Review: The Bullet That Missed by Richard Osman

Review: The Bullet That Missed by Richard OsmanThe Bullet That Missed (Thursday Murder Club, #3) by Richard Osman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, thriller
Series: Thursday Murder Club #3
Pages: 413
Published by Pamela Dorman Books on September 15, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

One Thursday afternoon in the seniors' center, a decade-old cold case --their favorite kind-- leads the Thursday Murder Club to a local news legend and a murder with no body and no answers. A new foe they call "Viking", wants Elizabeth to kill former KGB chief Viktor, or he will kill her sweet best friend Joyce. Activist marked for death Ron and psychiatrist Ibrahim chase clues for Viking's identity, and investigate mob-queen prisoner from last book.
This third adventure ranges from a prison cell with espresso machine to a luxury penthouse with swimming pool high in the sky.

My Review:

How far would you go to save your best friend’s life? What lengths would you go to? Perhaps a better question would be to ask what lengths wouldn’t you go to? Because that is certainly one of the big questions at the heart of The Bullet That Missed.

First, there’s a cold case, because that’s what the Thursday Murder Club does in its Thursday meetings – it investigates cold cases.

The case they pick this time is close to home, both in time and in distance. Ten years ago, a young reporter disappeared, and has been presumed dead for most of a decade. Bethany Waites was working on a huge story about smuggling cell phones and tax fraud. Millions of pounds disappeared so thoroughly into the labyrinth of money laundering that the money was never found. Which didn’t stop the police from sending one of the perpetrators went to jail for it, while the likely instigator managed to stay out of legal trouble – most likely by doing something else seriously illegal.

But the reporter left her apartment one night, her car was found on the shore bloodied but empty after having been pushed over a cliff, and the woman was never seen again. She’s still much missed, by her friends, her colleagues, and most especially her mentor who never got over her death.

One of the seemingly trivial issues surrounding that very non-traditional event was that the young, female reporter was receiving nasty little threatening messages dropped in her purse, left on her desk and even stuck to her car.

Just as Elizabeth Best is receiving ten years later, although the messages Elizabeth is receiving are much more specifically life threatening rather than the job-threatening ‘mean-girl’ type messages Bethany was getting.

A mysterious personage has threatened Elizabeth that if she doesn’t kill a particular former KGB agent, both Elizabeth and her best friend Joyce will be killed instead. Joyce first, of course, so that Elizabeth has time to reflect on the folly of her (non) actions.

But the man that the mysterious criminal Elizabeth ends up calling “the Viking”, because he very much resembles one wants so very, very dead, is also a friend. An old and dear friend who Elizabeth would very much like to save as she doesn’t have many of those around – not just anymore but ever.

The cases don’t really intersect when Elizabeth and company get involved in them. They really, really don’t. But, and it turns out to be a big, huge, but, ten years isn’t all that long ago, especially in a small town like Cooper’s Chase.

Because all of the players for the cold case are still around for the fresh case. All except one.

Escape Rating A-: There are two ways of looking at the adventures of the Thursday Murder Club. On the one hand, the mostly fun side of the equation, there are the murder cases that seem to find their way to the club’s door – even if Elizabeth has to push them in that direction more than a bit. And sometimes they push back – as the Viking’s part of this entry in the series does.

But then there’s the much more serious side, the one that can be summed up as “old age is not for sissies’. Because it isn’t and they aren’t and none of them are remotely planning to go gentle into that good night no matter how hard some people – including Elizabeth’s oldest and dearest enemies – try to shove them in that direction. With a surprising amount of extreme prejudice.

Then again, one does get the impression that Elizabeth Best is the spiritual sister of Hetty Lang from NCIS: LA and Victoria Winslow, the character that Helen Mirren played in the movies RED and RED 2.

But seriously, the mystery – in spite of or because of the increasing number of victims – is the fun part of the story. It’s also the part that changes most from book to book in a series.

The real reason that people keep coming back to any particular mystery series over and over again (this is book 3 in this series already, after The Thursday Murder Club and The Man Who Died Twice) is because we get involved with the lives of the ‘Scooby gang’ that does the solving of the murders and not so much the murders themselves.

So what makes the Thursday Murder Club work as a series is the way that it revolves around and utilizes the strengths and weaknesses of the members of the club. The particular charm of this series is that it neither shies away from the issues of aging nor does it turn the idea of septuagenarians successfully solving crimes into anything twee or cutesy. (If you remember the Mrs. Pollifax series by Dorothy Gilman, that got both cutesy and twee over the course of its run.)

The members of the Thursday Murder Club are also all dealing with loss (realistically but differently according to each of their personalities), either in the past or the present, but are still very much living in the here and now – and dealing successfully with it – something we don’t see nearly enough.

I was tempted to say something like ‘they still have a lot to give’ which doesn’t convey the right sentiment because it implies they’re an exception to some rule in the same way that telling a woman she doesn’t look her age may be intended as a compliment but actually reinforces the idea that looking whatever age she is isn’t good enough – when it should be.

I’d say that Elizabeth, Joyce, Ibrahim and Ron have always had a lot to give and have never stopped giving it. While giving readers a terrific mystery to savor along the way.

Speaking of which, they have one more mystery to give us this year. The Last Devil to Die will be out later this month. And it’s already on my reading calendar because I can’t wait!

Review: Devil’s Gun by Cat Rambo

Review: Devil’s Gun by Cat RamboDevil's Gun (Disco Space Opera #2) by Cat Rambo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: science fiction, space opera
Series: Disco Space Opera #2
Pages: 288
Published by Tor Books on August 29, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

No one escapes their past as the crew of the You Sexy Thing attempts to navigate the hazards of opening a pop-up restaurant and the dangers of a wrathful pirate-king seeking vengeance in Cat Rambo's Devil's Gun .
Life’s hard when you’re on the run from a vengeful pirate-king…
When Niko and her crew find that the intergalactic Gate they're planning on escaping through is out of commission, they make the most of things, creating a pop-up restaurant to serve the dozens of other stranded ships.
But when an archaeologist shows up claiming to be able to fix the problem, Niko smells something suspicious cooking. Nonetheless, they allow Farren to take them to an ancient site where they may be able to find the weapon that could stop Tubal Last before he can take his revenge.
There, in one of the most dangerous places in the Known Universe, each of them will face ghosts from their Thorn attempts something desperate and highly illegal to regain his lost twin, Atlanta will have to cast aside her old role and find her new one, Dabry must confront memories of his lost daughter, and Niko is forced to find Petalia again, despite a promise not to seek them out.
Meanwhile, You Sexy Thing continues to figure out what it wants from life―which may not be the same desire as Niko and the rest of the crew.

My Review:

Devil’s Gun picks up the story of You Sexy Thing and its crew just after the moment at the end of the first book in the Disco Space Opera series, named after the ship and the damnable earworm of the song that the title comes from.

It’s the point where they’ve just learned that the evil space pirate they hoped they’d killed as they escaped his imploding, exploding ship/space station. Which, to be totally fair, was entirely deserved as he had already murdered one of their number and spent years brainwashing Captain Niko Larson’s former lover against her.

Pirate King Jubal Last is a bad, bad man, and the universe wasn’t going to miss him if he was gone. The only problem is that he isn’t. Meaning that Larson and her crew are on the run, away from Last and towards someone who they hope will help them figure out a way to take him out. Again.

If only they can find her. And if only she’ll give them the time of day. Because it’s that same brainwashed ex-lover that Larson still hasn’t gotten over. Just as the rest of the crew hasn’t gotten over the damage that Last did in their recent encounter.

And in the midst of Larson chasing down what once was, and one of her crew members trying to breathe life back into someone who has lost theirs, a new member of the crew searches for purpose while the sentient, sapient bioship that Larson is nominally – sometimes very nominally – in command of pursues its own interests for its own purposes. Specifically, for the purpose of creating drama and not getting bored.

It’s a recipe for disaster – but that’s not the problem it would be for most ship’s crews. Because if there is one thing that this crew is good at, it’s making a tasty dish out of a completely mismatched and even downright dangerous list of ingredients!

Escape Rating B: I picked this up because I enjoyed the first book in the series, You Sexy Thing, very much in spite of its unfortunate case of villain fail. The crew is as motley as you’d expect, but their bone-deep respect and reliance on each other – and the way they deal with their life and their livelihood through bantering away the stress made it an overall fun read with a heaping helping of heartbreak at the end.

But thank goodness that there’s a “when last we left our heroes” summary of that first book in the beginning of this second one, because it’s been over a year since I read it and almost two years since it came out.

I liked Devil’s Gun but didn’t love it nearly as much as I did You Sexy Thing in spite of that villain fail. Jubal Last was just a bit too over-the-top bwahaha to make sense as a character. But I loved the crew and got invested in their situation more than enough to feel for them as things went down.

Devil’s Gun reads like a middle book. It also reads as a chase for a macguffin that no one, least of all Niko Larson herself, is ever sure isn’t a scam. And it felt like a collection of separate plot threads that don’t quite braid together into a whole, as several members of the crew have their own problems to pursue and keep themselves to themselves more than a bit.

With the ship in pursuit of its own goals – to the detriment of everyone and everything else – as the story goes along. Admittedly, that part is fascinating. It’s as though Moya in Farscape took the ship where she wanted to go instead of where the crew wanted to go ALL THE TIME.

Which would have been cool – even as the crew would have been infuriated. As Larson often is in this story.

The sentient ship You Sexy Thing will certainly make readers think of Farscape and its sentient ship, Moya, although You Sexy Thing has considerably more personality. I’m not sure about the regular comparisons between this series and the Great British Bake Off as there’s no food competition going on – although there is plenty of cooking and baking. There’s also more than a bit of a resemblance between this universe and its intergalactic ‘gates’ left behind by an ancient race of Forerunners and Mass Effect and its mass relay travel gates left behind by the ancient Prothean race.

In other words, there are elements of Devil’s Gun and the Disco Space Opera series that will ring a lot of bells and bring back a lot of memories for SF readers, (I’m sure I’ve seen the Devil’s Gun itself, or a reasonable facsimile thereof, in Simon R. Green’s intertwined universes) blended into a story that’s a whole lot of fun and rides or dies on the interpersonal relationships among the crew. Which is also not an uncommon element of SF and space opera in general.

So if that’s your jam as it is for this reader, take a trip on the You Sexy Thing with Devil’s Gun. And the fun – for certainly deadly and sometimes insane definitions of fun – isn’t over yet. Devil’s Gun, like You Sexy Thing before it, ends on a mic drop. There is clearly more to come for this crew, and I’m looking forward to it!

Review: A Duke’s Guide to Romance by Sophie Barnes

Review: A Duke’s Guide to Romance by Sophie BarnesA Duke's Guide to Romance (The Gentlemen Authors #1) by Sophie Barnes
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, regency romance
Series: Gentlemen Authors #1
Pages: 276
Published by Sophie Barnes on August 29th, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads

He only wanted to purchase a novel, now he’s falling madly in love…

Anthony Gibbs, Duke of Westcliffe, needs an income. Bills must be paid, appearances kept, and arrangements made for his sisters' debuts. In short, he must either marry or seek employment, neither of which sounds remotely compelling. But then he meets Ada and she suggests a third option. Now he's penning a novel while losing his heart to the bookish miss, a woman he cannot afford to marry unless he’s prepared to make some difficult choices.

Ada Quinn has no connections, no dowry, and consequently no prospects. Her plan for the future is limited to her skill as a bookbinder. Until Mr. Gibbs walks into her uncle’s bookshop and starts to romance her. Handsome, thoughtful, and utterly charming, Mr. Gibbs is precisely the sort of man Ada always dreamed of falling in love with. Until she discovers he’s not who he claims to be and that he intends to marry another.

My Review:

Three years before our story begins, Anthony Gibbs, Duke of Westcliffe and his friends Brody Evans, the Duke of Corwin and Callum Davis, the Duke of Stratton survived a life-changing catastrophe by working through their collective shock and grief together when their aristocratic fathers were killed during a rare instance of random bovine combustion.

Meaning all of their fathers were caught in the literal crossfire while purchasing livestock when a cow pen exploded. (Fertilizer really is highly explosive, and the primary ingredient in fertilizer is manure. Which is what naturally falls out of a cow’s backside to rest on the floor of their pens.)

Ahem. Apologies. I couldn’t resist.

While sticking together solving one set of problems by sharing their grief, it created another, as they spent the past three years frittering away their time and wasting their money in pursuit of one distraction after another while neglecting their responsibilities, their estates and the increasingly empty state of their coffers.

The bills have all come due, they are all swimming up the River Tick. They are individually and collectively skint – or at least heading there fast. And keeping up appearances is damn expensive all by itself, without the added costs of deferred maintenance on their estates AND making sure their dependents are taken care of.

In Westcliffe’s case, those dependents include his two younger sisters, who have just reached the age for their first Seasons in the ‘Marriage Mart’. Seasons that are critical for their futures, but are guaranteed to put an equally critical drain on the family’s remaining cash.

All three of the 20-something Dukes entertain the possibility of marrying for money. It would not be an uneven trade, but a marriage of convenience would make for a shatteringly awful life. Particularly as the woman who has set her cap at Westcliffe is a conniving, manipulative harpy.

Which is when Ada Quinn walks into Westcliffe’s life. Or rather, he drops a book into hers. Literally. Onto her head. And both of their wits are addled ever after – but in the best way possible.

Westcliffe’s conversation with Ada in her uncle’s bookshop sets all of their lives into glorious motion. First, and most important for the series as a whole, their conversation puts the idea into his head that he and his friends can save their finances by writing the kind of novels that made the late Jane Austen famous. Readers are crying out for more books like hers, but the author has recently passed away and no one has taken up her pen.

Second, and most important for the protagonists of this first entry in the series, Westcliffe and Ada bring each other to sparkling life in a way that neither expected or planned on. In a way that seems guaranteed to break Ada’s heart, as she is all too aware of the disparity in their stations.

But, in a romance worthy of Ada’s favorite Austen novels, Westcliffe is convinced that society can go hang and love will find a way. As long as they trust in each other, communicate honestly with each other, and brush all of the harpies away.

Escape Rating A-: A Duke’s Guide to Romance is a deliciously frothy confection, light and fluffy and full of wit and sparkle with just the barest hint of a misunderstandammit to keep the characters on their toes until the very end.

As a Regency, it’s an excellent antidote to follow my recent reads in both the Sebastian St. Cyr and Wrexford & Sloane series, as they both explore and expose the seamy underbelly of the Regency. A Duke’s Guide to Romance, and I expect the rest of its series of Gentlemen Authors will as well, floats lightly on top of the glittering effervescence that we tend to expect in a Regency romance.

At the same time, it doesn’t shy away from the difference in social station between Westcliffe and Ada – at least from Ada’s perspective. As much as she’s fallen in love with the man, it’s clear from their differing perspectives on the potential issues that they face that she is the more realistic of the pair. The silver spoon he was born with, as well as the privilege of having been born male, leads him to believe that all their problems can be swept away easily, where she knows it just isn’t so.

Which leads to the big misunderstandammit that almost derails their happiness, as he keeps forging ahead without informing her of his decisions and change of heart because the world has always bent to his will in a way that it never has to hers.

At the same time, I very much liked the way that their romance didn’t merely invoke Jane Austen’s work but also served as an homage to it as the progress of their romance would have fit right into hers. Something that is highlighted in the way that the romance Westcliffe and company are writing plays into the romance that Westcliffe is experiencing and vice versa.

All in all, A Duke’s Guide to Romance was a very pleasant way to while away a stormy afternoon. I’m looking forward to seeing this delicious series continue with A Duke’s Introduction to Courtship and A Duke’s Lesson in Charm in the months ahead.

Review: Big Little Spells by Hazel Beck

Review: Big Little Spells by Hazel BeckBig Little Spells (Witchlore, #2) by Hazel Beck
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, paranormal romance, urban fantasy
Series: Witchlore #2
Pages: 384
Published by Graydon House on August 29, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Is her magic a threat to witchkind…or is she simply powerful enough to save the world?
Rebekah Wilde was eighteen when she left St. Cyprian, officially stripped of her magic and banished from her home. Ten years later, she’s forced to return to face the Joywood Coven, who preside over not just her hometown but the whole magical world. Rebekah is happy to reunite with her sister, and with her friends, but the implications of her return are darker and more dangerous than they could have imagined.
The Joywood are determined to prove Rebekah and her friends are a danger to witchkind, and her group faces an impending death sentence if they can’t prove otherwise. Rebekah must seek help from the only one who knows how to stop the Joywood—the ruthless immortal Nicholas Frost. Years ago, he was her secret tutor in magic, and her secret impossible crush. But the icy immortal is as remote and arrogant as ever, and if he feels anything for Rebekah—or witchkind—it’s impossible to tell.

My Review:

In Small Town, Big Magic, the first book in the Witchlore series, there was something rotten at the heart of small, witchy, St. Cyprian Missouri. But by the end of the story it seemed more than obvious that what was going wrong was a big and nasty disturbance at the confluence of the Mississippi, Missouri and the hidden Illinois river that gives the town all of its witchy power.

It seemed obvious because defeating the nasty in the confluence was the big, climactic battle that nearly ends the book – at least until after it’s been subdued. Which is when that first book ended, on the mic drop that the powers that be had shown up to bring the hammer down because they didn’t do it the ‘right’ way with ‘approved’ witches – even as they proceeded to gaslight the newly formed coven about whether the evil that was about to literally flood the town ever existed in the first place.

And that’s where this second book picks up the action, as the ruling coven of witchkind, the oh-so-inappropriately named ‘Joywood’, brings that hammer down in a way that is so petty and such an over-the-top attempt at belittling AND gaslighting that the new coven knows that whatever this is all about, it isn’t about what they did so much as who they are – even if they don’t know why. At least not yet.

They don’t have much time to find out, either. Ten years ago, back when Emerson and Rebekah Wilde were both eighteen, the sisters failed their coming of age ceremony and were supposed to be stripped of not merely their magic but their memories of it. Emerson emerged as kind of a shadow of her true self – at least until the events of the first book when she not only broke the block on her memory but reclaimed her powers as well.

Rebekah never forgot a thing, because she ran into exile instead. She couldn’t practice her magic, she couldn’t come home, and she couldn’t bear to keep in contact with the friends she left behind because her sister wasn’t really her sister anymore.

Now she’s back, doing her level best, which sometimes fails, to not fall back into the destructive behaviors of her adolescence. Because that’s just what Joywood wants and she’s able to focus her rebellious streak on denying them that above all things.

The one thing from those years that she can’t seem to let go of is her ‘crush’ on the cold, powerful, gorgeous and immortal asshole, Nicholas Frost. Back then, he secretly trained her power but abandoned her when she needed him most. This time around he’s playing the biggest game of ‘come here no stay away’ that has ever been played.

But Rebekah isn’t a teenager any more, and she’s tired of being played – by Nicholas, by Joywood and especially by a fate that has kicked her around for the last time – no matter what it takes to bring it and her powers to her command and no one and nothing else’s.

Escape Rating B+: In that opening bit of petty bullshit, I began wondering if the reason that nasty showed up in the river was either because Joywood summoned it themselves – or if they were just so corrupt that like called to like. I’m still debating that particular question – but hunting for the answer certainly kept me turning pages.

In fact, I liked this second book a bit better than the first, because I felt for Rebekah and her snarky rebellion in a way that Emerson’s partially-manufactured goody-two-shoes perfection did not touch. What I liked best about Rebekah was that she never fell for Joywood’s act. It’s all a setup and she knows it’s a setup and she never pretends otherwise to herself or her friends.

Even better, it doesn’t take much to convince her friends that she’s right. It is not paranoia if someone really is out to get you, and Joywood really does have it in for the Wilde sisters. Even if the why of it all is still a bit TBD (to be determined).

A question that has yet to be completely resolved by the end of Big Little Spells. The question that DOES manage to get itself resolved is the romantic question, the one about what’s really going on in that hot immortal asshole’s cold, cold heart when it comes to Rebekah. For that, at least, we get the whys and the wherefores, AND we get a resolution that deals at least partially with what would otherwise be a vast power imbalance.

And it was great to see some truly epic UST get resolved, along with the processing of a whole bunch of suppressed grief as well as a bit of a stand up and cheer moment from at least half the town.

So stuff happened. In fact, this book in particular was more about the stuff happening, the things being done – or attempting to be done – TO Rebekah and company than anything else. It was, in a peculiar way, more than a bit political. And I was all there for it. Some readers did not like this as much as Small Town, Big Magic because it was more about witchy small-town politics and the mean no-longer-girls in charge of them and less about the romance. Personally, I liked this one better for the shift.

But the things that did not get resolved, that are still hanging over the series like the proverbial Sword of Damocles – or more like Chekhov’s Gun on the mantel waiting to be fired – are the questions about the true motivations and the depths of the corruption that Joywood has sunk to in their quest for power.

The answers to those questions seem to be being dribbled out slowly so as to be able to give each of the romances their chances to shine – and to put together the steps necessary to defeat the evil that Joywood represents. I liked this particular droplet of that part of the story more than the first. There are intended to be two more books in the series to finish things – and hopefully the Joywood – off.

So far, at least, I’m in for another round, because this was better than the first. We’ll just have to see how that goes as the series continues.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 8-27-23

I did better this week than last week on actually reading the books I intended to read. Howsomever, by the time the end of the week closed in – which is actually on Wednesday for the purpose of reading Friday’s book – when I started Wolfsong I just wasn’t feeling it, even though I really wanted to read it. But it’s 500 pages of slow burn and that just wasn’t the mood I was in AT ALL. So that will come back around at some point later when that’s a bit closer to the mood I’m in at the time.

This week’s schedule may actually hold up – even though the name of Friday’s giveaway hop does me in every single year. I want it to be ‘Glitz’ instead of ‘Glits’. I’m not even sure what a ‘glit’ is! But it’s the Glam and Glits Giveaway Hop and that’s just the way it is.

Also it’ll be the OMG first of September and that’s just the way that is as well. It feels like August has lasted FOREVER, melting us all in the hot summer sun.

Current Giveaways:

$10 Gift Card or $10 Book in the Old School Giveaway Hop
$10 Gift Card or $10 Book in the Summer 2023 Seasons of Books Giveaway Hop

Winner Announcements:

The winner of the Back to School Giveaway Hop is Anne

Blog Recap:

A- Review: The Man Who Died Twice by Richard Osman
A- Review: Cursed at Dawn by Heather Graham
B+ Review: Sir Hereward and Mister Fitz by Garth Nix
A- Review: Murder at Kensington Palace by Andrea Penrose
A+ Review: Contrarian by L.E. Modesitt Jr.
Stacking the Shelves (563)

Coming This Week:

Big Little Spells by Hazel Beck (blog tour review)
A Duke’s Guide to Romance by Sophie Barnes (blog tour review)
The Devil’s Gun by Cat Rambo (review)
The Bullet that Missed by Richard Osman (review)
Glam and Glits [sic] Giveaway Hop

Stacking the Shelves (563)

I was having a bit of an epic book flail at the end of the week, Audible was having a sale, Tor Books was very, very kind about an advanced listening copy of Starter Villain as I’d already read and reviewed the book, AND I received a review assignment for book 6 in a series where I’d only read book 2. The result – well, most of the result as this list got really long – is the stack you see before you. Some reading weeks are just like that.

The best title on this list, is clearly, and without a doubt, That Time I got Drunk and Saved a Demon. If it even half lives up to its Legends & Lattes, Can’t Spell Treason Without Tea vibe it’s going to be awesome.

For Review:
The Antique Hunter’s Guide to Murder by C.L. Miller
A Haunting at Linley (Henrietta and Inspector Howard #7) by Michelle Cox
Nuts and Bolts by Roma Agrawal
The Riders Come Out at Night by Ali Winston and Darwin Bondgraham
A Spying Eye (Henrietta and Inspector Howard #6) by Michelle Cox
The Stars Turned Inside Out by Nova Jacobs
Stolen by Ann-Helen Laestadius
Starter Villain by John Scalzi (audio)
That Time I Got Drunk and Saved a Demon (Mead Mishaps #1) by Kimberly Lemming

Purchased from Amazon/Audible/Etc.:
A Child Lost (Henrietta and Inspector Howard #5) by Michelle Cox
A Girl Like You (Henrietta and Inspector Howard #1) by Michelle Cox
The Glass Hotel by Emily St. John Mandel (audio)
The Hunter’s Apprentice (Adventures of Keltin Moore #4) by Lindsay Schopfer
A Promise Given (Henrietta and Inspector Howard #3) by Michelle Cox
Stephen Leeds: Death & Faxes (Legion #1.5) by Brandon Sanderson (audio)
A Veil Removed (Henrietta and Inspector Howard #4) by Michelle Cox


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:

Review: Contrarian by L.E. Modesitt Jr.

Review: Contrarian by L.E. Modesitt Jr.Contrarian (The Grand Illusion #3) by L.E. Modesitt Jr.
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, gaslamp, steampunk
Series: Grand Illusion #3
Pages: 624
Published by Tor Books on August 15, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

L. E. Modesitt, Jr., bestselling author of Saga of Recluce and the Imager Portfolio, continues his gaslamp political fantasy series which began with Isolate and Councilor . Welcome to the Grand Illusion

In Contrarian , protests against unemployment and poor harvests have become armed riots as the people sink deeper into poverty. They look to a government struggling to emerge from corruption and conspiracy.

Recently elected to the Council of Sixty-Six, Steffan Dekkard is the first Councilor who is an Isolate, a man invulnerable to the emotional manipulations and emotional surveillance of empaths―but not the recent bombing of the Council Office Building by insurrectionists.

His patron, the Premier of the Council, has been assassinated, leaving Dekkard with little first-hand political experience and few political allies.

Not only must Dekkard handle political infighting, and continued assassination attempts, but it appears that someone high up in the government and corporations has supplied arms and explosives to insurrectionists.

Insurrectionists who have succeeded in taking over a naval cruiser that no one can seem to find.

My Review:

If diplomacy is war conducted through other means, then it can be argued that politics must be civil war conducted by other means. There’s certainly a civil war going on between the three political parties in Guldor, complete with campaigns, strategies and entirely too many casualties.

The first book in this series, Isolate, ended in triumph. The second, Councilor, ended in tragedy. This third book, Contrarian, ends in – well, you’ll see – or at least you’ll see enough to make you want to pick it up. I hope.

The overall theme of The Grand Illusion series (Isolate, Councilor and now Contrarian) is wrapped around the grand and all-too-often grandiose illusion that government can somehow take care of all of the people all of the time even as it caters to the elites at the top of the dogpile.

While spinning pretty much everything they can – or can invent – to convince people that the folks who are sincerely trying to fix things are actually the people causing it because they are the ones bringing attention to the injustices.

We all know it works because we’ve seen it in action, much too often and much too recently, in real life.

However, by setting this intense political discourse in a gaslamp fantasy world and embodying it in the literal body of one political neophyte who is doing his damndest to make real life better for average people, we get to see the arguments from the outside and can pretend, if necessary for our psyches, that the story doesn’t have relevance to the real world.

The first book ended in triumph, as the middle-class, working-class Craft Party was swept into power in the constitutional monarchy of Guldor because they had a charismatic leader at the head of the party, his security aides were exceptionally good at keeping the man alive in spite of the number of assassination attempts he faced, AND the competing parties, Landor (nobility) and Commerce (megacorporations) had screwed the pooch so thoroughly and so often that their abuses of power became too obvious to cover up.

The second begins in the triumph of starting to stab at the myriad problems afflicting the country, only for that triumph to be cut tragically short when that charismatic and effective Craft leader was assassinated along with many of his most able councilors.

All except one, who was one of those exceptionally good security aides turned councilor in his own right. In Contrarian, Steffan Dekkard is caught on the horns of multiple dilemmas and in the midst of overwhelming changes both personal and professional.

Dekkard is the ‘contrarian’ of the title. He is one of THE most junior councilors in the Council of Sixty-Six, both in age and political experience. He is also the clear ‘spiritual’ heir to the assassinated Axel Obreduur, but can’t take up the reins of power – at least not yet. This is the story of him finding a way to operate, not so much from the shadows but from the back benches, managing up the levels of his party while continuing to dodge the political machinations of his enemies – along with the increasing number of assassins they aim at his head.

The opposition Commerce party is like a hydra, sprouting two heads for every one of their plots he manages to thwart. It is part of the cut and thrust of politics even at the best of times, but he knows he can and will lose some of the battles in pursuit of the greater war.

An assassin only has to succeed once. If Dekkard, with the assistance of his friends, working under the eagle eye and mind of his security aide and new bride Avraal, has to practice ‘Constant Vigilance’ while still serving his office, taking care of his constituents, and somehow managing to have a life – for as long he can.

Escape Rating A+: This series is my catnip. I could read about Steffan’s work day, his colleagues, his attempts to maneuver around a great many of them, and the crises in his country that he tries to prevent, pretty much all day long. As I did for the two days it took me to finish the book a few months ago for Library Journal, AND the day it took me to skim-read just now for this review. .

The book – and the previous books in the series – combine a kind of ‘slice of life’ story with an ongoing exploration of how the sausage of politics is made and why most people really don’t want to know about exactly what goes into it.

What makes it work, or at least work fantastically for this reader, is the way that all of the political maneuvering, whether for good or for evil, is embodied in the characters. Which means that this isn’t traditional epic fantasy, even though it is certainly epic in scope.

But we are meant to like Steffan Dekkard and his wife Avraal Ysella-Dekkard, and we do. We believe they’re working for, not an abstract good, not a ‘greater good’ but to make the lives of as many people as they can better by getting their government to work for all its citizens and not merely a privileged few who grease the wheels.

They are fighting the good fight, and it’s fun to watch them do their work – surprisingly so as watching them work often involves just watching them go through their day. It shouldn’t be riveting but it is and I was every step of the way.

The progress of the series so far reminds me a lot of the author’s Imager Portfolio, although not so much the first three books as the rest of the series that started (honestly re-started) with Scholar. Which means I’m expecting the Grand Illusion series to encompass Steffan Dekkard’s political career and end with a book titled Premier – or at least with Steffan holding that title in the book.

Whether or not my surmise about the far-off ending of the series is correct, Contrarian ends in a way that absolutely begs a return to this world and this series. It is clear from the book’s conclusion that neither the series nor Steffan’s career is remotely near done. And that he’ll have plenty of political battles to get through before it is. So, even though the author has returned to one of his other series this year, I have high hopes that we’ll get to see more of Guldor through Steffan and Avraal’s eyes in the years and books to come.

Review: Murder at Kensington Palace by Andrea Penrose

Review: Murder at Kensington Palace by Andrea PenroseMurder at Kensington Palace (Wrexford & Sloane, #3) by Andrea Penrose
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Wrexford & Sloane #3
Pages: 359
Published by Kensington Books on September 24, 2019
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Wrexford and Sloane must unravel secrets within secrets—including a few that entangle their own hearts—when they reunite to solve a string of shocking murders that have horrified Regency London...
Though Charlotte Sloane’s secret identity as the controversial satirical cartoonist A.J. Quill is safe with the Earl of Wrexford, she’s ill prepared for the rippling effects sharing the truth about her background has cast over their relationship. She thought a bit of space might improve the situation. But when her cousin is murdered and his twin brother is accused of the gruesome crime, Charlotte immediately turns to Wrexford for help in proving the young man’s innocence. Though she finds the brooding scientist just as enigmatic and intense as ever, their partnership is now marked by an unfamiliar tension that seems to complicate every encounter.
Despite this newfound complexity, Wrexford and Charlotte are determined to track down the real killer. Their investigation leads them on a dangerous chase through Mayfair’s glittering ballrooms and opulent drawing rooms, where gossip and rumors swirl to confuse the facts. Was her cousin murdered over a romantic rivalry . . . or staggering gambling debts? Or could the motive be far darker and involve the clandestine scientific society that claimed both brothers as members? The more Charlotte and Wrexford try to unknot the truth, the more tangled it becomes. But they must solve the case soon, before the killer’s madness seizes another victim...

My Review:

The murder that drags Wrexford and Sloane back into the fray after the events of Murder at Half Moon Gate again hits a bit too close to home – at least for Charlotte Sloane. In fact, it’s so close to home – her past home if not her present one – that when Wrex informs her that the recently elevated Lord Chittenden is dead, she performs the only quintessential female act he’s ever seen her do.

She faints. She literally swoons at his feet. And he doesn’t know what to do about it. But then, not knowing what to do about or with Charlotte Sloane, AKA the brilliant satirical artist A.J. Quill, has been a constant state of affairs for Wrex since the moment they met in Murder on Black Swan Lane.

Charlotte has just learned that her dear cousin, one of the few people who accepted her as she was back in a day she hasn’t yet revealed to Wrex, has been accused of murdering her other dear cousin – his twin brother. Charlotte is certain that this accusation is as false as the one that brought Wrexford to her door in the first book in this series.

But there’s no evidence for Nick Locke’s innocence, while the evidence for his guilt is both gruesome and damning. Not even a visit to Nick in Newgate dims Charlotte’s belief that he can’t possibly be guilty – even if does cast a dark pall over her determination to win him free.

Which is when Charlotte realizes that the cost of Nicky’s freedom – if it can be won at all – will be the sacrifice of her own. In order to investigate the possible suspects, a surprising number of whom are women in the upper reaches of the ton, Charlotte will have to finally admit the truth of her own origins, and walk with eyes wide open back into the gilded cage she escaped from in what seems like another lifetime.

Only because it was. A life that she didn’t fit into then, and must return to now. After all, needs must when the devil drives – and there is absolutely a devil driving the rush to Nicky’s judgment. And Charlotte’s own.

Escape Rating A-: I got into the Wrexford & Sloane series because it is an amazing readalike for the Sebastian St. Cyr series without being the same at all – which I know sounds contradictory but bear with me.

Both are historical mystery series, and both take place in England during the Regency. Both feature amateur detectives who are aristocrats, working with female partners with whom they have tension-filled relationships.

But, but, but there are huge differences. The St. Cyr series is exactly what it says on the label. The story is told primarily from the perspective of Sebastian St. Cyr, Viscount Devlin, the man who will in the fullness of time become the Earl of Hendon. In the meanwhile, Devlin expiates his demons, many but not all of which he acquired while serving in France during the Napoleonic Wars, by solving murders – generally the kind of murders that no one in the halls of power want solved..

Although Wrexford gets top billing in ‘his’ series, it’s not his journey. Instead, this story is told from the perspective of Mrs. Charlotte Sloane, a widow living in genteel poverty who makes ends at least wave at each other by penning satirical drawings and publishing them under the nom-de-plume A.J. Quill. It’s clear that she grew up in different circumstances, but when the story begins neither Wrexford nor the reader know exactly what those circumstances were or why she left them.

If the St. Cyr series had been written from the perspective of Devlin’s wife, the social reformer Hero Jarvis, it might read something like Wrexford & Sloane, but it isn’t and she doesn’t and as a consequence the two series are looking at the same period through much different lenses.

If you like one you’ll like the other just as much – I certainly do – but they are cousins rather than twins or even siblings. To mix metaphors entirely and get back to Sloane and her cousins at the same time.

The other thing that makes the two series different, and has been a huge factor in the Wrexford & Sloane series so far, is that Wrexford, unlike Devlin, is a man of science rather than politics, and this case, like the previous two books, is steeped in that world that seemed to be changing and discovering every day.

And yet asks the same questions that are still being asked today. Questions about possibility vs. morality, whether the ends justify the means, how far, how dark and how deep an experiment should be allowed to go, and whether just because something CAN be done doesn’t mean it SHOULD be done.

Because this case was steeped in those scientific questions, as well as the age-old question about the fine lines between genius and madness, and between interest and obsession. All the red herrings in this one, and there were many, had been electrocuted or charred to a crisp before presentation, making the solution seem just that much farther out of reach.

But what held my interest, and will hold most readers by the heartstrings, is Charlotte Sloane’s journey, and her decision to give up the thing she prizes most in order to save a person she holds dear. And that’s a dilemma that is every bit as potent two centuries ago as it is today.

Obviously, I’m still enjoying my read of the Wrexford & Sloane series very much, although I will probably take a bit of a break before I get back to it to keep the whole thing at the correct level of compulsion and freshness. But I know I’ll be picking up Murder at Queen’s Landing the next time the mood for a compelling historical mystery strikes!

Review: Sir Hereward and Mister Fitz by Garth Nix

Review: Sir Hereward and Mister Fitz by Garth NixSir Hereward and Mister Fitz: Stories of the Witch Knight and the Puppet Sorcerer by Garth Nix
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, sword and sorcery
Pages: 304
Published by Harper Voyager on August 22, 2023
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New York Times bestselling author Garth Nix's exciting adult debut: a new collection including all eight stories--plus a never-before-published story--featuring Sir Hereward and his sorcerous puppet companion Mister Fitz, gathered in one magical volume for the first time ever!
Sir Hereward: the only male child of an ancient society of witches. Knight, artillerist, swordsman. Mercenary for hire. Ill-starred lover.
Mister Fitz: puppet, sorcerer, loremaster. Practitioner of arcane arts and wielder of sorcerous needles.
Sir Hereward and Mister Fitz: godslayers. Agents of the Council of the Treaty for the Safety of the World, charged with the location and removal of listed extra-dimensional entities, more commonly known as gods.
Together, they are relentless travelers in a treacherous world of magic, gunpowder, and adventure.
Compiled for the first time ever, these eight magical stories--plus an all-new tale, "The Field of Fallen Foes"--featuring fabulous, quintessential Garth Nix protagonists Sir Hereward and Mister Fitz comprise a must-have adult fantasy collection for fans and those about to discover the witch knight and his puppet sorcerer for the first time.

My Review:

A long time ago in a galaxy not far away at all SFWA (Science Fiction Writers of America) Grand Master Fritz Leiber loosed a pair of anti-heroish-type heroes into the world of fantasy, and the genre was never the same. I’m referring to the immortal swordsman Fafhrd and his rogue companion the Gray Mouser, who together embodied the subgenre of sword and sorcery.

Sir Hereward and Mister Fitz follow in those bootprints, right down to the boots being rather large in the cases of both Fafhrd and Sir Hereward, and considerably smaller for the Gray Mouser and Mister Fitz.

Just as the earlier pair roamed the world of Nehwon, traveled through places strange, wondrous and frequently unpronounceable, tackling enemies both mundane and sorcerous, putting down old gods and monsters when needed, so do Sir Hereward and Mister Fitz, their literary if not actual descendants, wander their own world of unpronounceable places filled with even more tongue-twisting gods, carrying out one mission after another for the Council of the Treaty for the Safety of the World, tasked with casting rogue gods back to whatever corner of the multiverse they sprang from.

The stories here are just that, stories. This is a collection of nine stories that feature the titular pair, as they carry out their missions – sometimes deliberately and occasionally by accident – as they travel their world and keep very, very far from home.

In their very first adventure, “Sir Hereward and Mister Fitz Go To War Again”, originally published in 2007, we meet the witch knight Hereward and the puppet sorcerer Mister Fitz as they start out pursuing a bit of mercenary work to tide them over financially, only to wind up doing their real job when they discover a rapacious godlet who is draining all the lands around itself in a bid for more power. There’s a bittersweet tone to this story as Hereward knows he must deal with the godlet’s adherents whether they serve out of true belief or a sense of duty and wishes that it didn’t always end quite like this.

All of the stories in this collection, save the final story, “The Field of Fallen Foe”, have been published over the intervening years between that first story and this last – but hopefully not final – one.

Each story is an adventure in its own right, each stands very much alone as they were published with that intent, but together they build up a portrait of an all-too-often-literal ‘ride or die’ friendship as the knight and the puppet save each other even as they bicker together over and over.

It’s also a bit of a cast-against-type kind of partnership, as Mister Fitz is an autonomous puppet who has lived for so many centuries that he has passed into legend, while Sir Hereward is barely an adult – sometimes – at a mere twenty five. That Mister Fitz was originally Mistress Fitz and their relationship began when Mistress Fitz was Hereward’s nanny just adds layers to their partnership and their endless bickering.

And it’s considerably more common in their adventures that Fitz is the one who gets the job done and saves both the day and his partner, while Hereward plays the bait and has the credit thrust upon him in the end. Because Fitz is smart enough to hide the literal lights of his eyes and his sorcerous needles under his very tall and broad hat.

Any reader who remembers Fafhrd and the Gray Mouser and the genre they embodied will love Sir Hereward and Mister Fitz, while anyone looking for a compelling series of adventures that can be read in tasty bites – or who just likes a good buddy story no matter where the buddies are hanging out – will have a terrific time with Sir Hereward and Mister Fitz.

Escape Rating B+: I’ve always meant to read the author’s Old Kingdom series, but it fell victim to the ‘so many books, so little time’ conundrum, as so many do. So it’s buried somewhere in the virtually towering TBR pile but has never managed to rise to the top. Reading Sir Hereward and Mister Fitz bumped it up quite a bit higher, but it’s a VERY tall pile.

I enjoyed my journey with Sir Hereward and Mister Fitz rather a lot, but then I did love Fafhrd and the Gray Mouser when I read them back in the 1970s, and they were already classics at that point. I love sword and sorcery, and it’s something that you don’t see much of right now. Like many subgenres, I expect it will come back around again, just as urban fantasy was everywhere in the 1980s, died down in the early 2000s but seems to be coming back around again.

As I write this, I have the sense that I’m not doing the collection justice. And I think that’s because, while the collection as a whole definitely made an impression that lingers, I found that the individual stories in this collection were not memorable in and of themselves. I’m not dealing well with handling that dichotomy.

The not-individually-memorable part may be due to the way that these were originally published. Each needed to stand on its own, so there’s a fair bit of repetition in the setup of each story that slows things down a bit. But, over the course of the whole, we do get plenty of clues about the two characters, their personalities, their histories and most definitely their relationship. In the end, if you like the way the two of them work together, the whole thing is a treat but if they don’t resonate with you then the collection won’t work for you either.

Personally I would love a remix of this collection as a full-length novel or one that sinks its teeth into the earlier days of their association because they are fascinating characters and the hints of their origin story – especially Mister Fitz’ – and the world they inhabit would be (literally and figuratively) fantastic.

It’s not required to have read Leiber’s Fafhrd and the Gray Mouser stories to get into Sir Hereward and Mister Fitz, but if you have you’ll find much that seems familiar. However, if this book teases you to pick up the classic, the first collection is Swords and Deviltry – and I remember it very fondly.

Two final notes about Sir Hereward and Mister Fitz. There’s a story in the forthcoming collection The Year’s Best Dark Fantasy & Horror: Volume Four titled “The Voice of a Thousand Years” by Fawaz Al Matrouk that influenced my reading of Sir Hereward and Mister Fitz and gave me an overall sense of bittersweetness that isn’t exactly there in the text but now that I’ve read them close together I can’t get it out of my head.

And, on a much greater note of whimsy, for anyone who has ever played Final Fantasy IX, there’s a strong possibility that Vivi Ornitier is a portrait of the sorcerous puppet as a very young mage.

Review: Cursed at Dawn by Heather Graham

Review: Cursed at Dawn by Heather GrahamCursed at Dawn: A Novel (The Blackbird Trilogy, 3) by Heather Graham
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook
Genres: paranormal, suspense, thriller
Series: Blackbird Trilogy #3
Pages: 304
Published by Mira on August 22, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Dracula lives—and he’s hunting for his bride.
Vampires may not walk among us, but FBI agents Della Hamilton and Mason Carter know real monsters exist. They’ve witnessed firsthand the worst humankind has to offer. They’re still catching their breaths after the apprehension of two such monstrous killers when they’re met with horrific news. Stephan Dante, the self-proclaimed king of the vampires, has escaped from prison, followed only by a trail of blood.
All too familiar with Dante’s cruelty, Della and Mason know the clock is ticking. But as Dante claims more victims, a chilling message arrives. The vampire killer seeks his eternal bride—Della herself. Playing into Dante’s desires might be the only way to stop the carnage once and for all, assuming they can outwit him. Della is confident the agents have the upper hand, but Mason knows every gamble runs the risk of not paying off, and this time, the consequences could be deadly.

My Review:

The story of the Blackbird Trilogy, Whispers at Dusk, Secrets in the Dark and this final book in the trilogy, Cursed at Dawn, is the story of one very long, dark night for the members of Blackbird – at least in the metaphorical sense because the action in this paranormal romantic suspense series takes place over more than one night – and on more than one continent.

When the series began in Whispers at Dusk, the original members of Blackbird, Special Agents Della Hamilton and Mason Carter were tasked with tracking down a serial killer calling himself the ‘King of the Vampires’ who led them on a not-so-merry chase from the bayous of Louisiana to Castle Bran in Transylvania and all points in between until he was brought to justice.

Or so they believed. Although maybe it was more like hoped even then.

The second book in the series, Secrets in the Dark, takes place while Stephen Dante was awaiting trial in a secure U.S. facility. Blackbird, now a fully international team, traveled to London to track down one of Dante’s apprentices, a man who decided that since he couldn’t beat the so-called ‘King of the Vampires’ using the ‘King’s’ own tricks of the trade he’d be better off appropriating a much older title from a much scarier killer, and took to calling himself the ‘King of the Rippers’ as he stalked Whitechapel and decorated the same streets with a fresh coating of blood and gore.

Blackbird caught him as well, and was taking a few days of well-earned R&R when they learned that Stephen Dante had orchestrated his escape from prison and was on the loose yet again, using his tried and true methods of charming or bribing a new network of acolytes and informations, stalking a new brace of beauties he intended to kill, and yet again with Agent Della Hamilton in his sights with an eye to making her his final victim.

Only this time he’s come to Edinburgh, Scotland, a city full to the brim with history, mystery and magic, abounding in ghost stories and banshee myths, with a twisty layers of buried geography that Dante knows like the back of his hand.

But so do the ghosts of Scots long ago, haunting the city from all the way back to the time of William Wallace and Robert the Bruce, who are more than willing to help the living fight one more righteous battle against evil.

Dante believes he is all-seeing, all-knowing and all-powerful, but the ghosts level the playing field for Blackbird with powers that he can neither imagine nor counter. Even as they help to bring his reign of terror to a crashing end.

Escape Rating A-: I’ve enjoyed the entire Blackbird Trilogy, and certainly have been caught up in each entry as soon as I started it, but I liked this one just a tick better because we spent next to no time in Stephen Dante’s head, nor that of any of his proteges. His is not the point-of-view I want to experience. I want to see the case through the investigators’ eyes to watch as the solution fits and starts and eventually falls into place. I don’t need to see the bodies drop to be caught up in the drama and terror, I just need to know they’ve fallen – which we certainly do in this story.

Although it probably helped a bit that there are few actual deaths in this entry in the series. Dante and particularly his minions, keep snatching people but he’s made too many mistakes, he’s let the Blackbird team, especially Della Hamilton, get to know him a bit too well, and this time around they manage to get there in time to save people considerably more of the time.

Which makes this one more about the psychological terror that they know he’s going to strike again – and has and does – than the actual horror of quite so many of his staged tableaux of pale, cold, bloodless, ‘sleeping’ beauties.

(But speaking of what has come before, although the Blackbird Trilogy is an offshoot of the Krewe of Hunters series, you don’t have to read that to get into this. There’s just the right amount of catching up infodumping that Cursed at Dawn probably stands alone – but it would be better to start with Whispers at Dusk to see the team come together.)

The Blackbird Trilogy is a combination of paranormal romance and romantic suspense, and it’s a combo that holds a near and dear place in my reading heart. We began with watching Della and Mason find each other, set against the backdrop of the team coming together and following Dante’s trail of blood and death. As the trilogy has continued, it’s been fun to watch more members get swept into the action, as they band together to track an intelligent, organized and elusive – also illusive – killer.

The trilogy is riveting from its bloody beginning to its killer’s crushing end. Justice has been served after a harrowing investigation, and it’s righteous. I wouldn’t mind seeing more of Blackbird, and I know I’ll pick up the Krewe of Hunters again whenever I’m looking for more deliciously chilling paranormal romantic suspense.