergus can handle himself and knows that Belos’ plan isn’t likely to survive Fergus either. She’s basically delivering her revenge on Belos for kidnapping her partner in a Fergus Ferguson shaped form and isn’t sorry about it in the least.

She’s sure she’s brought Belos more trouble than even an interstellar space pirate can handle. And she’s right. It’s the way in which she’s right and the places that right takes the pirate, his ship, his crew, Fergus AND Mister Feefs, that makes the whole entire story.

Fergus’s story. Belos’s story. And quite possibly the whole damn universe’s story – again – if Fergus doesn’t manage to pull off one more doggedly determined find.

Escape Rating A+: June is Audiobook Month, and this final book in the Finder Chronicles was the perfect audiobook to listen to this month, particularly as I listened to the first book in the series, Finder, in June of 2019.

Even though I didn’t want this story to end – I desperately needed to know how it ended, so I started alternating between audio and text just past halfway – as much as I hated to miss out on the totality of narrator Paul Woodson’s perfect read of Fergus Ferguson’s universe-weary, ‘been there, done that, got all the t-shirts’ voice.

(Fergus really does have all the t-shirts – and he wears them throughout the series. The man has definitely been around.)

The series as a whole rides or dies on that voice, to the point that if you like Fergus you’ll love the series but if he drives you as insane as he does the people he runs up AGAINST you probably won’t. Also, if you like a universe-weary, first-person or first-person focused protagonist, you’ll probably also love Michael Mammay’s Carl Butler in his Planetside series. (I digress, just a bit.)

What about this particular entry in the series? It combines some really classic tropes into one single terrific story.

First there’s the whole ‘White Whale’ angle. Actually, it’s two of those angles. On the one hand, pirate captain Bas Belos just wants to find out what happened to his twin sister and her crew. It’s been ten years since she disappeared, he knows that the ‘Alliance’s’ claim that they killed her and hers was a lie. He’s kidnapped/hired Fergus to lead him towards closure – no matter what it takes.

And then there’s the real Captain Ahab of this story, an Alliance captain for whom Bas Belos is his white whale, and he’ll trail the pirate literally past the end of the galaxy to catch him – even if he’s leading his crew straight to their demise. And wasn’t that Ahab all over?

But then there’s the third corner of this delicious story, the one where Belos and his crew, the Alliance captain and his, all end up stranded in the gap between galaxies, on a little tiny planet that threatens to be their own ‘Gilligan’s Island’ – because it already has.

Together, those three plots, Belos’ need for closure, Captain Ahab – actually Captain Todd – following Belos where no one REALLY should have gone before, or again, and all the crews stuck on their very own tiny Gilligan’s Island planetoid, doing their best – or worst – to get along well enough to get back home.

With Fergus in the middle, knowing his personal goose is cooked either way. Unless he can find a really, truly, seriously out-of-the-box solution for his own dilemma as well as theirs.

I loved this last adventure in the Finder Chronicles. On top of this beautiful layer cake of a story, there was also a bit of marvelous icing in Fergus’ relationship with Mister Feefs that will add extra feels for anyone who has ever loved a companion animal and grounded their very existence on that love. (Don’t worry about Mister Feefs, he comes out of this adventure just fine – it’s Fergus we have to worry about. As usual.)

The only sour note in this whole thing is in the author’s note at the end, where she declares that this really is Fergus’ last recorded adventure. And it could be, she left him in a good place – WITH MISTER FEEFS – and they’ll be just fine. But she also left them in a place where it’s clear that Fergus will manage to make his way back to his own galaxy, one way or another, given enough time and supplies. And he has the supplies. So he could come back. We could come back at some point in the future to see whose plans Fergus is destroying at that point in his life. I don’t expect we will, but I can still hope.

A+ #BookReview: Fiasco by Constance Fay

A+ #BookReview: Fiasco by Constance FayFiasco (Uncharted Hearts, #2) by Constance Fay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Uncharted Hearts #2
Pages: 352
Published by Bramble Romance on June 4, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Equal parts steamy interstellar romance and sci-fi adventure, Constance Fay's FIASCO is a perfect wild romp amidst the stars.
Cynbelline Khaw is a woman of many names. She’s Generosity, a cultist who never quite fit in. She’s Bella, the daughter who failed to save her cousin’s life. And then there’s Cyn, the notorious bounty hunter who spaced a ship of slavers.
She’s exhausted, lonely, and on her very last legs―but then a new client offers her a job she can’t refuse: a bounty on the kidnapper who killed her cousin. All Cyn has to do is partner with the crew of the Calamity, a scouting vessel she encountered when she was living under a previous alias. One tiny little issue, she’s been given an additional deliver the oh-so-compelling medic, Micah Arora, to the treacherous Pierce Family or all her identities will be revealed, putting her estranged family in danger.
Hunting a kidnapper doesn’t usually mean accidentally taking your sexy new target to dinner at your parent’s house, a local mystic predicting you’ll have an increasingly large number of children, or being accompanied by a small flying lizard with a penchant for eating metal, but, as they field investigative hurdles both dangerous and preposterous, Cyn and Micah grow ever closer. When a violent confrontation reveals that everything Cyn thought about her past is wrong, she realizes that she has the power to change her future. The first part of that is making sure that Micah Arora is around to be a part of it.

My Review:

Bounty hunter Cynbelline Khaw has traveled aboard the Calamity before – back when it was the Quest and she was masquerading as the poor, brainwashed cultist Generosity as part of her bounty to rescue one of the real brainwashed cultists in the first book in the Uncharted Hearts series, Calamity.

A job that the crew of the Calamity kept getting in the way of – because they believed Cyn’s persona was the real thing.

A belief that Cyn now has to test from the other side, as her current bounty requires her to join the crew of the Calamity in her bounty hunter persona in order to rescue the abducted daughter of one of her ‘verse’s most powerful families from the kidnapper who broke her own.

Making this mission oh-so-personal for Cyn. But it’s also personal for at least one member of the Calamity’s crew, Arcadio Escajeda. He’s the captain’s partner (their story is told in the first book in the Uncharted Hearts series, Calamity) AND, more importantly for this particular mission, the victim is his niece.

But it turns out to be even more personal for Calamity’s medic, Micah Arora. He may not know the victim or the Abyssal Abductor who has taken her, but he certainly does know Cyn. And knows exactly who she is – and who she was the last time she was aboard.

Which means that he doesn’t trust her a bit this time around. And he shouldn’t. Because while she may be publicly chasing the bounty of the Abyssal Abductor, she’s also chasing the bounty on him – whether he deserves it or not.

Because her pursuit of the Abyssal Abductor has already cost her family enough, especially on top of the lost ransom they paid for the cousin they weren’t able to save. That her current pursuit has put her family in the crosshairs of the powerful mercantile family that owns the entire planet her family lives on and everything and everyone on it means that she can’t afford to do anything that risks their lives.

At least not anything more than she’s already done – even if it risks the heart she swears she no longer has.

Escape Rating A+: They still have me at Serenity. Seriously, the resemblance to Firefly, particularly the way this ‘verse is set up, is very apparent, very much fine, and still very, very shiny.

Now that we’re two books in, however, the resemblance to Nina Croft’s Dark Desires series is a whole lot stronger, as both series are science fiction romances (or space romances as that’s a term I’m seeing more frequently) where there’s a ship of misfits, a ragtag crew of antiheroes who each find their HEA with the most unlikely people in even more unlikely places, in a ‘verse where much too much is controlled by merchant empire families who have strangleholds on entirely too many critical planets and resources.

What makes this particular entry in the Uncharted Hearts series so damn good no matter what it might remind me of is the heel turn of this particular plot. Cyn is chasing the Abyssal Abductor, because said Abductor abducted her cousin early in their crime spree, didn’t receive the ransom because of seriously extenuating circumstances, and then killed young Aymbe because that’s the MO. If they receive the ransom the abductee goes free. If they don’t, the family gets coordinates to a deep ocean abyssal dump site.

Cyn has privately pursued the Abyssal Abductor ever since, and has cut off her family, in more ways than one, in order to continue that pursuit. It’s only as the crew of the Calamity closes in on the Abductor’s latest victim that Cyn learns about all the cracks in all of her deeply held beliefs about her cousin, her childhood, her family, and pretty much everything else she thought she knew.

Ultimately, this is a story about the truth setting one free – only to be caught up in a huge lie that makes one even freer. Not to mention more available for the romance that one tried to pretend one didn’t need or want or even have time for.

This is a story where I got into it for the plot I thought I was going to get – and found myself more deeply captivated by the one I actually got. I particularly felt for Cyn and her desperate need to get away from her family’s expectations and disappointment in her for not meeting them – even as I cheered for the way that they (mostly) rose to the terrible parts of this occasion and equation right along with her.

I’ve just learned that the title of the third book in the Uncharted Hearts series will be Chaos, coming out in February, 2025. As much as I’m wondering what could possibly make the third story any more chaotic than books 1 and 2, I can’t wait to see how the crew of the Calamity manages to get themselves out of it!

#AudioBookReview: To Gaze Upon Wicked Gods by Molly X Chang

#AudioBookReview: To Gaze Upon Wicked Gods by Molly X ChangTo Gaze Upon Wicked Gods (Gods Beyond the Skies, #1) by Molly X. Chang
Narrator: Natalie Naudus
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, paperback, ebook, audiobook
Genres: coming of age, dystopian, epic fantasy, historical fantasy, science fiction, space opera
Series: Gods Beyond the Skies #1
Pages: 368
Length: 10 hours and 41 minutes
Published by Del Rey, Random House Audio on April 16, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

She has power over death. He has power over her. When two enemies strike a dangerous bargain, will they end a war . . . or ignite one?
Heroes die, cowards live. Daughter of a conquered world, Ruying hates the invaders who descended from the heavens long before she was born and defeated the magic of her people with technologies unlike anything her world had ever seen.
Blessed by Death, born with the ability to pull the life right out of mortal bodies, Ruying shouldn’t have to fear these foreign invaders, but she does. Especially because she wants to keep herself and her family safe.
When Ruying’s Gift is discovered by an enemy prince, he offers her an impossible deal: If she becomes his private assassin and eliminates his political rivals—whose deaths he swears would be for the good of both their worlds and would protect her people from further brutalization—her family will never starve or suffer harm again. But to accept this bargain, she must use the powers she has always feared, powers that will shave years off her own existence.
Can Ruying trust this prince, whose promises of a better world make her heart ache and whose smiles make her pulse beat faster? Are the evils of this agreement really in the service of a much greater good? Or will she betray her entire nation by protecting those she loves the most?

My Review:

I picked this up because I had the opportunity to get the audiobook from Libro.fm, saw that the narrator, Natalie Naudus, is one of my faves, looked at the summary and thought to myself that this had terrific possibilities and figured I’d be in for a decent if not outright excellent listening/reading time.

It was not to be. It was not to be so hard that I bailed on the audio at the 30% mark and it’s not the narrator’s fault. Really, truly, seriously, it’s not her fault. Natalie Naudus, as always, does a great job with the first person perspective of a protagonist who is expected to be kickass or at least grow into that role. (In this case, it may have been a bit too good of a job, as it felt like I was right there with her in a story where I’d have much preferred to be at a remove or ten.)

That decent to excellent time is not what I got. What I got for that first 30% felt like torture porn, and experiencing that neverending torment from inside the character’s own head was literally more than I could take. To the point where, if you’ve followed my comments about the book I flailed and bailed on that set nearly a whole week of reviews off-kilter, you’ve found it. This was it.

And damn was I surprised about that.

So I flailed, and bailed – also ranted and raved (not in a good way) – but in the end I finished in text. Because when I looked at the text to see where I stopped the audio, to figure out if the situation got redeemed at all, I learned that in the very next sentence – which of course I couldn’t see in the audio – the thing that nearly made me turn this book into a wallbanger in spite of a) the potential for having to replace my iphone and b) I was driving – didn’t actually happen.

Not that the character and I hadn’t already been tortured plenty at that point. But it was enough to bring me back if only to find out whether the situation got better – or worse.

The answer, as it turned out, was both.

Escape Rating D: If The Poppy War and Babel had an ugly, squalling bookbaby, To Gaze Upon Wicked Gods would be it. I loved The Poppy War, but had deeply serious issues with Babel which pretty much sums up my feelings about To Gaze Upon Wicked Gods in a desicated, unsightly, possibly even poisonous nutshell.

And that requires some explanation. Possibly a whole lot of it.

This story sits uneasily on a whole lot of crossing points. It’s right on the border between YA and Adult AND it’s at the intersection of historical fantasy with science fiction as well as at least hinting at being a romantasy – which it absolutely is not in spite of those hints in the blurb – even as it turns out to be post-apocalyptic and utterly dystopian in ways that are not hinted at anywhere at all.

And it’s torture porn. By that I mean that the entire first third of the story focuses on a protagonist whose entire life seems to be made of various axes on which she is ground, tortured and punished.

She’s female in a society that makes her property of the male head of household – in a line where those men squandered the family fortune on gambling and drugs one after another. She has magic powers that make her a target for people who want to use her gifts until those gifts use her up – and people who want to destroy her where she stands for a gift that many deem anathema.

Her entire world is under the boot heel of an overwhelming empire – in this I believe the story is intended to reference the Opium Wars and their oppressors are intended to stand in for the British Empire even if they are called Romans.

That her sister is addicted to a substance named “Opian”, provided by the Romans and engineered by the Romans to bring their society down even faster adds to that resemblance as well as to the protagonist’s torture.

That she’s 19, her sister’s and her grandmother’s only real support, and that her cultural conditioning has her blaming herself for everything wrong in their lives – including the invasion by the Romans before she was even born – is just terrible icing on an already unsightly cake overflowing with oppression and self-flagellation.

Ruying, her family and her whole entire world are in deep, deep trouble with no way out that anyone can see. I got that. I got that LONG before the story didn’t so much come out of the mire as it did finally start sloshing through the muck to the even more epically fucked up political shenanigans that are at the heart of everything that’s gone wrong for Ruying’s people.

Once the story finally, FINALLY started to reveal what was really happening and why and how, the situation got more interesting even as Ruying wallowed even more deeply in her personal angst and kept right on torturing herself every literally bloody step of the way.

At the very, very end, after all the blood and gore and guts and not very much plot movement forward, the story finally shows a glimpse of the light at the end of the tunnel, reveals that the light is an oncoming train, and at least displays a glimmer of a hint of action in this book’s sequel, titled either Immortal the Blood or  To Kill a Monstrous Prince, which will be coming out this time net year.

This reader, at least, has no plans to be there for it. I’ve been tormented enough. Your reading mileage (and/or listening mileage) may vary.

#BookReview: In Our Stars by Jack Campbell

#BookReview: In Our Stars by Jack CampbellIn Our Stars (The Doomed Earth, #1) by Jack Campbell
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Doomed Earth #1
Pages: 400
Published by Ace on May 7, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Lieutenant Selene Genji has one last chance to save the Earth from destruction in this pulse-pounding science fiction adventure, from the author of the New York Times bestselling Lost Fleet series.
Earth, 2180
Genetically engineered with partly alien DNA, Lieutenant Selene Genji is different from ordinary humans. And they hate her for it. Still, she’s spent her life trying to overcome society’s prejudice by serving in the Unified Fleet while Earth’s international order collapses into war.
Genji is stationed on a ship in orbit when humanity’s factional extremism on the planet reaches a boiling point, and she witnesses the utter annihilation of Earth. When the massive forces unleashed by Earth’s death warp space and time to hurl her forty years into the past, Genji is given a chance to try to change the future and save Earth—starting with the alien first contact only she knows will soon occur.
Earth, 2140
Lieutenant Kayl Owen’s ship is on a routine patrol when a piece of spacecraft wreckage appears out of nowhere. To his shock, there is a survivor on Selene Genji. Once her strange heritage is discovered, though, it becomes clear that Genji is a problem Earth Guard command wants to dispose of—quietly. After learning the horrifying truth, Owen helps her escape and joins her mission.
Together, they have a chance to change the fate of an Earth doomed to die in 2180. But altering history could put Genji’s very existence in danger, and Owen wonders if a world without her is one worth saving. . . .

My Review:

From the opening pages, In Our Stars read an awful damn lot like a Star Trek episode. Actually, several of them. Because this is a time travel story, of just the kind that Star Trek in ALL of its various iterations, has played with – A LOT.

It’s the year 2180, and Lieutenant Selene Genji of Earth’s United Fleet is just close enough to the event horizon to watch in horror as Earth is destroyed. Not by aliens, not by the Borg, not by accident.

But deliberately, by its own people. Not even in an attempt to throw off an alien invasion as in the first Avengers movie. In Lieutenant Genji’s 2180, Earth bombs itself out of existence in a fit of xenophobia directed at people just like her.

People who are ‘alloys’, who have a portion of alien DNA. Because after ‘First Contact’ with the Tramontine in 2140, genetic manipulation made that possible – and briefly – desirable.

But humans are gonna human, and some humans are just looking for an excuse to declare that other people aren’t people, and charismatic tyrants and despots are always available and all-too-willing to latch onto any stupid excuse to grab power.

To make a long story short, there was a large, influential group of people who believed that destroying Earth to purge it of alien influences would cause a new, pure Earth to emerge from the inevitable dust cloud.

The wrongness of that belief and her wish to change history to make sure this doesn’t happen again are Selene Genji’s last conscious thoughts before she’s rescued by Lieutenant Kayl Owen of Earth Guard, the only survivor aboard her derelict ship, in 2140, just months before First Contact.

Selene Genji has that barely conscious wish within her sights. She is in the right place – or at least at the right time – to prevent the destruction of Earth she witnessed 40 years in the future.

Whether she’s in the right place is an entirely different question, as Kayl Owen inherited his father’s disgrace to his service, and no one has any compunctions about making them both disappear in order to keep the secret of her existence from everyone who might care.

Which is way more people and forces than she expected, as the mysterious powers that took over Earth so quickly in her own time are considerably more active in her new here and now than Selene – or history – told her to expect.

It’s going to be an even longer road, NOT getting from there to here, than even a woman from the future could possibly have imagined.

Escape Rating B: I couldn’t get the resemblance to Trek out of my head, and that affected my reading of this book a lot because it felt just a bit too familiar. To the point where even though I didn’t know what was coming, I sorta/kinda knew what was coming. Also, to the point where I couldn’t resist falling down a Trek time travel rabbit hole. Or should I say, a time travel black hole, because that device was used frequently and often, even if that’s not quite what happened here.

The thing is, Star Trek played with time travel frequently and often. There’s at least one time travel episode in every Trek series to date, taking them in Trek’s chronological order, from the entire first season of Enterprise with its Temporal Cold War arc, through “What is Past is Prologue” (Discovery), “A Quality of Mercy” (Strange New Worlds), “Tomorrow is Yesterday” (The Original Series), “Yesteryear” (The Animated Series), “Yesterday’s Enterprise” (Next Gen), “Past Tense” (DS9), “Future’s End” (Voyager) and last but certainly not least, “The Star Gazer” from Star Trek: Picard’s second season. As well as one of Trek’s most famous and storied episodes, “The City on the Edge of Forever” from TOS, and two of its best and most popular movies, Star Trek IV: The Voyage Home, otherwise known as ‘the one with the whales’ and Star Trek: First Contact – the one with Steppenwolf’s marvelously apropos “Magic Carpet Ride”.

(The above list is ONLY a sampling. There are multiple time travel episodes and/or arcs in every Trek series. If you’re really curious check out the Memory Alpha wiki.)

The difference between most but not all of the Trek examples and In Our Stars is that in Trek it’s usually someone else who has mucked with the time stream and it’s the job of whatever series is running at the time to make things right. Although there have been exceptions.

The plot in In Our Stars is to prevent the worst from happening by mucking with the 2140 time stream as soon and as much as possible. The story is that neither of those things, fast or soon, are going to be as easy as Selene – and her soon-to-be life-partner Kayl Owen – either expect or even hope.

Which is clearly what is going to push the plot of The Doomed Earth series, of which In Our Stars is the first book, through the years from 2140 to 2180 and hopefully past that original disastrous day. Something that we’ll get to see in the months and years ahead, both theirs and ours.

I picked this up because Jack Campbell is an author who has been recommended to me multiple times, but by the time that happened his best known series, now called The Lost Fleet, with its follow up Lost Fleet Universe series, was already well past a dozen books in. I wasn’t in the mood to start from the beginning and don’t like picking things up in the middle if at all possible.

In Our Stars solved that problem, as it’s the opening book in a new series, so no catch up and no need to jump in the middle with both feet and hope for an informative landing. One of these days the ‘round tuit’ for reading Lost Fleet will emerge, as they do. But today is not that day.

In the meantime In Our Stars turned out to be a great place to get into a new-to-me author. The familiarity of the setup was a comfort that also made the plotting of the political craziness – because that’s definitely a feature – the touch of romance and the constant drive of our heroes on the run while building support – just that much easier to get into.

So if you’re looking for a new space opera type adventure with more than a hint of the familiar in all the best places, take a ride to 2180, or 2140, or both, In Our Stars.

#BookReview: Knightqueen by Anna Hackett

#BookReview: Knightqueen by Anna HackettKnightqueen by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: science fiction, science fiction romance, space opera
Series: Oronis Knights #3
Pages: 221
Published by Anna Hackett on May 2, 2024
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A queen and her battle-scarred guard are on the run on an alien planet…with a relentless enemy hunting them.
Knightqueen Carys of Oron lives a life of duty to her people and planet. After the murder of her parents, she worked hard to become a fair and dedicated leader. She never expected to be abducted by the vicious Gek’Dragar and locked in a mountain prison, but having her head knightguard at her side makes it bearable. Older, scarred Sten is duty personified, the one man she’s always been able to trust.
He’s also the only man she’s ever loved, not that she’s ever told him that.
Knightguard Thorsten Carahan has sworn to protect his knightqueen, and lives and breathes her safety. He works hard to keep his mind on his duty, and not on the too young, too beautiful, and too kind queen who is way out of his league. But now they’ve escaped their enemy’s prison and are on the run on a dangerous planet. When they learn that the Gek’Dragar have created a lethal weapon to use against the Oronis, Sten knows he must get Carys home. But with danger at every turn, lines get blurred.
With only each other to depend on, Carys and Sten’s bond of duty and respect tangles with forbidden desire and need. As passion flares, they can no longer deny their connection, and they will discover just how far they are willing to go for their people…and each other.

My Review:

When last we left our heroes – actually, in this particular case, it’s more like “when first we met our heroes” back in the first book in the Oronis Knights series, Knightmaster. In the first story, the Oronis had just welcomed a delegation from Terra, our very own Earth, in the hopes of forging an alliance to fight the rapacious Gek’Dragar.

The Terrans had already formed a similar alliance with the Eons, in spite of a somewhat rocky beginning, as part of the stories told in the marvelous Eon Warriors series. The Eons are long-standing allies of the Oronis, and now all three planets face the same enemy, the Gek’Dragar.

“The enemy of my enemy is my friend” as that saying goes. Not that this alliance was EVER smooth sailing, as it began back in Knightmaster with the Gek’Dragar kidnapping the Oronis Knightqueen and her Knightguard, and framing the Terrans for the crime.

But once that misdirection got straightened out, the Oronis and the Terrans have been on a joint mission to rescue the Knightqueen – assuming that she and her Knightguard don’t manage to rescue themselves, first.

Which is where we left those heroes at the end of the second book in the series, Knighthunter. That hunter team blew open and blew up the prison where the queen and her bodyguard, were being held, and Carys and Sten escaped in the chaos.

Meaning that they unknowingly ran away from their rescuers, jumped out of the frying pan into the fire – sometimes literally – and have spent the past several days outrunning their Gek’Dragar pursuers, throwing off the effects of the drugs they were injected with that suppressed their normally formidable powers, and generally running themselves into the ground.

Because the monsters on this hellhole planet are just as deadly as the Gek’Dragar – if not maybe a bit worse – and Carys and Sten have no weapons or armor until their powers return.

All they have is each other. Which has always been more than enough – even if neither of them has ever admitted that to themselves – let alone each other.

It’s not right, it’s not proper, for a Knightqueen to fall in love with her Knightguard. But this time, it’s inevitable.

Escape Rating B+: Knightqueen is the culmination of the whole, entire Oronis Knights series – which is only three books long. Meaning that, on the one hand, you really do kind of need to start at the beginning with Knightmaster, while on the other hand, three novellas is just a lovely amount of reading for a rainy spring weekend – of which there are PLENTY this time of year!

Knightqueen is a bodyguard romance. Maybe not exactly like the movie – certainly the SFnal setting if Knightqueen is literally light years away from the movie – but the trope is the trope is the trope – and it’s ALL here in Knightqueen.

Except the music, so you’ll just have to bring your own. I kept hearing Whitney Houston singing “I Will Always Love You” in the back of my mind as I read – and it took the longest time to figure out why.

Unlike the movie, the ending of Knightqueen results in a resounding HEA. That may seem like a bit of a spoiler, but all of this author’s stories end in either an HEA or an HFN depending on just how FUBAR the world they are set on happens to be.

It is part of why I enjoy her work so much.

But this particular entry in the series hit one of my less than favorite tropes pretty hard. The relationship between Carys and Sten does have its questionable aspects, she’s queen, he’s her bodyguard, he’s over a decade older which isn’t itself enough to make things squicky but he watched her grow up which is at least on the border of questionable.

As it’s usually not so much the years as the mileage, it’s not the age difference per se so much as it is that Carys is inexperienced with romantic relationships – which is not a surprise as she’s been queen from a very young age and it would never have been politically safe for her to go on dates or experiment with either love or sex.

Nevertheless, the trope that this fell into that put me off a bit was that Sten had a really bad case of the “I’m not worthy’s” that was a whole lot more personal and ingrained in his psyche than just the difference in their respective stations. This is a “me” thing and may not be a “you” thing.

Putting it another way – I did love the bodyguard romance but wasn’t thrilled with how little the bodyguard thought of himself in it. Your reading mileage obviously may vary.

That being said, I still had a grand time with the entire Oronis Knights series and am a bit sorry to see it come to end even though I’m happy to see the Gek’Dragar put in their place – a grave.

As this series has come to a close – and doesn’t end with teasers for a spinoff, it looks like the author will be turning back to contemporary action adventure romances for most of this year. Leaving this reader looking forward to the next book in her Unbroken Heroes series, The Hero She Craves, coming next month!