Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: historical romance, holiday romance, regency romance
Series: Diamonds in the Rough #9
Published by Sophie Barnes on May 24, 2022
Purchasing Info: Author's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
When a rakish scoundrel decides to pursue the woman he loves in this friends to lovers Regency romance, he risks his father's disapproval...and the consequence this will have on his future.
He had to risk losing her so he would realize how much he loved her...
Jack Lancaster, Baron Hawthorne, hasn't been home in four years. He's been too busy running from his emotions. So when he finally does return and discovers his childhood friend, Sophia Fenmore, has gotten engaged, he's not only shocked, but determined to change her mind and make her his.
Sophia has always known Jack was out of her league. But she valued his friendship, until he broke her heart. Now he's back, as eager to charm her as she is to thwart him.For as much as she'd like to believe Jack has changed, she cannot risk taking a chance on a rogue. Unless of course, he proves himself worthy.
A daring forbidden love romance from a USA Today bestselling author
*Previously published as part of The Rogue Who Stole Christmas anthology*
The way that the romances are intertwined and misdirected in this latest book in the Diamonds in the Rough series reads like the kind of convoluted plot that Shakespeare would have loved.
The Lancaster children, Jack, Felicity, and Kaitlin, and the Fenmore siblings, Edward and Sophia, grew up together as one romping tangle of friends. But the Lancasters are the offspring of the Earl of Turner, while the Fenmores are the children of the local vicar. There’s an even larger gap in station between Sophia Fenmore and the others, as Sophia is an orphan who was found wrapped in a blanket in the church that the Fenmores’ father is the vicar of. They raised her as their own, but with her origins obscure at best, she’s not quite the social equal of the others.
A difference that makes no difference when they are all children, but drives a wedge in the close friendship between Jack and Sophia when they reach the cusp of adulthood. Not that either of them cares one whit, they are the best of friends even if Sophia is just beginning to understand that she wants more.
But to Jack’s father the Earl, it matters a great deal. To the point where the Earl threatens to cut off Jack’s inheritance if he marries Sophia. Something that Jack hadn’t even thought of up to that point. (The title and the estate are entailed, Jack will inherit those whatever his father wants. But the money is his father’s own to dispose of as he pleases. Inheriting the estate without the money for the upkeep of the stately pile is a recipe for bankruptcy.)
Jack runs away to London for four years, earning enough money to no longer need anything his father doesn’t want to give. He ALSO earns a well-deserved reputation as a rake as he cuts a wide and smiling swath through the female population of London in an attempt to deny his father’s accusation – that he’s in love with Sophia. Even though he is.
Jack returns home to a mess. Sophia is more beautiful than he remembered, and even more captivating. But she’s also engaged to, of all people, her adopted brother Edward. Who is in love with Jack’s sister Felicity. But Edward and Felicity both believe that their love is doomed, that Felicity’s father would never consent to a match between them.
In other words, everyone is being self-sacrificing – except Jack’s father who is still being an ass.
And just when it seems like they’ve all gotten past all of the roadblocks they’ve put in their own way, the truth about Sophia’s origins finally comes to light. And those roadblocks just get higher.
Escape Rating B: The Diamonds in the Rough series has been charming romantic fluff from the very first book, A Most Unlikely Duke (still my favorite in the series) to this 9th book in the series. And this one feels like the last. Not that it doesn’t stand alone, because it most certainly does, but because all of those Diamonds and their equally happy spouses are guests at the wedding that ends this entry in the series. It felt like closure, although I’ll be happy if I’m proven wrong!
The best part of The Roguish Baron isn’t the Baron. It’s Sophia. What made her interesting was that, in spite of some of her over-the-top descriptions of her feelings, her thoughts and actions were very, very pragmatic. And she wasn’t shy about letting Jack know when he’d stepped in it and on them. She doesn’t cry and expect to be patted and soothed, she speaks up and uses her words very clearly and forthrightly.
Her situation in this story is very much “one down”. She’s female in a time and place where she has no rights and her only hope of a comfortable future is to marry and hope that her husband isn’t a brute or a gambler or a spendthrift. And she may not have a say in who she marries, and then she’ll basically be property in the marriage.
Under those circumstances, her acceptance of Edward’s proposal may not be the best of all possible worlds, but it is far, far, far from the worst. With her origins obscured, it may be the only offer she’ll get, and she knows it. Whatever dreams she might have of marrying Jack, she’s not wrong to think that society will look down upon them both and that his father will not be forgiving. She’s doomed before she starts.
Jack loves her and wants her but takes, not so much convincing as beating about with a clue-by-four to get that if they’re going to untangle the mess their in that there are no half-measures. And that if he can’t commit to this course he needs to leave her alone. Which he has a hard time even imagining, let alone actually doing.
The thing that made this work was the way that Jack was forced to grovel, publicly, for the mess he’d made of his life, and the mess he’d very nearly made of both their lives. Sophia may have forgiven him, but he still had to earn back the respect he’d squandered when he was punishing both himself and his father – who honestly didn’t grovel enough.
That Sophia does learn who she came from was lovely, even though it did seem like a bit of deus ex machina. And I have some mixed feelings about whether that was the right way to solve things.
But this was still a lovely, frothy bit of holiday Regency romance. If this is the end of the series, it provides a charming bit of closure to five years of romantic reads. If it turns out there are still more to come, I’d be happy to watch more of these unconventional couples find their HEAs..