Formats available: hardcover, paperback, ebook, audiobook
Series: New Hercule Poirot #2
Published by William Morrow on September 6th 2016
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
The world's most famous detective returns in this ingenious, stylish, and altogether delicious mystery from the author of the instant bestseller The Monogram Murders ("I was thrilled" -- Gillian Flynn).
"What I intend to say to you will come as a shock..."
With these words, Lady Athelinda Playford -- one of the world's most beloved children's authors -- springs a surprise on the lawyer entrusted with her will. As guests arrive for a party at her Irish mansion, Lady Playford has decided to cut off her two children without a penny . . . and leave her vast fortune to someone else: an invalid who has only weeks to live.
Among Lady Playford's visitors are two strangers: the famous Belgian detective Hercule Poirot, and Inspector Edward Catchpool of Scotland Yard. Neither knows why he has been invited -- until Poirot begins to wonder if Lady Playford expects a murder. But why does she seem so determined to provoke a killer? And why -- when the crime is committed despite Poirot's best efforts to stop it -- does the identity of the victim make no sense at all?
Addictive, ferociously clever, and packed with clues, wit, and murder, Closed Casket is a triumph from the author whose work is "as tricky as anything written by Agatha Christie" (Alexander McCall Smith, The New York Times Book Review).
Just as in last year’s Poirot, The Monogram Murders, Closed Casket provides an extremely convoluted but incredibly fun trip back to the world of Agatha Christie’s most famous detective, the eccentric Belgian Hercule Poirot.
This case is somewhat of a direct followup to the one in The Monogram Murders. While none of the victims or suspects in that case reappear, Poirot’s young police friend and official cover, Edward Catchpool, is an integral part of this case as well.
And poor Catchpool, every time someone meets him, they refer back to that dreadful case. The solution was not dreadful at all, but Catchpool is all too aware that he did not exactly cover himself in glory, and all of the reporting on that case made his situation even worse. It was Poirot’s case, and the entire world knows it, much to Catchpool’s chagrin.
Which makes his discovery that Poirot has also been invited to Lady Athelinda Playford’s house party in Ireland both welcome and galling at the same time. Catchpool wants to solve whatever is about to happen all on his own, but he is aware that he still needs Poirot’s help. And he’s also just plain glad to see the irascible little fellow, especially as the other occupants of the household are less than agreeable. To say the least. Catchpool and Poirot have been dropped into the middle of a family melodrama, where everyone seems to be showing their worst side to everyone else.
Of course somebody ends up dead. And of course it is up to Poirot and Catchpool to figure out whodunnit.
Escape Rating B: This one is every bit as much fun as The Monogram Murders, and feels very much in the style of the later seasons of the Poirot series. Not only because Inspector Japp, Captain Hastings and Miss Lemon no longer seem to be members of Poirot’s inner circle, but also because the original mover of events, Lady Athelinda Playford, bears a sharp resemblance to Lady Ariadne Oliver of those later stories.
Lady Playford is the author of a series of children’s mystery books featuring her precocious ten-year-old heroine Shrimp Seddon. As Catchpool puts in, Shrimp is left to solve so many convoluted mysteries because the police assigned to the case are Inspector Imbecile and Sergeant Halfwit.
It’s a bit of irony that the pair of Irish gardai who come to investigate the real-life murder might double for the coppers in Shrimp Seddon’s adventures. Of course it is up to Poirot and Catchpool to handle the real investigation, over the stringent objections of their avatar of Inspector Imbecile.
Parts of this case are obvious from the beginning. Not so much the whodunnit as the why somebody dunnit. This is a case with motives aplenty. Nearly everyone wanted the dead man to be dead, albeit for different reasons. And the initial investigation rules out very few of the possibilities.
There are oodles of tempting red herrings, and all of them prove tasty to the investigation, at least for a time.
Much of this case revolves around psychology. The psychology of the killer, but mostly the psychology of the victim. The motives in the end would work as well in a 21st century thriller as they do this early-20th century murder mystery. But the melodrama is pure Poirot.
And just as with The Monogram Murders, the UK cover of Closed Casket does a much better job of capturing the Art Deco style that I associate with Poirot than the US cover. C’est la vie.
5 thoughts on “Review: Closed Casket by Sophie Hannah and Agatha Christie”
Your review makes this sound worthwhile, but I’m pretty torn about reading Poirot stories by another author when Christie was so adamantly against them, to the point of killing Poirot off to preclude the possibility. Seems a bit disrespectful and opportunistic for Hannah to disregard Christie’s explicit wishes. Putting that aside, I’m often disappointed in the product when other authors revive favorite detectives. Not a particular fan of the new Wimsey and Nero Wolfe stories, tbh, although I love Laurie King’s twist on Holmes. So . . . torn.
I think I’ve read all of Christie’s books at least once. Poirot wasn’t as immediately likable as Miss Marple or Tuppence & Tommy, but I did eventually warm up to him. I guess the same could be said for Suchet’s OTT performance. I don’t know if Suchet mellowed a bit, or if it was just my perspective, but he seemed to develop a greater humanity (for lack of a better word) as time went by. It was sort of the opposite of Joan Hickson’s Miss Marple who wore her humanity on the outside, but was a core of avenging justice on the inside.
Sorry for the tl;dr comment. LOL
Love the long comment.
The Christie Estate gave permission for this, and looked for an author to handle it. So how much to lay on the new author is debatable. Someone was bound to take the job!
I find these a fun diversion, but also a conundrum. The TV series, all of them, did update the plots a bit, or at least the motives. Especially the more recent versions of Marple. Ironically, I found Hickson’s version to be more in the period and also more grating because of it. The attitudes towards women were correct for the time and utterly appalling simultaneously.
Likewise, the attempts to capture the extreme circumnavigations of Christie’s plots both seems like it follows the original but drives me a bit crazy. There’s a reason why it isn’t done as much today.
Both of the new Poirot’s make for a fun diversion. I think they may be more true to Suchet’s performance than Christie’s portrayal, but YMMV. On my other hand, I also enjoyed Jill Paton Walsh’s updated Wimsey, although they feel like an echo of an echo.
On the third hand, Laurie King’s Holmes is purely a treat.
My initial response got eaten and I won’t try to replicate it since it was too long anyway, but I did want to say thanks for letting me know the estate was on board with continuing the series. I still question the decision knowing it directly contravened Christie’s wishes, but that’s on the estate way more than the author.
I’m a big fan of the original Poirot and I’m excited to read more of his adventures. Thanks for being a part of the tour!
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