Grade A #BookReview: Mastering the Art of French Murder by Colleen Cambridge

Grade A #BookReview: Mastering the Art of French Murder by Colleen CambridgeMastering the Art of French Murder (An American In Paris, #1) by Colleen Cambridge
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: culinary mystery, foodie fiction, historical mystery, mystery
Series: American in Paris Mystery #1
Pages: 304
Published by Kensington on April 25, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Fans of Jacqueline Winspear, Marie Benedict, Nita Prose, and of course, Julia Child, will adore this magnifique new mystery set in Paris and starring Julia Child’s (fictional) best friend, confidante, and fellow American. From the acclaimed author of Murder at Mallowan Hall , this delightful new book provides a fresh perspective on the iconic chef’s years in post-WWII Paris.
“Enchanting…Cambridge captures Child’s distinct voice and energy so perfectly. Expect to leave this vacation hoping for a return trip.” – Publishers Weekly
As Paris rediscovers its joie de vivre, Tabitha Knight, recently arrived from Detroit for an extended stay with her French grandfather, is on her own journey of discovery. Paris isn’t just the City of Light; it’s the city of history, romance, stunning architecture . . . and food. Thanks to her neighbor and friend Julia Child, another ex-pat who’s fallen head over heels for Paris, Tabitha is learning how to cook for her Grandpère and Oncle Rafe.
Between tutoring Americans in French, visiting the market, and eagerly sampling the results of Julia’s studies at Le Cordon Bleu cooking school, Tabitha’s sojourn is proving thoroughly delightful. That is, until the cold December day they return to Julia’s building and learn that a body has been found in the cellar. Tabitha recognizes the victim as a woman she’d met only the night before, at a party given by Julia’s sister, Dort. The murder weapon found nearby is recognizable too—a knife from Julia’s kitchen.
Tabitha is eager to help the investigation, but is shocked when Inspector Merveille reveals that a note, in Tabitha’s handwriting, was found in the dead woman’s pocket. Is this murder a case of international intrigue, or something far more personal? From the shadows of the Tour Eiffel at midnight, to the tiny third-floor Child kitchen, to the grungy streets of Montmartre, Tabitha navigates through the city hoping to find the real killer before she or one of her friends ends up in prison . . . or worse.
“Part historical fiction, part mystery, Mastering the Art of French Murder is totally delectable entertainment.” – The Washington Post
“Certain to appeal to a broad readership, especially fans of Jacqueline Winspear, Rhys Bowen, and Cambridge’s own Phyllida Bright series.” –First Clue, STARRED REVIEW

My Review:

“Drama is very important in life: You have to come on with a bang. You never want to go out with a whimper. Everything can have drama if it’s done right. Even a pancake.” So said the real Julia Child, whose larger-than-life fictional persona has barged into the life of her neighbor in Paris, fellow expat Tabitha Knight, just a few months before a murder in Julia’s building bangs into both of their lives.

It’s the murder of a very recent guest in the apartment shared by Julia, her husband Paul Child, her sister Dorothy (Dort) McWilliams on the “Roo de Loo” as Julia called it. A murder committed with one of Julia’s distinctive chef’s knives, making Julia, at least initially, the prime suspect in this tragedy.

But Julia is not the amateur sleuth – she was too busy with what became her lifelong obsession, “Mastering the Art of French Cooking,” as evidenced by the title of her first cookbook.

The amateur sleuthing is left to Tabitha Knight, a former “Rosie the Riveter” living across the street with her elderly French grandfather and her honorary “oncle”, his equally elderly best friend (and probably lover).

Tabitha and Julia have already bonded over their shared infatuation with French food and French cooking – the difference being that Julia is already extremely capable at that art while Tabitha is lucky not to burn or otherwise ruin the meals she attempts to make for her elderly ‘messieurs’ and their two spoiled pets, Oscar Wilde the tiny papillon dog and Madame X the slinky cat.

But the murder isn’t merely a curiosity for either of the women. The victim died just after leaving a party in Julia’s apartment, a guest of Julia’s sister Dort, killed by one of Julia’s knives. Tabitha rode down in the elevator with the woman, and was the last to speak with her other than her killer.

The police, in the steely-eyed persona of Inspecteur Merveille, seem convinced that either Julia or Tabitha committed the foul deed. Or so it seems to Tabitha, who grew up on a steady reading diet of Nancy Drew and other mystery stories as well as her police detective father brought home. Julia is just certain – and Julia was always certain if she was anything at all – that Tabitha will be able to solve the murder ahead of the police – and pushes her into trying.

Not that it takes much arm twisting to get Tabitha on the case. A case that leads from one murder, to a second, and a third – and even a first before the one that dragged Tabitha and Julia into the mess. A mess that, surprising to everyone but the two old men yearning for Julia’s cooking rather than Tabitha’s, leads back to the war late war in which they all, in their own way, served.

And the colder war that has just begun.

Escape Rating A: First, and most important, this was an absolutely charming, utterly lovely read as well as a captivating mystery. The way that evokes post-World War II Paris, just as the lights came back on in the City of Light draws the reader and keeps them mesmerized every step of Tabitha’s way.

And I could hear Julia Child’s voice in my head in every single bit of her dialog. She was such an iconic figure in the 60s and 70s, and so ubiquitous in seemingly EVERY promo that PBS broadcast during those decades, that even though I never watched any of her programs I STILL heard her distinctive voice every single time she barged into a scene. The character as fictionalized sounded and behaved very much as at least her public persona did and swept the reader along in her wake.

But Julia was not the star of this show, no matter how often she seemed to hold center stage in any individual scene. That honor – even if she didn’t always see it as an honor – was reserved for Julia’s fictional friend and neighbor, Tabitha Knight.

And Tabitha turned out to be a terrific point-of-view character for this story. She’s impish, impulsive and intelligent, and can’t resist being the fool who rushes into a crime scene where police have barred the way and angels rightfully fear to tread.

As much as the blurbs for this book invoke Jacqueline Winspear and her Maisie Dobbs, the character that Tabitha reminds this reader of is Mabel Canning in her first outing, A Body on the Doorstep. Both Tabitha and Mabel’s stories are set just after the ending of a World War, although not the same war, at a point where their worlds are changing and new possibilities are opening up even as others close down. Both young women choose to uproot themselves from the familiar and chart a new course for their lives, and are still in the exploratory stage of that new life and new opportunities.

And both have a fortunate knack – one that often seems unfortunate as it occurs – of tripping over murder victims and being unable to resist poking their own noses into investigations that should be left to the police.

At the same time, Tabitha’s post-war Paris is a place that, if given the opportunity at the right time, It’s almost impossible not to imagine taking that opportunity and running with it to a new life in a storied city just as it is coming back into its own after the darkness of war.

The secondary characters introduced in this first book do an excellent job of drawing the reader into and filling out the corners or Tabitha’s Paris, from her charming, elderly messieurs, their equally idiosyncratic pets, the even more idiosyncratic members of the Child household, to the implacable, unreadable Inspecteur Étienne Merveille, who looks like he will become both a thorn in Tabitha’s side – and vice versa – in the books ahead.

If not, perhaps, something more.

And then there’s Julia Child herself, much too boisterous to ever be considered merely a secondary character and certainly not a sidekick, who draws readers in with her true-to-life mannerism, her real, documented history working for the OSS in the war, and her larger-than-life presence on so many wonderful pages of this story.

The alchemy of all of the above makes this reader so very glad that a second book in this An American in Paris series, A Murder Most French, will be coming out in April. I’m anticipating its arrival with nearly as much pleasure as Tabitha’s messieurs look forward to their next delicious repast from the kitchen of Madame Child.

It’s impossible to leave this story behind without one final word from that famous chef. Fortunately for the fictional Julia Child, this quote postdates her post-War years by a considerable margin. If this had been attributed to her at the time, Tabitha might have had considerably more difficulty convincing the Inspecteur that Julia was not guilty of the murder.

According to Julia Child, “The best way to execute French cooking is to get good and loaded, and whack the hell out of a chicken. Bon appétit.”

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#AudioBookReview: Glory Be by Danielle Arceneaux

#AudioBookReview: Glory Be by Danielle ArceneauxGlory Be (Glory Broussard Mystery, #1) by Danielle Arceneaux
Narrator: Bahni Turpin
Format: audiobook
Source: supplied by the publisher via Spotify
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery
Series: Glory Broussard Mystery #1
Pages: 272
Length: 8 hours and 47 minutes
Published by Pegasus Crime, Spotify on October 3, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The first in a vivid and charming crime series set in the Louisiana bayou, introducing the hilariously uncensored amateur sleuth Glory Broussard. Perfect for fans of Richard Osman’s Thursday Murder Club.
It’s a hot and sticky Sunday in Lafayette, Louisiana, and Glory has settled into her usual after-church routine, meeting gamblers at the local coffee shop, where she works as a small-time bookie. Sitting at her corner table, Glory hears that her best friend—a nun beloved by the community—has been found dead in her apartment.
When police declare the mysterious death a suicide, Glory is convinced that there must be more to the story. With her reluctant daughter—who has troubles of her own—in tow, Glory launches a shadow investigation into Lafayette’s oil tycoons, church gossips, a rumored voodoo priestess, nosey neighbors, and longtime ne'er-do wells.
As a Black woman of a certain age who grew up in a segregated Louisiana, Glory is used to being minimized and overlooked. But she’s determined to make her presence known as the case leads her deep into a web of intrigue she never realized Lafayette could harbor.
Danielle Arcenaux’s riveting debut brings forth an unforgettable character that will charm and delight crime fans everywhere and leave them hungry for her next adventure.

My Review:

Like most amateur detectives, Glory Broussard begins her first investigation because it’s personal. Her best friend is dead, and the police have ruled that death a suicide. A decision that Glory refuses to believe.

Glory had known Amity Gay since they were little girls in pinafores, and for all the 60-some-odd years of their lives that followed. Glory knew Amita Gay as well as she knew herself, and her friend was looking forward to life, not running away from it.

And through bitter experience, Glory is all too aware that the police, in Louisiana and elsewhere but perhaps especially in Louisiana, discount and disregard the deaths of black people in general and black women in particular.

Because that’s the way it always has been, and in spite of changes on the surface, that’s the way it still is.

So Glory, amateur detective, professional busybody and successful bookmaker (yes, I mean gambling and not bookkeeping) does a bit of surreptitious reconnaissance in her late friend’s apartment and discovers a whole lot of paperwork about a chemical plant that the big company in Lafayette wants to construct right next to a poor black town so they can make even more money and spread more cancer – not necessarily in that order to Glory’s cynical mind.

While the police might have left the paperwork behind because it wasn’t an actual part of the crime scene, Glory knows they didn’t search at all because she found a box of fentanyl-laced lollipops in the back of Amity Gay’s closet. Something that would definitely have been found and confiscated in even a cursory search.

Which means that obviously no search was done, that the police are rushing to judgment because its easier for them – and possibly for the big company with those chemical plant plans.

Glory will just have to nose her way around Amity Gay’s old friends, Glory’s own new enemies and figure out which of the possible parties and motives is responsible for the death of her best friend.

The last thing Glory needs to add to her already overwhelming to-do list is figuring out what her daughter, a successful New York City attorney, is doing back in Lafayette, minding Glory’s business and cleaning up her house. Or, for that matter, figuring out what has the city all fired-up to condemn her house.

Or even, heaven forbid, whether or not her dearest friend, a professed Catholic nun, had been doing something unholy. Again.

Escape Rating B: Glory Broussard does not hold back. Ever. Not within the confines of her own head as she tells this story, and not out loud, either. She’s certainly an acquired taste for her friends and neighbors, and quite possibly for the reader as well.

Glory does not suffer fools, neither does she let said fool out of her sight without telling them that she thinks they are one. Sometimes in great detail. In other words, Glory is a lot, and not exactly universally beloved – or even respected.

To the point where it’s easy to understand why her daughter, successful New York City attorney Delphine, wishes she could get her mother to just shut up now and again, especially when faced with city officials who want to condemn Glory’s house. Not that Glory doesn’t get the best of that situation – along with a whole lot else – in the end.

But part of Glory’s charm, and certainly part of the charm of the story as a whole, is Glory’s bone-deep authenticity. It’s certainly not Glory’s honesty, because she doesn’t seem to have an honest bone in her body – not even in reference to herself and the depression she has sunk into over the years.

What does ring true, particularly in audio, is the relationship between Glory and Delphine, that ‘roses and thorns’ kind of love that can exist between mothers and their adult daughters. Part of both the compulsion to finish this mystery and the difficulty of doing so for this reader is that I heard the echo of every single argument I had with my own mother in the exchanges between Glory and Delphine. That roses and thorns observation was heartbreaking because it felt so very true.

But the story, the mystery, and the eventual, hard-won mutual respect that arises between mother and daughter, follows Glory’s stubborn pig-headedness from something that everyone told her should be left well enough alone to a conclusion she almost wishes she’d never uncovered.

She’s left with the realization that too many of the people she believed in have feet of clay up to the knees. And to console herself, in the end, that justice has been done, along with the new lease on life that becoming an amateur detective has brought her.

Readers, on the other hand, can console themselves with the fact that Glory will be back on the case in another mystery this coming fall!

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Review: The London Seance Society by Sarah Penner

Review: The London Seance Society by Sarah PennerThe London Séance Society by Sarah Penner
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, magical realism
Pages: 352
Published by Park Row on March 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

From the author of the sensational bestseller The Lost Apothecary comes a spellbinding tale about two daring women who hunt for truth and justice in the perilous art of conjuring the dead.
1873. At an abandoned château on the outskirts of Paris, a dark séance is about to take place, led by acclaimed spiritualist Vaudeline D’Allaire. Known worldwide for her talent in conjuring the spirits of murder victims to ascertain the identities of the people who killed them, she is highly sought after by widows and investigators alike.
Lenna Wickes has come to Paris to find answers about her sister’s death, but to do so, she must embrace the unknown and overcome her own logic-driven bias against the occult. When Vaudeline is beckoned to England to solve a high-profile murder, Lenna accompanies her as an understudy. But as the women team up with the powerful men of London’s exclusive Séance Society to solve the mystery, they begin to suspect that they are not merely out to solve a crime, but perhaps entangled in one themselves…

My Review:

Whether one believes that death is merely the gateway to the next great adventure, or that one is ascends to heaven or descends to hell, or that it is an end to all things – or holds some other belief altogether – we don’t actually KNOW in the empirical, scientific, provable and replicable sense. All that is certain is that death is inevitable – even more so than taxes in spite of the cliché.

The desire to know may be universal. When this story takes place in the 1870s the belief that it was possible to communicate with the dead, to reach behind that veil and either send or receive a message from those who had left us behind, was at its height. And also, as this book tells, its all too human, fallible and corruptible depths.

In other words, spiritualism was a very big – and very profitable deal in the 1870s. Victoria and the Victorian Era she gave her name to practically fetishized death. In the Re-United States there were few if any households who had not lost a friend or a loved one in the recent war. Plenty of people were looking for comfort or solace or simply closure.

No matter how prevalent beliefs in the spirit world may have been in the 1870s, later investigations proved that most of what was purported to be proof was actually proof of fraud and the gullibility of grieving people to believe what they needed to believe to get through their grief – or not, as the case might be.

But what if some of those beliefs were not misplaced? What if some mediums really could reach beyond the veil to bring true messages from the dead?

Lenna Wickes begins the story only believing in things she can see and hear and touch. But in her desperation to discover the truth about her sister’s murder, she turns to noted spiritualist Vaudeline D’Allaire to learn the tricks of her trade in the hopes of learning that truth – or at least of expiating her own guilt that their last conversation was yet another in an endless series of arguments.

What she finds instead is a mystery wrapped in an enigma, and a fish that has rotted from the head down and threatens to engulf her and the woman she loves. Unless it blows up in her face.

Escape Rating A: I picked up The London Séance Society because I enjoyed the author’s debut novel, The Lost Apothecary, and wanted to see if her second book lived up to the first. Which it not only did, but was just that little bit better.

Her previous novel combined “a bit of a time slip story with historical fiction, a soupcon of magical realism and just a touch of mystery.” The London Séance Society skipped the timeslip, but told an even more fascinating tale of historical fiction with a much larger portion of magical realism and a heaping helping of mystery.

The magical realism is the part of the story that is both lampshaded and played straight at the same time – which keeps both the reader and the protagonist guessing from beginning to end.

Lenna Wickes represents the 21st century reader who does not believe in anything she can’t see or touch. Before her sister’s death, she collected fossils. But her sister Evie, who seemed to be a firm believer in spiritualism, claimed that those fossils were a kind of proof that it was possible to reach beyond the veil. That those preserved insects in amber, or the impressions of long-dead leaves and creatures in rock was just another way of reaching beyond death.

The sisters – as sisters do – strongly disagreed and were in disagreement when Evie was murdered.

Lenna dives into the world of spiritualism in an attempt to either communicate with her sister or figure out why she died, or both. She doesn’t believe, but she does feel that there might be something there. It’s also entirely possible that what she feels is considerably more related to her teacher than what she is being taught.

Whether Lenna believes or not, whether Vaudeline D’Allaire is a true medium or a fraud, it’s clear from the beginning that there is something rotten at The London Séance Society, a rich and powerful gentlemen’s club that prides itself on providing séances and other proofs of spiritualism.

Evie Wickes and the Society’s President were murdered on the same night – but not in the same place. It makes no sense to either Lenna or Vaudeline that the deaths could possibly be related. Until coincidences start piling up, and it becomes clear that someone high up in the Society was involved in something dirty that needed to be covered up. By any means necessary.

What made the story so compelling was the way that at first it seems like the identity of the rotter is obvious, to the point where one starts to believe one has it all figured out long before Lenna reaches that point. But there’s a niggle that it can’t possibly be that simple, and that’s what keeps one – or at least kept me – turning pages well into the night.

Because the more Lenna digs into the Society, the more dirt comes up, and the more the obvious conclusion looks to be hiding another, more sinister conclusion that is less obvious and even more unthinkable than the first terrible possibility. To the point where just when you think you can see the final twist coming – the story has yet one more turn to surprise you with.

The Lost Apothecary was very, very good. The London Séance Society is even better. I can’t wait to see what this author comes up with next!

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Review: Hide by Tracy Clark

Review: Hide by Tracy ClarkHide (Detective Harriet Foster #1) by Tracy Clark
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: mystery, suspense, thriller
Series: Detective Harriet Foster #1
Pages: 380
Published by Thomas & Mercer on January 1, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

From acclaimed author Tracy Clark comes a page-turning mystery featuring hard-boiled Chicago detective Harriet Foster, who’s on the hunt for a serial killer with a deadly affinity for redheads.
When a young red-haired woman is found brutally murdered in downtown Chicago, one detail stands out: the red lipstick encircling her wrists and ankles.
Detective Harriet Foster is on the case, even though she’s still grieving the sudden death of her partner. As a Black woman in a male-dominated department, Foster anticipates a rocky road ahead acclimating to a new team—and building trust with her new partner isn’t coming easily.
After another victim turns up with the same lipstick markings, Foster suspects she’s looking for a serial killer. Through a tip from a psychiatrist, Foster learns about Bodie Morgan: a troubled man with a twisted past and a penchant for pretty young redheads with the bluest eyes. As Foster wades into Morgan’s sinister history, the killer continues their gruesome assault on Chicago’s streets.
In her desperate race to catch the murderer before they strike again, Foster will have to confront the darkest of secrets—including her own.

My Review:

When we first meet Harriet Foster, we know two things. She’s a Chicago cop, and she’s a survivor. And at the moment, the one is inextricably linked to the other, both in the sense that it’s being a cop that gives her the tenacity to keep on living, and it’s being a cop that makes it necessary to have that sheer, driven stubbornness in the first place.

It’s late in the fall, it’s Chicago, it’s cold, and she’s having a damn hard time getting herself across the threshold of her new precinct. She’s just back from eight weeks leave after the senseless killing of her son, the subsequent death of her marriage and the suicide of her police partner in the parking lot of her previous precinct.

She’s thrown right into the deep end as soon as she gets through the door. Her new ‘partner’ is the department’s hard case, and they’ve just caught one. A naked, dead, butchered woman badly hidden under a pile of leaves in a park just off the Riverwalk.

It’s a spectacular mess, the scene is already a spectacle, and the lookie-loos and media are already out in force right along with CPD. Her partner is just so sure that the killer is the young black man who was found sleeping nearby with a single bloodstain on his lapel. Harriet is pretty sure it wasn’t him, because if he’d been the murderer there’d be way more than a single bloodstain on his clothes. He’d be drenched in the stuff.

And she’s certainly unwilling to rush to any judgment. Not just because the young man is the same age as her dead son. Harriet Foster just isn’t the kind of cop who rushes to judgment – even on her worst day.

Which this is already shaping up to be. Worst day, worst week, worst month, worst case. Someone is out there eviscerating redheads, managing to stay just one step ahead of the cops. The news media are baying for somebody’s blood and City Hall is looking for a scapegoat.

But Harriet Foster keeps putting one step in front of the other, one long day and even longer night after the other, using the frustrations of the case to keep her own demons at bay. In the end, she’ll at least have put one monster to rest – even if it’s not one of her own.

Escape Rating A+: This one absolutely had me from the very first page. While some of that was because I can still see most of the settings in my head, it was mostly because of Harriet Foster herself. She’s trapped like an insect in amber, still processing – slowly and badly – her recent losses and hoping that something in going back to the job is going to get her through the day and the one after that and the one after that.

At the same time, she is exactly the kind of protagonist that I read mysteries for, in that she’s questioning and human and oh-so-capable all at the same time. It’s so clear that she hasn’t remotely got her life figured out, but once the case begins she’s all there for it.

That she’s experienced enough to know when to push back on a shit-talking so-called partner and when to suck it up and stand in solidarity with the rest of the cops in her new cop shop just felt right.

And then there’s the case, which is just the type of twisted, humdinger that reminded me so much of the kind of case that Eve Dallas ends up trying to unravel in the In Death series. The bodies are gruesome, the clues are few, the perpetrator is clever and the media vultures are circling.

At the same time, we have alternating perspectives from people who might, or might not, be involved in the mess, from childhood memories of a murderous daddy to adult children trying to pretend they’re normal to a rogue psychologist looking for her next star psychopath. They bring both perspective and confusion to the mystery, allowing the real perpetrator to hide in plain sight.

As much as the case reminded me of many in the In Death series, Harriet Foster only resembles Dallas in her dogged determination to solve the mystery and put the guilty party either away or under. There’s no romance even hinted at here and there shouldn’t be. Harriet’s personal story is about her determination to find a way forward and to spot the light at the end of her personal tunnel of grief. She’s far from there yet, which bodes well for future entries in the series.

What we have in Hide is a case of one person unraveling, and one person, well, raveling. When the murderer starts coming apart, their descent is swift and sprays lots of collateral damage. Harriet Foster, on the other hand, is oh-so-slowly raveling herself back together, one day, one clue, and one paper clip at a time. And her progress, both on the case and on herself, is utterly absorbing to watch.

Hide is the first book in what looks to be a compelling mystery suspense series. While it isn’t officially out until January 1, it is available NOW to Amazon Prime members as one of the Amazon First Reads books this month. So if you are as impatient to read it as I was there is a way to get it this month.

The second book in the series, Fall, will be out one year from now. And I can’t wait to see how and what Harriet will be doing next winter. In the meantime, if you’re on the hunt for a series with a similar vibe, take a look at Harriet’s British counterpart, Inspector Anjelica Henley, solving the case of The Jigsaw Man.

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Review: A Matter of Happiness by Tori Whitaker

Review: A Matter of Happiness by Tori WhitakerA Matter of Happiness by Tori Whitaker
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, historical fiction, women's fiction
Pages: 364
Published by Lake Union Publishing on November 8, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

A cherished heirloom opens up a century of secrets in a bittersweet novel about family, hard truths, and self-discovery by the author of Millicent Glenn’s Last Wish.
Melanie Barnett thinks she has it all together. With an ex-fiancé and a pending promotion at a Kentucky bourbon distillery, Melanie has figured out that love and career don’t mix. Until she makes a discovery while cleaning her Jordan MX car, a scarlet-red symbol of the Jazz Age’s independent women that she inherited from her great-great-great-aunt Violet. Its secret compartment holds Violet’s weathered journal—within it an intriguing message: Take from this story what you will, Melanie, and you can bury the rest. Melanie wonders what more there is to learn from Violet’s past.
In 1921 Violet Bond defers to no one. Hers is a life of adventure in Detroit, the hub of the motorcar boom and the fastest growing city in America. But in an era of speakeasies, financial windfalls, free-spirited friends, and unexpected romance, it’s easy to spin out of control.
Now, as Melanie’s own world takes unexpected turns, her life and Violet’s life intersect. Generations apart, they’re coming into their own and questioning what modern womanhood—and happiness—really means.

My Review:

Melanie Barnett and her ‘Great Aunt Grape’ were simpatico in a way that Melanie and her judgmental, disapproving and disappointed mother were not. So it wasn’t at all surprising that the late and much lamented Violet Bond left her classic 1923 Jordan Playboy car to Melanie when she died.


1920 Jordon Playboy at Crawford Auto-Aviation Museum

What is surprising is the treasure trove of her personal papers and memories that Violet hid inside the car – just waiting for Melanie to check all the compartments and bring them to light.

As this story opens, Melanie is finally claiming that legacy, wishing that she had taken a look a whole lot earlier. But the time is now, and Melanie discovers the whole truth of Violet’s story just in time to help her decide the path she should take for her own.

In spite of her mother’s constant needling that Melanie’s choices are all the wrong ones. Inspired by Violet’s story, Melanie takes a good hard look at what she’s doing and where she’s going, and figures out that when it comes to the matter of her happiness the choices will have to be her own.

Just as Violet’s did. No matter what anyone else might think.

Escape Rating B+: I picked up A Matter of Happiness because I loved the author’s first book, Millicent Glenn’s Last Wish. I liked A Matter of Happiness quite a bit, but it didn’t quite match up to the first book, although I think that the nostalgia of its Cincinnati setting pulled a bit more at my personal heartstrings than this one did. But I think that’s a ‘me’ thing and not a commentary on either book. A Matter of Happiness was definitely worth the read.

Like Millicent Glenn’s story, this one also exists in two time frames – but it is also told by two rather different people. Melanie’s story is set in pre-COVID 2018 (I have a feeling that authors are going to avoid the COVID years a LOT because they were just SO WEIRD). Melanie is at a bit of a crossroads in her life. The man she thought she’d marry thought that she would be happy to give up her career for his big promotion. But that promotion was taking him to Silicon Valley, and her career is in the Kentucky bourbon industry, which necessitates that she live, unsurprisingly, in her home state of Kentucky.

And now she’s sworn off men, devoting herself to her career, pursuing a promotion to management at the company she’s been working at for several years. She hopes that if she reaches a management position that her striving, seeking, disapproving mother will finally be proud of her.

But she’s found her great-aunt’s diary in the hidden compartments of that old car. A diary of Violet Bond in the 1920s, in her 20s, at a crossroads in her own life. Going off to Detroit to get a job in the burgeoning automobile industry, living on her own by her own wits and on her own wages, pursuing a career and swearing off men – albeit for different reasons than Melanie.

Melanie sees a bit of her own journey in her beloved great-aunt’s story. And we see a bit of our own in both of theirs. And in reading about the choices and the sacrifices that her aunt made in order to live the life she wanted, Melanie finds her own way forward.

Along with a secret that changes her perspective on how both she – and her mother – see their past and their places in a family they thought they knew.

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Review: This Place of Wonder by Barbara O’Neal

Review: This Place of Wonder by Barbara O’NealThis Place of Wonder by Barbara O'Neal
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: relationship fiction, women's fiction
Pages: 316
Published by Lake Union Publishing on July 19, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

In the wake of a personal tragedy, four women face the past, their futures, and each other in a novel of broken ties and healing by the Amazon Charts bestselling author of When We Believed in Mermaids.
When famed chef Augustus Beauvais dies, he leaves behind a celebrated reputation―and four women grappling with loss, anger, pain, and the question of how the world will turn without him…
Meadow, the ex-wife with whom Augustus built an empire―and a family―still holds a place for him in her heart, even as she continues to struggle with his infidelities, which ended their twenty-year marriage. More unforgiving is Maya, his estranged daughter, who’s recently out of rehab but finally ready to reclaim her life. Norah, his latest girlfriend, sidelined her own career for unexpected love and a life of luxury, both of which are now gone with Augustus. And then there’s Rory, Meadow’s daughter, the voice of calm and reason in a chorus of discontent.
As Meadow, Maya, Norah, and Rory are flung together by tragedy, grief, and secrets yet to be revealed, they must accept―or turn away from―the legacy of great intentions and bad decisions Augustus left them. And when the circumstances around his death are called into question, their conflicted feelings become even more complicated. But moving forward is the only choice they have, and to do so, they’ll need to rely on family, friendship, and inner strength.
Set on the stunning, rugged California coastline, This Place of Wonder is an emotional, lush, and empowering story of four women finding their way in a changed world―and what a wondrous journey it will be.

My Review:

As wonderful as this story is, its protagonists are not exactly in a place of wonder as it opens. Unless that wonder is wondering WTF happens now that Augustus Beauvais is dead.

Not in the way that stories like this used to be written, with all of the late man’s “relicts” desperate to figure out how they are going to survive in the literal sense now that their financial support is gone. Thankfully, women’s stories don’t work that way anymore.

But Beauvais was a towering figure (literally as he was 6’4”) in the American culinary scene of the 1990s and early 2000s. And even though his best days may have been behind him, he was still a huge personality and an outsized influence on everyone whose life he touched.

Especially the four women he, in various ways, tried to save. Because he needed to be needed. And because he couldn’t save the one woman who mattered the most.

Meadow was the love of his life, something that was as true on the day he died as it was on the day he met her, even though they had been divorced for eight years because the two things he seems to have been incapable of being were faithful in marriage or alone either inside or outside of it.

Rory, the daughter he adopted and Maya, the daughter he abandoned. And last, but surprisingly not least in the end, Norah, the much, much younger woman he thought needed saving, but who, in the end, turned out to be strong enough to help his family save themselves.

In the aftermath of Beauvais death, in the midst of the suspicious questioning of police who are adding two plus two and reaching a number that might be getting a bit too close to four, Maya learns that the father she never forgave left her everything except one final opportunity to get him to accept the blame for so many things he did that were so very wrong. And Meadow accepts that just because she built a life more or less without him it doesn’t mean that she will ever be ready to let him go – no matter how much she needs to.

Escape Rating A-: Like several of the author’s previous books that I have enjoyed, When We Believed in Mermaids, The Art of Inheriting Secrets and Write My Name Across the Sky, This Place of Wonder is about a multi-generational group of women who share a tragedy in the past that has come crashing down in the present.

What links all four of these women, besides their obvious links to Augustus Beauvais, is that they all see – or at least saw – themselves as damaged. Or perhaps it’s that Beauvais saw them all that way and that’s how he drew them into his orbit – because he needed their damage to fix his own.

Only Meadow – and by extension Augustus, are old enough to even have a past – or at least one far enough in the past for it to be hidden. For good or for ill, Rory’s and Maya’s lives have been lived in the public eye – because of their relationships with August and Meadow.

Who isn’t actually Meadow at all. Or at least wasn’t, back in the days before the internet made all the salacious details of everyone’s life available at the press of a few keys.

Which is what Norah came to California to discover, once upon a not very long ago time, before she got caught up by Augustus’ magnetic pull. And with the loss of his overwhelming presence, its a search she picks back up again. Because Norah is a whole lot stronger, and a whole lot less damaged, than anyone thought.

The stories are on a collision course from the opening of the book. Augustus is dead, in the arms of yet another damaged young woman. His death was sudden, the tests are inconclusive and the stories told by the women in his life almost but not quite match up. At least not until the other half of the story is revealed, and Norah’s probe into Meadow’s past reveals exactly how the past connects to the present.

But for a lot of the book, that investigation is in the background. In the foreground is the way that this strange and damaged family stitches itself together and learns that the hole in their center is something that has always been there. That, in some ways, it’s easier to deal with now that they know it will never be filled. And that they have a way forward without it, and without him, both together and separately.

And it’s that part of the story that gives this its heart. In spite of where they came from. In spite of what was done to them – and in spite of what he did to them as well. That they are, each of them, the legacy of a flawed and fascinating man. And that they are all, together and separately, so much more than that.

And they always have been, even if they haven’t always been able to see it.

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Review: Tough Justice by Tee O’Fallon

Review: Tough Justice by Tee O’FallonTough Justice (K-9 Special Ops #1) by Tee O'Fallon
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: romantic suspense
Series: K-9 Special Ops #1
Pages: 368
Published by Entangled: Amara on March 29, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

It should have been a routine investigation. Instead, DEA K-9 agent Adam “Deck” Decker watches in horror as one Denver hospital seems to be Ground Zero for overdoses of a new drug. Now Deck can only hope a certain icy, green-eyed ER doctor will help him and his canine partner track down the deadly source.

Dr. Tori Sampson has her reasons for not trusting federal agents, especially ones working for the DEA. But the rash of overdoses―including a heartbreaking case involving a teen―is alarmingly high. And the new opioid is not only extremely dangerous, it defies all the usual medical treatments. So Tori has a choice: work with the big, brawny, and annoyingly hot DEA agent…or watch more innocent people die.

Tori’s the only person who can help Deck break the case, and they’ll need to trust each other, no matter how high the tension and attraction sizzling between them runs. But with every question answered, they realize there’s something more behind these typical teen overdoses. There’s a pattern here, and a pattern can only suggest one thing. There’s a killer on the loose.

My Review:

First, and most important to a whole lot of people in my reading circle, the dog is fine at the end of the story. Actually Thor is more than fine. He seems to be the only person in this romantic suspense thriller who survives this case pretty much unscathed. Quite a few of the central humans in this story are a bit worse for wear by the time they reach their HEA.

But the dog is just fine. So rest easy and hang on for this wild ride of a case.

There’s a temptation to call Tough Justice an enemies to lovers romance, but that just doesn’t feel right. Enemies to lovers implies that the protagonists have met before and rubbed each other the wrong way, and that’s just not the case here.

When Deck (along with Thor) and Tori first collide in the story, it’s the first time they’ve ever met. The baggage they pretty much immediately start flinging at each other is not about either of them personally. It’s about what they – or rather their professions – represent.

Deck distrusts doctors – in the extreme – because his younger sister died of a drug overdose. She got hooked on opioids after an accident, when a doctor – either overworked, irresponsible, or both – prescribed pain-killers for her very real pain and injuries but didn’t pay attention to her growing dependence on the drugs.

Tori has no love for the DEA or its agents, because they used her father to make a case against a much bigger fish. But what put her pharmacist dad in their sights in the first place were corners that he shaved and mistakes that he made – both in giving away meds without prescriptions to people who needed them but couldn’t afford them – and for helping in assisted suicides before it was legal in Colorado.

Tori blames the DEA for promising her dad to help him if he testified – but they hung him out to dry when their case was made and he lost the family savings, his pharmacist’s license and spent several months in jail. Tori attributes her mother’s death to the stress of the situation.

That Deck and Tori meet in a face-off over the care of Deck’s partner agent who has OD’d on a new super-heroin through incidental contact as part of a takedown has Deck on edge. While Tori just needed to get the behemoth out of her ER so she can save his friend’s life without literally bumping into him every time she turns around in the small, frantic treatment room.

You would not think that opening scene, especially when coupled with their past history and mutual distrust, would turn into anything positive at all – let alone a romance.

But Tori has seen too many people, especially kids, die as a result of this new heroin compound. She NEEDS to do something proactive and not just reactive to help stem this tide. Deck needs Tori’s skills, first as a doctor who knows how to treat this new and deadly epidemic, and second for her contacts with patients.

He doesn’t want to violate the laws about patient privacy, but anyone who manages to survive – already a much too small percentage – and who is willing to talk to the DEA about where they bought the drug and who they got it from will get them one step closer to figuring out who is creating and dealing this particular form of death.

That they are both looking for an excuse to see each other again isn’t something that either of them is able to admit. At least not until it is very nearly too late for more than they’d ever thought they’d want.

Escape Rating B+: Tough Justice manages to combine a downright combustible romance with a deadly twisted thriller that feels so close to real you can practically feel the heat of the literally explosive climax right through your fingers as you’re holding the book.

(Even if you’re reading an ebook, which is actually kinda dangerous!)

So, on that one hand, we have a romance between two people who start out not really knowing each other and almost hating what they do know. On the other hand, once they let each other in, just a little bit, they realize that they are more alike than would first appear.

Because they’re both scared of risking their hearts, and they both cover that fear with by letting their work consume their entire lives so they don’t have to think about what might be missing. That both of them have jobs that both require intense focus AND are all about saving people just adds to the constant pressure to be the best, do the best, and forget about anything that might distract from those goals.

Like romance. Or hobbies. Or even taking the occasional vacation that isn’t mandated one way or another.

And on the other side of the equation, there’s this big, huge, deadly case that turns out to be a mission for both of them. Someone is selling a new, “improved”, even more addictive and more deadly formula of heroin called “Gray Death” because that’s what it looks like and that’s what it delivers.

As the story begins, Tori is treating the victims and Deck is hunting the perpetrator. Then they join forces and suddenly it seems like someone is after them. Only because someone IS after them. And that’s where the case ramps up and goes just a bit over the top.

I did figure out who the villain was long before Deck and Tori – although it didn’t make sense at first. (This is one of this times when I paged to the end to see if I was right because it was driving me nuts! Also, the villain was nuts!)

The casework was painstaking in just the way I like. Linking one clue to another with a bit of luck but not too much. But once they got there, I have to say that the villain and his villainy read as more than a bit “out there”. YMMV. I expected him to be awful – after all, he is the villain. I just didn’t expect him to be “bwahaha” insane on top.

On the whole, I loved the romantic heat between Deck and Tori and the come-here-go-away progress of their romance. I found the case they were investigating to be absolutely riveting along the way, and the ending was an edge-of-the-seat thrill ride, albeit with a villain who flew off that thrill-ride and went over the top.

Still, this was a fun, absorbing read from beginning to end, and I absolutely could not put it down. It was made even better because the dog was the only character to emerge from the story without even a scratch on him – even though he helped save the day in the absolute nick of time!

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Review: The Bachelor Betrayal by Maddison Michaels

Review: The Bachelor Betrayal by Maddison MichaelsThe Bachelor Betrayal by Maddison Michaels
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: ebook
Genres: historical romance, romantic suspense
Series: Secrets, Scandals, and Spies #2
Pages: 457
Published by Entangled: Amara on February 14, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

He wants justice
Underestimating Marcus Black is the last thing his enemies ever do. After all, the respected Earl of Westwood is a deadly threat… when her Majesty needs him to be. And his only goal is to avenge his brother’s murder. Which would be much easier if the viciously-skilled Lady Kaitlyn Montrose wouldn’t swoop in, knee him in the bollocks, and then run off with his only lead…
She wants revenge
Kat is determined to avenge her beloved uncle’s murder and nothing will stop her. Especially not the devastatingly handsome, and equally lethal Marcus Black. The fact that he’s after the same target is a complication she hadn’t planned on. And as much as she enjoys taunting him, she has a job to do—one that doesn’t include sparring with the infuriating man at every turn. Except Kat has a new plan… one that Marcus will just hate.
Now they’ll have to work together… if they don’t kill each other first
Individually, Marcus and Kat are deadly. If they worked together, they could be unstoppable. But when attraction gets in the way of vengeance, it’s more than hearts on the line. And only one person can win...

My Review:

There are three threads to this story. The part of that braid that we are introduced to first is the revenge story, as Kat Montrose watches her guardian and beloved uncle die on the street after an attack by a foreign agent known only as “The Chameleon”. The second strand of that braid is the instant attraction between Kat and Marcus Black – an attraction that is as inconvenient and inappropriate as it is irresistible.

Last but not least, the central thing that ties those two pieces together is the “Great Game” of power, politics and general one-upmanship that was conducted between the British Empire and the Russian Empire in places and with proxies all around the world, but most especially in Central and South Asia.

It’s the playing of this game of lives, fortunes and futures that eventually resulted in World War I. But at the point of this story in 1884-85, it’s mostly a spy game. A spy game in which Kat, Marcus, Kat’s late uncle AND the Chameleon have all played their parts.

Kat, formally Lady Kaitlyn Montrose, is a spy, a member of Her Majesty’s War Office. So is Marcus Black, the Earl of Westwood. Both were trained by her late uncle in the work. When he was killed, Kat began her search for the Chameleon, intending on taking “an eye for an eye”, the Chameleon’s life for her uncle’s.

But the Chameleon has been avoiding people like Kat for years, all too successfully. No one has ever been able to discover the identity of the elusive assassin. Kat needs a bit of assistance in tracking the Chameleon down. Assistance that she expects to garner in the form of the Earl of Westwood, who should want to avenge her uncle – his mentor – as much as she does.

Westwood has been hunting the Chameleon for far longer than Kat has been looking, and Victor’s death only adds to the reasons for his pursuit. He doesn’t want Kat getting in his way – or honestly working the case at all. Nor does he have any hope of stopping her.

Which doesn’t keep him from trying for entirely too long.

But the Chameleon is working through a hit list of the highest echelons of the War Office. Kat and Marcus will have to work together to stop the decimation of Britain’s intelligence services while war looms on the horizon.

Too bad they’re spending so much time fighting a war with each other to find the source of the threat before it’s nearly too late.

Escape Rating B: I loved the opening of this. The whole idea of a female spy in Victorian England had the potential to be so much fun! And the first scenes, with Kat burgling some papers then decimating the thugs who try to stop her  – was fantastic. That Kat has a burning line of snark for such circumstances was icing on the cake.

But the cake turned out to be more of a cupcake.

Kat is still an utterly fascinating character, and she does continue to kick ass and take names throughout this story. I especially loved her friendship with Livie (heroine of the first book in the series, The Bachelor Bargain) and Etta, and their joint publishing venture to take down the unrepentant asshole noblemen who abused women and didn’t think they’d have to pay for their perfidy. That was excellent. (I haven’t read the first book – yet – but didn’t feel like I’d missed anything essential. Just that I might have missed a good reading time!)

And I can’t say that I didn’t like her budding relationship with Westwood, because that certainly had oodles of passionate potential, which it mostly fulfilled. What fulfilled less, at least for me, was the degree to which he just plain refused to accept that Kat was NEVER going to submit to his protection and was not under any circumstances going to hold herself back from the investigation. Marcus wants Kat to be safe, and takes much too long to acknowledge that safety was about the last thing that Kat was built for.

If he hadn’t been aware of how she was raised and trained – and intimately aware at that because he was trained by the same person – it would have made more sense. His behavior would have been the expected thing for that time and place. But he went into this mess knowing that Kat was absolutely NOT the expected thing so treating her as if she was was going to get him nowhere but an argument. The repetition went on too long, and Kat in particular was a bit too angsty about her developing feelings. She was portrayed as a person of action at every turn and the moody angst just didn’t “feel right”.

On the other hand, the case was a cracking good one – and the solution was nothing like I expected at all. The Chameleon was both clever and totally unexpected, adding a frisson of danger and temptation to the scenario that made the whole thing that much more diabolical and entertaining.

In other words, mixed feelings. The way the romance worked didn’t quite fit the characters of Kat and Marcus as they were drawn, but I was certainly sold on them being meant for each other. I certainly liked this more than enough to consider picking up the previous book in the series, The Bachelor Bargain, the next time I’m in the mood for a romantic spy story.

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Spotlight + Excerpt: The Summer Getaway by Susan Mallery

Spotlight + Excerpt: The Summer Getaway by Susan MalleryThe Summer Getaway by Susan Mallery
Formats available: hardcover, large print, ebook, audiobook
Genres: Chick Lit, relationship fiction, women's fiction
Pages: 416
Published by Hqn on March 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

One woman takes the vacation of a lifetime in this poignant and heartwarming story about the threads that hold a family together from #1
New York Times
bestselling author Susan Mallery.
Single mom Robyn Caldwell needs a new plan for her future.  She has always put her family first.  Now, with her kids grown, she yearns for a change. But what can she do when her daughter has become the most demanding bride ever, her son won’t even consider college, her best friend is on the brink of marital disaster and her ex is making a monumentally bad decision that could ruin everything?
Take a vacation, of course. Press reset. When her great-aunt Lillian invites her to Santa Barbara for the summer, Robyn hops on the first plane to sunny California.
But it’s hard to get away when you’re the heart of the family. One by one, everyone she loves follows her across the country. Somehow, their baggage doesn’t feel as heavy in the sun-drenched, mishmash mansion. The more time Robyn spends with free-spirited Lillian, the more possibilities she sees—for dreams, love, family. She can have everything she ever wanted, if only she can muster the courage to take a chance on herself.

Welcome to the Excerpt tour for The Summer Getaway by Susan Mallery. I’ll be reviewing this book next month as part of another tour, but in the meantime, here’s a teaser to whet ALL of our reading appetites!

Excerpt from The Summer Getaway by Susan Mallery (continued from Monday’s Excerpt at Books, Cooks, Looks)

“She also found a couple of early Dutch strongboxes,” Mindy added. “Those sell for at least thirty K.”

Mindy, along with her three sisters, owned an exclusive antique shop in Naples. None of the other sisters lived in Florida, so Mindy was in charge of retail. Her sisters traveled extensively, keeping the shop well-stocked with unique and expensive items.

Robyn and Mindy had met in the store. Robyn was a frequent client, although her taste was slightly less upscale than much of Mindy’s inventory. They’d quickly moved to having lunch every month. When a part-time position had opened up, Robyn had applied. It was only a few hours a week, but Robyn enjoyed working with the other clients, as well as checking out whatever was new in the store. The selling wasn’t her favorite, but learning about different eras and the history of each piece enthralled her.

Mindy set down her glass. “How goes the wedding?”

Robyn did her best not to grimace. “So far we’re just talking generalities.”

“You’re still not happy they’re engaged?”

Robyn again resisted the urge to chug her wine. “Kip’s great. He adores Harlow, and doesn’t every mother want that in a future son-in-law? I just wish…”

She placed her hands flat on the table. “She’s barely twenty-two. They’ve known each other less than a year, and getting married is such a big step. Why can’t they live together for a few years? Take off for Paris or go hiking in Chile? Why get married so quickly?”

Mindy tried to hide her amusement. “And how old were you when you married Cord?”

“Nineteen.” Robyn sighed. “Which is my point. I had a two-year-old when I was Harlow’s age. Sure, I had my kids early, but what if I hadn’t? What if I’d gone to college or spent six months in Australia or done something other than what I did?”

“So is your concern about what Harlow might miss out on or what you gave up?”

A very valid question, Robyn thought. “How can you be insightful? That’s your third glass of champagne.”

“Liquor brings out my best qualities.”

“I don’t regret my life. I love my kids. I wouldn’t wish them away.”

“But?”

“I want her to have options.” She picked up her fork. “Not a conversation my daughter wants to have with me.” She and Harlow had managed to survive the teen years with hardly a cross word, but lately, they seemed to be fighting all the time.

“Would you have listened to your mother?” Mindy asked.

“I’m not sure. She died when I was eleven.”

Mindy’s brown eyes widened. “I’m sorry. I didn’t know.”

“It’s okay. As for talking to her when I was Harlow’s age, I probably wouldn’t have listened, either. I want to say I would have been mature and interested in her opinion, but it seems unlikely.”

Mindy touched her hand. “It’s your past, Robyn. You rewrite it however you’d like.”

“Thanks. The last time Harlow mentioned the wedding, she said something about wanting to dye the pool to match the bridesmaids’ dresses.”

“Can you even do that?”

“No idea, and I really don’t want to know.” She could only hope that her daughter’s wedding plans became a little more normal as time passed. Or that she decided to elope. Or hey, postpone.

“Want to play tennis next week?” Mindy asked brightly.

Robyn eyed her. “I’m not interested in meeting your fantasy guy.”

“Why not? Once you see him, you’ll have to admit he’s totally worth the risk.”

Robyn gave in to the inevitable and swallowed the rest of her wine. “Mindy, you make me crazy. You have a perfectly good penis at home. One is enough. Forget about Derrick.”

“Dimitri.”

“Whatever. Don’t risk your marriage and your family. He’s not worth it.”

“But I’m not doing it for him. I’m doing it for me.” She smiled dreamily. “At least let me see him naked.”

“See a therapist instead.”

Mindy assumed Robyn was kidding and burst out laughing. Robyn faked a smile, even as she told herself to stop trying to convince her friend of anything. Based on how her children were behaving lately, she had no skills at persuasion. Oh, for the days when she could bribe them with a Popsicle.

Excerpt Tour continues tomorrow at Susan Loves Books) Follow the tour for more exciting excerpts:

Excerpt tour:

Monday, February 21st: Books Cooks Looks

Tuesday, February 22nd: Reading Reality

Wednesday, February 23rd: SusanLovesBooks

Thursday, February 24th: Kahakai Kitchen

Friday, February 25th: From the TBR Pile

Friday, February 25th: View from the Birdhouse

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Thursday, March 3rd: What is That Book About

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Thursday, March 10th: Satisfaction for Insatiable Readers

Friday, March 11th: Book Reviews and More by Kathy

Sunday, March 13th: Novel Gossip

Monday, March 14th: Books and Bindings

About the Author:

#1 NYT bestselling author Susan Mallery writes heartwarming, humorous novels about the relationships that define our lives: family, friendship, romance. She’s known for putting nuanced characters in emotional situations that surprise readers to laughter. Beloved by millions, her books have been translated into 28 languages. Susan lives in Washington with her husband, two cats, and a small poodle with delusions of grandeur. Visit her at SusanMallery.com.

Review: Ten Rules for Marrying a Duke by Michelle McLean

Review: Ten Rules for Marrying a Duke by Michelle McLeanTen Rules for Marrying a Duke by Michelle McLean
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: ebook
Genres: historical romance, regency romance
Pages: 289
Published by Entangled: Scandalous on February 14, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

Bookish Arabella Bromley never gave a fig for society’s rules—until her sister ran off with a man below her station. Now Arabella is desperate to restore her family’s ruined reputation to favor amongst the ton. She’ll have to marry quickly and well. But in order to carry off her plan, Arabella needs a duke… and she has just the rakish fellow in mind.
The Duke of Whittsley has an ungentlemanly tendency to disregard the rules. Unfortunately, a sense of mischief doesn’t excuse a high-ranking noble from family duty—especially where it concerns producing a son. And that’s where he can’t quite resist Arabella’s distinctly outrageous plan: if he saves her family, she’ll give him an heir.
Now the deal’s been struck. They have one year to achieve their goals and ten iron-clad rules to keep them on track. Like long, scorching kisses and ensuring they’re both exquisitely satisfied. And the only thing that could ruin their plan is the one thing they never planned on: love.

My Review:

If you are easily seduced by witty banter you will surely fall in love with Ten Rules for Marrying a Duke just as thoroughly as Arabella Bromley and Silas, Duke of Whittsley fall in love with each other.

Not that that’s what either of them expects when the story begins. In fact, they outright plan against such a thing. That’s what those rules are for, after all. Creating a partnership rather than a relationship so that they can help each other out of the pickles they have both landed in – and then go their separate ways.

Silas needs an heir, but he doesn’t really want a wife. A wife who will become a permanent part of his life and might very well make demands on him. He’s been turning both a deaf ear and a blind eye to his grandfather’s nearly constant harangues about taking his responsibilities seriously, ceasing his frivolous pursuits, doing his duty by his title, and especially marrying and siring an heir.

Silas does take his responsibilities to his estate seriously. Well, more like semi-seriously, which is how he treats pretty much everything. He recognizes that he will have to marry and have an heir someday but he’s only 30 and not ready to settle down in any form or fashion whatsoever.

Arabella Bromley, on the other hand, thought she was settled. Her father was content for her to settle into the happily bookish spinsterhood she intended to revel in. He’s an introvert just as she is, so he understands her as no one else in the family does. She can’t inherit his title, and neither can her sisters, he has plenty of money to ensure that she will be comfortable even if she never so her bluestocking nature is not a problem.

At least not until her older sister Alice marries their groom, bringing scandal down on all their heads. The invitations to events dry up in the hot wind of gossip blowing through the ton. It’s find for her father, it’s fine for Arabella, and Alice certainly doesn’t care. But their younger sister Anna cares very much. Her Season was cut short due to illness and she expected to have another Season to find a husband and get herself settled.

The entire family is now social poison and Anna won’t be able to make a good match. It’s up to Arabella to concoct a scheme that will allow their family to weather the storm of scandal. All she has to do is convince the Duke of Whittsley to marry her and sponsor her sister back into society.

And that’s where those pesky rules come in. The ten rules they write together in a bit of hilariously embarrassing but utterly necessary one-up-person-ship, in order to hammer out just how they will convince the ton that they are madly in love, rescue her sister AND detail how to handle their lives once they part company after all the deeds are done.

They should have put in a rule about what to do when they both broke the unstated rule of the whole affair – that neither of them was supposed to fall in love with the other.

Escape Rating B: The first half of this book is an absolute delight. The second half was a bit overshadowed by the giant misunderstandammit that takes over the story, but still had plenty of verve left from that first half to carry this reader through to the end.

Arabella’s scheme to marry Silas is a bit contrived. Both in the sense that she has contrived it on a wing and a prayer, and that the entire situation tries so hard to be a meet cute – although it mostly manages to get there.

What carries that day – and the entire first half of the book – is the way that they both approach the possibility of turning this half-baked scheme into a fully-baked reality. On the one hand, they are opposites. Arabella takes pretty much everything seriously, while Silas takes almost nothing seriously.

He enters into the entire scheme because he’s having fun tweaking Arabella into a reluctant smile at every opportunity. It’s the most “real” fun he’s had in a long time.

It all works because in spite of coming at the situation from opposite directions they are both witty and intelligent people and determined to give as good as they get in every encounter. Arabella wants to stick to the rules they create while Silas pushes the boundaries of all the rules all the time.

And both of them are having a great time doing it – just as the reader does watching them talk and tease each other into friendship and ultimately marriage. Which is where that misunderstandammit rears its ugly little head.

Because they do the one thing neither ever expected. They fall in love with each other. But all their rules were predicated on that NEVER happening. They want to stay together but each is quite reasonably afraid that if they change the rules and the other isn’t on the same page then they’ll lose the happiness they’ve found. It IS a conundrum.

One that they wallow in just a bit too long. It makes sense that the conversation they need to have is hard to have but…the wallowing turned both of them into just the kind of angst-ridden lovesick fools – emphasis on fool – that they so successfully and entertainingly avoided in the first half.

Howsomever, that second half also brings to light some things that I really liked but don’t see nearly often enough in Regencies in the treatment of that scandalous older sister. Because she hasn’t disappeared from her family’s lives and she isn’t treated like a dirty secret. She’s happy in her marriage, her husband is wonderful, and they’re living in a family house out in the country. Because they’re both happier there not because her family has disowned them.

And when Arabella is having the inevitable crisis, it’s her big sister she turns to for solace, for advice, and for safe harbor from her self-created storm. One gets the definite impression that if it hadn’t been for the youngest sister still wanting to find a husband the entire family would have told the ton to go fly a kite – or whatever the appropriate Regency phrase would have been. And wouldn’t that have made for a delicious story?

I very much liked that the family didn’t do any of the terrible things that happen so often to scandal-prone daughters in Regency romance.

So I adored the first half, had mixed but mostly positive feelings about the second half, and ended the book remembering their witty banter very fondly. If you like romances where the protagonists talk each other into love, watching Arabella and Silas make – and break – those ten rules is a lot of fun.

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