#BookReview: Rebellious Grace by Jeri Westerson

#BookReview: Rebellious Grace by Jeri WestersonRebellious Grace (A King's Fool mystery, 3) by Jeri Westerson
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: King's Fool #3
Pages: 224
Published by Severn House on January 7, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Henry VIII's court jester Will Somers turns reluctant inquisitor once again when a grotesque murder within the palace walls is linked to the Pilgrimage of Grace rebellion in this gripping Tudor mystery.

1536, London. The gruesome murder of a servant in the king's palace, his throat savagely cut, has brought fear to the court of Henry VIII. When the man's body is then dug up from the churchyard and disembowelled two weeks later, Will Somers, the king's jester, is horrified. What terrible mischief is now afoot under the king's roof?
With Henry VIII distracted by The Pilgrimage of Grace, the religious revolt led by Robert Aske in protest at the king turning his back on the Catholic faith, Will becomes reluctant inquisitor once again. As he attempts to unmask a murderous knave, Will uncovers a chilling link between one of Queen Jane Seymour's precious jewels, the rebellion and the dead man. Is a shocking act of treachery behind a grotesque killing?
Perfect for fans of stunning Tudor mysteries and historical dramas featuring witty and tenacious sleuths, and bursting with betrayal, politics and passion from the likes of Paul Doherty Michael Jecks,, C.J. Sansom and Philippa Gregory.

My Review:

Will Somers, the King’s Fool of this series, finds himself hoist on his own petard in this particular case. After his success at investigating murders on his own in the two previous books in this series, Courting Dragons and The Twilight Queen, this time around his king has ordered him to look into the death of one of Will’s fellow royal servants.

Not as a result of the original murder, but because some ghoulish or desperate person disinterred the corpse of the late Geoffrey Payne in order to disembowel the man two weeks after his burial. Someone seriously had it out for the victim, and King Henry VIII has tasked his fool, Will Somers, with discovering who would do such a terrible thing – and especially why.

Finding out who might have wanted the man dead is one thing, figuring out who hated him so much that they desecrated his corpse is something else altogether.

Evidence from the murder has long been washed away, but Will knows THAT is where he must begin, with a trail long grown as cold as the winter winds whipping through the palace. But Will, as the king’s own, personal, fool, has permission to poke his nose in anywhere and everywhere at court. With his king’s commission, he has the warrant to ask all the questions he wants, as well.

Even as every single noble he even attempts to talk with makes him all too aware that they will remember this slight and take it out on him whenever the first opportunity arises. Because even if they’re guilty they know they can’t be punished – but sooner or later, Will Somers most certainly can.

But Will can’t resist the puzzle – no matter how much he wishes that he could. The more he digs into the problem, the more it seems like that problem is much bigger than the ‘mere’ death of one of the queen’s own royal servants – not that Will Somers, a royal servant himself, would ever see it so.

That his best witness is unreliable by their very nature only adds to the conundrum, as each clue he teases out takes his investigation one more rung up the ladder of people that Will knows he cannot touch – even if they are guilty.

Especially if they have involved a member of the court so high that they cannot even be questioned, let alone touched, at all.

Escape Rating B+: Historical mysteries like this one, and the King’s Fool series of which it is the third entry, have to walk a tightrope over the historical era they portray. That’s especially true in this case, as Will Somers, the ‘King’s Fool’ of the title, was a real person in the court of Henry VIII, and his position and duties are known to history – if not the details of his days and nights.

At the same time, as an integral part of the court, Will was, by definition of his duties, in a position to literally see all and know all about the doings of the high and mighty among whom he served.

Which is very much where that tightrope comes in. His job, not as a ‘court jester’ but as the king’s own fool, required him to be in the rooms where Henry VIII’s reign happened – while at the same time being ignored as beneath the notice of the courtiers in that room with him.

The conceit of this series has put Somers in the sort of position that modern detectives would envy. He is intimately aware of all the ‘goings on’ in court, and he has been part of the court more than enough years to know how things work, where the nobility stash the skeletons in their personal closets and where the metaphorical and occasionally physical bodies are buried.

At the same time, he’s an outsider. He’s not himself a noble and he never will be. He’s a servant and all too frequently reminded of that fact. He’s beneath notice – and yet, he has the ear of the king. He can go everywhere and see everything and continue to slither out of trouble as long as he doesn’t go too far for the king to allow him to keep both his position and his head.

The story gets told, and the mystery gets solved, through Will Somers’ intimate perspective on the court and the people in it. It very much feels as if the mystery is second to the detailed and loving portrait of the court and its denizens. Not that Will doesn’t manage to solve the mystery while getting into as much danger as any contemporary detective, but that both the solution and the danger are tightly wrapped in the historical period.

I enjoy this series a LOT because this is a period that has always fascinated me. The history that it dives into so deeply is recognizable and familiar and the ‘you are there’ feeling is one that I’m eager to be a part of. I hope it works just as well for readers who are experiencing this era for the first time.

The series continues to move through the reign of Henry VIII based on that old doggerel about his wives, “Divorced, beheaded, died. Divorced, beheaded, survived.” The next book in the series, tentatively titled Beloved Sister but recently changed to Devil’s Gambit, will be set during Henry VIII’s brief marriage to Anne of Cleves, which she survived in style.

In the meantime, I’m also looking very much forward to Six Wild Crowns by Holly Race coming in June, the start of an epic fantasy series that also takes its inspiration from the court of Henry VIII and his wives.

I am eagerly anticipating both of these upcoming books!

A- #BookReview: Blood is Blood by Will Thomas

A- #BookReview: Blood is Blood by Will ThomasBlood Is Blood (Barker & Llewelyn, #10) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Barker & Llewelyn #10
Pages: 293
Published by Minotaur Books on November 13, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A bombing injures private enquiry agent Cyrus Barker, leaving it up to his soon-to-be-married junior partner Thomas Llewelyn to find the person trying to murder them both before it's too late—in the newest mystery in Will Thomas's beloved series.
In 19th century London, Cyrus Barker and his associate Thomas Llewelyn are renowned private enquiry agents, successfully employed by the highest levels of Her Majesty's government as well as private citizens. Their success, however, has led to their acquiring a powerful group of enemies, many of whom are determined to have their revenge.
At least one of those enemies is responsible for a bombing of their offices that puts Cyrus Barker into the hospital and endangers Thomas Llewelyn's rapidly forthcoming nuptials. To add to the confusion, Barker's long-lost brother Caleb turns up on the rubble of their doorstep not long after the not-quite-fatal bombing.
Unsure of Caleb and warned about him by Barker, Thomas reluctantly accepts Caleb's help both with a new case that comes in as well as trying to pinpoint which of Barker's enemies is making a move against them. As Thomas works his way through their enemy list, someone else is winnowing down that one by one those enemies are dying.
With time running out—and his bride-to-be reconsidering their marriage—Llewelyn must (with the sick-bed bound Barker's help) uncover the killer and the plot before it's too late.

My Review:

Many of Cyrus Barker’s and Thomas Llewelyn’s cases begin in the middle, with Llewelyn telling the story of how he ended up walking, figuratively if not literally, in the valley of the shadow of death, only for the story to then loop back to the beginning to provide the details of how he found himself in that fix in the first place.

This particular entry in the series doesn’t have to use that literary device as it begins with several explosive devices causing an actual ‘BOOM!’ under the offices of Cyrus Barker’s private enquiry agency.

The devices were VERY cleverly planted, quietly placed in a tunnel dug directly under Barker’s impressive and rather heavy desk, in an office surrounded with equally heavy bookshelves, causing the supporting beams to crack and the office to collapse under its own weight – with Barker in the middle and crushed by the weight of his own desk.

The rest of the office followed, but slowly enough that Llewelyn and their receptionist Jenkins were able to escape the worst of the damage. Barker was considerably less lucky, having to be dug out from under the collapse with a shattered leg but thankfully unconscious. Alive, at least, if not at the moment whole.

And currently unable to investigate his own rather pressing case, leaving his associate Thomas Llewelyn in charge of the agency and that case, a few short weeks ahead of his own impending nuptials to a woman he has loved for six years and has already lost once. And might again if he doesn’t solve this case before Barker’s past catches up with Llewelyn’s present and blows his future sky high.

Escape Rating A-: I picked this up right after I finished Unquiet Spirits, because I was still very much in the mood for something similar, but didn’t want to immediately dive into the next book in that series. As Barker and Llewelyn are very much in dialogue with Holmes and Watson, set in the same period but portraying that period from a rather different perspective, it seemed logical (Holmes again) to leap from that 1889 to this one.

The leap from one to the other was MUCH shorter than I expected, as both stories dive deeply into the pasts of their respective, but equally close-mouthed, principals , men who are just as secretive about their pasts as each other, leaving their chroniclers scrambling to catch up with the lack of information about things that they really, really needed to know.

While Llewelyn is the one handling this investigation nearly in its entirety, the case itself is utterly wrapped up in Barker’s past in two distinct ways.

The motive for the bombing is rooted in Barker’s more public past. After all, it’s not as if Barker hasn’t made PLENTY of enemies in his work catching the worst and most ingenious criminals. It’s up to Llewelyn to comb through Barker’s normally meticulous but currently rather scattered files to figure out which of those criminals might themselves or through an agent have been in position to commit this particular crime. While the original list might have been long, the list of actual possibilities is rather short. Barker has always been very good at his work, and most of his cases close with either the clang of prison gates being shut or shovels of dirt falling on a coffin.

But the trail keeps going cold as suspects and informants keep turning up dead  – inconveniently just as Llewelyn is about to reach them. While Barker is far from helpful at providing advice, encouragement (not that he’s ever been good at that) or even basic information.

Even more frustrating for Llewelyn are the hints about Barker’s private past in the sudden arrival of his older brother Caleb from America, claiming to be a Pinkerton agent, who is obviously pursuing his own agenda while at the same time interfering with his younger brother’s household and Llewelyn’s investigation to an annoying degree.

In the end, this is Thomas Llewelyn’s story, not Llewelyn telling Barker’s story or a story where Barker is directing and holding all the cards. Barker’s secretiveness in this particular case is to a specific purpose, and when that purpose is revealed it forces Llewelyn to rethink everything that has happened since the bombing.

Except his frustrations with Caleb Barker, now thankfully on his way back to America. As curious as Llewelyn is about the hints the older Barker dropped about his ‘Guv’s’ early life, he’s MUCH happier with Caleb Barker on the other side of the Atlantic. Frankly, this reader was as well, and quite possibly, so was Cyrus Barker.

I’ll be returning to this series the very next time the mood strikes with Lethal Pursuit. The latest book in the series, Season of Death, is coming out in April of 2025. I’m highly, in fact, very highly, tempted to skip ahead to it and see what Barker and Llewelyn are up to in their now, but I’m trying to resist. We’ll see.

Grade A #BookReview: Unquiet Spirits by Bonnie MacBird

Grade A #BookReview: Unquiet Spirits by Bonnie MacBirdUnquiet Spirits: Whisky, Ghosts, Murder (Sherlock Holmes Adventure #2) by Bonnie MacBird
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Sherlock Holmes Adventure #2
Pages: 512
Published by Collins Crime Club on July 17, 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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The new novel from the author of Art in the Blood. December 1889. Fresh from debunking a "ghostly" hound in Dartmoor, Sherlock Holmes has returned to London, only to find himself the target of a deadly vendetta. A beautiful client arrives with a tale of ghosts, kidnapping and dynamite on a whisky estate in Scotland, but brother Mycroft trumps all with an urgent assignment in the South of France. On the fabled Riviera, Holmes and Watson encounter treachery, explosions, rival French Detective Jean Vidocq...and a terrible discovery. This propels the duo northward to the snowy highlands. There, in a "haunted" castle and among the copper dinosaurs of a great whisky distillery, they and their young client face mortal danger, and Holmes realizes all three cases have blended into a single, deadly conundrum. In order to solve the mystery, the ultimate rational thinker must confront a ghost from his own past. But Sherlock Holmes does not believe in ghosts...or does he?

My Review:

The case, or cases, or perhaps that should be barrels or casks of cases, in which Holmes finds himself in this adventure are fully represented by the three items in the book’s subtitle. There is plenty of whisky in this multi-pronged affair, even if Holmes himself doesn’t drink very much of it at all.

(It is ‘whisky’ and not ‘whiskey’ because that part of the story involves the production of Scottish whisky. Only America and Ireland commonly spell it ‘whiskey’ although there are as many variations of where it is spelled which as there are variations in the spirit itself.)

About that second word in the subtitle – as well as a second definition of the word “spirit” – which comes into play as this is a story that is very much involved with ghosts. While Sherlock Holmes is portrayed as the ultimate rational man in that he absolutely does not believe in spirits of the ghostly kind, he is still human and is as haunted by his own past actions and regrets as any of us.

Even if he is utterly unwilling to admit it – to the point of burying the memories that give rise to those ghosts.

As much as his initial client in this wheels within wheels mystery of conspiracy and murder revolves around others’ belief in ghosts and hauntings versus Holmes’ utter lack thereof, the true heart of the case is wrapped around events in Holmes’ past that continue to haunt his present – and may very lead to that third word in the book’s subtitle if he doesn’t let himself remember things that he’s been doing his very damndest to suppress for more than a decade.

Escape Rating A: One of the reasons that I’m enjoying this series, and this interpretation of the Great Detective and his friend and chronicler, is that it feels like it owes much of its presentations of the characters to more recent portrayals of this iconic duo in movies and television.

In other words, this Holmes is more human and more feeling than the Holmes canon’s ‘thinking machine’, and his relationship with Watson is much warmer even if the true bonds of their friendship are seldom, if ever, explicitly stated.

That this particular story is both a convoluted and twisted mystery worthy of Holmes at his best while, at the same time, being a case that relies on his humanity coming back to bite him in the ass is just a bit of what made this story so compelling to read. (I literally finished it in a day.)

At the same time, something that adds to at least this reader’s compulsion to find out whodunnit so very quickly was the way that it wove the real world events and conditions of the time into the motivations for at least some of the characters’ actions – whether legal, illegal or merely scandalous. (We forget that Holmes’ original creator didn’t deal with historical events because they weren’t historical to him or his intended readers. Those real historical events were exactly the kind of thing that people were reading the Holmes stories to escape FROM, then, where we, from close to a century and a half later, are hoping to escape TO, now.)

I picked up this particular entry in Bonnie MacBird’s Sherlock Holmes Adventure series because I enjoyed the first book, Art in the Blood, and really, really liked the fifth book, What Child is This?, when I read it as part of this year’s Ho-Ho-Ho Readathon. That fifth book gave just enough hints about the content of the books I hadn’t yet read, which at that time included this book as well as The Devil’s Due and The Three Locks, to tide me over the parts I hadn’t read while still leaving me plenty teased to find out all the details of what I missed.

This whole, entire story being an exploration of those details that I was previously missing. I had been a bit put off by the projected 512 page length of this one, but this ‘twilight zone’ period between Xmas and New Year’s seemed like the perfect time. Which it absolutely was.

(Also, if you are put off by that prodigious length, please don’t be. It not only reads really, really fast in the sense that one gets caught up in it, but also in the sense that it doesn’t take nearly as long in actual reading minutes as it would if it were truly 512 pages long. In hardcover those pages must have been nearly large print.)

About the story, well, I did have a grand time even if Holmes and Watson were mostly not. But then, that’s usually the case with a Holmes story, isn’t it? Especially for Watson. Holmes generally seems to be in his element, and part of that element usually involves keeping poor Watson in the dark EVEN as he’s asking the good doctor to bring his revolver. Although this particular story certainly wasn’t any fun for Holmes, either. Cathartic – absolutely. Fun, not so much. Also very nearly deadly but that just added to the speed of this reader’s page-turning.

To make a long story – although not nearly as long as this story purported to be – short, I had a fantastic reading time with this interpretation of Holmes and Watson and the Unquiet Spirits they faced. I will be continuing my catch-up read of the series with The Devil’s Due the next time the mood strikes.

And I’m absolutely looking forward to reading the sixth and latest book in this compelling series, The Serpent Under, for a blog tour in just a few short weeks!

A- #BookReview: A Snake in the Barley by Candace Robb

A- #BookReview: A Snake in the Barley by Candace RobbA Snake in the Barley (An Owen Archer mystery Book 15) by Candace Robb
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook
Genres: historical fiction, historical mystery
Series: Owen Archer #15
Pages: 325
Published by Severn House on December 3, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Where is taverner Tom Merchet? Owen Archer unearths a series of troubling secrets and a dangerous foe intent on retribution when his good friend goes missing.

"A standout . . . Robb reinforces her place among the top writers of medieval historicals" - Publishers Weekly Starred Review

York, 1377. Owen Archer is determined to find his friend, taverner Tom Merchet, who has been missing for five days. His wife, Bess, is frantic with worry.

AN ENIGMATIC STRANGER.

Who is the elusive Widow Cobb that Tom was seen visiting? And who is the man spotted following Tom before he vanished? As Owen hunts for clues, Bess decides to visit the widow’s lodgings and makes a terrifying discovery.

RETRIBUTION IS BREWING . . .

Owen digs up past sins and long-buried secrets that answer some of the questions surrounding Tom’s disappearance. But who is the sly and malevolent figure intent on destroying his friend, and why? A shocking confession will rock Owen to his core . . .

An action-packed, evocative and masterfully plotted medieval mystery in the critically acclaimed Owen Archer series, perfect for fans of C.J. Sansom, Ellis Peters and Paul Doherty.

My Review:

The previous entry in this marvelous long-running series, A Fox in the Fold, was all wrapped up in Owen Archer’s past. This current entry dives deeply into the past of Owen and Lucie Archer’s friend and neighbor, tavernkeeper Tom Merchet.

At the heart of this particular mystery is something that almost seems foreign to us in this era of instant communication and always available – if not always true – information. The past is another country, as the saying goes, and they do things differently there. One of the things that is very different is just how easy it could be to reinvent yourself – for good or ill – by moving a distance that doesn’t seem all that far to us, but represented a significant investment in time, money and danger in Owen Archer’s – and Tom Merchet’s – late 14th century.

Owen Archer, his wife Lucie, and his neighbors and good friends Tom and Bess Merchet, are all middle-aged by this point in the series (1377) which began in 1363 in The Apothecary Rose. Owen wears his past on his face in the form of an eyepatch that covers the wound that saw him mustered out of the King’s Archers and into a life as the King’s wandering investigator.

But Tom Merchet’s past has remained firmly down the road both literally and figuratively, in places and people he left behind and buried before Owen came to York to investigate whether – or not as the case turned out to be – Lucie murdered her late husband.

Everyone in York knows that Tom lost his first wife and child, and very nearly the York Tavern along with them. And that Bess saved him and the tavern both with her skills as a cook and manager, and that they grew together into a happy and loving marriage.

But their peace has been disturbed by a series of unfortunate and downright strange events. Someone is digging holes around their property. Tom has been skulking about town at odd hours, visiting strangers suspected of theft – and worse. Bess is sure it’s all tied to a past that Tom has always refused to talk about – and that whatever happened then has come back to haunt him now – and that it’s taken him away from her. Possibly for good. Meaning for something very, very ill indeed.

And she’s right about that. But wrong about pretty much every single thought and speculation that has led her – and her now missing husband – to this terrible pass. Because of a past that has refused to let him go.

Escape Rating A-: I adore this series, and have since I read the very first book, The Apothecary Rose, as I myself was walking the streets of York on a trip just over OMG 30 years ago. Time does fly and some of it has been fun. The reading parts, certainly.

Reflecting back on the series, how much time it has covered both in the ‘real world’ and in Owen and Lucie’s historical York – even if it hasn’t been nearly as much time for them as it has been for us – I can’t help but think over how much has happened in both sets of those years. While at the same time marveling at just how little prior knowledge of the series a reader needs to have or remember to get into this 15th entry in it. (Meaning that you could start here but it’s all just so good you really should start at the beginning!)

It’s all down to the fact that, throughout the series, Tom Merchet has revealed little of his past. That he has one, yes. What it consisted of, what sins he’s committed, he hasn’t discussed. At all. Even with his wife.

So when Tom goes missing Owen doesn’t have any clues about where to start because Tom didn’t leave any. Owen is just as lost as we are – or the other way around! – investigating events that happened nearly two decades ago if not more, committed to and perhaps committed by a man he knows NOW but who may not much resemble the person he was THEN.

As Owen investigates, he hears conflicting reports of Tom in both the past and the present. He knows that the behavior that resulted in Tom’s near death beating in the now doesn’t make much sense even in the abstract and certainly bears no resemblance to his friend. Which doesn’t mean that the long-ago events which left behind so much enmity in Tom’s former home couldn’t have been committed by a much younger – and likely more hot-headed – version of that same man.

The heart of Owen’s investigation, the mystery he has to solve, lies in the past. A past that Tom has kept from his wife, a past that he’s ashamed of. But someone wants him dead in the present very, very badly. Someone who has left a trail of corpses behind them and then attempted to frame Tom for their deeds. Someone who obviously left Tom for dead in the hopes that the frame would fit his corpse better than it does a living man who has tales to tell.

Unless Tom has been hiding a villainous nature all along. Or a nature that was once villainous enough that he can be blackmailed now to keep it quiet. Leaving Owen to navigate his way through the rather pointy horns of multiple dilemmas, all of which must be resolved in order to bring the true villain – or villains – to justice.

And, as always in this series, it’s a delight to watch him work – especially this time around as he doesn’t begin with a clue and we get a refresher on everyone and everything all over again. Even the parts that seem familiar have to be re-examined with fresh eyes and it’s a great reminder of the bones of all the stories that have come before in the series while giving new readers a place to jump in.

The major plot of this particular story and its biggest mystery, is primarily domestic in nature this time around. But that does not mean that the roiling boil of royal politics does not touch upon York, particularly upon Owen in his semi-official position as the Princess of Wales’ agent in the North. The old king is on his deathbed, his Prince of Wales is several years in his grave, and the heir apparent is a child that all his uncles are already squabbling over – as well as over the throne on which the young Richard II-to-be will sit. If he lives that long.

The English royal family feud better known as the Wars of the Roses is about to boil over, and even in far north York, Owen Archer is likely to be in the thick of it. Hopefully in the next book or two – or maybe several! – books in the series. As one of the things I love best in this series is the author’s deft mix of Owen’s domestic business in York with the doings of the great and the mighty in London, I’m looking forward to finding out what happens on both fronts whenever the next book appears.

May it be soon!

Grade A #BookReview: What Child is This? by Bonnie MacBird

Grade A #BookReview: What Child is This? by Bonnie MacBirdWhat Child is This? (Sherlock Holmes Adventure #5) by Bonnie MacBird, Frank Cho
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, holiday fiction, holiday mystery
Series: Sherlock Holmes Adventure #5
Pages: 228
Published by Collins Crime Club on October 13, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

It’s the season of peace and goodwill, but a Victorian Christmas is no holiday for the world’s most popular detective in this new book from Bonnie MacBird, author of the bestselling Sherlock Holmes novel Art in the Blood.
It’s Christmastime in London, and Sherlock Holmes takes on two cases. The angelic three-year-old child of a wealthy couple is the target of a vicious kidnapper, and a country aristocrat worries that his handsome, favourite son has mysteriously vanished from his London pied à terre. Holmes and Watson, aided by the colourful Heffie O’Malley, slip slide in the ice to ensure a merry Christmas is had by nearly everybody . . .

My Review:

I wasn’t expecting to find a Sherlock Holmes story to include in my personal Ho-Ho-Ho Readathon. Not that I wasn’t willing to, considering how much I love Sherlock Holmes stories, but rather that Holmes can be a bit of a curmudgeon at the best of times.

He may not be, in any way, a miser like Ebenezer Scrooge but he’s certainly more than capable of bah-ing and humbug-ing with the best of them. Or the worst of them as the case might be.

And then I remembered that the Holmes series I just started earlier this month with Art in the Blood, included a Holmes’ Christmas tale, and to paraphrase the Great Detective himself, the game was afoot.

What Child is This? (yes, the question mark is part of the title and it’s driving me batty) connects two stories with loosely similar themes under the banner of the holiday season and runs away with them. Or sets them on fire. Or a bit of both.

The Marquis of Blandbury, Henry Weathering, comes to Holmes because his adult son Reginald hasn’t written to his mother in weeks, and the woman is beside herself because it’s so very much not like him. Even dear-old-dad, who does not seem the worrying sort, is worried – if only second hand. He’s more concerned about his wife’s peace of mind than his son’s current whereabouts but even the rather blunt instrument that is the Marquis knows that something isn’t right and he expects Holmes to find out precisely what.

The other case, the much more serious case, is one that literally drops into Holmes’ and Watson’s laps. Or at least falls right into their hands. They witness a well-to-do woman and her attendant get attacked by a crazed assailant who knocks them both over as he plucks the woman’s little boy right out of her arms. And attempts to flee with the child through the crowded streets.

With Sherlock Holmes in hot pursuit, Watson attends to the women who have been so grievously assaulted. Holmes doesn’t manage to catch his man – but he does successfully rescue the little boy and restore him to his mother’s waiting arms.

The two cases don’t have anything in common beyond the fact that both originate with potentially missing sons. Of course, Holmes, with Watson’s able assistance, solves both cases.

But neither case goes to any of the places that the reader originally believes they will, and the solutions are far from orthodox. They are both cases where Holmes displays the heart that he would claim that he does not have – with his dear friend Watson there, as always, to record that he does.

Escape Rating A: I loved this – and I think I loved it more because it feels like the characterizations of Holmes and Watson read like they owe a lot more to the screen adaptations of the past OMG 40 years, starting with Jeremy Brett, than they do to the earlier portrayals of Basil Rathbone and even the original Holmes canon itself.

Not that the two cases aren’t every bit as confounding and convoluted as any of the Holmes’ stories penned by Conan Doyle, but rather that the characters of our two protagonists have been made just that bit more human and more sympathetic than the original ‘thinking machine’ and his idiot sidekick.

Instead, this is a portrayal where Holmes is aware that he is just a bit ‘different’ from most people, and where Watson knows and understands that part of his purpose in Holmes’ life and in their long friendship is to allow Holmes to explain his deductions – even as he stinks up their apartment with his experiments.

There is a mutual respect in that friendship – a respect that would have had to have existed for Holmes to have tolerated Watson’s inability to follow his genius and for Watson to have tolerated Holmes’ frequent high-handed treatment of him. There’s also an awareness on Watson’s part that these are NEVER fair play mysteries. Holmes always keeps secrets even when that lack of knowledge might endanger Watson’s life.

The solutions to both of these cases are extremely unorthodox – which made them that much more fascinating. Something that was made even more clear to me as I listened to The Adventure of the Blue Carbuncle, the canon story with which this adventure was very loosely in dialogue. THAT Holmes would never have come to either of these resolutions, but THIS Holmes is all the better for doing so.

I liked my first taste of this author’s Sherlock Holmes Adventure in Art in the Blood, but I really got into this interpretation with this Christmas story. There are three stories between Art and this one, and the events of those stories was teased just a bit in this one – more than enough to make me eager to read them.

And I’m definitely looking forward to the latest entry in the series, The Serpent Under, coming in January!

#BookReview: Grimm Curiosities by Sharon Lynn Fisher

#BookReview: Grimm Curiosities by Sharon Lynn FisherGrimm Curiosities by Sharon Lynn Fisher
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: Gothic, historical fantasy, historical fiction, historical romance, holiday fiction, holiday romance, paranormal
Pages: 299
Published by 47North on November 5, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

In Victorian England, a young woman inherits her father’s curiosity shop and all its ghostly secrets in a bewitching novel by the author of Salt & Broom.

It’s 1851 in old York. Lizzy Grimm struggles to save her late father’s charmingly creepy yet floundering antique shop, Grimm Curiosities. Then, during a particularly snowy December in this most haunted city in England, things turn…curiouser.

Lizzy meets Antony Carlisle, whose sister suffers from the same perplexing affliction as Lizzy’s mother—both stricken silent and unresponsive after speaking with ghosts. Working closely together to fathom what power has transformed their loved ones and why, Lizzy and Antony discover an important her father’s treasured set of rare books on ancient folktales, enchantments, and yuletide myths. Books that a persistent collector is awfully keen to purchase. Books Lizzy can’t bear to sell.

Every bewitching passage and illustration opens a doorway to something ancient and dangerously inviting. Keys to a mystery Lizzy and Antony are compelled to solve—even if doing so means unleashing one of this bright holiday’s darkest myths.

My Review:

To paraphrase a much more famous Victorian Christmas ghost story, Herbert Grimm was dead, to begin with.

And, while he has a chance to rectify his mistakes and failures from the afterlife, it’s a job that’s much too big for any number of spirits to handle in just one night.

It’s 1851 in cold, snowy, OLD York, and Lizzy Grimm has been doing her best to maintain the curiosity shop she inherited from her father – as well as somehow keep body and soul together for both herself and her mother.

The problem for Lizzy, the many, many problems for Lizzy, is that entirely too many of her father’s former customers and suppliers, both, are unwilling to deal with a woman, and her mother is ill and can’t help with the shop. Mrs. Grimm has disconnected completely from the world and can’t even help herself without supervision.

The rent is 10 weeks behind and getting more behind by the day, Lizzy can barely keep herself and her mother fed and prevent them from freezing to death in the winter cold. Christmas is less than two weeks away and, while business always improves BEFORE the holiday, it hasn’t improved enough to see them through the dearth of the bitter months after.

Which is the day when two men of considerably better means than Lizzy enter the shop and each present her with potential solutions to her woes. Collector Ambrose Stokes wants to purchase some mysterious books of myth and legend that her father set aside with a note not to sell. Antony Carlisle comes in seeking a present for his younger sister. A sister who is in the exact same walking somnambulance state as Lizzy’s mother.

It’s clear from the beginning that Stokes only wants to use her to get at something he covets badly and probably shouldn’t have. Meanwhile Carlisle is obviously searching for both help and friendship – even if he doesn’t recognize that the latter is only a small portion of what he seeks in Lizzy’s company.

Stokes can solve her immediate financial difficulties, while Carlisle is likely to only cause her heartbreak – even if that is far, far, from his intention.

Between them, they open up her world to the true legacy that her father intended to leave her. A legacy that holds the key to every question she’s ever asked, and every answer she never thought she’d need.

Escape Rating B-: I picked this up because it looked like it was just the kind of horror-adjacent story that I generally enjoy. And because it was set in York, the setting of one of my favorite historical mystery series. (If you’re curious about the York of four centuries before this story, check out the Owen Archer series of historical mysteries, beginning with The Apothecary Rose. Because if there is one thing that Lizzy Grimm is right about, it’s that York is absolutely rife with stories just waiting to be told!)

So I was expecting a bit more Halloween and got a whole lot of the Victorian Christmas season instead – mixed with a trip to Narnia and more than a soupçon of historical romance. Even though even a soupçon of actual soup is something that Lizzy has been forced to worry about a LOT.

Also, and I know this is a ‘me’ thing and may not be a ‘you’ thing, Lizzy’s straddle of the line between having agency as the protagonist while being a woman of her time was even more uncomfortable for me than it was for her – and it was plenty uncomfortable for her. It just wasn’t what I was in the mood for and your reading mileage may definitely vary.

What was absolutely fascinating was the way that the supernatural and paranormal crept into the story on ghostly feet, that the gift she thought had passed her by was doing its damndest to warn her that she was heading for her own damnation if she didn’t figure out what was going on on both sides of the actual, honest-to-supernatural, wardrobe before it was too late.

From the standpoint of this reader, it felt like this story had too many irons in its fire. Each of the individual parts had the potential to be a whole, fascinating story, from the ghostly visitations to the world inside the cabinet, to the myths and legends coming to life to the mystery of just who the collector was and what he was up to and last but not least to the class-barrier hopping romance between Carlisle and Lizzy with Carlisle’s overbearing father serving as second-villain.

There were a LOT of fascinating story parts trying to weave themselves into a whole cloth – but they didn’t quite manage it and/or there wasn’t enough book for them to manage in. It had the bones of a good story – but either not quite enough bones or not enough flesh for the story-creature it was meant to be.

#BookReview: Art in the Blood by Bonnie MacBird

#BookReview: Art in the Blood by Bonnie MacBirdArt in the Blood (Sherlock Holmes Adventure, #1) by Bonnie MacBird
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Sherlock Holmes Adventure #1
Pages: 300
Published by Collins Crime Club on August 27, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

London. A snowy December, 1888.
Sherlock Holmes, 34, is languishing and back on cocaine after a disastrous Ripper investigation. Watson can neither comfort nor rouse his friend – until a strangely encoded letter arrives from Paris. Mademoiselle La Victoire, a beautiful French cabaret star writes that her illegitimate son by an English Lord has disappeared, and she has been attacked in the streets of Montmartre.
Racing to Paris with Watson at his side, Holmes discovers the missing child is only the tip of the iceberg of a much larger problem. The most valuable statue since the Winged Victory has been violently stolen in Marseilles, and several children from a silk mill in Lancashire have been found murdered. The clues in all three cases point to a single, untouchable man.
Will Holmes recover in time to find the missing boy and stop a rising tide of murders? To do so he must stay one step ahead of a dangerous French rival and the threatening interference of his own brother, Mycroft.
This latest adventure, in the style of Sir Arthur Conan Doyle, sends the iconic duo from London to Paris and the icy wilds of Lancashire in a case which tests Watson's friendship and the fragility and gifts of Sherlock Holmes' own artistic nature to the limits.

My Review:

“Art in the blood” has a nice ring to it, doesn’t it? It also might sound just a bit familiar – as well as in keeping with this first book in the author’s Sherlock Holmes Adventure series. The quote is from Holmes himself in the original canon, specifically The Adventure of the Greek Interpreter.

In that story, Holmes attributes both his own and his brother Mycroft’s skill in and facility with the ‘Art of Detection’ to the “art in the blood” inherited from their grandmother, “who was the sister of Vernet, the French artist.”

(There were several members of the Vernet family who lived at approximately the right time and were artists, Claude Joseph Vernet, Carle Vernet and Horace Vernet. Which Vernet Holmes referred to is one of the MANY things about his origins that can be speculated about but is never definitely stated.)

As this story begins, the art in Sherlock Holmes’ blood, combined with an utter dearth of interesting cases and possibly owing more than a bit to the absence of his friend and chronicler, Dr. John Watson, has dropped the ‘Great Detective’ into a slough of despond, causing Holmes to resort to entirely too many applications of his ‘seven-per-cent solution’ of cocaine.

Holmes is a bigger mess than even his usual depths and the generally unflappable Mrs. Hudson is at her wits’ end. She can’t help Holmes but she knows just who can.

So she calls Watson, in both of his capacities – as Holmes’ friend AND most definitely as his physician, because she can’t tell which her lodger needs more.

As it turns out – both. But what Holmes needs above all – is a case that will test him to his utmost. A case that is presented to him, literally on a silver salver, from several directions at the same time.

Brother Mycroft blackmails him into investigating a violent art theft at the Louvre. A beautiful French chanteuse begs him to discover the location of her missing child. Children are being kidnapped and murdered from a silk mill in Lancashire.

One seemingly untouchable aristocrat is at the center of all three cases. The silk mill is his. The chanteuse’s child is also his. And the statue at the center of the art theft is on its way to him in Lancashire even as Holmes and Watson dash from London to Paris and back in an attempt to put all the pieces together before it is once again too late for another poor child.

Or for themselves.

Escape Rating B+: This book has had a place deep in the virtually towering TBR pile for almost a decade – which is kind of embarrassing. I usually say that I read about 50% of the books I get – EVENTUALLY. This is apparently what that eventually looks like. To be fair, I liked this one more than enough to BUY the rest of the series that’s out so far and pick up the eARC for the forthcoming entry, The Serpent Under.

I spelunked into that TBR pile because I was looking for another comfort read after Old Scores. In fact, I was looking for something ‘like’ Barker & Llewelyn that wasn’t actually them. Which is what led me around to this series, as Barker & Llewelyn may not be Holmes but it is in dialogue with the ‘Great Detective’ so I decided to approach that dialogue from a different angle.

Cyrus Barker & Thomas Llewelyn are variations on Sherlock Holmes & John Watson in the sense that they are set in the same time period and feature a detective duo where one is clearly the genius and the other a follower, BUT, they also change the formula and speak to our time even more than their own by exploring and empathizing with the people of London – and elsewhere – who were outsiders in the city they called home. Barker is Scots, Llewelyn is Welsh, Barker’s business partner is Chinese, Llewelyn’s fiance is Jewish, as is his best friend – and the list, as well as the cases that are involved – goes on and on and into neighborhoods that the original Holmes would have looked down upon and only considered while stereotyping the people within.

The Holmes & Watson of this set of adventures, reads as though it is not so much the child of the original as the grandchild of the original canon, filtered through an intermediate generation of TV interpretations, notably Jeremy Brett’s Victorian-era Holmes, the more modern Sherlock and Elementary – with a touch of Robert Downey Jr.’s manic movie Holmes as well.

(I think I spy just a bit of Laurie R. King’s Holmes from her Holmes & Russell series too, but your reading mileage may vary.)

So, very much on the one hand, the Holmes of Art in the Blood is a bit more, not so much emotional as demonstrative. He’s more of a romantic hero in the small ‘r’ sense of romance, more self-sacrificing, more likely to put himself in harm’s way – and more likely to get there on his own – more likely to have an obvious soft spot for small children in need of rescue.

It’s not that the original Holmes doesn’t have most of those characteristics, more than he hides them better.

The case in Art in the Blood, while every bit as convoluted – and then some – as some of the original stories, displays a lot more confusion on Holmes’ part and frankly a lot more competence on Watson’s – a competency that calls back to Edward Hardwicke’s Doctor Watson, the partner of Jeremy Brett’s Holmes.

In other words, I had as much fun figuring out which ways this resembled other interpretations of these characters that I have seen or read as I did following along with the multiple mysteries in this story as they wound their multitude of ways into one dastardly whole. A whole that was quite a bit deeper and darker than one expects from a Sherlock Holmes story – but every bit as chilling, thrilling AND deadly.

I had fun reading Art in the Blood, and it certainly distracted me at a time when that’s exactly what I was looking for. Which means that I picked up the whole rest of the series so I’ll be back with Unquiet Spirits the next time I need a mysteriously comforting read.

A- #BookReview: Old Scores by Will Thomas

A- #BookReview: Old Scores by Will ThomasOld Scores (Barker & Llewelyn, #9) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery
Series: Barker & Llewelyn #9
Pages: 294
Published by Minotaur Books on October 3, 2017
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

When a Japanese diplomat is murdered, and Cyrus Barker is the prime suspect, Barker and sidekick Llewelyn must work against the clock to find the real killer.
In London of 1890, the first Japanese diplomatic delegation arrives in London to open an embassy in London. Cyrus Barker, private enquiry agent and occasional agent for the Foreign Service Office, is enlisted to display his personal Japanese garden to the visiting dignitaries.
Later that night, Ambassador Toda is shot and killed in his office and Cyrus Barker is discovered across the street, watching the very same office, in possession of a revolver with one spent cartridge.
Arrested by the Special Branch for the crime, Barker is vigorously interrogated and finally released due to the intervention of his assistant, Thomas Llewelyn, and his solicitor. With the London constabulary still convinced of his guilt, Barker is hired by the new Japanese ambassador to find the real murderer.
In a case that takes leads Barker and Llewelyn deep into parts of London's underworld, on paths that lead deep into Barker's own mysterious personal history, Old Scores is the finest yet in Will Thomas's critically acclaimed series.

My Review:

Nine books into the Barker & Llewelyn series, the adventures in which and of which are chronicled by the pen of Cyrus Barker’s once-apprentice and now fully licensed assistant private enquiry agent Thomas Llewelyn, it’s not a surprise to either the reader or Llewelyn that Barker has plenty of old scores to settle in this middle of his fascinating but hard-knock life.

It’s possibly even less of a surprise to Llewelyn that his ‘Guv’ has made more than enough enemies over the course of that remarkable life that there are an equal if not greater number of people who have old scores to settle with HIM.

The case in Old Scores begins seemingly innocuously, with the visit of a group of Japanese dignitaries to Barker’s authentic and beautiful Japanese garden – a sanctuary hidden behind his London townhouse.

After a frenzy of preparation, the visit itself seems to go quite well. With two notable exceptions. The British official escorting the party is a boor who displays his contempt for these prestigious guests with his every utterance. And it’s clear to Thomas Llewelyn that his Guv is already well acquainted with one member of the party – and that whatever history lies between Barker and the Japanese official is of long and painful standing.

(The treatment of the Japanese delegation by British officials is reminiscent of their contemptuous treatment of Chinese officials in the excellent The Murder of Mr. Ma by John Shen Yen Nee and SJ Rozan – in spite of the several decades that lie between the two mysteries.)

The story in Old Scores is a combination of the chance that ‘the enemy of my enemy might be my friend’ – at least temporarily – and ‘too many cooks spoil not just the soup but the whole entire meal’.

The Japanese delegation is fractured beyond repair even before the members start dropping like flies. The British are trying to gain a foothold in Japan to counter American ambitions in Asia, the Japanese want to oust the Americans from the position of power they took by force in 1853 AND they have imperial ambitions of their own, while the question of whether the future of the country lies in returning to the traditionalism and isolationism of the past or is best served by embracing the world as it is in hopes of controlling as much of it as possible. The members of the delegation display all of these possible outcomes in microcosm – and with deadly results.

And in the middle of it all is a contest between Cyrus Barker and the man who murdered his wife – back when Barker was considerably younger and possibly just a bit more naive than the implacable man he became after that terrible loss.

Escape Rating A-: It’s not really a surprise that I picked Old Scores (and also the preceding short story, An Awkward Way to Die – which was fun but there just wasn’t enough there there for a review) out of the virtually towering TBR pile over the weekend. The Barker & Llewelyn series has become a comfort read for me, portraying a world that may be more than a century gone but is easy to slip right back into thanks to the pen of author Will Thomas. I needed to get AWAY, as far as mentally possible, from the combination of anxiety and vitriol that marks this year’s U.S. election.

So I returned to the Victorian setting where Cyrus Barker always gets his man and his second in command, Thomas Llewelyn, does his best to chronicle the case, make sure the bills get paid, and support his ‘Guv’ in every way possible. Even when Barker is doing his usual damndest to keep all of his cards VERY close to his vest – up to and including the cards that Llewelyn – as his backup – really, really needs to know.

This is a case that DEFINITELY has its awkward aspects. Barker keeps entirely too many secrets about his past. Which he’s entitled to, but not if those secrets threaten to get his whole entire household killed or imprisoned. Which in this case they definitely are.

The result is that Llewelyn flails around at points when he shouldn’t have to. This is a case that hinges on things that his Guv hasn’t told him – secrets that are 20+ years old at this point. One can empathize both with Barker’s desire to let the past remain in the past AND Llewelyn’s desire not to end up dead.

We don’t expect Llewelyn to get to the solution ahead of his boss, but neither do we expect his boss to leave him quite so completely in the dark. It’s a bit of a conundrum that leaves our chronicler stumbling around in that dark more than is usual for this series. I’m here for the competence porn, and Barker made that more difficult than usual on several fronts.

But in the end, what carries the story, as always, are the characters and their ever more deeply entwined relationships. So this book did exactly what I picked it up for – it took me far, far away from the problems of today.

In the end, the story does reveal a very great deal about Cyrus Barker before he became the man that Llewelyn met in the first book in the series, Some Danger Involved. I expect to see more consequences of this book’s revelations in the following books in the series.

I’ll certainly be picking up Blood Is Blood the next time I’m looking for a comforting murder to sink my reading teeth into.

Spotlight + Excerpt: A Tainted Heart Bleeds by Sophie Barnes + Giveaway

Spotlight + Excerpt: A Tainted Heart Bleeds by Sophie Barnes + GiveawayA Tainted Heart Bleeds: A Gripping Historical Mystery Romance (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, historical romance, regency mystery
Series: House of Croft #2
Pages: 440
Published by Sophie Barnes on October 29, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads


He’ll never forgive her deception, or the hold she still has on his heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet woman who swept past his every defense, is a cunning spy working against him. Forced to play a dangerous game where one wrong move could see him destroyed, he must unravel her secrets while hunting a far more sinister threat.
Samantha knew her decision to marry her target would come at a price. Now, having lost her husband’s trust and affection, she’ll do whatever it takes to win it all back – abandon past loyalties, spill her secrets, and catch a killer. But will it be enough to undo the damage?
-One series, one couple, and the brutal challenges they must face-
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Tainted Heart Bleeds and continue this action-packed adventure today!

Welcome to the second day of the book tour for A Tainted Heart Bleeds by Sophie Barnes, the second book in the compelling Regency mystery series, the House of Croft. I’ve already reviewed both the first book in the series, A Vengeful King Rises, as well as this second book – and loved them both. (Check out my reviews here and here to get all the deets of just how much I was captivated by each. (I’m already on tenterhooks for the third book, A Ruthless Angel Weeps, coming in late January.)

But someone else’s opinion might not be enough to tempt you, especially on a day already filled with as many distractions as this one is. I’m hopeful that if I can’t convince you, that this excerpt from the opening chapter will grab your attention – and not let go.

House of Croft, Book 2

Historical Mystery/Thriller/Romance

Date Published: 10-29-2024

 

 

He’ll never forgive her deception, or the hold she still has on his
heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet
woman who swept past his every defense, is a cunning spy working against
him. Forced to play a dangerous game where one wrong move could see him
destroyed, he must unravel her secrets while hunting a far more sinister
threat.

Samantha knew her decision to marry her target would come at a price. Now,
having lost her husband’s trust and affection, she’ll do
whatever it takes to win it all back – abandon past loyalties, spill
her secrets, and catch a killer. But will it be enough to undo the
damage?

Excerpt from  A Tainted Heart Bleeds by Sophie Barnes
Chapter One

London, August 15th, 1818
Lady Eleanor dropped onto the stool in front of her vanity table. Exhausted from entertaining dinner guests with her parents, she looked forward to climbing into the soothing comfort of her bed.
Something pushing against her leg made her lower her gaze to Milly, the miniature poodle her parents had gifted her with for her sixteenth birthday. Rising onto her hind legs, Milly shifted her paws to better press her damp nose against Eleanor’s thigh, her stubby tail wagging with eager affection.
Eleanor chuckled and scooped the pup into her lap. She raked her fingers through Milly’s fur, scratched her a few times behind one ear, and allowed her to settle comfortably in her lap.
“Are you ready, my lady?” The question was posed by Audrey, Eleanor’s lady’s maid. A short woman with dark brown hair and eyes to match, the servant was five years Eleanor’s senior and possessed a positive outlook to match her own.
Eleanor glanced at her and smiled in response to the warmth she found in Audrey’s eyes. “Yes. Please begin.”
Audrey raised the comb she’d collected earlier and drew it through Eleanor’s hair. Molly snuggled farther into the circle of her arms, nails scratching a little at Eleanor’s lap as she repositioned her legs.
Eleanor sighed and sent her bed a longing glance. The coverlet had been folded back to display the crisp white sheets that beckoned. It would be good to climb between them and let the weariness seep from her body.
Molly’s curls compressed beneath the weight of her hand as Eleanor stroked the fluffy fur. Glancing up, she caught Audrey’s gaze in the mirror, her thoughts returning to the charity visit she’d planned for tomorrow. “Maybe you’re right about the brown woolen spencer. I never wear it, so I might as well include it in the donation.”
“Are you sure?” Audrey set the comb aside and collected a glass bottle containing Warren & Rosser’s Milk of Roses lotion.
The question was a legitimate one since Eleanor had argued against the suggestion yesterday when she and Audrey had prepared the box that would go to St. Augustine’s Church. The spencer had been a gift from her aunt three Christmases ago. It was undoubtedly lovely, but every time she’d put it on she felt it didn’t quite suit her.
“Yes,” she said, her mind made up. “There’s no sense in it taking up space in the wardrobe when it can keep someone less fortunate warm.”
Audrey dabbed a bit of lotion on Eleanor’s face and began rubbing it in with wonderfully soothing circular motions. “I’m always impressed by your kindness, my lady.”
But was she always kind? Guilt gathered in Eleanor’s stomach, becoming so heavy it felt like a block of lead. The choice she’d made for herself – for her future – had not been easy. She hated how selfish it made her feel.
Yet she managed to smile and pretend Audrey’s comment was welcome. “Thank you.”
Audrey responded with a smile of her own and proceeded to plait Eleanor’s hair. The peaceful activity calmed her mind. She allowed herself to focus on what was to come, instead of worrying over the past.
She’d had her say, and in so doing, she’d paved the way to a new adventure.
A surge of excitement filled her breast at this thought. Everything would be fine. All she needed was rest. The maid finished her ministrations and tidied up. Eleanor set Molly down and climbed into bed. The mattress sagged beneath her weight, the cool sheets inviting her to sink deeper.
“Would you like me to close the window before I go?” Audrey asked.
“No. Leave it open.” The afternoon sun pouring into the room several hours before had made it unbearably warm and stuffy. She couldn’t sleep like that.
“I’ll bid you good night then, my lady.” Audrey called for Molly to join her and the dog complied without question, knowing full well that a walk and a treat awaited.
“Good night,” Eleanor replied, “and thank you for your help.”
The maid left and Eleanor reached for her book. This was her favorite time to read, when all was silent and there was no risk of being disturbed. She opened Pamela and flipped to the spot where she’d left off the previous evening.
A gentle breeze streamed through the window, toying with the curtains. Distant laughter reached her ears. It was followed by a horse’s faint whinny. Eleanor’s eyes grew heavy. The book began sagging between her hands.
She yawned and it felt like only a moment had passed before she was startled by a loud noise. Her eyes snapped open, adjusting and observing. The light by which she’d been reading had burned itself out. Her book had slipped from her grasp. She must have fallen asleep.
Light flashed beyond the window. A resounding boom followed. The curtains flapped with wild abandon while rain poured down from the heavens. She blew out a breath and went to close the window. It was just a storm. No need for alarm.
Barefooted, she padded across the Aubusson rug and noted that parts of it were now damp from the rain. She leaned forward through the window’s opening, her abdomen pressing into the sill, wetting her nightgown as she reached for the handle.
Her hand caught the slick wood and she pulled the window shut. A welcome silence followed, cocooning her from the elements. Pausing briefly, she watched water streak down the smooth window pane, saw lightning flash across the sky.
Intent on returning to bed, she took a step back, prepared to close the curtains, and froze when her toes connected with something unpleasant. Not just water, but a thick and squishy substance of sorts. But how could that be? Confused, she dropped her gaze, but the darkness was blinding. She’d need a candle or an oil lamp in order to see.
She straightened and started to turn, her aim to locate the tinderbox she kept on her nightstand, when a pair of large hands captured her throat. She opened her mouth, attempted to scream, but couldn’t even manage a gasp as the fingers dug deeper and cut off her breath.
Terrified, she stared at the window, at her own blurry figure reflected in the wet glass, and the larger man standing behind her. Tears welled in her eyes. She clawed at the hands that gripped her, kicked her attacker’s shins, and did what she could to wriggle free.
None of it worked.
He was much stronger than she, and her strength waned with each breath she was denied. Her heart fluttered desperately. It begged her to keep on fighting. But it was no use.
She had already lost
#
Chief Constable Peter Kendrick removed his hat as he entered Orendel House. Given the circumstances, a somber atmosphere wasn’t surprising. But the gloom he encountered in the elegant foyer was unparalleled.
Servants stood near the walls, slumped like wilting plants. Maids wept while the male servants stared into nothing, their stricken expressions underscoring the horror they’d woken up to. Even the butler struggled to speak when he offered to take Peter’s hat, his voice cracking before he averted his gaze.
“Where are the earl and countess?” Peter asked.
The butler gave his eyes a quick swipe and straightened his posture. “In the parlor with their…remaining children.” Someone sobbed and the old man’s expression twisted with grief. “As you can no doubt imagine, this is terribly difficult for them. They asked me to show you upstairs.”
“Very well.”
He followed the butler, one step at a time, a couple of Runners at his back. They arrived on the landing, their footfalls muted by the plush carpet lining the hardwood floor. A few more paces and then…
The butler paused and gestured toward a door. “Through there. I realize I ought to come with you, but… Do you mind if I remain here?”
“Not at all.” Peter reached Lady Eleanor’s bedchamber doorway and froze. A sick feeling caught hold of his stomach. Ghastly didn’t come close to describing the scene he beheld. This was the sort of thing that could make men lose all hope in humanity. It was…barbaric.
“Good lord,” murmured Anderson, the Runner standing at Peter’s right shoulder.
Anderson’s colleague, Lewis, only managed a faint, “Excu…” before he bolted for the stairs, no doubt hoping to make it outside before he vomited.
Peter swallowed and took a deep breath, then entered the room. It hadn’t been so long ago since another young woman’s body was found – the last in a series of brutal murders that left him baffled for more than a year. But that killer was dead, so it couldn’t be the same man who’d acted here.
Besides, this was different and shockingly worse.
He clenched his jaw, reminded himself that he had a job to accomplish. There was just…so much blood. It felt like the room was bathed in it. And the victim…
Forcing himself to employ an analytical mindset, he considered her position on the bed and the clean blanket draped over her torso and legs.
“I’ll need the usual sketches,” he said.
“Already working on it,” Anderson told him, his voice gruff.
“You may want to wait a moment.” Peter studied Lady Eleanor’s face and the empty eye sockets that seemed to mock him. “Until I’ve removed the blanket.”
“Sir?”
“It doesn’t belong. Someone placed it here after the fact, no doubt to protect her modesty.” He shot a look over his shoulder. “If you’ll please shut the door.”
A firm click followed and then, “Why would the bastard take her eyes?”
“I don’t know. Could be a trophy of sorts. There’s no telling what goes on in such vile creatures’ heads.”
Slowly, with respect and consideration directed toward the poor young woman whose body lay on the bed before him, Peter folded back the blanket and shuddered. Whatever nightgown she’d worn to bed was gone, her naked body left on display.
Air rushed into Peter’s lungs on a sharp inhalation. She’d been stabbed too many times to count, as though her attacker hadn’t been able to stop. And her neck – the skin there was a bright red shade.
Swallowing, he surveyed the rest of the room while Anderson kept on drawing.
A vase lay on the floor near one of the windows, smashed to pieces. The flowers were strewn across the Aubusson rug. They’d probably ended up there during a struggle. Peter lowered himself to a crouch, his fingertips testing a dark brown stain and feeling the wetness. Mud.
“Take notes too, will you?” Peter retreated until he’d reached the bedchamber door. He grabbed the handle. “And cover her with the blanket once you’re done. I’ll question the servants in the meantime.”
#
The parlor was made available for interviews, each servant introduced to Peter by the butler as he showed them into the room. Peter considered the latest arrival. Audrey was her name. Short in stature, with mousish features and lackluster hair, she’d been Lady Eleanor’s lady’s maid.
“I…I don’t…” Audrey gulped.
She dabbed at her watery eyes again. Her handkerchief looked heavy and wet. Peter handed her a fresh one and gave her a moment to try and collect herself. Not easy, he realized, since she’d been the one who’d discovered her mistress’s body when she’d gone to rouse her.
“Did you always wake her in the mornings?” Peter gently asked.
A nod accompanied trembling lips. “She was always so…active. Liked making the…the most of each day. Today… Oh dear. Please forgive me.”
“It’s quite all right,” Peter told her and waited once more for the woman’s tears to abate. “Take your time.”
She swallowed, licked her lips, and seemed to straighten a bit. “We planned to visit St. Augustine with a few donations. My mistress…she was so very kind I…I don’t understand why anyone might have wanted to hurt her.”
“So you can think of no enemies?”
“None.”
“No hopeful suitors she might have spurned?”
Audrey shook her head. “She’s engaged to Mr. Benjamin Lawrence. They were supposed to marry three months ago, toward the end of April, but his horse-riding accident forced a postponement.”
Peter recalled news of the tragedy. The event had turned the young man into a cripple. He’d lost the use of his legs. “She still meant to go through with it, despite what happened?”
“Of course.” Additional tears slid down Audrey’s cheeks. “My mistress loved Mr. Lawrence and intended to stand by him. That’s the sort of person she was.”
And yet, the nature of her death suggested someone had loathed her beyond all reason. Peter made a few notes in his notebook, his pencil scratching the paper with quick and efficient strokes.
“Thank you, Audrey. That will be all for now.” He accompanied her to the door and called for the next servant.
Again, his thoughts wandered back to the murders that took place earlier in the year. Those women had all seemed like proper young ladies. Friends and family had vouched for them. Yet they’d each had a secret that had gotten them killed.
In all likelihood, Lady Eleanor had secrets too. If he was to figure out who killed her, he’d have to discover which of hers had led to her death.
#
There was no greater nuisance than murder.
It was hard to predict how one would play out. Killing Lady Eleanor had been messier than he’d intended. Perhaps because he’d allowed himself to get carried away.
His lips curled. At least he’d had the foresight to stash a change of clothes for himself at St. George’s burial ground. Returning home covered in blood would not have helped him get away with the crime. As he intended to do.
Hands shoved into the pockets of a clean pair of trousers, he stood by his bedchamber window and watched the London traffic go by.
He had no regrets. She’d deserved every part of what he’d done.
His attention focused on the carriages filling the street and on the people hurrying by. It was the busiest hour of the day, when men of consequence made their way to Parliament while those who belonged to the working class went off to start their jobs.
Bow Street would have its hands full this morning. He casually wondered if they were examining Lady Eleanor’s body right now and where the clues they discovered might lead them.
Spotting a young girl who carried a crate of eggs on her head, he tracked her as she walked along the opposite side of the street. A man coming the other way nudged her shoulder as he pushed past her, but failed to disrupt her stride.
She threw a quick glance toward him then stepped off the pavement and hurried between two carriages, making her way to this side of the street.
A couple of street urchins came from the left at a run, most likely fleeing someone whose pocket they’d picked. Leaping into the street at the same exact time as the girl with the eggs attempted to exit, they crashed into her, tripping before regaining their balance and sprinting onward while she was sent reeling.
Down went the crate and all of her eggs, straight into the gutter.
Not one person stopped to inquire about her wellbeing. She was invisible to the crowd – just another lowly individual doing her best to scrape by. Too much trouble for the middle or upper class to get involved with. Too time consuming for the rest.
And yet, as he watched the poor wretch try to salvage the few eggs that somehow remained intact, there was no doubt she’d prefer her situation to Lady Eleanor’s at the moment.
He watched the girl until she’d gathered whatever she could and continued along the street, vanishing from his view before he turned from the window. His gaze went to his bedside table and he crossed to it, retrieved a small key from his jacket pocket, then dropped into a crouch.
With adroitness, he set the key in the lock of the door beneath the drawer and turned it. The door opened and he reached inside, retrieving a jar that he held up against the bright morning light.
A pair of eyes contained in a clear solution stared back at him while his lips twitched with amusement. The last time they’d talked, Lady Eleanor had insisted she’d no desire to see him again.
It was a wish he’d been more than happy to fulfill.

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

 

Contact Links

Website

Facebook

Twitter

Goodreads

Pinterest

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A- #BookReview: A Tainted Heart Bleeds by Sophie Barnes + Giveaway

A- #BookReview: A Tainted Heart Bleeds by Sophie Barnes + GiveawayA Tainted Heart Bleeds: A Gripping Historical Mystery Romance (House of Croft) by Sophie Barnes
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: historical fiction, historical mystery, historical romance, regency mystery
Series: House of Croft #2
Pages: 440
Published by Sophie Barnes on October 29, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKobo
Goodreads


He’ll never forgive her deception, or the hold she still has on his heart…

Adrian Croft’s worst fear has been realized. His wife, the sweet woman who swept past his every defense, is a cunning spy working against him. Forced to play a dangerous game where one wrong move could see him destroyed, he must unravel her secrets while hunting a far more sinister threat.
Samantha knew her decision to marry her target would come at a price. Now, having lost her husband’s trust and affection, she’ll do whatever it takes to win it all back – abandon past loyalties, spill her secrets, and catch a killer. But will it be enough to undo the damage?
-One series, one couple, and the brutal challenges they must face-
If you like What Angels Fear, Silent in the Grave, and Murder on Black Swan Lake, you’ll devour Sophie Barnes’ thrilling new series.
Buy A Tainted Heart Bleeds and continue this action-packed adventure today!

My Review:

This second book in the House of Croft series begins as the first book did, with the brutal murder of a young and seemingly innocent woman.

But the circumstances, as similar as they are to the opening of A Vengeful King Rises, are not the same – except that both women, and both murders, are shrouded in secrets. Including the motivation behind them.

The murder of Adrian Croft’s sister Evie was designed to set Adrian on a path that he did not wish to walk, but the motives were concealed in the midst of a serial killer’s spree. It wasn’t personal, although the consequences were very personal to Adrian Croft.

This time, the murder is very personal. Lady Eleanor was stabbed over 50 times, up close and very personal indeed. Her murderer believed that she had betrayed him – and perhaps she had, if only in his own eyes and twisted mind. Of course, he took those too. Her eyes. As a grisly trophy.

Croft brought his sister’s killer to justice – even if no one can prove it. Which leads Lord Orendel, Lady Eleanor’s father, to ask Croft to investigate his daughter’s death and provide him a measure of that same justice – even if it can’t be admitted aloud.

It’s not a commission that Croft wants to take. He has problems of his own to deal with – also a result of the events in the first book. The police are pursuing him for his father’s crimes – and his own. The agent they set on his trail inveigled her way into his heart, his bed and his household.

He married her, and only learned of her betrayal after that fact – just as she vowed to be his in all ways. He can’t forgive, he can’t forget, he can’t trust – but he can’t force himself to set her aside, or off to the country, or into a shallow grave. As she deserves.

He has no idea that she’s about to be the saving of him. Again. It’s only a question of whether that will be enough to finally earn his trust – and to save him from the gallows.

Escape Rating A-: I started this series because it appeared to be what you’d get if C.S. Harris’ Sebastian St. Cyr series and Andrea Penrose’s Wrexford & Sloane series had a book baby. Which is very much true, as all three are set in the same Regency period, all involve solving grisly murders and all have a significant and dark romantic enemies to lovers relationship where the enmity has the potential to turn deadly even as the romance heats to boiling.

(Some reviewers have noted a resemblance to Deanna Raybourn’s Lady Julia Grey series, which I have not read – YET – but clearly need to take a look at.)

Now that I’ve read the first two books in the House of Croft trilogy, at this point I have a really, really, strong feeling that I’m oh-so-glad this is a trilogy and doesn’t go on as long as those other series.

Why, you might ask?

The reason is that the House of Croft doesn’t read like three stories that have some overarching elements. In spite of not being the same genre – AT ALL – the House of Croft reads like The Lord of the Rings in that it is ONE story divided into three parts for publishing purposes. Which, by extension, makes A Tainted Heart Bleeds the long dark night of the soul that is The Two Towers – especially the second half of that heartbreaking middle book.

So that’s all a HUGE hint that readers can’t start with this book. I think that one has to begin at the beginning with A Vengeful King Rises – and will probably join me in the proverbial bated breath waiting for the final book in the trilogy, A Ruthless Angel Weeps, in order to see how Adrian and Samantha Croft manage to get whatever it is they truly deserve – whether that’s heaven or hell or just a quick hanging.

The reason for that anticipation and all of that bated breath is that the individual books in the series are extremely and occasionally excruciating compelling, and while they DO wrap up the murder that opens each story, they DO NOT answer any of the gigantic questions hanging over the series – and our protagonists – like a whole ceiling of Swords of Damocles.

I know there is a puppet master – but I don’t even have a hint as to who that puppet master might be. And it’s driving me crazy. I NEED to know who is responsible for the hell that Adrian Croft has been put through – and more importantly – WHY he’s been put through that hell. I also hope to see someone pay, but I’m certain that Adrian and Samantha will have that well in hand by the end.

A Ruthless Angel Weeps will be coming at the end of January – and for this reader it’s not nearly soon enough!

About the Author

USA TODAY bestselling author Sophie Barnes writes historical romance novels
in which the characters break away from social expectations in their quest
for happiness and love. Having written for Avon, an imprint of Harper
Collins, her books have been published internationally in eight languages.
With a fondness for travel, Sophie has lived in six countries, on three
continents, and speaks English, Danish, French, Spanish, and Romanian with
varying degrees of fluency. Ever the romantic, she married the same man
three times—in three different countries and in three different
dresses.

When she’s not busy dreaming up her next swoon worthy romance novel,
Sophie enjoys spending time with her family, practicing yoga, baking,
gardening, watching romantic comedies and, of course, reading.

 

Contact Links

Website

Facebook

Twitter

Goodreads

Pinterest

Instagram

BookBub

 

Purchase Links

Universal Link

Amazon

Barnes and Noble

Kobo

iBooks

Smashwords

 

a Rafflecopter giveaway

 

 

RABT Book Tours & PR