Review: Shards of Glass by Michelle Sagara

Review: Shards of Glass by Michelle SagaraShards of Glass by Michelle Sagara
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: dark academia, epic fantasy, fantasy, urban fantasy
Series: Chronicles of Elantra
Pages: 512
Published by Mira on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The Academia, once an elite proving ground for the rulers of the world, has been frozen for centuries. Now its strange slumber has ended, and a new Chancellor, an orange-eyed dragon, has reopened its lecture halls and readied its dorms. In order to thrive once more, however, the Academia needs fresh blood—new students with a passion and talent for learning.
One such student, Robin, has the perfect recruit in his friend Raven, an orphan who lives in the dangerous Warrens. Robin grew up in the Warrens, and he wouldn't have made it if not for Raven. He knows she’ll be safe at the Academia, where her unusual gifts can be appreciated.
But when students start turning up dead, the campus threatens to collapse completely. Raven and Robin will not let that happen to their new home…if they can survive long enough to figure out who—or what—is trying to kill them.

My Review:

Shards of Glass is a bit of a side story in the marvelously interwoven, intricately-plotted, and long-running Chronicles of Elantra series. It takes us deep into the heart and soul (and yes, it most certainly has one, literally as well as figuratively) of the formerly lost and presumed destroyed Academia, the institution that was found hidden in a misty pocket of Elantra’s fiefs in Cast in Wisdom.

The Academia, both in its function as a school and repository of knowledge, and in the person of its sentient building, majordomo, administrator and caretaker, Killianas, is slowly recovering from its long, well, let’s call it a coma.

But it seems, at least at first, that someone or something or some force or all of the above is trying to prevent or at least delay that recovery. By way of murdering the students. That is not a situation that either the Chancellor, the Dragon Lord Lannagaros, or Killianas himself can allow to continue – not if they’re doing their jobs and/or following the purposes their hearts have called them to.

Which is where Robin, his friend Raven, and the woman they call the ‘grey crow’ wing their way into this considerably disturbed nest of learning and scholarship. Initially, they seem to be a bit at cross-purposes. Giselle, the information broker and ‘grey crow’ of the downtrodden slum known as the Warrens, just wants to get paid for bringing a new student to the Academia. Robin, once a denizen of those Warrens, wants to bring his friend Raven to the Academia, where she’ll be safe and warm and fed and be able to learn more things – just as he is.

But Robin is not safe at all, and neither is the Academia. Since it is Raven’s duty to keep Robin safe, she comes to the Academia to save him. And it. And all of the students who have come to call the place home.

Someone is murdering the students. Or something. Or magic. Or all of the above. No one is sure how they are being killed – or if the students are the intended victims. Or why its happening. Or who might benefit – or think they benefit – from the blood and the chaos.

Raven only cares that Robin is safe. So that he can fulfill a duty he hasn’t been allowed to remember. Which will bring an end to hers – whether her duty ends in success or failure, it will end in blood and tears either way.

Or will it?

Escape Rating A+: I began reading the Chronicles of Elantra in 2011, at which point the series was already seven books in. I have a distinct memory of where we were living and exactly what the room looked like as I read them – the series made that much of an impression and I was so completely hooked. My first official review of the series here at Reading Reality was for book 7, Cast in Ruin.

But, and it is an unfortunately large but in this case, as much as I love the series – and I very much still do – at this point in the main series, last year’s book 17, Cast in Eternity, it’s gotten harder and harder to get into each successive entry as the backstory has gotten bigger, more convoluted and considerably both denser AND more sprawling as it’s gone along. (I have audio for both book 16, Cast in Conflict and Cast in Eternity and have hopes the whole thing will work better for me that way.

But I love the series. I really, really love it. Which is what made both the Wolves of Elantra prequel series (The Emperor’s Wolves and Sword and Shadow), as well as this latest book, Shards of Glass, so good, so much fun, and so much easier to get stuck into.

The Wolves of Elantra is a prequel series, so it can serve as an intro to the Chronicles, but it’s also an excellent way to slip back into Elantra without having to hold all the details of everything in one’s head.

Shards of Glass, on the other hand, is a side story within the Chronicles. It sets a story almost entirely within the formerly lost Academia that was rediscovered in Cast in Wisdom and expands upon that setting and that setting pretty much alone. And it’s a fantasy mystery, which makes it all just that much better, as I love the fantasy mystery blending AND the story is contained enough within the now-mostly-functional Academia that one again does not need to remember all the ins and outs of all of Kaylin Nera’s many, many unexpected ‘adventures’ to happily get ensconced in this one.

Kaylin, the protagonist of the main Chronicles series, isn’t even a side character in Shards of Glass. She’s mentioned – as she should be all things considered – but this is most definitely NOT her story.

Instead, Shards of Glass takes the reader into the heart of that formerly lost Academia, where school is finally back in session after over a millennia of abeyance. The school, both as an institution and in the person of its sentient building and grounds, Killianas, is recovering.

At first, it seems like it’s flailing around its mystery – or at least all the characters within it are flailing, including the Dragon Chancellor and the Giant Spider Librarian. (The varieties of species, histories and perspectives are a huge part of what make the Chronicles of Elantra so much fun. The Dragons are particularly acerbic and wry, but then they can afford to be.)

A big part of the flailing is that there are so many possible motives for the murders and so little ability to settle on which one is correct. The flailing keeps falling apart on, not the classic mystery question of ‘Why benefits?’ but more a matter of who is believed to benefit or who believes they benefit and none of those possible avenues of investigation resolve to the same set of possible motives or suspects.

And of course they all turn out to be wrong – and wrong in a way that is buried in the legends of the deep past and will cause catastrophic destruction if they’re not sussed out in time and by the right people.

So Shards of Glass, both in the way the story works itself and the way it dives deeply into one of Elantra’s fundamental institutions, both fits perfectly into the way the series as a whole works and yet still introduces – or reintroduces – the reader to a small enough corner of the vastness that it’s possible to get completely stuck into the whole thing without remembering all the details of what came before.

On top of all of that, it’s a beautiful story about the power and saving grace of friendship, and that was just wonderful. Shards of Glass is worth the read for that factor alone and I’m so very glad I read it. Hopefully, by the time the next book in the main Chronicles of Elantra series, Cast in Atonement, comes out next August I will have caught back up to that last couple of books in the series that I missed.

Review: Hercule Poirot’s Silent Night by Sophie Hannah

Review: Hercule Poirot’s Silent Night by Sophie HannahHercule Poirot's Silent Night (New Hercule Poirot Mysteries, #5) by Sophie Hannah
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical mystery, mystery
Series: New Hercule Poirot #5
Pages: 384
Published by William Morrow on October 24, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The world’s greatest detective, Hercule Poirot – legendary star of Agatha Christie’s Murder on the Orient Express, Death on the Nile and A Haunting in Venice – puts his little grey cells to work solving a baffling Christmas mystery.
CAN HERCULE POIROT SOLVE A BAFFLING MURDER MYSTERY IN TIME FOR CHRISTMAS?

It’s 19 December 1931. Hercule Poirot and Inspector Edward Catchpool are called to investigate the murder of a man in the apparent safe haven of a Norfolk hospital ward. Catchpool’s mother, the irrepressible Cynthia, insists that Poirot stays in a crumbling mansion by the coast, so that they can all be together for the festive period while Poirot solves the case. Cynthia’s friend Arnold is soon to be admitted to that same hospital and his wife is convinced he will be the killer’s next victim, though she refuses to explain why.
Poirot has less than a week to solve the crime and prevent more murders, if he is to escape from this nightmare scenario and get home in time for Christmas. Meanwhile, someone else – someone utterly ruthless – also has ideas about what ought to happen to Hercule Poirot . . .

My Review:

Scotland Yard Inspector Edward Catchpool and his friend and mentor Hercule Poirot are just settling in to a two-week staycation (even if that term had not been invented yet) in London, staying in Poirot’s rather palatial apartment at Whitehaven Mansions, attended by Poirot’s inestimable butler, George, for the duration of the holidays.

Catchpool, in particular, was determined to spend his Christmas hols with his friend Poirot and absolutely NOT with his mother, the overbearing Cynthia Catchpool. The moment Cynthia lies her way into Poirot’s office, we understand EXACTLY why Catchpool intended to spend his holidays as far away from his mother as he could manage.

Because Cynthia Catchpool is the perfect example of another term that hadn’t been invented yet. She was a ‘helicopter parent’ long before that term was even on the horizon, someone who swoops into her son’s life – or frankly anyone’s life – and absolutely does not listen to a single thing she has to say.

She is determined that Catchpool and Poirot will return with her to the  blustery Norfolk coast in late December to solve a murder and spend Christmas with her and the friends she’s visiting,and will not take ‘NO’ for an answer, no matter how many times it’s shouted at her.

But when she describes the circumstances of the murder to Poirot, Catchpool knows instantly that he is at least somewhat doomed. Christmas itself may be saved, but Poirot gets a look in his eye that Catchpool knows all too well – that something about this case has caught the attention of Poirot’s ‘little grey cells’.

What fascinates Poirot so much that he is willing to disrupt his holiday plans? The man who has been murdered is someone who could not possibly have been intended to be murdered. So why is he dead?

Poirot must know. He must solve the case. Before the truly execrable cuisine served at Frellingsloe House causes him to die from starvation. Or poison.

Escape Rating B-: Looking back at my reviews of the previous books in this New Hercule Poirot series by Sophie Hannah (The Monogram Murders, Closed Casket, The Mystery of Three Quarters, and The Killings at Kingfisher Hill) I’ve had mixed feelings about pretty much all the books in the series, and this latest entry is absolutely no exception.

I’m beginning to think that the problem is that I like the concept more than the execution (ahem, pun not exactly intended but…) and that’s true in this entry in the series as well. Although I did find this one more readable than The Killings at Kingfisher Hill, I ended this book feeling every bit as sorry for Catchpool this time, if not a bit more, than I did then.

Because this time he’s very much put upon by Poirot AND his mother. Who I fully confess I hated as a character from her very first appearance to the point where I mentally cringed every time she appeared on the page. Her overbearing helicopter parenting, no matter how anachronistic that term, was a trial from beginning to end. The story did need her gossiping nature, I’m just not sure it needed her utter assholishness about it. Or at least I didn’t need it considering that she did not get nearly the bashing she deserved.

The case itself went to some interesting psychological places, as it turned out to be wrapped around the idea of reinventing oneself and how deeply one can get consumed by burying that past so completely that anything that touches on it causes a psychological break. I liked that Poirot and Catchpool had differing interpretations of those causes, particularly as Poirot’s reasoning felt more germane to the times while Catchpool’s was perhaps a bit anachronistic but more humane.

A lot of the ‘action’ of the story, particularly the ‘fair play’ aspects of the mystery and its resolution, were handled as more ‘telling’ than showing, as the two detectives were often working separately, and only caught up at irregular intervals through meticulous reports – which is how the reader gets caught up as well.

I’m left with a bag of mixed feelings about this one. I liked it better than The Killings at Kingfisher Hill, not as much as The Mystery of Three Quarters and Closed Casket, but still enjoying the concept as a whole. We’ll see how I’m feeling about the whole thing if Poirot and Catchpool catch another case a year or two from now.

Review: Uncanny Vows by Laura Anne Gilman

Review: Uncanny Vows by Laura Anne GilmanUncanny Vows (Huntsmen, #2) by Laura Anne Gilman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: fantasy, historical fantasy, urban fantasy
Series: Huntsmen #2
Pages: 384
Published by Gallery / Saga Press on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Following the events of the high-stakes and propulsive Uncanny Times, Rosemary and Aaron Harker, along with their supernatural hound Botheration, have been given a new assignment to investigate…but the Harkers believe it’s a set-up, and there’s something far more ancient and deadly instead.

Rosemary and Aaron Harker have been effectively, unofficially sidelined. There is no way to be certain, but they suspect their superiors know that their report on Brunson was less than complete, that they omitted certain truths. Are they being punished or tested? Neither Aaron nor Rosemary know for certain. It may be simply that they are being given a breather or that no significant hunts have been called in their region. But neither of them believes that.

So, when they are sent to a town just outside of Boston with orders to investigate suspicious activity carefully, the Harkers suspect that it is a test. Particularly since the hunt involves a member of the benefactors, wealthy individuals who donate money to the Huntsmen in exchange for certain special privileges and protections.

If they screw this up…at best, they’ll be out of favor, reduced to a life of minor hunts and “clean up” for other Huntsmen. At worst, they will be removed from the ranks, their stipend gone—and Botheration, their Hound, taken from them.

They can’t afford to screw this up.

But what seems like a simple enough hunt—find the uncanny that attacked a man in his office and sent him into a sleep-like state—soon becomes far more complicated as more seemingly unrelated attacks occur. The Harkers must race to find what is shadowing them, before the uncanny strikes again, and sleep turns into murder—and the Huntsmen decide that they have been compromised beyond repair.

But their quarry may not be the only uncanny in town. Botheration and Aaron both sense something else, something shadowing them. Something old, dangerous…and fey.

My Review:

If the idea that the Harker family is somehow involved with the things that go bump in the night feels familiar but you can’t quite remember why, it’s because it IS familiar. Jonathan Harker got himself mixed up with a famous vampire in a little place called Transylvania a mere couple of decades before we first met Aaron and Rosemary Harker in the first book in the Huntsmen series, Uncanny Times.

Because the times they live in are very ‘uncanny’ indeed, the Huntsmen their family has always been a part of have a very long tradition and there are vampires in Europe. Not in America, not so far, at least not yet. But still, the idea that an uncle or a cousin got themselves mixed up in that other uncanny business is not all that far-fetched once the reader gets themselves fully immersed in the Harkers’ not-quite-urban-fantasy, not-exactly-alternate-history version of 1913 New England where the ‘automotive’ has just started sharing the streets with horse-drawn carriages, the Great War seems to have already begun in Europe, and the ‘uncanny’ things that populated Washington Irving’s Sleepy Hollow have put down long, deep roots in the local landscape.

And occasionally slip into nearby houses and offices to practice their mischief. Or commit murder.

That’s what sends the Harkers, brother and sister, on a covert mission to Boston to investigate what might be an attack by an uncanny. The organization that monitors and dispatches the Huntsmen have asked/ordered/voluntold the Harkers that one of the organization’s financial backers has called in some favors, that the man wants a discreet investigation of his brother-in-law’s mysterious illness/fainting fit/possible attack, in order to placate his wife and get back to his business.

It’s a far from ideal situation, and both the Harkers know it. The Harkers feel like the organization no longer trusts them after the events in Uncanny Times, and that they’re being sent on this mission without information and with their hands tied behind their backs because its a test that someone wants them to fail.

And they could be right on all counts. But that doesn’t change the mission, only make it a whole lot more difficult to resolve – with that desired discretion or without.

Not that discretion is even possible while there’s something uncanny watching and waiting for them to make a mistake – the kind that either gets the all killed, or the kind that exposes all their secrets to a world that is absolutely not ready. Or both. The way that the Harkers’ luck tends to run – bet on both.

Escape Rating B+: So far, at least, the Huntsmen series still feels like it’s part of the ‘Weird West’ tradition. It obviously isn’t, not with the ‘automotives’ [sic] on the streets and the Great War looming on the horizon, but it still feels that way, like it would fit right into The Good, the Bad, and the Uncanny collection coming out in a couple of weeks.

(Although, come to think of it, the author DOES have a series that is explicitly set in the Weird West, titled The Devil’s West and beginning with Silver on the Road. I think I just saw it shooting up the virtually towering TBR pile, chased by one of the Harkers’ specially-prepared bullets.)

With the first book in the series, Uncanny Times, I liked the idea of the story and the series more than the story I actually got. Although I loved the Harker’s hellhound Botheration and still do. He stole every scene he was in and does in this book as well. (Don’t worry, Botheration is a Very Good Boy and is just as fine at the end of this adventure as he was at the beginning – which is very.)

His humans, however, are a bit closer to the end of their tether than either of them realizes when this case gets wrapped up. Although it does, in spite of the roadblocks put in their way by both the organization and the favor-calling client and benefactor.

One of the things that makes this series work is that Rosemary and Aaron Harker are both of their time and place AND a bit outside it at the same time, making them excellent investigators of both the human and the uncanny aspects of the case. Even as they push at the boundaries more than a bit. Which is both the cause of their ‘outsiderness’ and its result.

That’s part of why I enjoyed this story more than the first, because we get a much fuller picture of the Harkers, their skills and their capabilities, we know more about what makes them who they are, and we see more of why the organization doesn’t exactly trust them but can’t afford to assign them to the equivalent of working in Siberia without proof of something. Not that some folks aren’t looking for that something, and haven’t been for most of Aaron’s life.

At the same time, the heavy lifting of setting up the world and the series has already been done in that first book, so this one is able to sink its teeth into the case from the very first page – and that they drive off in Aaron’s rented ‘automotive” gets things going that much faster, while Rosemary’s dislike of the speed, the dust, and Aaron’s relative inexperience driving the thing adds a bit of lightness to what is otherwise a rather dark story of obsession and possession.

I came back to this series for Botheration, but I stayed because the setting is getting more and more interesting as it goes, and the case was filled with plenty of twists and turns and still-fresh-from-the-water red herrings. All the while, Rosemary and Aaron’s different but equally jaundiced perceptions of their world grounded the story in characters that I could not merely empathize with but actually share the frustrations of along the way.

So if you like tales of the Weird West – even though this isn’t quite – or historical urban fantasy – which this most definitely is – or just like exploring a world that isn’t quite ours but is just enough like ours to really, seriously get into, take an ‘automotive’ trip to early 20th century Boston with the Harkers and their very good, and very large, boy, Botheration. It’s a wild ride from beginning to end – and not just because of Aaron’s driving!

Review: Anything with Nothing edited by Mercedes Lackey

Review: Anything with Nothing edited by Mercedes LackeyAnything With Nothing (Tales of Valdemar #17) by Mercedes Lackey
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, epic fantasy, fantasy
Series: Tales of Valdemar #17, Valdemar (Publication order) #57
Pages: 368
Published by DAW on November 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

This 17th anthology of short stories set in the beloved Valdemar high fantasy universe features tales by debut and established authors and a brand-new story from Mercedes Lackey.
The Heralds of Valdemar are the kingdom's ancient order of protectors. They are drawn from all across the land, from all walks of life, and at all ages—and all are Gifted with abilities beyond those of normal men and women. They are Mindspeakers, FarSeers, Empaths, ForeSeers, Firestarters, FarSpeakers, and more. These inborn talents—combined with training as emissaries, spies, judges, diplomats, scouts, counselors, warriors, and more—make them indispensable to their monarch and realm.
Sought and Chosen by mysterious horse-like Companions, they are bonded for life to these telepathic, enigmatic creatures. The Heralds of Valdemar and their Companions ride circuit throughout the kingdom, protecting the peace and, when necessary, defending their land and monarch.
Join a variety of authors as they ride with Mercedes Lackey to the beloved land of Valdemar and experience the many facets of this storied high fantasy realm.

My Review:

A huge part of the charm of the Valdemar series is that, after so many years of chronicles, the world is large in scope, both in geography and in history, and there are plenty of times and places in which to set stories about how it came to be, what makes it tick – and the times and places when, in spite of everyone’s best efforts – situations have gone off the rails.

At the same time, it seems like a relatively livable place, allowing for stories where humans – with or without the help of magical, horse-like Companions – manage to fix what’s gone wrong or at least make a good stab at.

Or, when necessary, a good stab at whoever has done the wrong.

The stories in this SEVENTEENTH collection of Tales of Valdemar cast a wide net over Valdemar’s history, from not long after the Founding we’ve seen in the new Founding of Valdemar trilogy, all the way up to Selenay’s time, while geographically the stories spread across Valdemar and into the borderlands with Hardorn and Karse – if not just a bit over.

And it’s an absolute delight from beginning to end for anyone who has ever spent time in Valdemar, whether they’ve been visiting from the very beginning, back in Arrows of the Queen, just discovered Valdemar with the marvelous Founding of Valdemar trilogy (Beyond, Into the West, and the upcoming Valdemar) or who have dipped in here and there and then over the years.

Anything with Nothing, both the collection and the specific story by Lackey herself that closes out this collection, turned out to be the perfect way to get familiar with this world, once again, in preparation for discovering the final pieces of how Valdemar came to be in the soon-to-be-released book of the same title, Valdemar.

Escape Rating A-: The previous Tales of Valdemar collection, Shenanigans, featured stories that were all centered around the title theme, meaning that in one way or another they all featured tricks or pranks.

Likewise, the stories in this collection all center around the theme of making do or doing without, of persevering in the face of not having nearly enough. In other words, about creating pretty much anything out of not very much at all.

My favorite story in this collection is “Look to Your Houses” by Fiona Patton. It’s a slice of life story, as many of the stories in these collections often turn out to be, but in this case it’s the slice of a particular life, that of a City Guardhouse Sergeant caught between the rock of how things are supposed to be done and the hard place of how things actually get done when he’s forced to reconcile those two frequently opposing states of being in preparation for a new commander’s assignment to his station. The way that particular dilemma was handled, and the dichotomy between the rules and real life, gave me vibes of Sam Vimes and the City Watch in the Discworld. This story could have just as easily been part of the Discworld  City Watch subseries and it would have fit right in.

My favorite purely Valdemar story turned out to be the title story, “Anything, with Nothing” by Mercedes Lackey, for the way that the town comes together, the way that Herald Tadeus steps up, the way that his Companion manages to insert her own bit of shenanigans AND the way that the mercenaries got completely flummoxed by a ‘Ghost Squad’ of well-led villagers and the instant communication that Companions make possible.

Many of the stories in this collection take place either as magic was fading or after it was already gone. In other words, in the run up to the Last Herald Mage trilogy and in the centuries after of managing without the big, flashy magic gifts.

Quite a few of the stories center around characters who, because of that lack of magic, have more than a bit of imposter syndrome, as Herald Tad does in “Anything, with Nothing”. Those stories include “In Memory’s Vault” by Kristin Schwengel, “Warp and Weft” by Diana Paxson, “Enough” by Louisa Swann, “Wooden Horses” by Rosemary Edghill, “Intrigue in Althor” by Jeanne Adams, and “Old Wounds” by Terry O’Brien.

Even though the purpose of the Companions is to help keep Valdemar on the straight and narrow, to keep it working for most of its people most of the time, humans are still gonna human, especially when they believe they are away from the eyes and eyes of the Companions and their Heralds.

Meaning that several stories focus on the problems that result when, as the old saying goes, “power corrupts and absolute power corrupts absolutely,” regardless of whether that power is ‘might makes right’ or ‘they who have the gold make the rules’ or the power of social opprobrium and the morality police.

Those stories include “Good Intentions” by Stephanie D. Shaver, “Beebalm and Bergamot” by Cat Rambo, and “What a Chosen Family Chooses” by Dee Shull.

There are also several stories about folks have either fallen into hard times or onto mean streets, both in Haven and outside it, or have otherwise been abused by the system in general, their fellow humans in particular, or a bit of both. “A Day’s Work” by Charlotte E. English and “Wooden Horses” by Rosemary Edghill are both particularly heartbreaking in this regard.

Last but not least, there are several marvelous stories in this collection that would have been equally at home in Never Too Old to Save the World, that marvelous collection of fantasy and SF stories that feature protagonists who become the ‘Chosen One’ in middle age or later. I particularly want to give a shoutout to four of these stories, “Needs Must When Evil Bides” by Jennifer Brozek, “What You Know How to See” by Dayle A. Dermatitis, “Warp and Weft” by Diana Paxson, and “Once a Bandit” by Brigid Collins.

While I haven’t listed every story in this collection, I did absolutely enjoy them all. And I’m aware that I’ve mentioned a few of the stories more than once, which hopefully gives you the idea that I liked them a LOT, because I absolutely did – even the ones that went to the darkest places and broke my heart.

So, if you’ve missed Valdemar the place and are looking for something to tide you over until Valdemar the final book in the Founding of Valdemar trilogy comes out between Christmas and New Year’s, I highly recommend picking up Anything with Nothing to get you in the mood for that truly epic story coming SOON!

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 11-26-23

It feels like Thanksgiving was early this year. So early, in fact, that there’s nearly and entire additional week of November coming this post-Thanksgiving Day week!

But I couldn’t let the week pass without giving away a little extra something, so Friday’s review of the seasonally apropos Evergreen Chase included a bit of a giveaway to mark the unofficial yet official beginning of the holiday season.

Before this weekend completely slips away, here’s a picture of Tuna being very Tuna, whether he’s showing off his own version of a turkey coma or just being his usual silly self, this was a pose that I absolutely could not resist!

Current Giveaways:

$5 Gift Card or $5 Book in Reading Reality’s Black Friday Giveaway
$10 Gift Card or $10 Book in the In All Things Give Thanks Giveaway Hop
$10 Gift Card or $10 Book in the Super Stocking Stuffer Giveaway Hop
$10 Gift Card or $10 Book in the Fall 2023 Seasons of Books Giveaway Hop

Blog Recap:

A+ Review: Some Danger Involved by Will Thomas
B- Review: Stephen Leeds: Death and Faxes by Brandon Sanderson
B Review: Chaos Terminal by Mur Lafferty
Thanksgiving 2023 (Guest Post by Galen)
B Review: Evergreen Chase by Juneau Black + Giveaway
Stacking the Shelves (576)

Coming This Week:

Anything with Nothing edited by Mercedes Lackey (review)
Uncanny Vows by Laura Anne Gilman
Hercule Poirot’s Silent Night by Sophie Hannah
Sunset, Water City by Chris McKinney
Holly Jolly Giveaway Hop

Stacking the Shelves (576)

First and most definitely foremost, I hope that everyone had a GREAT turkey day, whether there was turkey on the menu or not!

For a work week that was only THREE days long, a surprising amount of stuff showed up on Edelweiss and NetGalley. Which I am, of course, VERY thankful for!

After absolutely LOVING the first book in the Barker & Llewelyn series, Some Danger Involved, earlier this week, of course I bought the next book in the series! But the book I’m also really looking forward to in this stack is Murder at the White Palace, the 6th book in the Sparks & Bainbridge historical mystery series. That series has been terrific from the very first book, The Right Sort of Man, so I’m eager to see what happens to our intrepid duo next.

The book I’m most curious about is Pets and the City. It’s nonfiction, the autobiographical account of a vet who makes house calls in Manhattan – as the full title clearly states. I’m curious because this is not the first book that I’ve seen telling that story. Dr. Louis J. Camuti wrote his tales of calling on tails and fins and fangs in Manhattan back in 1980 under the hilariously true title of All My Patients Are Under the Bed. I remember those tales and those patients very fondly, and still have a copy of the book – assuming the cats haven’t either chewed it to scrap or peed on it somewhere along the way. But all of that means I’m really curious to see how much as changed and how much remains the same. For example, I wouldn’t be at all surprised to learn that all of Dr. Attas’ patients are ALSO under the bed!

For Review:
The Emperor and the Endless Palace by Justinian Huang
Fathomfolk (Drowned World #1) by Eliza Chan
Foul Days (Witch’s Compendium of Monsters #1) by Genoveva Dimova
In Our Stars (Doomed Earth #1) by Jack Campbell
Murder at the White Palace (Sparks & Bainbridge #6) by Allison Montclair
Pets and the City: True Tales of a Manhattan House Call Veterinarian by Amy Attas
Same Bed Different Dreams by Ed Park (audio)
A True Account by Katherine Howe (audio)

Purchased from Amazon/Audible/Etc.:
To Kingdom Come (Barker & Llewelyn #2) by Will Thomas


If you want to find out more about Stacking The Shelves, please visit the official launch page

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Review: Evergreen Chase by Juneau Black + Giveaway

Review: Evergreen Chase by Juneau Black + GiveawayEvergreen Chase: A Shady Hollow Mystery Short Story by Juneau Black
Format: ebook
Source: purchased from Amazon
Formats available: ebook
Genres: cozy fantasy, cozy mystery, holiday fiction
Series: Shady Hollow #3.5
Pages: 32
Published by Vintage Crime/Black Lizard on November 30, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

It’s the winter solstice in Shady Hollow, that magical time of year when creatures of all shapes and sizes come together to honor the season and eat as much pie as possible. Reporter Vera Vixen is eager to experience her first holiday in town and is especially looking forward to the unveiling of the solstice tree. But then disaster strikes. The year’s tree—the tallest in the forest—has disappeared without a trace. Can Vera, her best friend, Lenore, and Deputy Orville Braun find the tree and save the season? Or will this year’s solstice be especially dark?

My Review:

Today is Black Friday in the U.S., that unofficial holiday after the official Thanksgiving Day holiday.

Traditionally, this was the day when holiday decorating ‘officially’ kicked off, and anyplace that had not already started playing Xmas carols started doing so with a vengeance. So, as this feels like the right day, at least to me, to start reviewing holiday books, I’m kicking off my holiday season with this Shady Hollow winter solstice story.

This is explicitly not a Christmas story, just as Phantom Pond was not explicitly a Halloween story. The historical and religious underpinnings of both of those holidays in our world don’t exist in the animal-centric world of Shady Hollow.

But that doesn’t mean that something like those holidays wouldn’t, doesn’t or hasn’t arisen in other cultures – and that particularly applies to the winter solstice. Many, many traditions have holidays around the solstice, and Shady Hollow wouldn’t be exceptional in marking the shortest day of the year – even if they might be a bit exceptional in just how they do that marking.

Along with the touch of mystery that makes the series so very much fun!

The tradition in Shady Hollow is to ‘walk’ the specially chosen Solstice tree from the surrounding woods to the center of town, where it will be decorated and feted and brightly lit to chase away the darkness of the longest night.

The trees are chosen decades in advance and tended lovingly by specially appointed treekeepers until their appointed day as the center of the whole town’s attention and celebration.

But someone has stolen this year’s tree – all FIFTY FEET of it – the night before its celebratory walk. The whole town is enraged, incensed, and practically in mourning over the loss of their tree.

It will take the efforts of every animal in town, from Police Bear Orville Braun to ace investigative reporter Vera Vixen to all the birds around town, led by night-owl Professor Heidegger and bookstore owner Lenore the Raven to find the tree in time.

The longest night comes early in Shady Hollow, and time is running out.

Escape Rating B: Shady Hollow may sound a bit twee, but it’s really a LOT more like Zootopia – at least if the movie had been set in Judy Hopp’s rural Bunnyburrow instead of Nick Wilde’s big city. A reflection that reporter Vera Vixen frequently makes herself, as she used to be a resident of one of those big cities but has found cozy Shady Hollow to be a lot more to her taste.

The Shady Hollow series as a whole, are lovely, charming, and very cozy mysteries – and Evergreen Chase is no exception. At the same time, the use of animals as people gives the author all sorts of opportunities to include comments about human behavior hiding in plain sight – or under the bare covering of a pawkerchief.

Like many of the stories in this series, there’s a mystery, but it’s a gentle one. No one is dead, no one is likely to end up dead, but the town’s collective anguish is still VERY real, as someone has literally stolen one of their beloved traditions right out from under them.

That the town pulls together to celebrate the solstice with or without the tree is all part of the series’ charm. That they have their own solstice miracle just adds to the sweetness of both the story and the holiday season – both theirs and ours.

So this feels like its a short story for the many fans of the series, of which I am mostly definitely one. And it turned out to be the perfect start for my holiday reading. (As much as I enjoyed The Wishing Bridge reading it last week made me want to give myself a ‘ten-yard penalty for rushing the season.’ Reading Evergreen Chase felt like a ‘proper’ start to the season.)

It did also remind me of another lovely holiday story that uses animals to tell an entirely different but equally charming human story. If Shady Hollow sounds charming but you’ve never watched Emmet Otter’s Jug-Band Christmas, well, let this be the season to get the song, “There Ain’t No Hole in the Washtub” stuck in your head, just like it is in mine this time of year!

~~~~~~ GIVEAWAY ~~~~~~

Black Friday is just a weird day. It’s not a holiday, but it still feels like part of a holiday. Unless one works in retail, because it’s most definitely, absolutely not a holiday under those conditions! Also weird, but along the U.S./Canadian border, even though there is no Thanksgiving Thursday in Canada (Canadian Thanksgiving is in mid-October), there is mostly definitely a Black Friday complete with Black Friday sales.

But it’s a day when not many people may be reading blogs – possibly because in the U.S. they are either still in a turkey coma or because they’re off trying to grab the best Black Friday deals. So, for those who are staying home, I have a bit of a giveaway for you.

It’ll just be a little something to put in someone’s holiday stocking, but it’s just a way to say ‘THANKS!’ to all of you who have spent a bit of time with me over the year at chez Reading Reality.

a Rafflecopter giveaway

Thanksgiving 2023

Galen here, once again borrowing Marlene’s blog to wish you all a Happy Thanksgiving!

Luna the grey tabby cat emerging from underneath a quilt

As always, we are thankful for our cats (and Luna, pictured here, is thankful for quilts to nest underneath). Unlike 2018, 2020, and 2022, there have been no changes in our feline population: Lucifer, Hecate (and how did she suddenly become five?), George, Luna, and Tuna have been trucking along.

For today, “Harvest Moon” by Longfellow:

It is the Harvest Moon! On gilded vanes
And roofs of villages, on woodland crests
And their aerial neighborhoods of nests
Deserted, on the curtained window-panes
Of rooms where children sleep, on country lanes
And harvest-fields, its mystic splendor rests!
Gone are the birds that were our summer guests,
With the last sheaves return the laboring wains!
All things are symbols: the external shows
Of Nature have their image in the mind,
As flowers and fruits and falling of the leaves;
The song-birds leave us at the summer’s close,
Only the empty nests are left behind,
And pipings of the quail among the sheaves.

Review: Chaos Terminal by Mur Lafferty

Review: Chaos Terminal by Mur LaffertyChaos Terminal (The Midsolar Murders, #2) by Mur Lafferty
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery
Series: Midsolar Murders #2
Pages: 369
Published by Ace on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Mallory Viridian would rather not be an amateur detective, and fled to outer space to avoid it…but when one of the new human arrivals on a space shuttle is murdered, she’s back in the game.
Mallory Viridian would rather not be an amateur detective, thank you very much. But no matter what she does, people persist in dying around her—and only she seems to be able to solve the crime. After fleeing to an alien space station in hopes that the lack of humans would stop the murders, a serial killer had the nerve to follow her to Station Eternity. (Mallory deduced who the true culprit was that time, too.)
Now the law enforcement agent who hounded Mallory on Earth has come to Station Eternity, along with her teenage crush and his sister, Mallory’s best friend from high school. Mallory doesn’t believe in coincidences, and so she’s not at all surprised when someone in the latest shuttle from Earth is murdered. It’s the story of her life, after all.
Only this time she has more than a killer to deal with. Between her fugitive friends, a new threat arising from the Sundry hivemind, and the alarmingly peculiar behavior of the sentient space station they all call home, even Mallory’s deductive abilities are strained. If she can’t find out what’s going on (and fast), a disaster of intergalactic proportions may occur.…

My Review:

The title for this one works both ways. There’s plenty of chaos at this terminal, and much of it is terminal. But that’s not exactly a surprise with Mallory Viridian on the case. Even if part of the chaos at Station Eternity happens BECAUSE Mallory Viridian is on the case.

And entirely too much of the rest of it happens because not ALL of Mallory Viridian is on the case. To the point where Mallory isn’t even aware that there’s a case at all until someone literally drags her to the scene of the crime, and Mallory finally figures out that whatever has gone wrong on Station Eternity has gone wrong with her as well.

It’s not actually a surprise that something has gone wrong AROUND Mallory, or even that something has gone wrong WITH Mallory. Mallory is a chaos magnet of the first order, and both of those things are always happening whenever Mallory is around.

Because people always end up dead in Mallory’s vicinity. Not because she’s some kind of serial killer, but because the kind of chaos that Mallory attracts – and is then both blamed for and stuck with solving, not necessarily in that order – is the chaos that surrounds murder. She doesn’t perpetrate it, she doesn’t cause it, but wherever Mallory is, murder happens.

What Mallory is still adjusting to, and the reason that Mallory isn’t initially aware of the problems that the station is having, are directly related to Mallory’s discovery about herself and all those murders in the first book in the Midsolar Murders series, Station Eternity.

Mallory was bitten by a wasp as a child. But it wasn’t a wasp. Mallory was bitten by an advance scout for the Sundry, an alien insect species that either infiltrated Earth or arose there long before First Contact. The Sundry, as a hivemind and as a species, like gathering data and are attracted to chaos because there’s plenty of data to parse in chaotic conditions.

It’s unfortunate for Mallory that the scout that bit her was from a hivemind that was particularly attracted to the chaos around murder investigations, leading to pretty much everything that happens in Mallory’s life afterwards.

Leading Mallory to the isolation of Station Eternity – as a mere four humans aren’t enough to generate the coincidences that lead to Mallory’s brand of murder chaos.

There are, however, plenty of other species living and working aboard the station, including the chameleon-like Phantasmagore and the rocky Gneiss. And the Sundry, who in their love of chaos and data make a specialty of handling the semi-autonomous functions of spaceships and space stations.

But something is wrong with the Sundry aboard Station Eternity – and it’s wrong with Mallory as well. It’s so wrong that when a whole shipload of humans arrives on the Station, Mallory isn’t panicking about the near-certainty of murder in her vicinity. Not even as the coincidences start piling up. Suddenly there are entirely too many humans aboard Eternity, and too many of them know Mallory entirely too well.

It’s only when the bodies start dropping that Mallory finally figures out that the murders aren’t the only thing going wrong on the station, and that she’ll have to solve those murders without her murder-solving mojo – or get it back.

If she can.

Escape Rating B: One of the things that made the first book in this series, Station Eternity, so damn much fun was its relentless pace. From the moment we meet Mallory, the chaos starts swirling, Mallory starts panicking, and the whole thing is off to the races.

But when we get back to Mallory in Chaos Terminal, Mallory is not feeling herself. At all. She thinks it’s some kind of space flu. Whatever it is, she’s so far from firing on all thrusters she isn’t even aware that a huge chunk of what makes Mallory BE Mallory is totally offline.

The story isn’t told from Mallory’s first person perspective, but she is very much the reader’s perspective on events, which means that Mallory being in a complete fog for the first third of the book means that we are as well.

So it’s a third of the way into the story before Mallory’s fog lifts and the real action kicks into gear. At that point, it’s suddenly, thankfully and blissfully gangbusters, but it’s a LONG slog to get there and I very nearly didn’t.

The story, and the mystery, in Chaos Terminal is wrapped around cleaning up the many, many fascinating loose ends that were left laying on the deck of Eternity after the chaotic, nearly cataclysmic events of that first book – especially Mallory’s own, personal loose ends.

Which means that Chaos Terminal is probably not the best place to start the Midsolar Murders because a LOT of this story was set up in that first book. Howsomever, if you got caught up in Mallory’s bloody, madcap situation then, there’s a lot of fun in seeing most of those loose ends get tied up, quite possibly in a series of Gordian Knots, here in this second outing.

In spite of the science fictional setting – which is utterly fascinating – this SF mystery is pretty much character driven. Meaning that if you like Mallory as a character and enjoy her multi-species Scooby Gang, it will probably work for you. I did like Mallory a LOT in Station Eternity, so I came into Chaos Terminal expecting to love it as well. I think it works a bit less well than that first book because Mallory REALLY isn’t herself for that long beginning, and the less polished and/or less likable characters’ rough edges are very much on display while Mallory is getting her act together.

But I do like Mallory Viridian as a character, and as a human perspective on humanity’s first toehold in this near-future, post-First Contact, wider galactic universe. A universe that is not only not centered on humans, but doesn’t even seem to be centered on humanoids, making it every bit as fascinating a character as Mallory herself.

Which means that I absolutely will be back to see who, or what, ends up dead when Mallory’s next investigation/adventure/crisis appears!

Review: Stephen Leeds: Death and Faxes by Brandon Sanderson

Review: Stephen Leeds: Death and Faxes by Brandon SandersonStephen Leeds: Death and Faxes by Brandon Sanderson, Max Epstein, David Pace, Michael Harkins
Narrator: Oliver Wyman
Format: audiobook
Source: purchased from Audible
Formats available: audiobook
Genres: science fiction
Series: Legion #1.5
Length: 5 hours and 54 minutes
Published by Recorded Books on June 7, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
Goodreads

From #1 New York Times Bestselling, Hugo Award-winning author, Brandon Sanderson, and co-authors Max Epstein, David Pace, and Michael Harkins comes an audio-first techno-thriller addition to the universe of Stephen (Legion) Leeds.
Stephen Leeds is perfectly sane. It’s his hallucinations who are all quite mad.
A one-man team of experts, Stephen Leeds is a genius of unparalleled mental capabilities who can learn new skills or master entire scholarly disciplines in mere hours. However, these skills come at a price. Stephen must compartmentalize his brain, with each of his new skill sets being held by an “aspect”—a hallucination his mind creates with their own fully-developed personality, life, and limitations. Without these aspects, and the delicate construct of reality they provide for him, Stephen is unable to control his mind and engage with the real world.
So when an unprecedented Internal Revenue Service data breach stumps the FBI, Stephen is brought in to investigate. With the help of his aspects, he must uncover the connection between millions of stolen tax returns, a mysterious hacker named Enoch, a strange, cutting-edge technology that uses soundwaves to transfer data, and a nearly extinct Mesopotamian religion which once rivaled Christianity. What Leeds discovers along the way will reveal the devastating consequences of this new technology, test the limits of his aspects, and lead him face to face with a man hell-bent on vengeance, for which no cost is too high.
Stephen Leeds: Death and Faxes is a new entry in Brandon Sanderson’s Stephen Leeds saga and chronologically takes place between the novellas Legion and Legion: Lies of the Beholder.

My Review:

The case that finds Stephen Leeds in this audio-only entry in the Legion series is rather more mundane – and initially less personal – than the cases he solved in the three novellas that make up Legion: The Many Lives of Stephen Leeds; Legion, Skin Deep and Lies of the Beholder.

Whether that’s a good thing or a bad thing is left up to the reader – or in this case listener – to judge.

The title gives a hint, as it’s both a play on the saying about the inevitability of ‘death and taxes’ as well as a mystery that begins with a very high-tech application of a rather old technology. A massive data breach at an IRS datacenter has been perpetrated by using the still-functioning fax machines as both a backdoor into the once-believed secure system AND a method of transmitting sound waves that can either soothe or destroy.

Those sound waves certainly soothed the IRS staff into an entire afternoon of hazy dreaming that allowed the hack to take place while the entire staff was quite literally blissfully unaware – and unremembering.

That’s not the case when Stephen Leeds is finally called in. With the help of his ‘aspects’, his mental projections of the many facets of his strange genius, he was able to determine both when and how the hack took place.

Which is when the mysterious hacker struck directly at Stephen and his abilities for the first, but absolutely not the last, time, rendering his aspects comatose and taking Stephen himself nearly to the edge of collapse.

It’s only the beginning, because Stephen is determined to get to the bottom of this case, following a trail of victims around the country even as the structure of his increasingly fragile mental landscape falls into tatters.

While a seemingly omniscient enemy waits in the shadows of cyberspace, blocking Stephen’s every avenue to both resolution and escape.

Except one, hidden in the very place that the hacker has done his best to destroy. Inside Stephen Leeds’ own mind.

Escape Rating B-: I have mixed feelings about this one, and I’m not even sure if I can completely articulate why. But I’m certainly going to try.

I picked this up because I loved this series as it originally stood, which may be part of the problem. Initially, the Legion series was really a single story broken up into three parts that were published as separate novellas. It may not have been intended that way when the first book, Legion, was published 2012, but by the time the third book, Lies of the Beholder, came out in 2018 it seemed as if the trilogy told a complete story that came to a satisfying ending for the whole thing – even if, or especially because – it was a bit of a mind screw at the end.

So I wasn’t expecting to see Stephen Leeds again when I found this audio-only entry in the series. An entry that doesn’t occur AFTER Lies of the Beholder, but instead between the first book, Legion, and the second book, Skin Deep. So it took a bit of mental adjustment on my part to get back into the world of ten years ago and back into what was then still an incomplete story.

In other words, Stephen Leeds had himself and the aspects of his genius a bit better figured out by the end of the final book, so it was weird to see him back to a more uncertain state of himself. A combination of angst, uncertainty and even impostor syndrome that felt like it pervaded this book even more than in the stories published previously.

At the same time, it also seemed as if that very angst and uncertainty was an intent of the mysterious hacker, and it’s a part of Stephen’s perspective that didn’t get fully resolved at the end.

One of the things that struck me about Death and Faxes, and it’s the impression I’m left with now that I’ve finished, is that Stephen doesn’t feel quite like himself in this story – although his aspects are very well drawn. As this production was a cooperative effort rather than just a single writer, it may be that the characterization felt a bit off because this time around it ironically came from more than one mind – just as Stephen’s genius often appears to.

Also, Leeds just plain angsts a LOT in this story, even more than in the other parts of the series, and that angst dragged the resolution of the mystery out even more than the hacker’s admitted genius and manipulation did. This was a case where I would have gladly switched to text, just to get on with it, if there had been one, but there isn’t.

So, a whole lot of mixed feelings, leaving me with the conclusion that fans of the series, like me, will probably enjoy the trip down memory lane to visit Stephen and his aspects again. (However, the comment in the blurb about Stephen being perfectly sane but his hallucinations all being quite mad isn’t merely a bit off – it’s completely wrong. A fair number of his aspects are quirky and/or eccentric, but none of them are actually ‘mad’, and neither is Stephen Leeds. His coping mechanism is just eccentric and sometimes expensive, but works for him and does no harm to anyone else. There are worse ways to get by.)

If you’ve enjoyed the previous entries in the series, Death and Faxes is an interesting but not 100% successful addition to Leeds’ story. And if you’ve listened to any of the other books in the series, that this production is voiced by Oliver Wyman, the same actor who worked on the rest of the series, helps carry the listener along into accepting this later work as part of the whole.

But if the description of Stephen Leeds’ genius and methods of coping with it sound like fun but you’ve not met him before, it would be better to start your acquaintance with the first exploration of Stephen’s journey in Legion.