A- #BookReview: Field Guide for the Formerly Villainous by Autumn K. England

A- #BookReview: Field Guide for the Formerly Villainous by Autumn K. EnglandField Guide for the Formerly Villainous (Everyday Magic, #1) by Autumn K. England
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy fantasy, queer fantasy
Series: Everyday Magic #1
Pages: 368
Published by Poisoned Pen Press on June 2, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

STARDEW VALLEY meets STUDIO GHIBLI in a charming cozy fantasy about healing, redemption, and the subtle magic of simple living. Perfect for fans of Can't Spell Treason Without Tea and The Spellshop. Welcome home, weary traveler.
When Oaklin Nettlewood accidentally joined an evil world-ending cult, mind control magic forced them to do unspeakable things. Years later, the realm's heroes have finally saved the day, defeated the villain, and shattered the last remnants of the spell...leaving destruction in their wake. And so, with a spell-damaged memory and whole bushel of trauma, Oaklin escapes to a small farm on the edge of Mossley's Rest and swears an oath: After all the things they were forced to do with their magic, they will never use it again. Ever.
The no-nonsense ghost granny who lives in Oaklin's house has other ideas. As she coaxes Oaklin out of their shell and back into the world, they find companionship (a grumpy horse and a very good dog), friendship (a local bard and magical baker who should just kiss already), and tentative romance (a paladin-librarian who makes Oaklin's heart come alive for the first time in ages.) Magic even seems possible again―though strictly for foraging magical mushrooms and protecting the farm from bugs.
Healing comes in gentle waves, and Oaklin doesn't have to do it alone. So what does it mean when an inquisitor comes to town to hunt former cultists just as Oaklin begins to think that maybe, just maybe, they deserve a happy ending after all?

My Review:

Oaklin Nettlewood has found themselves on the thorns of a dilemma. I know that phrase is normally HORNS of a dilemma, but not in Oaklin’s case. Not just because of their name, but seriously because they are caught among WAY more than just two dilemmas. They’re working their way through a whole thorny nettlebush of the things, and they’ve just barely gotten started.

Oaklin has just taken possession of their new farm, on the outskirts of the friendly, flourishing village of Mossley’s Rest. They are in dire need of a fresh start, and they’re hoping that the new job and the new location will help them get that start, well, started.

Which is where the first of many, many of those thorny dilemmas crop up.

Oaklin needs a fresh start because their original start, in a farming village in a different part of the country, was wiped out as part of the villainous Enchantrix’s War of bloody destruction. Oaklin survived, while his former village did not, because Oaklin was on the other side. The Enchantrix’s side.

Not willingly, and not even knowingly, for multiple senses of both phrases. The Enchantrix’s troops, one and all, were mind controlled by the Enchantrix’s magic. (Sort of like a powerful, wide-spectrum, widespread Imperius curse only longer lasting and with more magical oomph.)

Oaklin lost six years of their lives to that mind control spell – which was so thorough it made even the years before the spell dim, hazy and covered in shades of darkness. They remember bits and pieces, but nothing coherent or cohesive.

The spell broke along when the Enchantrix was defeated and slain. Leaving Oaklin and the other survivors a guilty, tattered remnant of who and what they used to be. While Oaklin and the remaining mind-whammied former cultists were officially pardoned for the crimes their bodies committed while their minds were controlled, that doesn’t mean that there aren’t a whole lot of people who STILL want to punish them for what happened.

Oaklin has come to Mossley’s Rest to hide – and to hide themself from their own magic which made them vulnerable to the Enchantrix’s control in the first place. Which leads right smack dab to another one of Oaklin’s dilemmas. The farm they’ve just sunk their meager savings into was originally the property of the village’s land witch, and it was protected so that it could only be purchased by someone capable of taking the witch’s magical place.

Something that Oaklin has vowed not to do, ever again, because of just how much and how terrible the evil they committed with their magic was – even if it wasn’t under their control.

But the last one of Oaklin’s dilemmas is also the first part of their healing. The farmhouse is haunted. The ghost of the prior owner, the village’s beloved land witch, is determined to coax, cajole or outright pester Oaklin into becoming the farmer, land witch and protector that the village needs to survive.

Whether Oaklin or any random Inquisitors, want them to or not.

Escape Rating A-: There’s a LOT to love about this Field Guide, but the reason that this is a A- rating instead of higher is that Oaklin Nettlewood begins – and middles – the story not loving themselves AT ALL. While there are plenty of reasons they believe they shouldn’t love or even like themself, they’re wallowing in guilt and self-loathing. It’s not a question of whether they deserve the abuse they are heaping upon themself, because that’s not the point. They don’t deserve any of it but they’re not ready to hear that yet. AND they’re suffering from flashbacks and PTSD and PTSD about the flashbacks, all of which make sense but are hard to read and go on a bit too long or in too much detail from a reader’s perspective.

Oaklin is bogged down in guilt, and the story gets a bit bogged down along with them, even though they deserve none of it (and neither does the reader). It’s also very dark – again, with good reason – but it does make this reader wonder about the actual level of coziness in this supposedly cozy fantasy. The setting itself is plenty cozy, but Oaklin’s journey through it isn’t nearly so cozy along most of its way, although they do achieve a happy ending with a mere, but appropriate, touch of bittersweet.

The setting is a cozy fantasy like Adenashire, but the story is as much sad fluff as it is cozy. The story as a whole is very much Violet Thistlewaite Is Not a Villain Anymore, but set in Adenashire with Violet’s levels of angst, regret and reaching for a new start after a villainous first act. Also, like Violet Thistlewaite’s story, there is a romance in this one but the romance is not the center of the story.

So, while this is a story about getting away from yourself, it’s also a story about coming into yourself. Oaklin starts out in a very dark place for some terribly excellent reasons. Along their way, they reach outside themselves – or reach back into themselves for who they might have been if they hadn’t thoroughly disrupted their life.

But as much as this is Oaklin’s story, and it very much is their personal journey, it is also a story about the power of community to support, the way that connection fosters growth and happiness, the joy of being both wanted and needed and the contentment of finding a place of one’s own writ both large and small.

But the heart of the story, the thing that gives it just that perfect note of bittersweetness to make Oaklin’s happiness earned in the fullest measure, is the healing power of forgiveness. Because above all else, Oaklin needs to forgive themselves and they need to feel forgiven by those they have wronged. The story can’t end until they do.

An.ending that gives Oaklin the strength and the closure that they need to move on with the life they finally feel they’ve earned. And if that ending also manages to leave the reader with just a bit of a tear in their eye, well, even thorns need a bit of watering every now and again.

#BookReview: Cash and Gravity by Perrin Pring

#BookReview: Cash and Gravity by Perrin PringCash and Gravity: A Novel (The Chevy Cole Series) by Perrin Pring
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: action adventure, dystopian, space western
Series: Chevy Cole #1
Pages: 320
Published by Diversion Books on May 26, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

"This may not be the future we want, but it feels right, which is sort of terrifying, sort of exciting, and, in Perrin Pring's hands, nothing short of spectacular." – Stephen Graham Jones, NYT Bestselling author of The Only Good Indians
A thrilling sci-fi western and the first in a genre- and mind-bending series bearing shades of Old Man’s War, Murderbot Diaries, and The Monkey Wrench Gang.
A high-stakes chase across the American West. A device that could change the world. Three unlikely allies thrown together by fate. 
In the not so distant future, six mega corporations and their privatized armies have supplanted the American government. They compete for resources, market position, and the ultimate long game prize of colonizing the stars. 
Chevy Cole left her conservative family behind for life as a Launch Tech marine and never looked back, proud of her role as a first-into-the-fire grunt, even if she were well below the revered female super soldiers known as Aces. When rumors spread that one of the Big Six has created a fusion device that would put the stars within reach, all-out war looms. 
After the catastrophic failed siege of a Nevada mine leaves most of her comrades dead, Chevy encounters a dying Ace in possession of a mysterious package and a this Ace is a man. Joined by Dolon, an aging mercenary "phantom" sent by Launch Tech to transport the package to an Idaho safehouse, the three form an uneasy alliance. 
As they try to outrun a rival corporation’s ruthless agents across the desert in a deadly game of cat-and-mouse, Chevy realizes that their survival may also determine who controls the future. But when greed is the only rule of law, who can she trust? 

My Review:

I came into this one kind of expecting Cash and Gravity to both be people. Literally. I was expecting those to be the names of the protagonists. Let me disabuse you of that notion right now, because they’re not.

Instead, they are the forces that power the narrative of the story. Gravity, the force of nature. The principle that Earth, or any large mass, pulls things towards it from space. Like lifeboats ejected from dying spaceships. And dropships built to drop from orbit with a cargo of space marines.

And cash, you know, money. The thing that really makes the world go ‘round. Or, in the case of this story, and increasingly in real life, the thing that allows a person to buy what they need and go where they must and manage to keep themselves off the ever-tightening grid of networked cameras and transactions.

The thing that allows a person to hide their very existence – if they’re very, very careful about it. And very, very lonely.

Those forces are what bring space marine Chevy Cole, ‘Ace’ Izan and ‘phantom’ Dolan together on a mad dash across America’s desert southwest in this megacorporate controlled future.

Their slowly crumbling world is controlled by six megacorporations, Launch Tech, Exoterra, Tsilokovsky, Jinzhan, Lua Um and Alpha Orbital. Of course, there aren’t six superpowers. There are two superpowers, L-Tech and EXO, and the rest are lesser beings orbiting the two giants. Who are, of course, locked in eternal conflict.

Or they were, when scientists based on a tiny, low earth orbit EXO space station discovered, or created, the SFnal equivalent of the mythical philosopher’s stone. But the future isn’t interested in turning base metal into gold, and they’re already working on eternal life. The device that EXO has in their hands does something better and even more dangerous. It’s a (relatively) safe fusion battery that can produce infinite energy – or ultimate destruction.

Launch Tech has massed all of its forces to steal the device while it’s still on that vulnerable space station. That, as it turns out, was the easy part. Cash and Gravity is the story of the hard part, of three people in the right/wrong place at the right/wrong time, banding together to get the fate of the universe, and themselves, to safety before the clock runs out.

Before their equally determined – and even more dangerous – pursuers catch up to take them down, and out, and the device and the world’s future from their hands.

Escape Rating B: The idea that megacorporations will take over the world is not all that far-fetched, far-flung or far into the future – at least not in SFnal terms. There are plenty of stories with that type of set up. Just take a look at Murderbot – and you might as well start looking in that direction from the beginning because there are definitely a lot of Murderbot feels in Cash and Gravity.

Not the SecUnit itself, but the world that made it possible – and has expanded that control out into that universe. From a certain point of view, the story in Cash and Gravity is a variation of how Murderbot’s megacorporation-controlled universe got to be that way.

Alternatively, and with just as much plausibility, the world of Cash and Gravity descends from the corporate-controlled Earth in Nicole Kornher-Stace’s Firebreak, or Natalie Zina Walschots’ Hench and Villain, complete with corporate-created and sponsored media-darling heroes. Because that’s here too, and the way that got to be that way isn’t nearly as pretty as those media darlings’ faces and public images make things out to be.

But in its actual journey, it has a lot of the space western vibes of Firefly. That Firefly was also set in a universe where megacorporations ruled – even if some of that rule was thinly disguised by planetary governments who were equally corrupt – makes the resemblance that much stronger.

Of course, it’s not the setting that gives Cash and Gravity either its heart or its compelling pace. What makes this story sing – if occasionally off-key – are its characters and the way that desperation and danger bonds them together in spite of themselves.

Three people who should not have ever met, a hermit, a hero and a space marine. The hero has the device. The space marine has the brawn to protect him. The hermit has the ability to keep them off the grid until they reach their ‘plan Z’ pickup point.

When they first meet, they don’t trust each other, they’re not prepared for each other, and they don’t even like each other. Chevy’s there by accident, Izan wasn’t supposed to survive the drop, and Dolan wasn’t supposed to worry about anything but the device.

But Dolan can’t abandon them, Izan is too space sick to get anywhere on his own, and Chevy needs a new squad to protect to keep her stable in the civilian world she never dealt with well even when she was one.

They find a family – or a squad in Chevy’s case – that none of them were expecting. Their teamwork carries them through even as their tentative plans fail to survive the first contact with their enemy. But it’s that same sense of team and family that lets them keep it together even as everything falls apart. And helps them start putting the pieces back together the way they should be when their bosses try to convince them of a solution that is very, very wrong.

In the end, I had some mixed feelings about this one. Obviously, it reminded me of a lot of books I’ve read, and I’d throw in the Valor/Confederation series by Tanya Huff and Old Man’s War by John Scalzi to represent the voices of Chevy and Dolan. At the same time, the villains of the piece, whose perspectives we also get to experience first hand, were more caricatures than characters (that they are nameless throughout didn’t help) and I’ve seen that phenomenon a bit too many times too close together recently to enjoy it again here.

I did love the pulse-pounding pace of the story, the road trip tour of their sorta/kinda functional but slowly crumbling America AND especially the way the team gelled into a family that stuck in spite of the absolute heel-turn betrayal at the end. Which, admittedly, I saw coming.

On balance, I liked this one because I liked the protagonists. The story absolutely does pull the reader down the road right along with them, and the ending was the kind that was right, dammit, and opens the door wide for a second book. Which I’m going to be right there for because they’ve all earned whatever their version of a happy ending is and they deserve to get it.

Grade A #AudioBookReview: The Last Mandarin by Louise Penny and Mellissa Fung

Grade A #AudioBookReview: The Last Mandarin by Louise Penny and Mellissa FungThe Last Mandarin by Louise Penny, Mellissa Fung
Narrator: Eunice Wong
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: political thriller, suspense, technothriller, thriller
Pages: 400
Length: 13 hours and 16 minutes
Published by Minotaur Books on May 12, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A standalone thriller co-written by the #1 New York Times bestselling author of the Gamache series and an award-winning journalist.
In a fast-paced, all-too-real thriller co-written by #1 New York Times bestselling author Louise Penny and award-winning journalist Mellissa Fung, global politics become personal for two unlikely heroines. Alice Li, a first-generation Chinese-American, is an erstwhile food blogger who has lived in the shadow of her mother, Vivien Li. A Chinese dissident who escaped China after Tiananmen Square, Vivien is now a globally recognized human rights activist and passionate advocate for a free and democratic China.
When security and fire alarms go off simultaneously all around the world, setting off a panic, the signal is traced back to China. As world leaders scramble to respond, Vivien and Alice are called to the White House in hopes Madame Li can decode the Chinese intentions.
While it makes some sense that the President would turn to Vivien, since she regularly advises world leaders on the actions of today’s Chinese government, what isn’t clear is why they’d want to talk to Alice.
After looking at the evidence, Vivien says that the only thing worse than the Chinese government being behind it, is if they are not. It would mean, she explains, that some clandestine element within China is calling the shots. That the President of China has lost control. And an unstable China cannot be good for anyone.
Or perhaps that’s exactly what the shrewd old politician wants everyone to think.
Caught up in the chaos, Vivien and Alice are uniquely placed to stop the next, cataclysmic attack. But there are forces deep within both the American and Chinese governments intent on stopping mother and daughter. The estranged pair, who excels at misunderstanding each other, must figure out how to work together.
The increasingly frantic search for answers takes the women from the Oval Office to an office building in Akron, Ohio, from the noodle shops of Hong Kong to the necropolis of the first emperor. Along the way they must decode an old legend, and an old language invented by women, for women.
The Last Mandarin is an electrifying study of absolute power and voracious greed, political terror and personal conviction. But it is also, as to be expected from the minds of Louise Penny, beloved author of the Gamache novels, and Mellissa Fung, an acclaimed international journalist, an intimate examination of choice, of sacrifice, of memory and myths, both cultural and personal. It is the story of a mother and daughter, as well as a compelling international thriller about the precarious balance of power across the world, and within a family. And what happens when both break down.

My Review:

The Last Mandarin is a bit of a “six impossible things before breakfast” kind of story. Then again, our perspective on the frequently insane events of this tale is named Alice – and she often doesn’t believe what’s happening either, even while she’s in the midst of experiencing it.

Especially while she’s experiencing it.

The story begins with food blogger Alice Li in the restaurant of one of Washington D.C.’s premier hotels, watching resentfully as seemingly everyone in the room sidles up to the table to pay homage to her mother Vivien. Vivien Li, a refugee from the People’s Republic of China just after the 1989 protest and massacre at Tiananmen Square, has made a name and reputation for herself in the U.S. as a renowned human rights activist, an outspoken speaker against the communist regime that continues to control and suppresses the people of her homeland and an expert on the politics and history of the country she fled.

Alice has spent her entire life in her mother’s shadow, never measuring up to whatever unspoken plans and ambitions her mother had for her. Alice is still standing in Vivien’s shadow, dragged along in her mother’s wake, when every single alarm and warning system on the entire planet – and the space surrounding it – goes off at once. Everywhere, all at once.

And Vivien – with Alice in tow – is dragged from the hotel to the White House to speak to the members of the President’s inner circle about the source of what can only be considered an attack. Because whoever did this, however they accessed every warning system everywhere, including the space station in orbit and literally all the civilian and even military ships at sea, did it from somewhere in China.

Not that the country of China was exempt from what happened. Only that someone there must know something. And that Vivien – or one of the President’s advisors – should have seen it coming. But they didn’t.

All they have is one last text from one of Alice’s old college friends. She thought Liam was just a fellow food blogger, but his message was clearly more – and so was he. Whether he was a spy, a double agent, or merely an agent of Vivien Li’s own private spy network is something yet to be determined.

But Alice Li is determined to find out what really happened. As well as with figure out who, and what, her mother really is. It might make more of a difference than either Vivien or Alice can imagine if Vivien can manage to look past her own hubris to understand who her daughter really is, and what she’s really capable of, as well.

Before it’s too late.

Escape Rating A: This story is more than a bit of a wild ride. It’s the kind of story that the late Tom Clancy used to right, filled with paranoid plots, insane situations, mutually assured destruction brinksmanship, and the potential end of the world as we know it. (That Clancy is both dead and still publishing new books fits right in, as that’s just as impossible as much of both his – and this – story.)

But the impossibilities are in the details, and in the characters who find themselves thrust into the position where they are the only ones who CAN save the world. Even as the people who believe they are the powers-that-be gibber in paranoia and delusions and paranoid delusions that might even be partially true, worrying about vast hidden conspiracies and whether or not they’ll be blamed for the destruction.

The idea that the world is much more vulnerable than we think it is, and that world leaders are simultaneously afraid of each other – with reason – and have more in common with their enemy counterparts than their own people, can be, and probably is, both counter to what we believe AND entirely true. (That concept comes straight out of old Cold War espionage stories, where the enemy agents in the same situations understood each other better than the folks back home understood them – and vice very much versa.)

Again, even if the details of this story seem over-the-top. Which they mostly are.

At the same time, it’s easy to see co-author Louise Penny’s fingerprints all over the way this story works. There’s an ongoing thread through her beloved Chief Inspector Gamache mysteries in regards to hidden, deeply rooted, long buried, patiently waiting gigantic conspiracies. And that’s exactly what’s at the heart of this story – even if their motives are different from Gamache’s usual run of antagonists.

Because the story here combines human and political plausibilities and possibilities with the implausibility of its heroes and historical antecedents which careens hard into Dan Brown and the arcane, hidden historical meanings and implanted codes of, well, The Da Vinci Code.

And it’s that juxtaposition of the likely with the quirky and otherwise downright impossible that readers will either fall into in fascination or bounce off of hard and fast.

I fell hard, for the most part. I loved the conspiracy theories and the historical underpinnings. The strained relationship between Chinese dissident turned civil rights activist Vivien Li and her resentful adult daughter Alice grounded the story in the real even more than the plot wrapped around the real-world bogeyman of artificial intelligence run amok in cyberspace.

The way that the new conspiracy is steeped in the myths and legends of Chinese history will either captivate readers or push them out of the story. I love those kinds of details, but reading mileage definitely varies.

Readers who set aside their disbelief, or at least let it rest for a while, will enjoy The Last Mandarin a great deal. It’s the kind of espionage thriller that we don’t see nearly as much of as we used to. In that sense, and in its choice of foci and protagonists, it reminds me a bit of The Silver Fish as well as both Clancy and several of M.L. Buchman’s series, particularly his Miranda Chase series.

It’s also a story that is even better in audio. I listened to Eunice Wong’s narration – she’s a great reader for Alice – and got so caught up in her reading that I was up until 3 am finishing the audio instead of switching to text and wrapping up in a single hour. It was worth it.

So if you can wrap your willing suspension of disbelief around this combination of implausible heroes and not nearly as insane as we’d like them to be conspiracy plots, The Last Mandarin is a fascinating and fantastic read. In multiple senses of both words!

#AudioBookReview: Six People to Revise You by J.R. Dawson

#AudioBookReview: Six People to Revise You by J.R. Dawson“Six People to Revise You” by J.R. Dawson in Uncanny Magazine, Issue 62, January/February 2025 by J. R. Dawson
Narrator: Erika Ensign
Format: ebook, podcast
Source: supplied by publisher via Hugo Packet
Formats available: magazine, podcast
Genres: science fiction, short stories
Series: Uncanny Magazine Issue 62 January/February 2025
Pages: 19
Length: 51 minutes
Published by Uncanny Magazine on January 7, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

The January/February 2025 issue of Hugo Award-winning Uncanny Magazine.

Featuring new fiction by Scott Lynch, J.R. Dawson, Tia Tashiro, Tade Thompson, Mary Robinette Kowal, Rati Mehrotra, and AnaMaria Curtis. Essays by Nicholas Whyte, Ai Jiang, A.T. Greenblatt, and Suzanne Walker, poetry by Kaliee Pedersen, Mari Ness, Shankar Narayan, and E. N. Díaz, interviews with Scott Lynch and Rati Mehotra by Caroline M. Yoachim, a cover by Maxine Vee, and an editorial by Lynne M. Thomas and Michael Damian Thomas.

Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019, 2020, 2022, 2023 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, Betsy Aoki, and Monte Lin, each issue of Uncanny includes new stories, poetry, articles, and interviews.

My Review:

Why would you ask a whole bunch of other people, most of whom don’t know you well, or at least don’t know you well NOW, for their input into everything about yourself that you should change? Another question, why would the process to change someone start with asking people who are, mostly, at best, casual acquaintances or frenemies, how a person they may not like should change.

What does that say about the society that does this? And why would a person submit themselves to it?

Those are just some of the VERY thorny questions being asked in “Six People to Revise You”, the second in this series of Hugo nominated short works reviews.

You’ll notice that I’m not asking why the person at the center of this story – or any person in this story or anywhere else – would submit themselves to such a process AT ALL. Because the answer to that question seems both obvious and rooted in human nature in general.

No one needs an SF story to tell them that they might be better off, or more successful, or happier, or fit into their society better, or be more comfortable, or WHATEVER – if they just changed a few important AND intrinsic things about themselves.

Our families, our friends, society at large and the whole entire internet press upon us every single day that our lives could be “better” for some very nebulous definitions of better if we just “got with the program”, whatever that might be.

So the story isn’t about that. It also isn’t about the mechanics of how this gets done. It sounds like brainwashing or programming or deprogramming or handwavium or all of the above. The methods don’t matter in this context.

What matters is the result. The way that the process of “revision” seems to blunt the personality. Smooth down all the rough edges. Take away individuality. And possibly – and insidiously – freedom of choice through self-censorship. In the way the process of “revision” takes away individual choice through self-erasure, it reminds me a LOT of the short story “Thickly” by Dorothy de Kok in Writers of the Future 42. The results are very similar even though the process is different.

From one perspective, this is a story about someone (specifically in this case the unnamed first-person narrator) asking a whole lot of people she only sorta/kinda knows which parts of herself she should change to become a happier and more successful person. The answers are mostly self-serving on the part of the people being asked, and are frequently unkind at best. (That the system itself is set up this way is extremely weird – at best.)

But this isn’t a story about what she SHOULD do. (Personally, I think externally applied SHOULDs are the devil, and that’s absolutely true here.) The story isn’t about listening to what other people think even though it is about just how insidious those external voices are.

Instead, it’s a journey of self-discovery. Because the ultimate discovery isn’t about who she should be, it’s about the good and the joy she’s brought into the world by being the person she already is. A perspective that’s delivered by one lone voice among the six people who are supposed to be “fixing” her future course who knows her and cares about her as the person she is.

Escape Rating B: Like my previous Hugo Review of “The Girl That My Mother Is Leaving Me For”, the story, as a story, has more than a few holes and weirdnesses built in. In this case, the gigantic hole is that the reader has no idea what the process of revision really is, how it came to be, what people think it’s intended to do and what it actually does.

We can infer a lot from what we have, but it still feels like handwavium on the technical side and smoke and mirrors on the results side. Or something like that.

And it could be that’s exactly what’s intended, that the reader is supposed to put their own interpretation into the process and its results. It feels like the actual intention of “revision” is to program social outliers into behavior society finds more “acceptable” – all of which needs to be in scare quotes. Because those types of purposes lead to some terrible “greater good” scenarios.

That the narrator doesn’t do it after all, that they realize that how they are is how they’re meant to be and that they’re happy as they are as much as any human is happy as they are allows the story to lead on a hopeful and dare I say it, happy, note. But the questions the story asks are troubling – especially because we are all being programmed, every day, by the masses of information and misinformation and high decibel outrage and meaningless consumerism we’re flooded with every single day.

Berry Good Giveaway Hop

Welcome to the Berry Good Giveaway Hop, hosted by Mama the Fox and Mom Does Reviews!

It’s SUMMER, isn’t it? I mean really, even if it TECHNICALLY isn’t, it IS. Post-Memorial Day (even if that felt early this year) means SUMMER.

I decided to get more information about berries, so I went to Wikipedia. Now I’m confused. Not all the fruits we think of as berries are berries in the technical, botanical sense, even though they are in the less technical but much more delicious culinary sense. And there are a whole bunch of fruits that we don’t think of as berries that actually are, botanically, berries.

Watermelons – a summer tradition – are technically “giant berries”. So are pumpkins which just made my brain go ’tilt’. OTOH, blackberries (my favorite breakfast berry), along with strawberries and raspberries, are technically aggregate fruits and not berries at all. Except in the culinary sense.

Whether or not the technicalities make YOUR brain go tilt as well, tell us your favorite berry flavor (from that yummy culinary perspective) in the giveaway widget for your chance at Reading Reality’s usual hop prize, the winner’s choice of a $10 Amazon Gift Card or $10 in Books!

And if  you’re looking for more ‘berry good’ June prizes, be sure to visit the other stops on this hop!

MamatheFoxMom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 5-31-26

Today is the last day of May. That Memorial Day occurred this past Monday and not tomorrow feels a bit off. Nevertheless, it is what it is. (Next year, Memorial Day WILL be May 31, which somehow feels normal. Don’t get me wrong, I love 3-day weekends as much as the next person, but the resulting float of the holidays can still feel off.

But June still starts tomorrow, along with Audiobook Month AND Caffeinated Reviewer’s annual JIAM (June is Audiobook Month) Challenge. I am participating, but I’m not sure just how many audiobooks I can manage in just a single month. Over a whole, entire year, quite a few, but in just one month? We’ll see.

Speaking of seeing, the above picture of Luna had to be seen to be believed. She’s just completely abandoned, mostly asleep, and not quite keeping track of all of her limbs. When this was taken, she was just aware enough to notice that she was being photographed, but not quite awake enough to do anything about it. In a week or two I’ll post the follow up picture, the one where she’s fully awake, looking adorably cute, and obviously posing for the camera. Or for her human daddy. Same difference.

Current Giveaways:

$10 Gift Card or $10 Book in the Spring 2026 Seasons of Books Giveaway Hop
$10 Gift Card or $10 Book PLUS EVENT-WIDE AMAZON/PAYPAL PRIZE in The Summer Giveaway Event

Blog Recap:

#GuestPost: Memorial Day 2026: Books at War
Grade A #BookReview: The Monk by Tim Sullivan
B #BookReview: The Girl That My Mother is Leaving Me For by Cameron Reed
A++ #BookReview: Ode to the Half-Broken by Suzanne Palmer
A- #BookReview: The Ivory City by Emily Bain Murphy
Stacking the Shelves (707)

Coming This Week:

Berry Good Giveaway Hop
When He Calls Your Name by Catherynne M. Valente (#HugoReview)
The Last Mandarin by Louise Penny and Mellissa Fung (#AudioBookReview)
Cash and Gravity by Perrin Pring (#BookReview)
Field Guide for the Formerly Villainous by Autumn K. England (#BookReview)

Stacking the Shelves (707)

Is it just me, or does it feel vaguely wrong that it’s STILL May but Memorial Day is already behind us? Something about this weekend still being May but Monday is NOT Memorial Day is just not right.

Speaking of not right things, it feels like we’ve definitely entered the “cute” cover era. The “pretty” cover era feels like it’s over. Of course, that could just be because I don’t read a lot of literary fiction which tends more in that direction. Although the cover of The Eagle in the Mountain is gorgeous in its own way. That’s a style we saw a lot of when we lived in Alaska and I do kind of miss seeing it everywhere.

Find Me Where It Ends has the distinction of being the cutest horror or horror-adjacent cover I’ve ever seen. Whether the book lives up to it is yet to be determined.

The book with the best title – or at least the title that most grabbed my attention – is World’s Okayest Oracle (Reluctantly) Seeks Demon. There’s something about that parenthetical (Reluctantly) that makes me smile every time I see it.

What about you? What’s tweaking your curiosity in your stack this week?

For Review:
Audrey Lane Stirs the Pot (Winner Bakes All #3) by Alexis Hall
Bad Company by Sara Paretsky
The Butler (Butler #1) by Clare Mackintosh
A Courtship in Quarantine (International Love and Misadventure) by Jem Spears
The Eagle in the Mountain (Raven and Eagle #2) by Caskey Russell
Enchanting the Fae Queen (Queens of Villainy #2) by Stephanie Burgis
Find Me Where It Ends by Cassandra Khaw
Five Weeks in the Country by Francine Prose
Good Joy, Bad Joy by Mikki Brammer
The Great Wherever by Shannon Sanders
Homebound by Portia Elan
The Lovers (Towerfall #2) by Kristin Cast
A Most Worthy Husband (Lucky Ladies of London #3) by Faye Delacour
Ms. Mebel Goes Back to the Chopping Block by Jesse Q. Sutanto
Odessa by Gabrielle Sher
One Week to Win the Chocolate Maker by Timothy Janovsky
Roses & Stone (Silver & Blood #2) by Jessie Mihalik
The Scarlet Ball by Nghi Vo
Served Him Right by Lisa Unger
Silver & Blood (Silver & Blood #1) by Jessie Mihalik
World’s Okayest Oracle (Reluctantly) Seeks Demon by Olivia Dade


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

A- #BookReview: The Ivory City by Emily Bain Murphy

A- #BookReview: The Ivory City by Emily Bain MurphyThe Ivory City by Emily Bain Murphy
Format: ebook
Source: borrowed from Amazon Kindle Unlimited
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical mystery, historical romance
Pages: 352
Published by Union Square & Co. on November 4, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The St. Louis World’s Fair, 1904: A miniature city of palaces and pavilions that becomes a backdrop for romance, betrayal—and murder.      Cousins Grace and Lillie have been best friends since birth, despite Grace’s vastly inferior social status ever since her mother married for love instead of wealth. When Lillie invites Grace to the biggest event of the century—the legendary World’s Fair, also known as “The Ivory City”—Grace hopes her fortunes might be about to change.       But when a member of their party is brutally killed at the fair, and suspicion falls on Lillie’s brother Oliver, Grace must prove Oliver’s innocence before her beloved cousins’ family is ruined forever. Along the way, she'll discover that the city’s wealthy elite—including Oliver’s handsome but irritable friend Theodore—aren’t quite who they appear to be. And amidst the glitz, glamor, and magic of the Ivory City lurks a danger that just may claim her life.

My Review:

Grace Covington has grown up pinned to the fringes of the high society that should have been hers by birth – or would have been if her mother hadn’t chosen to marry for love instead of wealth and status.

The only thing that has kept her on that fringe has been the love of her cousins Lillie and Oliver. In spite of their mother’s constant attempts to push Grace, forcibly if necessary, out of their lives, Oliver and especially Lillie have been equally determined to keep Grace close.

But all their lives are on the cusp of change – even if not the change any of them believed it would be. In their early 20s, on the threshold of adulthood, it’s time for them to go their separate ways – even if Lillie and Oliver aren’t willing to see it. Grace is tired of being reminded at every turn that she does not belong in high society, is unwilling to continue to tolerate the sly cuts, denigrating comments, and scandalous innuendos that beset her at every turn. And recognizes that its time for her to forge her own path and it can’t be the same as Lillie’s no matter how much they have been sisters of the heart.

Grace intends that the opening weeks of the “Ivory City”, the 1904 St. Louis World’s Fair, will be her final hurrah among high society. It’s supposed to be last flutter of bright glitter before she literally kisses her beloved cousins goodbye – and brightens her dour Aunt Clove’s whole entire life into that sad bargain.

But fate intervenes, along with utter disaster, when Oliver falls in love with an actress, a woman his mother will never allow to sully their family – no matter what she has to do to prevent it. But when the woman drops dead of poison in the midst of a society gala, it’s Oliver who is arrested and sent to jail to await trial because he handed her the fatal glass.

Even as he’s tried – and found guilty – in the gossip rags and the yellow press, Grace and Lillie are determined not to let that verdict be pronounced in an actual courtroom. They are certain that Oliver couldn’t possibly have done it. But someone certainly did, and they’re willing to dig into whoever and whatever it takes to find out the terrible truth. Even if it “ruins” them both in the process.

Escape Rating A-: The story belongs to Grace Covington, not just because she turns out to be the person who makes things happen, but because she’s the character who grows and changes and makes decisions about her life and future. But what makes this story special, what gives it its shine and sparkle, is its setting at the 1904 World’s Fair. Because Grace isn’t just telling a story about her life and her choices and her decision to investigate crime, but she’s telling it and working on it in this fantastic setting that has briefly but brilliantly (in more ways than one) made the unreal magically real.

And doesn’t shy away from some of the really awful parts of that reality – even as it expresses Grace’s shock and awe and disgust and horror in ways that fit her time and place and circumstances and rather than ours.

So the story works on multiple levels that intertwine and support each other and cast both shine and shade on each other at the same time.

Grace’s own part of the story is one that has been told before, although it’s certainly done well in The Ivory City, as does Grace herself. But still, she’s the ‘poor’ relation of a rich family, barely tolerated by their society because her cousins refuse to abandon her, her snobby aunt is a horror and her cousins’ friends all look down on her and aren’t at all shy or even polite in letting her know they think she’s beneath them. Then she rises to the occasion by investigating the murder that her cousin has been accused of and exposes the truth.

It’s a good story, it’s well done here, but it’s not new in and of itself. The Saffron Everleigh series starting with A Botanist’s Guide to Parties and Poisons tells a similar kind of mystery, also historical, in a different time and place but with a setup very much like this one. Minus, of course, the World’s Fair which is kind of the point.

The way that this microcosm of the world that the powers that be are presenting it as being – even though it reflects all their prejudices and hides a lot of darkness under its bright lights, provides a world within a world where everyone is briefly cheek-by-jowl, where there is a lot of mingling of people and classes, where all the things that make a community function are crammed into a hothouse environment and where people can see beyond the boundaries of their usual settings and opportunities – if they’re willing to.

Which is what allows Grace to live somewhat independently, mix with people from other classes, meet and fall in love with a man who would otherwise be out of her reach, become a newspaper reporter and investigate and more importantly uncover a scandal among people who are willing to shore up their social position through murder.

And it all happens fast because she doesn’t have to travel around, the Fair has compacted the world into a small and tempestuous space. In the end, the story, like the fair itself, encompasses the whole world and not just a tiny piece of it.

It’s probably impossible to read the title or the blurb of The Ivory City without being reminded of The Devil in the White City by Erik Larson. And they certainly do share their World’s Fair settings. But just as it’s not the same World’s Fair, it’s also not the same kind of story. Not just because Devil is nonfiction – even though it reads as compulsively as fiction – while Ivory City is fiction through and through. But also because Devil is a story centered around its male characters, and their unplanned rivalry, while Ivory City is focused on its female characters, their newfound agency, their cooperation and their rivalries, and especially their triumphs.

A++ #BookReview: Ode to the Half-Broken by Suzanne Palmer

A++ #BookReview: Ode to the Half-Broken by Suzanne PalmerOde to the Half-Broken by Suzanne Palmer
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: artificial intelligence, dystopian, hopepunk, post apocalyptic, robots, science fiction
Pages: 416
Published by DAW on May 26, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Forty years ago, the world nearly ended.
Be is an old robot who was there, and doesn’t want to think about what happened, or what role they played in that conflict. They have settled into a life of isolation in the abandoned ruins of an old mill in the former New York Botanical Gardens, disinterested in what has happened in the outside world since they stepped away from the war. Someone out there, though, has not forgotten about them, and when they are attacked, their person vandalized, and one of their leg stolen, they set out to find the thief accompanied by a cyborg dog and a human mechanic.
The world has changed, but the recovery from the war is uneven and faltering, and Be begins to suspect a malicious hand trying to rekindle the old conflict and finish what was started. In order to stop them, Be needs to come to terms with both their own past and who they have become, and how everything and everyone else they knew has changed in their absence. Being left alone is no longer an option, and peace may be impossible.
This is a story about coming to terms with your past, with who you’ve become and who you still want to be: a tale of resilence and hope, an ode to those struggling to become whole in a world half-broken.

My Review:

This one just blew me away. To the point where I had to let it settle for a day before writing this review, so that I could be coherent enough to say something more than just SQUEE! (Fair warning, I’m still going to squee because this was so awesome.

Initially, I picked this up because I loved the author’s Finder Chronicles, and the universe-weary voice of the series chaos-magnet protagonist, Fergus Ferguson. I wasn’t expecting more Fergus – I mean, it would be nice to get more of that series but Fergus’ AND HIS FRIENDS’ odds of survival degrade with each story so they’re all better off if he stays retired.

In Ode to the Half-Broken, from the perspective of its initially unnamed protagonist (and its name is DEFINITELY an integral part of the story) I got something entirely different – but equally as fascinating if not just a bit more – in every possible way.

It all begins when our unnamed main character wakes up in a bathtub in a ruined building, covered in EMP chips, disconnected from the network – and from most of their own senses. Minus one leg. As our point of view character is a bipedal mech, the loss of a leg is a significant impairment to mobility.

It gets better. Both in the physical sense and in the sense that the story just keeps getting better and better. We’re already invested in this mech’s dilemma/mystery and the story just keeps getting more involving as it goes. Just as the mech does.

The story takes the form of a great American road novel, as our mech sets out from their violated home base in the abandoned wilderness of New York City’s Central Park to find, first and foremost, someone who can restore their mobility. So that they can hunt for whoever, whatever and most importantly whyever their person and their sanctuary was invaded.

What it finds is a world going both right and wrong at the same time. As it gathers a team around it – to its own surprise – made up of different types of mechs from tiny drones to a former trainmech now embodied in a minibus, from a cyborg dog to a human mech mechanic – it trades its former solitude for a cooperative life with others pursuing the same goals and supporting each other through a landscape that is both trying to recover and being pushed towards a deeper disaster.

There are clearly opposing forces helping, hindering and hampering their quest on all sides. As the danger ramps up, the unnamed mech, now calling itself “Be”, is forced to explore a past they hoped they’d left behind them in order to protect their friends in the present in the hopes of finding a brighter future that seems to always be out of reach.

Afraid, very afraid, that if they reclaim their former identity, that future will already be lost.

Escape Rating A++: Reading this got me through a four-hour power failure. By got through I mean that I was so caught up in the story that I was able to ignore the beeping, fweeping and outright wailing of seemingly every single computing device and attendant uninterruptible power supply in the entire house. For FOUR hours. Which is, come to think of it, an appropriate metaphor for this story as its all about mechs and AIs and their integrations or cohabitations – or not – with humanity in this post-apocalyptic world that is doing its damndest either to get out of its current dystopia and/or shove that dystopia into full-on not just end of the world as they know it but end of everything.

The part of this review that’s above the rating doesn’t NEARLY encompass the depth of the story or my complete fascination with it and utter absorption in it. I’ll try some more here.

As readalikes kept popping into my head as I read this story, I realized that I’ve read a lot more robot/mech/AI stories in the past few years than I thought – and I thought I’d read quite a few. Thinking about those stories, and the whole of Ode to the Half-Broken, I think the way it plays out in my head is that it’s a trip through the post-apocalyptic dystopia of Service Model, but the dystopia is more like Shining Smith’s world in Junkyard Cats, hoping to get through its Mad Max style dysfunction to a post-post-apocalypse that has the hope and the healing of A Psalm for the Wild-Built, but with a level of interspecies/intermech/intereverything cooperation like Automatic Noodle. I could throw a few more books on that pile, particularly American War by Omar El Akkad, because the way this dystopia has fractured has a uniquely American feel. Not that Europe probably isn’t in just as big a mess, but if we were viewing this story from Europe, or Asia, or anywhere else in the world, it would look different. Just as fucked up, but different.

Ode to the Half-Broken is certainly a great American road novel, but the road it’s travelling on was created, bombed, and irradiated by the actual, literal four horsemen of the apocalypse. One of whom is trying to make the apocalypse worse, one who is helping the world recover, one who is actively fighting against any further collapse and one who is along for the ride, being a good boi AND a good friend every mile of the way.

I’m not even close to describing just how good this was. But I’m going to stop trying because I hope I’ve teased you enough to get you to read it. The characters were fascinating, fantastic and utterly real, from the narrator to the toolbox mechs to the dudebros and the warmongers. The world felt like one I could step out of the door and walk right into – even if that would be a bad idea for numerous reasons. It felt, well, both real and fully-realized and entirely too possible.

And yet, in the end, just as there was in Automatic Noodle but entirely differently, there’s hope. A hope that all the characters are clinging to – and so is the reader.

#BookReview: The Girl That My Mother is Leaving Me For by Cameron Reed

#BookReview: The Girl That My Mother is Leaving Me For by Cameron ReedThe Girl That My Mother Is Leaving Me For by Cameron Reed
Format: ebook
Source: supplied by publisher via Hugo Packet
Formats available: ebook
Genres: dystopian, science fiction
Pages: 35
Published by Reactor Magazine, Tor Books on April 2, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In a corporate-run dystopia, a trans girl plucked out of poverty to give birth to a clone meets her replacement.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

My Review: 

Welcome to the first in what will be a series of reviews of this year’s Hugo Nominated short works.

I’ve been voting on the Hugos since Chicon V in the early 2000s. Which doesn’t seem nearly as long ago as it actually is. BUT I’m primarily a novel reader, and more recently also a novella reader. I don’t go looking for novelettes and short stories over the course of a year. And I felt really bad about that when I submitted my ballot. Not that one has to vote in every category, but I felt like an opportunity was being missed – only because it was.

(And I fully admit that reviewing the shorter stuff – generally as podcasts when I can get them – helps me ensure there’s a daily post on Reading Reality. This seems like a win/win, so here we are.)

This year, I’m making more of an effort not to review things before they get discussed in the 2026 Hugo Readalong on reddit  because it’s fun to see what other people thought after I’ve finished my own thoughts. Or am at least in the middle of my own thoughts.

I’m starting this year with the novelette category, meaning stories over 7,500 words and under 15,000 words. About an hour in audio, which I get when I can. I’ve already read one of this year’s novelettes, Martha Wells’ most recent Murderbot short, “Rapport: Friendship, Solidarity, Communion, Empathy”, originally published in Reactor on July 10, 2025 and reviewed last year.

“The Girl That My Mother Is Leaving Me For” is an intriguing story to begin this series with, as it’s a story that I ended up with mixed feelings about.

The thing about the shorter forms is that sometimes the story fits its length, and sometimes it feels like the story has been forced into a Procrustean bed, meaning that it’s been shoehorned into a shorter length than it really needed.

The background of this one had a LOT of interesting potential. From multiple axes. Or possibly with multiple axes being applied to make it fit.

From one perspective, it’s about a future dystopia of scarcity, where only the rich have enough of, well, anything and everyone else is underfed, underhoused and under the bootheels of the rich. (Unfortunately, it sounds like a future we could get to from here all too easily.)

We don’t get details of the how and the why, but because it’s already close to the possible, it’s easy to imagine. Which is where we get to the parts we can’t quite imagine.

Two megacorporations (lots of megacorps in SF right now, surprise, surprise) have chosen different formulas and origin stories to explain their own rises to the top. Formulas that involve cloning and literal and figurative programming of each successive CEO. It’s a cyberpunk world, with cyberpunk solutions.

The way that the CEO is created/raised, well, raises a whole bunch of questions about nature vs. nurture. OTOH each CEO is a clone of the previous. And very much OTOH, they’re raised through a vast scheme of lies and fabrications to replicate the experience of the original founder in ways that don’t logically work at all. From a certain perspective, the Founder’s origin story has been fetishized, and her successors are treating that precise origin story as the fount of all her genius even though the story takes place three generations later. While the facts of that biography can be replicated, the experience of it cannot.

And of course this story takes place when it all breaks down. So on top of all of the above we have the story of a very unreliable narrator trying to keep a toehold on survival as she’s being replaced AND what happens when the whole structure collapses and she and her wife are forced to flee and actually live the life they were supposedly replicating.

Which is where the story crashes into an abrupt thriller-type ending that leaves the future wide-open.

Escape Rating B: There’s a LOT of story going on, and it’s too big for its container. Because the above isn’t all of it – of course not – but it’s not even all the themes involved in it. One reviewer said that this would be great as the prologue to a longer story, and I think that’s close to right.

There are shortcuts in the setup that rely on the reader being familiar with cyberpunk and the current trend towards megacorporation conglomeration and control in SF. The situation in the story raises a whole bunch of nature/nurture questions AND manages to include stuff about the surveillance state while folding in a discussion about how embodiment and dysmorphia feel and work in a society where anyone (rich) can swap bodies – and everything that goes with that – whenever they want an upgrade for whatever upgrade means to them.

Those issues reminded me a LOT of These Fragile Graces, This Fugitive Heart by Izzy Wasserstein and especially Seth Haddon’s Volatile Memory Duology, Volatile Memory and and its upcoming conclusion, Null Entity. Especially Null Entity, which will be out in July.

But this story feels like a good place to start this year’s Hugo reviews. “The Girl That My Mother Is Leaving Me For” raises a lot of interesting issues, gives the reader a lot to think about and leaves the future hanging.

This series continues next week with one of the short stories, either “In My Country” or “Six People to Revise You” depending on which one I get to first!