The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 5-27-18

Sunday Post

And again, happy 3-day Memorial Day weekend to all the U.S. readers. We have more time to read this weekend! YAY!

The Life’s a Beach Giveaway Hop ends on Tuesday, just in time for the Beach Reads Giveaway Hop to begin on Friday. They both have the same theme, beach books and beach reading. And I still prefer to be inside where there’s air conditioning. It gets damn hot here in ATL in the summertime!

I had a feeling last week that somewhere during my reading week the bounce was going to go out of my bungee. And it did. Those two extra books this week for LJ reviews did me in. The dinosaurs will be back this week for sure. I’m also really looking forward to The Word is Murder. I enjoyed his Magpie Murders, particularly the historical bits. This one isn’t historical, but I’m still very curious to see how it goes.

Current Giveaways:

$10 Gift Card or $10 Book in the Life’s a Beach Giveaway Hop (ends TUESDAY!)

Blog Recap:

B- Review: Warlight by Michael Ondaatje
B+ Review: I Met a Traveller in an Ancient Land by Connie Willis
B+ Review: Lowcountry Bonfire by Susan M. Boyer
B Review: All the Ever Afters by Danielle Teller
A- Review: Tricked by Kevin Hearne
Stacking the Shelves (289)

Coming Next Week:

I am Justice by Diana Munoz (blog tour review)
The Rise and Fall of the Dinosaurs by Stephen Brusatte (review)
The Word is Murder by Anthony Horowitz (review)
Beach Reads Giveaway Hop

Stacking the Shelves (289)

Stacking the Shelves

To everyone in the U.S., happy Memorial Day 3-day weekend! YAY! More time to read!

I’m really curious about An Easy Death. It looks like Charlaine Harris is starting a new series. I loved Sookie and the beginning, but it really, really dragged at the end. I found Midnight to be kind of middling, so my curiosity bump itches about this one.

I’ve also been reading a lot of Harry Potter fanfic recently. I’ve discovered that I find Dumbledore-bashing to be terribly cathartic, but I’m not sure why. I think it feeds into the reason I liked Fantastic Beasts as much as I did – it’s good to see the adults stepping up to the plate and not expecting children to win their war for them. As much as I loved Harry Potter, that is one thing about the series as a whole that does not wear well. At least for moi.

For Review:
Astounding by Alec Nevala-Lee
Dopesick by Beth Macy
An Easy Death (Gunnie Rose #1) by Charlaine Harris
European Travel for the Monstrous Gentlewoman (Extraordinary Adventures of the Athena Club #2) by Theodora Goss
Freshwater by Akwaeke Emezi
Implanted by Lauren C. Teffeau
Impostor’s Lure (Sharpe & Donovan #8) by Carla Neggers
In the Hurricane’s Eye by Nathaniel Philbrick
Mage Against the Machine by Shaun Barger
The Mercy Seat by Elizabeth H. Winthrop
The Mystery of Three Quarters (New Hercule Poirot #3) by Sophie Hannah
The Phantom Tree by Nicola Cornick
Southernmost by Silas House
Time’s Convert (All Soul’s Universe #1) by Deborah Harkness
Virgil Wander by Leif Enger

Review: Tricked by Kevin Hearne

Review: Tricked by Kevin HearneTricked (The Iron Druid Chronicles, #4) by Kevin Hearne, Luke Daniels
Format: audiobook
Source: purchased from Audible
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Iron Druid Chronicles #4
Pages: 368
Published by Random House Audio on April 24, 2012
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Druid Atticus O’Sullivan hasn’t stayed alive for more than two millennia without a fair bit of Celtic cunning. So when vengeful thunder gods come Norse by Southwest looking for payback, Atticus, with a little help from the Navajo trickster god Coyote, lets them think that they’ve chopped up his body in the Arizona desert.

But the mischievous Coyote is not above a little sleight of paw, and Atticus soon finds that he’s been duped into battling bloodthirsty desert shapeshifters called skinwalkers. Just when the Druid thinks he’s got a handle on all the duplicity, betrayal comes from an unlikely source. If Atticus survives this time, he vows he won’t be fooled again. Famous last words.

My Review:

I wasn’t looking for something to link between Tony and Anne Hillerman’s Leaphorn, Chee and Maneulito series about the Navajo Tribal Police and Thor: Ragnarok, but I found it anyway. It’s Tricked, the 4th book in the Iron Druid Chronicles.

Hel is the daughter of Loki, not Odin, but just as in the movie, she does preside over the realm of the dead who do not qualify for Valhalla. As far as Atticus is concerned, the big problem is that she has possessed the body of his late friend, the Widow MacDonogh, in order to chase him down all that much more effectively.

In Hammered, Atticus and his friends killed Thor and crippled Odin, along with a whole bunch of the Norse pantheon. Hel wants to thank him for making her victory at Ragnarok inevitable. When he spurns her thanks, she sets her dogs on him. Not just dogs, of course, but also beings native to the Four Corners Reservation where he is currently hiding out.

She sends skinwalkers. And gives them a compulsion to find and eat Atticus O’Sullivan.

Not that he wasn’t there to deal with them anyway, in a roundabout sort of way, but she’s just made it way too personal.

This story is just full of roundabout ways by roundabout people, because Atticus is on the rez to pay Coyote back for helping to stage his death. His recent raid on Asgard has left the denizens of several pantheons out for his blood. Not because he messed with the Norse, but because he has proven that he can successfully mess with any of the gods – and none of them want that to get around.

Atticus in in a big mess – as per usual. Coyote did him a big favor, and now he wants a big favor in return. Coyote died for him twice – not the he wasn’t absolutely certain he’d come back – both times. But in return, Coyote wants Atticus to create a gold mine in the middle of the rez, so that the gold can be used to fund a renewable energy empire.

Coyote is a trickster, so Atticus knows there has to be a catch, and a big one. But Coyote isn’t scamming the locals, who are, after all, his people. And he’s not exactly scamming Atticus. But he’s also not exactly not scamming Atticus. He’s just being Coyote.

As is usual with Atticus adventures, figuring out what is really going on is going to result in a lot of bloodshed – some if it even belonging to Atticus himself.

And there will be a butcher’s bill to pay. Whether the results will be worth it – only time will tell.

Escape Rating A-: This one had some absolutely hilarious moments. The sequence about the relative measurements of shitload, buttload and fuckton had me grinning for several miles on the treadmill – and laughing out loud. I know the other people at my gym think I’m crazy.

In spite of the trademark snark, in full abundance in Tricked, this story also had its darker elements. As I said in my review of Hammered, it feels as though the series has turned a corner, and that things are going to get darker from here. In Tricked, we saw several of the loose ends left over from Hammered try to wrap themselves like nooses around Atticus’ neck.

But the action in Tricked revolves around Atticus fulfilling his deal with Coyote. One of the problems of working with Coyote is that he just can’t stop himself from trying to get the better of every deal. He is, after all, one of the quintessential trickster avatars. So while Atticus is more than willing to pay his debts – he is unwilling to pay more than his fair share – particularly without being asked first. No one enjoys getting taken advantage of over and over again – which is always Coyote’s aim. He really can’t play it straight.

So Atticus finds himself saddled with one job that he can barely handle, and one that is way, way outside his skillset, while frequently wondering which is which. As usual, he’s making it up as he goes along.

Because Oberon is sidelined for much of Tricked, his outsider commentary and comic genius has to be picked up by someone else. In Tricked, those roles are taken by Frank Chischilly, the hatałii who is conducting the ceremonies to bless Coyote’s operation.

Frank is an old man, and a very powerful one. His Blessing Way ceremony is providing real magical protection. And while he doesn’t know exactly what either Atticus or Coyote are, he is aware that they are much more than they appear to be. He’s pretty sure about Coyote, and I believe that the only reason he can’t identity exactly what Atticus is that that what Atticus is is considerably outside his cultural magical framework.

Frank is not humorous in the same way that Oberon is. Frank mostly plays straight man to some of Atticus wilder moments. But his wry humor and outsider’s perspective often result in a chuckle rather than the guffaws that Oberon generates. But he does provide some of the story’s lighter moments – until he provides the darkest one of all.

As snarky as Atticus is, this story is still much darker in tone than the first two books in the series, Hounded and Hexed. Atticus’ actions continue to have mounting consequences. But as serious as things are, there are points where it might have been better to cut to the chase a bit. The repeated attacks of the skinwalkers, while always life-threatening and scary, began to have a sameness about them. The skinwalkers don’t have a lot in the way of imagination. Or strategy or tactics.

But Atticus’ snarky and irreverent point of view always carries the reader along. I’ll be continuing with Two Ravens One Crow, the novella that sits between Tricked and Trapped.

Review: All the Ever Afters by Danielle Teller

Review: All the Ever Afters by Danielle TellerAll the Ever Afters: The Untold Story of Cinderella’s Stepmother by Danielle Teller
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fairy tales, fantasy
Pages: 384
Published by William Morrow on May 22, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous reimagining of a classic tale, told from the perspective of Agnes, Cinderella’s “evil” stepmother.

We all know the story of Cinderella. Or do we?

As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story. . . .

A peasant born into serfdom, Agnes is separated from her family and forced into servitude as a laundress’s apprentice when she is only ten years old. Using her wits and ingenuity, she escapes her tyrannical matron and makes her way toward a hopeful future. When teenaged Agnes is seduced by an older man and becomes pregnant, she is transformed by love for her child. Once again left penniless, Agnes has no choice but to return to servitude at the manor she thought she had left behind. Her new position is nursemaid to Ella, an otherworldly infant. She struggles to love the child who in time becomes her stepdaughter and, eventually, the celebrated princess who embodies everyone’s unattainable fantasies. The story of their relationship reveals that nothing is what it seems, that beauty is not always desirable, and that love can take on many guises.

Lyrically told, emotionally evocative, and brilliantly perceptive, All the Ever Afters explores the hidden complexities that lie beneath classic tales of good and evil, all the while showing us that how we confront adversity reveals a more profound, and ultimately more important, truth than the ideal of “happily ever after.”

My Review:

As Agnes says, “The stories we tell ourselves have great power.” And that is as true of the story that Agnes tells of her own life as it is about the fairy tale that becomes wrapped around the life of her stepdaughter Ella – known to legend as Cinderella. Although Ella never spent a day amongst the cinders in her entire privileged life.

Well, there was that one day, but it wasn’t exactly like the fairy tale. Then again, nothing was like the fairy tale. Because fairy tales aren’t real. They are just more compelling than day-to-day reality.

At least reality according to Ella’s not-so-wicked stepmother. Who may, of course, be an unreliable narrator of her own life – but then, aren’t we all?

Agnes begins her life as the second daughter of a poor serf in the village of Aviceford. Her family is too poor to feed her along with everyone else, so she is sent to the manor to become a laundry maid. It’s the best/worst thing that ever happens to her, and pretty much sets the pattern for her entire life.

Agnes is a woman who never manages to take two steps forward without taking at least one step back. While there are some happy moments in her life, they seem to mostly occur in spite of every single deck stacked against her pretty much all the time.

It’s a sad tale.

Just when it seems Agnes has finally found a way to have a fairly good and productive life, if not exactly a happy one, she finds herself face to face, or tantrum to tantrum, with her stepdaughter Ella. The world may see Ella as a fairy tale princess, but Agnes has to deal with her as a spoiled little brat who grows into a spoiled and self-indulgent young woman.

Not that Agnes ever says any of that to herself. She’s doing her level best to raise Ella, and she’s actually a pretty reasonable stepmother, but circumstances, along with the girl’s father and her godmother – who is certainly no magical being – thwart any attempt at the slightest amount of discipline at every turn.

What we’re left with is the story of a young woman who managed to get her way all her life, and the poor woman who has been cast as evil not because of anything she actually said or did, but because it fits the fairy tale so much better.

Escape Rating B: The obvious comparison is to Wicked, which I admit I have not read. Just as in Wicked, we have the “true” story, told in her own words, of a character that myth has turned into an absolute monster. Of course no one ever sees themselves as a monster.

At the end, I found myself sympathizing with Agnes and her two daughters, and thinking that Ella is at best a spoiled and self-indulgent little brat, who barely has the intelligence to keep manipulating circumstances to her own advantage.

Agnes’ story, on the other hand, reads like a tragedy. She does her best, and life knocks her down at every turn. But I did like the way that the author turned the whole “ugly stepsister” trope on its tiny little head.

It is true that we have an unfortunate tendency to equate beauty with goodness, and that correlation is far from proven. Ella’s stepsisters Charlotte and Matilda are objectively not beautiful by the standards of the time. Their father was one of the Moors from Spain, and as a consequence their skin is too dark for conventional beauty. Charlotte suffered an accident with scalding water as a child, and Matilda survived a terrible case of smallpox. Both left scars. But they both are considerably more beautiful on the inside (and a whole lot cleverer) than Ella has the wit to be. I wish we saw a bit more of them.

I also enjoyed the way that Agnes simply questioned the logic of some of the stranger conclusions drawn by the fairy tale. Of course the Prince could easily find Ella. That’s what loyal retainers are for. And while he may have been completely smitten, he would instantly recognize her the moment they were face to face again. And that whole business of cutting off toes and heels – UGH!

I enjoyed Agnes journal entries in the present much more than her memories of the past. Her story seems to move from downtrodden tragedy to downtrodden tragedy, and while it feels at least somewhat true to medieval life and its lack of opportunities for women, it becomes disheartening to read after a time.

The story ends with poor Agnes worrying that she was not charitable enough in her behavior towards Ella. Not because that behavior has resulted in her current circumstances, but because she finds herself believing that she didn’t bend over backwards to indulge the child nearly enough.

In this version of the fairy tale, at least, the stepmother has nothing to feel guilty about.

TLC
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Review: Lowcountry Bonfire by Susan M. Boyer

Review: Lowcountry Bonfire by Susan M. BoyerLowcountry Bonfire (Liz Talbot Mystery #6) by Susan M. Boyer
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy mystery, mystery
Series: Liz Talbot #6
Pages: 268
Published by Henery Press on June 27, 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Private Investigators Liz Talbot and Nate Andrews have worked their share of domestic cases. So when Tammy Sue Lyerly hires them to find out what her husband is hiding, they expect to find something looney but harmless. After all, this is the guy who claims to have been a DEA agent, a champion bull rider, and a NASCAR driver. But when he turns up dead the morning after Liz and Nate deliver the incriminating photos, Tammy is the prime suspect.

Questioning the truth of Zeke Lyerly’s tall-tales, Liz and Nate race to uncover small town scandals, long buried secrets, and the victim’s tumultuous past to keep Tammy Sue out of jail and the case from going up in flames.

My Review:

After a few serious books, and with a few serious books yet to come, it felt like time for something a bit lighter and fluffier, even if that light and fluffy included just a bit of murder. So I was more than ready to return to the Carolina lowcountry, the island of Stella Maris, and the investigations of Liz Talbot and her husband Nate Andrews.

This particular entry in the series takes off like a house on fire. Although it literally begins with a car on fire. There’s no mystery about the fire. Tammy Sue Lyerly sets her husband’s prized Mustang, an absolutely gorgeous classic car, on fire. In the middle of the street. With all his clothes inside it.

Tammy Lee just found out that her husband has been cheating on her. She hired Liz and Nate to find out what she didn’t want to know. And they found out.

But what no one expected to find was the body of her husband, Zeke Lyerly, crammed into the trunk of his Mustang. The only saving grace is that the body was found before the fire reached the trunk.

Of course Tammy Lee is the prime suspect. But Liz doesn’t believe she did it. Not that she wasn’t angry enough, or even that she was completely overcome when the body was discovered. Liz doesn’t think Tammy Lee committed the murder because she’s pretty sure that Zeke died of strychnine poisoning, and that’s not exactly the hallmark of the crime of passion that Tammy Lee would have committed.

So who did?

Some cases are all about the how. Those are the ones where forensics play a big part, and the investigators find themselves trying to figure out the complicated shenanigans that resulted in murder.

There are plenty of complicated shenanigans in Zeke Lyerly’s death, but when Liz and Nate investigate, the most difficult question they have to solve is “just who the hell was Zeke Lyerly, anyway?”

It’s not just that he was away from Stella Maris for 20 years, but that those 20 years seem to be a complete blank. The deeper that Liz and Nate dive into Zeke’s life, the more they begin to suspect that a whole lot more of Zeke’s really tall tales were really true. Especially the ones about his being in the CIA.

Did someone from his mysterious past track him down and kill him? Or is the motive, after all, a lot closer to home?

Escape Rating B+: This was one of those ‘right book at the right time’ situations. I’ve read a few heavier and weightier books recently. Even I Met a Traveller in an Ancient Land has a surprising amount of emotional heft considering its small size. So I was in the mood for something a bit less fraught.

This series always serves a tasty slice of pecan pie along with a juicy murder. And just a bit of paranormal woo-woo to add a bit of spice to the body. I suspect that how one feels about this series may relate, at least in part, to how one feels about the character of Colleen, Liz’ childhood friend. Colleen is a ghost, perpetually stuck at age 17 when she committed suicide. And her ghostly, perhaps even heavenly mission is to protect the island of Stella Maris. A mission she often stretches just a bit into protecting and helping Liz.

Like all cozy mysteries, there’s a group of regulars that surround Liz and Nate. In addition to the ghostly Colleen, that case of regulars is mostly made of up Liz’ family, all residents of Stella Maris, including her older brother Blake, the island’s chief of police. And he’s usually just thrilled to be working with his kid sister.

As a coastal island, Stella Maris has a lot of seafood restaurants, and that’s very appropriate, because this series always serves up some tasty red herrings. This case is interesting because it starts out so mundane, veers into some surprisingly strange places, but eventually, returns to motives that are close to home. And says a lot about acts and their consequences along the way.

As always, this was a fun read. I like Liz as a character to follow, and her relationship with Nate is still romantic without the romance getting in the way of solving the mystery. In real life, her parents would drive me bonkers, but then, this is fiction and not real life. A little of them still goes a long way.

But it is Liz that we follow, and she always leads her readers to interesting places and cases. I’ll be back in Stella Maris for the next book in this series, Lowcountry Bookshop.

Review: I Met a Traveller in an Ancient Land by Connie Willis

Review: I Met a Traveller in an Ancient Land by Connie WillisI Met a Traveller in an Antique Land by Connie Willis
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, ebook
Genres: books and reading, fantasy, science fiction
Pages: 88
Published by Subterranean Press on April 30, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
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Jim is in New York City at Christmastime shopping a book based on his blog—Gone for Good—premised on the fact that “being nostalgic for things that have disappeared is ridiculous.” Progress decides for people what they need and what’s obsolete. It’s that simple. Of course, not everyone agrees. After Jim bombs a contentious interview with a radio host who defends the sacred technology of the printed, tangible book, he gets caught in a rainstorm only to find himself with no place to take refuge other than a quaint, old-fashioned bookshop.

Ozymandias Books is not just any store. Jim wanders intrigued through stacks of tomes he doesn’t quite recognize the titles of, none with prices. Here he discovers a mysteriously pristine, seemingly endless wonderland of books—where even he gets nostalgic for his childhood favorite. And, yes, the overwhelmed and busy clerk showing him around says they have a copy. But it’s only after Jim leaves that he understands the true nature of Ozymandias and how tragic it is that some things may be gone forever…

From beloved, multiple-award-winning, New York Times best-selling author Connie Willis comes I Met a Traveller in an Antique Land, a novella about the irreplaceable magic of books.

My Review:

If you love books, this is a terrific story.

Although the blurbs say it’s all about the magic of books, and it is about that, it feels as if it is also, and possibly first and foremost, a book about obsession. And nostalgia. And obsolescence. And definitely books.

I say that it is about obsession because of the main characters reaction to his discovery of and at the strange and mysterious Ozymandias Books.

The name of the bookstore, Ozymandias, probably sounds familiar, but you probably couldn’t place it unless you googled it, as I did. Ozymandias is the title of a poem by Percy Bysshe Shelley, which begins with the line, “I met a traveller from an antique land”.

Ironically, the theme of the poem is hubris, overweening pride, that comes before an inevitable fall. In the case of the poem, it references the inevitable fall of once great empire. One Ozymandias’ other famous lines references that directly, “Look on my works, ye Mighty, and despair!”

But our protagonist Jim is not mighty. His work, his blog Gone for Good, is all about the inevitable obsolescence of pretty much everything, including printed books, and the way that societies routinely toss things they no longer find needful into the scrapheap of history. And that the things being tossed should not be mourned in their passing, because if they were truly needed they wouldn’t be tossed in the first place.

People, however, have an emotional attachment to those things being tossed, as well as the times they represent. People particularly have an emotional attachment to books, because they represent both the escape of reading their contents and the times and places where we read them. For those of us who are readers, those memories are indelible.

When Jim sneaks his peek into the depths of Ozymandias Books, he finds himself re-captured by that love of books and his own particular memories of the books of his childhood. In other words, he finds the magic and wonder of books and reading all over again, and realizes that their passing away is something to be mourned, and if possible prevented.

But he is ejected from this book lovers paradise, and in the end sacrifices everything to find his way back.

Can we blame him?

Escape Rating B+: I’m pretty sure that most librarians and book lovers are going to love this story. Particularly the people who love books as objects, and not just those who love books for the stories they contain but don’t care as much about the container.

Ozymandias Books, the store, reminds me of two of the libraries in Terry Pratchett’s Discworld. As Jim plumbs the depths of Ozymandias, its neverending row upon row and floor upon floor of bookstacks, it is clear to the reader that he is in a magical space that is not limited by the constraints of geography, geology, logic or common sense. Like a TARDIS, Ozymandias Books is infinitely bigger on the inside. Or, and more likely, it connects to the L-space created in the Discworld, where all great libraries flow into one another by magic.

But the nature of the collection at Ozymandias Books, and the way it is acquired, seem more like Death’s two libraries. One is the library of all the books that were ever written, whether or not those works were lost to the mists of time, fate, or mold. The other, and infinitely larger library, is the collection of all the books that were never written. (I probably have a couple of volumes in there myself)

Unlike many of this author’s other short works, I Met a Traveller is not a funny story. It is ultimately sad. It is a story about the death of books as objects. It is also the story of Jim’s growing obsession with finding this place where it seems like books go to die. As the story ends, it looks like he’s going to devote his life to the search, without leaving the reader feeling as if he has a chance at success.

This is a story that asks questions, and does not provide answers. It will make you think. And leave you with more than a bit of nostalgia for those good old days when books were objects that readers carried around proudly, and that carried readers away.

Review: Warlight by Michael Ondaatje

Review: Warlight by Michael OndaatjeWarlight by Michael Ondaatje
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: historical fiction, literary fiction, World War II
Pages: 304
Published by Knopf Publishing Group on May 8, 2018
Publisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

From the internationally acclaimed, best-selling author of The English Patient: a mesmerizing new novel that tells a dramatic story set in the decade after World War II through the lives of a small group of unexpected characters and two teenagers whose lives are indelibly shaped by their unwitting involvement.

In a narrative as beguiling and mysterious as memory itself--shadowed and luminous at once--we read the story of fourteen-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war, all of whom seem, in some way, determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? And what does it mean when the siblings' mother returns after months of silence without their father, explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all that he didn't know and understand in that time, and it is this journey--through facts, recollection, and imagination--that he narrates in this masterwork from one of the great writers of our time.

My Review:

I picked this one up because of the World War II angle. It sounded like a combination of coming-of-age and voyage of discovery. At least it sounded like a boy with a murky past grows up and discovers what the murk was all about.

But it isn’t. Or he doesn’t. Perhaps a little bit of both.

The beginning is certainly promising. 14-year-old Nathaniel and his 16-year-old sister Rachel are left in the guardianship of someone who begins as a temporary lodger in their house – at least as far as the children know. It is 1945 and the war is over. But for Nathaniel and Rachel, it seems as if the peace is going to be even more dangerous than the war.

Warlight is the semi-luminous shadowed darkness that existed at night, in Britain, under the blackout of World War II. Things were only seen in shadow, and people acted in that shadow.

In this story, the shadowy deeds conducted in that warlight continue to haunt the post-war period, and it is the warlight of his memory that Nathaniel attempts to navigate.

The first part of the book takes place during that immediate post-war period, when Nathaniel and Rachel are abandoned in the care of a man they nickname ‘The Moth’. They believe he might be a criminal. Certainly the lives that Nathaniel and Rachel lead while under his care are highly irregular, as are the characters that come to inhabit that life.

Those post-war, post-Blitz years are highly chaotic, and so is everything that surrounds them. But our perspective of those years is through Nathaniel’s memories, viewed through the lens of his adulthood in the 1950s, and his work with an unnamed secret agency, probably MI5 or MI6. His job is to sanitize the parts of the war that were conducted in a grey area. Probably in very deep shades of grey. Shades that seemed as if they were conducted ‘for the greater good’ in wartime, but that in peacetime are going to appear pretty damning. If they ever come to light.

It’s part of Nathaniel’s job to see that they don’t.

But his real purpose in the depths of that nameless agency is to hunt for traces of his mother. Because during the war, she was one of those people who operated in that grey. And during the peace, the results of those actions eventually came for her.

Nathaniel wants to learn why. Not just that why, but all the whys. And his search leads him back into his memories – and back into the grey warlight.

Escape Rating B-: I’m not actually sure I escaped anywhere with this one. It’s a weird book. From the description, I expected something more definitive, at least in the part of the book where Nathaniel is an adult and is searching for the past and the truth about that past.

But it doesn’t feel like there are any truly definitive events, at least until the very end when Nathaniel reconstructs what he thinks happened. But even then, he doesn’t really know, he’s only guessing.

And he is a very unreliable narrator. He doesn’t find much in the way of names and dates and places and documentation of any of the above. He finds bits and pieces and suppositions and suggestive blank spaces, both because his mother deliberately tried to erase her past and because the agency she worked for has erased anything murky in its past, and a lot of that murk is wrapped around his mother and her colleagues – many of whom were people that Nathaniel knew and didn’t know, both at the same time.

This is a book that I think people are either going to love or hate, but not much in the middle. It is very much literary fiction, in that it meanders a lot and not a lot clearly happens. But underneath that it says a lot of interesting things about what is condoned in war and condemned in peace, and the lengths that people and governments will go to in order to make sure that certain truths don’t ever see the full light of day.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 5-20-18

Sunday Post

This is going to be a very busy week here at chez Reading Reality. In addition to the books you see scheduled for this week, I also have two reviews to write for Library Journal. Although I sometimes do review my LJ books here also, I can’t use the same words in the review. And the LJ reviews are usually prepublication, so even though I’m writing the review now I generally can’t publish it for a couple of months. One of this week’s “extra” books will show up here later, the other is “to be determined.”

I’m also going to finish up listening to Tricked, the fourth book in the Iron Druid Chronicles, sometime this week. And I may use that review instead, just to not drive myself too crazy. I learned something new listening to Tricked, the relative sizes of shitload, buttload and fuckton. You really do learn something new everyday!

Current Giveaways:

$10 Gift Card or $10 Book in the Life’s a Beach Giveaway Hop

Winner Announcements:

The winner of the $10 Gift Card in the May I Suggest Giveaway Hop is Birdie

Blog Recap:

A Review: King of Ashes by Raymond Feist
Life’s a Beach Giveaway Hop
A- Review: By Fire Above by Robyn Bennis
B- Review: Fall of Angels by Barbara Cleverly
B- Review: The Female Persuasion by Meg Wolitzer
Stacking the Shelves (288)

Coming Next Week:

Warlight by Michael Ondaatje (review)
I Met a Traveller in an Antique Land by Connie Willis (review)
Lowcountry Bonfire by Susan M. Boyer (review)
All the Ever Afters by Danielle Teller (blog tour review)
The Rise and Fall of the Dinosaurs by Stephen Brusatte (review)

Stacking the Shelves (288)

Stacking the Shelves

Looking around the shelves in my office (and the piles of books on the floor) I’m starting to think I need a library cart just to, well, cart things around. We got some new furniture last week, including a new desk and hutch in Galen’s office. Which necessitated moving two of the bookshelves out of his office into the spare room. Which necessitated emptying said bookcases before moving. Hence the piles on my office floor. We’ll probably do a bit of a weed before we put them back up, but it’s getting crowded in here.

So many books, so little time, so much fun!

For Review:
Aroused by Randi Hutter Epstein
The Art of Inheriting Secrets by Barbara O’Neal
Becoming Belle by Nuala O’Connor
Census by Jesse Ball
The Clockmaker’s Daughter by Kate Morton
A Gift of Griffins (Faraman Prophecy #2) by V.M. Escalada
High Risers by Ben Austen
The Library Book by Susan Orlean
The Magnificent Esme Wells by Adrienne Sharp
The Proposal by Jasmine Guillory
These Truths by Jill Lepore
Us Against You (Beartown #2) by Fredrik Backman

Review: The Female Persuasion by Meg Wolitzer

Review: The Female Persuasion by Meg WolitzerThe Female Persuasion by Meg Wolitzer
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: literary fiction
Pages: 454
Published by Riverhead Books on April 3, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Greer Kadetsky is a shy college freshman when she meets the woman she hopes will change her life. Faith Frank, dazzlingly persuasive and elegant at sixty-three, has been a central pillar of the women's movement for decades, a figure who inspires others to influence the world. Upon hearing Faith speak for the first time, Greer--madly in love with her boyfriend, Cory, but still full of longing for an ambition that she can't quite place--feels her inner world light up. Then, astonishingly, Faith invites Greer to make something out of that sense of purpose, leading Greer down the most exciting path of her life as it winds toward and away from her meant-to-be love story with Cory and the future she'd always imagined.

My Review:

There was just so much buzz about this book that I couldn’t resist picking it up. But now that I’ve finished it, I have a whole boatload of mixed feelings.

I started this book in the morning, and kept returning to it. In the end, I finished it in one day, all 454 pages of it. It is extremely readable – at least after the first chapter. But once I finished, it just didn’t feel like there was all that much there, there.

As I said, mixed feelings.

The story feels like it sits right on the border between literary fiction and women’s fiction. If it wasn’t for the heaping helpings of feminism and feminist history, I’d be certain it was women’s fiction, because the focus isn’t just on the women in the story, but primarily on their relationships with each other. The few men who feature in the story are very much secondary characters.

Not that the women are not themselves interesting, because they certainly are.

The protagonist of the story is Greer Kadetsky, who is a college freshman when the story begins. Shy, awkward, withdrawn and miserable, at first it seems as if Greer is a character who will not be much fun to follow. That first chapter is all Greer’s perspective, and it is pretty shallow and self-absorbed. She’s eighteen, so while it may be forgivable, it doesn’t make particularly thrilling reading.

But her story really begins when she meets Faith Frank, an icon of second-wave feminism. (If Faith seems modeled on Gloria Steinem, that’s probably close to the mark.) When Greer meets Faith, she is inspired to do more, to be more, to step outside her comfort zone and finally begin speaking up for herself.

There’s no question it’s the making of her.

Fast forward to Greer’s graduation. Her arrival at the offices of Faith’s feminist magazine for an interview occurs on the day the magazine closes. But again, that event galvanizes Greer, and when Faith starts up a new venture, Greer is one of the first people she calls.

Faith’s new venture, Loci, a combination speaker’s bureau, event management company and charitable foundation, all focusing on women, seems too good to be true. When Greer finally discovers that truth, it nearly breaks her. It certainly breaks her relationship with Faith.

And it’s the making of her, all over again.

Escape Rating B-: As I said, a whole boatload of mixed feelings. A boat the size of a container barge might be about right. Or an oil tanker.

While the first chapter almost threw me out of the book, once I got past that point – in other words once Greer stops being so inward-turning and actually starts doing things, she gets less self-absorbed and the story becomes difficult to put down.

At the same time, this is very much in the literary fiction tradition that not a lot happens and when it does it happens offstage. While traumatic events definitely do occur, we see them through the characters chewing them over (and over) and dealing with the aftermaths – with one notable exception, we’re not actually present for the event itself. So the book feels more like its about how the characters feel than about what they do.

For a book that purports to be about feminism, or at least about a feminist icon, or even about said feminist icon passing the torch to a new generation, it still seems very much rooted in second-wave feminism, which was mostly about middle and upper class cisgender white women and didn’t have a whole lot of intersectionality. And while the fact is that Faith’s new foundation definitely has a problem in this regard, that the problem gets lampshaded repeatedly does not actually solve the problem. And while it may not be intended to solve the problem for Faith’s foundation, it remains a problem with the book as a whole, and adds to the ultimate sense of shallowness. At least for this reader.

In the end, The Female Persuasion doesn’t feel so much like a book about feminism as it does feminist-adjacent airport fiction. But it will probably make an excellent movie.