Review: Slow Burn Cowboy by Maisey Yates + Giveaway

Review: Slow Burn Cowboy by Maisey Yates + GiveawaySlow Burn Cowboy (Copper Ridge, #7) by Maisey Yates
Format: eARC
Source: publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance
Series: Copper Ridge #7
Pages: 384
Published by Harlequin Books on April 18th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

In Copper Ridge, Oregon, a cowboy's best friend might turn out to be the woman of his dreams…
If Finn Donnelly makes a plan, he sticks to it. After his brothers left Copper Ridge, Finn stayed behind, determined to keep their ranch going by himself. And when he realized his feelings for Lane Jensen were more than platonic, he shoved that inconvenient desire away. It was easy…until it wasn't. Suddenly his brothers are coming home to claim their share of the property. And Lane is no longer just in his fantasies. She's in his arms, and their friendship is on the line…
He's been her buddy, her handyman, her rock. But until that one breathtaking kiss, Lane somehow overlooked the most important thing about Finn Donnelly—he's all man. They're right together, no matter how much his volatile past has bruised him. Finn wants to hold Lane's body, but he doesn't want to hold her heart. But Lane is falling fast and now she's got a plan of her own…to show Finn there's nothing hotter than friendship turned to slow-burning love.

My Review:

I loved Last Chance Rebel, and my friend Amy loved Hold Me Cowboy, so I expected to love Slow Burn Cowboy. But that’s not what happened.

Instead I have very much of a mixed feelings review on tap. Very mixed.

The friends-to-lovers trope is one of my favorites, so again, I was expecting to like the story line in this book. But something, actually multiple somethings, don’t quite work.

The set up is excellent, Lane and Finn have been best friends for ten years, ever since Lane left her parents’ home back East and moved to Copper Ridge to live with her brother Matt. At the time, Lane was sixteen and obviously just a bit fragile. Finn was 23 or 24 and more than a bit too old for her.

But that 8 or 9 year gap closes pretty quickly after a few years. Now Lane is in her late 20s and Finn is in his mid-30s. They’re both adults. But they are both still awfully fragile.

They are best friends. Really, truly. They spend time together and they care for each other and they need each other. But they are filling the gaps in each other’s lives that would normally be filled by a spouse or significant other. Not that their relationship isn’t significant, but they have fallen into a situation where they are friends with a different set of benefits. She cooks and buys his clothes, he kills spiders, changes lightbulbs and fixes the porch steps. It works for them.

Until it doesn’t.

Finn’s grandfather has just died. Instead of leaving his ranch to Finn, who has been working with him for that same last bunch of years, the old man left it to Finn and his three half-brothers equally. The Donnelly Brothers are all at crossroads in their lives, and they all move back to the ranch, into the house and the land that Finn expected would be his.

All of their relationships are strained and distant, and no one seems to be happy about any of it. So Finn, in a crazed need to re-establish control over something, anything, in his suddenly chaotic life, decides that he wants more from Lane than he’s ever asked for. He wants to push past their carefully maintained boundaries and turn their relationship into that of friends with the usual benefits.

He thinks its possible to make love and not feel at least a little love. And he’s an idiot.

Finn’s perfectly happy to tear down all of Lane’s defenses and push for whatever he wants. But when Lane turns the tables on him and starts pushing him for what she wants out of a relationship, he pushes her away as hard and as fast as he can.

The question of whether Finn can get his head out of his ass long enough to figure himself out is an open one. Finn needs to open his eyes, and his heart, before he throws away his best chance at happiness. And he needs to grovel.

Escape Rating C+: There was so much potential in Slow Burn Cowboy, but it never quite gels into the book that I was looking forward to.

Both Lane and Finn are damaged people, and neither of them thinks that they are worthy of happiness or love. They protect themselves in different ways. Lane by walling off what hurts her, and Finn by pushing away anyone who might get close enough to hurt him.

It’s amazing that they have managed to sustain a friendship, but they definitely have.

While Finn is a bit of an arsehole about it, his trauma is understandable. His dad seems to have been a serial philanderer, leaving a string of exes with his sons all across the country. Dad left everyone. But his mom also abandoned him. And he’s just sure everyone else will too.

Lane’s trauma just isn’t one that was easy for this reader to identify with. Her sense of loss at giving a baby up for adoption when she was sixteen is understandable, but she’s been wearing the past like a hair shirt ever since, to the point where the hair felt like it had been woven from a drama llama rather than anything real. Her story felt like angst for angst’s sake.

Also, these are two people who live inside their heads an awful lot, which also doesn’t feel right for Finn’s character. It felt like there was much more internal dialog than actual dialog. And Lane tended to think and talk in circles a lot of the time. That’s a habit that drives this reader crazy in real life, not just fictional life.

There are a lot of moments when the reader wants them to just stop talking inside their heads and let those words out where they might do some good!

But, and this is where the good stuff comes in, Copper Ridge just feels like a wonderful place. I like the people a lot. One of the great things in this story is all about the enduring power of women’s friendships. Lane, along with her best female friends, have a terrific, supportive and caring friendship. One of the ways in which Lane comes out of this story stronger than she went in is the realization that she is so much better off than she was when she arrived in Copper Ridge because those friendships will always see her through. She’s not alone, with or without Finn.

Finn’s supporting cast is his family, his three half-brothers and his niece Violet. They have all moved into the ranch and are now part of his life, where they have all been separate and alone up til now. Finn is really, really bad at letting people in, but having them be part of his life, whether he originally wanted it or not, is terrific. They bite and snap and growl at each other all the time, but they are all great characters and I’m looking forward to their stories in future books in the series.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

Maisey and Harlequin are giving away a $25 Gift Card to one lucky entrant on this tour.

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TLC
This post is part of a TLC book tour. Click on the logo for more reviews and features.

Review: Mitla Pass by Leon Uris + Excerpt + Giveaway

Review: Mitla Pass by Leon Uris + Excerpt + GiveawayMitla Pass by Leon Uris
Format: ebook
Source: publisher
Formats available: hardcover, paperback, large print, ebook,
Genres: historical fiction
Pages: 496
Published by Estate of Leon Uris on December 13th 2016 (first published July 1st 1988)
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

A “riveting” New York Times bestseller by the author of Exodus about an American in Israel drawn into the danger of the Suez Crisis (Library Journal). How did Gideon Zadok, an American novelist and screenwriter, end up pinned by artillery shells in Mitla Pass? It was never his plan to fight someone else’s war. He came to Israel to research a book, but also to escape a crumbling marriage, a dysfunctional family, and the pressures of newfound success in the States. But in fleeing from personal troubles he charged headfirst into one of the great global crises of the twentieth century. Perhaps Leon Uris’s most introspective work, Mitla Pass portrays a man caught between his own demons and the epic sweep of Middle Eastern history.

I still remember when I first picked up one of Leon Uris’ books. It was in the early 1970s, and I was at my grandparents’ apartment after Sunday School. As usual, my dad was arguing politics with my grandfather (his father) and also as usual, it looked like it was going to take forever. As usual. I discovered a beat-up copy of Exodus lying around, and started reading. I could always get lost in a good book, and I certainly got lost in this one. After devouring Exodus, I went back and read some of the author’s earlier books, like Battle Cry, and then picked up subsequent volumes as they came out, always certain of being swept away by a great story. QBVII turned out to be my favorite. I loved the ending.

So when the Estate of Leon Uris contacted me about featuring one of his books, it provided me with the opportunity to become re-acquainted with an author I had fond memories of. It was also a bit of struggle to find one of his books that I had not read. In the end, we settled on Mitla Pass (the only other possibility was The Haj. I had read everything else way back when).

Today seemed like the perfect day for this review. Yesterday, April 23, was annual Holocaust Remembrance Day at Yad Vashem in Jerusalem, and Mitla Pass, like so many of the author’s books after Battle Cry, reflects both on the author’s Jewish heritage and on the scars left behind by the Holocaust, not just on the survivors but on the world that finally admitted the truth of the atrocities. In so many ways, the vast swath of death and destruction of the Jewish communities in Europe under the bootheel of the Nazis led directly to the formation of the State of Israel. And, in due historical course, to the story told in Mitla Pass.

My Review:

The story in Mitla Pass is told both in its present, late October 1956, and in its past, the past of all of the characters in the novel that led them to be part of that particular moment.

The main focus of the story is writer Gideon Zadok, who has come to Israel to write a book about the birth of the modern State out of the fires of Zionism and the ashes of the gas chambers. Gideon is an American who made his reputation as a writer on the strength of his best-selling book about his experiences as a Marine in the Pacific Campaign of World War II. (Any and all resemblances to the author of the book are probably intended).

After months of research, Gideon finds himself and Israel in the middle of a crossroads. He doesn’t think that he has quite captured the soul of the people. Of his people. And Israel is being squeezed on all sides by its Arab neighbors. The proximate causes of the 1956 Suez Crisis were Egypt’s embargo of Israeli shipping through the Suez Canal, and the English and French desire to take the Canal back from Egyptian control. The alliance between the Israelis and the English and French was very shaky, with everyone looking over their shoulders at probably interference from the Americans, the Russians, or both at any moment.

So Gideon, now somewhat trusted by the Israelis, gets himself attached to a paratroop drop into the western edge of the Sinai Peninsula. But the story really isn’t about that completely FUBAR’ed drop. It’s about everything that came before.

And it’s a marvelous story.

Escape Rating B: It is a marvelous story, and I was caught up in it until the wee hours of the morning. That’s part of what I remember about the author’s work – once you got sucked in, you stayed sucked until the end.

But the world has changed a bit since this story was written in 1988, and even more so since the period it covers, 1956 and the years that came before. And I’ve changed since the 1970s and 1980s, so there are things that bother me now that didn’t raise an eyebrow then.

Gideon’s own story is the one that carries the book, and he’s an absolutely captivating character. A charmer and a storyteller almost from the moment that he first draws breath. Also a cocky, egotistical, selfish, self-absorbed son-of-a-bitch. His thoughts about women in general, and his treatment of his wife and his mistress made me gnash my teeth on more than one occasion.

But what fascinated and disturbed me most, often in equal measure, is that Gideon is so clearly a fictionalized version of the author himself. Both were Marines in World War II, and fought the same battles and were injured in the same places and the same way. Both turned their experiences into best-selling books and later successful screenplays. Both were in Israel in 1956 researching books about the formation of Israel. At the ending of Mitla Pass, Gideon envisions his upcoming book and its first scenes extremely close to where Exodus begins and how Exodus opens.

It’s a little eerie. So eerie that I’m left wondering how much of the earlier history of the character mirrors the author’s own. And because of that I’m left pondering some of Gideon’s background. In particular, the book for the most part clips along at a very rapid and intensely readable pace, with one exception. The parts of the story that dive deep into Gideon’s family background, particularly the experiences of Gideon’s father Nathan, stop cold because Nathan is such a completely unlikable and unfortunately completely predictable character. Also incredibly annoying to read about. It makes me wonder if the author was describing his own father, possibly as a way of exorcising a few ghosts. And if that was so, based on the description, it’s hard to blame him.

Teeth-gnashing aside, I had a good time with Mitla Pass, obviously better than the characters stuck in that seemingly pointless battle. The vast historical background, from the shtetls of the 19th century Pale of Jewish settlement in Russia to the early 20th century Jewish community in Baltimore to the beginnings of Zionism to the brief flourishing of the Communist Party in America are fascinating. The cross-section of people, places and events keep the pages turning. It makes a very tasty goulash.

I’m glad I had this opportunity to revisit an author who I remember reading quite fondly, and my reading of his books in a time and place that exists now only in my memories.

~~~~~~ GIVEAWAY ~~~~~~

5 digital copies of MITLA PASS will be distributed to giveaway winners via Trident’s Digital Downloads page. Each giveaway winner will be given a separate download code that expires within 24 hours of use. Winners may download ebook files to the device of their choice; however, please note that these copies are not protected by DRM.

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To get a taste for Mitla Pass, read the opening excerpt, below the fold.

TEL AVIV
October 20, 1956
D DAY MINUS NINE

THE PRIME MINISTER’S COTTAGE, a remnant of the former German colony, sat unobtrusively in the midst of the outsized defense complex on the northern end of Tel Aviv. Midnight had come and gone. The stream of callers faded to a trickle, then halted.

For the moment David Ben-Gurion sat alone, his first opportunity all day for solitary contemplation. He was behind a desk that looked down a long conference table which was covered with green felt. Dead cigarette butts spilled over their ashtrays. The fruit baskets held spoiling apple and pear cores, grape seeds, banana skins, and peach pits, their fruit devoured. Half-empty soda bottles had lost their fizz and others, tipped over in disarray, appeared like a platoon of soldiers caught in a cross fire.

The cleanup crew of soldiers, two young men and two young women wearing top-security clearance badges, tiptoed in and attacked the mess.

“Can I get you anything—some tea?” one of the girls asked.

Ben-Gurion shook his head. It was a great head that seemed even greater perched on his short dumpling body. It was bald on top with an angry white mane flaring out in every which direction. The cherub face remained deceptively peaceful.

“Where are you from?” he asked.

“Morocco,” one of the girls said.

“Romania. I live at Moshav Mikhmoret.”

“South Africa. My family is in Haifa,” the second girl said.

“I am a sabra, Kibbutz Ginnosar.”

“Yigal Allon’s kibbutz,” Ben-Gurion said.

“Yes,” the soldier boy answered proudly.

Ben-Gurion’s head tilted and his eyes blinked. He was a past master at grabbing forty winks, a skill honed at a hundred Zionist conferences. When the crew departed it was nearly two o’clock in the morning.

The Old Man’s eyes fluttered open and became fixed on a single paged document awaiting his signature, the approval of a plan, Operation Kadesh, that would commit his young nation to war. Only eight years earlier he had signed another document, a proud document that declared statehood. Would there even be a ninth birthday, or would it all end in horror like a biblical siege with a final ghastly scene of a national massacre?

The past three weeks had been nightmarish in the speed and intensity of events: the secret meetings in Paris with the French and later the British and the clandestine agreement to go to war together … the return of Israeli officers who had been training in military academies and army specialty schools around the world … the call-up of reserves … the near-disastrous raid on Kalkilia to make the world believe that Jordan, not Egypt, was the enemy of record … French equipment arriving without spare parts … pressure from Eisenhower and the Americans mounting daily … dire threats from the Russians …

Operation Kadesh. How esoteric, Ben-Gurion thought. The biblical site in the Sinai where the Jews dwelled for a time during their wanderings with Moses.

Operation Kadesh needed a series of miracles to succeed. Every assessment was frightfully the same: Israel must win the war in the first four days. A prolonged conflict in which every Arab nation would join would be disastrous.

No small country goes to war without the support of a major power, yet David Ben-Gurion felt, in the depths of his being, that Israel’s partners, England and France, would falter, leaving her alone, outmanned and outgunned.

Israel must win the war in the first four days!

All sorts of things were going wrong as D day approached. The ordinance reports all but crushed the spirit: no spare steel matting to roll vehicles over the sucking sands of the desert … aged tanks being cannibalized, further reducing their already inferior armored force … rifles from Belgium not up to spec … no filters for the tracked vehicles to keep them from choking in the desert … a shortage of tank tracks, chains, pulleys, winches, flatbeds, four-wheel-drive trucks, repair stations, batteries, belts … an obsolete air force of World War II piston planes to face double the number of the latest MiGs owned by the Egyptians … no aircraft batteries to defend the cities against Egyptian bombers flown by “volunteers” from Poland and Czechoslovakia.

The orders to the brigade commanders were desperately simple. They said, in effect, “You have an objective. You must reach the Suez Canal in three days despite the resistance. You will not ask for reinforcements or further supplies for there are none available.”

Worse was the constant gnawing conviction that the British and French would quit. This would release divisions of fresh Egyptian troops to reinforce the Sinai. If France and England failed to bomb out the Egyptian airfields, Nasser could put his Russian-made bombers to work on Israel’s cities.

We must win the war in four days!

Two of the brigades must traverse over a hundred miles of semi-charted wilderness …

… and the 7th Battalion, the Lion’s Battalion, must be dropped deep into the Sinai behind enemy lines, exposed to a disaster, a sacrificial force. The Old Man had argued for hours with the Defense Chief of Staff, Moshe Dayan, to try to dissuade him from parachuting the Lion’s Battalion near Mitla Pass. Dayan was adamant. It was the linchpin of the entire operation, a maneuver to initially confuse the enemy, then stop Egyptian reinforcements. When the brigade linked up with the battalion, the combined force would wheel south to free the blockaded passage to the Red Sea. Yes, there was great risk—but try to engage in a war without risk.

Jacob Herzog, B.G.’s confidant and closest adviser on the campaign, entered the room with Natasha Solomon. Herzog was pale, in a scholarly way; an Irish Jew, the son of the chief Ashkenazi rabbi, with a magnificent religious and legal mind. He put all the late communications and a day’s summary before the Old Man.

Natasha Solomon set a batch of papers on the desk, translations of messages from the French. Even at this hour Natasha was a warming sight. She was one of those women who gained an extra dimension of beauty through weariness, a certain sensuality in the black rings of fatigue forming beneath her eyes, as if from exhaustion at the end of a day of lovemaking. She was softness itself, different from many of the roughhewn sabra and kibbutz women, groomed in a Middle European way that made the silk of her blouse float over her terrain and shout “female!” even at two in the morning. An all but forgotten memory flitted through the Old Man’s mind … a girl, long ago. Such a thing to remember at a time like this.

Ben-Gurion picked up the summary but his eyes were fatigued. He handed the papers to Natasha and waved her into a seat, then took up a pad and pen to jot notes as she read.

The British were being very cautious, very cagey, deepening B.G.’s distrust. Herzog tried to tidy up the day’s events, but new events were already overtaking them.

Both the Soviet Union and America were bogged down in their own problems. An American presidential election was to take place in a few days, and traditionally it was a good time to catch Washington off guard.

Revolts against the Russians were brewing in Poland and Hungary. The students in Budapest had rioted and the unrest was growing. Israeli intelligence estimated a Russian tank force would enter Budapest in a matter of days.

Herzog reckoned these events could give Israel a slight advantage. Russia and America might be slow to react to the Israeli attack on Egypt. If Israel could stall diplomatically for three days, her forces might reach the Canal and Israel’s part of the war would be over.

But America was certain to be outraged that her two closest allies, England and France, would initiate military action without advising them. As for the Soviets, they had to put on a barking show for their Egyptian clients.

“Is there anything at all we haven’t covered, Yakov? Anything … anything …”

Herzog pointed to the document setting Operation Kadesh into motion.

“Your signature,” he said.

Ben-Gurion would not quit, gleaning for the stray, minute detail that might have been overlooked. It all boiled down to the same thing. Gamal Abdel Nasser, the Egyptian president, was on a heady binge. He had seized the Suez Canal and evicted the British and French. He had closed the Strait of Tiran, at the tip of the Sinai Peninsula, to Israeli shipping. He had turned the Gaza Strip into one enormous terrorist base which violated the Israeli border hourly. He had massed a huge army in the Sinai armed with a larder filled with Russian weapons. The bottom line was that Israel had no choice other than military action—with or without the British and French.

He scribbled his name on the paper. His nation was at war!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 4-23-16

Sunday Post

I don’t normally do promo spots, or cover reveals, or spotlights, or anything that doesn’t include a review of the book being featured. It’s my blog and it is what I say it is, and that’s one of the places where I draw the line. I feature original content as much as possible. Usually mine but not always. Occasionally I give something away, which nobody minds a bit. So why the “Sneak Peek” from Susan Mallery?

Consider it a preview of coming attractions. I am also part of the blog tour for the book, and the review is scheduled for July 11, when the book comes out. I loved her Daughters of the Bride last year, and I can’t wait for this one.

But speaking of features – about Mitla Pass. I read Leon Uris in my teens and early 20s, after having glommed onto Exodus one bored afternoon at my grandparents’. When the estate contacted me asking if I would feature one of the books (they’ve been re-released in ebook), it seemed like a golden opportunity to revisit an author I loved, once upon a time. And while the past is still another country, I enjoyed the book, and the trip down memory lane.

Current Giveaways:

$10 Book or $10 Gift Card in the Hoppy Easter Eggstravaganza Giveaway Hop
Any Day Now by Robyn Carr

Winner Announcements:

The winner of the $10 Gift Card or $10 Book in the Rain Rain Go Away Giveaway Hop is Lulu B.
The winner of the $10 Gift Card or $10 Book in the Spring into Romance Giveaway Hop is Ann S.

Blog Recap:

A- Review: Legend Has It by Elliott James
B Review: Any Day Now by Robyn Carr + Giveaway
A- Review: The Jane Austen Project by Kathleen A. Flynn
B Review: Cold Welcome by Elizabeth Moon
C+ Review: The Librarians and the Mother Goose Chase by Greg Cox
Stacking the Shelves (232)

Coming Next Week:

Mitla Pass by Leon Uris (review)
Slow Burn Cowboy by Maisey Yates (blog tour review)
Sneak Peek at Secrets of the Tulip Sisters by Susan Mallery (blog tour)
Miranda and Caliban by Jacqueline Carey (review)
Swing Time by Zadie Smith (review)

Stacking the Shelves (232)

Stacking the Shelves

A blissfully quiet week on both the NetGalley and Edelweiss fronts. Not a lot appeared, not a lot came in. A chance to catch up.

And two trips to Paris! If only through the pages of some good books.

For Review:
The Alexander Inheritance (Ring of Fire) by Eric Flint, Gorg Huff and Paula Goodlett
Away with the Fairies (Phryne Fisher #11) by Kerry Greenwood
Dim Sum Asylum by Rhys Ford
Fatal Charm by Blair McDowell
Last Christmas in Paris by Hazel Gaynor and Heather Webb
The Paris Spy (Maggie Hope #7) by Susan Elia MacNeal
Unnatural Habits (Phryne Fisher #19) by Kerry Greenwood

Review: The Librarians and the Mother Goose Chase by Greg Cox

Review: The Librarians and the Mother Goose Chase by Greg CoxThe Librarians and the Mother Goose Chase by Greg Cox
Format: eARC
Source: publisher via Edelweiss, publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: media tie-in, urban fantasy
Series: The Librarians #2
Pages: 288
Published by Tor Books on April 25th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

For millennia, the Librarians have secretly protected the world by keeping watch over dangerous magical relics. Cataloging and safeguarding everything from Excalibur to Pandora’s Box, they stand between humanity and those who would use the relics for evil.
Stories can be powerful. In 1719, Elizabeth Goose of Boston Massachusetts published a collection of rhyming spells as a children's book, creating a spellbook of terrifying power. The Librarian of that age managed to dispose of all copies of the book except one, which remained in the possession of Elizabeth Goose and her family, temporarily averting any potential disaster.
However, strange things are happening, A window washer in San Diego who was blown off his elevated perch by a freak gust of wind, but miraculously survived by landing on a canopy over the building entrance. A woman in rural Pennsylvania who was attacked by mutant rodents without any eyes. And, a college professor in England who somehow found herself trapped inside a prize pumpkin at a local farmer’s market. Baird and her team of Librarians suspect that the magic of Mother Goose is again loose in the world, and with Fynn Carson AWOL once again, it is up to Cassandra, Ezekiel, and Stone to track down the missing spellbook before the true power of the rhymes can be unleashed.

My Review:

I read The Librarians and the Lost Lamp a couple of weeks ago, and I really enjoyed it because it felt so much like an episode of the show, including all of the madcap adventure and especially all of the banter. I had a great time, just as I do when I watch The Librarians. It was fun!

But The Librarians and the Mother Goose Chase felt like it was more of a strain. The Librarians, of course, are always a bit strained in the midst of yet another hair-raising case, but there was something about this one that made it feel like a strain for the reader, too. Or at least this reader.

Fair warning, I may get a bit meta here. It’s hard to review a media tie-in novel without some references to the media it ties into, and how it “feels” related to how the original feels, And works. I would say or doesn’t work but the fact is that a person for whom the original does not work is unlikely to read novels based on it. My 2 cents.

Part of what makes The Librarians work as a show is their marvelous team dynamic. The Librarians and their Guardian are a close knit team and also kind of a family. What they do is designed to be a bit outside the mundane world, and they of necessity have bonded together. Along with Jenkins, the combination archivist, caretaker and zookeeper of the Library and the Library Annex in Portland they work out of.

On the one hand, parts of this story provide a marvelous and much broader view of just how big, how strange, and how magical the Library’s collections truly are. Nobody wants the job of cleaning the pen that holds the Goose that Lays the Golden Eggs, but it’s a dirty job and somebody has to do it. Usually Jenkins.

On that other hand, the Librarians spend a lot of this story on separate parts of the quest. This group is stronger when it’s together. It’s also funnier and occasionally more heartwarming when it’s together. So for this reader story lost some of its steam when it separated the group, Also the way they were split up felt a bit contrived. Their separate quests seem to rely on their weaknesses more than their strength, and the individuals they were paired up with instead felt like contrivances designed to teach them each something rather than get the job done. As usual, my 2 cents and your mileage may vary.

And the action got a bit bogged down as it split into four separate stories, which at times felt a bit repetitious.

The concept that Mother Goose was not only real but a powerful witch who encoded her spells into nursery rhymes fits right into the mythos of the Library. That her magic could get out of hand if left in the hands of the “wrong people” could make an episode or a great story.

But the way that this one wrapped up, which unfortunately I did see coming a mile away, fell flat. Again, at least for this reader.

So, as much as I love The Librarians, I didn’t have nearly as much fun with Mother Goose as I did with the Lost Lamp.

Escape Rating C+: The scenes where Eve and Jenkins are chasing several of the Library’s more colorful (and volatile) exhibits around the Library are hilarious. My personal favorite is when Jenkins throws Arthur’s Crown at the Sword Excalibur and tells it to play “Keep Away” with the King of Beasts and the Unicorn. Eve’s solution to the problem of the Dead Man’s Chest was also lot of fun. But the gang spends too much time not being a gang, and I missed the way they play off of each other much too much.

Review: Cold Welcome by Elizabeth Moon

Review: Cold Welcome by Elizabeth MoonCold Welcome by Elizabeth Moon
Format: eARC
Source: publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Vatta's Peace #1
Pages: 448
Published by Del Rey Books on April 11th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Nebula Award winning author Elizabeth Moon makes a triumphant return to science fiction with a thrilling series featuring Kylara Vatta, the daring hero of her acclaimed Vatta s War sequence. After nearly a decade away, Nebula Award winning author Elizabeth Moon makes a triumphant return to science fiction with this installment in a thrilling new series featuring the daring hero of her acclaimed Vatta s War sequence. Summoned to the home planet of her family s business empire, space-fleet commander Kylara Vatta is told to expect a hero s welcome. But instead she is thrown into danger unlike any other she has faced and finds herself isolated, unable to communicate with the outside world, commanding a motley group of unfamiliar troops, and struggling day by day to survive in a deadly environment with sabotaged gear. Only her undeniable talent for command can give her ragtag band a fighting chance. Yet even as Ky leads her team from one crisis to another, her family and friends refuse to give up hope, endeavoring to mount a rescue from halfway around the planet a task that is complicated as Ky and her supporters find secrets others will kill to protect: a conspiracy infecting both government and military that threatens not only her own group s survival but her entire home planet.

My Review:

I finished up the Vatta’s War series nearly ten years ago, when the final and much anticipated book, Victory Conditions, was published. I enjoyed the series a lot, and while I was a bit sad to see it end, it did come to a completely satisfying conclusion.

I read Vatta’s War at the same time that I read two other military SF series with female protagonists, David Weber’s Honor Harrington series, which I eventually got tired of but seems to have never ended, and Tanya Huff’s Valor/Confederation series (the official name is Confederation, I always think of it as the Valor series), which I loved and which also ended not long after Vatta’s War, and also with a satisfying conclusion.

Valor came back two years ago, and now it’s Kylara Vatta’s turn to return in a sequel series. While the first series was very appropriately titled Vatta’s War, this new series title, Vatta’s Peace, feels somewhat aspirational. Although there should be peace after everything Ky and her world went through in the first series, that peace is immediately disturbed at the beginning of Cold Welcome.

Grand Admiral Kylara Vatta is supposed to be returning to her home planet of Slotter’s Key for a ceremonial welcome and a whole lot of paperwork concerning the Vatta family’s vast mercantile empire. Instead, her shuttle is sabotaged and she and its crew find themselves stranded in the icy waters of the south polar sea just as winter is coming on, with no hope of rescue. Not because no one wants to look for them, although there are some who certainly don’t, but mostly because weather conditions are so horrendous that no one CAN look for them.

And no one expects anyone to have survived. The entire polar continent has been cemented in everyone’s worldview as a terraforming failure, and no one has gone there in centuries. There aren’t even any satellite scans of the place – something about Miksland interferes with any scanning equipment. Which should have raised someone’s suspicions at some point, but it’s become an accepted fact that Miksland is uninhabited and unlivable.

But Ky being Ky, she manages to scrape survival out of the jaws of certain death, and keeps right on doing so, one task at a time, keeping the crew together and getting them off the churning ocean and at first just onto dry land, and then into a secret base that isn’t supposed to exist. Knowing all the while that another saboteur likely hides among her battered survivors.

It’s a race to the finish, with Ky determined to keep her crew alive and out of the hands of whoever has protected so many secrets for so many centuries at who knows what cost. And a race for her friends, family and loved ones to figure out just who is after Ky and everyone else yet again, before her luck finally runs out.

Escape Rating B: I expected to love this a lot more than I did. It was great slipping back into Ky’s world again, she’s a fascinating character and the Vatta family and their universe are always interesting, albeit deadly. Both the Vattas and whoever is out to get them.

But the story has a very slow start. The journey of Ky and her crew just to survive one day, and then the next, is cold and brutal, but wears on the reader almost as much as it does the characters. Ironically, except for the initial crash of the shuttle, the whole thing reads a bit like Ernest Shackleton’s famous journey. The cold is relentless, and the problems of surviving it don’t change much from planet to planet or century to century.

It’s only when Ky’s makeshift crew discovers the secret base that the story heats up, just as the crew finally gets thawed out. There’s more to do, more to see, more to explore, more to question, and the action starts to flow. Also, up until Ky discovers the base, we don’t get nearly as much leavening of the unrelieved hardship from Ky’s allies on the outside as we do once she finds that base.

The action heats up on all fronts at the same time and the story clips along at a pace that keeps the reader flipping pages at a rapid pace.

But as harrowing as Ky’s side of this journey is, the big questions are all on the outside. Someone, undoubtedly a lot of someones, have kept an entire continent secret for centuries. For that to be remotely possible, they had to have collaborators across all the offices of government and the military, and for centuries. Something very, very rotten is going on, and Ky has just exposed it. Whatever it is.

And the secret is still ongoing. The base is fully stocked, and the diaries of the base commanders going back centuries show that the base is staffed every summer for some unknown purpose. Last but certainly not least, whatever that purpose is, the base closed up early this year, just in time for Ky’s crash and intended mysterious and watery grave.

The problem I had with the book, as much as I was enjoying the action, is that it just didn’t stick the dismount. Ky does get rescued, which isn’t really a spoiler as there couldn’t be a series without her, but nothing else felt resolved. Ky is back, and in an even bigger soup than she was in the previous series, but so far no one seems to have any clues about who, what, when, where or especially why that base is there and what secrets it is intended to keep. It’s a giant black hole, waiting for future books in the series to fill it. And while there needs to be something for the series to focus on, some answers to some of the many, many more immediate questions would have brought this particular installment to a more satisfying conclusion.

Now we wait, with that proverbial bated breath, hoping that those future installments show up soon.

Review: The Jane Austen Project by Kathleen A. Flynn

Review: The Jane Austen Project by Kathleen A. FlynnThe Jane Austen Project by Kathleen A. Flynn
Format: eARC
Source: publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, science fiction, time travel
Pages: 384
Published by Harper Perennial on May 2nd 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

Perfect for fans of Jane Austen, this engrossing debut novel offers an unusual twist on the legacy of one of the world's most celebrated and beloved authors: two researchers from the future are sent back in time to meet Jane and recover a suspected unpublished novel.
London, 1815: Two travelers—Rachel Katzman and Liam Finucane—arrive in a field in rural England, disheveled and weighed down with hidden money. Turned away at a nearby inn, they are forced to travel by coach all night to London. They are not what they seem, but rather colleagues who have come back in time from a technologically advanced future, posing as wealthy West Indies planters—a doctor and his spinster sister. While Rachel and Liam aren’t the first team from the future to “go back,” their mission is by far the most audacious: meet, befriend, and steal from Jane Austen herself.
Carefully selected and rigorously trained by The Royal Institute for Special Topics in Physics, disaster-relief doctor Rachel and actor-turned-scholar Liam have little in common besides the extraordinary circumstances they find themselves in. Circumstances that call for Rachel to stifle her independent nature and let Liam take the lead as they infiltrate Austen’s circle via her favorite brother, Henry.
But diagnosing Jane’s fatal illness and obtaining an unpublished novel hinted at in her letters pose enough of a challenge without the continuous convolutions of living a lie. While her friendship with Jane deepens and her relationship with Liam grows complicated, Rachel fights to reconcile the woman she is with the proper lady nineteenth-century society expects her to be. As their portal to the future prepares to close, Rachel and Liam struggle with their directive to leave history intact and exactly as they found it…however heartbreaking that may prove.
 
 

My Review:

It’s a very big butterfly, and it is impossible to keep it from flapping its wings for an entire year.

The problem with time travel is that it is incredibly difficult to spend any time at all in the past and not change something – possibly even something significant. But that’s the dilemma that faces researchers Rachel Katzman and Liam Finucane. Their job, which they have chosen to accept, is to go back to the England of 1815 and quite seriously meddle with the life of Jane Austen – but leave no trace of their meddling.

This is truly an impossible mission. And so it proves. But the story isn’t in what Rachel and Liam change about Jane Austen, it’s what changes about themselves in the process.

Time travel always involves a bit of handwavium. In this case, it’s a scientific process that sends them back to a specific place and time, armed with the knowledge (and the money) that it is hoped are necessary to inveigle their way into Jane Austen’s circle, her life, and wherever she stashed her unpublished manuscript. Oh, and by the way, discover what mysterious ailment killed her.

That last bit is Rachel’s job. In her own time (possibly the late 21st or early 22nd century), Rachel is a doctor. But in 1815, all she can be is Liam’s spinster sister, while he pretends to be the doctor. Lucky for both of them if not for Jane, medicine was not all that far advanced. As a well educated man, with a little bit of coaching from Rachel, Liam can fake it. And he does. While Liam is faking being a well-to-do doctor and man about town, Rachel has the much harder task of pretending to be a woman of the early 19th century, shy, retiring, unambitious and unintelligent. She is not very good at it, and wonders just how smart women managed not to go completely insane.

In spite of many, many roadblocks, both expected and otherwise, Rachel and Liam do manage to accomplish their task. Mostly. Only to discover that it wasn’t quite what they thought it was. And now that they are back in their own time, neither are they.

Escape Rating A-: For anyone who enjoys time travel stories, this one is an absolute treat. It will also remind some readers of Connie Willis’ To Say Nothing of the Dog. There is a bit of that sense of madcap adventure, but not too much, as well as the difficulty of determining what about the past can be meddled with and what can’t. At the same time, the stakes don’t feel too high, or the situation too dire, as it was in Willis’ Doomsday Book.

In some ways, the task before Rachel and Liam seems like a fool’s errand, or an absolutely impossibly unresolvable conflict. To get close enough to the somewhat reclusive Jane Austen to have access to a document she kept well-hidden without affecting the lives of anyone around her is improbable from the outset. It seems impossible to get that close and not change something, and also not to leave evidence of themselves somewhere in the Austen family correspondence.

It is also beyond imagining to live an entire year of one’s life in the circumstances that Rachel and Liam insert themselves into without their coming out of it changed, whether the world they left behind (ahead?) changes or not. And so it proves. And that’s a big part of what I can’t stop thinking about.

The world is what the world is because of what has happened before we came into it. While we may discover documentation of history that we did not previously know, the moving finger has already writ that history, and the effects of whatever happened have already been built into our world. If there are effects of discovering the formerly hidden information (the recent discovery of Richard III’s body comes to mind) that discovery doesn’t change anything written or believed or assumed about Richard III in the past. Shakespeare still used him as the epitome of evil. Future biographies will be affected, but past ones won’t re-write themselves.

That’s not the case in Rachel and Liam’s world. When the past changes, everything between then and their now re-writes itself. In that world, history is a shared delusion, just like paper money. It is so because we all believe it is so, and not because the piece of paper has an intrinsic value. In their world, history changes and everything adapts around it. That particular aspect reminds me more of The Eyre Affair than time-travel. Change the source and everything that derives from the source shifts to match – no matter how disruptive those shifts might be.

There’s also an attitude that it is possible to change the past and know, more or less, what the effects will be. I end up wondering about that. While there are some cases in their history that seem like there’s nowhere to go but up, how can one be certain? One of the short stories in John Scalzi’s Miniatures deals with this theme, as does Elleander Morning by Jerry Yulsman, a book I read long ago and have never been able to forget.

One part of the story that seems all-too-real and heartbreaking concerns the relationship between Rachel and Liam and the changes wrought both to themselves and to their past by their actions in 1815. We are the sum total of our experiences. The child, and everything that happens to that child, makes the man, or the woman. But they go back in time and experience a year together that does not happen for anyone else. They are both forced to play a part, and of necessity become some of that part in order to survive. At the same time, they are aware, and they are the only people aware, of the nature and the sheer magnitude of the lies that they are living.

But when they come back, the world they return to is not the same. They may be the sum total of their experiences, but the world they return to produced different versions of them than the ones they actually are. How does a person reconcile that? Is it better to remember, or is it better to conform and be, as a consequence, comfortable? And how does one decide which reality to accept, and which to reject?

This is the question that continues to haunt me, long after I closed the final page.

Review: Any Day Now by Robyn Carr + Giveaway

Review: Any Day Now by Robyn Carr + GiveawayAny Day Now (Sullivan's Crossing, #2) by Robyn Carr
Format: eARC
Source: publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: contemporary romance
Series: Sullivan's Crossing #2
Pages: 384
Published by Mira Books on April 18th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

The highly anticipated sequel to #1 New York Times bestselling author Robyn Carr's What We Find transports readers back to Sullivan's Crossing. The rustic campground at the crossroads of the Colorado and Continental Divide trails welcomes everyone—whether you're looking for a relaxing weekend getaway or a whole new lease on life. It's a wonderful place where good people face their challenges with humor, strength and love.
For Sierra Jones, Sullivan's Crossing is meant to be a brief stopover. She's put her troubled past behind her but the path forward isn't yet clear. A visit with her big brother Cal and his new bride, Maggie, seems to be the best option to help her get back on her feet.
Not wanting to burden or depend on anyone, Sierra is surprised to find the Crossing offers so much more than a place to rest her head. Cal and Maggie welcome her into their busy lives and she quickly finds herself bonding with Sully, the quirky campground owner who is the father figure she's always wanted. But when her past catches up with her, it's a special man and an adorable puppy who give her the strength to face the truth and fight for a brighter future. In Sullivan's Crossing Sierra learns to cherish the family you are given and the family you choose.

My Review:

First of all, I love the places that Robyn Carr creates. Thunder Point was a terrific little town, and now Timberlake Colorado, the town near Sullivan’s Crossing, also seems like a fine place to get a fresh start.

And that’s just what Sierra Jones is looking for when she arrives in Timberlake in her beat-up orange VW Beetle, fondly known as “The Pumpkin” for obvious reasons. Nearly 30 and just 9 months sober, Sierra has come to Timberlake planning to spend some quality time with her brother Cal (hero of What We Find) and getting to know her new sister-in-law and the ‘bump’ that will become her niece in a few short months time.

Cal found a new life and fresh start in Timberlake, and healing in the beauties of nature that surround Sullivan’s Crossing at the conjunction of the Colorado and Continental Divide Trails. Sierra hopes for the same.

She ran away to rehab to escape something horrible, only to discover that the events that led up to her break happened, at least partially, because she really was an alcoholic, just like so many people, including Cal, told her. Running away from her messes into rehab was the first smart decision she had made in quite a while.

Sierra got scared straight. And she’s putting in the work to stay straight, one day at a time. But what scared her is big and bad and very, very real, and until she deals with it, she’s always going to feel just one day away from making more bad choices, or having her choices taken away from her, once and for all.

So Sierra comes to Timberlake for a fresh start where she can stand on her own two feet but still have support when she needs it. And so that she can be there for Cal when he needs her. It’s about time.

But just like her brother, Sierra comes to Timberlake looking to heal herself, and certainly not looking for a relationship. And that’s always just when you find one – when you are definitely not looking.

Conrad Boyle, (everyone calls him Connie whether he likes it or not), is a member of the Timberlake Fire Department. He’s also a paramedic who does search and rescue in his “off” hours. He doesn’t think he’s any better at picking the right partner than Sierra is. His last relationship ended in disaster, and he’s sure he’s better off not looking for love, because what finds him turns out to be anything but.

So of course Sierra and Connie fall for each other. Both unwilling at first to admit that what they have found is more than a fling. And Sierra more than a little bit afraid that when Connie learns the whole truth about her, he’ll run away as far and as fast as he can, leaving her devastated and alone. Again.

Instead, her past comes looking for her. But when it finally catches up to her, this time she doesn’t cave in. She nails it to the wall and beats it with a baseball bat.

Escape Rating B: I do love visiting Sullivan’s Crossing. It’s a great place, populated with a terrific bunch of people. Even the local bad apples are reasonably sympathetic and understandably human, if still a bit sour to the local taste.

I also like that the protagonists of the series are all adults with real adult problems. There’s plenty of angst at the right spots, but it’s real-life angst. Everyone has been banged around a bit in the school of hard knocks, and whatever they are agonizing over is stuff that’s really there, not made up drama. The series so far is also blissfully free of ridiculous misunderstandammits.

In spite of his spectacularly bad luck at relationships, Connie is a genuinely nice guy. He’s a good man who does some very hard things. Being a paramedic, even in a small town, means that he’s seen a lot of death and dismemberment, and had to rescue a lot of people from a lot of bad things. Sometimes he fails. So although his life looks mostly sunny, he understands in his bones that there are dark places and dark things in the world. He has the empathy to understand Sierra’s pain without either papering it over or rejecting it, and her.

Sierra, of course, is just certain that he can do better than her mixed-up self. But the heart wants what the heart wants.

The journey in this book is Sierra’s. She needs to decide she’s worthy, and she does it by facing the demons in her past. And that’s where things get both interesting and a bit murky.

I loved watching Sierra build a life for herself. Not just the romance, but everything that Sierra does to make herself part of Sullivan’s Crossing, and the way that it makes itself part of her. The mentor/father-figure relationship she builds with Sully is lovely. I’d say sweet but Sully probably wouldn’t approve.

But the more she reveals about herself, not just inside her own head but to Cal and eventually Connie, the more the reader is certain that her past is coming to get her. Literally. The story builds and builds the tension of Sierra waiting for that very dangerous other shoe to drop, to the point where I wanted to read ahead just to find out if they ever did get Chekhov’s gun down off the wall and just shoot it already.

When that climax finally comes, it gets wrapped up a bit too quickly. The way it gets wrapped up was wonderful, but that other shoe hung up there much longer than the actual drop got wrapped up.

But I loved my visit to Sullivan’s Crossing, and enjoyed it so much that I raced through the book just to see how everyone was doing and get to know the newbies. I can’t wait to go back!

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of Any Day Now to one lucky winner in the continental U.S.

a Rafflecopter giveaway

Review: Legend Has It by Elliott James

Review: Legend Has It by Elliott JamesLegend Has It (Pax Arcana, #5) by Elliott James
Format: eARC
Source: publisher via Edelweiss, publisher via NetGalley
Formats available: paperback, ebook
Genres: urban fantasy
Series: Pax Arcana #5
Pages: 448
Published by Orbit Books on April 18th 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBook Depository
Goodreads

For John Charming, living the dream just became a nightmare.
Someone, somewhere, is reading a magic book that is reading them right back. Real life is becoming a fairytale: high school students are turning, quite literally, into zombies, subway workers into dwarves, drug addicts into vampires.
John Charming and his motley band of monster hunters are racing to find the villain of this story, following the yellow brick road through a not so wonderful wonderland. And if they can’t find Reader Zero before the book is closed, there won’t be a happily ever after again.

My Review:

The snark is strong with this one. Very strong. And John Charming needs all the help that he can get.

At this point in the story of John Charming and his “Scooby-gang” of Sig, Molly and Choo, they, and the world, are in pretty deep foo-foo. Which is where they do best. And sometimes worst.

The story follows almost directly from last year’s In Shining Armor. At the end of that book, John says that he and Sig are going back to pick up the rest of the gang, and that’s pretty much where we are now. John and the gang heading to New York to meet up with John’s former and possibly future gang, the Knights Templar, along with his semi-present gang, the werewolves of the Round Table.

Those Knights Templar really are the descendants of the original Knights Templar. The werewolves of the Round Table, on the other hand, adopted that name because it was cool and because it fit into their frequently mesalliance with the Templars. And probably because it pisses the Templars off just a bit.

Not that werewolves in general don’t make the Templars very, very twitchy. The Templars aren’t merely charged with, but are actually geas bound to protect the Pax Arcana, the magic (ironic that) that makes it so that us mundanes don’t see or remember magic. And for a very long time, the Templars were taught to believe that the mere existence of werewolves (and vampires, and pretty much anything else that was magic but wasn’t Templar) were an automatic violation of the Pax.

Which they mostly aren’t. Most werewolves, and vampires, and cunning folk (witches) and other magical types just want to live their lives without bothering anyone. They don’t want to be outed any more than the Templars do. But negotiating that particular change in outlook makes the Templars very, very twitchy indeed.

And that’s where John Charming came in. John is a Templar. And he’s also a werewolf. The fact that he didn’t self-combust the minute he discovered those two supposedly contradictory identities has forced, often at swordpoint, the Templars to do a bit of re-thinking. Hence the very shaky alliance between the Templars and the werewolves.

What was discovered in In Shining Armor was that there is a group very much in opposition to the Templars, and that the opposition, the School of Night, had done an excellent job of infiltrating the Templars over the past 500 years. The mission of the School of Night is bring down the Pax Arcana, by any means necessary, to let magic loose in the world again.

And the Templars are bound to oppose the tearing down of the Pax by any means necessary, no matter how vile those means might be. Even to the point of nukes in New York City. They may not want to, but they may feel that they have to.

That’s what John Charming and his Scooby-gang are right smack in the middle of. Their job, and they’ve decided to accept it, is to bring down the School of Night before the Templars bring down Ragnarok. No matter what it takes. Or possibly who.

Escape Rating A-: If you’ve read the other books, this one is a humdinger, slam-dunk thrill-a-minute ride from the beginning to the end.

Let me say this upfront – the Pax Arcana series is one that is meant to be read from its beginning. Although the world starts out being very much like our own, as the series piles on, we see more and more of just how different it is – or rather just how much has been hidden from us by the Pax Arcana. The author makes a brave and hilarious attempt to get new readers into the action by opening with our hero John Charming in the midst of an imaginary interview with a very imaginary Barbara Walters. That intro does a good job of reminding series readers where last we left our heroes, but isn’t really a substitute for new readers actually reading at least most of the rest of the series.

So if you like really, really snarky urban fantasy, start with Charming.

As I’ve mentioned, John Charming definitely comes from the snarky end of urban fantasy. He reminds me a lot of Harry Dresden from the Dresden Files, but John’s attitude towards women in general is a bit more, I want to say enlightened but that isn’t quite right. John, unlike Harry or most heroes in urban fantasy, is managing to have a successful relationship with Sig the Valkyrie. And he’s less of a hound and more of a good man, if only because Sig can perforate him with her spear when he screws things up. He’s learning, and it makes him more sympathetic.

Like other urban fantasy heroes, including Harry Dresden, Atticus Finch of the Iron Druid Chronicles, and John Taylor from the Nightside, the book is literally his story. It’s told from the first-person, and we are inside John’s head. You do have to like his brand of snark to want to occupy that head for very long, but it’s generally a livable space. While he does use humor to lighten what are often grim situations, he is also funnier on the inside than even what comes out, and he says what he’s thinking, and often what we’re thinking too.

The thing in this story that causes all the fuss is an interesting one. It’s a book. An evil book. It’s one of those books from the Restricted Section in the library at Hogwarts (not literally, of course) that should be chained up because when you read it, it reads you. And it’s way more powerful than most people who read it. The School of Night is using it to let magical monsters loose in the world, test the responses of the Knights, and see if they can spread enough chaos to break the Pax. It’s a diabolical plan, from a very diabolical mind.

But the sheer amount of danger that John, his gang and the Templars are tipped into, while awesome and scary on so many levels, also brings out one of the inevitable twists of urban fantasy – that in order to keep the series interesting, the protagonist has to face and overcome more dangerous situations each outing, with bigger and badder villains, and hairier and scarier problems to solve. The hero becomes more powerful, and the villains get even more frightening and evil. The tone of the series gets darker the deeper you go. And so it proves with John Charming. Also Harry Dresden, John Taylor and every other urban fantasy series I’ve ever read.

I wonder where this one is going to end. But I certainly plan on hanging on to the ride. Possibly with my fingernails. And maybe my teeth.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 4-16-16

Sunday Post

This is another week where the books towards the end look a bit more aspirational than may be possible. We’ll see. We’re having house company for most of the week, and I expect to have a really terrific excuse why I don’t get much reading or writing done this week. And I expect to have LOTS of fun!

Current Giveaways:

$10 Book or $10 Gift Card in the Spring into Romance Giveaway Hop (ends Monday!)
$10 Book or $10 Gift Card in the Rain Rain Go Away Giveaway Hop (ends Wednesday!)

Winner Announcements:

The winner of the $10 Book or $10 Gift Card in the April Book of Choice Giveaway Hop is Stacy T.
The winner of the Penric and Desdemona series by Lois McMaster Bujold is Laura R.
The winner of The Rogue Retrieval by Dan Koboldt is Dynal R.
The winner of their choice of book by John Scalzi is Linda R.
The winner of the $10 Book or $10 Gift Card in my Blogo-Birthday Giveaway is Maria M.

Blog Recap:

B Review: The Librarians and the Lost Lamp by Greg Cox
A- Review: The Hideaway by Lauren K. Denton
C+ Review: The Captive Shifter by Veronica Scott
A Review: Song of the Lion by Anne Hillerman
A- Review: The Green Mill Murder by Kerry Greenwood
Hoppy Easter Eggstravaganza Giveaway Hop
Stacking the Shelves (231)

Coming Next Week:

Legend Has It by Elliott James (review)
Any Day Now by Robyn Carr (blog tour review)
Burn for Me by Ilona Andrews (review)
Cold Welcome by Elizabeth Moon (review)
The Jane Austen Project by Kathleen A. Flynn (review)