Publisher: DAW

#BookReview: Last Chance to Save the World by Beth Revis

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
#BookReview: Last Chance to Save the World by Beth RevisLast Chance to Save the World (Chaotic Orbits #3) by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #3
Pages: 133
Published by DAW on April 8, 2025
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The explosive, satisfying conclusion to the Chaotic Orbits novella trilogy sees Ada and Rian breaking into a high-security facility to give Earth a fighting chance at survival

Sexy, fast, fun and funny, this happily-ever-after ending is perfect for fans of the Murderbot novels and the Wayfarers series

After a few weeks trapped on board a spaceship with Ada (and, oh look, there’s only one bed), Rian has to admit that maybe Ada’s rebels have a point. The nanobots poised to be unleashed on Earth are infected with malware that will ultimately leave the residents of Earth in a worse position than they’re in now. But is it too late?

Ada and Rian arrive on Earth with little time to spare. Together, they have to break into a high-security facility and infect the nanobots with a counter-virus before they’re released in order to give Earth a fighting chance. And if Ada happens to notice some great tech laying around in this high-security facility she shouldn’t have access to and then happens to steal a bunch of it when Rian’s not looking? Well, he knew who she was before he teamed up with her. And if he wants it back, he’s going to have to catch her first.

With countless twists and turns, this enemies-to-lovers slow-burn and high-tension romance plays on a Sherlock and Moriarity character dynamic rooted in science fiction with a heavy romance and mystery angle.

My Review:

Ada Lamarr’s caper-and-heist riddled ‘chaotic orbit’ of the galaxy is on its way back to a corporate controlled, pollution ravaged Sol-Earth when this third entry in the series opens. Ada and her reluctant passenger, government agent Rian White, have finalized their plans to thwart an evil corporate kingpin who planned to hold Earth’s environmental recovery for ransom for the next, well, forever.

Of course, no plan survives contact with the enemy. The second biggest problem with this plan is that the first enemies it has to survive are each other, because Ada and Rian, no matter how much they might be on the same page when it comes to Earth’s potential recovery – are enemies in every other way.

They might both wish that they were enemies-with-benefits, but they are also both smart enough not to get that deeply involved – all puns intended – with someone they can’t trust. Particularly when they know that said enemy ALREADY has plans to betray them at the first available opportunity.

But the real problem, at least from Ada’s perspective, is that the first enemy that her plan has to survive isn’t the uptight government agent she’s been lusting after since they crashed into each other in Full Speed to a Crash Landing.

The first enemy Ada’s plan has to get passed isn’t Rian, it isn’t the government, it isn’t even the squadrons of corporate security drones and goons her target has stationed to protect his ‘investment’.

First, foremost and with way less prep than Ada ever likes to have, Ada has to get her crazy, convoluted scheme past her mother.

Escape Rating B+: A HUGE part of the fun of the Chaotic Orbits series in both Full Speed to a Crash Landing and How to Steal a Galaxy is that the story is told from the inside of Ada Lamarr’s, wheels-within-wheels, lies-hiding-lies and misdirections all around very intelligent and utterly snarky head.

Which means that we’re aware that Ada is pulling some kind of con – but not necessarily the same con – on every single person around her. Including herself. So even though we’re in her very own skull there are still secrets that aren’t revealed until the very end of the caper – if not a bit after – because there are plenty of things in Ada’s mind and heart that she doesn’t want to think about. Possibly ever.

The biggest thing she’s not willing to think about is her sure and certain knowledge that Rian is going to betray her in the end – if he hasn’t already. It’s only fair, because her plan to betray him has been baked into this caper from its opening gambit back in that first book.

The part that she’s not willing to think about is that she wishes the situation were otherwise. He’s Mister Law-and-Order. He can’t live the chaotic, one-step-ahead-of-the-authorities, the ends-justify-the-means-as-long-as-there’s-a-big-payday, next-heist-please life that Ada thrives on.

And those natures are much too baked into both of their psyches for either of them to ever change. So in addition to her many, many thoughts and concerns about her plans for this particular caper, Ada also spends a lot of her internal energy veering away from the heartbreak she tried to avoid but knows, deep in her heart, is coming anyway.

So, on the top level of this story, the takedown of the stupid evil villain/greedy corporate monster, the thing that Ada has been working on from before the beginning of the series, and every single lie and misdirect since – all of that is absolutely righteous. And it’s a win all the way around. Earth has a chance to get better – if we don’t screw it up again.

But the catharsis of that HUGE win is blunted because we’re pretty much all on Team Ada, we’re all shipping Ada and Rian – and their relationship takes a HUGE, messy hit in this story. They’ve both been forced to realize that what they feel for each other, as totally ill-advised as it might be, is also absolutely real. And that they can’t both be themselves AND have each other.

That part of the story ends on a note of possibility, both for Ada and Rian finding each other again and for that finding to be part of another caper/heist of some sort. Whether that means another book in the series, or was just a way to end things with a hint of will they/won’t they/can they/should they is something we’ll hopefully see in the future. Which means that the HEA promised in the blurb is still some ways off – at best.

As for this reader, I want to keep right on shipping Ada and Rian, but I can’t see a way to make it work. I hope the author can, and that we ALL get to see it!

A+ #BookReview: Direct Descendant by Tanya Huff + Giveaway!

Posted on by Marlene Harris | Author : | A+ Reviews> Blogo-Birthday> Blogoversary> book reviews> Giveaways
A+ #BookReview: Direct Descendant by Tanya Huff + Giveaway!Direct Descendant by Tanya Huff
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: cozy fantasy, cozy horror, Dark Fantasy, fantasy, fantasy romance, horror
Pages: 336
Published by DAW on April 1, 2025
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

This cozy horror novel set in modern-day Toronto includes phenomenal characters, fantastic writing, and a queer romance—the perfect balance of dark and delightful
This stand-alone novel from the bestselling author of the Peacekeeper novels mixes the creepy with the charming for plenty of snarky, queer fun—for fans of T. Kingfisher, Grady Hendrix, and Darcy Coates
Generations ago, the founders of the idyllic town of Lake Argen made a deal with a dark force. In exchange for their service, the town will stay prosperous and successful, and keep outsiders out. And for generations, it’s worked out great. Until a visitor goes missing, and his wealthy family sends a private investigator to find him, and everything abruptly goes sideways.
Now, Cassidy Prewitt, town baker and part-time servant of the dark force (it’s a family business) has to contend with a rising army of darkness, a very frustrated town, and a very cute PI who she might just be falling for…and who might just be falling for her. And if they can survive their own home-grown apocalypse, they might even just find happiness together.
Queer, cozy, and with a touch of eldritch horror mixed in just for fun, this is a charming love story about a small-town baker, a quick-witted PI, and, yes, an ancient evil.

My Review:

Lake Argen is NOT Toronto – in spite of what the blurb says. In fact, that’s kind of the point of the place, that it is DEFINITELY NOT Toronto. Because what happens there, and how it happens, and why it happens, wouldn’t be remotely possible in a big city like Toronto.

So that’s precisely where Lake Argen is – remote from Toronto – or pretty much anywhere else. It’s a five and a half hour drive north of Toronto – not accounting for Toronto or Sudbury traffic along the way. Lake Argen is tiny and remote and near enough to Timmins, Ontario that it’s easy to guess where it would be on any map.

But of course, real maps, and real mapping, and pretty much anything of the outside world tend to ignore Lake Argen. Because that’s exactly the way that the people and the creatures in and around Lake Argen, the lake and the town and the silver mine that keeps them both going, want it to be and make sure it stays.

There’s something there that makes certain that anyone who DOES manage to find Lake Argen forgets the place and anything that happened there the moment they leave. Which is where the story begins, as a pretentious little rich boy has managed to overcome all of the town’s protections to sacrifice himself at one of the town’s sacred spots at dawn on the Summer Solstice. The body – or at least the locals presume it’s a body – has been whisked away by the sacrifice, into The Dark. Which is a real thing and not just a euphemism for disappearing a body. Travis Brayden has been sucked into elsewhere – and only Cassidy Prewitt is as worried about that as everyone should have been about exactly what that might mean.

In the near term it’s going to bring out the Ontario Provincial Police, because pretentious rich dudes have equally pretentious rich families who are going to demand to know what happened to their spoiled scions. The police can be persuaded – read that as magically induced – to believe that the idiot got eaten by a bear.

It happens. It really does. Maybe not quite as often as people think it does, but it does. It’s plausible enough to close the case file for the cops. It’s even happened before near Lake Argen, so it works all the better for being an established possibility.

But families down in Toronto can’t be charmed the way that the OPP visiting Lake Argen can. Brayden’s grandmother wants answers. So she hires, not a PI as the blurb says, but a currently unemployed teacher who needs the money badly enough to not question the dubious job she’s been given.

To go to Lake Argen, poke around for a week, and come back with what she’s learned so she can give the poor, dear, boy’s old granny some closure.

And if you believe that I have a Bigfoot to sell you. Not literally, not even in Lake Argen. But there’s certainly something behind the town’s fascinating history, near-complete isolation and surprising prosperity. Something that the town is determined to keep from any potential incomers until they’ve earned the town’s trust.

Which Melanie Solvich really shouldn’t, but somehow does anyway in spite of the shadiness of her mission. Or at least the trust of Cassidy Prewitt, to her confusion, delight and heartbreak.

Which is when the town of Lake Argen reveals its true colors, and things get really, really interesting – and very, very dark indeed.

Escape Rating A+: Direct Descendant was everything I hoped for from this author, which is what got me here in the first place.

It didn’t matter that this is being marketed as horror. I didn’t even notice when I picked it up. All I cared about was the author. I’ve loved so many of the stories she’s written, including but absolutely not limited to the Vicki Nelson/Blood Price/Tony Foster series and especially the Confederation/Valor/Peacekeeper  series.

I was expecting this to be more Blood Price, at least in the sense that I was expecting urban fantasy – and that’s actually close to what I got. (Confederation/Valor/Peacekeeper is SF and the cover of this book was enough to tell me we weren’t going to go there. Not that I’d mind, you understand, not at all, if the author did go back there because that series was AWESOME.)

Direct Descendant turned out to be awesome as well, just not in the same way. Which is even better.

This is one of those stories that is best described through the book blender – and it’s going to take a big blender to fit everything in order for this to be what comes out. The blurb is right about T. Kingfisher, Grady Hendrix, and Darcy Coates being part of the mix, but I’d personally also throw in Jennifer Thorne’s Lute, Alix E. Harrow’s Starling House, Anne Bishop’s World of the Others – because The Dark is certainly Other with a capital O – along with Hazel Beck’s Witchlore and even a touch of Annelise Ryan’s Monster Hunter Mysteries. (If you’re looking for readalikes, those are ALL hints.)

The story sits right at the crossroads where horror and dark fantasy meet and nod warily at each other, while urban fantasy leans against a fencepost and gives both of them a bit of side-eye.

How horrifying the horror is depends on how one sees The Dark – and yes, that’s capitalized. The Dark is certainly not good, but it’s not really EVIL, either. It’s OTHER, and its motivations and morals are its own based on its own world which is not ours.

That doesn’t mean that humans haven’t and won’t do TERRIBLE and EVIL things to bargain with it, serve it, or attempt to conquer it. The history of Lake Argen as well as its current, totally anomalous, health and prosperity, are all direct results of a group of humans doing something really evil to get The Dark’s attention. An attention that their descendants still benefit from.

A more benign method of getting The Dark’s attention might have worked equally as well, but that’s not the kind of people the Founders were, so that’s not what they tried. And not that they, personally, didn’t get exactly what their methods deserved while their descendants reap the benefits.

What tips the scale, at least for this reader, over into urban fantasy or even, believe it or not, cozy fantasy, is the way that everyone in town is determined to do their duty, serve the town and make a real and really supportive community. It’s a truly lovely place – if you can stand the weather and the isolation and the generally creepy vibe. But most of the time, the weather is the town’s biggest problem by a considerable margin.

The romance between Cassidy and Melanie, while it is inevitable, is also utterly adorable. And it’s the perfect vehicle for explaining just how things work in Lake Argen AND finally getting to the bottom of what’s threatening the town. That the eldritch horror who brings the warning is also the cutest little thing ever described in the pages of a “horror” story puts an exclamation point on just how cozy this horror/fantasy really is – especially when it’s his nagging that finally saves the day. Or night. Or just Lake Argen’s symbiotic relationship with The Dark.

~~~~~~ GIVEAWAY ~~~~~~

As you can see from the above review, I LOVED Direct Descendant – and it’s far, far, far from the first time that I have fallen hard for this author’s work. Which makes the works of Tanya Huff a perfect candidate for one of this year’s Blogo-Birthday Celebration Week giveaways.

Therefore, on this the FOURTH day of this year’s celebration, today’s giveaway is the winner’s choice of ANY book by Tanya Huff in any format, up to $30 (US) which should be enough to get Direct Descendant if you’re looking for either a terrific introduction OR you’re a fan like me and you’ve already got everything else!

Good luck with today’s giveaway and remember that there’s more to come!

a Rafflecopter giveaway

 

#BookReview: Idolfire by Grace Curtis

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: Idolfire by Grace CurtisIdolfire by Grace Curtis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy romance, historical fantasy
Pages: 480
Published by DAW on March 11, 2025
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

An epic sapphic fantasy roadtrip inspired by the fall of Rome, from the Sunday Times bestselling author of Frontier and Floating Hotel
On one side of the world, Aleya Ana-Ulai is desperate for a chance. Her family have written her off as a mistake, but she's determined to prove every last one of them wrong.
On the other, Kirby of Wall's End is searching for redemption. An ancient curse tore her life apart, but to fix it, she'll have to leave everything behind.
Fate sets them both on the path to Nivela, a city once poised to conquer the world with the power of a thousand stolen gods. Now the gates are closed and the old magic slumbers. Dead — or waiting for a spark to light it anew…
A character-driven science-fantasy road trip book with sword fights and a slowburn romance, Idolfire delves into the vastness of history and the terrifying power of organized faith.

My Review:

In the world left behind centuries after the fall of a world-spanning empire, history has fallen into myth and legend on its far-flung fringes. Kirby of Wall’s End and Aleya Ana-Ulai might as well be from entirely separate worlds – because they are.

When the Empire of Nivela fell, or died, or imploded, or all of the above, the places that either resisted them or were conquered by them – or both – were left to struggle on without all the things and people the Empire stole at the height of their reach.

Including, in the case of Wall’s End, their god. And in the case of the Kingdom of Ash, one of their most important relics. Wall’s End NEEDS their god back, because their land is dying without the renewing power of Iona, the Goddess of Spring. And the people are dying with it, withering generation after generation.

Ash just wants their relic back, as they believe that no one should have the power of Idolfire, the power to consume the accumulated worship vested in a deity, except for their own royal house.

Then again, Wall’s End is the last remnant of a kingdom that Nivela thoroughly conquered, while Ash successfully resisted the might of the Nivelan Empire until that Empire fell. Of its own weight – or its own ‘Worldlord’s’ hubris.

Or both.

The story of Idolfire is a quest. It’s two quests. Kirby sets out for the ruins of fabled Nivela to get her village’s god back. Not because she’s a hero – but because she feels guilty that what was left of the god listened when she cursed her brother and not only killed him but blocked the water for the entire village.

Aleya, the reviled, disregarded, bastard princess of Ash, is sent by her Aunt the Queen on an actual, sanctioned quest to the ruins of Nivela to retrieve the other half of their sacred relic. Aleya knows she’s not expected to succeed, that she’s expected to either give up or die trying. But if she does succeed, she’ll be able to follow her Aunt as Queen, and make the reforms needed to save her city from dying from the weight of its own corruption and hubris – much like Nivela did.

The story is their journey, separately and together, over the whole of what was once the great Nivelan Empire. Along the way, they face death and danger and corruption and old gods and new kingdoms and desperate people and deranged leaders. They turn an enemy into a fast friend.

They find redemption for the sins they left behind. And they fall in love, even as they know that, as much as failure will doom them, success can only be bittersweet.

Escape Rating B: If you’re expecting something like the author’s previous work, Floating Hotel, you might want to check out some reviews (obv. Including this one) before continuing. Because Idolfire is not at all like Floating Hotel, and not just because that was SF and this is definitely fantasy.

Because I really did enjoy Idolfire, I’m trying to set expectations a bit better than either a quick reference to Floating Hotel or the bolded opening line of the book’s blurb. OTOH, that description, “Idolfire is an epic sapphic fantasy inspired by the fall of Rome from the author of the Frontier and Floating Hotel.” is 100 percent true.

But the emphasis isn’t quite in the same places in the blurb as they are in the book – leading back around to potentially disappointed expectations.

The emphasis in the story is on the epic fantasy parts of the description. It’s a quest story. Actually, it’s two quest stories combined with two heroines’ journeys that begin at literally opposite ends of the world as they know it. Those two heroines do eventually meet and there is a slowburn sapphic romance but the romance isn’t the driving force in the story.

Their separate quests drive the story, quests that begin as far apart as possible – as Kirby and Aleya themselves do – but have the same center point in more ways than one.

Which is where that reference to the fall of Rome comes in. The fall, the reasons for that fall, and what the world looks like at the fringes of what was once the empire so long after that fall that history has fallen into myth and legend.

The historical underpinnings of this story may remind readers of the way that Guy Gavriel Kay works history into fantasy. Because yes, Nivela is Rome – more or less – but it is also biblical Nineveh. Ash is Assyria and Wall’s End is post-Roman-occupation Britain. But their enemy-turned-companion Nylo is from someplace like the ancient Greek city-states, and these places did not all exist at the same time.

The romance between Kirby and Aleya is VERY slow burn. They do come to love each other, but it takes them a lot of time – and miles, definitely miles! – to get there. They are both aware that the BEST ending they can possibly get is that they each return to their opposite ends of the world. It’s realistic but it’s ultimately sad. The reader wants them to have an HEA and they both want it and KNOW they can’t have it.

As much as I loved their journey and enjoyed their long and winding tour of this quasi-ancient, slightly magical, somewhat historical world, theirs is not the only perspective on their quests. Someone is moving events behind the scenes, looking on from above – or underneath – or both, watching as history unfolds. And it has shades of the secret at the heart of the city of Kithamar in Daniel Abraham’s Age of Ash series. It’s something I’m not sure worked in either epic, but it’s left me thinking I’ll go back to Age of Ash and see.

Nevertheless, that extra perspective is one that kinda works and kinda doesn’t and your reading mileage may definitely vary. My enjoyment of and fascination with Aleya’s and Kirby’s world, their epic journey through it and their relationship within it was MORE than enough to carry me through this fascinating tale.

#BookReview: Miss Amelia’s List by Mercedes Lackey

Posted on by Marlene Harris | Author : | B Reviews> book reviews
#BookReview: Miss Amelia’s List by Mercedes LackeyMiss Amelia's List (Elemental Masters Book 17) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: regency fantasy, fantasy, historical fantasy
Series: Elemental Masters #17
Pages: 336
Published by DAW on December 24, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The seventeenth novel in the magical alternate history Elemental Masters series follows Amelia Stonehold and Serena Meleva as they navigate property acquisition, marriage proposals, and other ancient horrors in Regency England, but with the help of elemental magicThe year is 1815, and an American, Miss Amelia Stonehold, has arrived in the Devon town of Axminster, accompanied by her "cousin" Serena Meleva. She’s brought with her a list to tick find a property, investigate the neighbors, bargain for and purchase the property, staff the property and...possibly...find a husband. But Amelia soon finds herself contending with some decidedly off-list trouble, including the Honorable Captain Harold Roughtower, whose eyes are fixed on her fortune. Little does Amelia know that his plans for her wealth extend far beyond refurbishing his own crumbing estate — they include the hidden Roman temple of Glykon, where something very old, very angry, and very dangerous still lurks. But Roughtower isn’t prepared to reckon with the fact that neither Amelia nor Serena are pushovers. And he certainly isn’t ready for the revelation that he has an Earth Master and a Fire Mage on his hands — or that one of them is a shapeshifter.

My Review:

Miss Amelia’s List is a lovely and charming story that will especially appeal to Jane Austen lovers who occasionally wish there was just a bit more actual magic in her stories – but do not want to go nearly as far as Pride and Prejudice and Zombies.

I’m pretty sure the above requires a bit of explanation. Maybe even more than a bit.

Amelia Stonehold and her cousin Serena Meleva arrive in London from the former – definitely and definitively former – American colonies in 1815. To set the historical stage, the War of 1812 was settled by treaty in December of 1814 – which means that some people are still a bit salty about it on both sides of the Atlantic. Jane Austen has published her first three novels, Sense and Sensibility, Pride and Prejudice, and Mansfield Park, under the pseudonym, ‘A Lady’. The Regency period is in the fullest of its flower. Napoleon is still in his first exile on Elba and has not yet ‘met his Waterloo’ and made that phrase into a cliché.

While this entry in the Elemental Masters series is number 17 in publication order, this series of magical retellings and reinterpretations of classic myths, legends, tales and historical events has not been published in ANY chronological order. The previous book in the series, The Silver Bullets of Annie Oakley, is set in the late 19th century. Annie Oakley wasn’t even born until 1860 – long after the events of Miss Amelia’s List take place.

Which, by a roundabout route, leads us back to Amelia and Serena by way of Jane Austen. I put it that way because Amelia’s and Serena’s introduction to the Regency reads very much like the ‘comedy of manners’ style of Austen. Or at least like Austen if Austen knew about magic.

While Amelia’s and Serena’s perspectives on Regency society are very much informed by their ‘colonial’ origins, the realities of life in a new world, and the existence of magic and their significant powers within it, their story, and the events in which they participate and/or are excluded from is very similar to the world Austen described in such loving detail.

Which means that a large portion of Miss Amelia’s List is, in fact and told in a much more lively fashion, about the list of things that Amelia Stonehold has come to England to accomplish, and about the progression of Amelia and Serena through the highly structured but often ridiculously stratified and stultifying ‘society’ in which they must play an exacting part in order to get things done.

It’s fun, it’s charming. It’s occasionally teeth gnashing but because of Amelia’s and Serena’s outsider perspectives that teeth gnashing is shared by the characters. They know the so-called ‘rules’ are OFTEN ridiculous while knowing they must at least appear to conform, so the reader is in charity with them when some high-stickler makes an ass of themselves in their presence – or behind their backs.

But it’s not a story of action – in spite of the blurb. (Yes, I know, I’ve not been ‘in charity’ with a lot of blurbs in the last few weeks.) Miss Amelia’s List is utterly charming, a delightfully well told Austenesque ‘comedy of manners’, but there’s not a lot of excitement. At least, not until the very end.

An ending which includes death, dismemberment, big snakes and small helpers, as well as a happy ever after that appropriately differs for each and every character.

Escape Rating B: Miss Amelia’s List is a story that I truly enjoyed while I was in it. Howsomever, right up until the very end I didn’t feel any compulsion to find out what happened next, because there’s not really a lot happening at all.

Amelia, surprisingly so for being an Earth Master in this particular magic system, is rather like a duck or better yet, a swan, seeming to float effortless on top of the water – or all the various social situations to which she of necessity must adapt – while paddling furiously under the water DOING all that adapting.

Which is where I circle back to Austen’s comedy of manners style, as a LOT of what Amelia does is observation and then tailoring her behavior to what she’s observed. She may be extremely ruffled on the inside – and in fact often is – but she must appear decidedly UNruffled at all times, which she does.

So not a lot happens because it’s her ‘job’ in effect to make sure that it seems like not a lot is happening. Even if, or especially because, the reality is that a lot is getting done. Which again, gets back to the story being charming and lovely and a delight to sink into much like a warm bath, BUT not exactly a page-turner.

You might very well be looking for something EXACTLY like this amidst, or after, the holiday bustle. I absolutely enjoyed my read of it and hope that the Elemental Masters series eventually returns to the setting and some of the characters of Miss Amelia’s List.

After all, finding a husband for Miss Amelia herself was explicitly NOT on her list. Maybe it will be if we have the chance to see her again. If you like the concept of the Elemental Masters, but want a story that’s a bit more of a page-turner, you might want to try either The Silver Bullets of Annie Oakley or the Sherlock Holmes subseries – my personal favorite – that begins with A Study in Sable.

Grade A #BookReview: Mechanize My Hands to War by Erin K. Wagner

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Grade A #BookReview: Mechanize My Hands to War by Erin K. WagnerMechanize My Hands to War by Erin K. Wagner
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: artificial intelligence, dystopian, post apocalyptic, robots, science fiction
Pages: 320
Published by DAW on December 17, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The debut novel from Erin K Wagner is a chilling nonlinear sci-fi that examines androids as a labor force in conflict with both human farmers and homegrown militias in near-future Appalachia
Deep in the hills of Appalachia, anti-android sentiment is building. Charismatic demagogue Eli Whitaker has used anger toward new labor policies that replace factory workers with androids to build a militia–and now he is recruiting child soldiers.
Part of a governmental task force, Adrian and Trey are determined to put a stop to Whitaker’s efforts. Their mission is complicated by their own shared childhood experiences with Whitaker. After an automated soldier shoots a child during a raid to protect Trey, both grapple with the role of androids and their use in combat.
Interrelated with the hunt for Whitaker, farmers Shay and Ernst struggle after they discover their GMO crop seeds have failed and caused a deadly illness in Shay. To help manage, they hire android employees: Sarah as hospice, and AG-15 to work the now-toxic fields. The couple’s relationship to the androids evolve as both humans get progressively more sick.
Timely and chilling, Wagner's nonlinear debut shares intimate narratives of loss, trauma, and survival as the emergence of artificial life intersects with state violence and political extremism in rural Appalachia.

My Review:

I picked this up because I fell hard into the author’s debut novella, An Unnatural Life, and was hoping for more of the same. I absolutely got it with Mechanize My Hands to War, as this was both more in its continued exploration of a future relationship between humans and sentient AIs, and more literally, as I wished that An Unnatural Life had a bit more time to explore its variations on that theme and this book is nearly twice as long.

Which it absolutely needed to be to get all the things it needed to, even as tightly packed in layers as it turned out to be.

The outer layer of this story is a bit of a near-dystopia. Or a could-be apocalypse. It’s 2061 and the U.S. is on the brink of a whole lot of things that could go really, really pear-shaped. That the setting of this story isn’t all that far out from when we are now is definitely part of the point.

The surface story is about two senior agents from the Bureau of Alcohol, Tobacco, Firearms and Explosives – and it’s the “explosives” part of that mandate that has dragged the Bureau into this situation.

A private militia has been growing throughout the heartland, recruiting people who feel that the lives they have built have been stolen from them by a government that is poisoning the land of their farms with poorly tested chemicals and/or filling their factory jobs with robots.

They’re not exactly right – but they’re not exactly wrong, either. Howsomever, their methods are problematic in the extreme.

First, they’re stockpiling explosives, which always draws the ATF’s attention. Second, they are recruiting and training child soldiers, and that gets everyone’s attention even as it complicates every single one of the ATF’s operations.

Because no human wants to shoot a child – even if that child is aiming a weapon right at them.

The situation reaches a flash-point, figuratively and literally, when a robot DOES shoot a child while following its orders and its programming to the letter.

In the midst of the firestorm of controversy, no one is willing to even think the hard truth – that the problem, and the blame – rest not with the programmed unit Ora, but with the humans who programmed him.

Escape Rating A: The story, the outer layer of it at least, is deceptively simple. And then things get really complicated, both in the story itself and in what’s hiding underneath it. Whenever I stop to think about it for even a minute, more ideas pop to the surface and swim underneath.

On the surface, that single story is already multiple stories. The first is the story of the extremely uncivil war between the Civil Union Militia and the ATF as proxy for the entire U.S. government. But underneath that layer, there’s the breakdown of the U.S. into factions, an extension of the tension between the cities and the heartland, that already exists.

A conflict that is exacerbated by the presence of robots as factory workers, mail carriers, and home health aides, doing any job that can be programmed reasonably effectively. But also as soldiers – and cops.

And that’s where Mechanize My Hands to War does what science fiction does best. Because on the surface that story is simple enough. The robots ARE, in fact, replacing humans in a lot of jobs, displacing a lot of people who had work that did not require a higher education, and not leaving nearly as many such jobs behind as there are people who need them. It’s a fear that has been played out recently in both the Writers Guild of America/Screen Actors Guild strike of 2023 and the Dockworkers’ strike of October 2024.

But the robots and the AIs did not create and program themselves to do these jobs and replace those workers. (They might, someday, but that would be a different story entirely – or a later one.) The robots are merely an easier and more reachable target for those who have been negatively impacted by the changes.

They represent the scapegoat that people are supposed to focus on, so they don’t attack who is really responsible – the corporations who have studied the calculus of profitability and know that replacing five humans with one human and four robots is better for their bottom line.

And it’s easy to see the robots of this story as the immigrants in today’s screaming – and all too frequently erroneous – headlines.

Which is where the story turns back upon itself into that original SFnal premise. Just because the robots were intended to be self aware but not sapient, does not mean that they have not evolved beyond their programming. That the more that the programmers attempt to create a complicated enough decision making matrix for the units, one that would keep another robot from killing another child even though that child is a clear threat, the more independent thought processes the robots have to work with.

The place where THAT might lead gives the story an open-ended and very SFnal ending. But the points that it raised keep dancing around in my head. As the best science fiction stories absolutely do.

A- #BookReview: How to Steal a Galaxy by Beth Revis

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: How to Steal a Galaxy by Beth RevisHow to Steal a Galaxy (Chaotic Orbits #2) by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #2
Pages: 144
Published by DAW on December 3, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Sparks fly when Ada and Rian just-so-happen to find themselves at the same charity gala—but there’s something rotten behind the sparkling gowns and dazzling wealth on display

This heist turned rom-com from New York Times bestselling author Beth Revis is perfect for fans of sexy, romantic science fiction and readers of Martha Wells and Becky Chambers

Ada had no intention whatsoever to continue working for the rebel group that hired her to retrieve the government’s plans for a nanobot climate cleaner if they weren’t willing to pay her for it, but then they offer a different perk: an undercover mission to a charity gala where Rian will be in attendance. Rian, meanwhile, has volunteered his services for the gala believing that the rare items up for auction will attract Ada’s eye. Hoping to catch her in the act and pin her with a punishable crime, Rian has no idea Ada’s really after.

In a high-stakes game of theft and deception, Ada plays to win...and Rian will do anything to stop her.

My Review:

In this arresting follow-up to the first book in the Chaotic Orbits trilogy, Full Speed to a Crash Landing, mercenary hacker/thief Ada Lamarr is on the trail of a much more interesting quarry than a mere locked data box. This time she’s not after treasure, she’s after the person who has set himself up as the guardian of a whole, entire museum full of priceless antiquities.

Agent Rian White has his eye on Ada from the moment she arrives at the Museum of Intergalactic History, absolutely certain she’s planning to steal one of the Sol-Earth artifacts no matter how many times she’s says that she’s there for him.

She’s not even lying. She’s certainly toying with the man – but she’s not lying. Not that she wouldn’t like to steal one of the artifacts – and not that she wouldn’t enjoy tweaking the ego of the rich rat bastard who’s the star of this particular charity gala – but she really, truly isn’t there for either of those things.

She really is there for Rian White – for considerably more reasons than she’s willing to admit, even to herself. So all of Rian’s operatives are busy watching her, while she has her eye on her prize all along.

And not that she doesn’t put the dominoes in motion for a couple of secondary prizes along her way.

Ada may not be fooling with White – but someone else already has. Her job – for which she is being paid very good money – – is to remove the scales from White’s eyes and get him to come in on her saving the world caper.

She may be in it for the money, but he’s a true believer. All she has to do is get him to believe – in her.

Escape Rating A-: The caper – and it absolutely is a caper every step of the way – is delightfully frothy, light and sparkling, and filled with witty banter covering plenty of wry undertones and more than a hint of forbidden romance.

Ada is, after all, a thief, and it’s Rian’s job to keep her from stealing anything. But she’s also, in this particular case, the misdirection. He – and his fellow agents – are so busy following Ada that they miss entirely too much of what’s going on around them.

Which is what underpins the whole story of the series – and it’s a doozy once all the sparkling bubbles have popped.

Because White and his fellow agents believe that they are protecting the plan to save a world. This world, in fact. Earth-Sol, the cradle of humanity. They believe that the government that they work for is more-or-less on the side of the angels. That they are doing good while Ada and her employers’ efforts are getting in the way of something both righteous and virtuous.

But that’s not the way the universe works. Especially not when doing good gets in the way of making a really huge, neverending, profit.

The way that this particular story works is that Ada’s seemingly aimless wandering through the Museum Gala is meant to misdirect Rian White, any of his agents, the reader AND the story, all at the same time.

It reads like a bit of light froth, that she’s playing with him, while he’s doing his damndest not to play with her, and that she’s then playing with the scene around her and filling in time while something happens in the background.

And that’s somewhat true and also a bit of a tease for the reader. It makes the story seem much lighter hearted than it really is and keeps White guessing as well. We know Ada is wearing a mask, she even admits as much, but we don’t really see what that mask is in service of.

When she rips it off at the end it’s an ‘aha!’ moment for the reader and an utter shock to White – and that’s when we all get the shape of things to come – or at least we think we do. Ada may have fooled us all again and we won’t learn in exactly what way until the final book in the trilogy, Last Chance to Save the World, coming April. I can’t wait to finally see Ada put all of her cards on the table – and to see if Rian picks them up.

A couple of final notes. Readers who have played Mass Effect may find Ada’s infiltration of the Museum reminiscent of Kasumi Goto’s infiltration of Donovan Hock’s party in Mass Effect 2 – complete with sexy, high-end wardrobe. However, in comparison to Strom Fetor, Hock is fairly penny-ante even if he bears a strong resemblance to a certain real world tech billionaire, amasser of tech companies that he claims to have invented but then destroys, and all around teflon coated, egotistical, arsehole.

Your reading mileage may vary on that bit, but seeing Ada obviously set him up for some comeuppance at a later date did add a bit of just desserts to the impending evil in both worlds that added just an extra fillip of deliciousness to the whole story so far. The ending in Last Chance to Save the World looks like it’s going to be a doozy!

A- #BookReview: Feuds edited by Mercedes Lackey

Posted on by Marlene Harris | Author : | book reviews
A- #BookReview: Feuds edited by Mercedes LackeyFeuds (Tales of Valdemar#18) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #18, Valdemar (Publication order) #59
Pages: 368
Published by DAW on November 26, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

This 18th anthology of short stories set in the beloved Valdemar high fantasy universe features tales by debut and established authors and a brand-new story from Mercedes Lackey.

The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages—and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents—combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more—make them indispensable to their monarch and realm.

Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.

Join a variety of authors as they ride with Mercedes Lackey to the beloved land of Valdemar and experience the many facets of this storied high fantasy realm.

My (very long) Review:

The individual volumes in the long-running Tales of Valdemar series (this is the EIGHTEENTH collection!) each center around a theme. The theme of this one is clear – as it says so right there on the label. Each of the stories herein centers on a feud. Not a battle, not a war, but a feud.

Think of the infamous Hatfields and the McCoys, names that we only still recognize because they had, you guessed it, a feud that lasted so long it made it into history and legend.

Feuds are usually not fun – and a lot of these stories are not. The collection is very good, but it isn’t nearly as lighthearted as the Shenanigans collection. Howsomever, there is still plenty to savor for repeat visitors to this fascinating world, while newcomers are sure to find something that will leave them thirsting for more – even if it’s not another story about food and drink as there are several of those in this year’s mix!

I picked this up because Valdemar is a world I knew I could slip into and be comforted as well as entertained – even though the theme of the collection isn’t necessarily comforting at all. And that’s exactly what happened.

Because I had such a good time – and ripped right through the whole thing without even bothering to come back to the ‘real world’ until I was finished, this is one of those times when each story is going to get a rating of its own and then I’ll attempt some very fudgy math to rate the whole.

“The Price of Anger” by Brigid Collins
This was a great story to kick off the collection of feuds because it’s a story about the costs of feuding. It’s also a story on two levels, as a young Farseer keeps seeing the ghosts of earlier students feuding while she dodges current students who can’t stop trying to exploit her gift. It’s only when she sees the results of the old feud that she understands that she’s falling into the same trap. Escape Rating A-

“Consequences” by Dylan Birtolo
It’s a stupid feud and an even stupider fight. Not that the story is remotely stupid, but the reader gets the same urge as the Herald – to knock some heads together in the hopes that some sense will break loose. It’s only when we see how things got this way, that a good idea once upon a time is having terrible consequences in the present that we see exactly how this particular road to hell got paved. Escape Rating B because it takes a bit to figure out that we’re seeing the story peel back in history for the point to come through.

“A Bad Business” by Jeanne Adams
A direct follow-up to the book Take a Thief (which I admit I have not read yet), this is a story about what happens in the aftermath of a horrific case. Just because the central villain has been removed from the equation it doesn’t mean that there aren’t still a whole lot of dirty loose ends to clean up. Even though I hadn’t read the case being wrapped up, this story is complete in itself and an appropriately messy clean up to a horrific case. Escape Rating B+

“A Tale of Two Cooks” by Charlotte E. English
This was one of the few relatively light-hearted stories in this collection and it made a refreshing change from the darker stories. Not that this couldn’t have turned dark as well, as it’s a case of too many cooks deliberately spoiling the soup – and the rest of the meal – in ways that could have been deadly. But the poisonous plans of the feuding foodies are thwarted by the quick decisions of one smart and able assistant and her cousin – a savvy Herald. Escape Rating A- because of the excellent way it relies on wits and banter to see its way clear to the solution.

“A Bite and a Pint” by Louisa Swann
Home may be the place that when you have to go there, they have to take you in. But that doesn’t mean they have to listen to you, not even when you come home after a year’s absence as a Herald Trainee on your way to the Collegium in Haven. A feud has broken out between the new Brewmistress of Petril’s tiny village and, unfortunately for him, his own mother. Each believes the other woman has poisoned her best goods, and it’s up to a boy that no one is quite yet willing to acknowledge is a man to find his way to the truth. This was another light story, the solution wasn’t really a surprise but it was a lot of fun getting there. Escape Rating B+

“Dueling Minstrels” by Jennifer Brozek and Marie Bilodeau
This is one of several stories about minstrels and minstrel rivalry in the collection. Minstrels Ozan and Aimar bring out both the best and the worst in each other. The worst behavior, and the best of their Bardic Gifts. But those gifts, combined with their ever-present feud, threaten to set their town literally on fire if they can’t find a way to make their rivalry work for them instead of against each other. Escape Rating B

“A Scold of Jays” by Elisabeth Waters
This is a story about karma being a right bitch – and deservedly so. A nobleman basically throws away his older son after an injury that will leave him with a limp – and not a single bit of other damage. That the nobleman disowns this boy as useless while continuing to indulge his self-indulgent, utterly villainous and downright murderous younger son results in exactly the situation one would hope for. Everyone involved gets EXACTLY what they deserve – many times over. This story is a direct follow-up to one that appeared in the earlier collection, Shenanigans, “A Cry of Hounds” and is even more fun as the karma continues to flow exactly where it should. Escape Rating A.

“Future-Proof” by J.L. Gribble
The feud in this particular story is a tragedy based on a fraud – with two young men paying the price for their elders’ evil deeds. Duri Phran and Cam Aylmer are both persona non grata among the unaffiliated noble students in the Collegium, forced to pretend to hate each other to keep their respective families from punishing them further. It’s only when they’re forced to work together that they realize that there is more wrong in both of their terrible situations that either imagined – and that salvation is waiting for them both if they can just manage to reach beyond what they’ve been taught. I had mixed feelings about this one because the ending felt a bit more deus ex companion than I wanted so Escape Rating B

“A Single Row of Vines” by Brenda Cooper
The setup for this story is similar to the one in Future-Proof, but this time it’s two young women on opposite sides of a village feud who are afraid to put that feud aside as Herald Trainees in Haven. This one worked better for me because the Companions refuse to solve their humans’ problem, instead the girls have to work it out in spite of the tremendous amount of indoctrination they’ve heard for their entire lives. Two girls alone can’t end 40 years of feuding – but they can make a start – and they do. Escape Rating A-

“Most True” by Kristin Schwengel
This one combines the minstrel rivalry of “Dueling Minstrels” with the “consequences” of the story of the same name. In this story, however, it’s those consequences that bring about the ending of the feud, as two gifted bards learn that they are only gifted enough to reach mastery if they reach for it together, and only AFTER the consequences of their feud have nearly ended one if not both of their careers before they’ve truly begun. Escape Rating B.

“Detours and Double Crosses” by Angela Penrose
A story about the cleverness of Bards, the foolishness of people who try to use those Bards in their own nefarious schemes and the stubbornness of one Bard Trainee who proves to herself that she’s more than good enough to become a full bard by saving a young heir from a deadly plot by chasing a villain down no matter how fast he runs. This story was typical of these collections in all the best ways and I fell right into it. Escape Rating A-

“Trade is Trade” by Fiona Patton
As an earlier story was all about food – it’s fitting that this one is all about drinks. Or at least the bragging rights thereto. The feud is entirely predictable – as are the results. The Crown is planning to give a plaque to the oldest pub in Haven. The Guards really, really, really want the Crown to get on with it, because the rash of trouble-making and sign-stealing is driving them to more drink than they can collectively afford. As this story reminds me a great deal of the Discworld  City Watch  subseries AND it’s a loose follow-up to one of my favorite stories in the Anything with Nothing collection, “Look to Your Houses”, Escape Rating A.

“By the Ticking of My Thumbs” by Rosemary Edghill
A really interesting take on feuding as the feud is, literally, all in their heads. There’s no precipitating event, no history, and the participants have never even met. But they really, really should have. The whole feud is based entirely on their assumptions about each other, and those assumptions have thoroughly made asses out of both of them. It’s sad but fascinating to watch them assign motives to each other that have no basis in anything – and such a beautiful catharsis when they finally figure out where they both went so terribly wrong. Escape Rating A.

“Harmony” by Anthea Sharp
Another story about feuding, dueling bards, there isn’t much harmony in this story – which is the point. Because this is very much a story about pride going before a really, really big fall, and how beautiful music can only be made out of, well, harmony. Not just the harmony of the notes and the melody, but the harmony among the people – ALL THE PEOPLE – who take part in the performance. That age and experience manage to outwit youth, skill and hubris added just the right bit of tartness to an excellent story. Escape Rating A

“Playing Peacemaker Once More” by Dee Shull
Considering the title, it’s a bit of a surprise that this is actually a story about boundaries. Specifically about defending one’s own even as one does their best to get others to examine the placement of theirs. Like the final story in this collection, Uncivil Blood, there’s a bit of a Romeo and Juliet aspect – or perhaps that should be Romeo and Tybalt – to this one that gets worked out much better than Shakespeare’s famous tragedy. Escape Rating B

“Pairmates” by Ron Collins
This one didn’t quite work for me, which I was really sad about as it’s the one story in this collection that features nonhuman protagonists. I think it just passed me by a bit because I couldn’t place it in Valdemar history and wasn’t quite sure how it fit to the overall world or when. I wanted to like it more than I did but I had too many nagging questions at the end. Escape Rating C.

“Battle of the Bands” by Dayle A. Dermatic
This battle of the bands is a family feud, as brothers Eldriss and Davon haven’t spoken to each other in years because Davon claimed that Eldriss stole his sweetheart and married her. Beyond the fact that Shalna isn’t an object to be stolen, that claim is more of an excuse than a reason. Eldriss just wants his brother back, and a mixup at a musical contest – where the brothers enter as the leaders of competing bands – gives them the opportunity they’ve been waiting for for over a decade. A good story with a happy but not surprising ending. Escape Rating B.

“Tangles” by Diana L. Paxson
The feud in this particular instance is a feud between rival shopkeepers who are determined to keep far away from each other in spite of being located in the save Haven district. However, this is also a story about two determined – and somewhat magical – pieces of furniture that make a matched set that are equally determined to be put back together. To the point where they throw a bit of magic in the way of the best person to untangle a web that goes back decades. There are several Romeo and Juliet-type stories in this collection and this one is another, but it’s marvelously twisted because the feud happened because they didn’t marry – although it’s still not too late to fix things the way they should have been! Escape Rating A

“Payment in Kind” by Stephanie Shaver
The title is in reference to what happens when a cheating landholder stiffs a bard for her fee. But underneath that is the saddest story in this collection on multiple fronts as the problem set before that bard and her Herald twin-brother is about a whole village being oppressed by that rapacious landholder – who is also a liar and a cheat – a healer caught between her oaths and her duty, child labor and child murder, and one woman with cancer who wants one last day in the sun – even as she keeps her condition a secret from those she loves the most. Escape Rating A+.

“A Determined Will” by Paige L. Christie
This is a story about going home and discovering that the things you remember aren’t quite what you thought they were – unless they are and someone is trying to swindle you. This one was surprisingly fun in spite of itself, as Guard Trainee Teig has come home to bury the closest thing she had to a father. That he left her everything he had isn’t really the point – it’s more of the last note of a memory. But when someone arrives out of nowhere and attempts to cheat her out of it, she puts all of that Guard training to excellent use! Escape Rating A.

“The Ballad of Northfrost” by Phaedra Weldon
This is a hard, bitter story with an excellent satisfying ending. Reyes fate reads like many of the videogames I love. He’s wounded, near death, in the dark, between a rock and a very hard place, determined to get justice for people long dead who once saved him and set him on his path. That his own ghosts rise to help him take the final steps to safety, freedom and resolution was a bright candle in a very dark story with just the right and necessary ending. Escape Rating A+

“Uncivil Blood” by Mercedes Lackey
A much better version of Romeo and Juliet, with more political shenanigans, considerably fewer deaths, a more sensible ending, and the reappearance of one of Valdemar’s favorite characters who has not graced the stage for entirely too many years. This was my favorite story in the collection, Escape Rating A+.

Escape Rating Overall A-: This was as grand a trip to Valdemar as I hoped it would be. My favorite story in the collection was “Uncivil Blood” by Mercedes Lackey herself, followed by “The Ballad of Northfrost” by Phaedra Weldon and “Payment in Kind” by Stephanie Shaver. If you’ve EVER visited Valdemar this is a great time and a great way to go back for a return trip!

#BookReview: She Who Knows: Firespitter by Nnedi Okorafor

Posted on by Marlene Harris | Author : | B+ Reviews> book reviews
#BookReview: She Who Knows: Firespitter by Nnedi OkoraforShe Who Knows by Nnedi Okorafor
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: African Futurism, science fantasy, science fiction
Series: She Who Knows #1
Pages: 176
Published by DAW on August 20, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Part science fiction, part fantasy, and entirely infused with West African culture and spirituality, this novella offers an intimate glimpse into the life of a teenager whose coming of age will herald a new age for her world. Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, Firespitter is the first in the She Who Knows trilogy
When there is a call, there is often a response.
Najeeba knows.
She has had The Call. But how can a 13-year-old girl have the Call? Only men and boys experience the annual call to the Salt Roads. What’s just happened to Najeeba has never happened in the history of her village. But it’s not a terrible thing, just strange. So when she leaves with her father and brothers to mine salt at the Dead Lake, there’s neither fanfare nor protest. For Najeeba, it’s a dream come travel by camel, open skies, and a chance to see a spectacular place she’s only heard about. However, there must have been something to the rule, because Najeeba’s presence on the road changes everything and her family will never be the same.
Small, intimate, up close, and deceptively quiet, this is the beginning of the Kponyungo Sorceress.

My Review:

The story begins, as so many of this author’s stories do, with a young African woman on the cusp of change in a world that has already changed and been changed from the one we know now.

In the case of this particular story and this particular young woman and this particular version of the future, Najeeba is thirteen when the story begins, and is about to go on a journey. A journey that members of her family take every year – but a journey that females are not supposed to undertake at all.

Not that there are laws against it, but there are rules – rules enforced by a social contract that have ossified into restrictions that no one challenges. Not until Najeeba comes in and tells her parents that she feels the call of the ancestral salt road every bit as much – if not a bit more and a bit sooner – than her father and her brothers.

In the desert, salt is life. Finding the best salt, the purest AND prettiest blocks of it, and selling them for the best price in distant markets, keeps her family and her village alive and prosperous. Most of the time.

Because her people have historically been considered unclean, untouchable outcasts. A judgment that Najeeba’s inclusion in the annual salt harvest is guaranteed to make worse AND more violent – even as it confers upon Najeeba the kind of power that is guaranteed to bring down retribution – both human and divine.

And gives birth, literally and figuratively, to a woman who will change the world.

Escape Rating B+: She Who Knows is the first book in a prequel trilogy of novellas to the author’s award-winning novel Who Fears Death. In a way that story literally gives birth to this one as this one gives birth to that, as Najeeba, “she who knows”, is the mother of Onyesonwu, “who fears death”.

I haven’t read Who Fears Death, although I have a copy in both text and audio and plan to listen to it. While it has certainly climbed up the virtually towering TBR pile after finishing She Who Knows, I don’t feel like I missed anything by reading this book first. After all, it IS a prequel and not a sequel. It sets the stage for Who Fears Death without giving anything away or providing spoilers.

What it does remind me of, a lot, is the author’s Desert Magician’s Duology, particularly Shadow Speaker. Not only do Najeeba’s and Eiji’s stories start from a similar place, as both begin their stories as girls on the cusp of womanhood, gifted or cursed (depending on one’s perspective) with magical powers, but both choose difficult paths that their birth cultures reserve for men and they also find themselves telling – and being told – their stories by and to strange desert sorcerers.

They are not products of the same Afrocentric future world, but their worlds are similar nonetheless. Meaning that if you like one, or if you have enjoyed ANY of the author’s previous and/or successive works such as the Binti Trilogy, there’s a very good chance you’ll fall right into She Who Knows as well.

In the end – and also as a beginning – this is a great introduction to Who Fears Death AND The Book of Phoenix, which is a much earlier prequel chronologically to Onye’s story. Not only is this a great story in its own right, but it’s also short which means that it provides an introduction in an easily consumed little package. And if that consumption leaves you with a taste for more – as it very much did this reader – this is, oh-so-thankfully, the first novella in the projected trilogy of equally short and undoubtedly equally salty and delicious stories.

I am definitely looking forward to the rest of Najeeba’s story, which will be continued in next year’s One Way Witch. In the meantime I can’t wait to see how the mother’s experiences in this book and the rest of the trilogy are reflected in the child in Who Fears Death.

 

A- #BookReview: Full Speed to a Crash Landing by Beth Revis

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: Full Speed to a Crash Landing by Beth RevisFull Speed to a Crash Landing by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #1
Pages: 192
Published by DAW on August 6, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A high octane sexy space heist from New York Times-bestselling author Beth Revis, the first in a novella trilogy.
Ada Lamarr may have gotten to the spaceship wreck first, but looter’s rights won’t get her far when she’s got a hole in the side of her ship and her spacesuit is almost out of air. Fortunately for her, help arrives in the form of a government salvage crew—and while they reluctantly rescue her from certain death, they are not pleased to have an unexpected passenger along on their classified mission.
But Ada doesn’t care—all that matters to her is enjoying their fine food and sweet, sweet oxygen—until Rian White, the government agent in charge, starts to suspect that there’s more to Ada than meets the eye. He’s not wrong—but he’s so pretty that Ada is perfectly happy to keep him paying attention to her—at least until she can complete the job she was sent to pull off. But as quick as Ada is, Rian might be quicker—and she may not be entirely sure who’s manipulating who until it’s too late…
A phenomenally fun novella that kicks off a trilogy of sexy space heists and romantic tension, Full Speed to a Crash Landing is packed with great characters and full of twists and turns that will keep you guessing until the end.

My Review:

It’s pretty clear – at least to the reader – from the opening pages of Full Speed to a Crash Landing that Ada Lamarr’s ‘Mayday’ isn’t exactly on the up and up. Even if her little spaceship does have a real, honest-to-larceny hole blown in its side – taking her airlock not merely offline but blown out into little bitsies in the surrounding black of space.

That hole is unequivocally real and true – although every other single thing about Ada’s story sounds like a fake and a lie – even the parts that aren’t either of those things. The government agent in charge of the Halifax, the much bigger and better funded ship that has dawdled to her rescue is certain that Ada has got something going on on the down low that necessitated her ship’s presence in this particular sector in orbit over this particular tectonically active (extremely active) baby planet.

He’s sure that both Ada and his ship are after the same quarry, the cargo ship that crash landed, very badly and in multiple pieces, on that earthquake-ridden and volcano prone little planetoid.

Agent Rian White knows what his crew is after, but he’s less than certain about Ada’s stake in this particular game. Only that he’s absolutely positive that she has one.

But he’s so bewitched, bothered and bewildered by the seemingly open but utterly devious smuggler that he doesn’t figure out that she’s already stolen everything she planned on until after she warps away with the contents of a much-sought-after and destructively secured datadrive, the key to opening it – and, quite possibly, his heart.

Unfortunately for Ada, she’s all too aware that he has hers – and that it’s the one thing she never expected to lose – let alone to a government agent who is too good and too good-looking for his own – or certainly her own – good.

Escape Rating A-: This one is pure, sheer, unadulterated fun. It just hits on so many levels in a way that keeps both the reader and the characters delightfully guessing every step of the way. Because we know from the beginning that Ada Lamarr is, as that old saying goes, no better than she ought to be. We know she’s an unreliable narrator because she teases us – along with government agent Rian White, with her secrets and plans and wheels-within-wheels plot even as she’s running out of oxygen and wondering if perhaps she went just a bit too far with her opening gambit.

At least until it works – and gives her one up on the stick up her ass captain of the Halifax. Who is NOT really in charge and is absolutely not Rian White – whose ass is delectable and absolutely does not have a stick up it. (And I’ll leave the rest of the possible salacious jokes and puns right here no matter how tempting they are. Ada has several thoughts in that direction but absolutely does not go there in this first book in the Chaotic Orbits trilogy – no matter how much she wants to.)

On the surface, this is very much a wheels-within-wheels long game kind of caper plot. Ada clearly has a hidden agenda from the off – even if she doesn’t reveal the full extent of it even inside the privacy of her own head. Rian sees the wheels spinning, even if he can’t see what they’re spinning around and about, Ada sees his wheels spinning and is attracted by his obvious intelligence. They’re both clearly playing with each other on multiple levels and that’s already fun.

Which gives the story a bit of lightness that brightens the world creation – because it’s equally clear that the way this particular SF world is set up is not all that light. And it’s a bit murky, at least at this early stage, whether Ada is on the side of the angels or on the side of the biggest paycheck. She’s undoubtedly morally gray, but one of the questions that we’re left with at the end is whether Rian White is even grayer, or not.

That the grayness revolves around a very interesting question adds a bit of depth to that world creation. Because this isn’t a case where the established government is evil in one way or another, the question is whether or not it can possibly be effective at fixing what’s been broken. Not a question of whether or not it’s on the side of the angels, but whether or not it has enough angels on its side to get the shit that needs to get done, done.

Between the caper aspects, the questions about which side is the righteous one in a universe going mad, and the possibility of romance – or at least eventual sexytimes – between its deceitful heroine and its play-mostly-by-the-rules hero, Full Speed to a Crash Landing fits right into the marvelous moment that science fiction romance is currently having.

So if you’ve fallen hard for Valerie Valdes’ Chilling Effect, Rachel Bach’s Fortune’s Pawn, Cat Rambo’s You Sexy Thing and/or Constance Fay’s marvelous Fiasco and Calamity, you’ll be as pleased as I am to know that the second book in the Chaotic Orbits trilogy, How to Steal a Galaxy, will be speeding our way in December. Rian White will be staking out an auction hoping it will attract Ada – while Ada plans to convince him to join her on the dark side – where the cookies are – by kidnapping him into her own questionably legal plans.

It should be a BLAST!

A+ #AudioBookReview: Ghostdrift by Suzanne Palmer

Posted on by Marlene Harris | Author : | A+ Reviews> audio reviews> audiobooks> book reviews
A+ #AudioBookReview: Ghostdrift by Suzanne PalmerGhostdrift (Finder Chronicles #4) by Suzanne Palmer
Narrator: Paul Woodson
Format: audiobook, eARC
Source: purchased from Audible, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Finder Chronicles #4
Pages: 384
Length: 13 hours and 37 minutes
Published by Blackstone Publishing, DAW on May 28, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The fourth and final installment of the Finder Chronicles, a hopepunk sci-fi caper described as Macgyver meets Firefly, by Hugo Award–winner Suzanne Palmer

Fergus Ferguson, professional finder, always knew his semi-voluntary exile wouldn’t last, but he isn’t expecting a friend to betray him. One of the galaxy’s most dangerous space pirates, Bas Belos, wants him, and what Belos wants, he gets. Belos needs help finding out what happened to his twin sister, who mysteriously disappeared at the edges of space years ago, and he makes Fergus an offer he can’t refuse.

Mysterious disappearances and impossible answers are Fergus’s specialties. After he reluctantly joins Belos and his crew aboard the pirate ship Sidewider, he discovers that Belos is being tracked by the Alliance. Seeking to stay one step ahead of the Alliance, Fergus and Belos find themselves marooned in the middle of the Gap between spiral arms of our galaxy, dangerously near hostile alien territory, and with an Alliance ship in hot pursuit.

That’s just the beginning of the complications for Fergus’ newest—and possibly last—job. The puzzle is much bigger than just Belos’s lost sister, and the question of his future, retirement or not, depends on his ability to negotiate a path between aliens, criminals, and the most powerful military force he’s ever encountered. The future of entire planets hangs in the balance, and it remains to be seen if it’s too big for one determined man and his cranky cat.

My Review:

I couldn’t resist. Even though I knew going in this was one of those situations where you don’t know whether to cry because it’s over or smile because it happened, I had to find out just what happened to Fergus Ferguson that led to Ghostdrift being the final book in the utterly awesome Finder Chronicles.

Over the course of the series (Finder, Driving the Deep, The Scavenger Door and now Ghostdrift), Fergus has proven to be the consummate survivor. Not because he’s particularly good at any one thing except finding the stuff he’s been contracted to find, but because no plan seems to survive contact with Fergus – not even his own. No matter how big and how scary the villains are, no matter how many layers within layers of plans they have to get away with whatever it is they think they’re getting away with, the minute Fergus happens to them Murphy’s Law arrives in his wake and the shit keeps hitting the fan – both theirs and his – until he emerges from the wreck of everything they expected.

It’s a gift. It’s also a curse. A judgment that does not depend on whether you are on the side of Fergus or his enemies. As I said, Fergus’s own plans don’t survive contact with him either.

But it does explain why his friend (or sometimes frenemy) Qai doesn’t feel all that terrible about kidnapping Fergus and delivering him – alive and unharmed, along with his cat Mister Feefs – into the custody of notorious space pirate Bas Belos in exchange for the safe return of Qai’s partner Maha – yet another of Fergus’s friends.

Qai knows Fergus can handle himself and knows that Belos’ plan isn’t likely to survive Fergus either. She’s basically delivering her revenge on Belos for kidnapping her partner in a Fergus Ferguson shaped form and isn’t sorry about it in the least.

She’s sure she’s brought Belos more trouble than even an interstellar space pirate can handle. And she’s right. It’s the way in which she’s right and the places that right takes the pirate, his ship, his crew, Fergus AND Mister Feefs, that makes the whole entire story.

Fergus’s story. Belos’s story. And quite possibly the whole damn universe’s story – again – if Fergus doesn’t manage to pull off one more doggedly determined find.

Escape Rating A+: June is Audiobook Month, and this final book in the Finder Chronicles was the perfect audiobook to listen to this month, particularly as I listened to the first book in the series, Finder, in June of 2019.

Even though I didn’t want this story to end – I desperately needed to know how it ended, so I started alternating between audio and text just past halfway – as much as I hated to miss out on the totality of narrator Paul Woodson’s perfect read of Fergus Ferguson’s universe-weary, ‘been there, done that, got all the t-shirts’ voice.

(Fergus really does have all the t-shirts – and he wears them throughout the series. The man has definitely been around.)

The series as a whole rides or dies on that voice, to the point that if you like Fergus you’ll love the series but if he drives you as insane as he does the people he runs up AGAINST you probably won’t. Also, if you like a universe-weary, first-person or first-person focused protagonist, you’ll probably also love Michael Mammay’s Carl Butler in his Planetside series. (I digress, just a bit.)

What about this particular entry in the series? It combines some really classic tropes into one single terrific story.

First there’s the whole ‘White Whale’ angle. Actually, it’s two of those angles. On the one hand, pirate captain Bas Belos just wants to find out what happened to his twin sister and her crew. It’s been ten years since she disappeared, he knows that the ‘Alliance’s’ claim that they killed her and hers was a lie. He’s kidnapped/hired Fergus to lead him towards closure – no matter what it takes.

And then there’s the real Captain Ahab of this story, an Alliance captain for whom Bas Belos is his white whale, and he’ll trail the pirate literally past the end of the galaxy to catch him – even if he’s leading his crew straight to their demise. And wasn’t that Ahab all over?

But then there’s the third corner of this delicious story, the one where Belos and his crew, the Alliance captain and his, all end up stranded in the gap between galaxies, on a little tiny planet that threatens to be their own ‘Gilligan’s Island’ – because it already has.

Together, those three plots, Belos’ need for closure, Captain Ahab – actually Captain Todd – following Belos where no one REALLY should have gone before, or again, and all the crews stuck on their very own tiny Gilligan’s Island planetoid, doing their best – or worst – to get along well enough to get back home.

With Fergus in the middle, knowing his personal goose is cooked either way. Unless he can find a really, truly, seriously out-of-the-box solution for his own dilemma as well as theirs.

I loved this last adventure in the Finder Chronicles. On top of this beautiful layer cake of a story, there was also a bit of marvelous icing in Fergus’ relationship with Mister Feefs that will add extra feels for anyone who has ever loved a companion animal and grounded their very existence on that love. (Don’t worry about Mister Feefs, he comes out of this adventure just fine – it’s Fergus we have to worry about. As usual.)

The only sour note in this whole thing is in the author’s note at the end, where she declares that this really is Fergus’ last recorded adventure. And it could be, she left him in a good place – WITH MISTER FEEFS – and they’ll be just fine. But she also left them in a place where it’s clear that Fergus will manage to make his way back to his own galaxy, one way or another, given enough time and supplies. And he has the supplies. So he could come back. We could come back at some point in the future to see whose plans Fergus is destroying at that point in his life. I don’t expect we will, but I can still hope.