The Most Unusual Haunting of Edgar Lovejoy by Roan Parrish Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, ghosts, Halloween, paranormal romance, queer romance
Pages: 384
Published by Sourcebooks Casablanca on September 9, 2025
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads
Jamie Wendon-Dale may design haunted houses, but they don't actually believe in ghosts—until they meet Edgar Lovejoy, who is tall, clever, beautiful…and 100% haunted.
A COZY, GHOSTLY LGBTQIA+ ROMANCE
Jamie Wendon-Dale creates haunted houses for a living. Haunting is their life—but nobody working New Orleans' spooky circuit actually believes in ghosts.
Edgar Lovejoy is 100% haunted. No, really. Ghosts have tormented him since childhood and he's organized his life around attempts to avoid them.
Opposites? Get ready to attract. But while Jamie's biggest concern is that Edgar sometimes seems a bit distracted, Edgar's fears are much greater. Not only is he scared of encountering the dearly departed whenever he leaves the house, but he's terrified of making himself vulnerable to Jamie. After all, how do you tell someone who believes ghosts only exist as smoke and mirrors that you see them everywhere you go? And how can you trust in a happy future when you can't even believe in yourself?
A little spooky, a little magical, and a whole lot The (Most Unusual) Haunting of Edgar Lovejoy will leave you feeling like you've found a brand new bookish family of your own.
My Review:
This isn’t exactly an ‘opposites attract’ romance – or it is from a certain, slightly magical, just a teensy bit paranormal point of view. Or at least in a kind of ‘laissez les bon temps roulez’ perspective. Because the ability to see ghosts is exactly the kind of thing that New Orleans is famous for.
Edgar Lovejoy, as it turns out, comes by his ability to see spectres the old fashioned way. He inherited it – as did his sister Allie and his brother Poe (and yes, that pun is laying there just waiting to be picked up, (n)evermore). The Lovejoys are descended from an old New Orleans dynasty that has always had something spooky going on.
Edgar just got the hard end of that legacy, as it’s not just that he SEES ghosts everywhere (it’s New Orleans, ghosts ARE everywhere whether the rest of us can see them or not). Edgar sees the ghosts as decaying bodies who literally make him sick when they touch him. Which they do, frequently and often, every single time he leaves his apartment, which is painted in ‘haint blue’ specifically to ward them out.
Edgar’s life has been self-limited by his fear of the ghosts – and it’s crippling him emotionally and psychologically in ways that he can’t even see from his self-imposed prison.
Jamie Wendon-Dale’s life-work is creating haunted houses. They fund that creative but seasonal and not terribly lucrative calling by doing more mundane jobs to pay the rent. Being a ‘haunter’ is what they feel they were born to do. Just as transitioning and figuring themselves out as nonbinary is who they were born to be, in spite of an overbearing family who refuses to accept them as they are and seems determined to shove them back into a box they even more strongly refuse to go back into.
Jamie fights their own corner at every single turn – because they must. Edgar has refused to fight his way out of his. When they meet, it’s magic – and tragic at the same time. Jamie, as a part-time burlesque performer, is as far out of his comfort zone as a person could be. Edgar wants to let Jamie into his in every way possible.
All he has to do is let Jamie in on the secret that he’s kept all his life. Not just the secret that he sees ghosts. But the real secret. That he’s afraid, everywhere, all the time, of pretty much everything. That he’s particularly, especially, and just about catatonic with fear that if he lets himself love anyone except his sister, in any way at all, they will leave him. Because except for his sister Allie, every single other person he’s ever loved has left – including their brother.
But with Jamie in his life, showing Edgar a world that he has isolated himself from, there’s a way for all that love – and more – to come back into his life. All Edgar has to do is let it in. If he can. If his ghosts will let him.
Escape Rating A+: I’m going to TRY to tone down the ‘SQUEE’ in this review, but it’s NOT going to be easy. This turned out to be a single-sitting read for me – and an utterly rapt one at that – because I loved this story EVEN MORE than I expected to. And I came into it expecting a LOT, because of just how much I enjoyed the author’s previous ‘holiday’ romance, The Holiday Trap.
I fell hard for the story because I adored the characters, and watching them navigate a relationship where both parties are constantly wondering whether they are too much complication for each other or just right was marvelous – especially with the differently but equally effed-up family dynamics on BOTH sides.
What got me, and got to me, was the way that they gravitate to each other – but that this isn’t a ‘love conquers all’ kind of story. Jamie can help Edgar figure out what his increasing fear and paranoia is about, Jamie can hold the door open, but Edgar has to be the one to step through and he’s conditioned himself to stay inside. And Jamie is hopeful but realistic that Edgar might not manage it and that they don’t have a chance together if he doesn’t.
So a lot of the story is about navigating trauma and their very different responses to it. And it’s heartbreaking and affirming at the same time that Edgar has kind of done this to himself, and he breaks his own heart when he finally figures that out – that his life didn’t have to be the way it was. And that he can’t let the regrets that are now drowning him isolate him yet again..
In the end, it’s a lot more about Edgar’s learning to step outside of his fear bubble and starting to deal with the traumas that created that bubble than it is about the ghosts that both cause and represent that fear. In other words, the paranormal elements aren’t the focus of the story. Edgar’s healing and his relationship with Jamie, along with Jamie’s standing up for themselves in the face of their family’s coercions – and making it stick this time no matter the cost – are the focus(es). Foci. Whichever word is correct the story’s focus is on the living and not the haunting dead.
The contrast between Edgar’s wacky but supportive siblings versus Jamie’s manipulative and passive-aggressively unsupportive parents gave me vibes of The Stand-In Dad (which I also loved), especially in the way that Edgar’s family and Jamie’s found family band together to support and celebrate them both.
The romance between Edgar and Jamie does turn out to be steamy hot, but the overall vibe of the story is delightfully cozy. That combination turned out to be exactly what I was looking for to end this week’s reading with a terrific story that made me look forward to the upcoming spooky season – whether or not there’s a haunted house in my future!
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