The follow-up to Ebony Gate , the critically acclaimed debut of Vee and Bebelle's Phoenix Hoard series.
IT TAKES A KILLER TO CATCH A KILLER
Emiko Soong, newly minted Sentinel of San Francisco, just can't catch a break. Just after she becomes the guardian for a sentient city, a murder strikes close to home. Called by the city and one of the most powerful clans to investigate, she traces the killer whose scent signature bears a haunting similarity to her mother’s talent.
The trail will lead her back to Tokyo where the thread she pulls threatens to unravel her whole world and bring dark family secrets to light.
Meanwhile, the General rises in the East and Emiko must fight the hidden enemies of his growing army who are amped up on Blood Jade, while keeping her promises to her brother Tatsuya as he prepares for his tourney.
Her duties as Sentinel and her loyalties collide when she must choose between hiding her deepest shame or stopping the General’s relentless march.
Phoenix Hoard#1 Ebony Gate#2 Blood Jade

My Review:

Blood Jade is the second book in the dark, compelling, utterly marvelous and occasionally downright infuriating Phoenix Hoard trilogy that began with the fantastic Ebony Gate. If you love fantasy, especially contemporary set fantasy that features hidden worlds operating within our own, if you adore flawed heroines filled with angst and doubt who still get the job done no matter what or who might be stacked against them, I can’t recommend this series highly enough.

But I do absolutely recommend that you start with Ebony Gate, as the Phoenix Hoard reads like one story divided into three parts and this one is the damn middle. I promise it’s worth the ride and the read – especially if you’re still jonesing for a book to assuage even a bit of your Green Bone Saga book hangover – as I certainly still am.

The first book, Ebony Gate, was the set up and the introduction. The Jiārén, the descendants of the Eight Sons of the Dragon, hide their true operations behind magic in the world that we Wàirén only think is ours.

Emiko Soong has done her best and her damndest to leave that world; her father’s world and her father’s machinations, behind – even though she knows she’s probably just fooling herself. The question is how much.

The answer, as Emiko learns in Blood Jade is that she’s been fooling herself a LOT and that she hasn’t truly moved outside her father’s influence at all. He’s just been watching from a distance and letting her make her own mistakes for a while.

Which she has certainly done. She’s also made real friends and a life of her own in San Francisco – some of which may have also been a mistake. Or at least it feels like one when her two worlds collide and she goes back home to Tokyo, to the center of her father’s power.

But now she has a power of her own as the magical ‘Sentinel’ of her adopted city, San Francisco. A power that will either make her, or break her, mend her or shatter her. If she can manage to survive leaving the seat of her power, the very real threats against her friends AND her family, and her father’s forever secret, always hidden, and all too often damnably right, plans for her, for the future of their clan, and for their people.

Escape Rating A+: I’ve had this book for almost half a year. I hung onto it for several reasons. One, because I wanted the time to savor it. Two, because this is the middle book in the trilogy and damn I wanted to have the final book in my hot little hands before I started this one (which I do), and three, I wanted the time to listen to the audio read by Natalie Naudus because she embodies Emiko perfectly.

I also kept it as a Hanukkah present to myself because I knew it would be excellent – which it absolutely was. But I knew even before I started that I’d need time and space to deal with all the feels before I even made a stab at writing up what I thought and felt.

And, very much like Emiko herself, I realized that I had to rethink a whole lot of the story when I reached the end. Just as her relationship with her parents wasn’t quite the way she thought it was, neither was my relationship with this book.

Before I start on my own personal thoughts and feelings, one thing needs to be said up front. Blood Jade is the middle book in a trilogy. Middle books, frequently, often and absolutely in this case, are walks through dark places. If you think of Frodo and Sam’s trip through Mordor in the second half of The Two Towers, well, that’s pretty much the archetype of a middle book. Not that the first half of that middle book in the Lord of the Rings is that much less grim, just that it’s hard to imagine anything more grim than walking through Mordor.

In Blood Jade, Emiko is walking through her own dark places, in many cases made all the darker because she’s walked them before. She’s always been the ‘Broken Blade’ of her clan, her powers blocked off or non-existent, and she’s always been a disappointment to her parents and her teachers, the flawed daughter of a powerful house with no power of her own.

Returning to her father’s orbit, doing her best – which is in fact very, very good – to keep both her brother Tacchan and her friend and ally Fiona Tran protected from the very real threat to their lives also forces her to deal with the reality that her own people see her as broken, see her as ‘less than’ at every turn, see her as a failure at everything she tries.

Except being her father’s hatchet-woman, a role she has chosen to reject. A rejection that is seen as yet another failure on her part. Emiko has a LOT of angst to deal with in this story – and because the whole saga is told from her first person perspective, we’re inside her head experiencing it right along with her. It’s a LOT, it’s all justified and it’s HARD.

In Emiko’s dysfunctional family and their interpersonal relationships I found a lot of my own buttons being pressed, which made the first half of the book a difficult read – or in this case listen – for me in spite of the excellence of the narration. (I can’t say enough good things about Natalie Naudus’ voicing of this story as well as Ebony Gate. She’s just awesome even if I’m angsting over some of what happens nearly as much as Emiko is.)

Emiko’s family is utterly dysfunctional in ways that are baked into their society. The amount of abuse the children suffer through is way too much like the Antivan Crows in the Dragon Age videogame series, AND, it’s also a reminder that it’s somewhere between hard and impossible to keep a dynasty going through inheritance because the later generations don’t have the same kind of drive their elders needed to in order to survive their real struggles and manufactured struggles through torture simply don’t instill the same needs and values. (Come to think of it, that was also a part of the mess in Tuesday’s book, Echo, in spite of the vast difference in their settings.)

What made me rethink how I felt about the whole book, what makes Emiko rethink everything she’s ever believed about her relationships with both of her parents, is a huge spoiler but at the same time is something I’ve been expecting since Ebony Gate. It’s a revelation that also beautifully sets up the third book in the trilogy, Pearl City, coming in July. I have an eARC but I’m doing my damndest to resist the temptation to read it RIGHT NOW because I’m holding out for the audio that I hope will be recorded by Natalie Naudus because she HAS to take up Emiko’s mantle one more time.