Review: Noor by Nnedi Okorafor

Review: Noor by Nnedi OkoraforNoor by Nnedi Okorafor
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Pages: 224
Published by DAW Books on November 9, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

From Africanfuturist luminary Okorafor comes a new science fiction novel of intense action and thoughtful rumination on biotechnology, destiny, and humanity in a near-future Nigeria.
Anwuli Okwudili prefers to be called AO. To her, these initials have always stood for Artificial Organism. AO has never really felt...natural, and that's putting it lightly. Her parents spent most of the days before she was born praying for her peaceful passing because even in-utero she was wrong. But she lived. Then came the car accident years later that disabled her even further. Yet instead of viewing her strange body the way the world views it, as freakish, unnatural, even the work of the devil, AO embraces all that she is: A woman with a ton of major and necessary body augmentations. And then one day she goes to her local market and everything goes wrong.
Once on the run, she meets a Fulani herdsman named DNA and the race against time across the deserts of Northern Nigeria begins. In a world where all things are streamed, everyone is watching the reckoning of the murderess and the terrorist and the saga of the wicked woman and mad man unfold. This fast-paced, relentless journey of tribe, destiny, body, and the wonderland of technology revels in the fact that the future sometimes isn't so predictable. Expect the unaccepted.

My Review:

Two lost people find themselves, each other and a secret that the biggest corporation in the world hoped would never be found. A secret that the powers-that-be will do anything to protect. As the saying goes, once a can of worms is opened they never go back into the can. Especially when the secret that’s been hidden is as earth-shattering and sand-spewing as this one.

And no, we’re not talking about Arrakis. We’re talking about Earth. A future Earth after an ecological/climatological disaster has created the equivalent of Jupiter’s Great Red Spot in northern Nigeria. A sandstorm of such speed and force that the windpower it generates is powering great cities all over the world.

Even as it eats up and eats away the land that gave it birth.

The Red Eye is the place where people who don’t fit, where those who have nothing left to lose, and those who refuse to be monitored by giant corporations 24/7 take themselves when they have nowhere else to go. Or when they can no longer make themselves pretend that they belong in the world that has left them behind, in one way or another.

This big story, like that big ecological disaster, starts small. With AO and DNA, those two lost people who have each survived a trauma on the very same day. AO, born with multiple birth defects both internal and external, is now part cybernetic. In fact, AO is a lot cybernetic, with two cybernetic legs and one cybernetic arm to replace the nonfunctional limbs she was born with. And with cybernetics in her brain, not because there was anything wrong, but because she wanted the enhanced memory and permanent internet connectivity.

But the more AO looks like the “Autobionic Organism” she had named herself for, the less she is accepted by the people around her. Many object on religious grounds. Some do so out of fear – not that that’s much of a difference. Some find her rejection of traditional appearances and roles for women to be anathema. Many call her an “abomination”.

When the safe space she believes she has carved out for herself suddenly becomes anything but, AO refuses to submit. Instead, she uses her greater strength to not merely subdue her tormentors but to kill the men who expected her to submit to her own execution at their hands.

In the aftermath, AO runs. Away from the towns and towards the desert. Heading away. North. Towards the Red Eye. Driving as far and as fast as she can in an unthinking fugue state. At least until her car runs out of power and she continues on foot towards an unknown but probably brief future.

Where she runs into a herdsman named DNA, who is just as lost and traumatized as she is. Who has also just defended himself with deadly force against a mob that killed his friends and most of his herd of cattle in an act of misplaced revenge against terrorists posing as herdsmen.

Now DNA has been labeled a terrorist, just as AO has been labeled a crazed murderer. Everyone is literally out to get them.

But the context of both of their stories is missing. When they find that context, when they are able to dig down through the layers of propaganda and misinformation that surrounds the most traumatic events in both their lives, they find a deep, dark, deadly secret.

A secret that many people will kill to protect. A secret that brought them together – and is tearing their continent apart while entirely too many people, including both of their families, go complacently about their business.

Just the way the biggest corporation in the world had planned it.

Escape Rating A: One way of looking at Noor is that it is two stories with an interlude in the middle. Another way, and a better metaphor, is that it is a story that winds up like a hurricane or a tornado, pauses in a calm storm’s eye in the middle, and then unwinds quickly in an explosive ending as the storm dissipates.

I listened to Noor through the eye of that storm, and then read the rest because it and I were both so wound up that I couldn’t wait to see which direction all those winds ended up blowing. And the narrator, particularly for that first part, had a wonderful voice that was just perfect for storytelling. She helped me to not just hear, but see and feel that oncoming storm.

At first, in the story’s tight focus on AO, it all seems small and personal. AO is different, and she is all too aware of those differences. She, and the reader, are equally aware that one of the ways in which human beings suck is that anyone who is deemed by society to be different gets punished by that society in ways both large and small. AO’s constant awareness of her surroundings and her ongoing attempts to be less threatening and less “herself” in order to carve out a safe space in which to live will sound familiar to anyone who has bucked the way it’s supposed to be in order to be who they really are.

The violence against her is sadly expected and both she and the reader sadly expect it – until it becomes life-threatening and she strikes back.

When she meets DNA and his two steers, GPS and Carpe Diem, he is in the same emotional trauma coming from an entirely different direction. Where AO has embraced the future – perhaps too much – DNA has clung to his people’s past as a nomadic herdsman. That they find themselves in the same situation is ironic and tragic, but not in any way a coincidence.

And that’s where things get interesting. The more that AO and DNA search for answers, the bigger the questions get. The more they find friends and allies, the bigger the forces arrayed against them.

And the less the story is about those two lost people and the more it is about the forces that put them in that situation in the first place. The story expands its tent to encompass colonialism, complacency and exploitation in ways that make the most singular acts have the most global of consequences – and the other way around – in an infinity loop at the heart of the storm.

Review: Remote Control by Nnedi Okorafor

Review: Remote Control by Nnedi OkoraforRemote Control by Nnedi Okorafor
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: African Futurism, science fiction
Pages: 160
Published by Tordotcom on January 19, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The new book by Nebula and Hugo Award-winner, Nnedi Okorafor.
"She’s the adopted daughter of the Angel of Death. Beware of her. Mind her. Death guards her like one of its own."
The day Fatima forgot her name, Death paid a visit. From hereon in she would be known as Sankofa­­--a name that meant nothing to anyone but her, the only tie to her family and her past.
Her touch is death, and with a glance a town can fall. And she walks--alone, except for her fox companion--searching for the object that came from the sky and gave itself to her when the meteors fell and when she was yet unchanged; searching for answers.
But is there a greater purpose for Sankofa, now that Death is her constant companion?

My Review:

Remote Control is the story of Sankofa, the adopted daughter of the Angel of Death. Or so the legends go.

When I first read the blurb for this book, my first thought was that Sankofa was someone like Susan Sto-Helit in Terry Pratchett’s Discworld. In that fantasy world, Susan is really the adopted granddaughter of Death, the anthropomorphized personification of the Grim Reaper, who rides a pale horse named Binky and likes cats. This is a fantasy world where anything can, and frequently does, happen.

But Remote Control is not set in a fantasy world. Instead, this is a not-too-distant future of our own world, set in an Africa where jelli-tellies and even-smarter smartphones are coveted and sold and where legends that feel as if they are out of the distant past walk the earth at the same time.

This is not a fantasy, no matter how much it reads like one.

Sankofa is not, technically, the adopted daughter of the Angel of Death, no matter how many such stories get wrapped around her small, slim person.

But she is death. Or she brings death. Or she can. Or all of the above. Once upon a time, when she was an even younger child than she is now, a meteor shower dropped meteorites like little seeds over her father’s shea tree orchard.

One of those meteorites WAS a seed. A seed that Sankofa before she became Sankofa, back when she was a little girl named Fatima, nurtured and petted and talked to as if it were a person and a confidant and a pet.

Whether it was the girl’s care of that seed, or whether it was the seed’s intended purpose all along, the seed gave her a gift – or a curse. And when that seed was stolen from her, that gift bloomed from her like a toxic gas.

When she became angry, or upset, or was in pain, the little girl burned hot and glowed green like poison. Whatever that green glow touched fell down dead. Like the mosquitos that loved to eat her. Like her parents who sold her little seed for a lot of money. Like everyone in the village who was just too close when her pain and anger overcame her – including her family.

Like her name and her memory that burned away in the fire of that green. She left Fatima behind among the dead of her village and wandered the roads as Sankofa, searching for the seed that was stolen from her.

Only to discover, once she found it, that it was even more of a curse than she ever believed.

Escape Rating A: Remote Control is a novella, meaning that it is relatively short but complete in and of itself. So if you love SF and have not yet read any of Nnedi’s books, this is a great place to start. As is her absolutely awesome Binti, which is both a novella and the first in her epic and marvelous Binti Trilogy of novellas.

Novellas are shorter than novels, but longer than novelettes or short stories. They are not novels that got cut down. Rather, novellas are the length that they are meant to be, they’re meant to be the length that they are. They may tease at a larger world or deeper background or more that happens after they close – or all of the above – but they complete their own story in their shortness, and are great ways to introduce yourself to a new-to-you author.

Which doesn’t mean that I don’t frequently wish that a particular novella had a bit more to it, because I often do. But then, I love worldbuilding when it’s good and I always want more.

Remote Control is a bit of a tease of a story, because at first it seems more like a fantasy than SF. In Sankofa’s childish perspective – after all the story begins when she is only 5 – we don’t see much in the way of SFnal trappings. Her family farm and her world could be in a wide range of eras.

It’s only after Fatima becomes Sankofa and takes herself away from home and tragedy that we see the wider world and learn that this is the relatively near future. It’s a world that we can sort of see from here, if we squint a bit.

As Sankofa travels, we see her grow, and follow along as her legend grows with her – and she learns how to take advantage – but not too much – of that legend. People give her what she needs both because they are afraid of what she brings. She brings death. She can kill an entire village. She has. She can lash out in fear and/or self-preservation. And she can bring release to those who desperately need it.

And we watch her try to leave her legend and her gift behind, to grasp at some semblance of what passes for “normal”, only for that gift to reach out and grab her back.

Remote Control is the story of Sankofa’s coming of age and her coming to terms with who and what she is. But I’ll admit that I didn’t figure out where the title came from until the very end. And that when I did, it made the whole story into a much bigger WOW than I expected.

A revelation that I’m still reeling from a bit. And you will too if you follow along on Sankofa’s journey to its bittersweet but triumphant end.

Review: The Night Masquerade by Nnedi Okorafor

Review: The Night Masquerade by Nnedi OkoraforThe Night Masquerade (Binti, #3) by Nnedi Okorafor
Formats available: paperback, ebook, audiobook
Series: Binti #3
Pages: 208
Published by Tor.com on January 16th 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The concluding part of the highly-acclaimed science fiction trilogy that began with Nnedi Okorafor's Hugo- and Nebula Award-winning BINTI.

Binti has returned to her home planet, believing that the violence of the Meduse has been left behind. Unfortunately, although her people are peaceful on the whole, the same cannot be said for the Khoush, who fan the flames of their ancient rivalry with the Meduse.

Far from her village when the conflicts start, Binti hurries home, but anger and resentment has already claimed the lives of many close to her.

Once again it is up to Binti, and her intriguing new friend Mwinyi, to intervene--though the elders of her people do not entirely trust her motives--and try to prevent a war that could wipe out her people, once and for all.

Don't miss this essential concluding volume in the Binti trilogy.

My Review:

I picked up The Night Masquerade because we saw the absolutely, totally, completely marvelous Black Panther over the weekend, and I was looking for more Afrofuturism. Then I remembered that the final book in the Binti Trilogy was already out, and why hadn’t I read it already?.

So here we are.

Admittedly, one reason why I hadn’t read The Night Masquerade already was because as much as I adored the first book, Binti, the second book, Home left me with a much more mixed reaction. Binti herself spent much of Home feeling fairly muddled, and as I read it I was muddled right along with her.

Although now that I have finished The Night Masquerade I am highly tempted to go back and reread Home. Now that I see where things were headed, the journey feels as though it had a lot more depth.

In Home, it seemed as if Binti, desperate for home, had gone back and discovered that, as the classic title goes, “you can’t go home again.”. In The Night Masquerade, the situation seems even worse. She discovers that while home may be the place that when you have to go there, they have to let you in, once they’ve opened the door there is nothing to stop them from stabbing you in the back as you walk past.

Binti may be physically home, but the people that she thought were hers reject her and everything about her that makes her what they perceive as anathema. Binti is different. Binti has left the Himba. Because the Himba don’t leave that turns Binti from “one of us” into a dangerous outsider.

She has also discovered that she is more than just Himba. Her father was one of the Desert People. While the Himba perceive the Desert People as barbarian savages, the truth is otherwise. As it usually is.

And the use of her talents as “harmonizer” aboard the sentient ship Third Fish (the events of Binti) have both grown her talent and made her a part of the non-human Meduse as well. She has become more, but her people (her own immediate family excepted) perceive her as being less.

The neighboring Khoosh people, on the other hand, see Binti’s Meduse friend Okwu as a enemy, and rain war and destruction on the Himba in frustration that Okwu and Binti are nowhere to be found.

Bintu gives her life in an effort to make peace, only to be struck down at the moment of her greatest achievement.

But just as on her first journey, the one where she should have died the first time, it’s not merely that what does not kill her makes her stronger, but that what kills her does too.

Escape Rating A: While The Night Masquerade is not as fresh as the first book, Binti, quite possibly because Binti herself is not as fresh and new as she was at the start of her journey, it still marks a return to the page-turning fascination of that first book.

In Binti, we saw her first, sometimes tentative steps into the wider universe, not in spite of but because of the tragedy that she survives aboard Third Fish. In Home, Binti is searching for who she is now, trying to harmonize all of the various parts of herself that she has discovered or that she has absorbed. And she flails around a bit. (Don’t we all at 17?)

But in The Night Masquerade Binti is finally on the road to who she is meant to be. Her journey is far from complete, even though it is nearly cut short. In this final book in the trilogy, she ultimately manages to reach past her own doubts and fears and take control of her future, by embracing all the disparate aspects of her identity.

A significant part of the story is Binti’s internal journey, as she sees the limitations of her own people’s worldview and chooses to deliberately move beyond it, in spite of her doubts and fears. And in spite of the cost.

It’s a difficult and dangerous journey, made even more so by the shortsightedness of entirely too many people on all sides. But watching Binti come into her own is absolutely fantastic. If you like coming-of-age stories, especially when combined with a heroine’s journey, I think (and hope) you will love Binti’s story as much as I did.

Reviewer’s Note: NoveList has just released beautiful posters featuring Afrofuturism and Afrofantasy in honor of the fantastic movie Black Panther. The posters are gorgeous, but of course not remotely comprehensive of either genre. However, Nnedi Okorafor is the only author featured on both posters. Look for the posters AND the books at your local library.

Review: Home by Nnedi Okorafor

Review: Home by Nnedi OkoraforHome (Binti, #2) by Nnedi Okorafor
Formats available: paperback, ebook
Series: Binti #2
Pages: 176
Published by Tor.com on January 31st 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

The thrilling sequel to the Nebula and Hugo winning Binti.
It’s been a year since Binti and Okwu enrolled at Oomza University. A year since Binti was declared a hero for uniting two warring planets. A year since she left her family to pursue her dream.
And now she must return home to her people, with her friend Okwu by her side, to face her family and face her elders.
But Okwu will be the first of his race to set foot on Earth in over a hundred years, and the first ever to come in peace.
After generations of conflict can human and Meduse ever learn to truly live in harmony?
Praise for Nnedi Okorafor:
"Binti is a supreme read about a sexy, edgy Afropolitan in space! It's a wondrous combination of extra-terrestrial adventure and age-old African diplomacy. Unforgettable!" - Wanuri Kahiu, award winning Kenyan film director of Pumzi and From a Whisper
"A perfect dove-tailing of tribal and futuristic, of sentient space ships and ancient cultural traditions, Binti was a beautiful story to read.” – Little Red Reviewer
Binti is a wonderful and memorable coming of age story which, to paraphrase Lord of the Rings, shows that one girl can change the course of the galaxy.” – Geek Syndicate
Binti packs a punch because it is such a rich, complex tale of identity, both personal and cultural… and like all of Nnedi Okorafor’s works, this one is also highly, highly recommended.” – Kirkus Reviews
"There's more vivid imagination in a page of Nnedi Okorafor's work than in whole volumes of ordinary fantasy epics." -Ursula Le Guin
"Okorafor's impressive inventiveness never flags." - Gary K. Wolfe on Lagoon
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

My Review:

There are two literary traditions that revolve around the thought and place we call “home”. One is the Thomas Wolfe version. That’s the “you can’t go home again” version of home. The other is the Robert Frost version, the one that says that “home is the place that, when you have to go there, they have to take you in.”

After the events of last year’s award-winning Binti, and a year at the intergalactic Oomza Uni, Binti desperately needs home to be the Frost version. She feels that there is something wrong with her, and that she needs the healing that only her home place can provide.

But when she gets there, she discovers that it is the Wolfe version of home. She ran away, not because anything terrible happened or would happen, but because the safe, secure and traditional plans that her family and her village all had for her future were too confining for her intellect and her spirit.

She stood on the shoulders of her village and saw further than anyone had in a long time. And, the people she thought were her own wanted to chop her off at the knees for it.

No one is right and no one is wrong. Binti is just a bit different from everyone she thought she knew, and everyone who believed that she was theirs. And much too much has happened for her to go back and become the smaller person that they all wanted her to be.

But just as Binti’s own Himba village people are looked down upon by the cosmopolitan, city-dwelling Khoosh, Binti herself has absorbed the prejudices of her own Himba people towards the elusive Desert People. Binti’s self-perception, even her very identity, are threatened when she learns that the Desert People are much, much more than the savage wanderers they appear to be.

And that she is one of them.

Escape Rating B-: I found the first story in this series, Binti, to be utterly absorbing from the opening paragraphs. But Home was much less so. Just as Binti seems suddenly unsettled at Oomza Uni as this story opens, as a reader I also felt unsettled. Binti found her involvement with her environment problematic, and I found my involvement with her equally so.

Binti couldn’t focus and neither could I. This was a story where I finally finished on the third attempt. I’m glad that I did, but this just didn’t grab me the way that the original did.

Home is also a middle book. While the overarching story moves forward in Home, it does not end. Or it ends on a cliffhanger. But the ending felt unsatisfying. I was hoping for some kind of conclusion, even if an interim one. Binti, in spite of its relatively short length, told a complete story, beginning, middle AND end. Home feels like all middle. And muddle.

I hope that the next book in this series, The Night Masquerade, brings Binti’s story to an exciting and satisfying conclusion.

Review: Binti by Nnedi Okorafor

Review: Binti by Nnedi OkoraforBinti (Binti, #1) by Nnedi Okorafor
Formats available: paperback, ebook, audiobook
Series: Binti #1
Pages: 96
Published by Tor.com on September 22nd 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs.
Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti's stellar travel will bring her within their deadly reach.
If Binti hopes to survive the legacy of a war not of her making, she will need both the gifts of her people and the wisdom enshrined within the University, itself - but first she has to make it there, alive.

My Review:

I was intending to review The Fifth Season by N.K. Jemisin today, but I spent too much time wading through A Hundred Thousand Worlds for a review over at The Book Pushers, and ran out of time. So I decided to review a different (and much shorter) book that is also among this year’s Hugo nominees. I’ll get around to The Fifth Season before Hugo voting is final.

Let me say this up front, I loved Binti.

Binti is a story in the classic SF coming-of-age-by-leaving-your-home-planet tradition, given a fresh twist by its Afropolitan heroine. The freshness comes from both aspects of that description. Females are much less often featured in this trope, where the protagonist leaves their home planet driven by a desire to be more than what home has to offer. Also, the heroine of Binti is unmistakably African, and in a future world where she faces similar types of prejudice to today, but in ways and for ostensible reasons that make more sense in this future. Although there are multiple shout outs to the present day “can I touch your hair?” issue.

Ultimately, this is a story about healing and survival. It’s about finding commonalities between people who have always seen each other as deadly enemies, to the point where both sides shoot first and ask questions never.

And this is a story about cultural misappropriation gone terribly, terribly wrong in the name of profit and fame.

At the same time, Binti is an everyteenager, leaving her family, her home and her predictable but probably excellent future for the great unknown. She is compelled and propelled by the desire to grow beyond the place where she was planted. But this is done in the story in such a way that nothing and no one is demonized. She’s not leaving because things are bad in any way at all. Only that her family desires to see her continue in the place and life they have planned for her, and view her desire for something different as both wrong and selfish.

In the end, she becomes far more than she, or anyone, ever dreamed. But she also becomes a different person than the one who left. As she strides off into her very brave new future, she is forced to wonder whether the price is a complete unmooring from her past.

And to know it was worth it.

Escape Rating A+: Binti changes the course of the galaxy, not because it wants to change, but because she feels compelled to change it. And because making things change is the only way for her to survive.

Binti has, along with its coming of age story, the feeling of a first contact story. Although this isn’t the first time the Meduse and the humans have crossed paths, it does seem to be the first time that they have had a reliable method of communication.

As Binti postulates in the story, it is a lot harder to kill someone after you have learned their name and had lots of conversations with them. It still isn’t impossible, as Earth’s history all too clearly shows, but it is harder once there has been some tentative steps toward understanding.

Especially when Binti’s ability to “harmonize” different things and different people through very, very high-level mathemagic allows the Meduse to finally see her, and eventually other humans, as an intelligent species, however different, like themselves.

But in the story, we see Binti’s hopes and desperate fears as she tries to find a solution that will allow them all to live. She seems to go through those seven stages of grief over and over as she is constantly sure that the Meduse will kill her as they did the rest of the passengers on the ship. Her breakthrough is almost as frightening as her initial capture, and equally unlikely of success.

In conclusion, Binti is a beautiful story. And even though it is short, it manages to both feel complete and leave the reader wanting more. I can’t wait for the sequel to come out in January.