Review: The Seventh Bride by T. Kingfisher

Review: The Seventh Bride by T. KingfisherThe Seventh Bride by T. Kingfisher
Format: ebook
Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: fantasy, horror, retellings, young adult
Pages: 236
Published by 47North on November 24, 2015
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBook DepositoryBookshop.org
Goodreads

Young Rhea is a miller’s daughter of low birth, so she is understandably surprised when a mysterious nobleman, Lord Crevan, shows up on her doorstep and proposes marriage. Since commoners don’t turn down lords—no matter how sinister they may seem—Rhea is forced to agree to the engagement.

Lord Crevan demands that Rhea visit his remote manor before their wedding. Upon arrival, she discovers that not only was her betrothed married six times before, but his previous wives are all imprisoned in his enchanted castle. Determined not to share their same fate, Rhea asserts her desire for freedom. In answer, Lord Crevan gives Rhea a series of magical tasks to complete, with the threat “Come back before dawn, or else I’ll marry you.”

With time running out and each task more dangerous and bizarre than the last, Rhea must use her resourcefulness, compassion, and bravery to rally the other wives and defeat the sorcerer before he binds her to him forever.

My Review:

I picked up The Seventh Bride because I love T. Kingfisher’s work and especially because I love her stories of young women – often very, very young – who have found themselves in a seriously large and potentially deadly pickle of epic proportions. Who, instead of whining, “oh woe is me!” or their world’s equivalent, put on the big girl panties they may not even be old enough to actually have yet and set about the business of saving themselves and everyone around them.

Just like Mona in A Wizard’s Guide to Defensive Baking and especially Marra in Nettle & Bone, Rhea is a young woman who is forced to adult really hard because the adults around her are either not up to the job (Mona) or are in positions of powerlessness relative to the evil aristocratic villain who is pulling everyone’s strings (Marra).

Rhea knows there’s something seriously wrong in the whole idea of a nobleman sweeping in to marry a miller’s daughter. Not because fairy tales don’t occasionally happen, and not that this won’t be one someday, but she knows it doesn’t happen to relatively plain girls in working-class families without some kind of magical intervention.

She’s also all too aware that no matter how the mysterious Lord Crevan might phrase his proposal, neither Rhea nor her parents have any real choice in the matter. He’s manipulating them all and he’s enjoying it.

Rhea’s just as aware that her parents are doing their best to pretend that this mess isn’t as wrong as it really is. She’s angry and frustrated because she knows there’s something rotten going on, and she’s exasperated almost beyond bearing that her parents keep trying to pretend that things might be okay after all. It takes a long time and a lot of thought for her to acknowledge that they are basically whistling past the graveyard and that they are hoping that if they pretend hard enough that things might not be quite so bad – although they probably will be.

But when Rhea arrives at Lord Crevan’s hidden country estate she discovers that actually – the whole thing is much, much worse than she imagined. That there are fates worse than death and that six of Crevan’s previous wives have all landed in those situations. And that Rhea is next unless she can find a way to stop him before its too late for her- and her hedgehog – if not for them.

Escape Rating A: The Seventh Bride is right at the crossroads between fairy tales, fantasy, horror and young adult. Or it is if there’s a skeleton buried under that crossroads.

It also reads like a bit of a ‘dress-rehearsal’ for Nettle & Bone, having been originally published eight years before Nettle. The two stories have a lot of the same elements, but as they are all elements that I love, that’s an excellent thing.

Like Marra in Nettle & Bone, Rhea is in an impossible situation, one in which she knows she’s utterly powerless. At least in any traditional sense of power. She’s low born, she’s young, she’s female, her family is dependent on the local lord’s goodwill. Even if Lord Crevan mistreats her – as she expects he will – if she refuses him her family will, at best, be thrown out of their house and livelihood. At worst, they’ll all be killed. She’s in that squeeze between the rock and the hard place. She expects the hard place to be hard, but her parents will survive her going there and it might not be AS bad as she fears. The rock will crush them all for certain if she doesn’t.

But that’s where the magic of the tale comes in, in its horrible, beneficent, and human aspects. All at once. Because if there’s one thing Rhea is good at, it’s making the best of her situation. There’s a band of sisters waiting for her at Lord Crevan’s estate – his other wives. She has allies – and she gives them hope. She finds a way to fight back that is both underhanded and subversive.

And why shouldn’t she? It’s not as if Crevan is playing fair.

The more she sees of the horror that she’ll have to endure if she submits, or is ground under, the more determined she is to find a way out. And the more she shows that he can be subverted, the more of his other wives are willing to help her do so.

The creepy factor in this one is very high. The sense of a band coming together is very strong. And the possibility of a villain getting EXACTLY what’s coming to him is EXTREMELY satisfying.

So don’t let the idea that this might be YA-ish stop you from picking up this marvelously creepy story of magic, helpfully intelligent animals (Rhea’s hedgehog friend is adorable), found sisterhood and evil getting hoist on its own pointy petard. (Especially as the ebook is currently on sale for 99 cents. It’s an absolute STEAL!)

And if the author ever writes a bonus scene of Rhea, Marra and Mona sitting down for tea in some place between the worlds, I’d love to be a fly on that wall – or at least a reader of that story!

Review: The Frame-Up by Meghan Scott Molin + Giveaway

Review: The Frame-Up by Meghan Scott Molin + GiveawayThe Frame-Up (The Golden Arrow #1) by Meghan Scott Molin
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: romantic suspense
Series: Golden Arrow #1
Pages: 287
Published by 47North on December 1, 2018
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBook Depository
Goodreads

By day she writes comic books. By night, she lives them.

MG Martin lives and breathes geek culture. She even works as a writer for the comic book company she idolized as a kid. But despite her love of hooded vigilantes, MG prefers her comics stay on the page.

But when someone in LA starts recreating crime scenes from her favorite comic book, MG is the LAPD’s best—and only—lead. She recognizes the golden arrow left at the scene as the calling card of her favorite comic book hero. The thing is…superheroes aren’t real. Are they?

When the too-handsome-for-his-own-good Detective Kildaire asks for her comic book expertise, MG is more than up for the adventure. Unfortunately, MG has a teeny little tendency to not follow rules. And her off-the-books sleuthing may land her in a world of trouble.

Because for every superhero, there is a supervillain. And the villain of her story may be closer than she thinks…

My Review:

First of all, think of Batman. Not because he appears in this story, except by mention. As does every geeky/nerdy movie, TV show, book, comic and game that you can think of. And a few you probably can’t. (Not just because a few of the geek references are made up for the purposes of this story, but because no geek, no matter how dedicated, is into absolutely every geekish everything on every geekish axis. I say this as someone who is fairly geeky, and recognized most but not quite all of the references and in-jokes.)

And I’m not sure if someone without at least a passing knowledge of geekdom will enjoy this story, because there are a LOT of in-jokes. And while the point of the romance part of the plot is that MG finally realizes that she doesn’t need to find someone who knows the ins and outs of geek culture in order to find her happily ever after, it does help the reader to know what at least some of what the flying references refer to.

Back to Batman. Among all of the famous superheroes, Batman is the one who is just “original recipe” human. He may be incredibly rich, and probably has a heaping helping of obsessive-compulsive disorder, but underneath the batsuit is just a (usually really, really buff) man. No extra-terrestrial origin, no mythic ancestors, no science experiment gone wrong. Just as Batman responds in Justice League to the question, “What are your superpowers again?”. His answer, “I’m rich.”. And that’s all.

The “caped crusader” who turns out to be at the heart of the mystery in The Frame-Up, the Hooded Falcon, is just like Batman. Not nearly as rich, but just as human. And only human. Excessively trained, and with a desire to see justice done, but merely human.

As a comic book, the original Hooded Falcon died decades before the opening of the events in this story, but MG Martin is a writer for Genius Comics, the company founded on the popularity of the Hooded Falcon. And even though the Falcon’s original creator is long since dead, his son still publishes a comic under the Hooded Falcon name – admittedly without any of his father’s, or his father’s creation’s spirit.

But someone in LA is committing crimes that recreate panels from the classic Hooded Falcon adventures. This person seems to have taken up either the banner of the Falcon himself, or perhaps that of the Falcon’s creator. Either way, there’s a vigilante on the streets of LA who has put himself (or possibly herself) in the sights of LA’s current generation of drug kingpins.

The police want to stop the crime spree before it’s too late. After a chance encounter, Detective Matteo Kildaire recruits MG as a police consultant expert on all things geek in general, and on her hero the Hooded Falcon in particular.

But all the clues point much, much too close to home, both for MG and Matteo. When his creator died, the Hooded Falcon was on the trail of both the drug kingpins AND the dirty cop who was covering for them.

History seems to be repeating, with both MG and Matteo caught in the crossfire. This time it’s not a crossfire of BAM and KAPOW, but real guns firing real bullets and dealing real death. They have to find the faces behind the masks, before it’s too late for our heroes.

After all, in real life there’s no possibility of a failure saving reboot if they get it wrong.

Escape Rating B-: The Frame-Up felt a bit like two books in one. One book that I really liked, and one that I really didn’t.

The first third or so of the story is the setup. We get introduced to MG, her coworkers at Genius Comics, and the opening frames of her relationship with Matteo. That relationship begins by being intimately tied to the case – not that it doesn’t take on a life of its own.

But the introduction to MG’s world is hard to take. MG is the lone female at Genius Comics. We see things entirely from her perspective, and that’s a realistically scary place to be. Geekdom in general, and geekdom-creation spaces in particular, are rightfully notorious for their misogynistic dudebro culture. Women are made to feel unwelcome, and it’s deliberate. MG is correct in her belief that she has to be “more badass” than any of the guys just to be taken half as seriously  – no matter how unfair it is or how much it hurts to be that defensive all the time.

Matteo, with his need to find an “in” so that he can surreptitiously scope out the company, absolutely DOES undermine MG’s position. That she falls for him rather than boot him to the curb at the first opportunity rankles quite a lot.

And the whole setup makes for very hard reading.

Once things are significantly setup, the story kicks into a higher gear and becomes a lot of fun.

The mystery is definitely a wild and crazy ride, only missing a few scattered BAMs and KAPOWs to make it completely part of the comic hero genre. I really liked MG’s nerdiness and felt for her desire to be her authentic best self. I particularly liked the way that Matteo, while he is a “virgin” when it comes to geek culture, is open minded about everything he experiences. It’s easy to see that he accepts MG for who she is, loves her as she is, and doesn’t feel any need to cram her into a box that won’t fit – as her parents and so many people in her life have previously tried to do.

The case has a lot of heart to it. It’s about children taking care of, writing wrongs for, or attempting to get past the legacies of their parents. It’s about superheroes and supervillains, and how real people come to fit into those places – whether they intend to or not.

And in the best superhero tradition, good triumphs, evil gets its just deserts, and the hero and heroine live happily ever after. At least until the next supervillain comes along…

~~~~~~ GIVEAWAY ~~~~~~

I’m giving away a copy of The Frame-Up to one lucky US commenter!

a Rafflecopter giveaway