Category: A Reviews

Grade A #BookReview: Mechanize My Hands to War by Erin K. Wagner

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Grade A #BookReview: Mechanize My Hands to War by Erin K. WagnerMechanize My Hands to War by Erin K. Wagner
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: artificial intelligence, dystopian, post apocalyptic, robots, science fiction
Pages: 320
Published by DAW on December 17, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The debut novel from Erin K Wagner is a chilling nonlinear sci-fi that examines androids as a labor force in conflict with both human farmers and homegrown militias in near-future Appalachia
Deep in the hills of Appalachia, anti-android sentiment is building. Charismatic demagogue Eli Whitaker has used anger toward new labor policies that replace factory workers with androids to build a militia–and now he is recruiting child soldiers.
Part of a governmental task force, Adrian and Trey are determined to put a stop to Whitaker’s efforts. Their mission is complicated by their own shared childhood experiences with Whitaker. After an automated soldier shoots a child during a raid to protect Trey, both grapple with the role of androids and their use in combat.
Interrelated with the hunt for Whitaker, farmers Shay and Ernst struggle after they discover their GMO crop seeds have failed and caused a deadly illness in Shay. To help manage, they hire android employees: Sarah as hospice, and AG-15 to work the now-toxic fields. The couple’s relationship to the androids evolve as both humans get progressively more sick.
Timely and chilling, Wagner's nonlinear debut shares intimate narratives of loss, trauma, and survival as the emergence of artificial life intersects with state violence and political extremism in rural Appalachia.

My Review:

I picked this up because I fell hard into the author’s debut novella, An Unnatural Life, and was hoping for more of the same. I absolutely got it with Mechanize My Hands to War, as this was both more in its continued exploration of a future relationship between humans and sentient AIs, and more literally, as I wished that An Unnatural Life had a bit more time to explore its variations on that theme and this book is nearly twice as long.

Which it absolutely needed to be to get all the things it needed to, even as tightly packed in layers as it turned out to be.

The outer layer of this story is a bit of a near-dystopia. Or a could-be apocalypse. It’s 2061 and the U.S. is on the brink of a whole lot of things that could go really, really pear-shaped. That the setting of this story isn’t all that far out from when we are now is definitely part of the point.

The surface story is about two senior agents from the Bureau of Alcohol, Tobacco, Firearms and Explosives – and it’s the “explosives” part of that mandate that has dragged the Bureau into this situation.

A private militia has been growing throughout the heartland, recruiting people who feel that the lives they have built have been stolen from them by a government that is poisoning the land of their farms with poorly tested chemicals and/or filling their factory jobs with robots.

They’re not exactly right – but they’re not exactly wrong, either. Howsomever, their methods are problematic in the extreme.

First, they’re stockpiling explosives, which always draws the ATF’s attention. Second, they are recruiting and training child soldiers, and that gets everyone’s attention even as it complicates every single one of the ATF’s operations.

Because no human wants to shoot a child – even if that child is aiming a weapon right at them.

The situation reaches a flash-point, figuratively and literally, when a robot DOES shoot a child while following its orders and its programming to the letter.

In the midst of the firestorm of controversy, no one is willing to even think the hard truth – that the problem, and the blame – rest not with the programmed unit Ora, but with the humans who programmed him.

Escape Rating A: The story, the outer layer of it at least, is deceptively simple. And then things get really complicated, both in the story itself and in what’s hiding underneath it. Whenever I stop to think about it for even a minute, more ideas pop to the surface and swim underneath.

On the surface, that single story is already multiple stories. The first is the story of the extremely uncivil war between the Civil Union Militia and the ATF as proxy for the entire U.S. government. But underneath that layer, there’s the breakdown of the U.S. into factions, an extension of the tension between the cities and the heartland, that already exists.

A conflict that is exacerbated by the presence of robots as factory workers, mail carriers, and home health aides, doing any job that can be programmed reasonably effectively. But also as soldiers – and cops.

And that’s where Mechanize My Hands to War does what science fiction does best. Because on the surface that story is simple enough. The robots ARE, in fact, replacing humans in a lot of jobs, displacing a lot of people who had work that did not require a higher education, and not leaving nearly as many such jobs behind as there are people who need them. It’s a fear that has been played out recently in both the Writers Guild of America/Screen Actors Guild strike of 2023 and the Dockworkers’ strike of October 2024.

But the robots and the AIs did not create and program themselves to do these jobs and replace those workers. (They might, someday, but that would be a different story entirely – or a later one.) The robots are merely an easier and more reachable target for those who have been negatively impacted by the changes.

They represent the scapegoat that people are supposed to focus on, so they don’t attack who is really responsible – the corporations who have studied the calculus of profitability and know that replacing five humans with one human and four robots is better for their bottom line.

And it’s easy to see the robots of this story as the immigrants in today’s screaming – and all too frequently erroneous – headlines.

Which is where the story turns back upon itself into that original SFnal premise. Just because the robots were intended to be self aware but not sapient, does not mean that they have not evolved beyond their programming. That the more that the programmers attempt to create a complicated enough decision making matrix for the units, one that would keep another robot from killing another child even though that child is a clear threat, the more independent thought processes the robots have to work with.

The place where THAT might lead gives the story an open-ended and very SFnal ending. But the points that it raised keep dancing around in my head. As the best science fiction stories absolutely do.

A- #BookReview: A Snake in the Barley by Candace Robb

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: A Snake in the Barley by Candace RobbA Snake in the Barley (An Owen Archer mystery Book 15) by Candace Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: Owen Archer #15
Pages: 325
Published by Severn House on December 3, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Where is taverner Tom Merchet? Owen Archer unearths a series of troubling secrets and a dangerous foe intent on retribution when his good friend goes missing.

"A standout . . . Robb reinforces her place among the top writers of medieval historicals" - Publishers Weekly Starred Review

York, 1377. Owen Archer is determined to find his friend, taverner Tom Merchet, who has been missing for five days. His wife, Bess, is frantic with worry.

AN ENIGMATIC STRANGER.

Who is the elusive Widow Cobb that Tom was seen visiting? And who is the man spotted following Tom before he vanished? As Owen hunts for clues, Bess decides to visit the widow’s lodgings and makes a terrifying discovery.

RETRIBUTION IS BREWING . . .

Owen digs up past sins and long-buried secrets that answer some of the questions surrounding Tom’s disappearance. But who is the sly and malevolent figure intent on destroying his friend, and why? A shocking confession will rock Owen to his core . . .

An action-packed, evocative and masterfully plotted medieval mystery in the critically acclaimed Owen Archer series, perfect for fans of C.J. Sansom, Ellis Peters and Paul Doherty.

My Review:

The previous entry in this marvelous long-running series, A Fox in the Fold, was all wrapped up in Owen Archer’s past. This current entry dives deeply into the past of Owen and Lucie Archer’s friend and neighbor, tavernkeeper Tom Merchet.

At the heart of this particular mystery is something that almost seems foreign to us in this era of instant communication and always available – if not always true – information. The past is another country, as the saying goes, and they do things differently there. One of the things that is very different is just how easy it could be to reinvent yourself – for good or ill – by moving a distance that doesn’t seem all that far to us, but represented a significant investment in time, money and danger in Owen Archer’s – and Tom Merchet’s – late 14th century.

Owen Archer, his wife Lucie, and his neighbors and good friends Tom and Bess Merchet, are all middle-aged by this point in the series (1377) which began in 1363 in The Apothecary Rose. Owen wears his past on his face in the form of an eyepatch that covers the wound that saw him mustered out of the King’s Archers and into a life as the King’s wandering investigator.

But Tom Merchet’s past has remained firmly down the road both literally and figuratively, in places and people he left behind and buried before Owen came to York to investigate whether – or not as the case turned out to be – Lucie murdered her late husband.

Everyone in York knows that Tom lost his first wife and child, and very nearly the York Tavern along with them. And that Bess saved him and the tavern both with her skills as a cook and manager, and that they grew together into a happy and loving marriage.

But their peace has been disturbed by a series of unfortunate and downright strange events. Someone is digging holes around their property. Tom has been skulking about town at odd hours, visiting strangers suspected of theft – and worse. Bess is sure it’s all tied to a past that Tom has always refused to talk about – and that whatever happened then has come back to haunt him now – and that it’s taken him away from her. Possibly for good. Meaning for something very, very ill indeed.

And she’s right about that. But wrong about pretty much every single thought and speculation that has led her – and her now missing husband – to this terrible pass. Because of a past that has refused to let him go.

Escape Rating A-: I adore this series, and have since I read the very first book, The Apothecary Rose, as I myself was walking the streets of York on a trip just over OMG 30 years ago. Time does fly and some of it has been fun. The reading parts, certainly.

Reflecting back on the series, how much time it has covered both in the ‘real world’ and in Owen and Lucie’s historical York – even if it hasn’t been nearly as much time for them as it has been for us – I can’t help but think over how much has happened in both sets of those years. While at the same time marveling at just how little prior knowledge of the series a reader needs to have or remember to get into this 15th entry in it. (Meaning that you could start here but it’s all just so good you really should start at the beginning!)

It’s all down to the fact that, throughout the series, Tom Merchet has revealed little of his past. That he has one, yes. What it consisted of, what sins he’s committed, he hasn’t discussed. At all. Even with his wife.

So when Tom goes missing Owen doesn’t have any clues about where to start because Tom didn’t leave any. Owen is just as lost as we are – or the other way around! – investigating events that happened nearly two decades ago if not more, committed to and perhaps committed by a man he knows NOW but who may not much resemble the person he was THEN.

As Owen investigates, he hears conflicting reports of Tom in both the past and the present. He knows that the behavior that resulted in Tom’s near death beating in the now doesn’t make much sense even in the abstract and certainly bears no resemblance to his friend. Which doesn’t mean that the long-ago events which left behind so much enmity in Tom’s former home couldn’t have been committed by a much younger – and likely more hot-headed – version of that same man.

The heart of Owen’s investigation, the mystery he has to solve, lies in the past. A past that Tom has kept from his wife, a past that he’s ashamed of. But someone wants him dead in the present very, very badly. Someone who has left a trail of corpses behind them and then attempted to frame Tom for their deeds. Someone who obviously left Tom for dead in the hopes that the frame would fit his corpse better than it does a living man who has tales to tell.

Unless Tom has been hiding a villainous nature all along. Or a nature that was once villainous enough that he can be blackmailed now to keep it quiet. Leaving Owen to navigate his way through the rather pointy horns of multiple dilemmas, all of which must be resolved in order to bring the true villain – or villains – to justice.

And, as always in this series, it’s a delight to watch him work – especially this time around as he doesn’t begin with a clue and we get a refresher on everyone and everything all over again. Even the parts that seem familiar have to be re-examined with fresh eyes and it’s a great reminder of the bones of all the stories that have come before in the series while giving new readers a place to jump in.

The major plot of this particular story and its biggest mystery, is primarily domestic in nature this time around. But that does not mean that the roiling boil of royal politics does not touch upon York, particularly upon Owen in his semi-official position as the Princess of Wales’ agent in the North. The old king is on his deathbed, his Prince of Wales is several years in his grave, and the heir apparent is a child that all his uncles are already squabbling over – as well as over the throne on which the young Richard II-to-be will sit. If he lives that long.

The English royal family feud better known as the Wars of the Roses is about to boil over, and even in far north York, Owen Archer is likely to be in the thick of it. Hopefully in the next book or two – or maybe several! – books in the series. As one of the things I love best in this series is the author’s deft mix of Owen’s domestic business in York with the doings of the great and the mighty in London, I’m looking forward to finding out what happens on both fronts whenever the next book appears.

May it be soon!

A- #BookReview: How to Steal a Galaxy by Beth Revis

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: How to Steal a Galaxy by Beth RevisHow to Steal a Galaxy (Chaotic Orbits #2) by Beth Revis
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, science fiction romance, space opera
Series: Chaotic Orbits #2
Pages: 144
Published by DAW on December 3, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Sparks fly when Ada and Rian just-so-happen to find themselves at the same charity gala—but there’s something rotten behind the sparkling gowns and dazzling wealth on display

This heist turned rom-com from New York Times bestselling author Beth Revis is perfect for fans of sexy, romantic science fiction and readers of Martha Wells and Becky Chambers

Ada had no intention whatsoever to continue working for the rebel group that hired her to retrieve the government’s plans for a nanobot climate cleaner if they weren’t willing to pay her for it, but then they offer a different perk: an undercover mission to a charity gala where Rian will be in attendance. Rian, meanwhile, has volunteered his services for the gala believing that the rare items up for auction will attract Ada’s eye. Hoping to catch her in the act and pin her with a punishable crime, Rian has no idea Ada’s really after.

In a high-stakes game of theft and deception, Ada plays to win...and Rian will do anything to stop her.

My Review:

In this arresting follow-up to the first book in the Chaotic Orbits trilogy, Full Speed to a Crash Landing, mercenary hacker/thief Ada Lamarr is on the trail of a much more interesting quarry than a mere locked data box. This time she’s not after treasure, she’s after the person who has set himself up as the guardian of a whole, entire museum full of priceless antiquities.

Agent Rian White has his eye on Ada from the moment she arrives at the Museum of Intergalactic History, absolutely certain she’s planning to steal one of the Sol-Earth artifacts no matter how many times she’s says that she’s there for him.

She’s not even lying. She’s certainly toying with the man – but she’s not lying. Not that she wouldn’t like to steal one of the artifacts – and not that she wouldn’t enjoy tweaking the ego of the rich rat bastard who’s the star of this particular charity gala – but she really, truly isn’t there for either of those things.

She really is there for Rian White – for considerably more reasons than she’s willing to admit, even to herself. So all of Rian’s operatives are busy watching her, while she has her eye on her prize all along.

And not that she doesn’t put the dominoes in motion for a couple of secondary prizes along her way.

Ada may not be fooling with White – but someone else already has. Her job – for which she is being paid very good money – – is to remove the scales from White’s eyes and get him to come in on her saving the world caper.

She may be in it for the money, but he’s a true believer. All she has to do is get him to believe – in her.

Escape Rating A-: The caper – and it absolutely is a caper every step of the way – is delightfully frothy, light and sparkling, and filled with witty banter covering plenty of wry undertones and more than a hint of forbidden romance.

Ada is, after all, a thief, and it’s Rian’s job to keep her from stealing anything. But she’s also, in this particular case, the misdirection. He – and his fellow agents – are so busy following Ada that they miss entirely too much of what’s going on around them.

Which is what underpins the whole story of the series – and it’s a doozy once all the sparkling bubbles have popped.

Because White and his fellow agents believe that they are protecting the plan to save a world. This world, in fact. Earth-Sol, the cradle of humanity. They believe that the government that they work for is more-or-less on the side of the angels. That they are doing good while Ada and her employers’ efforts are getting in the way of something both righteous and virtuous.

But that’s not the way the universe works. Especially not when doing good gets in the way of making a really huge, neverending, profit.

The way that this particular story works is that Ada’s seemingly aimless wandering through the Museum Gala is meant to misdirect Rian White, any of his agents, the reader AND the story, all at the same time.

It reads like a bit of light froth, that she’s playing with him, while he’s doing his damndest not to play with her, and that she’s then playing with the scene around her and filling in time while something happens in the background.

And that’s somewhat true and also a bit of a tease for the reader. It makes the story seem much lighter hearted than it really is and keeps White guessing as well. We know Ada is wearing a mask, she even admits as much, but we don’t really see what that mask is in service of.

When she rips it off at the end it’s an ‘aha!’ moment for the reader and an utter shock to White – and that’s when we all get the shape of things to come – or at least we think we do. Ada may have fooled us all again and we won’t learn in exactly what way until the final book in the trilogy, Last Chance to Save the World, coming April. I can’t wait to finally see Ada put all of her cards on the table – and to see if Rian picks them up.

A couple of final notes. Readers who have played Mass Effect may find Ada’s infiltration of the Museum reminiscent of Kasumi Goto’s infiltration of Donovan Hock’s party in Mass Effect 2 – complete with sexy, high-end wardrobe. However, in comparison to Strom Fetor, Hock is fairly penny-ante even if he bears a strong resemblance to a certain real world tech billionaire, amasser of tech companies that he claims to have invented but then destroys, and all around teflon coated, egotistical, arsehole.

Your reading mileage may vary on that bit, but seeing Ada obviously set him up for some comeuppance at a later date did add a bit of just desserts to the impending evil in both worlds that added just an extra fillip of deliciousness to the whole story so far. The ending in Last Chance to Save the World looks like it’s going to be a doozy!

Grade A #BookReview: What Child is This? by Bonnie MacBird

Posted on by Marlene Harris | Author : | A Reviews> book reviews
Grade A #BookReview: What Child is This? by Bonnie MacBirdWhat Child is This? (Sherlock Holmes Adventure #5) by Bonnie MacBird, Frank Cho
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, holiday fiction, holiday mystery
Series: Sherlock Holmes Adventure #5
Pages: 228
Published by Collins Crime Club on October 13, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

It’s the season of peace and goodwill, but a Victorian Christmas is no holiday for the world’s most popular detective in this new book from Bonnie MacBird, author of the bestselling Sherlock Holmes novel Art in the Blood.
It’s Christmastime in London, and Sherlock Holmes takes on two cases. The angelic three-year-old child of a wealthy couple is the target of a vicious kidnapper, and a country aristocrat worries that his handsome, favourite son has mysteriously vanished from his London pied à terre. Holmes and Watson, aided by the colourful Heffie O’Malley, slip slide in the ice to ensure a merry Christmas is had by nearly everybody . . .

My Review:

I wasn’t expecting to find a Sherlock Holmes story to include in my personal Ho-Ho-Ho Readathon. Not that I wasn’t willing to, considering how much I love Sherlock Holmes stories, but rather that Holmes can be a bit of a curmudgeon at the best of times.

He may not be, in any way, a miser like Ebenezer Scrooge but he’s certainly more than capable of bah-ing and humbug-ing with the best of them. Or the worst of them as the case might be.

And then I remembered that the Holmes series I just started earlier this month with Art in the Blood, included a Holmes’ Christmas tale, and to paraphrase the Great Detective himself, the game was afoot.

What Child is This? (yes, the question mark is part of the title and it’s driving me batty) connects two stories with loosely similar themes under the banner of the holiday season and runs away with them. Or sets them on fire. Or a bit of both.

The Marquis of Blandbury, Henry Weathering, comes to Holmes because his adult son Reginald hasn’t written to his mother in weeks, and the woman is beside herself because it’s so very much not like him. Even dear-old-dad, who does not seem the worrying sort, is worried – if only second hand. He’s more concerned about his wife’s peace of mind than his son’s current whereabouts but even the rather blunt instrument that is the Marquis knows that something isn’t right and he expects Holmes to find out precisely what.

The other case, the much more serious case, is one that literally drops into Holmes’ and Watson’s laps. Or at least falls right into their hands. They witness a well-to-do woman and her attendant get attacked by a crazed assailant who knocks them both over as he plucks the woman’s little boy right out of her arms. And attempts to flee with the child through the crowded streets.

With Sherlock Holmes in hot pursuit, Watson attends to the women who have been so grievously assaulted. Holmes doesn’t manage to catch his man – but he does successfully rescue the little boy and restore him to his mother’s waiting arms.

The two cases don’t have anything in common beyond the fact that both originate with potentially missing sons. Of course, Holmes, with Watson’s able assistance, solves both cases.

But neither case goes to any of the places that the reader originally believes they will, and the solutions are far from orthodox. They are both cases where Holmes displays the heart that he would claim that he does not have – with his dear friend Watson there, as always, to record that he does.

Escape Rating A: I loved this – and I think I loved it more because it feels like the characterizations of Holmes and Watson read like they owe a lot more to the screen adaptations of the past OMG 40 years, starting with Jeremy Brett, than they do to the earlier portrayals of Basil Rathbone and even the original Holmes canon itself.

Not that the two cases aren’t every bit as confounding and convoluted as any of the Holmes’ stories penned by Conan Doyle, but rather that the characters of our two protagonists have been made just that bit more human and more sympathetic than the original ‘thinking machine’ and his idiot sidekick.

Instead, this is a portrayal where Holmes is aware that he is just a bit ‘different’ from most people, and where Watson knows and understands that part of his purpose in Holmes’ life and in their long friendship is to allow Holmes to explain his deductions – even as he stinks up their apartment with his experiments.

There is a mutual respect in that friendship – a respect that would have had to have existed for Holmes to have tolerated Watson’s inability to follow his genius and for Watson to have tolerated Holmes’ frequent high-handed treatment of him. There’s also an awareness on Watson’s part that these are NEVER fair play mysteries. Holmes always keeps secrets even when that lack of knowledge might endanger Watson’s life.

The solutions to both of these cases are extremely unorthodox – which made them that much more fascinating. Something that was made even more clear to me as I listened to The Adventure of the Blue Carbuncle, the canon story with which this adventure was very loosely in dialogue. THAT Holmes would never have come to either of these resolutions, but THIS Holmes is all the better for doing so.

I liked my first taste of this author’s Sherlock Holmes Adventures in Art in the Blood, but I really got into this interpretation with this Christmas story. There are three stories between Art and this one, and the events of those stories was teased just a bit in this one – more than enough to make me eager to read them.

And I’m definitely looking forward to the latest entry in the series, The Serpent Under, coming in January!

A- #BookReview: Love You a Latke by Amanda Elliot

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: Love You a Latke by Amanda ElliotLove You a Latke by Amanda Elliot
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, Hanukkah romance, holiday romance, romantic comedy
Pages: 368
Published by Berkley on October 8, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Love comes home for the challah-days in this sparkling romance.
Snow is falling, holiday lights are twinkling, and Abby Cohen is pissed. For one thing, her most annoying customer, Seth, has been coming into her café every morning with his sunshiny attitude, determined to break down her carefully constructed emotional walls. And, as the only Jew on the tourism board of her Vermont town, Abby's been charged with planning their fledgling Hanukkah festival. Unfortunately, the local vendors don’t understand that the story of Hanukkah cannot be told with light-up plastic figures from the Nativity scene, even if the Three Wise Men wear yarmulkes.
Desperate for support, Abby puts out a call for help online and discovers she was wrong about being the only Jew within a hundred miles. There's one Seth.
As it turns out, Seth’s parents have been badgering him to bring a Nice Jewish Girlfriend home to New York City for Hanukkah, and if Abby can survive his incessant, irritatingly handsome smiles, he’ll introduce her to all the vendors she needs to make the festival a success. But over latkes, doughnuts, and winter adventures in Manhattan, Abby begins to realize that her fake boyfriend and his family might just be igniting a flame in her own guarded heart.

My Review:

It may be “beginning to look a lot like Christmas” – but it’s beginning to look a lot like Hanukkah, too. Particularly this year, as Hanukkah begins on the evening of December 25, 2024 – yes, that’s Christmas Day – and ends at sunset on Thursday January 2, 2025.

Hanukkah is not “late” this year – or in any other year. It’s EXACTLY when it’s supposed to be, the 25th day of the month of Kislev according to the Hebrew calendar – which is a LUNAR calendar based on the phases of the moon with a bit of a fudge factor to keep the months in line with the seasons of the solar year. The secular calendar, otherwise known as the Gregorian calendar, is a SOLAR calendar, based on the Earth’s orbit around the sun – with its own bit of fudge factor (leap years with leap days) to keep months lined up with the seasons. They aren’t the same.

And this is just the kind of thing that Abby Cohen finds herself attempting to explain – a LOT – as the only Jewish small business owner in her tiny town in Vermont. The one who has been voluntold that she’ll be planning a Hanukkah Festival/Market in less than a month, in the hopes of helping the town to stand out a little in the midst of the more ‘traditional’ Holiday Markets – meaning Christmas – in the neighboring towns. Even though the planned date for the ‘Hanukkah Festival’ is going to miss the actual holiday by more than a bit.

Abby’s coffee/pastry/lunch place isn’t doing well, financially – and neither are any of the other shops on the town’s Main Street. They ALL need a boost. The idea for the Hanukkah Festival isn’t bad – it’s just that the head of the town’s business association is a real steamroller who really wants a traditional holiday market but recognizes the market – ahem, so to speak – is saturated.

And who both doesn’t want to do all the work involved in any festival AND is most likely planning on using Abby as a scapegoat when people complain – either that the festival is too Jewish – or much more likely considering Lorna’s plans for the Festival – not nearly Jewish enough.

A problem that Abby is already having plenty of trouble with herself. She’s disconnected herself from the Jewish community in general – and from her parents in particular – for reasons that are far from apparent as the story begins.

But it’s clear she’s running away from something – or someone, or her own feelings about one or the other – and this little town in Vermont is far enough from her native New York City to be an escape from whatever trouble she left behind. Even if she brought the trauma of it with her.

Which is where her best and possibly least favorite customer comes in – and helps her out. Seth’s not a bad or troublesome customer in any single way. It’s just that he’s an effusive, cheerful, morning person – annoying so – and Abby is neither. He seems a bit of a pollyanna, always seeing the brighter side of everything – while Abby sees all the glasses, and cups, and plates, as half full AT BEST.

A best she is never, NEVER at first thing in the morning. (As a fellow non-morning person, I feel for her. Seriously. Morning people are TERRIBLE and need to stay far, far away – and be quiet about it – until after serious applications of caffeine.)

But Seth turns out to be the only other Jewish person in town. And he has a brilliant idea. A way they can help each other. Abby needs to go to New York City – in spite of just how much the very thought of running into anyone from her past gives her the heebie-jeebies – to find vendors willing to come for the festival.

And Seth needs to bring a nice Jewish girl home to his parents for Hanukkah in just a few short days. If Abby is willing to fake a relationship for the eight days of Hanukkah, Seth will help her make all the connections she needs to make the festival a success.

What could go wrong? Everything. What could go right? EVERYTHING!

Escape Rating A-: This is the second book in my personal participation in the 2024 Ho-Ho-Ho Readathon. If you are playing along with my Holiday Bingo Challenge, Love You a Latke checks off the box for either “Other Winter Romance” or “Seasonal but not Xmas” as well as “Snow on the Cover” but you’ll have to pick just one. I was specifically looking for a holiday romance centered around Hanukkah instead of Christmas because there just aren’t as many of those as I’d like to see.

Like Abby in the story, I often get just a bit annoyed that saying “holiday” this time of year is simply a coded way of saying “Christmas” that doesn’t acknowledge any of the MANY other holidays that are celebrated this time of year.

And a part of this story is Abby pushing back against that nearly overwhelming tide. The organizer wants to have her cake and eat it too, a “Holiday” Festival that’s labeled as Hanukkah so it stands out but is really Christmas after all. I was a bit astonished that Abby never thinks that Lorna isn’t getting kickbacks or trading favors with all of the ‘friends’ she expects Abby to hire to work on the festival she doesn’t want to plan and carry out herself.

But maybe I have a more suspicious nature than Abby does.

I’ll get down off my soapbox now – or at least I’ll try. Because the heart of this story is, of course, the will they/won’t they/can they/should they fake romance between Seth and Abby. Fake relationship romances are always so much fun because of the tension between what the couple is pretending to be versus what they think they really are and how easy the fake becomes real.

And that oh-so-very-much worked between Abby and Seth. Because his mother, as much as she is meddling, is actually right. Abby and Seth belong together because they make each other better people through challenging each other to be their best and most honest selves.

But the soul of the story is Abby’s internal conflict – and did I ever feel for her in that. She grew up in a close-knit Jewish community in New York City – a community that she loved BUT that she couldn’t really trust because her parents were lying, gaslighting, abusive assholes, and they poisoned everyone against her to make themselves look like perfect parents.

So she’s lost touch with her roots because it felt like the only way to excise the cancer in her soul. She misses being a part of the community so much, of being in on the jokes and sharing the history and all of what makes it a comfort to be among one’s own people no matter how that group is defined.

And she’s afraid of it at the same time because her parents have poisoned it for her and she fears – not unreasonably – that if she trusts anyone with her true self, with her fears and weaknesses and hopes and dreams – that they will either weaponize her feelings against her or betray her to her parents and their clique – or both. Letting Seth in AT ALL, even just as a friend, is a HUGE leap for her – and it’s so understandable that she very nearly doesn’t make it.

I felt SO MUCH for Abby’s journey. Both her disconnect and her need and desire to reconnect. But I kept waiting for her confrontation with her parents. She needed it and so did I as the reader. It felt like she couldn’t really have a happy ever after until at least some of that boil got lanced – no matter how painful THAT operation might be.

But I’m not sure it did. And I’m caught on the horns of a dilemma about that because the way it went felt more real. Not satisfying, because I was hoping for a big blowup and a huge catharsis – and that’s not how life works. Which is honestly a pity, but that’s the way things go.

I think the question for readers – and it’s the one I’m still puzzling over – is whether the way it does go is enough for Abby to start healing. In the end, I think so. I hope so. But I’d still love to have seen some just desserts get served.

A- #BookReview: The December Market by RaeAnne Thayne

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: The December Market by RaeAnne ThayneThe December Market (Shelter Springs #2) by RaeAnne Thayne
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, holiday romance
Series: Shelter Springs #2
Pages: 304
Published by Canary Street Press on October 8, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

The magic of Christmas—and a second shot at romance—is in the air in Shelter Springs this holiday season…
Amanda Taylor isn’t a fan of Christmas, but as the owner of a local soap shop, ignoring the holiday season isn’t an option. To forget the pain of Christmases past, Amanda focuses on making the season bright for her customers at the Shelter Springs Holiday Giving Market. But when her beloved grandmother, Birdie, starts dating the dashing new resident of the Shelter Inn retirement community, Amanda smells trouble. Fortunately, Rafe Arredondo, the grandson of Birdie’s charming suitor, is equally dubious of the match. Unfortunately, he's just as fiery as his grandfather—and Amanda has zero interest in getting burned.
As a single father, paramedic and assistant fire chief, Rafe has more than enough on his plate. Sure, he and Amanda share a common goal in keeping their grandparents apart. Still, that doesn’t mean he should allow himself to feel as drawn to her as he does. Even if she is great with his young son. Even if she does help the burden of his own painful past feel a little lighter… But when their paths keep crossing at the holiday market, it starts to feel like fate, prompting them both to wonder if taking a chance on love might gift them everything they’ve been wishing for.

My Review:

This first book in my personal 2024 Ho-Ho-Ho Readathon – and the second book in the author’s Shelter Springs series of holiday romances – combines two songs that I never expected to find in the same place.

The first one that hit me was Tom Lehrer’s version of “A Christmas Carol”, the one that kind of hits me every year as we get close to Black Friday, as we are. Lehrer’s comical/satirical “Carol” is the one that includes the line, “Angels we have heard on high, tell us to go out and –buy!” As that is EXACTLY what the Shelter Springs Annual Holiday Giving Market is trying to do – while trying to make the shoppers feel virtuous about spending LOTS as the profits from the Market are going to one or more local good causes – which makes it all that much easier for the folks who come from literally miles around to get the holiday presents they are looking for for their friends and loved ones.

But the other song, that wraps around this story like tinsel around a Christmas tree, is Fleetwood Mac’s classic, “Don’t Stop (Thinking About Tomorrow)” because that’s a lesson, both in the looking forward and in its reminder that “yesterday’s gone” that both market organizer Amanda Taylor and Assistant Fire Chief Rafe Arredondo need to learn.

Which they find themselves coming around to, slowly but not always surely, when their widowed grandparents, his abuelo Paolo and her grandmother Birdie, begin dating each other. At ages 76 and 80 respectively. Because life’s too short to take a pass on happiness when it comes your way – no matter your age.

No matter how envious it might make your adult grandchild, either.

But in the beginning of this holiday romance, Amanda and Rafe are both a bit too preoccupied with the yesterday that’s gone. Both are survivors of relationships with addicts, his wife, her father and her boyfriend.

The difference is that the most damage that Caitlin Arredondo, in her addiction and her resulting death, did was to their little boy Isaac. As well as to Rafe’s willingness to pursue a relationship with any woman he might be tempted to “fix” or “save” the way he was with Caitlin. He sees shadows in Amanda’s eyes that remind him too much of his late wife – never once thinking that the person those shadows really remind him of is the one he sees in the mirror.

Amanda knows that people see shadows around her, because her father’s addiction did considerably more damage to Shelter Springs than just to her and her mother. On his final bender, he killed four people along with himself, and there are entirely too many people in town who STILL look at Amanda and see her father. As though a teenage girl could have done anything to stop a full-grown man who was determined to drive while WAY over the legal limit.

Her baggage makes his baggage gunshy. Rafe’s mother is one of many people in town who still give Amanda the cold shoulder more than ten years after her father’s last drunken spree, because one of the people her dad killed that night was Rafe’s cousin Alex.

But Rafe and Amanda are now neighbors on Hummingbird Lane, and Rafe’s little boy has already decided that Amanda is his new best friend. Isaac was already planning to ask Santa to give him a new mommy, and he’s decided that Amanda is perfect for the role.

And he’s not wrong. She’s already fallen hard for the little boy, and in spite of herself is well down that same path for his father.

The question is whether either of the adults can get past their matched set of emotional baggage to give each other AND little Isaac the Christmas present they all want this Christmas. Even if it won’t exactly fit under the tree.

Escape Rating A-: The December Market wasn’t nearly as light and fluffy as I was expecting in a holiday romance – and it was all the better for tackling a couple of very serious topics, well, seriously, as well as having more than enough light and sparkle to kick off the holiday season’s readings.

The elephant that precedes Amanda into entirely too many rooms in Shelter Springs is her father’s last and final, monstrous and criminal, act. His rage-fuelled drunk driving was all the more tragic because it was entirely preventable. He didn’t HAVE to drive drunk on that or any other night.

But it was not preventable by then-teenaged Amanda. And most of the time she knows it – even if she does occasionally still second guess herself and let a smidgeon of guilt trip in. It doesn’t help at all that she chose to brazen out life in Shelter Springs, and that there are clearly some people in town who see her father’s shadow every time they see her.

It seems as if all of her many, many good deeds – and they are indeed many – and her inability to say “no” to any volunteer commitment, comes out of that smidgeon of guilt, or out of a desire to atone for her father’s deeds in some way – even though her childhood was certainly one of his victims. Being the adult child of an alcoholic has left a deep mark on her life that she may never completely recover from.

Keeping herself overly busy all of the time rather than face her own demons is one way of dealing with that damage.

But part of that damage is that she assumes her attraction to Rafe Arredondo can’t possibly be reciprocated – no matter how often she finds him glancing her way – because his is one of the families that her father nearly destroyed. Rafe tells himself he shouldn’t act on his attraction to Amanda because he doesn’t want to get his heart – and more importantly his son’s heart – tangled up in fixing someone who might not want to be fixed.

Of course, they’ve both read each other very, very wrong. They can’t, and shouldn’t, attempt to fix each other. But they can help each other be strong in the broken places. Figuring that out provides their matchmaking grandparents a chance to say “I told you so” even as it gives Isaac the Christmas present he asked Santa for.

As I said at the top, this wasn’t quite as light and fluffy as I was expecting, although the romance between the grandparents did add plenty of sweetness . It’s always lovely to see a story that shows it’s never too late to fall in love and grab a second chance at happiness.

But the part of the story that really got me were Amanda’s and Rafe’s two-step forwards, one-step back efforts to deal with surviving a family member’s addiction – because that’s a hard road that doesn’t get acknowledged often in fiction. It was terrific, in the end, that they both reached towards a bright future together instead of trying to change, control or simply remain mired in a yesterday that’s gone. Like the song.

A- #AudioBookReview: Crazy as a Loon by Hailey Edwards

Posted on by Marlene Harris | Author : | A- Reviews> audio reviews> audiobooks> book reviews
A- #AudioBookReview: Crazy as a Loon by Hailey EdwardsCrazy as a Loon (Yard Birds #1) by Hailey Edwards
Narrator: Stephanie Richardson
Format: audiobook, ebook
Source: purchased from Amazon, purchased from Audible
Formats available: paperback, ebook, audiobook
Genres: paranormal, urban fantasy, witches
Series: Yard Birds #1
Pages: 133
Length: 4 hours
Published by Black Dog Books, Tantor Audio on July 4, 2023
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Ellie Gleason has protected the town of Samford, Alabama for decades. It’s not as glamours as her glory days as the WitchLight Hub, but it keeps her active during her golden years.
Life is good.
Well, it’s okay.
Fine.
It could be bloodier with a smidge more gore, but retirement is meant to be low-key. It’s not like her fragile bones could handle the strenuous hunt for monsters anymore, even if her current duties are dull as dishwater.
But when her great-nephew shows up on her doorstep in tears—or is he her great-great nephew?—begging for help, Ellie straps on her beloved shotgun, Bam-Bam, and gets the coven back together.
Sure, Betty just had a hip replacement, and Flo would rather flirt than fight, and Ida is busy with her anniversary plans, and Joan is…Joan. But Ellie is certain she can whip the girls into shape in time to defeat the creature preying on kids at a nearby summer camp. She might even have them home in time for dinner.

My Review:

Ellie Gleason isn’t, really, and neither are the rest of her friends. Well, maybe Joan is just a bit. Crazy as a loon, I mean. None of them are crazy, loony or otherwise, no matter how much Ellie might fake it by running around the tiny town of Samford, Alabama in her housecoat with ‘Bam-Bam’ strapped to her back.

Bam-Bam is her shotgun. And nope, still not crazy.

Because when you’re still patrolling as a working member of Witchlight – even if you are in your second century – it’s better to be armed as well as dangerous. Which Ellie and the rest of her coven certainly are. Even if it takes them a little longer to get to the scene of the crime.

Or, for that matter, to the point of any discussion, because they’ve been together so damn long that there are plenty of times when the pointed barbs and the old grudges take over the planning of any and every op.

It’s mostly small town stuff – because they’re not the top tier of Witchlight operators no matter how much they all still wish they were kicking ass and taking names and riding monsters to the rescue. So when this case literally crawls into their laps, they’re all a bit giddy with the adrenaline of the chase.

Even if the person at the heart of the mess is a child under their protection. Particularly because another member of their family is doing their damndest to keep it from them.

They may not be what they used to be – but when one of their cubs is threatened it brings out the mama bear in every single one of them. Even if not one of them shifts into an actual bear. That’s okay. After all, one of their sons is bear-shifter enough to handle THAT part of the job.

Escape Rating A-: I picked up this book and audiobook, in fact this whole, entire series, on a recommendation from Caffeinated Reviewer. I caught her review of the third book in the series, Free as a Bird, and had to ask myself where had this been all my life and how had I missed it?

Based on this first book, this series is an absolute hoot from beginning to end. It was also the perfect book for this week as it is a hilarious pick-me-up with a heart wrapped around found family and lifelong sisterhood.

The combination of elements got me from the opening paragraphs. Because this takes off from the same premise as one of my favorite urban fantasies, A Key, an Egg, an Unfortunate Remark, but goes about it differently.

That book, and I still mourn that it was only ever the one, took off from a question about what happens to all those young, limber, kickass urban fantasy protagonists if they survive to middle age and even older. Marley Jacob got herself a kickass sidekick and went about her own personal kickassery through negotiation and mediation once the years caught up with her.

Ellie and her coven have just kept on kicking – even as they also kick against the inevitable slowing down of age. They use magic to slow down slowing down – and then they do too much and pay the price later. But they all refuse to quit even as they are forced to change gears.

They’re a LOT like the sisterhood of retired spies turned assassins in Killers of a Certain Age – complete with the sharply pointed banter and the lifelong grudges. So if you liked that and want to give urban fantasy a try, you’ll love Ellie and her Yard Birds.

The case here, and there certainly is one, does a great job of introducing Ellie and her sisters and setting up their family situation – which is just a bit complicated – while giving them a case that is close to their hearts even as it shines a light on just what sorts of things can go wrong in a world where the paranormal exists but still has to keep itself under wraps.

And then the case managed to tie itself back into the reason they all got involved in the first place, as both the evil they fight and the reason they’re fighting it come from the same place – a mother’s love.

The story is told from inside Ellie’s snarky head – and I loved every minute of it. The narrator, Stephanie Richardson, captured the essence of Ellie perfectly, so I’m very happy that she is the narrator for the whole series so far.

I only have two quibbles about this whole experience. One is that I wish there were more. Which there is, of course, as the second and third books, Dead as a Dodo and Free as a Bird, are already out and I already have them.

But the second is that I hope those later books resolve a niggle left over from this one. They did solve the case. They absolutely did. But there was a dangling potential co-conspirator left in their midst. I may be wrong about their co-conspirator status, but there was something rotten left in the heart of the family that got a rug pulled over it. I hope that rug gets pulled back in the books ahead.

I’m certainly there for it. I definitely want to hear as much more from Ellie as I can get!

A+ #BookReview: The Teller of Small Fortunes by Julie Leong

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
A+ #BookReview: The Teller of Small Fortunes by Julie LeongThe Teller of Small Fortunes by Julie Leong
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, fantasy
Pages: 336
Published by Ace on November 5, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

A wandering fortune teller finds an unexpected family in this warm and wonderful debut fantasy, perfect for readers of Travis Baldree and Sangu Mandanna.
Tao is an immigrant fortune teller, traveling between villages with just her trusty mule for company. She only tells "small" fortunes: whether it will hail next week; which boy the barmaid will kiss; when the cow will calve. She knows from bitter experience that big fortunes come with big consequences…
Even if it’s a lonely life, it’s better than the one she left behind. But a small fortune unexpectedly becomes something more when a (semi) reformed thief and an ex-mercenary recruit her into their desperate search for a lost child. Soon, they’re joined by a baker with a knead for adventure, and—of course—a slightly magical cat.
Tao sets down a new path with companions as big-hearted as her fortunes are small. But as she lowers her walls, the shadows of her past are closing in—and she’ll have to decide whether to risk everything to preserve the family she never thought she could have.

My Review:

Tao tells small fortunes. Only small fortunes. Just as it takes a big risk to win a big reward, it takes big magic to tell big fortunes. Which also results in big risks that Tao is simply not willing to, well, risk.

The only big fortune Tao ever told resulted in a big disaster. Her father was killed, her village was destroyed, her mother married a foreigner, took Tao away from home and raised her among strangers who could never get past her origins. And who seemingly could never forgive the girl for the turn in the family’s, well, fortunes.

So Tao took to the road, with her small cart and her small fortunes, doing her best to make enough money to keep body and soul together and on the road, touring small towns, never touching the greater magics that would foretell death and disaster and bring the empire’s witchfinders down upon her bowed head.

The rounds of Tao’s quiet and unassuming life are disrupted when she tells what she believes is a small fortune for a traveling mercenary. She sees him greet his little girl in front of what appears to be their home. A simple, everyday sort of fortune.

But the little girl has been missing for months and months, and her father and his friend – a semi-reformed thief – have themselves taken to the roads in search of the little girl’s whereabouts – or at least her fate.

This seemingly small fortune is huge. It is life-altering. Finding his little girl safe and sound will change everything for the mercenary – and he is determined to stick with Tao until that vision becomes truth.

The linking of his quest to her vision is the seed of change. As her vision leads him from clue to clue and village to village, their little band turns into a found family – a family that in turn is found by a series of small fortunes with big implications as the wheels of her cart grind their way to the fortune that Tao has been avoiding for all of her journeying.

It takes her home – to the home she never thought she could go back to – and to the one she never imagined she’d ever be able to make even for herself.

Escape Rating A+: This OMG DEBUT novel is just marvelous. I went into it expecting something light and cozy and certainly got that, but it’s just such a terrific story that hits so many excellent notes and is deeper than I was expecting by a whole lot.

It’s like every time the story takes just a bit of a twist it also digs more deeply into the heart – both Tao’s and the reader’s at the same time.

A big part of the story, and certainly the form of it, is the journey. Tao is traveling, endlessly traveling, because she’s rootless. She has no place that calls her home. So a big part of her starting out is an immigrant’s journey. Her mother brought her out of their country of Shinn to the country of their rival, Eshtera. Tao is never accepted as Eshteran because of her Shinian (read Asian) appearance, but she and her mother drifted apart so she doesn’t remember the culture of her origins. She’s lost without a true place of her own.

Her Esteran stepfather tried to forcibly graft her into Eshtera through marriage, but that was doomed to fail – so she fled. Her magic marks her as dangerous but the power of it is coveted – so she hides from the Empire.

She’s alone and feels doomed to remain so.

Her journey, that thing that keeps her isolated, is her salvation, and the story becomes Tao picking up a band of ‘strays’ much like herself and becoming the center of a found family – a family that she is willing to step WAY out of her comfort zone to protect, which in turn saves her as well as them.

And as the members of her little tribe each find their way into her heart, they all find their way into the reader’s as well.

A surprising readalike for this book is A Psalm for the Wild Built, which isn’t fantasy at all. But the journeys and the discoveries and the found family aspects are very similar, as is the way that Sibling Dex in Psalm becomes a big part of each of the places she visits even as she makes her own found family with the robot.

More than Legends and Lattes, which seems to be listed as the go-to readalike for every cozy fantasy, The Teller of Small Fortunes reminded me a whole lot more of the Mead Mishaps series. Not the romantic aspects of that series, but rather the way that both stories start out at a very light level and turn out to be important quest journeys with much larger implications and big found family elements by the time they reach their HEAs.

Very much like the other cozy fantasy series(es), however, The Teller of Small Fortunes is a story where there is not a villainous villain in sight. Instead, there are bad things that have happened to good people that get resolved through mostly human agency even as those humans make human mistakes along the way.

This isn’t a BIG story. There’s no big bad and there’s no big battle and it’s not a big contest between good and evil. Instead it’s a gentle story about people finding their way and finding that their way goes better when they go together.

It’s lovely and you’ll turn the last page with a smile and some days those are just the kind of stories we all need. When it’s your turn to need one of those kinds of stories, pick up this book. I’ll be eagerly awaiting her next.

A- #BookReview: The Bloodless Princes by Charlotte Bond

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: The Bloodless Princes by Charlotte BondThe Bloodless Princes (The Fireborne Blade, #2) by Charlotte Bond
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: dragons, fantasy
Series: Fireborne Blade #2
Pages: 160
Published by Tordotcom on October 29, 2024
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

Orpheus meets A Natural History of Dragons in a tale of death, honor and true love's embrace.
It seemed the afterlife was bustling.
Cursed by the previous practitioner in her new role, and following an... incident... with a supremely powerful dragon, High Mage Saralene visits the afterlife with a boon to beg of the Bloodless Princes who run the underworld.
But Saralene and her most trusted advisor/champion/companion, Sir Maddileh, will soon discover that there's only so much research to be done by studying the old tales, though perhaps there's enough truth in them to make a start.
Saralene will need more than just her wits to leave the underworld, alive. And Maddileh will need more than just her Fireborne Blade.
A story of love and respect that endures beyond death. And of dragons, because we all love a dragon!

My Review:

The road to hell isn’t paved with good intentions – it isn’t paved at all. Instead it’s a dropkick off of a VERY high bridge into a pit that the evil exilarch from The Fireborne Blade is trying to avoid by dragging his successor, Saralene, into the afterlife in his place.

This follow-up to The Fireborne Blade is a book that this reader never expected at all. Because at the end of The Fireborne Blade it seemed like the story was all wrapped up.

The dragon was dead, to begin with.

The dragon was dead, the disgraced knight Maddileh was redeemed, the Fireborne Blade was restored, the evil exilarch was dead, Maddileh’s betraying, body-stealing squire was dead – in exchange for Maddileh herself – and the true High Mage Saralene is back on her throne and in her office, with Maddileh as her bodyguard and captain.

All is right with their world – or would be if all of the above were as true as Maddileh and Saralene believed them to be at the end of that first book.

The adventures of this second book are necessary because those things are not true. In fact they are mostly not true. Especially the parts that have the worst potential outcomes.

The dragon is not really dead – only hibernating. The evil exilarch is dead – but he’s scheming from the afterlife to take Saralene’s body and her position and go right back to being the oppressive tyrant he was when he was alive. Because he will be. Again.

Unless Maddileh and Saralene can stop him – with the surprisingly willing assistance of the dragon they believed they killed.

All they have to do is convince the ‘Bloodless Princes’ who control the Underworld to let Saralene go – before she’s dead forever.

Escape Rating A-: The pattern of the way both books in this series are written is fascinating and more than a bit different. This story – as did The Fireborne Blade – works on two tracks that feed into each other in ways that the reader does not initially expect.

A piece of this story is told through tales that are myths and legends to Maddileh and Saralene – and then the actions they are actually performing move the story forward. Then it circles back to more legends – which inform the action to come.

What made the tales part of the action work was that those tales are told from two perspectives, the human and the dragon. Those points of view permeate these stories that talk about the same basic event but come to rather different conclusions and teach different lessons beyond the obvious one that whoever controls the recording of history sets the agenda for what history is believed to be – as opposed to what it really was.

All of which comes fully into play when Maddileh, Saralene and the dragon Mienylyth reach the Underworld, because the legends of the ‘Bloodless Princes’ have conflated order with good and chaos with evil, when in truth a LOT of time has passed, both princes’ attitudes have become set in very hard stone and either condition taken to extremes is no good for humans or other thinking creatures.

The whole, entire story kicks off with Maddileh and Saralene learning that the righteous ending they believed they’d earned at the end of their first adventure wasn’t an ending at all. This second adventure takes that fruit-basket upset and turns it into a story of adventure and upended assumptions that crosses the Greek myth of Orpheus and Eurydice with Lady Trent’s memoir, A Natural History of Dragons (by Marie Brennan) and turns it into a romance of longing and unfulfilled hopes and dreams that can only become an HEA if all the characters hold true to their oaths and their promises.

As much as the story is told from Maddileh’s and Saralene’s perspectives – as much as their human hopes and dreams drive the narrative forward – it’s the lonely dragon Mienylyth who steals the story and the reader’s heart.

I think this is the end of this saga – but then I thought that last time. If we get to see more of Maddileh and Saralene after all, I really hope that Mienylyth flies back as well. Because she was absolutely chock full of awesome – even when she was pretending to be a cat.

A- #BookReview: Old Scores by Will Thomas

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
A- #BookReview: Old Scores by Will ThomasOld Scores (Barker & Llewelyn, #9) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Barker & Llewelyn #9
Pages: 294
Published by Minotaur Books on October 3, 2017
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

When a Japanese diplomat is murdered, and Cyrus Barker is the prime suspect, Barker and sidekick Llewelyn must work against the clock to find the real killer.
In London of 1890, the first Japanese diplomatic delegation arrives in London to open an embassy in London. Cyrus Barker, private enquiry agent and occasional agent for the Foreign Service Office, is enlisted to display his personal Japanese garden to the visiting dignitaries.
Later that night, Ambassador Toda is shot and killed in his office and Cyrus Barker is discovered across the street, watching the very same office, in possession of a revolver with one spent cartridge.
Arrested by the Special Branch for the crime, Barker is vigorously interrogated and finally released due to the intervention of his assistant, Thomas Llewelyn, and his solicitor. With the London constabulary still convinced of his guilt, Barker is hired by the new Japanese ambassador to find the real murderer.
In a case that takes leads Barker and Llewelyn deep into parts of London's underworld, on paths that lead deep into Barker's own mysterious personal history, Old Scores is the finest yet in Will Thomas's critically acclaimed series.

My Review:

Nine books into the Barker & Llewelyn series, the adventures in which and of which are chronicled by the pen of Cyrus Barker’s once-apprentice and now fully licensed assistant private enquiry agent Thomas Llewelyn, it’s not a surprise to either the reader or Llewelyn that Barker has plenty of old scores to settle in this middle of his fascinating but hard-knock life.

It’s possibly even less of a surprise to Llewelyn that his ‘Guv’ has made more than enough enemies over the course of that remarkable life that there are an equal if not greater number of people who have old scores to settle with HIM.

The case in Old Scores begins seemingly innocuously, with the visit of a group of Japanese dignitaries to Barker’s authentic and beautiful Japanese garden – a sanctuary hidden behind his London townhouse.

After a frenzy of preparation, the visit itself seems to go quite well. With two notable exceptions. The British official escorting the party is a boor who displays his contempt for these prestigious guests with his every utterance. And it’s clear to Thomas Llewelyn that his Guv is already well acquainted with one member of the party – and that whatever history lies between Barker and the Japanese official is of long and painful standing.

(The treatment of the Japanese delegation by British officials is reminiscent of their contemptuous treatment of Chinese officials in the excellent The Murder of Mr. Ma by John Shen Yen Nee and SJ Rozan – in spite of the several decades that lie between the two mysteries.)

The story in Old Scores is a combination of the chance that ‘the enemy of my enemy might be my friend’ – at least temporarily – and ‘too many cooks spoil not just the soup but the whole entire meal’.

The Japanese delegation is fractured beyond repair even before the members start dropping like flies. The British are trying to gain a foothold in Japan to counter American ambitions in Asia, the Japanese want to oust the Americans from the position of power they took by force in 1853 AND they have imperial ambitions of their own, while the question of whether the future of the country lies in returning to the traditionalism and isolationism of the past or is best served by embracing the world as it is in hopes of controlling as much of it as possible. The members of the delegation display all of these possible outcomes in microcosm – and with deadly results.

And in the middle of it all is a contest between Cyrus Barker and the man who murdered his wife – back when Barker was considerably younger and possibly just a bit more naive than the implacable man he became after that terrible loss.

Escape Rating A-: It’s not really a surprise that I picked Old Scores (and also the preceding short story, An Awkward Way to Die – which was fun but there just wasn’t enough there there for a review) out of the virtually towering TBR pile over the weekend. The Barker & Llewelyn series has become a comfort read for me, portraying a world that may be more than a century gone but is easy to slip right back into thanks to the pen of author Will Thomas. I needed to get AWAY, as far as mentally possible, from the combination of anxiety and vitriol that marks this year’s U.S. election.

So I returned to the Victorian setting where Cyrus Barker always gets his man and his second in command, Thomas Llewelyn, does his best to chronicle the case, make sure the bills get paid, and support his ‘Guv’ in every way possible. Even when Barker is doing his usual damndest to keep all of his cards VERY close to his vest – up to and including the cards that Llewelyn – as his backup – really, really needs to know.

This is a case that DEFINITELY has its awkward aspects. Barker keeps entirely too many secrets about his past. Which he’s entitled to, but not if those secrets threaten to get his whole entire household killed or imprisoned. Which in this case they definitely are.

The result is that Llewelyn flails around at points when he shouldn’t have to. This is a case that hinges on things that his Guv hasn’t told him – secrets that are 20+ years old at this point. One can empathize both with Barker’s desire to let the past remain in the past AND Llewelyn’s desire not to end up dead.

We don’t expect Llewelyn to get to the solution ahead of his boss, but neither do we expect his boss to leave him quite so completely in the dark. It’s a bit of a conundrum that leaves our chronicler stumbling around in that dark more than is usual for this series. I’m here for the competence porn, and Barker made that more difficult than usual on several fronts.

But in the end, what carries the story, as always, are the characters and their ever more deeply entwined relationships. So this book did exactly what I picked it up for – it took me far, far away from the problems of today.

In the end, the story does reveal a very great deal about Cyrus Barker before he became the man that Llewelyn met in the first book in the series, Some Danger Involved. I expect to see more consequences of this book’s revelations in the following books in the series.

I’ll certainly be picking up Blood Is Blood the next time I’m looking for a comforting murder to sink my reading teeth into.