A- #AudioBookReview: What Feasts at Night by T. Kingfisher

A- #AudioBookReview: What Feasts at Night by T. KingfisherWhat Feasts at Night (Sworn Soldier, #2) by T. Kingfisher
Narrator: Avi Roque
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: horror
Series: Sworn Soldier #2
Pages: 160
Length: 5 hours and 2 minutes
Published by Macmillan Audio, Tor Nightfire on February 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The follow-up to T. Kingfisher’s bestselling gothic novella, What Moves the Dead .

Retired soldier Alex Easton returns in a horrifying new adventure.

After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine, and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia.

In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home. . . or in their dreams.

My Review:

It’s not mushrooms this time. Not that there isn’t something creeping around the old hunting lodge that retired soldier Alex Easton inherited from their family in the remoter parts of their native Gallacia. And not that Easton isn’t still experiencing PTSD and a whole, entire and entirely justified case of the collywobbles at even the thought of anything that might possibly have to do with mushrooms after the fungus-powered monstrosities in Easton’s first outing, What Moves the Dead.

In fact, after the events in What Moves the Dead, it’s not at all surprising that Easton is searching for a bit of peace and quiet. It’s just a surprise that they’ve gone home to Gallacia to find either of those things. Because it is clear from Easton’s opening remarks regarding this trip to their homeland, the whys and wherefores of the whole thing, and their thoughts and feelings about Gallacia and anything to do with it that they would much rather have stayed in Paris.

As Easton makes VERY clear on the way to that hunting lodge they haven’t visited in the past ten years, at least in the conversation they are having with themselves inside the confines of their own head, they are feeling very put upon by this whole trip. Their reluctance, at least, is apparent in the conversation they are having aloud, the one between themselves, their very good horse Hob, their batman and general factotum Angus, and Angus’ mustache, which seems to convey rather strong opinions of its own in spite of not actually being able to say a word.

Besides, it’s all Angus’ fault. Well, Angus’ fault as well as Easton’s own sense of propriety – no matter how much they’d like to let THAT go hang itself at the moment. Because Eugenia Potter, that redoubtable English mycologist who so ably assisted them with the fungal infestation in the House of Usher in What Moves the Dead, has been invited to Gallacia to observe the local fungi, with Easton as her ostensible host.

Honestly, it’s to further Miss Potter’s romance with Angus, but no one is admitting that. It wouldn’t be proper.

Easton planned to arrive at the lodge a few days ahead of Miss Potter, expecting to find the place in reasonable shape, just needing a bit of restocking and tidying up. That’s how Easton remembers it from the last time they were there. But Easton also remembers a caretaker taking care of the place, a caretaker that Easton has been paying a salary to for years and years, and as recently as the preceding month.

So, it’s obvious when Easton and Angus arrive that things are not quite what they expected. The house is a mess, the caretaker is a few months dead, and no one seems to be willing to be employed to help Easton and Angus get the place cleaned up and cleaned out, in spite of the good wages in hard currency that Easton is more than willing to pay in this poverty-stricken village where those things are seldom seen or even heard of.

Which is the point where Easton should have rescinded the invitation to Miss Potter and run back to Paris as fast as their horse’s legs could carry them. Because there’s something uncanny about the caretaker’s death, and there’s something dangerous haunting the old hunting lodge.

At least, this time, it’s not mushrooms.

Escape Rating A-: I’m not sure whether to say that What Feasts at Night isn’t quite as creepy as What Moves the Dead, or to say that it is even creepier. Let’s say I’m creeping along that fence and not sure which side I’ll fall off onto.

What Moves the Dead was a creepy story that turned out to be a bit more scientifically inclined than anything that happens within it might lead the reader to expect.

What Feasts at Night, very much on the other hand, reads much more like a fever dream story about pneumonia and PTSD. Or a ghost story about PTSD. Or a nightmare about a ghost that’s strangely cured or killed through PTSD that only masquerades as being about pneumonia. Or all of the above.

The fever dream aspects of the story, particularly as the pneumonia, or the wandering local vampire/ghost creeps its way into the dreams of both Alex Easton and the grandson of the bitter old woman they finally manage to hire to take care of the house, manage to both make the story even creepier AND slow it down at the same time. Because for the longest time not much happens except in dreams and that’s not a quick process until the end. Not helped at all by the fact that no one local will really EXPLAIN anything about what might be happened, and Easton clearly didn’t get told the right stories when they were growing up.

But at that point, where the dream and the ghost and Easton’s PTSD all emerge on the same battlefield, it’s chilling and riveting and every frightening thing the reader has been expecting all along. It just feels like it takes a while to get there. But then, that’s what dreams do.

One thing that does kick the story along, frequently, often, and with more than a bit of a rueful laugh, is that it’s clear from the volume of conversations that Easton has with themself that the author has never met a Fourth Wall she wasn’t more than willing to batter her way through head first, whether using her protagonist’s head or even her own.

Which is one of the things that made listening to What Feasts at Night so much creepy fun, as the narrator, Avi Roque, has a rough, smoky voice that is perfect for Easton as it lets us inside their wry, sarcastic, self-deprecating head even as they tell both themselves and us that they realize that they should have known better at so many points along the way of the story they are now telling, if only they hadn’t let their logic get in the way of observing what was actually happening around them.

I enjoy Alex Easton’s voice, even when I’m not nearly so certain about the story they are telling. Horror is not my jam, but in this case I’m here for the characters, and Easton’s perspective is compelling even when the story they are in the middle of is creeping me right the hell out.

Review: Paladin’s Faith by T. Kingfisher

Review: Paladin’s Faith by T. KingfisherPaladin's Faith (The Saint of Steel, #4) by T. Kingfisher
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook
Genres: epic fantasy, fantasy, fantasy romance, romantasy
Series: Saint of Steel #4
Pages: 446
Published by Red Wombat Studio on December 5, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Marguerite Florian is a spy with two problems. A former employer wants her dead, and one of her new bodyguards is a far too good-looking paladin with a martyr complex.
Shane is a paladin with three problems. His god is dead, his client is much too attractive for his peace of mind, and a powerful organization is trying to have them both killed.
Add in a brilliant artificer with a device that may change the world, a glittering and dangerous court, and a demon-led cult, and Shane and Marguerite will be lucky to escape with their souls intact, never mind their hearts. . .

My Review:

There’s a classic saying about large organizations at cross-purposes within themselves, that the right-hand doesn’t know what the left hand is doing. Marguerite Florian’s problem with the Red Sail mercantile empire is that their “right hand does not know who the left is killing”.

This is Marguerite’s problem because the person that the Red Sail’s left hand intends to kill is her. Which she has some strenuous objections to. Most people would.

Marguerite has tried all sorts of methods for getting the Red Sail off her back. Most parts of the organization think that she’s just a loose end, someone who knows something they shouldn’t but who clearly has no plans for doing anything about it. Someone who can be watched but otherwise left alone.

Other parts of the organization want to use her life – or rather her death – to score points against the others. For every Red Sail branch she does enough favors for to earn amnesty, there’s another who hates that branch and wants to add her body to their tally of tit for tat.

A particularly appropriate cliché as Marguerite’s attributes in that regard are exceptionally noteworthy – as MANY of the characters in this fourth entry in the Saint of Steel series can’t help themselves from noticing. Notably Shane, one of the very few remaining Paladins of the dead god, that titular Saint of Steel.

And that’s where the nature of the secret and the remit of the White Rat, the god who has taken Shane and his fellow Paladins under their wing, comes into play.

The White Rat, in the able and energetic person of Bishop Beartongue, is the god who sees a problem and gets it fixed. One of the things that makes pretty much all of their relief efforts everywhere more expensive than they need to be is that the price of salt is also fixed, not in a good way and not by good people. Specifically the Red Sail organization which has a monopoly on the large scale mining, production and most importantly, shipping, of salt.

Marguerite has helped the Bishop and the Rat – and those Paladins – a time or two before this story. She needs their help now to hunt down that loose end the Red Sail keeps trying to kill her over.

All Marguerite needs to do is locate the artificer who has invented a method for large-scale salt production that the Red Sail will clearly do anything to keep from publicizing her work. Because once it’s known that circumventing their monopoly is possible, it WILL be done. It will bankrupt Red Sail, cause short term economic hardships for any economy that is dependent on either the high price of salt, the high taxes on salt, or receiving favors from Red Sail. But in the long term, salt will be cheaper, the Rat’s relief efforts will cost less money and therefore require less in the way of donations and tithes from their members, and a whole lot of people on the lower rungs of the economic ladder (the folks the Rat specifically serves) will be better off.

So Bishop Beartongue lends Marguerite Shane and Wren, two of the former Paladins of the Saint of Steel ,to be her bodyguards while she hunts through the cutthroat Courts of Smoke, a place where dirty deals get done both dirt cheap and VERY expensively. A place where someone is bound to brag that they have a pet artificer who does genius work. Or, if someone doesn’t brag, they’ll at least leave papers lying around.

Marguerite just has to stay alive long enough to find the artificer. For that, she’ll need bodyguards who can’t be bribed or bought, seduced or suborned. She needs a paladin – or two.

Little does she know that both of her bodyguards are quite capable of being seduced. Just not in any of the ways that she ever expected – and with none of the results that could ever have been imagined.

Escape Rating A-: I’ve written a LOT to get to the point where I can talk about what I thought of the book, which makes a good metaphor for the book itself. Because Paladin’s Faith is a very big story of ‘hurry up and wait’. Marguerite’s literal task is to hurry up and get to the Court of Smoke then to spend endless amounts of time hoping that teeny-tiny clues will drop into her waiting ear. Or Wren’s or Shane’s waiting ears. While not giving themselves away to any agents of Red Sail who are undoubtedly lurking in hopes of discovering the exact same information.

It’s the spy game and a lot of actual spying is waiting for the ‘click’ of the right clue. Hurrying just gives the game away – which will get them all killed. Also a LOT of other people killed, as Paladins of the Saint of Steel do NOT go either gently or quietly into that good night. They ALWAYS take a lot of their enemies with them when they go. It’s what they are, it’s what they do, it’s what their god chose them for in the first place.

So a huge part of this book is taken up in that waiting and watching, and the frustration of not finding much while Marguerite knows her enemy is hot on her heels. The frustration of waiting for clues is compounded by the sexual frustration of BOTH Marguerite and Shane. The heat they generate practically steams off the page, to the point where the reader wants to groan right along with Marguerite as Shane carries out a mental routine of self-flagellation because he believes he shouldn’t and he’s not worthy and he’ll only fuck things up even more than they already are. Which honestly isn’t even POSSIBLE but his guilty complex is so damn loud that he can’t hear anything except the voice in his head telling him he’s a fuckup and that’s all he’s ever been or will be.

One of the best parts of, not just this book but the whole, entire series so far is that it is told in the author’s inimitable voice, and her character development is both always excellent and done with absolutely oodles of snark and self-realization layered with frequent, self-deprecating humor on all sides.

Howsomever, by the nature of that waiting game a LOT of this story is extremely interesting character development with a fair bit of adding to the depth of the worldbuilding but one does, like one of the side characters, Davith, want them to just ‘get on with it’ one way or another, either to get a move on in their mission or just make a move on each other.

Once both of those things finally happen, the story is a race to a surprising and delightful finish.

In the beginning of this series, there were seven surviving Paladins of the messily departed Saint of Steel; Stephen, Istvhan, Galen, Shane, Wren, Marcus and Judith. Stephen’s story was told in the first book in the series, Paladin’s Grace, Istvhan’s in the second, Paladin’s Strength, Galen’s in the third, Paladin’s Hope, and now Shane’s in Paladin’s Faith. Which does lead on to the belief – or certainly to the HOPE, that there will be three more books in the series. Based on events in this book, Wren’s is likely to be next – which would be awesome. And Judith’s story is going to be a humdinger. But whatever or whoever’s story is coming next, I’m already looking forward to it!

Review: Thornhedge by T. Kingfisher

Review: Thornhedge by T. KingfisherThornhedge by T. Kingfisher
Narrator: Jennifer Blom
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, fairy tales, fantasy, retellings
Pages: 128
Length: 3 hours and 43 minutes
Published by Tor Books on August 15, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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From USA Today bestselling author T. Kingfisher, Thornhedge is an original, subversive fairytale about a kind-hearted, toad-shaped heroine, a gentle knight, and a mission gone completely sideways.
There’s a princess trapped in a tower. This isn't her story.
Meet Toadling. On the day of her birth, she was stolen from her family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult though, the fae ask a favor of Toadling: return to the human world and offer a blessing of protection to a newborn child. Simple, right?
If only.
Centuries later, a knight approaches a towering wall of brambles, where the thorns are as thick as your arm and as sharp as swords. He’s heard there’s a curse here that needs breaking, but it’s a curse Toadling will do anything to uphold…

My Review:

Once upon a time, there was a beautiful princess who was cursed by an evil fairy godmother to prick her finger on a spinning wheel’s spindle and sleep for a century – along with everyone else who inhabits that castle. This isn’t that story. That’s the story that was made from this one, when the truth needed to be spindled in order to make the story fit a more conventional mold.

Because in all the stories, evil is supposed to be ugly and anyone beautiful must be good. Which is what makes it a story, because in truth, evil often wears a very pretty face – all the better to hide the rot within. But that’s not the way the story is supposed to go – so it didn’t.

The truth, or at least this version of the truth – is considerably different – as the truth generally is.

Toadling has watched seasons change and years pass beyond counting, guarding the thornhedge that surrounds the darkling woods that encase the decaying castle where the beautiful princess sleeps a troubled, enchanted sleep. Once upon a time, Toadling was human. Once upon a time, she might have been that princess.

Once upon a time, she made a terrible mistake that put her exactly where she is, standing guard, doing her sometimes human, sometimes toad-like best to perform her self-imposed duty of keeping the princess safe – and keeping everyone else safe from the princess.

Just as Toadling is almost, almost sure that all knowledge of the lost princess and the crumbling tower has slipping out of time and mind of the rest of the world, her sanctuary is invaded in the kindliest and most annoyingly frustrating – at least for Toadling – way possible. The knight Halim has a burning need to solve the mystery. If there’s a princess imprisoned in the crumbling castle, he’ll certainly rescue her – after all, he is a knight – if not either a very good or very successful one. But his primary motivation isn’t the princess, it’s solving the puzzle.

Which, in the end, he does. Just not the way that Toadling feared. Or even worse, hoped.

Escape Rating A: Thornhedge is a fractured fairy tale. In fact, Thornhedge and A Spindle Splintered are fractured versions of the same fairy tale, that of Sleeping Beauty. But they have been fractured along very different fault lines.

It’s because they start with different questions. A Spindle Splintered asked whether there were ways for Sleeping Beauty to escape her destiny, and what would happen if she tried, and then proceeded to play out those variations across the multiverse.

Thornhedge goes back to the beginning of the story and asks a fundamental question about why it was necessary for the princess to be ensconced in that castle so thoroughly in the first place. The answer to that question sets the fairy tale entirely on its head but also makes the story considerably more interesting.

Instead of a ‘fridged’ heroine who gets top billing but does nothing to earn it, we get a lovely story about friendship and duty and guilt and spending a lifetime making up for someone else’s mistakes and cleaning up after someone else’s messes and finally, finally participating in your own rescue.

Because this isn’t really the Sleeping Beauty story at all, but in a totally different way than Sleeping Beauty wasn’t actually Sleeping Beauty’s own story.

Instead it’s a story about friendship and guilt and learning to be – not who you are supposed to be, but who you really are. That the lesson turns out to be just as much for Halim the Knight as it is for Toadling the fairy is just the teeniest, tiny part of what makes Thornhedge such a lovely read.

Or in my case, reread. I read this for a Library Journal review a few months back, and loved it as I do all of T. Kingfisher’s work, but not quite as much as I did Nettle & Bone. Listening to it now brought all the best parts back – particularly the perspective of the princess turned Toadling in her frustration, her longing, and her utterly justified anger at everything that brought her to this pass. Including herself.

The way in which she rescues herself, and Halim, and finally gets the future she wants now and the home she wants later, was beautiful. As is Toadling, even if neither the reader nor Halim notice it at first. Because this is Toadling’s story, and she’s the heroine, and heroines are supposed to be beautiful. So she is, and so is her story.

Review: A House with Good Bones by T. Kingfisher

Review: A House with Good Bones by T. KingfisherA House with Good Bones by T. Kingfisher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy, Gothic, horror, paranormal
Pages: 256
Published by Tor Nightfire on March 28, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family.
"Mom seems off."
Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone.
She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out.
But stepping inside, she quickly realizes home isn’t what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she’s the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above.
To find out what’s got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried.

My Review:

“Mirror, mirror on the wall, I am my mother after all,” or so goes the sampler. Sam Montgomery is experiencing something even weirder and creepier – she’s watching her mother turn into her frightening and downright abusive grandmother – and it’s scaring them both to death.

Sam is worried that her mother is going through early-onset Alzheimer’s. Or some really bizarre stage of delayed grief over her grandmother’s death. Or that she’s just fallen off her trolley. And there’s just a bit of worry on Sam’s part that whatever is going on with her mother is genetic – and that someday it will happen to her.

Although channeling her mother – as she was before this whole thing started – wouldn’t not be all that terrible. Her mother was cool. Her grandmother, on the other hand, was cold as the grave even before she was put into one herself.

But still, Sam is an academic, specifically an archaeoentomologist. Research is what she does. So she does. Research, that is, into what is happening to her mother, when it started, how it’s progressing, and whether or not there is anything at all that Sam can do about it.

What she finds are a whole lot of secrets that really, truly should have remained buried. And that the house her mother inherited from Sam’s grandmother doesn’t just have good bones – it also has very strong teeth.

Escape Rating A-: I never expected to find a story at the intersection of gothic horror with “I am my mother after all” and “academic politics are so vicious because the stakes are so small” – but here is A House with Good Bones and that’s exactly where it sits. With a vulture circling over it.

At first, the horror is the kind that happens all the time. Sam comes home for a long visit when the dig she’s supposed to be on gets postponed, only to find that her mother isn’t quite right. As we reach middle age and later, if our parents are still with us at that point, we all come to realize that they aren’t quite what they used to be as time and possibly illness or tragedy take hold. As we see their mortality and we begin to feel our own.

And that’s what Sam fears most. At first. It’s a very real fear but it isn’t usually the kind that leads straight into gothic horror and then down into the depths of something even creepier. But this time it does. And does it ever!

As Sam digs deeper into the family history, she learns that that history wasn’t nearly as above-reproach or nearly as respectable – as her late Gran Mae made it out to be. There are some real skeletons in the family closet, and more than a few of them are still haunting the house.

Then again, so is Gran Mae.

Sam will have to dig deep, under the house and into her own reserves in order to lay all of the family skeletons to rest. One way or another.

Two things made this story for me. Actually three. One is that I will read anything T. Kingfisher writes, even in genres I don’t read much of – like horror. Second is that the initial horror is so very mundane and real, making it easy to get sucked into the story. Third is the character of Sam Montgomery herself, as in this book she represents the snarky, sarcastic and self-deprecating voice of the author.

Which is where that element of “academic politics” comes into the story. Sam is able to triumph over Gran Mae not because she’s all-knowing or all-powerful or any of those standard heroic tropes. Sam wins the day because she knows herself, in all her faults and all her virtues. Gran Mae’s insidious voice has no place of entry into Sam’s mind or heart because she’s survived so much worse in the bloody (not literally), hallowed (not exactly) halls of academe.

So I read – and loved – A House with Good Bones not for its horror but for Sam’s snarkcasm and the wry smiles and chuckles and occasional guffaws that it engendered. And it was terrific.

Review: Illuminations by T. Kingfisher

Review: Illuminations by T. KingfisherIlluminations by T. Kingfisher
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook
Genres: fantasy, middle grade, young adult
Pages: 270
Published by Red Wombat Studio on November 25, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Rosa Mandolini knows in her heart that her family are the greatest painters of magical illuminations in the city. But the eccentric Studio Mandolini has fallen on hard times and the future is no longer certain.
While trying to help her family, Rosa discovers a strange magical box protected by a painted crow. But when she finds a way to open the box, she accidentally releases the Scarling, a vicious monster determined to destroy the Mandolini family at any cost.
With the aid of her former best friend and a painted crow named Payne, it’s up to Rosa to stop the Scarling before it unmakes the magical paintings that keep the city running, and hopefully save her family in the process!

My Review:

The Mandolini family are the best, and most eccentric, magical illumination painters in their village. They are all busy all the time in their separate cubbies, working magic into the special illuminations that make their village the truly magical place that it is.

A place where fires are prevented before they can break out, where the garbage doesn’t smell as long as it’s in the house, where the shingles don’t fall from the roof and the mice don’t get into the pantry.

Everything from the sublime to the ridiculous to the convenient to the necessary that is part and parcel of everyday life is enhanced and/or improved by the magic of illuminations, while bad and inconvenient problems are warded away by the same.

But 11-year-old Rosa Mandolini is too young to be a working part of Studio Mandolini. It seems like she will have the power to make illuminations, and she certainly seems to have the artistic talent necessary, but her time has not yet come.

Rosa is the only child in this house of adults. At the moment the story begins she’s bored out of her skull. Which is when, naturally and of course, the mischief begins.

Rose starts out determined to alleviate her boredom by exploring the treasure trove of family detritus stored haphazardly in the deepest corners of the basement. She should, perhaps, have been a bit more wary – but she’s not yet cognizant of that old saying about being careful what one wishes for.

She finds a box. A closed and sealed box. A box covered by an illumination that drives her away from the box AND does its level best to make her forget she found said box. But Rosa is determined, and she’s certainly not bored while puzzling over the equally puzzling box.

When she gets it open, boredom is the furthest thing from her mind. Opening the box releases two beings, the illustration of a crow who was its guardian, and the dangerous being that the crow and the box were meant to guard.

A being who has spent centuries locked in that box, plotting and planning all the things it can do and all the illustrations it can defile in order to bring down its hated enemy – the Mandolini family.

Rosa will just have to stop the ensuing chaos before her family’s reputation, their livelihood, and even their lives are destroyed. In order to make it happen, the Mandolini family is going to have to figure out how to do the one thing they’re famous for never doing. They’re going to have to all work together on one, singular, illustration.

Blending their eccentricities together will be more difficult than they ever imagined.

Escape Rating B: I picked up Illuminations because I was hoping for another incredibly awesome book like A Wizard’s Guide to Defensive Baking. But Illuminations, unlike Defensive Baking, is truly aimed at a middle grade audience, while Defensive Baking was pitched just a bit older, at a young adult audience with a vibe that made it every bit as good for adults.

Also, Illuminations doesn’t begin just as war is breaking out, so it didn’t have the same kind of quick start that A Wizard’s Guide to Defensive Baking did.

But Illuminations did remind me very strongly of something, and it took me a while to realize that something was the marvelous Disney movie, Encanto. Rosa, like Mirabel, was born into a family of magic workers, but does not have a power of her own – or at least not yet in Rosa’s case. Both families are ruled by the grandmother of the clan, and initially Rosa’s grandmother is every bit as strict as Mirabel’s.

It takes a while for Illuminations to pick up its pace, as it needs time to build the setup of the village, the magic and especially the use of illuminations to handle a surprising number of tiny but important tasks. We need to get immersed in how dependent the village is on those illuminations before we can appreciate just how devastating it is when so many of them abruptly fail.

Opening that box freed not one but two magical creatures. The Scarling who was trapped inside gives the story its desperation and its danger, while the guardian crow, Payne, provides both comic relief as well as a deep dive into the depths of grief and the difficulty of reconciling the good and bad sides of a person both loved and gone. (Payne is yet another of the author’s quixotic, witty and memorable talking animals, and practically flies off of every page in which he appears – usually with a shiny spoon in his beak.)

While the recommendations I’ve seen say that if I want more like A Wizard’s Guide to Defensive Baking I’m probably better off picking up Summer in Orcus, I still enjoyed Illuminations once it got going.

The Scarling was an excellent monster for this story in that it made it easy to show small dangers that wouldn’t be too scary in the moment while letting the implications of just how big those small dangers could get spring fully formed into the minds of older readers while growing along with Rosa’s perceptions for the younger.

In the end, this turned out to be a lovely little story about the power of friendship – as Kingfisher’s stories often do – combined with some very interesting things to say about grief and regret and figuring out your own place in the world even if it’s not the place that the people around you have in mind. And that the wildest and most seemingly useless things – like a penchant for drawing radishes with fangs – can prove to be very useful after all.

Review: The Seventh Bride by T. Kingfisher

Review: The Seventh Bride by T. KingfisherThe Seventh Bride by T. Kingfisher
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: fantasy, horror, retellings, young adult
Pages: 236
Published by 47North on November 24, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

Young Rhea is a miller’s daughter of low birth, so she is understandably surprised when a mysterious nobleman, Lord Crevan, shows up on her doorstep and proposes marriage. Since commoners don’t turn down lords—no matter how sinister they may seem—Rhea is forced to agree to the engagement.

Lord Crevan demands that Rhea visit his remote manor before their wedding. Upon arrival, she discovers that not only was her betrothed married six times before, but his previous wives are all imprisoned in his enchanted castle. Determined not to share their same fate, Rhea asserts her desire for freedom. In answer, Lord Crevan gives Rhea a series of magical tasks to complete, with the threat “Come back before dawn, or else I’ll marry you.”

With time running out and each task more dangerous and bizarre than the last, Rhea must use her resourcefulness, compassion, and bravery to rally the other wives and defeat the sorcerer before he binds her to him forever.

My Review:

I picked up The Seventh Bride because I love T. Kingfisher’s work and especially because I love her stories of young women – often very, very young – who have found themselves in a seriously large and potentially deadly pickle of epic proportions. Who, instead of whining, “oh woe is me!” or their world’s equivalent, put on the big girl panties they may not even be old enough to actually have yet and set about the business of saving themselves and everyone around them.

Just like Mona in A Wizard’s Guide to Defensive Baking and especially Marra in Nettle & Bone, Rhea is a young woman who is forced to adult really hard because the adults around her are either not up to the job (Mona) or are in positions of powerlessness relative to the evil aristocratic villain who is pulling everyone’s strings (Marra).

Rhea knows there’s something seriously wrong in the whole idea of a nobleman sweeping in to marry a miller’s daughter. Not because fairy tales don’t occasionally happen, and not that this won’t be one someday, but she knows it doesn’t happen to relatively plain girls in working-class families without some kind of magical intervention.

She’s also all too aware that no matter how the mysterious Lord Crevan might phrase his proposal, neither Rhea nor her parents have any real choice in the matter. He’s manipulating them all and he’s enjoying it.

Rhea’s just as aware that her parents are doing their best to pretend that this mess isn’t as wrong as it really is. She’s angry and frustrated because she knows there’s something rotten going on, and she’s exasperated almost beyond bearing that her parents keep trying to pretend that things might be okay after all. It takes a long time and a lot of thought for her to acknowledge that they are basically whistling past the graveyard and that they are hoping that if they pretend hard enough that things might not be quite so bad – although they probably will be.

But when Rhea arrives at Lord Crevan’s hidden country estate she discovers that actually – the whole thing is much, much worse than she imagined. That there are fates worse than death and that six of Crevan’s previous wives have all landed in those situations. And that Rhea is next unless she can find a way to stop him before its too late for her- and her hedgehog – if not for them.

Escape Rating A: The Seventh Bride is right at the crossroads between fairy tales, fantasy, horror and young adult. Or it is if there’s a skeleton buried under that crossroads.

It also reads like a bit of a ‘dress-rehearsal’ for Nettle & Bone, having been originally published eight years before Nettle. The two stories have a lot of the same elements, but as they are all elements that I love, that’s an excellent thing.

Like Marra in Nettle & Bone, Rhea is in an impossible situation, one in which she knows she’s utterly powerless. At least in any traditional sense of power. She’s low born, she’s young, she’s female, her family is dependent on the local lord’s goodwill. Even if Lord Crevan mistreats her – as she expects he will – if she refuses him her family will, at best, be thrown out of their house and livelihood. At worst, they’ll all be killed. She’s in that squeeze between the rock and the hard place. She expects the hard place to be hard, but her parents will survive her going there and it might not be AS bad as she fears. The rock will crush them all for certain if she doesn’t.

But that’s where the magic of the tale comes in, in its horrible, beneficent, and human aspects. All at once. Because if there’s one thing Rhea is good at, it’s making the best of her situation. There’s a band of sisters waiting for her at Lord Crevan’s estate – his other wives. She has allies – and she gives them hope. She finds a way to fight back that is both underhanded and subversive.

And why shouldn’t she? It’s not as if Crevan is playing fair.

The more she sees of the horror that she’ll have to endure if she submits, or is ground under, the more determined she is to find a way out. And the more she shows that he can be subverted, the more of his other wives are willing to help her do so.

The creepy factor in this one is very high. The sense of a band coming together is very strong. And the possibility of a villain getting EXACTLY what’s coming to him is EXTREMELY satisfying.

So don’t let the idea that this might be YA-ish stop you from picking up this marvelously creepy story of magic, helpfully intelligent animals (Rhea’s hedgehog friend is adorable), found sisterhood and evil getting hoist on its own pointy petard. (Especially as the ebook is currently on sale for 99 cents. It’s an absolute STEAL!)

And if the author ever writes a bonus scene of Rhea, Marra and Mona sitting down for tea in some place between the worlds, I’d love to be a fly on that wall – or at least a reader of that story!

Review: What Moves the Dead by T. Kingfisher

Review: What Moves the Dead by T. KingfisherWhat Moves the Dead by T. Kingfisher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: horror
Series: Sworn Soldier #1
Pages: 176
Published by Tor Nightfire on July 12, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.
Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

My Review:

I always thought it was cordyceps that was generally responsible for the zombie apocalypse, but not this time. Or probably not this time. After all, even at the end, we don’t know which genus and species is making the dead move.

But there’s definitely a fungus responsible for everything that has gone wrong with the House of Usher in What Moves the Dead. Because the dead are definitely moving – even if the rational and even scientific minds of the late 19th century are having a seriously difficult time with the old Sherlock Holmes aphorism. You know the one I mean, the one that goes, “Once you eliminate the impossible, whatever remains, no matter how improbable, must be the truth.”

And the truth is that no one really wants to think about what is making so many of the animals around the house – and some of the humans inside it – move as if they are dead. Or even after they seem to be, well, dead.

Lieutenant Alex Easton, late of the Gallacian Army, has come to visit a dying friend. Whatever they expected to find in the house of Madeline and Roderick Usher, it wasn’t what they actually found. It’s been nearly 20 years since they’ve all seen each other, and there are days when Easton feels every single one of those years – but both Maddy and Roderick – who Easton knows are roughly their own age – look as if they’ve aged twice as many years as have actually passed.

And both their faces have the waxen pallor of imminent death.

Easton wants to find a cure – or at least a reprieve, and enlists the assistance of Maddy’s American doctor, a redoubtable local Englishwoman with an almost obsessive interest in mushrooms, and their own batman turned (ex-military) aide-de-camp and general factotum – who has carried them out of worse and deadlier scrapes than this one initially seems to be.

But initial impressions can be, and in this case certainly are, deceiving.

How does one even begin to fight a mushroom who wants to explore the world of humanity – one body at a time?

Escape Rating A+: This didn’t go any of the places I thought it would – even after reading a synopsis of Edgar Allan Poe’s classic short story, The Fall of the House of Usher. (I know I read it in school, but that was a long time ago.)

I’ll admit that there were points where I kind of expected Cthulhu to rise out of that damn lake. The Great Old One might honestly have been a relief. At least Cthulhu is a creature that retired soldier Easton might have a hope of fighting.

While I don’t generally like horror, I very much do like T. Kingfisher’s work, as evidenced by my reviews of Nettle & Bone, A Wizard’s Guide to Defensive Baking and Paladin’s Grace. I like her stuff even when I’m not all that fond of the genre it’s in, like this book and The Hollow Places.

What made this work for me is that it’s very much the author’s voice – which means that the story is driven by its signature characters. Not that there’s not a strong sense of creeping dread through the whole thing, but rather than the creep and the dread and the reason to keep going through both of those feelings is that the reader is invested in the characters – especially Easton and that redoubtable English mycologist, Eugenia Potter.

It’s Easton’s head that we’re in throughout the story, and it’s a fascinating place to be. For one thing, they never take themselves too seriously. And they are very good at thinking but not actually saying all the things that give the reader plenty of rueful laughs, generally at Easton’s own expense. They aren’t the hero of this tale, and they don’t pretend to be. But they ARE the person who gets things done – always with the fully acknowledged assistance of their friends, comrades and fellow travelers.

One of the bits that made them so much fun as a character is the way that their very existence both pokes fun at gender norms and exposes them for the idiocy that they frequently are at the same time. It’s not always easy for them to deal with, but it is in its own unique way simple. They are, due to a peculiarity in their native language, a soldier. And soldier is a non-gendered pronoun in Gallacian. (So what they have in their pants or what they prefer in their bed is immaterial to their address and identification – except to the impolitely curious.)

As a reader, I didn’t need the answers to those questions. I simply liked Easton, their perspective and their attitude, quite a lot and wouldn’t mind at all if they turned up in another one of the author’s works.

Because I’ll be there for it. No matter what is making the dead move the next time around. Or, for that matter, the living.

Review: Nettle & Bone by T. Kingfisher + Giveaway

Review: Nettle & Bone by T. Kingfisher + GiveawayNettle & Bone by T. Kingfisher
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: Dark Fantasy, fantasy
Pages: 256
Published by Tor Books on April 26, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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After years of seeing her sisters suffer at the hands of an abusive prince, Marra—the shy, convent-raised, third-born daughter—has finally realized that no one is coming to their rescue. No one, except for Marra herself.
Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning.
On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.

My Review:

“The world isn’t fair, Calvin.” “I know Dad, but why isn’t it ever unfair in my favor?” While the quote is from The Essential Calvin and Hobbes by Bill Watterson, the sentiment is one that could easily be attributed to Marra, the central character in Nettle & Bone. Throughout this proto-fairytale, Marra frequently bemoans the unfairness of her world, even as she continually puts on her world’s equivalent of “big girl panties” and just keeps right on dealing with that unfairness.

I call this a “proto-fairytale” because it reads like just the kind of story that will be a fairytale someday, after the events have passed through the hands of this world’s versions of the Brothers Grimm AND Walt Disney in order to shape, knead and mold this “adventure” – in the sense that an adventure is something terrible that happens to someone else either long ago, fair away or both – into the kind of morality tale/object lesson that fairy tales end up being once they become “tales” rather than “history”.

This is also a tale that can be looked at as either “this is the house that jack built” or it’s opposite where “jack” goes on his journey of tasks and errands so damn mad at the situation that sent him that by the time he reaches his destination he tells everyone to stick it where the sun don’t shine.

In other words, Nettle & Bone is a tale of accretion, where Princess Marra starts out with a vague plan that takes on weight, depth and followers as she travels. And it needs all of those things and people because her task is large and she is small. She plans to save her second sister – the one who doesn’t even like her all that much – from certain death at the hands of the evil prince who already murdered their oldest sister AND threatens their parents’ kingdom.

Which is another way that this is a story about fairness, privilege, and the actual powerlessness that afflicts people in positions of seeming power – at least if those people are female.

So Marra is on a quest to save her sister. She thinks she needs to kill the evil prince, so that’s the task she sets herself. But she needs magic to counteract the prince’s magic, so she goes looking for a witch. The witch sets her three impossible tasks, not unlike many such stories. And not unlike those stories, Marra completes the tasks she has been set. She makes the cloak of nettle thread, and brings a dog made of bones back to the witch. The witch herself presents Marra with the third, the moon captured in a jar because she’s so astonished by Marra’s completion of the first two tasks that she decides to help her with her quest.

And they’re off! Along with the witch’s familiar, a hen with a demon inside her. Otherwise known as Strong Independent Chicken, a bird who really exists and to whom this book is dedicated.

But the plan is barely a sketch – and one not nearly as easy to fill in as Marra originally thought – or hoped. Along the way they add two more members to their already assorted party – a soldier they free from the Goblin Market, and Marra’s family godmother, who is both a bit more AND a bit less than she seems.

Off they go in search of, not adventure, but a way of bringing a little more fairness into their world. Marra thinks they’re going to kill the prince. The soldier is just happy to be free of the Goblin Market. The witch is coming to speak to the dead and the godmother is coming to magic the living. The chicken and her demon are along for the ride, in the hopes of causing whatever mayhem they can on the way. And there’s plenty of that every step of the way!

Escape Rating A+: I was looking for something by T. Kingfisher AKA Ursula Vernon to review as part of this Blogo-Birthday Celebration Week because so far I’ve loved everything of hers that I’ve read, especially A Wizard’s Guide to Defensive Baking and her Saint of Steel series (Paladin’s Grace, Paladin’s Strength and Paladin’s Hope). And because I enjoyed every single presentation she did on the recent JoCo Cruise – especially her stories about, you guessed it, Strong Independent Chicken. So I was looking for a book to review as a gateway drug for the giveaway and Nettle & Bone will be out later this month. So here we are.

Like the other books of hers that I have read, there’s a lot going on in Nettle & Bone and the story feels much bigger underneath than it is on the surface. On the surface, there’s the adventure of it all, which is marvelous and a perfectly good way of getting into this story and the rest of her work.

But underneath that there’s all this other stuff going on. There’s a lot in this story about the contrast between power and powerlessness, and the way that the perception of privilege depends on where you are in the neverending pecking order of the universe. It’s something that Marra comes to have a wider and more expansive view of on this journey. That’s partly because she’s a princess who is almost but not exactly a nun. While she thinks her mother the queen is powerful and can fix everything, she’s also aware that it is easier to travel as a nun than either a princess or a woman. Princesses are hedged ‘round with restrictions, while women in general are always subject to the whims and physical size and power of men.

Her whole quest is about reconciling the fact that those rules apply in the end to princes and princesses and even kingdoms. Someone is always more powerful and someone is always abusing that power.

At the same time, this is a women’s quest from start to finish. Although they have a soldier with them, and Fenris is certainly useful – as well as easy on the eyes – everything that happens in this story is driven by its female characters. The plan and the solutions they come to are not about men and arms and armies – it’s about women and soft power and seeing the truth of things. With the result that soft power turns out not to be soft at all, because power is a hard thing to seize no matter who is doing it.

In the end this is a story about feeling the fear and doing it anyway, even when you don’t know what you’re doing and aren’t in the least bit sure you’re going about the right way of doing it. Marra’s quest is to save her sister, and she does. At the same time, her sister also saves herself. And both the kingdoms. It’s never easy and it’s always on the knife edge of failing – but it gets done.

And it’s utterly marvelous along every single step of its impossible way.

~~~~~~ GIVEAWAY ~~~~~~

As part of my Blogo-Birthday Celebration Week I’m giving away one copy of ANY one of T. Kingfisher’s books, in any format, up to $30 (US) in value. That should be enough to get the winner any book of hers they want, including the new and coming titles like Nettle & Bone and What Moves the Dead. If you don’t know where to begin I highly recommend A Wizard’s Guide to Defensive Baking, Paladin’s Grace or the subject of today’s review, Nettle & Bone as excellent places to start!

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Review: The Hollow Places by T. Kingfisher

Review: The Hollow Places by T. KingfisherThe Hollow Places by T. Kingfisher
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: Dark Fantasy, horror
Pages: 352
Published by Gallery / Saga Press on October 6, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A young woman discovers a strange portal in her uncle’s house, leading to madness and terror in this gripping new novel.
Recently divorced and staring down the barrel of moving back in with her parents, Carrot really needs a break. And a place to live. So when her Uncle Earl, owner of the eclectic Wonder Museum, asks her to stay with him in exchange for cataloguing the exhibits, of course she says yes.

The Wonder Museum is packed with taxidermy, shrunken heads, and an assortment of Mystery Junk. For Carrot, it's not creepy at all: she grew up with it. What's creepy is the hole that's been knocked in one of the museum walls, and the corridor behind it. There's just no space for a corridor in the museum's thin walls - or the concrete bunker at the end of it, or the strange islands beyond the bunker's doors, or the whispering, unseen things lurking in the willow trees.

Carrot has stumbled into a strange and horrifying world, and They are watching her. Strewn among the islands are the remains of Their meals - and Their experiments. And even if she manages to make it back home again, she can't stop calling Them after her...

My Review:

At the beginning, this reminded me way more of The Doors of Eden than it did Narnia – at least until it talked about The Magician’s Nephew and “the wood between the worlds”. Because that was a “between” place, and so is the place that Carrot and her friend Simon find themselves in when they step into a passageway between her uncle’s Wonder Museum and Simon’s sister’s coffee shop next door.

A passageway that leads someplace else. An elsewhere that is MUCH scarier than most of the places in the multiverse that those Doors of Eden led to, and much more inherently frightening than that wood between the worlds.

Physically, it sounds a lot more like the Barrow Downs of Middle Earth – at least a version of the Barrow Downs where the evil trees of Mirkwood had moved in and taken over. There’s also a “between” very much like this one, without the creepy trees, in Dragon Age: Inquisition, and I have a feeling there was a Doctor Who episode that had more than a bit of the same feel.

Or at least featured a similarly misplaced school bus. (It’s Planet of the Dead, which is a little too on the nose)

(My mind wandered a bit as I was reading, especially at the beginning, because it kept getting pinged by hints of so many familiar things!)

But the place that Carrot – her name is really Kara but her uncle still calls her Carrot – and Simon find themselves is definitely somewhere at the seriously creepy, downright Lovecraftian edge of the multiverse. Well, Lovecraftian if you squint and see tree roots as tentacles.

As Carrot says, everything in Lovecraft had tentacles. As scary as this story is, the tree roots will definitely do.

The story begins innocently enough, with Kara discovering a hole in the wall of the museum. A hole probably caused by a tourist. Because tourists make all the messes.

Kara and Simon both seemed to be afflicted with nearly terminal curiosity. Kara has returned to her tiny hometown of Hog Chapel, North Carolina, to a rent-free room over her uncle’s eclectic museum, after her unsatisfactory marriage ends in quiet divorce. If home is the place that when you have to go there, they have to take you in, then the Wonder Museum is certainly Kara’s.

Simon lives next door, also rent-free, over his sister’s coffee shop and earns his keep as her barista. Both Kara and Simon are theoretically adults, but seem a bit frozen in time and lack of maturity. They bond together because neither of them quite fits in, and they have way too much time on their hands, and much too much imagination.

So when Kara discovers that hole in the museum’s wall, she and Simon just have to investigate. When the hole leads to a corridor that simply doesn’t fit within the geography they know, they don’t board it up. They go back to get better supplies for further exploration.

The world that they discover on the other side of that hole in the wall will provide both of them with nightmares for the rest of their lives. If they can manage to make it back alive. And lock the door behind them.

Escape Rating B: I don’t usually care for horror, and I knew this was horror when I picked it up. But I love this author’s voice so I was more than willing to give it a try. After making sure that ALL the lights were on.

At first it did remind me of The Doors of Eden rather a lot. The idea that there was an opening to a “between” place that opened into who knows how many different worlds is something they have in common. And what Mal, Lee and Kay found on the other side of that “between” was every bit as scary as what Kara and Simon found.

But Doors was more science fictional. It might not be real science, but it did its best, and a very damn good best it was, to sound like it was based on something real. Or at least real-ish.

The Hollow Places, even though it started with the same kind of weird, wacky museum as The Museum of Forgotten Memories, took a turn straight into things that go bump in the night in very short order. Because there is definitely something lurking in those hollow places, those bunkers, and it is coming to get Kara, Simon, Beau the cat, and if it can get fully established, all the rest of us.

At the same time, so much of what happens in that other world reads like a kind of fever dream and it feels that way to Kara and Simon as it is happening. Beau just wants to kill any monsters that enter his territory. Or honestly pretty much any other thing that looks like prey that enters his territory. He’s very cat.

What makes the story work are the characters of Kara and Simon. (Also Beau, I loved Beau). To say that they are not adulting well probably sums up their surface. They’ve found a place where they can manage. It’s not exactly comfortable, but they’ve made their lives work. They’re not brave, they’re not heroic, they’re both unlucky in love and not with each other (Kara is straight and Simon is gay) but they hold each other up when the situation is at its absolute worst with a bit of common sense, a whole lot of bravado and just enough of the snarkitude that I read this author for.

Still, Kara and Simon are profoundly there for each other even when neither of them is willing to articulate precisely what it is they are there for, because that way lies madness and they both know it. I started this book for the snark – didn’t get quite as much of it as I was hoping for – but I finished it for them. And Beau.

The ending reminded me of something completely different from anything I was expecting in a horror novel. This may have started with The Magician’s Nephew, but it ended with The Velveteen Rabbit. Because Kara loved the tatty, stuffed and badly taxidermied animals that were such a big part of the Wonder Museum. She loved them enough that for one brief moment, when she needed all the help she could get from whatever place she could get it from, all those animals became, as the Rabbit so poignantly described, Real.

Review: Paladin’s Grace by T. Kingfisher

Review: Paladin’s Grace by T. KingfisherPaladin's Grace by T. Kingfisher
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, ebook
Genres: epic fantasy, fantasy, fantasy romance
Series: Saint of Steel #1
Pages: 398
Published by Red Wombat Studio on February 11, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Stephen’s god died on the longest day of the year…
Three years later, Stephen is a broken paladin, living only for the chance to be useful before he dies. But all that changes when he encounters a fugitive named Grace in an alley and witnesses an assassination attempt gone wrong. Now the pair must navigate a web of treachery, beset on all sides by spies and poisoners, while a cryptic killer stalks one step behind…
From the Hugo and Nebula Award winning author of Swordheart and The Twisted Ones comes a saga of murder, magic, and love on the far side of despair.

My Review:

The title is a pun. It’s also a clue to the way this story works itself out. Which is bloody damn marvelous every slightly meandering step of the way.

There’s a question about whether Paladin’s Grace is an epic fantasy that includes a romance, or a fantasy romance that happens to also be epic. After mulling it over for a while, I’m pretty sure the answer is “yes!” Or perhaps “hells to the yes!” is a bit more accurate.

The setting of this story is plenty epic. It’s also set in the same world as her Clocktaur War duology and Swordheart but certainly doesn’t rely on any of them to get the reader stuck right into it. I haven’t read either and had no trouble becoming immediately involved, understanding what was going on, or being so damn absorbed I couldn’t put it down.

Not that I didn’t buy all three books as soon as I finished and realized that there were three other books set in this world. Because DAMN! this was good.

The setting dragged me in right away because it leads off with a fascinating concept that powers so much of the story in various ways. This is a world where the gods are real. By that I mean the gods act in and on the world and their worshippers in ways that can be witnessed, not just by believers but by everyone.

In that sense, it’s a world that resembles the world of Max Gladstone’s Craft Sequence, starting with Three Parts Dead. That’s a world where the lawyers are necromancers, and part of their job is to write contracts for gods both living and dead. But even more than the Craft Sequence, the world of Paladin’s Grace reminds me of Lois McMaster Bujold’s World of the Five Gods, particularly as it is seen through the eyes of the Learned Divine Penric of the White God and his demon Desdemona in Penric’s Demon and the books that follow. Penric has met his god, usually just before or just after said god sends him on yet another errand, and other people in that world have met their gods as well.

The way that the Saint of Penric’s order interacts with their god and the way that the Paladins of the Saint of Steel interact with theirs has some similarities – right up until the paladins’ god dies, leaving all of its paladins reeling as though someone has scooped out their hearts, souls and all the rest of their innards both physical and metaphorical.

The thing about the Saint of Steel is that this god blessed their paladins with divine berserker fits. So when the god dies they all go literally berserk, into a killing rage that results in murders, suicides, explosions and generally a whole lot of the death they were famous for in the first place.

Three years later there are only seven paladins of the Saint of Steel left, barely keeping each other alive and functional, assisted by those who serve the Rat God, an order which has no paladins of its own. But it does have lawyers, leading back to that resemblance to the Craft Sequence I mentioned earlier.

Serving the Rat and protecting its Bishop, the absolutely awesome Bishop Beartongue, gives the remaining paladins enough purpose to keep them going. It’s all any of them expect out of life at this point. (And if the author ever writes an entire book featuring the Bishop, I am SO there!)

Then Paladin Stephen becomes entangled with Grace the perfumer, and he discovers a whole new reason for living. If he can let himself. If he can get over himself. If he can trust himself.

If the Bishop and his brother paladins can manage to extract them both from the political clusterfuck that they’ve bumbled into – in spite of the odds against them all along the way.

Escape Rating A+: Paladin’s Grace was definitely, sincerely, absolutely a case of the right book at the right time.

There is just so much happening in this story, both on the epic fantasy and the fantasy romance sides of the equation. Plus – big huge gigantic plus – the author’s very dry and frequently hung from the gallows humor made me laugh out loud so many times, even as it both developed the characters and pushed the story forward. This is my favorite type of humor, the kind that arises out of character and situation and is never built on cruelty, tearing up or punching down.

I wanted to go out for drinks with pretty much everyone on Stephen and Grace’s side of the story, including them. Even when their world was going to hell in a handcart, the way the author wrote them created plenty of opportunities to laugh with them and not at them.

On the romance side, Stephen in particular is the poster child for the romantic hero who is so fucked up and has so much baggage that he’s certain he couldn’t possibly be good enough for the heroine. Not that Grace doesn’t have plenty of her own baggage, but in comparison, hers is almost normal. Stephen has lost his god and is rightfully afraid of going berserker at any moment. Nothing compares.

The political situation that they stumble into is, on the one hand, fairly standard for epic fantasy, and on the other, wildly different because it is so totally inept and still almost works. There is just a ton about this story to love.

As I said early on, this was the right book at the absolute right time. I was ready to start a new book just as the polls closed in Georgia this week. It was a night that promised to be chock-full of doomscrolling, so I went looking for a book that would suck me in so deeply that I’d be able to forget about the mess for a few hours. (I voted by mail weeks ago, so there wasn’t much I could do at that point except incessantly doomscroll hoping it would eventually turn to schadenscrolling and even gleescrolling at some point.) But constant scrolling is not productive, only anxiety inducing. Nobody needed any more of THAT this week – not that we didn’t all get plenty ANYWAY.).

That’s the point where I remembered I had Paladin’s Grace, and that I absolutely LOVED this author’s Wizard’s Guide to Defensive Baking which made me chuckle, laugh and outright chortle the entire time I was reading it.

Considering the news on Wednesday, I really, really needed the distraction.

Paladin’s Grace turned out to be EXACTLY the book I was looking for. It didn’t reduce me to completely incoherence, as the paladin Stephen and the perfumer Grace frequently do to each other in the course of this story. But it did take me far, far away from the madness of the real for a while. For which I am so, so grateful.