Review: Shark Heart by Emily Habeck

Review: Shark Heart by Emily HabeckShark Heart by Emily Habeck
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: literary fiction
Pages: 416
Published by Simon & Schuster on August 8, 2023
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A lyrical and provocative debut novel about newlyweds Wren and her husband, Lewis, who over the course of nine months, transforms into a great white shark.

For Lewis and Wren, their first year of marriage is also their last. A few weeks after their wedding, Lewis receives a rare diagnosis. He will retain most of his consciousness, memories, and intellect, but his physical body will transform into that of a great white shark. As Lewis develops the features and impulses of one of the most predatory creatures in the ocean, his complicated artist’s heart struggles to make peace with his unfulfilled dreams.
At first, Wren internally resists her husband’s fate. Is there a way for them to be together after Lewis fully transforms? Then, a glimpse of Lewis’s developing carnivorous nature activates long-repressed memories for Wren, whose story vacillates between her childhood living on a houseboat in Oklahoma, her time with a college ex-girlfriend, and her unusual friendship with a woman pregnant with twin birds. Woven throughout this daring novel is the story of Wren’s mother, Angela, who becomes pregnant with Wren at fifteen in an abusive relationship amidst her parents’ crumbling marriage. In the present, all of Wren’s grief eventually collides, and she meets her fears with surrender, choosing to love fully, now.
An emotional exploration of motherhood, marriage, transformation, and letting go, Shark Heart is an unforgettable love story about mothers and daughters, husbands and wives, animals and people—all while examining what it truly means to be human.

My Review:

Thanks mostly to superhero movies, when we hear the term mutant we tend to think of science experiments gone awry and people who have just a little bit extra in the DNA and what they do with that extra – as well as what gets done to them because of it.

This isn’t that kind of story about mutants and mutations. It’s both a bit more – and a bit less.

This also isn’t really a story about a man who became a shark and the woman who loved him. Although I wanted it to be – sort of a shark toothed version of The Shape of Water. But it isn’t that either. Shark Heart is a story about change and the way that love changes when the person we love goes through a transformation that we can’t follow.

And what happens after that. And after that. But also, before that.

Lewis and Wren marry, as so many people do, buoyed on a wave of love and hope. They expect the first year of their marriage to be the beginning of lifelong bliss and joy – albeit with a few of the typical bumps in the road for any couple that plans on being together for the long haul.

But it’s not to be. Well, it’s mostly not to be.

Early in that first year of bliss, Lewis is diagnosed with Carcharodon carcharias mutation. Putting it less scientifically, he’s turning into a Great white shark. Rapidly. Literally and not figuratively. In the version of our world that Wren and Lewis inhabit, this isn’t even all that uncommon. Lewis’ particular mutation is, but this is a world where it seems to have become relatively commonplace for people to mutate to animal form.

There are entire hospitals and specialty medical institutes and protocols and laws to deal with all the issues and medical needs of people who mutate and their caregivers. (And I am so curious about how this world works, but that’s not the story we get, either.)

Which gets back to what I said at the beginning, that Shark Heart is a story about change and transformation, and what happens to the humans when they make a drastic change or when drastic change is thrust upon them.

And definitely, absolutely, about what happens to the people who love them.

Escape Rating B-: Wren isn’t the first person – or unfortunately the last – to discover, after it’s too late in one way or another, that their new spouse is a gigantic, all-consuming predator and that they are now on a menu they didn’t know existed. The question is whether Wren’s situation is literal or merely a metaphor.

Which is a bit like The Crane Husband, not just because people transform into animals, but because it’s possible to interpret the transformation as metaphor even more than it is.

There were also a whole LOT of SFnal possibilities, and I confess that I wanted the story to go there rather than into the literary fiction it most definitely is. It’s clear from the bits we see in the story that a whole medical infrastructure has been created to deal with the issue of mutations, but for an SF reader we don’t get nearly enough of it for the world to make sense. (John Scalzi’s Lock In, especially the prequel Unlocked, did an excellent job of showing the institutional effects of the introduction of a planet-wide shift in lifelong medical conditions and their treatment.)

I did get really caught up in the part of the story about Lewis and Wren’s year of dealing with what’s happening to them both and their desperate and increasingly separate paddles up the River DeNial as it goes along. And I think I’d have liked the book a lot more if it stayed with them.

But this IS literary fiction, which means it has to take the reader backwards and forwards in time, both to how Wren got to be the person she is and to what happens to both Lewis and Wren after. Even though he’s a shark. For this reader, those later bits detract – at least until we get to the end and back to Wren and her life after Lewis and what he left behind.

I wanted this to be something other than it was, which is a ‘me’ thing and may not be a ‘you’ thing. I would have preferred the story I got if it had stuck with Wren and Lewis in a mostly forward-moving timeline – even if he was forcibly dropped out of that story halfway through. Because a story of her coping, whether literally or as metaphor, would have been enough to carry me through because I liked Wren and empathized with her a lot more than I expected to.

I picked this up because I was flailing, and it looked interesting and different. It was different and the first half was interesting and even sometimes compelling, but the second half just didn’t keep that momentum. But if you like literary fiction more than I do it might work better for you.

Review: The Horoscope Writer by Ash Bishop

Review: The Horoscope Writer by Ash BishopThe Horoscope Writer by Ash Bishop
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror, mystery, thriller
Pages: 320
Published by CamCat Books on July 18, 2023
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Leo: You’ll step out the door, prepared for a normal day. But you’ll never reach your workplace. You will vanish, without a trace.
Who is The Horoscope Writer? It’s not Bobby Frindley. He’s an ex-Olympic athlete who has fast-talked his way into an entry-level position at a dying newspaper. He’s supposed to be writing horoscopes, but someone has been doing his job for him . . .
On his first night on the job, Bobby receives an email with twelve gruesome, highly-detailed horoscopes, along with a chilling ultimatum: print them and one will come true, or ignore them and all of them will.
Working with a skeptical co-worker, Bobby investigates the horoscope writer’s true identity, but the closer he gets to the truth, the more the predictions begin to be about him. Has he attracted the attention of a cruel puppeteer? Or is it possible that, like any good horoscope, it’s all in his mind?

My Review:

Human beings do their damndest to find patterns in things that don’t have them. The whole idea behind that concept, patternicity, is a huge part of what drives the plot and the people in the book Rabbits by Terry Miles, and its upcoming sequel, The Quiet Room.

We want the world to make sense, so we try to force that sense into the world whether it’s there or not.

Which may be part of why people faithfully read their horoscopes and believe the rather vague hints and warnings therein. Because it’s easy to make the predictions and warnings cover the events of the day after the fact, especially if one is looking for such coverage.

But in this story, the new ‘horoscope writer’ for a struggling regional newspaper in San Diego receives a full set of horoscopes from an anonymous ‘benefactor’ with an attached threat – or warning – or a bit of both.

If the horoscopes are published in full, only one will come true. But if they’re not, all of them will. While some are trivial, a few on the list are downright dire – but also very much against the odds. Former Olympian and hopeful journalist Bobby Frindley believes it’s all a hoax.

At least until the rare tiger leaps out of his zoo enclosure and kills a tourist – just as his horoscope predicted.

From that point forward, the story is off to the races as the horoscope writer turned fledgeling reporter becomes caught up in the global phenomenon of figuring out which of the day’s predictions are going to come true – and wondering who is trying to force the pattern and to what grisly end.

And whether that end will be Bobby’s, his friends’, his city’s, or just his soul.

Escape Rating B-: I picked up The Horoscope Writer because I reviewed the author’s debut novel, Intergalactic Exterminators, Inc. for Library Journal and had a blast, so I was hoping for more of the same.

I certainly got caught up in Bobby Frindley’s ride to fame and maybe fortune as he tries to cobble out a career as an investigative journalist in the waning days of newspaper journalism. But there were a couple of things that I kept tripping over as I followed Bobby’s trek out of the frying pan and into the fire as he latched onto one flawed potential father-figure after another.

The Horoscope Writer reads like the ‘evil twin’ of the late 1990s TV series Early Edition, where a kind of average guy receives a daily delivery of the Chicago Sun-Times (how the mighty have fallen) that is one day ahead. The protagonist has one day to right whatever wrong he reads in the prognosticating paper before it’s too late to fix.

But that early newspaper delivery turned out to be on the side of the angels, while the horoscopes that Bobby starts receiving are a lot more like horrorscopes, and that’s before the general public starts trying to make them come true – or at least the potentially ‘good’ ones, often with considerably less than good results.

Humans being human, because they are.

As much as Bobby as a character read like more than a bit of a ‘failure to launch’, he also read like at least one answer to a question that I’ve always wondered about, the fate of people like Olympic athletes in sports that don’t have long-term career prospects. He’s achieved a kind of fame and success that people dream of, but at a time when nearly all of his life is still ahead of him.

Bobby’s flailing around for a second act, and the one that lands in his lap turns out to be a doozy – or will be if it doesn’t get him killed.

Howsomever, while I found the story compelling to read in the earlier stages, particularly when it really seemed possible that the story was heading into true psychic or fantasy territory in some way, when Bobby started zeroing in on a more mundane agent – at least for criminally sociopathic definitions of mundane – it lost a bit of its fascination for this reader as it shifted fully into ‘bwahaha’ territory.

All things considered, The Horoscope Writer started out strong, and had some compelling dramatic possibilities along the way, but in the end wasn’t nearly as good as Intergalactic Exterminators, Inc. But I still have high hopes for the author’s next – especially if he leans back into SFnal territory.

Review: Rose/House by Arkady Martine

Review: Rose/House by Arkady MartineRose/House by Arkady Martine
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook
Genres: horror, mystery, science fiction
Pages: 128
Published by Subterranean Press on May 18, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKobo
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Dust jacket illustration by David Curtis.
Arkady Martine, the acclaimed author of the Teixcalaan Series, returns with an astonishing new novella.
Basit Deniau’s houses were haunted to begin with.
A house embedded with an artificial intelligence is a common thing: a house that is an artificial intelligence, infused in every load-bearing beam and fine marble tile with a thinking creature that is not human? That is something else altogether. But now Deniau’s been dead a year, and Rose House is locked up tight, as commanded by the architect’s will: all his possessions and files and sketches are confined in its archives, and their only keeper is Rose House itself. Rose House, and one other.
Dr. Selene Gisil, one of Deniau’s former protégé, is permitted to come into Rose House once a year. She alone may open Rose House’s vaults, look at drawings and art, talk with Rose House’s animating intelligence all she likes. Until this week, Dr. Gisil was the only person whom Rose House spoke to.
But even an animate intelligence that haunts a house has some failsafes common to all AIs. For instance: all AIs must report the presence of a dead body to the nearest law enforcement agency.
There is a dead person in Rose House. The house says so. It is not Basit Deniau, and it is not Dr. Gisil. It is someone else. Rose House, having completed its duty of care and informed Detective Maritza Smith of the China Lake police precinct that there is in fact a dead person inside it, dead of unnatural causes—has shut up.
No one can get inside Rose House, except Dr. Gisil. Dr. Gisil was not in North America when Rose House called the China Lake precinct. But someone did. And someone died there. And someone may be there still.
Limited: 1000 signed numbered hardcover copies

My Review:

I want to call Rose/House a haunted house book. AND I also want to say it’s more horror than it is anything else. But neither of those labels is strictly accurate. I’m not sure any labels I could possibly come up with would be strictly accurate.

And I’m sure that Rose House itself would agree. If it would condescend to consider anything I ever said at all, ever. After all, I’m not the one and only human that Rose House is required to accommodate.

Which may be the best place to begin. Rose House is the last, greatest, and best house built by the famous – sometimes infamous – architect Basit Deniau sometime in the next century. I want to say it’s a house with an integrated AI, but it’s more like the house IS the AI, and the AI is the house. It’s other in ways that haunt the reader and the story from beginning to end.

If it actually ends. I’m not totally sure about that.

This is one of those stories where the prime mover and shaker is dead, to begin with. And so is an unnamed and unidentified victim of the many and stringent security measures that Rose House is capable of.

Which is where the nearby China Lake Police Department, in the person of Detective Maritza Smith, comes in. Rose House is required to notify the local police of the presence of a dead human within its walls. It is not required to let the police, or anyone else, within those walls to investigate that body, except for its late creator’s one and only representative.

And it has more than enough free will to play with its prey before this AI spider invites the unsuspecting human fly into its surprisingly sticky web.

Because no one who enters Rose House leaves it unscarred. If they manage to leave at all.

Escape Rating B-: I picked this up because I still miss Teixcalaan. (Yes, I know I said that the ending of A Desolation Called Peace allows for a third book but doesn’t require one. Which doesn’t mean that I don’t WANT a third book REAL BAD.)

I knew going in that Rose/House wasn’t going to scratch that particular itch but the author’s writing style is just so lovely that I figured I would enjoy this novella even if I didn’t love it. Which pretty much sums up my reaction all the way around.

Rose/House touches on a lot of genres. It’s SFnal in its presentation of Rose House as a self-willed AI. At the same time, the way that the house plays with its potential prey has all the chills of horror because the very idea of a house deciding whether or not it wants to kill or absorb anyone within its walls is enough to make anyone startle a bit the next time their own dwelling makes random settling noises.

There’s certainly a bit of mystery in the way that Detective Smith is presented with a murder she can’t investigate, let alone solve, unless she finds a way into Rose House AND a method of going along with its thought processes without getting absorbed by them. Plus there’s the mystery of Rose House’s creator and all of the greedy and grasping people who believe they are entitled to a piece of his legacy and believe that the ends justify their means of acquiring it.

Which they don’t.

Rose/House supports all of those various plot strings, potentials and possibilities without really solving any of them, which works because this novella is short and it’s intended to leave the reader wondering whether Rose House has manipulated everyone and everything – including the reader – all along. It’s not meant to be solved, it’s meant to continue as a puzzle long after the last page is turned.

Whether that will leave the reader puzzled or satisfied is a question that each reader will have to answer for themselves. I wanted this to focus on the mystery – and i’m left a bit unsatisfied that it didn’t really resolve those issues.

The biggest questions that remain are all wrapped around the AI itself. And they are questions that leave me with shivers of possibility – all of them horrifying.

Review: You Are Here by Karin Lin-Greenberg

Review: You Are Here by Karin Lin-GreenbergYou Are Here by Karin Lin-Greenberg
Narrator: Jennifer Aquino
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: literary fiction
Pages: 304
Length: 8 hours and 39 minutes
Published by Counterpoint, HighBridge a division of Recorded Books on May 2, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The inhabitants of a small town have long found that their lives intersect at one focal point: the local shopping mall. But business is down, stores are closing, and as the institution breathes its last gasp, the people inside it dream of something different, something more. You Are Here brings this diverse group of characters vividly to life.
The only hair stylist at Sunshine Clips secretly watches YouTube primers on how to draw and paint, just as her awkward young son covertly studies new illusions for his magic act. His friend and magician's assistant, a high school cashier in the food court, has attracted the unwanted attention of a strange boy at school. She tells no one except the mall's chain bookstore manager, a failed academic living in the tiny house he built in his mother-in-law's backyard. His family is watched over by the judgmental old woman next door, whose weekly trips to Sunshine Clips hide a complicated and emotional history and will spark the moment when everything changes for them all.
Exploring how the stories we tell ourselves about ourselves are inextricably bound to the places we call home, You Are Here is a keenly perceptive and deeply humane portrait of a community in transition, ultimately illuminating the magical connections that can bloom from the ordinary wonder of our everyday lives.

My Review:

You are here, in an America where the driving economic engine and social-type phenomenon called a “shopping mall” is clearly dying. All you have to do is look at the vacant storefronts in even the largest and seemingly busiest malls around you. Or at the vast acreage of sparsely populated parking lots that surround them.

There are lots of stories about what happens in small towns when the largest employer in the area leaves or dies. Stories about the economic depression and eventual death of the town it once supported.

But what happens when a shopping mall dies? (We’re probably in the process of finding out in real life, as they do seem to be dying all over.) Greenways Mall in upstate New York has been dying for years at the point where this book picks up its action.

Or rather, the lack thereof, which is the problem in a nutshell. There is very little going on at the mall. It’s dying and everyone knows it. It’s been dying for years, to the point where its actual demise won’t be much of a blip in the local economy. Not many stores are still open, not very many people still work there, not many people, even in the neighborhood, still shop there. It’s a vicious circle, cycling rapidly towards the drain.

But the lack of traffic in the mall, writ large, does not mean that the place isn’t the hub of several people’s lives and/or their economic mainstay. They are the central figures in You Are Here, Tina Huang who is the last stylist at Sunshine Clips and her little boy Jackson who spends his after school hours doing his homework at the salon. Kevin, the manager of the chain bookstore outlet, is killing time in a dead end job because he can’t make up his mind about what he really wants to be doing with his life. And all too aware that his wife is running out of patience with his lack of pretty much everything except crazy business ideas that will only eat up money they don’t have.

Then there’s Ro Goodson, an elderly widow who comes to the mall because she’s lonely. She’s Tina’s only regular customer, and she’s a fixture at Greenways. A disapproving one who bestows judgemental advice on everyone she meets, making it clear that none of them are measuring up to whatever standards have ossified inside her barely polite and unconsciously bigoted head.

The mall and its denizens all seem accepting of their fate, trapped in a cycle where nothing good ever seems to happen, until something truly terrible occurs to shake them out of their respective sloughs of despond. It may be the making of each of them. Or it may mow them under.

Time will, as it always does, tell.

Escape Rating B-: The premise of this book has a tremendous amount of potential. Shopping malls, once a bright fixture of the landscape, are dying pretty much everywhere. So there are lots of Greenways Malls out there and probably one near where you live just as there is here. So this sounded like it would have lots of story potential. Which it does.

The question for the reader is whether or not the book in hand lived up to that potential. As you might surmise from the rating, I ended up with very mixed feelings.

One of the parts that is done very well is that each of the individual characters, from 9-year-old Jackson Huang to 89-year-old Ro Goodson, is distinct and distinctly well portrayed. We get to know who these people are and how and why they’ve ended up in this crumbling place – and just how much of their lives will crumble with it.

But not a lot happens in You Are Here. It’s a slice-of-life kind of story, where every character is shuffling along in their rut – except for 9-year-old Jackson – and can’t see over the edges of the rut they’ve worn down for themselves.

Even the big event that knocks everything off course is downplayed as it happens very late in the book. The chapter with the most verve is actually an epilogue, where we learn the effects of that event nearly a decade later.

The story as it goes along is a story of quiet desperation told in plots and subplots that knit together well but don’t seem to go much of anywhere until that sharp break almost at the end.

And that was pretty much where this story fell down for me on not one but two fronts. As I said above, the characters are distinct and well-drawn, which should have made this a great book for audio. But it wasn’t, which was pretty jarring after the marvelous performance of The Wager earlier this week.

In the case of You Are Here the narrator is very precise but her reading is flat. She doesn’t voice the characters enough to make each one as distinct as they are in the text. I had to drop the audio and switch to text very early in the story just to keep going with this one, as my reading group recommended it and I wanted to see what all the fuss was about.

The other reason this didn’t work for me as well as it did for others in that group is that it is VERY much in the literary fiction tradition, which means that not much really happens but the characters angst about it a lot. If that’s your jam this will work for you, but if it’s not, it likely won’t.

Which is too bad, because this slow build of a novel confronts a whole lot of serious issues in 21st century life, and does a great job of making the reader feel those issues through those well-drawn, distinct, characters. For this reader, that made You Are Here an interesting but not compelling book.

Review: The Raven Thief by Gigi Pandian

Review: The Raven Thief by Gigi PandianThe Raven Thief (Secret Staircase Mystery, #2) by Gigi Pandian
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: cozy mystery, mystery, thriller
Series: Secret Staircase Mystery #2
Pages: 320
Published by Minotaur Books on March 21, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Multiple award-winning author Gigi Pandian is one of the best locked room mystery writers working today. Her newest heroine, Tempest Raj, returns in The Raven Thief, where sliding bookcases, trick tables, and hidden reading nooks hide something much more sinister than the Secret Staircase Construction crew ever imagined.
One murder. Four impossibilities. A fake séance hides a very real crime.
Secret Staircase Construction just finished their first project with Tempest Raj officially a part of the team—a classic mystery novel-themed home interior. Their client is now ready to celebrate her new life without her cheating ex-husband, famous mystery author Corbin Colt. First up, a party, and Tempest and Grandpa Ash are invited to the exclusive mock séance to remove any trace of Corbin from the property—for good. It's all lighthearted fun until Corbin's dead body crashes the party.
The only possible suspects are the eight people around the séance table—a circle of clasped hands that wasn't broken. Suspicion quickly falls on Grandpa Ash, the only one with actual blood on him. To prove her beloved grandfather’s innocence, Tempest must figure out what really happened—and how—or Ash will be cooking his delectable Indian and Scottish creations nevermore.

My Review:

Hidden staircases are far from the only secrets that Tempest Raj has to contend with in this second book in the Secret Staircase Mystery series, after the events of last year’s locked room mystery/thriller romp, Under Lock and Skeleton Key.

In fact, the Raj family seems to be keeping an entire hidden vault chock-full of secrets, each believing they are protecting the others – and Tempest herself is no different. But those secrets – or at least a few of them, very nearly put Tempest’s beloved grandfather Ash into prison.

It all starts innocently enough. Lavinia Kingsley wants to exorcise the demon of her cheating ex-husband from her life in general and from the home they once shared in particular. As the bastard is very much still alive – and still living in town – Lavinia decides on a fake séance to remove his virtual or spiritual presence. A ceremony in which she plans to burn a box of papers he left behind when he moved out – into his new girlfriend’s house.

Even in a real séance, the practitioner does not expect the corpse of the dearly or not-so-dearly departed to manifest in the room. So it’s more than a bit of a surprise – it’s a downright shock – when Corbin Colt’s still warm body drops from the ceiling to the middle of the table.

Tempest’s magician friend Sanjay prepared the room for the fake séance, but that was absolutely not one of the props he planned to include!

But that preparation included all the participants surrendering their cell phones, all of the doors to the room being locked, and all of the lights dimmed to set the ‘right’ atmosphere for the event. When that body drops right in front of him, Ashok’s instincts as a retired doctor are to examine the victim in the hopes that he can save the man.

An instinct that unfortunately covers Ash in the evidence used to indict him for the murder of a man who once filed a restraining order against him for assault.

Leaving Tempest and her friends in the same position they found themselves in Under Lock and Skeleton Key – running an unofficial, unsanctioned and absolutely unprofessional investigation into a murder case involving her family that the police seem to have gotten all wrong. Again.

Escape Rating B-: Like the series opener, The Raven Thief is a cozy mystery thriller that takes the classic locked-room mystery and gives it a whole prop cupboard’s worth of new, inventive and occasionally downright magical twists and turns.

When Corbin Colt’s case turns into a murder investigation, it’s not merely a locked room mystery. There are not just one or two, but four impossibilities built into his killing, from how did his murderer get the body into the ceiling with the séance attendees in the room to how did he get so recently dead when he was seen a half hour away by hundreds of witnesses just a few minutes before his shocking demise?

Watching Tempest figure out just how it was done and whodunnit was a lot of fun, filled with oodles of surprises and misdirections, but it takes a fair amount of book to get there.

What was much less fun, or at least much more disjointed, was following Tempest as the family secrets and curses that have plagued her life twisted her up, sent her on more than one wild goose chase and just generally muddied the waters of both the case in hand AND the overarching story of her family and the tragedies that have followed them around the world.

Tempest’s family have a long and storied history as stage magicians – a history that included Tempest herself until just prior to the events of Under Lock and Skeleton Key. Both her mother and her aunt were murdered due to a secret not yet revealed. A mysterious figure that Tempest has nicknamed ‘Moriarty’ is stalking her, claiming to be protecting her but that is murky at best and the reader, along with Tempest is still very much in the dark about his true purpose.

So there are two stories combined into The Raven Thief, and they don’t manage to jell into one. The case of the dead bastard, while not exactly straightforward, had the potential to be a delightful mystery romp of an arsehole getting his just desserts that gets twisted by human emotions and clever misdirection.

The secrets that the Raj family are keeping from one another keep rising up to bite them in the collective arse – which could make the mystery more fascinating. But so far it feels like trying to solve an equation for too many unknowns and they just muddy the waters – at least for this reader.

I did enjoy the last third of the book, as the case in hand starts drawing towards its conclusion. I love Tempest’s quirky family and their even quirkier business adding whimsy, hidden rooms and secret staircases to houses. I’ve also read and liked a few of the books in the author’s Jaya Jones Treasure Hunt series. Taking all of those things together means that I’ll be picking up the next book in the Secret Staircase Mystery series in the hopes of getting a few more clues to all of those pesky family secrets that keep getting in Tempest’s way.

Review: The Cliff’s Edge by Charles Todd

Review: The Cliff’s Edge by Charles ToddThe Cliff's Edge (Bess Crawford #13) by Charles Todd
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, World War I
Series: Bess Crawford #13
Pages: 320
Published by William Morrow on February 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In the aftermath of World War I, nurse Bess Crawford is caught in a deadly feud between two families in this thirteenth book in the beloved mystery series from New York Times bestselling author Charles Todd. Restless and uncertain of her future in the wake of World War I, former battlefield nurse Bess Crawford agrees to travel to Yorkshire to help a friend of her cousin Melinda through surgery. But circumstances change suddenly when news of a terrible accident reaches them. Bess agrees to go to isolated Scarfdale and the Neville family, where one man has been killed and another gravely injured. The police are asking questions, and Bess is quickly drawn into the fray as two once close families take sides, even as they are forced to remain in the same house until the inquest is completed.
When another tragedy strikes, the police are ready to make an arrest. Bess struggles to keep order as tensions rise and shots are fired. What dark truth is behind these deaths? And what about the tale of an older murder--one that doesn't seem to have anything to do with the Nevilles? Bess is unaware that when she passes the story on to Cousin Melinda, she will set in motion a revelation with the potential to change the lives of those she loves most--her parents, and her dearest friend, Simon Brandon...

My Review:

A Duty to the Dead by Charles ToddThe cliff’s edge of the title is both literal and figurative in this 13th entry in the Bess Crawford series.

Former battlefield nurse Bess Crawford finds herself in Yorkshire in her latest attempt to put off making firm decisions about what she will do now that her war is over. While she has resigned from QAIMNS, (Queen Alexandra’s Imperial Military Nursing Service), that itself was out of a sense of duty. She has a secured future, whether it’s one she wants or not. Bess’ dilemma is either that she does not want the future that would have been hers if there had never been a war – or more likely that she either doesn’t want to give up the freedom and purpose that came with her wartime service or believes that what she really wants is not possible for her.

Or perhaps that should be “who” she wants. Or all of the above, wrapped in a great big ball of angst, recriminations and regrets.

Her cousin Melinda asked her to see Lady Beatrice through her gallbladder surgery. Lady Beatrice asked her to go to Scarfdale to make sure that her adult godson was alive after a terrible accident and to help in any way that she could – as well as send back a great deal more information than was supplied in the initial, alarming telegram.

When Bess arrives in Scarfdale she learns all about that cliff’s edge. The edge that two men fell over, or were pushed over, or pulled each other over. One man is dead under these rather murky circumstances, while the other is alive, severely injured, and suspected of the other’s murder.

While Bess’ first responsibility is to her new patient, and her second to Lady Beatrice, still recovering at her home, as usual Bess can’t stop herself from becoming at least curious if not downright involved in the mysteries and tensions that swirl around the house AND the village that depends upon it.

The family and ‘friends’ that had gathered in the house clearly can’t stand each other. The local police seem all too willing to rush the survivor to judgment for reasons that no one is willing to tell a stranger – namely Bess.

And the injured survivor is not in nearly as desperate straits as first appeared. It will be up to Bess to learn what she can – and protect whom she feels she must – in order to bring this thorny case to some kind of conclusion.

Preferably without bringing too many others, including Bess herself, to theirs.

Escape Rating B-: As much as I have enjoyed this series, I believe that it is time for it to come to an end unless it makes a major change in direction. Because Bess has been in limbo for several entries now – at least since book 10, A Forgotten Place and perhaps as long ago as book 9, A Casualty of War. That limbo that makes sense in her circumstances – but her limbo of indecision has sunk into a slough of despond and it feels like it’s simply time for her to get on with her life.

But first she has to decide what that life is going to be, which means she needs to come to a whole bunch of resolutions that may be outside of her control.

What made Bess such a terrific choice of protagonist back in her first adventure, A Duty to the Dead, has reached a kind of expiration date now that the war is over. As a battlefield nurse, Bess had agency, responsibility and purpose. It was necessary for her to be able to think for herself, do for herself, and take charge of her own actions. That her sense of responsibility and inability to leave a puzzle unsolved led her into investigating murder worked intensely well.

But her war is over, she’s resigned from the service. She’s no longer in that position of independence and agency and looking for a new purpose. It stretches the long arm of coincidence – or perhaps that’s the willing suspension of disbelief – that in her decision-making paralysis about the shape of her post-war life she keeps tripping over and into murder investigations one after another – which feels like a bridge too far.

She could return to nursing, in a hospital or in private service, and perhaps run across more such mysteries among her duties. She could become a private investigator as Maisie Dobbs has done, but it seems less likely. Or she could marry. And that’s where Bess’ personal dilemma runs headlong into this rather murky mess of a case.

Because Bess is angsting over the state of her relationship with her father’s aide-de-camp Simon Brandon. Not that their relationship has ever been romantic. When Simon first entered her life, he was fourteen and on the run from some mysterious fate or abusive situation and Bess was still a child. But they’ve both grown up and Bess has come to see Simon in a different light while Simon seems to have distanced himself over something Bess said or did and won’t either acknowledge that distance or explain it.

So Bess is in Yorkshire in the midst of this case, which is quite a muddle that doesn’t seem much clearer at its end. Not that the cause of the whole thing isn’t found, but rather that the solution isn’t terribly cathartic and doesn’t seem to resolve much of the surrounding tension.

What it does do is re-open the situation that brought Simon Brandon to Colonel Crawford’s door and regiment so many years ago – even if Simon is not yet aware of it when The Cliff’s Edge ends. But that ending does give me hope that Simon’s past desperation, Bess’ present angst and the question of both of their futures will finally be resolved in the next book in the series.

Review: Uncanny Times by Laura Anne Gilman

Review: Uncanny Times by Laura Anne GilmanUncanny Times (Huntsmen #1) by Laura Anne Gilman
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook,
Genres: fantasy, historical fantasy, urban fantasy
Series: Huntsmen #1
Pages: 384
Published by Gallery / Saga Press on October 18, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Huntsmen, according to the Church, were damned, their blood unclean, unholy. Yet for Rosemary and Aaron Harker the Church was less important than being ready to stand against the Uncanny as not being prepared could lead to being dead.
The year is 1913. America—and the world—trembles on the edge of a modern age. Political and social unrest shift the foundations; technology is beginning to make its mark.
But in the shadows, things from the past still move. Things inhuman, uncanny.
And the Uncanny are no friend to humanity.
But when Aaron and Rosemary Harker go to investigate the suspicious death of a distant relative, what they discover could turn their world upside down—and change the Huntsmen forever

My Review:

Uncanny Times feels like it’s set in the ‘Weird West’, but it’s not. Still feels that way though. Rather, it’s set in a kind of alternate early-20th century New England, but the New England that grew out of Washington Irving’s creepy folklore-ish stories such as Rip Van Winkle and The Legend of Sleepy Hollow.

Rosemary and Aaron Harker might never have hunted a ‘headless horseman’ but whatever they’re after in tiny Brunson, New York, on the shores of Lake Ontario – in November! – is certainly equally uncanny. They just don’t know exactly what it is – at least not yet.

It’s their job to find out. The Harkers are Huntsmen, from a long line of people who have the ability to deal with the uncanny. They go where they are sent, figure out the nature of the threat they have to face – and eliminate it without involving local law enforcement or putting the local populace in danger – or at least in any more danger than they already are.

But this case is different from the beginning. They are summoned, not by one of their superiors in the Huntsmen but rather by an old family friend who always knew about the uncanny and those who are tasked with fighting it.

Or rather, by the man’s widow, who makes it clear that his death was as uncanny as the creatures that Rosemary and Aaron usually hunt. One of the man’s last requests was that if there was anything suspicious about his death that his wife ask the Harkers to come. There was and she has.

And the man was right – his death was at the hands of something uncanny. Something that doesn’t seem to be recorded in the rather extensive records of the Huntsmen. But whatever it is, or was, or wants to gorge itself into becoming, it’s up to Rosemary and Aaron to take it out – or go down trying.

Escape Rating B-: Uncanny Times is kind of a gothic version of historical and/or urban fantasy, with a bit of alternate history thrown in for bodies and spice. I call it gothic because the creeping horror is very slow burn, and it’s imbued in the atmosphere of the town long before we see it manifest as any sort of creature that the story can sink its teeth into – or that can sink its teeth into the characters.

This also doesn’t read like the version of 1913 that history records. Instead, it reads like the Weird West, an alternate version of the late 19th century – or what followed in this case – where the things that go bump in the night are real and history has gone down a different – and much creepier – leg of the trousers of time.

So this may be pre-World War I by our calendar, and Woodrow Wilson is President – but he’s no pacifist in this version of history. So it’s 1913 by way of something like Cherie Priest’s Boneshaker – we just haven’t seen what the equivalent of the massive earthquake was. At least not yet. The world of the Huntsmen reads more like that of Charlaine Harris’ Gunnie Rose, or Lindsay Schopfer’s Keltin Moore than it does the pre-WW1 world we’re familiar with. While the Huntmen organization and what it fights reads as very similar to the Circuit Riders of The Silver Bullets of Annie Oakley’s alternate world.

The story in Uncanny Times is a slow build of creeping horror mixed with more than a bit of confused investigation. It takes quite a while to get itself going, but that feels like its a necessary part of the entire story. Not only is this the first book in a projected series, but the creature that the Harkers are hunting for isn’t something that is supposed to exist even in their version of the world.

Added to that, they have to operate in plain sight while concealing pretty much everything they really are and really do. Most people don’t believe, and the ones that do mostly can’t be trusted. They even have to hide the true nature of their dog, because he isn’t just a dog. Botheration (best name ever!), besides being a VERY good boy, is also a hellhound and an expert tracker of both ordinary humans AND the creatures that the Huntsmen hunt.

And he steals pretty much every scene he’s in. Botheration is an awesome dog. (Don’t worry about Botheration, he’s bigger and stronger than most things that he hunts – and he comes out of this story every bit as fine as he went into it. I promise!)

I recognize that I’m a bit all over the map about Uncanny Times. I picked this up because I loved the author’s Retrievers series, which still has a place in my heart and on my physical bookshelf even 20 years later. But I have to confess that the lightning hasn’t struck again in that I’ve tried some of her later series but haven’t gotten hooked.

And I have to say that I liked Uncanny Times but didn’t love it as much as I hoped. It takes a long time to get itself going, and its two points of view characters are very private people. We don’t get to see nearly enough of what makes either of them tick. A lot of their investigation is obscured by fogs of various kinds and it makes the story murky as well.

But I loved Botheration. And the setting is fascinating because it feels like alternate history but the reviews don’t make it sound like it actually is – which really makes me wonder if I read the same thing everyone else did. So I’m torn, but whole in my conviction that I’ll pick up the next book in the series, whenever it comes out, at least to see what Botheration is bothering next!

Review: Extra Witchy by Ann Aguirre

Review: Extra Witchy by Ann AguirreExtra Witchy (Fix-It Witches, #3) by Ann Aguirre
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, paranormal romance, romantic comedy
Series: Fix-It Witches #3
Pages: 368
Published by Sourcebooks Casablanca on October 4, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

After two failed marriages, Leanne Vanderpol is here for a good time, not for a long time. She only loves the witches in her coven, and she cares more about her career than happily ever after. A difficult past makes her skittish, and she doesn't trust relationships to stick. But when she decides to run for city council instead of wasting her talents cleaning up messes for the mayor's office, she fears her past could be used against her.
Unless she can find the right husband to shore up her political career...
Trevor Montgomery might have peaked in high school. He was popular then, and in college as well, but he partied away his future, met the wrong person, and everything fell apart. Now he's jobless, dateless, and hopeless, at least according to his toxic family. Then a chance meeting with the redhead of his dreams offers an unexpected ray of light just when he needs it most.
Can a woman who doesn't believe in forever find true love with a man who's stopped believing in anything at all?
The third in an adorable witchy rom-com series by New York Times bestselling author Ann Aguirre, perfect for fans of:The bonds of sisterhoodA career-driven heroine who thinks she isn't marriage materialA pan hero who struggles with depressionAnd a shocking family secret

My Review:

I picked this up because this is the third book in the Fix-It Witches series and in spite of my very mixed reaction to the first two books, Witch Please and Boss Witch, I was determined to finish the series. Even if I had to rage read my way through this final book.

Which I pretty much did. At least right up until the halfway point – when it got better. And kept on getting better from there until the end.

But that first 50% was one hell of a slog.

First, there’s the pattern of the series as a whole, in that the second book in the Fix-It Witches series, Boss Witch, picked up the action in the middle of Witch Please and re-told the second half of THAT story from a new perspective. Which means that the action of this third book in the series begins in the middle of the second book and proceeds to tell some of that same story from yet another point of view – and in considerably more detail.

To make that part of the long story short, this is not a series where you really need to worry about not having read the previous books, because you will read at least half the previous book before you learn if anything truly new happens in the one you have in hand.

What made the first half of this one particularly hard to get through were the parts of Boss Witch that got repeated. We already know that Leanne Vanderpol seemed to have married Trevor Montgomery totally out of the blue because we see that event from an outside perspective in the earlier book.

But the deets…well the deets are a bit of a hot mess and so are both Leanne and Trevor. Trevor is Titus the Cinnaman’s best friend, so we met him back in Witch Please. From the outside, it seems like 30-something Trevor hasn’t figured out what he wants to do when he grows up. That would be the kind explanation.

The unkind description would be that he hasn’t grown up, and that his life resembles that of Shaggy (Scooby-Doo’s human) a bit too much. That’s certainly what his parents would say, when the truth is that Trevor has been sunk in a clinical depression for a long time and doesn’t see much of a way out even though he really would like to find one.

Which is where Leanne enters his life.

Leanne is a doormat with ambitions. She doesn’t mean to be a doormat, but she is the person everyone relies on to take care of things she shouldn’t have to take care of because that’s pretty much how her flighty, witchy mother raised her. Or truthfully didn’t raise her but left her to raise herself. Her boss, the city manager, is dumping on her and her irresponsible mother has just arrived in town and Leanne is having a bit of a meltdown because she can’t let herself let out all the crap she’s holding in.

Neither Leanne nor Trevor remotely have their shit together – no matter how much it seems like Leanne does on the surface. The first half of the story sinks under the weight of their collective inability to figure out what to do with their lives to a degree that might have worked well in their 20s but not when both are in their mid-30s.

When they get together anyway, the story doesn’t merely pick itself up. It actually starts to shine way more than I was expecting by that point. Separately, they are each a mess. Together, they make each other strong in their broken places.

Enough for both of them to finally start getting their own acts together. They just have to get out of their own ways to realize that not only have they caught feelings for each other – but that they deserve the happiness and fulfillment that comes with them.

Escape Rating B-: The rating is considerably higher than I thought it was going to be in the first half of the book. Their romantic comedy-esque marriage of convenience starts out as plenty convenient but not remotely comedy. They are both way too messed up for that.

But giving each other a truly secure foundation, something neither of them has ever had, is the making of both of them in a way that was rather delightful and completely unexpected – even if they did connect so quickly that I wondered if their insta-love was at least partly fueled by some kind of witchcraft.

Still, the second half of this one had a lightness and a verve and a witchy spark that was missing in the first half, and Leanne and Trevor turned out to be a couple whose whole was literally greater than the sum of their original parts. So I’m glad I made myself finish, but I don’t think I’ll be coming back to this witchy Midwestern town even if the series continues.

Review: The Book Haters’ Book Club by Gretchen Anthony

Review: The Book Haters’ Book Club by Gretchen AnthonyThe Book Haters' Book Club by Gretchen Anthony
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: books and reading, relationship fiction, women's fiction
Pages: 352
Published by Park Row on September 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

All it takes is the right book to turn a Book Hater into a Book Lover…
That was Elliott’s belief and the reason why he started The Book Haters’ Book Club—a newsletter of reading recommendations for the self-proclaimed “nonreader.” As the beloved co-owner of Over the Rainbow Bookstore, Elliott’s passion and gift was recommending books to customers. Now, after his sudden death, his grief-ridden business partner, Irma, has agreed to sell Over the Rainbow to a developer who will turn the cozy bookstore into high-rise condos.
But others won’t give up the bookstore without a fight. When Irma breaks the news to her daughters, Bree and Laney, and Elliott’s romantic partner, Thom, they are aghast. Over the Rainbow has been Bree and Laney’s sanctuary since childhood, and Thom would do anything to preserve Elliott’s legacy. Together, Thom, Bree and Laney conspire to save the bookstore, even if it takes some snooping, gossip and minor sabotage.
Filled with humor, family hijinks and actual reading recommendations, The Book Haters' Book Club is the ideal feel-good read. It’s a celebration of found family and a love letter to the everyday heroes who run bookstores.

My Review:

Elliot Gregory is watching from somewhere over the rainbow – or somewhere in the ‘Great Beyond’ – as his business partner, her daughters and his domestic partner all flail together and separately in the aftermath of his sudden death.

Yes, this is one of those stories that starts, to paraphrase Dickens’ A Christmas Carol, Elliot was dead, to begin with.

He left behind a mess. He also was a mess. And he’s left behind a whole bunch of people who all loved him in one way or another to clean it up. But first they have to find the depths of that mess.

And then they have to find the true depths within themselves and each other.

Things don’t begin auspiciously. Irma Bedford meets her daughters, Laney and Bree, along with the late Elliot’s domestic partner Thom, at the offices of a real estate development firm to inform them that she has already sold the bookstore and the land it sits on to said investment firm for a sum that does not remotely look like the true value of the business and its real estate.

And that it’s a done deal that closes in less than a month.

What Irma doesn’t tell them is why – no matter how many sneaky and not so sneaky ways they ask. As far as Irma is concerned, it’s her business and not theirs. And an argument could be made for that. (Elliot and Thom were not married, Elliot didn’t leave a will, so as the surviving business partner the bookstore is legally Irma’s to continue to operate or dispose of as she pleases. Or as she feels compelled to. Or whatever the hell is motivating her at this point.)

But it makes no sense. It’s clear from the outset that the development firm is shady AF and that they seriously lowballed the offer. Even if Irma does want to sell she’s being taken advantage of while she’s at a low place. And even if she does want to retire – and she might – she’s been grooming her younger daughter to take over the bookstore for Bree’s entire life. The change in direction is abrupt to say the least.

And the more Laney, Bree and Thom dig, the fishier the whole thing seems. So they fight back with everything they have, banding together and stepping way out of their collective comfort zones to get the developers to back off of the deal before it’s too late.

But just when they think they’ve won, they discover that they had lost the war long before they began the first battle. Now they’ll have to fight on an entirely different front – before it really is too late after all. Again.

Escape Rating B-: I expected to fall in love with The Book Haters’ Club, but I left – or rather I middled – with a whole lot of mixed feelings.

I say middled because the first half of the book is all about Laney’s, Bree’s and Thom’s all-out, no-holds barred campaign to save the bookstore – no matter what Irma thinks. While what Irma thinks, feels and for that matter what in the hell she’s doing this for is all a deep, dark secret that makes absolutely no sense at all.

At the midpoint, the story turns itself around, because it’s only then that the first layer of the secret is revealed. But it kind of feels like that slog to save the store was all a waste. It is a waste for Laney, Bree and Thom, but it’s at that point where the first half of the story feels like it was pointless for the reader as well.

But once that first, brittle, outer skin of that onion of secrets gets cracked and peels away, the story finally starts getting somewhere. Because, while Elliot may have left them all with his big, untidy mess of secrets, they all have plenty that they need to reveal, not just to each other, but to themselves.

So the first half of the story was a whole lot of frenetic action that led nowhere, The second half is a whole lot of introspection and grief and the work of opening up and letting friends in to help with your mess.

While turning a group of people who were once a roiling mass of resentment at each other – and honestly for good reason – into a surprisingly cohesive found family.

The biggest part of the charm of this story is in the characters, once we’re finally able to start getting to know them – and they’re back to getting to know each other. One of the odder things about this story is the way that dear, dead Elliot breaks the fourth wall from on high (presumably) to inject himself into both the storytelling and the proceedings in a way that just didn’t work for me. Your reading mileage, of course, may vary.

So there’s plenty to love in this story about secrets, partnerships, quirky neighborhoods and found families. And if you love books about books and reading filled with terrific book recommendations, there are plenty of those here to savor. I just wish the whole thing had gotten to its point a whole lot sooner.

Review: Would You Rather by Allison Ashley

Review: Would You Rather by Allison AshleyWould You Rather by Allison Ashley
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, women's fiction
Pages: 320
Published by Mira on August 23, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Noah and Mia have always been best friends, and their friendship is the most important thing to them. Life is going great for Noah and he’s up for a promotion in a job he loves. But Mia’s life is on hold as she awaits a kidney transplant. She’s stuck in a dead-end job and, never wanting to be a burden, has sworn off all romance. So when the chance of a lifetime comes to go back to school and pursue her dream, it’s especially painful to pass up. She can’t quit her job or she’ll lose the medical insurance she so desperately needs.
To support her, Noah suggests they get married—in name only—so she can study full-time and still keep the insurance. It’s a risk to both of them, with jobs, health and hearts on the line, and they’ll need to convince suspicious coworkers and nosy roommates that they’re the real deal. But if they can let go of all the baggage holding them back, they might realize that they would rather be together forever.

My Review:

The United States is the ONLY wealthy, industrialized nation on this planet that does not provide universal health care. And that is what honestly makes the U.S. health insurance industry the big, scary, and all too real villain in this romance.

Noah and Mia have been the bestest of best friends since they were seven years old. They absolutely do love each other, whatever form that love might take – and whatever feelings about the form that love might take they are hiding from each other and the rest of the world. Especially from themselves.

But Mia has a life-threatening chronic illness. Her kidneys are slowly but inexorably failing. Her condition is currently managed by expensive medications and occasional hospital admissions for flare-ups, but it’s manageable. At least so far.

She does need a kidney transplant, and her life has in many ways been on hold since she was diagnosed. Two of the specific things that she has put on hold are her career aspirations and any possibility of romance.

Mia does not want to kill anyone else’s hopes and dreams the way she did her parents’. Not that they see it that way. At all. But when she was diagnosed in her late teens, their savings were pretty much completely wiped out by the cost of her care that wasn’t covered by insurance. She just isn’t willing to do that to any potential romantic partner.

She dropped out of college when she was diagnosed – not surprisingly as it was a LOT to deal with. She’s stuck in a dead-end job because she needs the excellent health insurance the company provides. Without it, she will, quite literally, die.

The job has several good points and one really bad one. She is the administrative assistant at the architectural firm owned by Noah’s dad where Noah himself works. BUUUUT, one of the other architects is a douche who seems determined to make her miserable and puts her down at every turn. (There’s a bubbling vat of acid waiting in the wings for him, I swear.)

So, when she gets a scholarship for mid-career learners to return to college and finish the degrees they abandoned, she wants to take it. But she can’t. Because (insert evil villain music here) she needs the insurance from her job.

And that’s where this story both kicks off and goes just a teensy bit off the rails.

Noah offers to marry her so she can stay on his insurance and chase her dream of becoming a pediatric nutritionist, a job that will also pay at least twice what she’s making now and undoubtedly come with its own excellent insurance. Or, she’ll get a transplant which will automatically qualify her for Medicare – again solving the insurance problem. (The real crime in this story is that SO MUCH is caused by the evil insurance companies!)

What they are planning is a marriage of convenience, 21st century American style. Or so it seems. What they actually get turns out to be anything but.

Escape Rating B-: There’s so much of this book that is so good. It’s a terrific friends-into-lovers and fake relationship romance rolled into a lovely story, and those tropes are classics for a reason.

Noah and Mia have been besties for-literally-ever. Their deep friendship is the foundation on which both of their lives are built. They are each other’s person in some seriously profound ways. That they both want more but are too afraid to admit it because of the consequences if it doesn’t work out feels real. They know they belong together, but they have both made the decision that being together as friends is enough – or at least that it’s not worth the risk of trying for more because neither of them can face the thought of ending up with less.

Where the story sent me into a ranting internal monologue was in the nature of the “fake” of their fake relationship. They’re not the first or the last people, undoubtedly in real life as much as in fiction, to have married out of something other than romantic love. The problem in the story is that it conflates the issues involved in faking a Green Card marriage with marrying to get insurance.

Their marriage isn’t fake or a con. It’s a real marriage, with real legal documentation. They share a real house and a real life. Whether or not they ever plan to have sex or romance is not the insurance company’s problem and they are NOT committing fraud. They ARE married with all the legal consequences and legal responsibilities thereunto.

The real, true issue in the story is the lies they tell to their friends, their families and most importantly, Noah’s employer. Who is also his dad and they do have a good relationship which means that Noah could have been upfront about this mess from the beginning. But the story treats the reason for their marriage and their intention to dissolve it after Mia completes her education as the big bad sin, when it isn’t. It’s the lying that is both the sin and the thing that’s going to trip them up over and over until it’s dealt with.

So the blurb and at least the first third of the story make it seem as if their so-called “fake” marriage is the problem when the real, true problem is that they lied about it. And that they’ve been doing a whole metric ton of lying about a whole lot of very real issues – to themselves and each other most of all.

Where the story gets both very, very good and in many ways very, very sad is that once the first lie gets exposed, all the cats claw their way out of all the bags and they both have to deal with all the issues they’ve been hiding from themselves. And papering over by being so invested in their friendship that they let each other bury some real and serious shit that is painful to deal with and is only going to be more painful for being hidden.

So there’s a LOT to unpack in this story. It’s not nearly as bright and breezy as the blurb might lead you to believe. It is seriously NOT a rom-com. And it would have been a lot better – and a lot less frustrating (and this review would be a lot less ranty) if it had started out by focusing on the real culprits in the mess.

Once it finally gets on the path it should have been on in the first place, the story of two people who have loved each other nearly all their lives who have been living a pretense that suddenly becomes real, the story has a whole lot of charm along with a marvelously cathartic resolution and a solidly earned HEA.