#BookReview: Which Witch? by Simon R. Green

#BookReview: Which Witch? by Simon R. GreenWhich Witch? (Holy Terrors Mystery, #3) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: horror, mystery, paranormal, urban fantasy
Series: Holy Terrors #3
Pages: 203
Published by Severn House on August 5, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Talented actress Diana and young bishop Alistair, her partner in crime-solving and supernatural sleuthing, face the terrifying curse of the Scottish Play in this witty, creeptastic paranormal mystery from New York Times bestselling British fantasy author Simon R. Green

Miles away from town or city, and centuries away from civilization, three witches dance around a great brass cauldron, singing songs of horror and hatred. The Crone raises her voice to ‘When shall we three meet again?’ . . . only for the cauldron to emit a thick, poisonous smoke, sending her, and her fellow actresses, fleeing for their lives.

For the director, it’s the last straw. Macbeth is famously a cursed play, but the incident, not the first in a long line of creepy events, makes him wonder if someone – or something – is trying to sabotage the play. The show must go on! But not if the forces of darkness are determined for it not to.

Talented actress Diana Hunt, hired to give her Lady Macbeth, knows just the man to turn to for her partner in crime-solving, handsome young bishop Alistair Kincaid, whose help investigating a series of seemingly supernatural murders has earned them the nickname the Holy Terrors. But with evil and black magic wrapping the theatre in darkness, this investigation might cost Alistair and Diana far more than they’re expecting.

My Review:

There’s a curse on ‘The Scottish Play’, or so the old acting tradition goes. Part of that curse is that if any of the actors in the play utter the play’s actual title, that the production will be doomed. It’s possible that tradition arose because The Tragedy of Macbeth has the potential to be a rather expensive play to put on, and a lot of theaters that did so went out of business because they were already in financial trouble and hoping that a splashy production would rescue them.

Or it could all be the witches’ fault. There are certainly plenty of them in any production of Macbeth.

The production of Macbeth that ‘the Actress’ half of the ‘Holy Terrors’ is rehearsing seems to already be covered in the curse from every possible angle even before her partner-in-solving-crimes, ‘the Bishop’, gets called in.

The theater they’re rehearsing in may not technically be haunted, but it’s been derelict for so long that it might as well be. It’s certainly falling apart around the actors’ ears. There have been a series of spooky, mildly dangerous, plausibly supernatural events amid the rehearsals from the very first day.

Neither the director nor the money men seem willing to take those events seriously, but Diana Hunt, ‘the Actress’, certainly is. So she calls in Bishop Alistair Kincaid, her very own Bish. At least she wants him to be.

Hers, that is.

Not that anyone can blame her – although a few people do – for wanting his stalwart presence at her side, because there’s something terribly wrong in the wings of this old theater. So far in their adventures, the spooky and the supernatural have turned out to all be matters of misdirection and human agency, but there’s a first time for everything.

And even if there’s not, the Holy Terrors have an excellent record of finding their way to the truth – no matter how much fog – or fire – or at least smoke – gets in their eyes.

Escape Rating B: I read this author for the tone of his voice – particularly his excellent line in snark – and this latest book was no exception. What makes this series especially fun is that the Bishop and the Actress give excellent banter. The series – at least so far – rides on the coattails of their obvious attraction to each other to the point where their every interaction hints at both the double entendre of old “the Bishop said to the Actress” jokes AND the will they/won’t they? of their relationship.

So I sunk right into this third entry in the series – after The Holy Terrors and Stone Certainty – because I was having a grand time just listening to the two of them talk to each other and egg each other on. For this reader, that’s the best part of the story.

But there is also a mystery. Based on their prior outings, I was pretty sure at the outset that whatever was going on in that awful theater was awfulness of the entirely human  – and living – variety. Not that someone wasn’t using the creepy atmosphere to further their aims, but that those aims were entirely among the living and so was the perpetrator – or perpetrators.

Like those previous books, this one does a terrific job in poking holes at something we’re already familiar with that affords plenty of opportunity for some sort of woo-woo trickery to ooze right into everyone’s subconscious. In The Holy Terrors it was reality TV, Stone Certainty featured a stone circle, while this time around its the shenanigans and superstitions of an acting troupe. The internal squabbles of this intimate group of frenemies certainly added to the rising tide of red herrings in solving the mystery.

In the end, this turned out to be a bit of Noises Off set backstage of the creepiest play to ever creep in a haunted theater filled with backstabbing personalities on all sides. I came into this one expecting to be entertained – possibly more than any audience this production might ever have – and that’s exactly what I got.

I was not expecting there to be a supernatural element in the actual mystery – and there wasn’t. The hint of the supernatural that the story did have was JUST the right touch.

What I did hope for was to see a bit of how the UST between the Bishop and the Actress was – or was not – going to resolve. I left the story thinking that they believe it did – but I’m not certain at all that it will work out. We’ll see whether it does for the book or the characters – or possibly but not likely both – if/when the series continues. Because this could be the end – but I kind of hope it isn’t.

A- #BookReview: The Misplaced Physician by Jeri Westerson

A- #BookReview: The Misplaced Physician by Jeri WestersonThe Misplaced Physician (An Irregular Detective mystery Book 3) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Irregular Detective #3
Pages: 218
Published by Severn House on July 1, 2025
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When Doctor John H. Watson is kidnapped while Sherlock Holmes is out of the country, private investigators Timothy Badger and Benjamin Watson must find the missing physician . . .

London, 1895. Former Baker Street Irregular Timothy Badger and his partner in detection Benjamin Watson are in a the eminent Dr John H. Watson has been kidnapped! The physician was enjoying a glass of sherry at his Baker Street residence before being bundled away in a barouche coach wearing only one slipper. Did Dr Watson know his captor, and where is he now? Could the mysterious ransom notes arriving in the post hold the answer?

With their mentor Sherlock Holmes out of the country, recovering the missing doctor could well be the biggest case the intrepid duo is ever likely to face . . . and if they don't do so quickly, it could be their last!

An intriguing Victorian mystery full of shenanigans, humor, and twists featuring a cast of eccentric characters led by two exciting, unconventional detectives mentored by Sherlock Holmes - perfect for fans of Charles Finch and Anne Perry.

My Review:

Sherlock Holmes’ investment in his experiment pays surprising dividends for the ‘Great Detective’ in this third book in the Irregular Detective series. The physician who has been misplaced is Holmes’ own friend and chronicler, Dr. John H. Watson, while Holmes is out of town and out of reach on some mysterious errand of his own – or more likely at the behest of his brother Mycroft.

So, when Mrs. Hudson receives a ransom demand for the good doctor, she’s at sixes and sevens about who to call on. Of course, the note demands that she NOT involve the police, leaving her in a bit of a quandary. But Mrs. Hudson does not dither about the problem. If she were a ditherer, she wouldn’t have survived as Sherlock Holmes’ landlady for these many years.

If she can’t reach the master, she’ll get the apprentice, leading her straight to the Dean Street door of Badger and Watson, the young detectives that Holmes has taken under his wing. Or, in the case of Timothy Badger, kept there as Badger was once one of Holmes’ own Baker Street Irregulars.

The game that is afoot in Badger and HIS Watson’s third outing is both WAY over their heads and too close to home to allow them to refer the case to the police – even if Dr. Watson’s kidnappers hadn’t completely ruled out that possibility. Timothy Badger and Ben Watson OWE Sherlock Holmes after he bankrolled their start. His continued support has kept them afloat AND sent them cases to grow their agency.

They NEED to get this right. And for that, they need help. Specifically, they need the help of intrepid reporter Ellsie Littleton to help them navigate the trail from the familiar confines of London to places and situations where two young men from the rough side of that town have never had to tread.

And they need eyes and ears in places they never thought to go, meaning that the young detectives need to develop some ‘irregulars’ of their own – to be where they cannot. Just as Badger did when he was a lad.

It’s going to take the combined efforts of every single one of those resources – as well as the odd assortment of skills that Ben Watson has learned along his way – to figure out the who, what, when, where and why of a case that may not make much sense but has the potential to scupper their futures AND take away a mentor that they both respect.

Escape Rating A-: This series has been pure historical mystery fun from Badger and Watson’s first outing in The Isolated Seance, and this third book is no exception – although it is a bit different from both Seance and the second book, The Mummy of Mayfair.

It did seem as if the young detectives were taking on cases that their mentor probably wouldn’t have touched with someone else’s barge-pole due to the supposed ‘paranormal’ vibes. (The author left hints that their fourth case will head back in that direction.)

But this third outing is a bit less outré and a bit more conventional than their earlier cases, as at its heart this is a kidnapping and ransom case where it’s up to our detectives to rescue the victim before their kidnapper is done with them – and does away with Dr. John H. Watson.

While the stakes of this case are high, it is still fun to see Badger and Watson grow into it, both as people and as detectives. They have to expand their horizons, both literally and figuratively, as they have no one to rely on but each other and the ‘irregulars’ they have already gathered around them.

They’ve never been outside of London, they’ve never had a case with so few clues, and they’ve never had to solve a case where the costs will be both so personal and so catastrophic if they fail.

Which is where, really, really surprisingly, romance enters the picture for both Badger and Watson. As much as Ben Watson doesn’t want to include reporter Ellsie Littleton in their investigation, they need her for the skills they both lack. At the same time, Tim and Ben are both wary of Ellsie’s involvement in their cases AND especially in Tim’s life, as she is an aristocrat whose family fortune is gone. There’s plenty of suspicion to go around – as there should be.

Meanwhile, the case itself is fascinating, because so little of it makes sense. It absolutely does hang together well in all the ways that a mystery should, but everything feels askew. Dr. Watson either left in a hurry OR he left really obscure clues behind. The case might relate to one of Holmes’ old cases, or it might be a way of getting at Holmes himself by kidnapping his friend.

And the ransom demand is WAY too low and the instructions for delivery are way too strange. The kidnapping might not be about the ransom at all. But then, what is it about? They have a lot to work through but seemingly a flexible amount of time to do it. Which is also, well, not exactly typical in a kidnapping case.

That, in the end, this case, like one of Holmes’ other old cases, comes down to the ‘curious incident of the dog in the nighttime’ weaves the whole thing back into the Holmes’ canon without pulling a thread of it out of place made The Misplaced Physician an excellent addition to both the Irregular Detective series and the library of stories that ensure that the game is always afoot.

A- #BookReview: An Excellent Thing in a Woman by Allison Montclair

A- #BookReview: An Excellent Thing in a Woman by Allison MontclairAn Excellent Thing in a Woman (A Sparks and Bainbridge Mystery, #7) by Allison Montclair
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: Sparks & Bainbridge #7
Pages: 224
Published by Severn House on February 4, 2025
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The owners of The Right Sort Marriage Bureau are back, and more determined than ever to bring love matches to the residents of Post-WWII London . . . so something as trivial as a murder investigation isn't going to stop them!
London, 1947. Spirited Miss Iris Sparks and ever-practical Mrs Gwendolyn Bainbridge are called to action when Gwen's beau Salvatore 'Sally' Danielli is accused of murder!
Sally has taken a job at the BBC studios at Alexandra Palace, but when the beautiful Miss JeanneMarie Duplessis - one of the Parisian performers over for a new variety show - is found dead in the old theatre, a number of inconvenient coincidences make him Suspect
Just days earlier, Miss Duplessis had arrived at The Right Sort, desperately looking for a husband - any husband - to avoid having to return to Paris. As the plot thickens, Iris is pulled back into the clandestine circles she moved in during the war and it soon becomes apparent that to clear Sally's name, she and Gwen would need to go on the hunt for a killer once more!
Those who enjoy reading Kerry Greenwood's Phryne Fisher mysteries and Dorothy Sayers will adore this warm and witty historical mystery!

My Review:

The Right Sort Marriage Bureau began by making one long-lasting partnership – and solving a murder into the bargain – in their very first outing, The Right Sort of Man.

The business partnership and ride-or-die sisterhood of Iris Sparks and Gwen Bainbridge has held true through thick and thin, murder and mayhem, for six books so far, with this seventh proving that these two women are in it for each other – no matter what life throws in their way. Separately AND together.

Because they’ve always been separated by one BIG secret – not that they haven’t chipped at that secret’s edges over the course of their partnership.

During the war whose aftermath still scars London and the English countryside, Iris Sparks signed the Official Secrets Act, vowing to keep her clandestine work on behalf of the British government just that, a secret. Gwen has always known that Iris did a LOT of things she can’t talk about – if only because people from Iris’ life during those shadowy years keep showing up in her present.

This particular case, two years after the end of the war, is riddled with bullets and memories from those dark days – even as it portrays a world making bold strides towards the future.

The lights, cameras and action of the brave new world of television are about to bring British talent and culture – and slapstick – into the living rooms of thousands around the country – and eventually the world. But among the shadowy sets and hidden props a traitor has hidden in plain sight – one who plans to pin an entire new set of crimes and coverups on someone in the wrong place and the wrong time.

But he’s made one BIG mistake. He’s tried to fit a frame around someone that both Iris and Gwen hold dear – and neither of them can let that stand.

Escape Rating A-: Archie Spelling is dead, to begin with. The ending of the previous book, Murder at the White Palace, left the fate of Iris Sparks’ lover hanging by a thread. In the brief period between the end of that book and the beginning of this one, that thread was cut. Now Iris is the partner adrift at the Right Sort, while Gwen Bainbridge, finally free of the Lunacy Court and the oppressive conservatorship of her late husband’s wealthy family, has begun a new independent life in a new house with her young son AND has begun a romantic relationship of her own.

Gwen’s world is finally looking up, while Iris’ is mostly staring blearily at the bottom of a bottle, as the manner of Archie’s death, devastating enough in its own right, brought back to Iris entirely too many unresolved issues from her secret spy work during the war.

So Gwen is rising, Iris is falling, and their new case represents the changes coming even as it all goes very, very pear-shaped.

Television transmitter ‘mast’ at the Ally Pally ca 1935

Sparks & Bainbridge are investigating the murder of one of their clients – as they did in their first story – but this case in all of its fake tinsel and real tinsel, takes place at “Ally Pally”, the Alexandra Palace, home and headquarters of BBC television. A performer is dead, a stage manager is suspect, and Iris and Gwen are caught in the middle and tied up in knots by the Official Secrets Act that Iris signed long ago.

Because the dead woman, the accused stage manager, the likely murderer and pretty much every single person Iris runs into along the way of the investigation – all signed the Act and can’t talk about how they know each other, what they did together and separately, and why this murder has nothing to do with BBC TV now and everything to do with secret radio broadcasts from hidden bunkers in the midst of some very dark nights then.

If they don’t tell the truth, the wrong man will be hanged for the murder. If they do tell the truth, they’ll all hang for telling the tale.

Iris can’t save herself, but Gwen can save them all. By becoming part of the world of danger and derring-do that she’s been nibbling at the edges of since the day she met Iris Sparks. It looks like Sparks & Bainbridge are going to be up to their necks in the Cold War in future books in this series – and I can’t wait to read them!

#BookReview: Stone Certainty by Simon R. Green

#BookReview: Stone Certainty by Simon R. GreenStone Certainty (A Holy Terrors mystery, 2) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: horror, mystery, paranormal, urban fantasy
Series: Holy Terrors #2
Pages: 192
Published by Severn House on February 4, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Dare you enter the stone circle . . .? The world's most unlikely ghost-busting duo - actress Diana and handsome young bishop Alistair - are back in this spine-tingling paranormal mystery from
New York Times bestselling British fantasy author
There are stories about the dilapidated stone circle at Chipping Amesbury, going back centuries. Of people going missing, never to be seen again. Of people found dead inside the circle. Of monsters, and of demons. The villagers may tell the tales with relish to visiting tourists, but a careful observer will notice that there is no transport to the stones, no tours on offer, and the locals stay well away.
Alistair Kincaid, the youngest ever bishop of All Souls Hollow, is an expert in Britain's ancient stone circles. That's why, when landowner Sir Neville Chumley announces his plans to restore the circle to its ancient glory, he agrees to take part in a documentary about the project.
Well - that, plus talented actress Diana Hunt is on board. Ever since their last encounter, when the pair of them hunted ghosts and solved a murder, the tabloids have dubbed them the Holy Terrors, and Alistair can't wait to see her again.
But soon after filming begins, Alistair and Diana are plunged into a terrifying mystery. For the repositioning of the final stone unleashes a series of blood-chilling events that threaten to make them both believe in demons - if, that is, they make it out of the stone circle alive.
The Holy Terrors novels are funny, scary and thoroughly entertaining - perfect for fans of Simon R. Green's urban fantasy novels, as well as those who enjoy American Horror Story, The Haunting of Hill House, horror novels, and murder mysteries with a supernatural twist.

My Review:

As the Bishop said to the Actress, this time was better than the last time. Or perhaps he should have said. Or I’d have said to him (as the reader and not the actress) because this second outing in the Holy Terrors Mystery series was better than the first entry, The Holy Terrors.

It helped more than a bit that we are at least already acquainted with that Bishop and that Actress, Alistair Kincaid and Diana Hunt, after their first meeting and first adventure.

What REALLY helped was that even though a whole bunch of the mystery was obviously a put up job from the off – even if we don’t know exactly how it was put up, or why – the setting was inherently a whole lot creepier than the supposedly “most haunted hall in England” in that first go around.

Stonehenge at Sunset

Stone circles are a haunting feature of the British Isles – and there are considerably more of them than people tend to think there are. Over 1,300 are scattered over England, Scotland, Ireland, Northern Ireland, Wales, Brittany and the Channel Islands. Stonehenge may be the largest, and certainly the best known, but it’s far, far, far from the only one.

And no, with all our science, we still don’t know for certain what they were built for. But they are fascinating, and creepy, and fascinatingly creepy all at the same time. Whatever the reason for them, the ‘monumental’ amount of effort required to build them at the time when they were built represented a HUGE drain on the society of the time. Their builders certainly thought they were important based on the amount of time and effort that was needed to build them.

Myths and legends are attached to all of them – and not just the stories of time travel between the stones that the Outlander books popularized. In the present, they also generate a lot of tourist income wherever they are located.

All of which makes the idea of this second book in the Holy Terrors series more plausible and a bit less of a joke than the first story. Which made the whole enterprise just a bit easier to get into and go along with for the ride.

That the tiny, off-the-beaten path town of Chipping Amesbury, with its even more out of the way stone circle, would like to revive the tourist industry that used to sustain them before the town becomes as derelict as the stone circle makes a whole lot of sense. That the new local squire actually has enough money to put a big push behind that desire is a bit less common but at least is plausible.

That some locals think he’s disturbing things that shouldn’t be disturbed makes a nice foil for his attempt at restoration, and provides just the right note of tension to this story about a made-to-order documentary about this particular stone circle and how much it can improve the local economy – which seemingly EVERYONE should want.

That the documentary production includes the local TV news personalities, to give it some gravitas, and the ‘Holy Terrors’ duo who caught the popular imagination back in their first adventure to give the project a bit of pizzazz seems like exactly the kind of thing that a publicity hunting squire would do to drum up the desired interest.

Which is, of course, when the entire thing goes utterly pear-shaped, and the crew is stranded in that remote stone circle, surrounded by dense fog, as the bodies start dropping. Out of the circle and seemingly into thin air – or perhaps, to some Other Place.

Escape Rating B: I liked this better than the first book, because I went into it more willing to suspend my disbelief this second time around. I’m already convinced that there is nothing real about so-called ‘Reality TV’, but I’ve been to more than one stone circle and they do have a bit of a weird vibe even if it’s only in the sense of “what the hell made these people go to all this trouble.” I’ve been to Stonehenge a bunch of times and it’s been gloomy and lowering and weird every time.

So I went into this one, well, not thinking that anything supernatural or extraterrestrial was going to come out of the stones, but that both the locals and the crew would be a bit creeped out and that everyone on all sides would have some ‘feelings’ about it all because the places do engender those feelings for real.

I was expecting a human agency behind it all – because that’s the way that all of this author’s recent paranormal-ish, supernatural-ish series (I’m looking at you Ishmael Jones) mostly work.

But I did expect to have a bit more fun along the way than I did last time because the premise had a bit more meat to it. And it did and I did. But I’m left wondering just how long the author plans to ride this one-trick pony, because there’s no real meat on those bones.

Although I certainly want the Bishop and the Actress to resolve their “will-they? / won’t they?” relationship before the ride is over!

#BookReview: Rebellious Grace by Jeri Westerson

#BookReview: Rebellious Grace by Jeri WestersonRebellious Grace (A King's Fool mystery, 3) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: King's Fool #3
Pages: 224
Published by Severn House on January 7, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Henry VIII's court jester Will Somers turns reluctant inquisitor once again when a grotesque murder within the palace walls is linked to the Pilgrimage of Grace rebellion in this gripping Tudor mystery.

1536, London. The gruesome murder of a servant in the king's palace, his throat savagely cut, has brought fear to the court of Henry VIII. When the man's body is then dug up from the churchyard and disembowelled two weeks later, Will Somers, the king's jester, is horrified. What terrible mischief is now afoot under the king's roof?
With Henry VIII distracted by The Pilgrimage of Grace, the religious revolt led by Robert Aske in protest at the king turning his back on the Catholic faith, Will becomes reluctant inquisitor once again. As he attempts to unmask a murderous knave, Will uncovers a chilling link between one of Queen Jane Seymour's precious jewels, the rebellion and the dead man. Is a shocking act of treachery behind a grotesque killing?
Perfect for fans of stunning Tudor mysteries and historical dramas featuring witty and tenacious sleuths, and bursting with betrayal, politics and passion from the likes of Paul Doherty Michael Jecks,, C.J. Sansom and Philippa Gregory.

My Review:

Will Somers, the King’s Fool of this series, finds himself hoist on his own petard in this particular case. After his success at investigating murders on his own in the two previous books in this series, Courting Dragons and The Twilight Queen, this time around his king has ordered him to look into the death of one of Will’s fellow royal servants.

Not as a result of the original murder, but because some ghoulish or desperate person disinterred the corpse of the late Geoffrey Payne in order to disembowel the man two weeks after his burial. Someone seriously had it out for the victim, and King Henry VIII has tasked his fool, Will Somers, with discovering who would do such a terrible thing – and especially why.

Finding out who might have wanted the man dead is one thing, figuring out who hated him so much that they desecrated his corpse is something else altogether.

Evidence from the murder has long been washed away, but Will knows THAT is where he must begin, with a trail long grown as cold as the winter winds whipping through the palace. But Will, as the king’s own, personal, fool, has permission to poke his nose in anywhere and everywhere at court. With his king’s commission, he has the warrant to ask all the questions he wants, as well.

Even as every single noble he even attempts to talk with makes him all too aware that they will remember this slight and take it out on him whenever the first opportunity arises. Because even if they’re guilty they know they can’t be punished – but sooner or later, Will Somers most certainly can.

But Will can’t resist the puzzle – no matter how much he wishes that he could. The more he digs into the problem, the more it seems like that problem is much bigger than the ‘mere’ death of one of the queen’s own royal servants – not that Will Somers, a royal servant himself, would ever see it so.

That his best witness is unreliable by their very nature only adds to the conundrum, as each clue he teases out takes his investigation one more rung up the ladder of people that Will knows he cannot touch – even if they are guilty.

Especially if they have involved a member of the court so high that they cannot even be questioned, let alone touched, at all.

Escape Rating B+: Historical mysteries like this one, and the King’s Fool series of which it is the third entry, have to walk a tightrope over the historical era they portray. That’s especially true in this case, as Will Somers, the ‘King’s Fool’ of the title, was a real person in the court of Henry VIII, and his position and duties are known to history – if not the details of his days and nights.

At the same time, as an integral part of the court, Will was, by definition of his duties, in a position to literally see all and know all about the doings of the high and mighty among whom he served.

Which is very much where that tightrope comes in. His job, not as a ‘court jester’ but as the king’s own fool, required him to be in the rooms where Henry VIII’s reign happened – while at the same time being ignored as beneath the notice of the courtiers in that room with him.

The conceit of this series has put Somers in the sort of position that modern detectives would envy. He is intimately aware of all the ‘goings on’ in court, and he has been part of the court more than enough years to know how things work, where the nobility stash the skeletons in their personal closets and where the metaphorical and occasionally physical bodies are buried.

At the same time, he’s an outsider. He’s not himself a noble and he never will be. He’s a servant and all too frequently reminded of that fact. He’s beneath notice – and yet, he has the ear of the king. He can go everywhere and see everything and continue to slither out of trouble as long as he doesn’t go too far for the king to allow him to keep both his position and his head.

The story gets told, and the mystery gets solved, through Will Somers’ intimate perspective on the court and the people in it. It very much feels as if the mystery is second to the detailed and loving portrait of the court and its denizens. Not that Will doesn’t manage to solve the mystery while getting into as much danger as any contemporary detective, but that both the solution and the danger are tightly wrapped in the historical period.

I enjoy this series a LOT because this is a period that has always fascinated me. The history that it dives into so deeply is recognizable and familiar and the ‘you are there’ feeling is one that I’m eager to be a part of. I hope it works just as well for readers who are experiencing this era for the first time.

The series continues to move through the reign of Henry VIII based on that old doggerel about his wives, “Divorced, beheaded, died. Divorced, beheaded, survived.” The next book in the series, tentatively titled Beloved Sister but recently changed to Devil’s Gambit, will be set during Henry VIII’s brief marriage to Anne of Cleves, which she survived in style.

In the meantime, I’m also looking very much forward to Six Wild Crowns by Holly Race coming in June, the start of an epic fantasy series that also takes its inspiration from the court of Henry VIII and his wives.

I am eagerly anticipating both of these upcoming books!

A- #BookReview: A Snake in the Barley by Candace Robb

A- #BookReview: A Snake in the Barley by Candace RobbA Snake in the Barley (An Owen Archer mystery Book 15) by Candace Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: Owen Archer #15
Pages: 325
Published by Severn House on December 3, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Where is taverner Tom Merchet? Owen Archer unearths a series of troubling secrets and a dangerous foe intent on retribution when his good friend goes missing.

"A standout . . . Robb reinforces her place among the top writers of medieval historicals" - Publishers Weekly Starred Review

York, 1377. Owen Archer is determined to find his friend, taverner Tom Merchet, who has been missing for five days. His wife, Bess, is frantic with worry.

AN ENIGMATIC STRANGER.

Who is the elusive Widow Cobb that Tom was seen visiting? And who is the man spotted following Tom before he vanished? As Owen hunts for clues, Bess decides to visit the widow’s lodgings and makes a terrifying discovery.

RETRIBUTION IS BREWING . . .

Owen digs up past sins and long-buried secrets that answer some of the questions surrounding Tom’s disappearance. But who is the sly and malevolent figure intent on destroying his friend, and why? A shocking confession will rock Owen to his core . . .

An action-packed, evocative and masterfully plotted medieval mystery in the critically acclaimed Owen Archer series, perfect for fans of C.J. Sansom, Ellis Peters and Paul Doherty.

My Review:

The previous entry in this marvelous long-running series, A Fox in the Fold, was all wrapped up in Owen Archer’s past. This current entry dives deeply into the past of Owen and Lucie Archer’s friend and neighbor, tavernkeeper Tom Merchet.

At the heart of this particular mystery is something that almost seems foreign to us in this era of instant communication and always available – if not always true – information. The past is another country, as the saying goes, and they do things differently there. One of the things that is very different is just how easy it could be to reinvent yourself – for good or ill – by moving a distance that doesn’t seem all that far to us, but represented a significant investment in time, money and danger in Owen Archer’s – and Tom Merchet’s – late 14th century.

Owen Archer, his wife Lucie, and his neighbors and good friends Tom and Bess Merchet, are all middle-aged by this point in the series (1377) which began in 1363 in The Apothecary Rose. Owen wears his past on his face in the form of an eyepatch that covers the wound that saw him mustered out of the King’s Archers and into a life as the King’s wandering investigator.

But Tom Merchet’s past has remained firmly down the road both literally and figuratively, in places and people he left behind and buried before Owen came to York to investigate whether – or not as the case turned out to be – Lucie murdered her late husband.

Everyone in York knows that Tom lost his first wife and child, and very nearly the York Tavern along with them. And that Bess saved him and the tavern both with her skills as a cook and manager, and that they grew together into a happy and loving marriage.

But their peace has been disturbed by a series of unfortunate and downright strange events. Someone is digging holes around their property. Tom has been skulking about town at odd hours, visiting strangers suspected of theft – and worse. Bess is sure it’s all tied to a past that Tom has always refused to talk about – and that whatever happened then has come back to haunt him now – and that it’s taken him away from her. Possibly for good. Meaning for something very, very ill indeed.

And she’s right about that. But wrong about pretty much every single thought and speculation that has led her – and her now missing husband – to this terrible pass. Because of a past that has refused to let him go.

Escape Rating A-: I adore this series, and have since I read the very first book, The Apothecary Rose, as I myself was walking the streets of York on a trip just over OMG 30 years ago. Time does fly and some of it has been fun. The reading parts, certainly.

Reflecting back on the series, how much time it has covered both in the ‘real world’ and in Owen and Lucie’s historical York – even if it hasn’t been nearly as much time for them as it has been for us – I can’t help but think over how much has happened in both sets of those years. While at the same time marveling at just how little prior knowledge of the series a reader needs to have or remember to get into this 15th entry in it. (Meaning that you could start here but it’s all just so good you really should start at the beginning!)

It’s all down to the fact that, throughout the series, Tom Merchet has revealed little of his past. That he has one, yes. What it consisted of, what sins he’s committed, he hasn’t discussed. At all. Even with his wife.

So when Tom goes missing Owen doesn’t have any clues about where to start because Tom didn’t leave any. Owen is just as lost as we are – or the other way around! – investigating events that happened nearly two decades ago if not more, committed to and perhaps committed by a man he knows NOW but who may not much resemble the person he was THEN.

As Owen investigates, he hears conflicting reports of Tom in both the past and the present. He knows that the behavior that resulted in Tom’s near death beating in the now doesn’t make much sense even in the abstract and certainly bears no resemblance to his friend. Which doesn’t mean that the long-ago events which left behind so much enmity in Tom’s former home couldn’t have been committed by a much younger – and likely more hot-headed – version of that same man.

The heart of Owen’s investigation, the mystery he has to solve, lies in the past. A past that Tom has kept from his wife, a past that he’s ashamed of. But someone wants him dead in the present very, very badly. Someone who has left a trail of corpses behind them and then attempted to frame Tom for their deeds. Someone who obviously left Tom for dead in the hopes that the frame would fit his corpse better than it does a living man who has tales to tell.

Unless Tom has been hiding a villainous nature all along. Or a nature that was once villainous enough that he can be blackmailed now to keep it quiet. Leaving Owen to navigate his way through the rather pointy horns of multiple dilemmas, all of which must be resolved in order to bring the true villain – or villains – to justice.

And, as always in this series, it’s a delight to watch him work – especially this time around as he doesn’t begin with a clue and we get a refresher on everyone and everything all over again. Even the parts that seem familiar have to be re-examined with fresh eyes and it’s a great reminder of the bones of all the stories that have come before in the series while giving new readers a place to jump in.

The major plot of this particular story and its biggest mystery, is primarily domestic in nature this time around. But that does not mean that the roiling boil of royal politics does not touch upon York, particularly upon Owen in his semi-official position as the Princess of Wales’ agent in the North. The old king is on his deathbed, his Prince of Wales is several years in his grave, and the heir apparent is a child that all his uncles are already squabbling over – as well as over the throne on which the young Richard II-to-be will sit. If he lives that long.

The English royal family feud better known as the Wars of the Roses is about to boil over, and even in far north York, Owen Archer is likely to be in the thick of it. Hopefully in the next book or two – or maybe several! – books in the series. As one of the things I love best in this series is the author’s deft mix of Owen’s domestic business in York with the doings of the great and the mighty in London, I’m looking forward to finding out what happens on both fronts whenever the next book appears.

May it be soon!

#BookReview: Buried Memories by Simon R. Green

#BookReview: Buried Memories by Simon R. GreenBuried Memories (Ishmael Jones, #10) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: horror, mystery, paranormal, urban fantasy
Series: Ishmael Jones #10
Pages: 219
Published by Severn House on October 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Returning to the small town where he crash-landed in 1963, Ishmael Jones is in search of answers. But his investigation is de-railed by a brutal murder.

"I think something very bad and very dangerous has come to your little town, Inspector . . ."
As long-buried memories from his hidden past begin to resurface, Ishmael Jones and his partner Penny feel compelled to return to the small country town where Ishmael crash-landed in 1963; the place where his memories began.
Norton Hedley is no ordinary town. Apparitions, sudden disappearances, sightings of unusual beasts: for centuries, the place has been plagued by a series of inexplicable events. Ishmael's first task is to track down local author Vincent Smith, the one man he believes may have some answers.
Ishmael and Penny aren't the only ones seeking the mysterious Mr Smith. When their search unearths a newly-dead body in the local mortuary - a body that's definitely not supposed to be there - Ishmael becomes the prime suspect in the ensuing murder investigation. His only hope of discovering the truth about his origins lies in exposing a ruthless killer.

My Review:

Ishmael Jones is as he has always been. The problem is that he’s been the same, absolutely unaging, for 60 years now. And he doesn’t remember who – or more likely what – he was before that. Before 1963, when his alien space ship was blown out of the sky over Earth and crashed in a field near the tiny village of Norton Hedley.

Which doesn’t seem to have changed much either in the intervening 60 years.

A situation that is quite a bit more worrying than Ishmael’s own unchanging face, because he at least knows why THAT’s happening. Or not, as the case may be.

But Norton Hedley, a place where people come and go and live in hope for a good tourist season every year, seems to be a haven for the uncanny. After all, that’s what has brought Ishmael and his partner Penny to the village.

Because Ishmael and his unchanging appearance began – at least as far as his memory goes – with the crash landing of his alien spacecraft in the woods surrounding Norton Hedley in 1963. He’s returned because his previous two cases, Night Train to Murder and The House on Widows Hill, have provided him with some scattered but ominous clues about who and what he used to be.

And he needs to know. Because he needs to know if he’s a danger to Penny. Or anyone else on Earth who doesn’t deserve it.

In his research about Norton Hedley, or the research the coyly named black ops group, the Organisation, has done on his behalf, he – and they – have learned that Norton Hedley has been weird central for years. Not just the years since his ship crashed in 1963, but for centuries. Millenia even.

Something in, on, or more likely under – like the thing that was under The House on Widows Hill – has been creeping its creepy way along into the lifeblood of the town for eons uncounting. It might have the answers he’s been searching for for decades.

And it might not want to let him know.

Escape Rating B: This series has been one of my Halloween reads since I first discovered it, so it seemed appropriate to finish it up this Halloween. As I’ve already read the final book in the series (so far), I’ll have to pick something else horror-adjacent next year.

The author is an acquired taste – one that I acquired decades ago. It’s the snark. It’s always been the snark no matter what the ostensible genre or subject of ANY of his many series might be. If you like his voice, then when you’re in that mood nothing else will do. But if you’re not, you bounce off, and bounce hard. Your reading mileage may vary.

The concept of this particular series throws a whole bunch of speculative fiction tropes into one hell of a blender. The series began, back in The Dark Side of the Road, as English country house mysteries where the supernatural agencies turn out to be merely human – but with a touch of the paranormal or extraterrestrial for spice and added bodies.

Over the course of the series it has turned into Ishmael’s quest to learn enough about who or what he used to be to figure out just how he can continue to stay one step ahead of all the various secret agencies that would like to use him up in one way or another. Even more important, he’s thoroughly invested in keeping Penny safe – if necessary from himself.

At first, what made this series work as well as it does – at least for this reader – was the revelation in each case that no matter how weird things got – often very – that the enemies were always human after all.

What has kept me going this far have been the questions about Ishmael’s past and Penny’s future. While Ishmael has been unchanging for 60 years, the series has been set in a sort of ‘perpetual now’. Days and weeks pass but seemingly not years. This entry in the series is one of the first that confronts head on the problem of Ishmael and Penny’s relationship.

Not that they have problems, but that together they have a problem. Penny is an ordinary human, she will age, and Ishmael will not. Short of a deus ex machina – and not that there haven’t been plenty of powerful machina around over the course of the series – this can’t end happily. Howsomever, I already know that it does not end in the next book, Haunted by the Past. And in spite of the ominousness of that title, it doesn’t dive nearly as deeply into Ishmael’s past as Night Train to Murder, The House on Widows Hill and Buried Memories have done.

So, I have begun to wonder if the author is planning to end this series at all. I wonder even more whether or not he should. I’d rather just think of Ishmael and Penny in that perpetual now, continuing on their quest to find evil humans at the heart of supernatural hoaxes, raging together against the dying of their light.

#BookReview: Saving Susy Sweetchild by Barbara Hambly

#BookReview: Saving Susy Sweetchild by Barbara HamblySaving Susy Sweetchild (Silver Screen Historical Mystery #3) by Barbara Hambly
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery, mystery
Series: Silver Screen Historical Mystery #3
Pages: 293
Published by Severn House on September 3, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Welcome to Hollywood of the 1920 a world filled with glamour, fake names . . . and the occasional felony!

July, 1924. After nine months of living in Hollywood and working as a companion to her beautiful silent-movie star sister-in-law, young British widow Emma Blackstone is settling into her new doctoring film scenarios whenever the regular scenarist is overwhelmed with work, which seems to be most of the time.

Shoots for the Western movie Our Tiny Miracle are in full swing, with little seven-year-old Susy Sweetchild playing the lead and acting most professionally. Maybe too professionally, Emma thinks, shocked to the core when the child star is nearly killed in a stunt scene and her mother - former screen siren Selina Sutton - seems only to care that Susy gets the job done.

But Emma's concerns only worsen when news reaches her that Susy and her mother have been kidnapped. The ransom note says to keep the cops out of it, so it's up to Emma and Kitty to find them before the unthinkable happens and Emma is forced to rewrite Our Tiny Miracle with a far more tragic ending . . .

New York Times bestselling author Barbara Hambly once again brings the glamour and intrigue of Hollywood to life! An unputdownable mystery for fans of female-fronted historical mysteries set in the roaring twenties.

My Review:

Emma Blackstone, after nearly a year in Hollywood as her sister-in-law’s friend, confidant, dog handler and general factotum, as well as serving as a script doctor for Foremost Studios for almost as long, has learned the way that things work in Hollywood – no matter how often she wishes she didn’t.

Because she sees entirely too much, and is all too aware that she can’t fix ANY of it. Although she certainly does what she can, as shown in the first two books in the Silver Screen Historical Mysteries, Scandal in Babylon and One Extra Corpse.

But Susy Sweetchild’s situation still pierces her straight to the heart. Because the child is clearly – and justifiably – frightened to death. And is just as clearly aware that no one can help her or save her no matter how much they want to.

It’s 1924, and Hollywood is still the ‘Wild West’ when it comes to rules and regulations. Prohibition is in full swing, but bootlegged booze is openly everywhere. OSHA, the Occupational Safety and Health Administration, won’t exist for another 45 years and child actors like Susy have no rights whatsoever – not even to the money they make.

Especially not to the money they make.

Susy is only seven years old, she’s one of Foremost Pictures biggest moneymakers, and she’s supporting her stage mother, her alcoholic father, her mother’s business manager and her mother’s succession of lovers and THEIR failed businesses as well as her father’s drinking habit. And quite possibly the partridge in the pear tree.

The only person on Susy’s side is her cat Mr. Gray, and poor Mr. Gray is even more of a hostage than she is. If Susy ‘misbehaves’ in any way, Mr. Gray is done for. And Susy is all too aware of the threat.

Possibly so is Mr. Gray. The cat seems both smart and sober, which is more than can be said for a lot of the humans in this story.

Emma would like to rescue Susy, but she has entirely too many hostages to fortune of her own to step that far out of line. She also knows it won’t do any good, as the powers that be in Los Angeles are all too aware of the side on which their bread is buttered, and that the studios are the ones doing the buttering.

But the status quo of Susy’s dreadful situation and anyone’s ability to help her out of it goes from bad to worse when the child star and her mother are kidnapped, along with Mr. Gray – a ginormous clue that should have occurred to more people an awful lot sooner.

Someone is extorting $100,000 from the studio for Susy’s safe return. (That’s something like $18,000,000 in today’s dollars!) There are multiple ransom notes being delivered, quite possibly from multiple sources. The police are not involved in the case, but the gossip columnists and the bootleggers are.

Considering how frequently the adults – including Emma and her Scooby Gang – are misdirected, as reluctant as the studio is to pay all that money to rescue a child star who is rapidly growing out of her cute and winsome phase, it looks like the princess is going to have to rescue herself in this one.

Escape Rating B: There are two stories going on in Saving Susy Sweetchild, and I have to admit that one interested me considerably more than the other.

The first is, of course, the mystery of who kidnapped Susy Sweetchild and whether the poor child can be found before it’s too late. The investigation of Susy’s abduction and ransom is the stuff of which Keystone Cops movies were made. No one covers themselves in glory in this part of the story – either because they are in on it, they intend to exploit its outcome, because they’ve been paid to look the other way or merely because they are simply incompetent but photogenic at the job they’re supposed to do.

Emma at least has a damn good excuse for not catching on right away – she’s not a professional detective, either police or private. It isn’t her job – she just cares about the kid and wants to help her.

But underneath – although often in plain sight – is the glimpse under the glitter and tinsel of Hollywood in the mid-1920s, before the Hays Code crackdown on ‘immorality’, before the talkies, and before the Great Depression.

We still read horrific stories about the treatment of child actors in Hollywood, and a lot of those stories are terrible to children and other living creatures. Susy will probably remind a lot of people of Shirley Temple, but by Temple’s time 15 years later, the situation had actually gotten a bit better. For select versions of ‘better’. Maybe less awful.

One of Susy Sweetchild’s contemporaries would have been another child actor named Jackie Coogan – who might be more familiar to readers as Uncle Fester in the 1960s Addams Family TV series. His relevance to Susy Sweetchild is that It was his lawsuit against his own mother in 1938, after he turned 21 and discovered that his mother had squandered his entire fortune, that finally put laws in place about the treatment of child actors AND the provision to put a portion of their income in trust for their adulthood.

All of the above tells readers that as much as I was following Susy’s fictional case, it was the factual underpinnings that truly had my attention for much of the story. The split in my attention wasn’t great for my absorption in Susy’s actual story, but the research dive was a lot of fun.

Howsomever, I did love the ending of Susy’s story. She was pretty much the only person who deserved a happy ending, and I was very relieved to see that she – and Mr. Gray – got exactly what they deserved – as did a whole lot of others who deserved something considerably less…happy.

#BookReview: Where is Anybody? by Simon R. Green

#BookReview: Where is Anybody? by Simon R. GreenWhere is Anybody? (Gideon Sable, #5) by Simon R. Green
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: paranormal, urban fantasy
Series: Gideon Sable #5
Pages: 192
Published by Severn House on August 6, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Legendary master thief and conman Gideon Sable must pull off an impossible heist to save his partner's life in this fast-paced supernatural thriller from New York Times bestselling British fantasy author Simon R. Green

Gideon Sable specializes in stealing the kind of things that can't usually be stolen. But these days the legendary master thief is officially retired from the caper game. Now, instead of pulling off elaborate heists with his crew of supernatural specialists, he runs a magical shop in the heart of London with his partner Annie Anybody. Still, he can't resist occasionally going out in the night to steal things when Annie's not looking. For old times' sake - and for the joy of the con.

But after one of his late-night illicit jaunts, Gideon returns to the shop to find that while he's been stealing, someone else has been hard at work . . . stealing from him. I have taken Annie Anybody, reads the note on the countertop. If you ever want to see her again, you must find and steal Time's Arrow. You have forty-eight hours.

Stealing the legendary Arrow isn't a challenge; it's certain death. But Gideon will stop at nothing to save Annie from their unknown enemy - with or without the help of his talented, terrifying former crew . . .

My Review:

Gideon Sable is a lot of things – thief, rogue, collector, jack of all slightly nefarious trades and a master of several of them – more than he admits but then he likes to be underestimated. It’s all part of the game, after all.

But he’s been trying to go straight – or as straight as anyone can who operates in Old Soho – after the events of Not of This World. But it’s not working for him. He misses the thrill of the hunt – and the curiosities and oddities store he inherited always needs more stock.

He may have sorta/kinda convinced himself that’s that’s enough to justify all of his occasional illegal forays into other people’s collections  – particularly as he only steals from people – and creatures – who really, really deserve it. But his partner, Annie Anybody, can always see right through him.

She always wears someone else’s face, so it’s easy for her to spot that her partner is wearing a mask of contentment that doesn’t quite fit. Gideon may always be ‘the man with a plan’ but this time Annie has a plan of her very own – and it’s much, much better than Gideon’s.

All he has to do is get the old gang back together – or at least as together as some of them can ever be – and ride to Annie’s rescue. Because Annie’s been kidnapped by one of Gideon’s many, many old enemies – and he’ll do anything to get her back. No matter how many impossibly well-guarded collections he has to burgle to save the love of his life.

But no plan – not even Gideon’s – survives first contact, especially when that enemy already knows all of Gideon’s tricks. As Annie’s kidnapper most definitely and absolutely does.

Escape Rating B: If the TV series Leverage had a book baby with the author’s own Nightside series the result would be Gideon Sable. Gideon is a liar, a thief, and a con artist, much like Nate Ford in Leverage – who is also ‘a man with a plan’. But Gideon, even though he usually operates outside the law and against the powers that be, only operates against villains who are much worse than he has any intention of ever being – even if those he considers fair game often represent that law OR are themselves among the powers-that-be. Power corrupts, absolute power corrupts absolutely, and Gideon Sable is right there waiting for some of them to step over a line that sometimes only he can see.

But he’s not really Gideon Sable. Or rather he IS Sable now but he hasn’t always been. In Old Soho, the mask and moniker of Gideon Sable belongs to whoever can steal it and keep it. In the first book in the series, The Best Thing You Can Steal, he had just assumed that identity – whoever he used to be.

This story, which looks like the final book in the series, reads like a bit of a victory lap for the character – in spite of his desperation to save Annie and enact some serious justice on whoever took her from him.

Along the way, first he has to get the old gang back together – and every single one of them needs help before they are available to help him. Even old friends and enemies manage to pop onstage for a brief moment and fans of the series will enjoy seeing most of them again – even the ones that Gideon himself would prefer to drop into a pit lined with spikes or vipers or both.

One of the things that has made this series work for me is that Gideon is a stream-of-consciousness snarkmaster of the first order and we see everything from inside his wry, cynical, sarcastic head. If you like his voice, you’ll enjoy the series – and probably most of the author’s other series – because the style is the same throughout and his worlds tend to bleed into one another – often literally.

Just don’t attempt to start here. It would be like reading the last chapter of a book before the first – before anything that’s going on in the ending has enough backstory to make sense. But all the books in the series are just barely above novella length, so if you like a lot of sass and snark in your protagonists then Gideon Sable might be your jam.

It certainly has been mine, and I’m sad that this series seems to be ending. At least I still have a few of his Ishmael Jones series left to read for when I next need some high quality snarcasm!

A- #BookReview: The Mummy of Mayfair by Jeri Westerson

A- #BookReview: The Mummy of Mayfair by Jeri WestersonThe Mummy of Mayfair (An Irregular Detective Mystery #2) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery, mystery
Series: Irregular Detective #2
Pages: 224
Published by Severn House on July 2, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Private investigators Timothy Badger and Benjamin Watson take on another unusual and baffling case in Victorian London when a mummy unwrapping party takes a chilling turn.London, 1895. Although their last high profile case was a huge success, private detectives Tim Badger and Benjamin Watson know they can't afford to turn down any work, despite financial assistance from their mentor, Sherlock Holmes.So when the eminent Doctor Enock Sawyer of St Bart's Hospital asks Badger if the duo will provide security for a mummy unwrapping party he is hosting, Badger doesn't hesitate to take the job. After all, how hard can guarding the doctor's bizarre Egyptian artefacts be? But with Doctor Sawyer running late for his own party, the 'genuine' ancient sarcophagus of Runihura Saa is unravelled to reveal the remains of . . . Doctor Sawyer! Suddenly, the pair are drawn into a new case that's stranger and twister than they could ever have imagined.

My Review:

The “irregularity” of the Irregular Detective series is in the person of one of its protagonists, Timothy Badger of the Badger and Watson Detecting Agency. Once upon a time, Badger was one of the “invisible” children who operated as Sherlock Holmes’ eyes and ears on the streets of Victorian London. In other words, Tim Badger was one of Holmes’ Baker Street Irregulars.

But when Badger aged out – or grew up – out of the Irregulars, he still needed to make his living. Which is where his partner, jack-of-all-trades Benjamin Watson comes into the picture. Both from the “wrong side of the tracks” in the East End, without a shilling between them, they set up as private detectives in the mode of Badger’s former ‘Guv’, the Great Detective himself.

As seen in the first entry in this series, The Isolated Séance, after five years of struggle to keep body and soul together, Sherlock Holmes himself gave these ‘apprentices’ a bit of a leg up. Their perseverance was rewarded with rooms in Soho – several steps up the economic ladder from their previous lodgings and office – and a seemingly magical refilling box of money for expenses.

They’re doing well for themselves. It’s a lot of hard work and shoe leather – but their successes seem to outnumber their failures. They have as much work as they can handle – and even their own chronicler in the person of newspaper reporter Ellsie Littleton.

Which leads to this second sensational case, The Mummy of Mayfair. A moniker that seems ripped, not from the headlines, but from the titles of the penny dreadful fiction that Badger loves to read. Watson prefers the newspapers and scientific journals.

After all, someone in this partnership needs to keep their feet on the ground, especially with a case that has so much potential to ascend – or perhaps that’s descend – into flights of fantasy and mythology.

It begins with a mummy unwrapping party. An all too common event among the upper crust in the 1890s. It was the heyday of ‘Egyptomania’, with all of the implications of madness the word mania implies.

Badger and Watson were hired by Dr. Enoch Sawyer to provide security for his mummy unwrapping party. A party that takes an even more macabre turn when the mummy is finally unwrapped to reveal that it’s not the mummy of Runihura Saa. It’s the much more recent mummy of Dr. Enoch Sawyer – their client – who is clearly not going to be able to pay them for the job they are about to do on his behalf.

And the game is afoot!

Escape Rating A-: First, I loved this every bit as much as the first book in this series, The Isolated Séance. Second, I need to kick myself for not figuring out that the series title is a pun until now. I sorta/kinda thought the cases were “irregular” and they are that – from a séance in the first book to a mummy in the second. But it’s the DETECTIVES – or at least one of them – that are irregular. As in, the Baker Street Irregulars. 🤦🏻

Now that I’ve got that out of my system, what makes this case so much fun is the way that it blends the real with the fictional.

Mummy unwrapping parties were a very real thing in the 1890s – as shown in the painting below by artist Paul Dominique Philippoteaux circa 1890. The scene may seem macabre to 21st century readers, but such parties were all the rage in 1895, when The Mummy of Mayfair takes place.

Rage also being an important factor – at least in this particular case – as the ‘mania’ led people to strange rivalries and illegal behaviors – as humans are wont to do in the throes of a craze, fad, or mania. It still happens now, and humans haven’t changed all that much in just a bit over a century.

As much as the insanity of this particular mania turns out to be the impetus for the actions of the characters, what is making the series work are the characters and the way they manage to fit into – and take off from – the canon of Sherlock Holmes and ITS well-known and loved protagonists.

The best detectives, whether amateur or professional, are outsiders. It’s nearly impossible for humans to set aside their preconceived notions and biases in regards to people they know. A fact which very nearly sends the entire case on a wild goose chase, as one of the possible suspects is one of Badger’s former colleagues in the Irregulars.

But the triumvirate necessary to fill all of the roles that in the original canon were filled by just two changes the structure of the investigation even as it challenges the reader to see Holmes’ Victorian age from a considerably less lofty perspective.

Timothy Badger grew up in the East End, living by his wits and the nimbleness of his fingers. His accent clearly marks him as being of a “lower class” to the toffs among whom he now finds himself – and he has to grow into his role without giving up who he essentially is.

Benjamin Watson is a black man in a white world. The first thing that anyone sees when they meet him is the color of his skin. He has the intelligence and the drive to have been anything within his reach, but his reach in the late Victorian era is circumscribed by his race.

Miss Ellsie Moira Littleton is a woman in a man’s world. Much like Charlotte Sloane in the Regency-set Wrexford and Sloane series, Ellsie has been forced by circumstances to be self-supporting, and is on the outside of the society to which she was born. As an intelligent, educated, woman who needs to make her own way, she is also an outsider but with an entirely different perspective on the society of which she was once a member.

From its sensational beginning, the case is a deeply puzzling mess. Badger and Watson’s preconceived notions about their clients and their former associates, as well as their lack of knowledge of the precise ways the rich spend their time and money and protect their positions frequently send them haring off in the wrong directions – and we follow them eagerly even as they frequently caution each other.

As I’ve said frequently within these pages, I’m a sucker for Sherlock Holmes pastiches, and that’s why I initially started this series. Now I’m hooked! I’m really looking forward to the next book in this series, The Misplaced Physician, where we’ll finally get to meet Sherlock Holmes’ Watson, as Badger and his Watson will be on the case of rescuing him! It’s a good thing that investigative reporter Ellsie Littleton will be on hand to record the adventure, as the original Watson may be too embarrassed – or too injured – to write it up himself.

We’ll certainly see, hopefully this time next year!