
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, historical fiction, historical mystery
Series: Nora Breen Investigates #1
Pages: 325
Published by Atria Books on April 8, 2025
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads
A cozy mystery series about a former nun who searches for answers in a small seaside town after her pen pal mysteriously disappears
1954: When her former novice’s dependable letters stop, Nora Breen asks to be released from her vows. Haunted by a line in Frieda’s letter, Nora arrives at Gulls Nest, a charming hotel in Gore-on-Sea in Kent. A seaside town, a place of fresh air and relaxed constraints, is the perfect place for a new start. Nora hides her identity and pries into the lives of her fellow guests—but when a series of bizarre murders rattles the occupants of Gulls Nest it’s time to ask if a dark past can ever really be left behind.
My Review:
For a cozy mystery, Murder at Gulls Nest is a bit twisty and occasionally downright creepy, but in the case of this particular case – that’s a marvelous thing!
Nora Breen has come a long way to arrive at little Gore-on-Sea on the Kentish coast. All the way from more than 30 years as a nun, out of the convent and straight into the room that her former novice occupied in a somewhat rundown boarding house just before she disappeared.
A disappearance which has led to Nora being out in the world for the first time in decades, having entered her monastery in the post-World War I years after a personal tragedy, and emerged in 1954, not long after an entirely different war whose scars are still healing, both on the country and especially on its people.
She’s just a bit overwhelmed – but she’s also very determined. As well as downright nosy – a predilection that was considered a flaw in her former vocation. But out in the world that gets a considerably more mixed reception. The local police inspector in Gore-on-Sea – and in fact the entire police station – also believe it’s a flaw, and an annoying flaw at that. Nora, on the other hand, is having a bit too good of a time figuring out how to interrogate her fellow boarders without making them feel like they are being interrogated. Even though they are.
Which doesn’t stop Detective Inspector Rideout from relying on Nora’s nosiness, her stubbornness, and her imagination fired up by years of reading detective mysteries, to help him solve a puzzling series of murders at that boarding house, Gulls Nest. Murders that the coroner would much rather sweep under the rug as either suicides or accidents even though Nora is convinced that there is a murderer hiding among the eccentric guests.
And that her missing friend was the murderer’s first victim.
Escape Rating A: Murder at Gulls Nest turned out to be one of the creepiest cozies I’ve ever had the pleasure of reading – but a pleasure and a delight it certainly was. This is the first book in a series, so Gore-on-Sea could certainly get cozier, but as the place stands right now it seems like a good place to get murdered in.
This story, and the series, begins in one of the usual ways that classic mystery series begin when the sleuth is an amateur – meaning that Nora’s first case is entirely personal at the outset. In Nora’s particular case, that she has come to discover the fate of one of her novices allows Nora to both reminisce about her time in the monastery and ruminate on the life that brought her there and the compulsion that pulled her out.
And we do get more than enough to get what she came from and where she’s coming from, even though it’s an experience that seems just as much a part of the past as the mid-century, post-war setting in the kind of seaside holiday town that was on its way out then and of which there are only remnants now.
What draws Nora into the mystery as a whole, and the reader right along with her, are the downright eccentric denizens of Gulls Nest, from the opiate-addled landlady and her ‘wild child’ young daughter to the retired traveling puppeteer, the smooth black marketeer and the dour housekeeper who is so clearly a candidate to be either the murderer or the scapegoat.
As the residents drop one-by-one, the motive for the murders gets murkier and murkier. Not that there weren’t plenty of possible motives and suspects for each individual murder, but the question of who benefits from ALL of the murders drives Rideout and Nora into a reluctant investigative partnership that pushes the story forward even as Nora pokes her nose into people and places that seem as if they couldn’t possibly be relevant until they finally are.
It’s a relationship that works in spite of the initial inclinations of the people in it, and it develops from suspicion to annoyance to grudging respect to friendship in a way that feels organic to the characters and sets an excellent foundation for the series.
I had a grand time with Nora Breen as she stuck her ‘coulter’ – meaning nose – into places she probably shouldn’t but that someone absolutely did need to stick some kind of oar into. I loved her investigative technique of nosiness with a bit more heart and understanding than her own reading of detective novels had led her to expect. I found the murders appropriately twisty, the motive at the heart of it all just a bit heartbreaking, and was happy to see order restored and chaos put properly in its place.
That this is the opening of a series was definitely the icing on a very tasty murder cake that only occasionally held a hint of bitter almond. Exactly how Nora is going to manage to keep herself on in Gore-on-Sea (and OMG that name is both a hint and a hoot under the circumstances) I can’t wait to see who and/or what she digs into next!