Publisher: Touchstone

Review: Some Danger Involved by Will Thomas

Posted on by Marlene Harris | Author : | A+ Reviews> book reviews
Review: Some Danger Involved by Will ThomasSome Danger Involved (Barker & Llewelyn, #1) by Will Thomas
Format: ebook
Source: purchased from Amazon
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, mystery
Series: Barker & Llewelyn #1
Pages: 290
Published by Touchstone on May 18, 2004
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
Goodreads

An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his apprentice, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar.
When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

My Review:

Fair warning, this review is going to be LONG, even for me. I really, truly, seriously LOVED this book – even more than I expected. And I had pretty high hopes going in.

We first meet our protagonists in a tried-and-true manner that does an excellent job of hinting at the mysteries and the reveals yet to come.

Cyrus Barker is a ‘private enquiry agent’ (read as private detective), in search of a new assistant, while down-so-low-bottom-looks-like-up Thomas Llewelyn, formerly of both Oxford University and Oxford Castle & Prison, has nothing left either to life for or to live on. He sees Barker’s advertisement as a decision point. Either he’ll get the job or he’ll throw himself in the Thames.

Of course, he gets the job – otherwise we wouldn’t have this marvelous book to read, let alone the series that follows.

But the job that he gets is nothing like he expected. On the one hand, his new employer likes to hold all his cards VERY close to his vest. Llewelyn is constantly flying blind, expected to figure things out by the seat of his pants.

Pants – along with every other stitch of clothing he has on – purchased for him by his employer, who is also providing food, board, education, and all the books the former scholar can read in his spare time – of which there is admittedly little.

Most important, Barker gives him purpose, keeps his mind fully engaged, and sets him to the task of learning the ins and outs of his new job while thinking on his feet and occasionally employing his fists.

But the ‘Help Wanted’ listing said that there was ‘some danger involved’ in the job, as the title of the book indicates. Barker’s previous assistant was killed while performing that job. Llewelyn will have to keep his wits about him every second to make sure that he doesn’t suffer the same fate.

Working with Cyrus Barker promises to be the making of him, IF he manages to survive it. We’ll certainly see how well he manages in the books ahead!

Escape Rating A+: I generally require my comfort reads to have a bit of body to hold my interest. I mean that literally, as my comfort reads tend to be historical mysteries, preferably in series, so that when I have a ‘bail and flail’ day – or week – there’s always another known quantity of a book to sweep me into its world.

Buuuut, I’m caught up with one series I was using as comfort reading, the Sebastian St. Cyr series. And I’m nearly caught up with its readalike series, Wrexford & Sloane. Which left me scrabbling for another, which is very much where Barker & Llewelyn came in.

This first entry in the Barker & Llewelyn series turned out to be a comfort read on not just one but multiple levels, which is pretty amazing.

Most importantly, the partnership of Barker & Llewelyn is at its very beginning in this book, and they are fascinating – partly because of the second reason. The period in which this series takes place is the Victorian era, the bailiwick of the Great Detective and his equally famous amanuensis. In other words, Barker & Llewelyn could easily find themselves in competition with Sherlock Holmes – even more than they already are.

It’s not difficult to see Barker as Holmes and Llewelyn as his Watson, but that famous duo serves mostly as a jumping off point for our protagonists in this series. This isn’t a true Holmes pastiche as the Lady Sherlock or The Daughter of Sherlock Holmes series, or the TV series Sherlock and Elementary, are.

Not that Barker doesn’t have similarities to Holmes, but more in the sense that any capable senior partner in a detective duo shares at least some characteristics with the Great Detective. What sets Barker apart is the way that Barker is, well, set apart.

Detectives are often outsiders in their own cultures, it’s what gives them the ability to observe in detachment and solve the case. Sherlock Holmes is an outsider because of his idiosyncrasies, as is made extremely apparent in the modern interpretations. However, from what little we know of Holmes’ earlier life, he’s at least a member of the squirearchy and was raised in at least upper middle class comfort with all of its privileges.

Barker has been an outsider all of his life, an English orphan abandoned in China, making his way around the globe from a rough start as a cabin boy, initially seeing the world from outside the British Empire and from the bottom up. He’s earned his place by working his way into it.

He’s also a considerably more human character than Holmes frequently is. Barker often hides the real depths of his humanity to outsiders, but it is always present to his intimates. It’s a much fuller portrait of a Victorian detective, and also one that, through Barker’s haphazard but global education, manages to credibly eschew the common prejudices of his day that Holmes exhibits in the original text.

Llewelyn is just as fascinating a character as Barker, and just as much of an outsider, although he comes at that perspective from an entirely different direction. He’s very much the apprentice in this first book, and so it should be. We’re just starting to get hints of how he ended up in depths of the slough of despond he is in when he arrives as Barker’s office for the first time, and his education in the arts of the ‘enquiry agent’ as Barker prefers to be called provide an in-depth introduction to their world.

On a personal note, part of what made this such a special comfort read for this reader is that the story takes place among the Jewish community of London in 1884 as a gruesome murder causes the leaders of that community to fear that a pogrom just like the ones that they or their families fled in Eastern Europe is about to boil over in London.

Much of the story is steeped in that community, and requires Barker to display his own familiarity with its customs and ways AND his respect for its people to Llewelyn. Even more importantly, the inside/outsiderness of the Jewish community in London, and Llewelyn’s open-mindedness to learning about it lets readers into a time and a place that history often sweeps under the carpet.

(Although my own family was still spread across Eastern Europe at this time period, I have pictures of my great-grandfather, and this would have been his generation, letting me connect to this story on a deeper level than I expected – which is where those multiple levels of comfort read come comfortably in.)

So I began Some Danger Involved in the hopes that the danger promised would lead me to a book and a series that would hold me in its thrall until the very last page, and give me something to look forward to whenever I next need a reading pick-me-up.

This first of Barker & Llewelyn’s investigations more than delivered, and I expect to dive back into their world in the next book in the series, To Kingdom Come, sometime over the holidays. If I can make myself wait even that long!

Review: The Scribe of Siena by Melodie Winawer

Posted on by Marlene Harris | Author : | A- Reviews> book reviews
Review: The Scribe of Siena by Melodie WinawerThe Scribe of Siena by Melodie Winawer
Formats available: hardcover, ebook, audiobook
Pages: 464
Published by Touchstone on May 16th 2017
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Goodreads

Equal parts transporting love story and gripping historical conspiracy—think The Girl with a Pearl Earring meets Outlander—debut author Melodie Winawer takes readers deep into medieval Italy, where the past and present blur and a twenty-first century woman will discover a plot to destroy Siena.
Accomplished neurosurgeon Beatrice Trovato knows that her deep empathy for her patients is starting to impede her work. So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city.
After uncovering the journal and paintings of Gabriele Accorsi, the fourteenth-century artist at the heart of the plot, Beatrice finds a startling image of her own face and is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague.
Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs.
The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.

My Review:

The Scribe of Siena is a time-travel whodunnit, or possibly howdunnit, wrapped inside a romance, and filled with plenty of scrumptious details on life in Medieval Italy, just before it all went pear-shaped.

Beatrice Trovato begins the story as a 21st century neurosurgeon, and ends it as a 14th century scribe. That’s quite a journey, and the beauty of the story is all in how she gets there.

We begin with Beatrice at her home in New York, just beginning to think that her career, while it has its compensations, is also consuming her life. She seems to be on 24/7, because even when she gets a rare day off, there’s always someone who desperately needs her life-saving skills.

Beatrice has a gift, not just for neurosurgery, but also for empathy. She occasionally just “knows” what’s wrong with a patient before the alarms start going off. She’s also more than a little too wrapped up in her work.

And then everything changes. Her beloved brother dies in Siena, Italy, of a heart attack. She’s always known that Ben had a congenital condition, but she also thought they’d have more time. Time she never seemed to make because of her demanding calling.

But Ben was in the middle of his own calling. He was a scholar who tracked the course of medieval epidemics. And he was looking at something potentially groundbreaking about the spread of the Black Death in Siena in the 1300s.

Now he’s dead, and Beatrice finally takes that often imagined trip to Siena to deal with his estate, and possibly pick up the pieces of his research.

The chase enthralls her. Beatrice, who almost followed Ben into historical research, revives long-abandoned skills, and finds herself caught up in the hunt. She falls in love, both with the city of Siena and with its storied, and possibly contentious, past.

And on the hunt for Ben’s elusive quarry, she finds the diary of a 14th century painter who lived at the time of Ben’s research, and may have left behind clues to the mystery. But more than anything else, Gabriele Accorsi imbued his diary with a sense of himself. A sense that Beatrice’s empathy grabs onto and uses to propel her back through time, to Gabriele’s side.

There she must make a life for herself, a lone woman in a medieval city, while she desperately hopes that she can find a way back to her own time before the quite literal oncoming Plague reaches Siena.

But instead of finding a way out, she finds a way of life that fulfills her as the 21st century never has. As she falls in love with both the man and the place, she fears that all is already lost. The Black Death is coming for Siena, and there is nothing she can do to stop it, or to protect those she loves.

Escape Rating A-: If you put Somewhere in Time, Outlander, The Girl With a Pearl Earring, Doomsday Book and Household Gods into a blender, you’d get something like The Scribe of Siena. You might also need to add a bit of Brother Cadfael or Crispin Guest for a bit of spice (and bodies).

Time travel always involves a bit of handwavium, and this book is no exception. That aspect of the story reminded me of Household Gods, where a commonplace object facilitates the time travel back. And also a bit of Somewhere in Time, where a common object of the modern era draws the protagonist forward again.

But the harrowing description of the time travel experience itself feels drawn straight from Outlander, as do the romantic aspects of the story. Beatrice, like Clare, is accidentally pulled back into the past and forced to make a way for herself against seemingly impossible odds. Where Clare marries to provide herself safety, Beatrice finds work as a scribe. It’s a career that both provides a reasonable living and causes trouble. Much as Clare does.

Beatrice also falls in love, but the relationship between Gabriele and Beatrice is very slow-building. She may be a 21st century woman, but he is a man of his times. He loves and respects her, and therefore wants things done properly, even if they must wait for all of the ceremonies to finally take place.

Ironically, even though both Doomsday Book and Scribe of Siena feature a heroine who goes back to the time of the Black Death, the way that the plague is handled is very different. In the Doomsday Book the heroine lives through the Plague in all its heartbreaking detail, and that’s where a lot of the empathy in that story comes from. In Scribe, the heroine escapes the Plague by accidentally sending herself back to the future where modern medicine can cure her. She returns to 14th century Siena in the winter after the Plague has temporarily passed, and is now immune. But she doesn’t experience the cataclysmic deaths first-hand.

The other piece of the puzzle in this story is the historical mystery, which is more of a historical conspiracy theory. The Black Death hit Siena especially hard, even for an epidemic which cut the population of Europe in half. The theory that Ben Trovato was attempting to prove was that political forces deliberately sent Plague carriers to Siena in an attempt to break the back of this ascendant city and let a different one rise in its place. It’s a fascinating idea, and Beatrice finds herself on the wrong side of powerful figures in both the 14th and 21st centuries as she strives to prove what happened. It gives us a glimpse of both 14th century power politics and 21st century academic politics, and while both are fascinating, neither are pretty.

In the end, whether readers will fall in love with this story rests with Beatrice. It is her perspective that we follow from the 21st century to the 14th, and it is through her eyes that we see this brave, old world. I felt for her journey, and in the end I believed I understood why she made the choices that she did. If you do too, you will love this book.