Grade A #BookReview: Turns of Fate by Anne Bishop

Grade A #BookReview: Turns of Fate by Anne BishopTurns of Fate (Isle of Wyrd, #1) by Anne Bishop
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, fantasy mystery, paranormal, urban fantasy
Series: Isle of Wyrd #1
Pages: 528
Published by Ace on November 11, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A young detective investigating crimes of the uncanny will learn that bargains can change your fate—for good or ill—in this darkly enthralling fantasy from the New York Times bestselling author of the Others and the Black Jewels series.
Words have power. Intentions matter.
Most people come to Destiny Park for entertainment. They come to have their cards read to tell them a bit about their future. They come to walk through a beautiful park and to eat at the hotel’s restaurant. They come in the hope of catching a glimpse of the Arcana, the paranormal beings who rule the Isle of Wyrd.
But some people come to make a bargain with the Arcana—to change their fate. And some people come for dark purposes.
When Detective Beth Fahey is sent to Destiny Park to inquire about a “ghost gun,” she will begin a strange journey on which she must learn to navigate the Arcana’s unforgiving laws and dangerous attractions. Her search will draw her into seemingly impossible cases and the secrets of her own past as tensions rise between the Arcana and their human neighbors across the river.
For the Isle of Wyrd is a place where the dead ride trains to their final destinations, predators literally become prey, and seekers’ true natures are revealed in the ripples of destiny unknowingly stirred in their wakes.
Who will live? Who will die? And who will be lost in between?

My Review:

“The humans fear what they do not understand,” a truism from a book I read a very long time ago. Which does not make the statement any less true, or any less applicable to the Isle of Wyrd or this story.

The title of this first entry in the Isle of Wyrd series is the point where the above comment connects with this particular story, because the Isle is all about fate and change and human attempts to fight or flee one or the other. That the humans who come to the Isle and ignore the instructions and caveats are responsible for whatever happens to them is a HUGE part of what is feared and not understood.

Some people just plain expect to control their environment and everyone around them. On the Isle of Wyrd they explicitly do not – or at least do not in the way that they usually understand control.

Sometimes fate, like karma, is a bitch and someone needs to get off the road they are on. And some people can’t recognize that the fate that has befallen them has been all their fault – and of their own choice – all along.

The story begins with one human police detective, a woman who has always been drawn to stories and particularly images of the wild, the weird, and the macabre. It is Detective Beth Fahey’s first day on the job at Precinct 13 in Penwych, just across the Fate River from the Isle of Wyrd.

Beth feels like she has come home, even though she’s never really had one of those, and she’s never been to the area before. On her first trip across the Fate River to the Isle, the powers that be on the Isle, the Arcana, recognize that she has come home – to them – even if neither they nor she understand why or how that is.

Her police colleagues feel the Arcana’s acceptance of Beth in their own bones, in a way that begins her separation from them – and their distrust and resentment of her for it. An attitude that spills out all around them, filled with consequences for everyone on both sides of the river.

Those consequences are going to be deadly for many on the human side of the river. Just because the humans can’t control anything on the Wyrd side, doesn’t mean that the Wyrd side can’t cross over to deliver the fate that quite a few aren’t able to admit they’ve earned.

While the Arcana make sure that Beth, one of their own in spite of the years and the distance she had to travel to get there, doesn’t suffer any further from the fear and the hatred of those humans who absolutely refuse to understand.

Escape Rating A: I’ve been saying for years that somehow there is ‘reading crack’ between the pages of Anne Bishop’s work. Because as soon as I open one of her books, I feel compelled to finish as fast as possible. Somehow, this remains true in spite of reading ebooks, leaving no physical means of embedding that ‘reading crack’. It must be magic, because I read this in a single day.

The world of the Arcana reminds me a LOT of the author’s World of the Others, which I adored. And which also drove me a bit bonkers in some of the same ways. Specifically, I can’t help but wonder whether the garden-variety humans of either world would be quite so much like us if humanity evolved on a world where humans were not and had never been the apex predators.

But it was easy to set that quibble aside and just dive right into this story – because of Beth Fahey. At the beginning, she’s just as lost as we are. She may be drawn to stories of the weird and the uncanny, but she hasn’t experienced those worlds. She loves fantasy art and always has, in spite of a guardian screaming at her that she was going to Hell for that love.

She’s become a police detective to investigate mysteries because her own background is one. Her parents either died or left her behind, she was raised by a guardian who was no relation to her and who never seems to have officially taken charge of her in any way and yet it was allowed. There’s a hole in her background – and her heart – that can’t be filled.

At least, not until she crosses the Fate River and meets the Arcana.

But Beth herself has multiple mysteries to solve – all of which are rooted in the Isle of Wyrd. There’s the mystery of her own origins. The mystery of a pack of missing high school boys who are the architects of their own fate – not that the human towns see it that way. There are also several cases of missing people who escaped TO the Isle in order to escape fates that they had NOT brought upon themselves.

And in the middle of those mysteries, magical and mundane (or at least mundane-ish) alike, there’s the mystery of who and what the Arcana ARE, what they are capable of, and just how much control they have over the fates of themselves and the humans that surround them. And how much responsibility humans can be made or forced to take for their own behavior – and their own fates.

I’m looking forward to learning more of Beth’s fate – and the fates of the Isle of Wyrd and the people of the surrounding towns – in the next book in this series. A book that I hope will be announced SOON because I already need another fix!

Grade A #BookReview: Witches of Dubious Origin by Jenn McKinlay

Grade A #BookReview: Witches of Dubious Origin by Jenn McKinlayWitches of Dubious Origin by Jenn McKinlay
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: books and reading, cozy fantasy, cozy mystery, fantasy, witches
Pages: 384
Published by Ace on October 28, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When a librarian discovers she’s descended from a long line of powerful witches, she’ll need all of her bookish knowledge to harness her family’s magic, in this enchanting cozy fantasy from New York Times bestselling author Jenn McKinlay.
Zoe Ziakas enjoys a quiet life, working as a librarian in her quaint New England town. When a mysterious black book with an unbreakable latch is delivered to the library, Zoe has a strange feeling the tome is somehow calling to her. She decides to consult the Museum of Literature, home to volumes of indecipherable secrets, some possessing magic that must be guarded. The collection is known as the of Books of Dubious Origin.
Here, Zoe discovers that she is the last descendant of a family of witches and this little black book is their grimoire. Zoe knows she must decode the family’s spell book and solve the mystery of what happened to her mother and her grandmother. However, the book's potential power draws all things magical to it, and Zoe finds herself under the constant watch of a pesky raven, while being chased by undead Vikings, ghost pirates, and assorted ghouls.
With assistance from the eccentric staff of the Books of Dubious Origin—including their annoyingly smart and handsome containment specialist, Jasper Griffin—Zoe must confront her past and the legacy of her family. But as their adventure unfolds, she’ll have to decide if she’s ready to embrace her destiny.

My Review:

Librarian Zoe Ziakas’ origin is even more dubious than she believed it was, as the tip of that iceberg is delivered to her one afternoon. Not that the appearance of a book, any book, at the Wessex Public Library is dubious or even uncommon, but this one arrives in a hand addressed envelope with no evidence that it EVER went through ANY of the normal methods of delivery.

That the handwriting on the envelope resembles that of Zoe’s recently deceased mother just adds to the weirdness of it all. A weirdness that is only exacerbated when she leaves the book on her office desk and it delivers ITSELF to her home’s front porch later that evening.

Where the envelope promptly flames out of existence, leaving Zoe with a book that refuses to open and a whole lot of questions about the mother who dropped her in Wessex at age 14, leaving her in the hands of a family friend after browbeating Zoe into a promise that she will never, ever, EVER practice the magic that her grandmother taught her.

Zoe has done her best to not just keep that promise, but to forget everything she ever learned about witchcraft and magic and the legacy of her family. A legacy that has just presented itself to her in the form of a book that keeps whispering at her to bleed on it.

As if that wasn’t enough to give anyone the creeps.

Zoe knows one person who might be able to help her with this mystery whose origins she is desperate to remain skeptical of – at all costs. Her foster mother, Agatha, is a practicing witch. Zoe has done her best to convince herself that Agatha’s practice is all ‘woo-woo’ and doesn’t really accomplish anything outside of a placebo effect. But Agatha knows people who also ‘practice’ – and Zoe needs those people to help her solve the mystery.

Which leads Zoe to the New York City’s prestigious and well-endowed Museum of Literature – and to the Books of Dubious Origin archive housed within. The team at the BODO is willing – in fact they are downright eager – to help Zoe solve the mystery of the locked book and the family legacy that it contains.

All Zoe needs to do is believe in the thing she vowed to her mother that she wouldn’t. Because it’s going to kill her if she doesn’t – and maybe even if she does.

Escape Rating A: First and foremost, she had me from the first paragraph of the blurb. Because seriously, books are magic and libraries are magic and magic is well, magic and this had all of the above tied up in a beautiful pile of, naturally enough, books, and sprinkled with fairy dust. Not that there are any actual fairies in this book.

Although we might find out there are. It’s certainly possible.

This is also one of those ‘throw a bunch of books in a blender’ kind of books. Along with one TV series, because the mix in the blender wouldn’t be complete without The Librarians TV series, but it also needs some Late-Night Witches, Mythwoven, and Libriomancer to make it complete AND magically delicious.

Even if most of Zoe’s food choices range between suspiciously ultra processed and outright stomach churning. It’s all part of her charm.

What’s also part of her charm is her reluctance to believe – because it’s all tied up in that promise to her mother. As much as her stubborn skepticism drives EVERYONE in the BODO (Books of Dubious Origin) bonkers, it’s such an innate part of who she is that of course she clings to it with both hands and a whole lot of heart.

At the same time, the crew of the BODO are all such fantastic individuals – in more ways than one – and they are all so willing to take her in. All she has to do is let them in – and let them help. It’s lovely watching that – and them – come together, while the training montage is as delightful as it is frustrating for all concerned (except the reader!)

Then there’s the mystery to be solved, because that strange book was merely the tip of an iceberg of buried memories, powerful legacies, dangerous enemies and desperate dreams. Zoe has very little time to find her way and figure things out – including herself. That there is a reclamation of her past as well as a found family to see her into the future makes this a charmingly compelling cozy-ish fantasy mystery with just the right touch of romance to keep the story – and the reader – humming along in hopes of Zoe’s brighter future.

All she has to do is make sure the wicked witch really is dead this time around.

This was a fun read, as the pages fly by almost magically fast. It also, and even better, reads like the first book in a series – which the author also explicitly claims on her website. There are so many more books of dubious origin waiting on the shelves of the BODO – and this reader can’t wait to explore them all!

A- #BookReview: The Keeper of Magical Things by Julie Leong

A- #BookReview: The Keeper of Magical Things by Julie LeongThe Keeper of Magical Things by Julie Leong
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, fantasy romance, fantasy
Pages: 368
Published by Ace on October 14, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An almost-mage discovers friendship—and maybe something more—in the unlikeliest of places in this delightfully charming novel from the USA Today bestselling author of The Teller of Small Fortunes.
Certainty Bulrush wants to be useful—to the Guild of Mages that took her in as a novice, to the little brother who depends on her, and to anyone else she can help. Unfortunately, her tepid magic hasn’t proven much use to anyone. When Certainty has the chance to earn her magehood via a seemingly straightforward assignment, she takes it. Nevermind that she’ll have to work with Mage Aurelia, the brilliant, unfairly attractive overachiever who’s managed to alienate everyone around her.
The two must transport minorly magical artifacts somewhere safe: Shpelling, the dullest, least magical village around. There, they must fix up an old warehouse, separate the gossipy teapots from the kind-of-flaming swords, corral an unruly little catdragon who has tagged along, and above all: avoid complications. The Guild’s uneasy relationship with citizens is at a tipping point, and the last thing needed is a magical incident.
Still, as mage and novice come to know Shpelling’s residents—and each other—they realize the Guild’s hoarded magic might do more good being shared. Friendships blossom while Certainty and Aurelia work to make Shpelling the haven it could be. But magic is fickle—add attraction and it might spell trouble.

My Review:

I picked this up because the author’s debut novel, The Teller of Small Fortunes, was simply awesome and I wanted more of the same. Which I got, although in a completely different cozy fantasy story than that first one.

The story in The Teller of Small Fortunes was about a great mage who didn’t want to be used up by the Eshteran Empire and its Guild of Mages so she took to the road, using small magic, telling small fortunes, keeping herself small and unremarkable and not making any waves in the fabric of magic or the fabric of the world.

This second story begins in the midst of the Guild of Mages, as uncontrolled magic is suddenly spilling out everywhere causing rapid and chaotic changes to pretty much everything. Like turning the entire kitchen staff into cabbages.

Obviously there’s a problem.

But in the academic rivalry and wrangling about finding a solution to the problem – or mostly passing on the blame for the problem – we get some hints about why a mage might not want to be subject to the rules and regulations and strictures of the Mage’s Council. Because it is and they are more than a bit of a straitjacket for a mage who doesn’t quite fit the mold in one way or another.

Which is where Novice Mage Certainty Bulrush comes in. Certainty has very little spellcrafting ability and only one minor talent. She’s been a novice for six years because she doesn’t have enough power to become a full mage, but her minor talent is VERY useful.

Certainty can talk to objects. She has the ability to get objects to tell her what they are and what they can do. And she can persuade them to do what she wants them to do as long as what she asks for is – or can be – linked to the object’s purpose.

The wildly chaotic magic that is being released willy-nilly at the Guild of Mages is the result of overtaxing magical storage around the place. The answer is to ship the least useful of those magical objects being stored far away from the highly magical capital city of Margrave to the least magical spot in the entire Empire, the remote, tiny, backwater town of Shpelling. Along with Certainty, so that all those objects can be properly cataloged and safely stored.

If she succeeds, Certainty will finally become a full mage – and be dubiously rewarded by becoming the Deputy Keeper of magical objects. It’s about what she’s come to expect, considering that she’s from a farming village and has such a minor magical talent.

But she is from a farming village, and the place that she is sent to, with Mage Aurelia along as a supervisor, is also a farming village – albeit one that has fallen on some very hard times.

Aurelia may have been a prodigy at the Guild of Mages, but she’s an ice queen who is clueless about getting the villagers on their side – particularly as the place is dying from a lack of magic brought about by long-ago battles between powerful mages.

Which is where both the trouble and the cozy parts of this charming story come in. Certainty may not have a big talent – but she does have a big heart and she knows how to become part of a place just like the one she’s been assigned to.

One kindness at a time, one minor artifact with a big impact on a magicless village at a time, Certainty brings hope to the formerly hopeless village of Shpelling – and warms the ice queen’s heart.

Just in time for all of her efforts to fall to pieces in a big boom and a raging fire that seemingly dooms Shpelling’s hopes along with her own.

Escape Rating A-: This wasn’t quite as good as The Teller of Small Fortunes, but that story set a very high bar that’s going to be really hard to beat. However, and somewhat ironically, where that first book was constantly compared to Legends & Lattes when it was really more like A Psalm for the Wild-Built, this book really is a lot like Legends, if one substitutes pasta for coffee.

In other words, this story is very similar to several recent cozy fantasies like Legends & Lattes along with its sequels, as well as A Fellowship of Bakers & Magic and its follow-ups, because the stories have a lot more in common.

In all these stories and series, the central, and most charming and delightful part of the story, is all about bringing something magical and new to a small, cozy village, creating a home and a place for the mages and/or bakers and/or coffee shop owners, fending off a small-time bully or two, and finding a home and a place and a purpose after a ‘certain’ number of trials and tribulations.

What gives this particular story its own particular charm are the characters, especially the residents of sleepy, pungent, Shpelling, and the way that Certainty finds her way into their hearts, into the life of the village – and finds certainty in herself along the way.

Because we see the story from Certainty’s perspective, we’re not as much in Mage Aurelia’s head as we are Certainty’s. Aurelia goes through a transformation of her own – and does she ever need to – but we mostly see that transformation from Certainty’s at first skeptical but eventually love-struck point-of-view. The slow burn sapphic romance between Certainty and Aurelia puts a very tasty burnt-sugar icing on this lovely cake of a book.

And it’s the making of both of them.

There is a lot of charm – as well as an overabundance of garlic – in tiny Shpelling, along with a delightful nod to both Schrödinger’s cat and Ursula LeGuin’s Catwings. I absolutely did enjoy the return to Eshtera in this sequel to The Teller of Small Fortunes.

But both stories hinted at some hidden depths – and some very dark places – in the Eshteran Empire and the relationships between the powerful Guild of Mages and the rising tide of the Merchant’s Guild. A conflict that I hope to see explored in more depth – if perhaps a bit less coziness – in the follow-up I definitely have my fingers crossed for.

#BookReview: The Late-Night Witches by Auralee Wallace

#BookReview: The Late-Night Witches by Auralee WallaceThe Late-Night Witches by Auralee Wallace
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, fantasy, paranormal, witches
Pages: 400
Published by Ace on August 19, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

An enchantingly warm and funny novel about family, love lost and found, discovering who you are, and how difficult it is to slay a vampire from the beloved national bestselling author of the TikTok sensation In the Company of Witches.

Cassie Beckett’s life is anything but magical. With a wild younger sister, three unruly kids, and an absent husband, she’s really not looking forward to the witching month of October. At least the gorgeous, foggy Prince Edward Island is always quiet.

That is, until the vampires arrive.

As the creatures sink their teeth into Cassie’s tenuous grip on normalcy, she’s forced to come face-to-face with long–disregarded family secrets. The legacy gifts her with power, but also a lofty rid the island of vampires, or let them win. (Both options suck, in more ways than one.)

Armed with her family, newfound friends, and a baby in a spectacularly garlicky onesie, Cassie must learn what it is to be a witch and how to fight for what she loves before time runs out. Because on Halloween night, the stakes will be higher than ever before...and it’s up to Cassie to finish what the witches that came generations before her started.

My Review:

Cassie Beckett’s life seems to be mired in an endless number of quagmires – or in a seemingly epic number of terrible situations, at least some of which should be under her control. Except possibly the incipient invasion of all-too-real vampires this particular Halloween.

The Burrow, her tiny neighborhood on slightly less tiny Prince Edward Island, is normally a very quiet little place. Or at least as far as Cassie has ever known. But Cassie’s family has a secret and a legacy, and it’s coming for her.

In the undead person of “The Maker of Shadows, the Begetter of Demons, the Deliverer of Fear, Sorrow and Death,” that her feckless, irresponsible, wild child sister nicknames ‘Del’ because his whole title is simply ridiculous. Which is true – even though he has big plans to, well, deliver on all the threats his name implies. After all, he’s been waiting centuries to finally take out his one and only impediment to world domination and endless feeding.

That would be the ‘Thirteenth’ Witch of her generation of the Beckett family. Meaning Cassie. Who doesn’t believe in any of this witchcraft business or the powerful magical legacy that she is supposed to be heir to. Because she’s too beaten down by cleaning up after her sister Eliza’s many, many crazy mistakes and wild outbursts, along with taking care of her three children and pretending that her husband will someday return from his latest hitch with Doctors Without Borders. An absence she can’t even manage to protest because a) he’s being a hero after all and b) that’s not what she does.

She just lays down and sucks it up when her life piles more and more crap on her.

But Del is coming, whether Cassie believes in either her witchcraft or his legend or not. So she’s just going to have to ‘witch up’ and deal with the apocalypse heading her way. Ready or not.

Definitely not.

Escape Rating C-: The blurb for this story just sounded so appealing, I went into it with high hopes and left with a great deal of disappointment. To the point where I’m having a difficult time figuring out what to say because I’m just so deeply bummed by the whole thing.

The idea was a good one – which isn’t really a surprise because it’s been done before – and better. If you loved any of the following: What We Sacrifice for Magic, Witchlore, The Very Secret Society of Irregular Witches, The Crescent Moon Tearoom, Direct Descendant, Practical Magic and especially if you have fond memories of Buffy the Vampire Slayer, you’ll recognize a ton of familiar elements in The Late Night Witches. Starting with, as many of these do, the concept of a powerful magical legacy that the protagonist has no clue about at the start because it’s been kept from her in one way or another.

But what makes all of those stories work is that their protagonist – or protagonists in some cases – are active and not passive characters. They may not all start out magical, but they do start out trying. Even if in a few cases they are very trying indeed. Even if they’re not old enough to adult, they’re still pro-active enough to be, well, protagonist-ing. (That needs to be a word.)

Cassie Beckett is a doormat. She has taken on the responsibility for everyone and everything that is remotely adjacent to her own life, and just lets it all pile on until she’s pretty much crushed pretty much all of the time.

I’m not talking at all about her kids. She’s doing the best she can – and it’s pretty damn good – but she’s exhausted. I’m talking about her younger sister, who is also an adult, but who expects Cassie to fix her ginormous and expensive mistakes and to rescue her from all her terrible decisions – and then turns around and complains that Cassie doesn’t do anything for herself.

Cassie’s husband has eff-ed off to Doctors Without Borders, which is yes, a noble thing, but he’s left Cassie holding the bag at home and barely even bothers to check in let alone provide support. While she’s just holding on and hanging on and pretending it’s not happening.

When the vampires rise and Cassie’s extremely eccentric aunt comes back into her life to tell her that it’s all about her, Cassie’s pretty damn skeptical. That she does witch up and deal with the mess she’s inherited does lead to plenty of Buffy-style training montages and to what’s left of the family coming together and exploring their heritage, but the reader has to wade through a lot of crap scuffed off on Cassie-the-doormat before we finally get to the good stuff THREE QUARTERS of the way through.

This could have been a really terrific and fun story. There are certainly elements of that story in that last quarter. But it takes too damn long to get there.

I’m not sure whether to hope your reading mileage varies or not.

A+ #BookReview: The Teller of Small Fortunes by Julie Leong

A+ #BookReview: The Teller of Small Fortunes by Julie LeongThe Teller of Small Fortunes by Julie Leong
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, fantasy
Pages: 336
Published by Ace on November 5, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A wandering fortune teller finds an unexpected family in this warm and wonderful debut fantasy, perfect for readers of Travis Baldree and Sangu Mandanna.
Tao is an immigrant fortune teller, traveling between villages with just her trusty mule for company. She only tells "small" fortunes: whether it will hail next week; which boy the barmaid will kiss; when the cow will calve. She knows from bitter experience that big fortunes come with big consequences…
Even if it’s a lonely life, it’s better than the one she left behind. But a small fortune unexpectedly becomes something more when a (semi) reformed thief and an ex-mercenary recruit her into their desperate search for a lost child. Soon, they’re joined by a baker with a knead for adventure, and—of course—a slightly magical cat.
Tao sets down a new path with companions as big-hearted as her fortunes are small. But as she lowers her walls, the shadows of her past are closing in—and she’ll have to decide whether to risk everything to preserve the family she never thought she could have.

My Review:

Tao tells small fortunes. Only small fortunes. Just as it takes a big risk to win a big reward, it takes big magic to tell big fortunes. Which also results in big risks that Tao is simply not willing to, well, risk.

The only big fortune Tao ever told resulted in a big disaster. Her father was killed, her village was destroyed, her mother married a foreigner, took Tao away from home and raised her among strangers who could never get past her origins. And who seemingly could never forgive the girl for the turn in the family’s, well, fortunes.

So Tao took to the road, with her small cart and her small fortunes, doing her best to make enough money to keep body and soul together and on the road, touring small towns, never touching the greater magics that would foretell death and disaster and bring the empire’s witchfinders down upon her bowed head.

The rounds of Tao’s quiet and unassuming life are disrupted when she tells what she believes is a small fortune for a traveling mercenary. She sees him greet his little girl in front of what appears to be their home. A simple, everyday sort of fortune.

But the little girl has been missing for months and months, and her father and his friend – a semi-reformed thief – have themselves taken to the roads in search of the little girl’s whereabouts – or at least her fate.

This seemingly small fortune is huge. It is life-altering. Finding his little girl safe and sound will change everything for the mercenary – and he is determined to stick with Tao until that vision becomes truth.

The linking of his quest to her vision is the seed of change. As her vision leads him from clue to clue and village to village, their little band turns into a found family – a family that in turn is found by a series of small fortunes with big implications as the wheels of her cart grind their way to the fortune that Tao has been avoiding for all of her journeying.

It takes her home – to the home she never thought she could go back to – and to the one she never imagined she’d ever be able to make even for herself.

Escape Rating A+: This OMG DEBUT novel is just marvelous. I went into it expecting something light and cozy and certainly got that, but it’s just such a terrific story that hits so many excellent notes and is deeper than I was expecting by a whole lot.

It’s like every time the story takes just a bit of a twist it also digs more deeply into the heart – both Tao’s and the reader’s at the same time.

A big part of the story, and certainly the form of it, is the journey. Tao is traveling, endlessly traveling, because she’s rootless. She has no place that calls her home. So a big part of her starting out is an immigrant’s journey. Her mother brought her out of their country of Shinn to the country of their rival, Eshtera. Tao is never accepted as Eshteran because of her Shinian (read Asian) appearance, but she and her mother drifted apart so she doesn’t remember the culture of her origins. She’s lost without a true place of her own.

Her Esteran stepfather tried to forcibly graft her into Eshtera through marriage, but that was doomed to fail – so she fled. Her magic marks her as dangerous but the power of it is coveted – so she hides from the Empire.

She’s alone and feels doomed to remain so.

Her journey, that thing that keeps her isolated, is her salvation, and the story becomes Tao picking up a band of ‘strays’ much like herself and becoming the center of a found family – a family that she is willing to step WAY out of her comfort zone to protect, which in turn saves her as well as them.

And as the members of her little tribe each find their way into her heart, they all find their way into the reader’s as well.

A surprising readalike for this book is A Psalm for the Wild Built, which isn’t fantasy at all. But the journeys and the discoveries and the found family aspects are very similar, as is the way that Sibling Dex in Psalm becomes a big part of each of the places she visits even as she makes her own found family with the robot.

More than Legends and Lattes, which seems to be listed as the go-to readalike for every cozy fantasy, The Teller of Small Fortunes reminded me a whole lot more of the Mead Mishaps series. Not the romantic aspects of that series, but rather the way that both stories start out at a very light level and turn out to be important quest journeys with much larger implications and big found family elements by the time they reach their HEAs.

Very much like the other cozy fantasy series(es), however, The Teller of Small Fortunes is a story where there is not a villainous villain in sight. Instead, there are bad things that have happened to good people that get resolved through mostly human agency even as those humans make human mistakes along the way.

This isn’t a BIG story. There’s no big bad and there’s no big battle and it’s not a big contest between good and evil. Instead it’s a gentle story about people finding their way and finding that their way goes better when they go together.

It’s lovely and you’ll turn the last page with a smile and some days those are just the kind of stories we all need. When it’s your turn to need one of those kinds of stories, pick up this book. I’ll be eagerly awaiting her next.

A- #BookReview: The Village Library Demon Hunting Society by C.M. Waggoner

A- #BookReview: The Village Library Demon Hunting Society by C.M. WaggonerThe Village Library Demon-Hunting Society by C.M. Waggoner
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, paranormal
Pages: 339
Published by Ace on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A librarian with a knack for solving murders realizes there is something decidedly supernatural afoot in her little town in this cozy fantasy mystery.
Librarian Sherry Pinkwhistle keeps finding bodies—and solving murders. But she's concerned by just how many killers she's had to track down in her quaint village. None of her neighbors seem surprised by the rising body count...but Sherry is becoming convinced that whatever has been causing these deaths is unnatural. But when someone close to Sherry ends up dead, and her cat, Lord Thomas Crowell, becomes possessed by what seems to be an ancient demon, Sherry begins to think she’s going to need to become an exorcist as well as an amateur sleuth. With the help of her town's new priest, and an assortment of friends who dub themselves the "Demon-Hunting Society," Sherry will have to solve the murder and get rid of a demon. This riotous mix of Buffy the Vampire Slayer and Murder, She Wrote is a lesson for demons and murderers.
Never mess with a librarian.

My Review:

Teeny, tiny Winesap, New York might just be the murder capital of the whole, entire world, and from a certain perspective it’s all Librarian Sherry Pinkwhistle’s fault. And she wouldn’t have it any other way.

That sounds terrible, doesn’t it?

Which is exactly what Sherry realizes when the latest victim of the town’s absolutely-not-a-serial-killer crime spree is the gentleman she’s been seeing for several months now. (Sherry, as a woman of a certain age, has a difficult time thinking of him as her ‘boyfriend’ because that just sounds ridiculous – but it is the truth all the same.)

But Alan Thompson’s murder is the first death that has touched her personally, and it shakes her out of her waking daydream of being Winesap’s equivalent of Jessica Fletcher, assisting the police with their investigations no matter how much it embarrasses them.

After all, just like Jessica, Sherry is good at it, and the local police clearly need her help. Just as much as Sherry needs to feel useful and needed and smart and at the center of everything – something that she’s otherwise never been in her whole, entire life.

Alan’s death shakes Sherry and rattles her self-absorbed, contented little bubble. She doesn’t feel any compulsion to investigate Alan’s death – she just wants to grieve for the man who might have been the love of her life. If she’d let him.

Which is the point where the story switches from Murder, She Wrote to Buffy the Vampire Slayer. Not that there are any actual vampires around Winesap in need of slaying. But the town might be sitting on a Hellmouth all the same.

Because suddenly there are demons – or at least A demon – possessing random townspeople who all berate Sherry, at increasing volume and at all hours of the day and night, to stop crying over Alan and put on her big girl panties and investigate his murder – whether she wants to or not.

As far as all of those possessed townspeople are concerned – or at least as far as the demon possessing them is concerned – investigating murders is Sherry’s purpose in Winesap and she needs to get right to it.

So she asks herself, “What Would Buffy Do?” (not exactly but close enough) and puts together her very own Scooby Gang to figure out what’s really going on in Winesap and what she needs to do to set it right.

Even if it involves closing a Hellmouth. Or her own.

Escape Rating A-: Were you teased by that blurb description of Buffy the Vampire Slayer meets Murder, She Wrote?

I absolutely was, because that’s not exactly a combo that anyone would expect to see, pretty much ever. They absolutely are two great tastes – but whether they’d be great together is definitely an open question.

It turns out that it is, but not in the manner that you might expect. Just like it certainly is a cozy fantasy mystery, but likewise, not in the way that blurb might lead a reader to expect. And I definitely have quibbles about the description of it being “riotous” because that’s not true at all.

More like darkly snarky and filled with a lot of wry ruefulness – along with a bit of righteous fear and a whole heaping helping of pulling back the corners of a surprising amount of self-deception.

I think that the blurb description should be reversed, because at the opening it’s very much Murder, She Wrote, to the point where Sherry acknowledges that she often feels like she’s playing the part of Jessica Fletcher in a story for someone else’s entertainment, just as Angela Lansbury played Fletcher in the TV series.

What makes the story work AND descend into the creeping darkness of Buffy is that Sherry discovers that feeling is the literal truth. Winesap is a stage set where murder plays are acted out in order to entertain and amuse an epically bored demon.

Because immortality is both lonely AND boring, and this particular demon, like so many humans, has discovered the joys of the Golden Age of Detective Fiction, particularly the stories of Agatha Christie, and is having a grand time watching Sherry and her fellow villagers play out ALL the parts for her.

Particularly as the demon doesn’t actually know how it will end. She claims she’s not forcing anyone to do anything – the increasing frequency and volume of her importuning of Sherry notwithstanding. The demon claims she’s only making suggestions and providing opportunities, that all of the murderers Sherry has ‘caught’ have acted of their own free will.

As has Sherry in her zeal for investigation.

All of which, if true – and it might not be, after all demons lie every bit as much as humans if not a bit more – makes the story a whole lot darker than it first seemed. And opens up the possibility of a sequel – which has the possibility of being even more fascinating as Sherry would have to enter into the thing with full self-awareness.

Along with the awareness that her cat, Lord Thomas Cromwell (the blurb infuriatingly misspells his name – and it MATTERS) really does contain the spirit of the actual historical figure, Lord Thomas Cromwell, the architect of Henry VIII’s infamous divorce, and that her cat is not only watching and judging her – as they all do – but has the ability to tell her all about herself whenever he damn well pleases. Or whenever the demon lets him. Pretty much the same thing.

I hope we’ll get to see them both again.

#BookReview: In Our Stars by Jack Campbell

#BookReview: In Our Stars by Jack CampbellIn Our Stars (The Doomed Earth, #1) by Jack Campbell
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: science fiction, space opera
Series: Doomed Earth #1
Pages: 400
Published by Ace on May 7, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Lieutenant Selene Genji has one last chance to save the Earth from destruction in this pulse-pounding science fiction adventure, from the author of the New York Times bestselling Lost Fleet series.
Earth, 2180
Genetically engineered with partly alien DNA, Lieutenant Selene Genji is different from ordinary humans. And they hate her for it. Still, she’s spent her life trying to overcome society’s prejudice by serving in the Unified Fleet while Earth’s international order collapses into war.
Genji is stationed on a ship in orbit when humanity’s factional extremism on the planet reaches a boiling point, and she witnesses the utter annihilation of Earth. When the massive forces unleashed by Earth’s death warp space and time to hurl her forty years into the past, Genji is given a chance to try to change the future and save Earth—starting with the alien first contact only she knows will soon occur.
Earth, 2140
Lieutenant Kayl Owen’s ship is on a routine patrol when a piece of spacecraft wreckage appears out of nowhere. To his shock, there is a survivor on Selene Genji. Once her strange heritage is discovered, though, it becomes clear that Genji is a problem Earth Guard command wants to dispose of—quietly. After learning the horrifying truth, Owen helps her escape and joins her mission.
Together, they have a chance to change the fate of an Earth doomed to die in 2180. But altering history could put Genji’s very existence in danger, and Owen wonders if a world without her is one worth saving. . . .

My Review:

From the opening pages, In Our Stars read an awful damn lot like a Star Trek episode. Actually, several of them. Because this is a time travel story, of just the kind that Star Trek in ALL of its various iterations, has played with – A LOT.

It’s the year 2180, and Lieutenant Selene Genji of Earth’s United Fleet is just close enough to the event horizon to watch in horror as Earth is destroyed. Not by aliens, not by the Borg, not by accident.

But deliberately, by its own people. Not even in an attempt to throw off an alien invasion as in the first Avengers movie. In Lieutenant Genji’s 2180, Earth bombs itself out of existence in a fit of xenophobia directed at people just like her.

People who are ‘alloys’, who have a portion of alien DNA. Because after ‘First Contact’ with the Tramontine in 2140, genetic manipulation made that possible – and briefly – desirable.

But humans are gonna human, and some humans are just looking for an excuse to declare that other people aren’t people, and charismatic tyrants and despots are always available and all-too-willing to latch onto any stupid excuse to grab power.

To make a long story short, there was a large, influential group of people who believed that destroying Earth to purge it of alien influences would cause a new, pure Earth to emerge from the inevitable dust cloud.

The wrongness of that belief and her wish to change history to make sure this doesn’t happen again are Selene Genji’s last conscious thoughts before she’s rescued by Lieutenant Kayl Owen of Earth Guard, the only survivor aboard her derelict ship, in 2140, just months before First Contact.

Selene Genji has that barely conscious wish within her sights. She is in the right place – or at least at the right time – to prevent the destruction of Earth she witnessed 40 years in the future.

Whether she’s in the right place is an entirely different question, as Kayl Owen inherited his father’s disgrace to his service, and no one has any compunctions about making them both disappear in order to keep the secret of her existence from everyone who might care.

Which is way more people and forces than she expected, as the mysterious powers that took over Earth so quickly in her own time are considerably more active in her new here and now than Selene – or history – told her to expect.

It’s going to be an even longer road, NOT getting from there to here, than even a woman from the future could possibly have imagined.

Escape Rating B: I couldn’t get the resemblance to Trek out of my head, and that affected my reading of this book a lot because it felt just a bit too familiar. To the point where even though I didn’t know what was coming, I sorta/kinda knew what was coming. Also, to the point where I couldn’t resist falling down a Trek time travel rabbit hole. Or should I say, a time travel black hole, because that device was used frequently and often, even if that’s not quite what happened here.

The thing is, Star Trek played with time travel frequently and often. There’s at least one time travel episode in every Trek series to date, taking them in Trek’s chronological order, from the entire first season of Enterprise with its Temporal Cold War arc, through “What is Past is Prologue” (Discovery), “A Quality of Mercy” (Strange New Worlds), “Tomorrow is Yesterday” (The Original Series), “Yesteryear” (The Animated Series), “Yesterday’s Enterprise” (Next Gen), “Past Tense” (DS9), “Future’s End” (Voyager) and last but certainly not least, “The Star Gazer” from Star Trek: Picard’s second season. As well as one of Trek’s most famous and storied episodes, “The City on the Edge of Forever” from TOS, and two of its best and most popular movies, Star Trek IV: The Voyage Home, otherwise known as ‘the one with the whales’ and Star Trek: First Contact – the one with Steppenwolf’s marvelously apropos “Magic Carpet Ride”.

(The above list is ONLY a sampling. There are multiple time travel episodes and/or arcs in every Trek series. If you’re really curious check out the Memory Alpha wiki.)

The difference between most but not all of the Trek examples and In Our Stars is that in Trek it’s usually someone else who has mucked with the time stream and it’s the job of whatever series is running at the time to make things right. Although there have been exceptions.

The plot in In Our Stars is to prevent the worst from happening by mucking with the 2140 time stream as soon and as much as possible. The story is that neither of those things, fast or soon, are going to be as easy as Selene – and her soon-to-be life-partner Kayl Owen – either expect or even hope.

Which is clearly what is going to push the plot of The Doomed Earth series, of which In Our Stars is the first book, through the years from 2140 to 2180 and hopefully past that original disastrous day. Something that we’ll get to see in the months and years ahead, both theirs and ours.

I picked this up because Jack Campbell is an author who has been recommended to me multiple times, but by the time that happened his best known series, now called The Lost Fleet, with its follow up Lost Fleet Universe series, was already well past a dozen books in. I wasn’t in the mood to start from the beginning and don’t like picking things up in the middle if at all possible.

In Our Stars solved that problem, as it’s the opening book in a new series, so no catch up and no need to jump in the middle with both feet and hope for an informative landing. One of these days the ‘round tuit’ for reading Lost Fleet will emerge, as they do. But today is not that day.

In the meantime In Our Stars turned out to be a great place to get into a new-to-me author. The familiarity of the setup was a comfort that also made the plotting of the political craziness – because that’s definitely a feature – the touch of romance and the constant drive of our heroes on the run while building support – just that much easier to get into.

So if you’re looking for a new space opera type adventure with more than a hint of the familiar in all the best places, take a ride to 2180, or 2140, or both, In Our Stars.

Review: Chaos Terminal by Mur Lafferty

Review: Chaos Terminal by Mur LaffertyChaos Terminal (The Midsolar Murders, #2) by Mur Lafferty
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: mystery, science fiction, science fiction mystery
Series: Midsolar Murders #2
Pages: 369
Published by Ace on November 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Mallory Viridian would rather not be an amateur detective, and fled to outer space to avoid it…but when one of the new human arrivals on a space shuttle is murdered, she’s back in the game.
Mallory Viridian would rather not be an amateur detective, thank you very much. But no matter what she does, people persist in dying around her—and only she seems to be able to solve the crime. After fleeing to an alien space station in hopes that the lack of humans would stop the murders, a serial killer had the nerve to follow her to Station Eternity. (Mallory deduced who the true culprit was that time, too.)
Now the law enforcement agent who hounded Mallory on Earth has come to Station Eternity, along with her teenage crush and his sister, Mallory’s best friend from high school. Mallory doesn’t believe in coincidences, and so she’s not at all surprised when someone in the latest shuttle from Earth is murdered. It’s the story of her life, after all.
Only this time she has more than a killer to deal with. Between her fugitive friends, a new threat arising from the Sundry hivemind, and the alarmingly peculiar behavior of the sentient space station they all call home, even Mallory’s deductive abilities are strained. If she can’t find out what’s going on (and fast), a disaster of intergalactic proportions may occur.…

My Review:

The title for this one works both ways. There’s plenty of chaos at this terminal, and much of it is terminal. But that’s not exactly a surprise with Mallory Viridian on the case. Even if part of the chaos at Station Eternity happens BECAUSE Mallory Viridian is on the case.

And entirely too much of the rest of it happens because not ALL of Mallory Viridian is on the case. To the point where Mallory isn’t even aware that there’s a case at all until someone literally drags her to the scene of the crime, and Mallory finally figures out that whatever has gone wrong on Station Eternity has gone wrong with her as well.

It’s not actually a surprise that something has gone wrong AROUND Mallory, or even that something has gone wrong WITH Mallory. Mallory is a chaos magnet of the first order, and both of those things are always happening whenever Mallory is around.

Because people always end up dead in Mallory’s vicinity. Not because she’s some kind of serial killer, but because the kind of chaos that Mallory attracts – and is then both blamed for and stuck with solving, not necessarily in that order – is the chaos that surrounds murder. She doesn’t perpetrate it, she doesn’t cause it, but wherever Mallory is, murder happens.

What Mallory is still adjusting to, and the reason that Mallory isn’t initially aware of the problems that the station is having, are directly related to Mallory’s discovery about herself and all those murders in the first book in the Midsolar Murders series, Station Eternity.

Mallory was bitten by a wasp as a child. But it wasn’t a wasp. Mallory was bitten by an advance scout for the Sundry, an alien insect species that either infiltrated Earth or arose there long before First Contact. The Sundry, as a hivemind and as a species, like gathering data and are attracted to chaos because there’s plenty of data to parse in chaotic conditions.

It’s unfortunate for Mallory that the scout that bit her was from a hivemind that was particularly attracted to the chaos around murder investigations, leading to pretty much everything that happens in Mallory’s life afterwards.

Leading Mallory to the isolation of Station Eternity – as a mere four humans aren’t enough to generate the coincidences that lead to Mallory’s brand of murder chaos.

There are, however, plenty of other species living and working aboard the station, including the chameleon-like Phantasmagore and the rocky Gneiss. And the Sundry, who in their love of chaos and data make a specialty of handling the semi-autonomous functions of spaceships and space stations.

But something is wrong with the Sundry aboard Station Eternity – and it’s wrong with Mallory as well. It’s so wrong that when a whole shipload of humans arrives on the Station, Mallory isn’t panicking about the near-certainty of murder in her vicinity. Not even as the coincidences start piling up. Suddenly there are entirely too many humans aboard Eternity, and too many of them know Mallory entirely too well.

It’s only when the bodies start dropping that Mallory finally figures out that the murders aren’t the only thing going wrong on the station, and that she’ll have to solve those murders without her murder-solving mojo – or get it back.

If she can.

Escape Rating B: One of the things that made the first book in this series, Station Eternity, so damn much fun was its relentless pace. From the moment we meet Mallory, the chaos starts swirling, Mallory starts panicking, and the whole thing is off to the races.

But when we get back to Mallory in Chaos Terminal, Mallory is not feeling herself. At all. She thinks it’s some kind of space flu. Whatever it is, she’s so far from firing on all thrusters she isn’t even aware that a huge chunk of what makes Mallory BE Mallory is totally offline.

The story isn’t told from Mallory’s first person perspective, but she is very much the reader’s perspective on events, which means that Mallory being in a complete fog for the first third of the book means that we are as well.

So it’s a third of the way into the story before Mallory’s fog lifts and the real action kicks into gear. At that point, it’s suddenly, thankfully and blissfully gangbusters, but it’s a LONG slog to get there and I very nearly didn’t.

The story, and the mystery, in Chaos Terminal is wrapped around cleaning up the many, many fascinating loose ends that were left laying on the deck of Eternity after the chaotic, nearly cataclysmic events of that first book – especially Mallory’s own, personal loose ends.

Which means that Chaos Terminal is probably not the best place to start the Midsolar Murders because a LOT of this story was set up in that first book. Howsomever, if you got caught up in Mallory’s bloody, madcap situation then, there’s a lot of fun in seeing most of those loose ends get tied up, quite possibly in a series of Gordian Knots, here in this second outing.

In spite of the science fictional setting – which is utterly fascinating – this SF mystery is pretty much character driven. Meaning that if you like Mallory as a character and enjoy her multi-species Scooby Gang, it will probably work for you. I did like Mallory a LOT in Station Eternity, so I came into Chaos Terminal expecting to love it as well. I think it works a bit less well than that first book because Mallory REALLY isn’t herself for that long beginning, and the less polished and/or less likable characters’ rough edges are very much on display while Mallory is getting her act together.

But I do like Mallory Viridian as a character, and as a human perspective on humanity’s first toehold in this near-future, post-First Contact, wider galactic universe. A universe that is not only not centered on humans, but doesn’t even seem to be centered on humanoids, making it every bit as fascinating a character as Mallory herself.

Which means that I absolutely will be back to see who, or what, ends up dead when Mallory’s next investigation/adventure/crisis appears!

Review: An Inheritance of Magic by Benedict Jacka

Review: An Inheritance of Magic by Benedict JackaAn Inheritance of Magic (Stephen Oakwood, #1) by Benedict Jacka
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Stephen Oakwood #1
Pages: 384
Published by Ace on October 5, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The super-rich control everything—including magic—in this thrilling and brilliant, contemporary fantasy from the author of the Alex Verus novels.
The wealthy seem to exist in a different, glittering world from the rest of us. Almost as if by... magic.
Stephen Oakwood is a young man on the edge of this hidden world. He has talent and potential, but turning that potential into magical power takes money, opportunity, and training. All Stephen has is a minimum wage job and a cat. 
But when a chance encounter with a member of House Ashford gets him noticed by the wrong people, Stephen is thrown in the deep end. For centuries, the vast corporations and aristocratic Houses of the magical world have grown impossibly rich and influential by hoarding their knowledge. To survive, Stephen will have to take his talent and build it up into something greater—for only then can he beat them at their own game.

My Review:

In a famous exchange between F. Scott Fitzgerald and Ernest Hemingway, Fitzgerald claimed that “the rich are different from you and me” to which Hemingway rejoined “Yes, they have money.”

That principle is at the heart of An Inheritance of Magic, as the story begins with Stephen Oakwood discovering that he’s related to a rich and powerful family – who have only looked him up in order to stomp him like a bug.

Because they are powerful because they are rich, and rich because they are powerful, and as far as they are concerned his only use to any of them is as a pawn in their games – both mundane and, more importantly, magical.

The magic is called drucraft, a talent in which Stephen has had only one teacher and little to no training. Which means that over his relatively short life, he’s learned to do things that organized training would have told him were impossible. And maybe they mostly are, but for him, some of them are not.

So Stephen’s story is about having the lesson literally beaten into him that the playing field is not level – because it isn’t. And it’s about Stephen deciding that even if that is true – and it is – there is nothing stopping him from doing his level best to level it – one way or another.

If he doesn’t have the training to play by their rules, he can develop the power and more importantly the will to make them play by his. Because they’ve already made him see what the worst case scenario might cost him and he’s not willing to go there again.

No matter how many rules – or people – he has to break along the way.

Escape Rating B+: An Inheritance of Magic is a combination of a coming-of-age story and a coming-into-power story set in an urban fantasy version of our world where magic hides in plain sight even as it magnifies the ambitions and the sheer reach of the rich and powerful.

Stephen Oakwood is the perspective through which we learn about this hidden world as he is rather forcibly jerked into it – initially very much to his detriment. He’s always known about drucraft, and has been doing his best to practice the first principles of the discipline that his father taught him, but Stephen is at multiple disadvantages when the story begins.

His mother disappeared when Stephen was barely a year old and he knows nothing about her. His father disappeared three years ago, just as Stephen turned 18, and no trace of him has ever been discovered. Stephen is supposed to be starting his adult life, but at 21 he’s barely scraping together enough to get by and can’t decide what he wants to do when he grows up.

He wants to find his dad. He wants to practice drucraft. But he needs to pay rent and keep himself and his cat Hobbes fed and watered. He’s drifting when he literally gets kidnapped by his mother’s obscenely rich and powerful family so that the members of his generation of that family can use him as a pawn in each of their games to become the sole heir to the seat of power.

The story of An Inheritance of Magic is the story of how Stephen stops being a pawn. But it’s only the barest beginnings of that story, because first he has to learn a whole lot more about what drucraft can do for him in his struggle, and the reader has to learn what kind of magic it exactly is and how it works. Meaning that a LOT of the story is taken up with our introduction to drucraft through his learning and training process.

It means that, while the beginning of this story is very scarily WOW, and the ending is slam-bang awesome, the middle is a whole lot of lonely exploration of both his craft and the world in which it happens. For some readers that’s catnip and for others it will be a bit of a slog and your reading mileage may vary.

And there’s more than a bit of a trigger warning for that scary WOW at the beginning. Because Stephen’s one true hostage to fortune is his cat, Hobbes, so, when his powerful but psychotic family wants to teach the upstart a lesson they take it out on poor Hobbes. While the cat does eventually get better, because Stephen’s combination of guilt and angst leads to a breakthrough in his craft and power, I almost DNF’ed at that point because the cat’s pain and Stephen’s anguish over it were almost too much for this cat lover to bear. Hobbes comes back stronger than ever and so does Stephen, but OMFG it was awful going through that with them. So consider yourself warned.

Hobbes’ situation aside, this type of story, of a young man discovering that his rich family are lying assholes who want to use him and him learning how to hoist them and the society they think they own on their own petards is not exactly new except for the drucraft. In fact, it’s the setup of a fair amount of Harry Potter fanfiction of certain stripes.

Which doesn’t mean it’s not an interesting setup for a series, because it most definitely is. Particularly if you’re the kind of reader who likes seeing a whole bunch of assholes get righteously taken down – because I think we’re going to get there in the end.

I most definitely AM that kind of reader, so I’m looking forward to seeing where Stephen Oakwood’s adventures in drucraft lead him, and us, to next!

Review: The Way Home by Peter S. Beagle

Review: The Way Home by Peter S. BeagleThe Way Home: Two Novellas from the World of The Last Unicorn (The Last Unicorn) by Peter S. Beagle
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy
Series: Last Unicorn #2
Pages: 208
Published by Ace on April 4, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBetter World Books
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One brand-new, long-awaited novella, and one Hugo and Nebula award winning novella, both featuring characters from the beloved classic The Last Unicorn, from renowned fantasy writer Peter S. Beagle.
Peter S. Beagle's The Last Unicorn is one of fantasy's most beloved classics, with millions of copies in print worldwide.
Beagle's long-awaited return to the world of that novel came with "Two Hearts," which garnered Hugo and Nebula awards in 2006, and continued the stories of the unicorn, Molly Grue, and Schmendrick the Magician from the point of view of a young girl named Sooz.
In this volume, Peter S. Beagle also presents for the first time "Sooz," a novella that sees the narrator of "Two Hearts," all grown up and with a perilous journey ahead of her, in a tender meditation on love, loss, and finding your true self.

My Review:

I picked up The Way Home because I absolutely adored The Last Unicorn when I finally read it for the very first time back in January. So I had high hopes for The Way Home. Very, very high.

Those hopes were, unfortunately, only partially met, and I’m more than a bit sad about that.

The Way Home is not a single story as The Last Unicorn was, although it is set in the same world. Rather, this is two stories, the previously published Hugo Award winning novelette, “Two Hearts”, and the new and more recently written novella “Sooz”.

Sooz is the protagonist of both stories. In “Two Hearts”, she’s a nine-year-old girl, but by the time of her own story, she’s seventeen and on her first solo adventure as part of her passage into adulthood.

I have a lot, and a lot of good things, to say about “Two Hearts”, but less and not so much about “Sooz”. So I’m going to start at the end, with “Sooz”.

As a story – as opposed to the character – “Sooz” did not work for me. While I was not expecting a happy ending, as this world tends toward bittersweet on the happiness scale, I was expecting this story to feel like it was part of the continuum from The Last Unicorn through “Two Hearts”, which features Sooz as a child, to Sooz’ own story.

But it didn’t.

It’s very much a coming of age and finding your identity story, and a story about learning that your parents – and yourself – are not exactly who you thought either you or they were, and dealing with that knowledge. It’s also a quest story, as Sooz takes herself off to the Fae Lands to find the lost sister that she never knew she had.

As a story, it felt like the themes had been dealt with before – and dealt with better. Beginning Sooz’ journey with a gratuitous – but at least not overly graphic – rape scene did not endear me to the rest of the story. Sooz was already experiencing plenty of angst, her rape read like piling on for no good reason except that she was a lone female and had to experience all the dangers of that state possible.

I’m up on a soapbox, I know. Because it just felt like sloppy storytelling. There is the potential for plenty of angst in the female experience, even in fantasy, without raping the audience surrogate. (I’ll climb down now before the soapbox gets any taller.)

I dragged myself through “Sooz” in the hopes that it would get better. I’m not sure whether I didn’t feel like it did or just couldn’t get the awful taste out of my mouth (so to speak)

But I want to end this review on a higher note than I started, so let’s switch to the book’s opening story, the award-winning “Two Hearts”.

Where “Sooz” read as if it was barely connected to the world of The Last Unicorn, “Two Hearts” read like a combination of coda and swan song to the beloved classic. It’s the ending that the reader knows was out there, somewhere, at the end of The Last Unicorn, both dreaded and inevitable and so, so right.

Young Sooz’ village is being ravaged by a griffin who has graduated from taking sheep and goats to snatching children. The king has sent increasing numbers of men at arms to slay the griffin, but to no avail. Sooz runs away to fetch the king himself to take care of her people, who are, of course, his people. Along the way she runs into Schmendrick the Magician and his partner, Molly Grue. It’s been a LONG time since Schmendrick and Molly have been to the castle to see their friend, King Lir, so they decide to escort Sooz on her way.

The years that have passed lightly over the magician and his partner have not been kind to the purely human King Lir, and neither has Lir’s lifelong devotion to the unicorn Amalthea. But he rouses himself for one last quest, one last job that he knows is his and his alone. He goes with his friends, and Sooz, to slay the griffin.

“Two Hearts” is a beautiful story because it fits right into the world of The Last Unicorn with all of its lyrical language and utter heartbreak, and sits right on top of the pillar of “don’t cry because it’s over, smile because it happened”.

I got a little weepy anyway. The ending is the right ending, the necessary ending. It’s the perfect swan song for an immortal hero in a mortal’s body.

In short, “Two Hearts” is a marvelous, if heartbreaking ending for the beloved classic, The Last Unicorn. “Sooz” read like more of an afterthought, or an attempt to get the lightning back in the bottle one last time.

So the Escape Ratings on this book are very much split. “Sooz” was a dragging D of a read, while “Two Hearts” was a tear-spattered A+.