Review: The Boyfriend Candidate by Ashley Winstead

Review: The Boyfriend Candidate by Ashley WinsteadThe Boyfriend Candidate by Ashley Winstead
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, Romance, romantic comedy
Pages: 384
Published by Graydon House on May 9, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

“Charming, swoony, and utterly unputdownable. I LOVE this book!”—LYNN PAINTER, New York Times bestselling author of Better Than the Movies
A laugh-out-loud rom-com about learning to embrace living outside your comfort zone.

As a shy school librarian, Alexis Stone is comfortable keeping out of the spotlight. But when she’s dumped for being too meek—in bed!—the humiliation is a wake-up call. She decides she needs to change, and what better way to kick-start her new more adventurous life than with her first one-night stand?
Enter Logan, the gorgeous, foul-mouthed stranger she meets at a hotel bar. Logan is audacious and filterless, making him Alexis’s opposite—and boy, do opposites attract! Just as she’s about to fulfill her hookup wish, the hotel catches fire in a freak lightning storm—and in their rush to escape, Logan is discovered carrying her into the street, where people are waiting with cameras. Cameras Logan promptly—and shockingly—flees.
Alexis is bewildered until breaking news hits: pictures of her and Logan escaping the fire are all over the internet. It turns out Logan is none other than Logan Arthur, the hotshot politician challenging the Texas governor’s seat. The salacious images are poised to sink his career—and jeopardize Alexis’s job—until a solution is proposed: to squash the scandal, he and Alexis could pretend to be in a relationship until election day…in two months. What could possibly go wrong?

My Review:

We’ve probably all done some really weird, out of our comfort zones things while getting over an ex. Or getting vicarious revenge on said ex. Most of us don’t get struck by lightning while we’re doing those things. Or get caught on camera, whether in deshabille or not, while doing said things. Whether or not we’ve been doing those things we might someday regret with someone currently running for governor – of our state or any other.

Not that both Alexis Stone AND Texas gubernatorial candidate Logan Arthur don’t look fairly ungoverned in the pic that has taken the internet by storm. And thrown Logan’s candidacy in a tempest of its very own – one that the opposition is guaranteed to take advantage of – unless Logan’s people get ahead of it first and very, very fast.

Both Logan and Ashley are single and unattached. This isn’t THAT kind of political scandal. It’s just that in the looks department Logan makes Justin Trudeau look like he isn’t really trying, AND he has a well-deserved reputation as a playboy. His older, settled, highly respected opponent has made a great deal of political hay over Logan’s inability to commit to a relationship with anyone and questioned whether he’s mature enough to commit to a relationship with the entire state. Of Texas.

Logan’s campaign wants Alexis to agree to a fake relationship with the candidate until after the election is over, win or lose. If Logan wins, they can break up quietly and he can go on to become the first Democratic governor of Texas in entirely too damn long. If Logan loses, it won’t matter anyway.

Or so everyone believes. Whether it’s going to matter to either Logan or Alexas after two months of fake dating in front of seemingly all the cameras in Texas is a question that no one seems to have asked.

Whether a shy, downright introverted school librarian is willing or able to put herself in front of those same ever-present cameras and put her entire life on display on the campaign trail is a huge, ginormous ask.

Whether Ashley can keep her heart to herself while she’s doing it is something that she needs to ask herself. Seriously. Before it’s much too late. For her heart. And, much to Ashley’s surprise, for his.

Escape Rating B: The Boyfriend Candidate starts out with one of the most sizzling meet-cutes ever. As Alexis and Logan are seducing each other with words over an increasing number of drinks and over-the-top stories they tell each other, the steam practically rises off the page. To the point where it’s not all that surprising that the sparks they strike from each other result in an actual lightning strike.

And that’s where the story really heats up!

The fun part of this one is the way it tackles the “fake dating” trope and then uses it to say a whole lot of really important things about how important it is to love yourself first and figure out what you really want in life before you inflict yourself on anyone else.

Both Logan and Alexis have dreams to fulfill but both of them have been too caught up in being what other people want to take the necessary hard look at what they themselves really want. They are both, in entirely different ways, people pleasers. For Alexis that means twisting herself into an emotional pretzel out of fear that if she rocks the boat even a little bit people will leave her. As her father left her mother – and then was killed in a car crash. As her sister emotionally abandoned her after those same events. Although their relationship is better now the stress of those dark days still lingers. On Alexis at least.

Logan wants to do good. Really, truly, seriously. He knows that being governor will give him the kind of reach and influence, not to mention the really tall bully pulpit, that he can use to make good things happen. But being a candidate is making him squeeze his outsize, blunt, profane and argumentative personality into a tiny, meek, mild-mannered little box. And it’s not working for either him or the campaign.

But to make his campaign work, Alexis needs to get on board. To make that work for her, she has to find a voice of her own no matter how much it scares her. And Logan needs to own his own truth to have a real chance, both with the voters and with Ashley.

There’s a lot to love in The Boyfriend Candidate. While Ashley’s journey is the toughest, and the one we’re most intimate with as she’s the one telling the story, Logan’s journey is just as important to making the whole thing work, both for them and for the reader.

There’s also a lot that gets said about the state of politics in general and in Texas in particular. Especially about the state of libraries and education and education funding, as those issues become Ashley’s platform in a huge and necessary way. The best and worst thing is that all of the issues that Ashley raises in her platform, from decreasing funding for education, year after year, to increasing book bans everywhere, are all substantially true. For this librarian, the inclusion of those issues was a huge plus. Some readers may not and your reading mileage may vary.

Howsomever, as a reader I did have one issue with this story, and it’s an issue that took me completely out of the story to the point where the grade landed on B. It’s clear throughout the book that whatever Ashley and Logan might be saying out loud, neither of them has managed to keep their hearts to themselves. There’s going to be a crash before the final HEA. The way that crash came about, when Ashley’s sister forced her between a rock and a hard place in a way that was guaranteed to explode all over Ashley, Logan, and his campaign, read like the kind of sabotage that was not part of Ashley’s current relationship with her sister. It came out of left field in a way that didn’t work for me at all.

Which doesn’t mean that I didn’t enjoy the book as a whole, because I most definitely did. (It also reminded me quite a bit of Jasmine Guillory’s Party of Two, and I adored that book and the whole Wedding Date series it’s a part of, so I was a bit pre-determined to like The Boyfriend Candidate. And I did. I just wish there’d been a way to stage that inevitable explosion that felt more organic to the story.

Review: The Beach Reads Bookshop by Lee Tobin McClain

Review: The Beach Reads Bookshop by Lee Tobin McClainThe Beach Reads Bookshop by Lee Tobin McClain
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, relationship fiction, women's fiction
Series: Hometown Brothers #3
Pages: 352
Published by HQN Books on April 25, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Running a bookstore on a quaint Chesapeake island is exactly the life Deena Clark would have chosen for herself--but helping billionaire businessman Luis Dominguez figure out fatherhood is part of the package. Can bonding over books and one little girl help them open their hearts to each other?

My Review:

“When one door closes another opens; but we often look so long and so regretfully upon the closed door that we do not see the one which has opened for us.” At least according to Alexander Graham Bell. But what if, as occurs in – and at – The Beach Reads Bookstore, it’s not the looking forward and back that does you in, but rather looking next to you at the person who needs to walk through that new door with you – and not trusting them well enough – or at all – when it comes to crossing that next threshold with them at your side.

Two doors have shut behind 50something Carol Fisher. She lost her job and her husband on the same day to the same cause, stupidity. Institutional stupidity on the part of the college where she is suddenly no longer employed in the tutoring center – which is slated to go online. Testosterone-induced middle-age midlife crisis stupidity on the part of her soon-to-be ex-husband, who she caught carrying his nurse through the house on the way to some hanky-panky. A piece of stupidity he’s going to pay for in more ways than one, as he’s currently collecting disability that is going to stop the minute his duplicity is revealed.

An entirely different set of doors has closed for Deena Clark. Her best friend and roommate has died, leaving Deena with custody of her friend’s baby girl, who shows signs of fetal alcohol spectrum disorder. Deena loves Willow, and wants more than anything to be her mother. But she’s also at the end of her rope. She was barely scraping by financially when she was sharing the apartment, but now that she’s on her own and responsible for a baby who needs extra care, she knows that she doesn’t have the resources to get Willow the help she needs. And that’s just not good enough for little Willow.

Deena sees only one option – to take Willow to her sperm donor and hope that the rich entrepreneur will provide the child support he didn’t know he was responsible for. But Luis Dominguez, once he accepts that Willow is incontrovertibly his, has no plans to pay Deena to make the baby and her caregiver go away.

He intends to be Willow’s father – and he’s willing to cajole or connive in order to make that happen. With all the best intentions – because he’s that kind of Type-A steamroller who believes he always knows best.

His plan is to buy the old, dilapidated bookstore on Teaberry Island, the place where he grew up and where his family still lives, and pay Deena an exorbitant amount of money to manage the bookstore and take care of his daughter – with the able and conveniently nearby assistance of his mother, his two brothers and their wives. His plan keeps Deena with him, gives him something to do on Teaberry Island, and most importantly, gives him time to be a real father to his little girl. All he has to do is tear himself away from his high stakes, high pressure, big time consulting firm in DC.

That his plan to open a door for Willow, Deena and himself runs headlong into Carol’s plan to reopen that same dilapidated bookstore that her family still owns isn’t even on his radar – and he wouldn’t care if it was and doesn’t care when he finds out.

But Teaberry Island is a small town, and everybody pitches in to get the bookstore open again under Luis’ plan for Deena. Except for Carol and her new-found friends, who have plans to take things in an entirely different situation.

Let the games begin!

Escape Rating B: At first it seems as if Carol – along with her friends – is being set up as the villain of this story. Which is entirely unfair, as she’s in every bit as big of a mess when the story begins as Deena is.

But the “A” plot in The Beach Reads Bookshop is Deena’s slow-burn romance with Luis and their pretty inevitable shift from being strangers to becoming a family. It’s cute and it’s sweet and they each have some lessons to learn along the way – but where they’re going to end up is obvious from the beginning so it’s not exactly a surprise when they get there.

Carol’s story, that “B” plot, on the other hand, had a few more twists and turns. (It also went into one nasty corner that I’ll get to in a minute). Carol is the character who is doing a lot of that “regretting the closed door” at least at the beginning, that the quote is talking about. It’s not just that she misses her job and is mourning the end of her marriage, but she’s looking back even further, all the way back to when her grandfather owned the bookstore and the world was just a bit different.

But her sister sold the bookstore out from under her before she even knew Carol wanted it. Which is the point where Carol barged into Deena’s life.

At first it’s that long ago nostalgia that Carol is really trying to recapture – no matter how badly she goes about it. And no matter how much trouble it gets her into. It’s only as she embraces the new life she’s creating on Teaberry Island that her situation really gets interesting – even as it nearly takes a sharp left turn into “grand theft bookstore”.

Once she starts looking forward instead of back she realizes what a fantastic opportunity all of the doors that slammed behind her really were. And while it wasn’t a surprise that her soon-to-be-ex tried – badly – to get her back, it was great that she did not let herself get sucked back into that boring, unfulfilled and unsatisfactory life.

That her journey brings her around to a point where she and Deena are running that bookstore together – and enjoying it and each other’s company – brought everything full circle and tied the story up with a pretty – and somewhat unexpected – bow.

Reviewer’s Note: There was one fly in the sweet-smelling potpourri of this story, at least for this reader, that lies in the way the conflict over the bookstore played out. As ironic as this may sound, in the beginning, both Carol and the local librarian indulged in more than a bit of reader-shaming over the idea that the bookstore would focus on light, fluffy, “beach read” type books. There is a debate, even in library circles, over the question of whether libraries should push people to read “better” books, or if it’s just terrific that people are reading and enjoying it no matter what they choose to read. It’s a debate that was resolved long ago in favor of being happy that people are reading and that it is REALLY bad karma to shame people for what they read. So it left a really bad taste in this reader’s – and librarian’s – to see that debate played out in a rather snide fashion in the earlier parts of this book, especially the way the local librarian was reader-shaming her own patrons. Your reading mileage, of course, may vary. But I hope that whatever you read and love, that we all stop trying to shame other readers for their choices. 

Review: The Comeback Cowboy by Jackie Ashenden, Caitlin Crews, Nicole Helm, Maisey Yates

Review: The Comeback Cowboy by Jackie Ashenden, Caitlin Crews, Nicole Helm, Maisey YatesThe Comeback Cowboy by Maisey Yates, Caitlin Crews, Nicole Helm, Jackie Ashenden
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: contemporary romance, western romance
Series: Jasper Creek #4
Pages: 384
Published by HQN Books on April 25, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

They may not have been friends when they were younger but now, they’ll work together to save the camp that saved them and, maybe, even find love in the process…
The alumni of Camp Phoenix, a summer program for at-risk youth, went their separate ways, but now they’ve been called back to help the camp reopen for a new crop of kids. Now successful adults, the four women pledge to restore the grounds to their former glory, if long-standing rivalries and old flames don’t get in the way first…
Bree White fought hard to get away from her criminal family and all of the reminders of her past until Sheriff Flint Decker brings all those feelings back and more. Attorney Violet Cook owes her life to Camp Phoenix and is determined to save the camp…but who’s going to save her from the temptation of long-time crush US Marshal Lincoln Traeger? Kinley Parker never left Camp Phoenix, dedicating her life to it, and has no time for pushy cowboys like Jackson Hart until butting heads leads to sparks. The daughter of the camp’s founder. Clementine McClain has always wanted to follow in her law-abiding father’s footsteps, but her father’s protégé and former bad boy Duke Cody has her breaking all the rules.  

My Review:

The image of the phoenix is a powerful one, a being of flame, rising from the ashes of its previous self. That’s the image that Sheriff Bill McClain of Jasper Creek invoked when he built Phoenix Camp. He made the camp into a place where teens who were heading down bad roads would have a chance to take a breath in a safe place and look hard at their past selves and, with support and understanding, choose to rise from their own ashes.

When The Comeback Cowboy opens, Bill has passed and the camp has been neglected for years. It’s going to take time, money and more than a bit of elbow grease to bring the place back from its own ashes.

Just as both McClain and the camp he created once helped its alumni pick up their pieces and move on, so now it’s their turn to bring the place that helped them back so that Camp Phoenix can help a new generation of kids who need it as much as they did.

So there’s not just one “comeback cowboy” in this book, there are four; Flint, Lincoln, Jackson and Duke. All are now in their early 30s, and they all “graduated” from the school of hard knocks but, thanks to McClain, found a better path than their lives had originally intended them for. Jackson Hart, forced to retire from the DEA after a career-ending injury, now owns the old camp. And he’s determined to turn it back into the saving place it once was – and to save himself as well.

His friends all come back to help him with the many, many dirty jobs that will be needed to make that happen. And he coaxes, persuades, orders, whatever, a group of the successful women who once walked that same misguided path that he and his friends did. Women who owe their success to Bill McClain and Camp Phoenix every bit as much as those comeback cowboys do.

The story in The Comeback Cowboy is the story of putting, not the band – because this bunch was never all that together – but the camp back together. It’s about restoring the place and the traditions that made them each what they became.

A restoration that takes place in the background as the four women; Bree, Violet, Kinley and Clementine – who all hated and envied each other as teenagers – bond into a sisterhood that surprises them all. And find the love that none of them ever thought they would have or deserve – after the pasts they all share.

Escape Rating A-: The Comeback Cowboy is both one story and four stories at the same time. It’s about what the camp meant to them in the past, and what they hope it will mean to others in the future. It’s about giving back and not giving up.

And its four romances – all taking place at the same time and in the same place. But each of them just a bit different in spite of those similarities.

Bree and Flint’s romance is absolutely enemies-to-lovers. It’s hard to think of a situation that would create more enmity in the past – as well as embarrassment in the present – than their original not-cute-at-all meeting. When Bree was 14, and Flint was a newly fledged police officer, he arrested Bree for shoplifting. Instead of booking her he brought her to McClain which led to the camp which put her on the path to a much brighter future.

But she’s never forgotten and is not too sure she’s forgiven either. Falling in love with the man who arrested her was NOT in Bree’s plans. Stealing his hat, on the other hand, sparks off something special.

Each of the women ‘steals’ something from one of the men. An important something, like Flint’s hat. Or an annoying something, like Jackson’s ever-present and frequently squawking bullhorn. As love languages go, it’s certainly different.

At the same time it’s emblematic of who these people are and what parts of their lives they still need to re-think before they are ready for their own future. In other words, each of them needs to rise up like the phoenix one more time, and those so-important items are symbols of what they need to let go of to make that climb.

Violet and Lincoln’s romance is a bit of a second-chance one, as she had a huge crush on him back in the day, while he noticed how much she pretended to hate him but didn’t see her as more than a little girl – because she was much too young. Now they’re both adults, and both of them have traumas in their pasts that they need to let go of, symbolized by Lincoln’s grandmother’s locket that Violet makes off with.

In their different ways, both Kinley and Jackson need to, as his friends tell him, unclench. He can’t always be in control, and has to learn to let go of the facade that he can, while Kinley needs to let herself stand up for herself. Their ‘bone’ of contention is that damnable bullhorn that Jackson keeps putting between himself and the world that no one can truly control.

Clementine McClain and Duke Cody have known each other for years. She’s McClain’s daughter – and now she’s Duke’s cop partner. Their romance has the flavor of the ‘best friend’s little sister’ vibe, as Duke has watched Clementine grow up and does feel protective of her. That she’s his mentor’s daughter adds the spice of the forbidden to the whole thing. Once she was forbidden, but not anymore.

Three out of the four romances worked really well for this reader. It didn’t seem like Jackson and Kinley’s romance had quite enough time for it to not seem a bit too fast and more than a bit convenient, but the others had more than enough history to make what would otherwise be insta-love really zing. Clementine’s story had the added bonus of her personal journey from ‘one of the boys’, because that was the only way her dad could deal with her, to accepting herself as she is. That it’s all wrapped in how much she loves her dad, misses him, and still resents just how much he made her feel like her being female was an embarrassment to him added an interesting layer of complexity to her story.

In summary, because this does need one, I loved three of the romances, thought the fourth was OK, and found the story of the camp and its rise from its ashes to be delightful. If you love any of the included authors, or are looking for a bit of a contemporary western romance sampler, The Comeback Cowboy is a treat!

Review: Happy Place by Emily Henry

Review: Happy Place by Emily HenryHappy Place by Emily Henry
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction, women's fiction
Pages: 400
Published by Berkley on April 25, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Harriet and Wyn have been the perfect couple since they met in college—they go together like salt and pepper, honey and tea, lobster and rolls. Except, now—for reasons they’re still not discussing—they don’t.
They broke up six months ago. And still haven’t told their best friends.
Which is how they find themselves sharing the largest bedroom at the Maine cottage that has been their friend group’s yearly getaway for the last decade. Their annual respite from the world, where for one vibrant, blue week they leave behind their daily lives; have copious amounts of cheese, wine, and seafood; and soak up the salty coastal air with the people who understand them most.
Only this year, Harriet and Wyn are lying through their teeth while trying not to notice how desperately they still want each other. Because the cottage is for sale and this is the last week they’ll all have together in this place. They can’t stand to break their friends’ hearts, and so they’ll play their parts. Harriet will be the driven surgical resident who never starts a fight, and Wyn will be the laid-back charmer who never lets the cracks show. It’s a flawless plan (if you look at it from a great distance and through a pair of sunscreen-smeared sunglasses). After years of being in love, how hard can it be to fake it for one week… in front of those who know you best?
A couple who broke up months ago make a pact to pretend to still be together for their annual weeklong vacation with their best friends in this glittering and wise new novel from #1 New York Times bestselling author Emily Henry.

My Review:

Ironically, Harriet’s “happy place” isn’t all that happy when she arrives – no matter how much everyone, including Harriet, tries to recapture the happiness they all always feel when they get there.

Once upon a time, all the way at the beginning of their freshman year at Mattingly College, the algorithm that matches up roommates matched three girls who, on the surface, couldn’t have been more different.

A serendipitous match that gave Harriet, Cleo and Sabrina the ‘sisters from another mister’ that none of them had ever had. They belonged together in a way that was so profound that it took them through college, graduate school, and beyond, culminating every summer at Lobster Fest in a tiny coastal town in Maine where Sabrina’s extended birth and step-family owned a gigantic, fully stocked summer house. (Honestly, more like a summer mansion or a compound. It’s vast and sprawling and perfect – except for one teensy little problem which we’ll get to in a minute.)

Every summer, the girls share one fantastic week together, a tradition that has not wavered as they have each found other roommates, friends and lovers along life’s way. As this summer visit begins, the three have been six for several years, and they are all thirty years old or on the cusp of it.

Sabrina, the great organizer of the group, has pulled them all together – in spite of more than one person’s reluctance – because this is going to be the last summer of their happy place. Her dad has sold the house.

But that’s not the only rain on this particular parade. On the one hand, there’s the good news that Sabrina and her lover, Parth, are getting married that weekend, on the beach near the house, with all their besties around them.

Sabrina and Parth’s good news – if it actually happens – is overshadowed by whatever is eating at Cleo and her girlfriend Kimmy – which is in its turn eating at Sabrina. Harriet, in the second year of a medical residency, has pushed everyone away, partly out of exhaustion but mostly in denial over her own depressing secret.

A secret that greets her at the door, when her long-term ex-fiance is waiting, intending to help her keep up the deception that they are still together. When they’re not. And haven’t been for several months but haven’t managed to tell anyone.

Because they fear it will affect the dynamic of the group – a group which has become a family they both need – whether separately or together.

And because they don’t really want to let each other go – no matter how much they each believe the other is better off without them.

Escape Rating B+: I went into Happy Place hoping for another Book Lovers – which I utterly adored. When I didn’t get that, I found this to be a tough read for most of its length, but now that I’ve finished the book I keep thinking about it and it’s turning out to be one of those cases where the whole is absolutely greater than the sum of its parts.

The story as it progresses seemed like a giant misunderstandammit for the longest time. But the thing about those kinds of books is that what makes them so awkward is that it’s obvious to the reader that all it would take would be one frank conversation to clear up the mess.

That’s not true here. While a bit of frankness would go a long way, it would take WAY more than one conversation to clear things up. All of them are bottling up how they really feel or what is really going on in order to keep the peace – and it’s not working for anyone.

Just as occurred in Book Lovers, this mess needs to build up to an explosion for that air to get cleared. It just takes a week of heating up before it all boils over.

On top of that, what really got to me about this story as I looked back at it was just that, the looking back. Because this is the last summer at their ‘happy place’ they are all aware that an era is ending. That, in combination with all of them turning 30 this year, makes all of them realize that life is changing and that this family that sustains all of them could come to an end if they don’t figure things out and learn to adapt to the changes they are all going through.

And yet, with the secrets hanging over them, they are in danger of not figuring things out. With all the nostalgia on tap on this trip, and with all of the music they play because it is the background of their lives together, (and because they mention Bruce Springsteen’s “Dancing in the Dark” playing on the radio) I realized that this is the summer where they are all aware that whatever happens next for any of them, the years they spent together are the “Glory Days” they will be looking back on for the rest of their lives.

The question in the story is whether they can get beyond what’s driving them apart to find a new way to hold each other together – no matter where the future takes each of them.

In the end, I didn’t love Happy Place the way I did Book Lovers. But once I finished I realized that I liked it quite a bit more than I initially thought!

Review: The Sister Effect by Susan Mallery

Review: The Sister Effect by Susan MalleryThe Sister Effect by Susan Mallery
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, ebook, audiobook
Genres: contemporary romance, relationship fiction, women's fiction
Pages: 416
Published by Hqn on March 7, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Beloved bestselling author Susan Mallery brings readers an emotional, witty, and heartfelt story that explores the nuances of a broken family’s complex emotions as they strive to become whole in this uplifting story of human frailty and resilience.
Finley McGowan is determined that the niece she’s raising will always feel loved and wanted. Unlike how she felt after her mom left to pursue a dream of stardom, and when the grandfather who was left to raise them abandoned her and her sister, Sloane, when they needed him most. Finley reacted to her chaotic childhood by walking the straight and narrow—nose down, work hard, follow the rules.
Sloane went the other way.
Now Sloane is back, as beautiful and as damaged as ever…and she wants a relationship with her daughter. She says she’s changed, but Finley’s heart has been burned once too often for her to trust easily. But is her reluctance to forgive really about Sloane or worry over losing what she loves the most? With the help of a man who knows all too well how messy families can be, Finley will learn there’s joy in surrendering and peace in letting go.
 

My Review:

Supposedly, “love bears all things, believes all things, hopes all things, endures all things and [it] never fails. But love is a feeling. It’s not the emotion that does anything. It’s PEOPLE who love and do all the other things in this famous list from the Bible.

In dysfunctional families such as the ones in this story, it’s the strongest members of the family who do most of that bearing and enduring – even after their hope is gone. The story in The Sister Effect (technically it should have been The Sibling Effect but that’s not nearly as catchy a title) is told from the perspective of that person in two initially separate families, that one who stands tallest and is supposed to forgive everyone else all their many and very real trespasses – even as they deal with the trauma that bearing inflicts. On top of dealing with the original trauma and the dysfunction and broken trust that followed it.

Jericho Ford is still grieving the sudden loss of his father as well as having to assume the helm of the family construction company a couple of decades before he thought he was ready. He thought his family had finally found their way to the other side of that grief when their dysfunction manifested in a way that honestly deserves its own episode of the Jerry Springer Show.

Jericho’s wife Lauren and his brother Gil didn’t just have an affair, they managed to fall in love and get pregnant. Jericho is supposed to forgive, forget, give his blessing AND be his brother’s best man. Jericho’s lack of grief over the end of his marriage is so easy to get past that he realizes that it had been over for a long time.

The way that his brother betrayed his trust is a LOT harder to get over. And he’s having a LOT of trouble over it. That betrayal cut deep, and he’s still righteously angry about the whole thing. His mother wants peace in what remains of her family, while Jericho wants to stop having to be the bigger man about damn near everything.

But Jericho’s righteous anger provides the lighter moments in this one. The bigger trauma, the larger betrayals, and the huge tragedy in the story belongs to Finley McGowan as she is forced to keep her own trauma and broken trust at bay every single day.

Because Finley’s sister Sloane is an alcoholic whose last great binge before entering rehab derailed all of Finley’s plans for a future that she was working damn hard for. At least until Sloane stole Finley’s pickup truck filled with $100,000 of supplies for the house she was flipping, sold off those supplies and wrecked the truck. Along with Finley’s credit rating, her job and her relationship with her fiance. (He turned out to be no great loss, but still…)

And left Finley, always the responsible one, to take guardianship of Sloane’s then 5-year-old daughter Aubrey while Sloane tried to accept both her alcoholism and the steps she’d need to take to deal with it for the rest of her life. An acceptance she’s having difficulty reaching no matter how hard or how faithfully she performs the steps to achieve it.

Like Jericho’s mother, Finley and Sloane’s mother expects Finley to accept the apologies and keep on believing that Sloane will turn her life around no matter how damn tired Finley is of having to pick up the pieces of the wreck Sloane makes of Finley’s life – over and over and over.

Both Finley and Jericho begin the story in a place of being resentful as hell. They’re both right. It’s not fair to them. They’re the ones who have to set their own emotions aside, over and over again, for the benefit of people they’re not really sure ARE sorry for what they’ve done. And they’re both really tired of their respective messes – which are SO not their fault.

But holding on to their anger and resentment isn’t doing either of them any good. It’s only when they reach out to each other that they find much, much better feelings to hold onto.

Escape Rating A-: So often, stories like this one focus on the journey of the person who has committed the wrong or is on the road to recovery from their issues. Stories that focus on redemption and healing. What I really liked about The Sister Effect was that instead of focusing on Sloane’s redemption arc or Gil’s transgression turned epic romance (not that both aren’t important parts of this story), the story instead focused on the people picking up the pieces of their destruction, Finley and Jericho.

Their anger, resentment and distrust felt oh-so-righteous. It’s a perspective that’s sometimes missing in redemption stories, that the people wronged are entitled to their feelings and that “sorry” doesn’t wipe it all away. Their trust has been abused and broken, and they have to process that loss before they can move on with their lives.

They both need to forgive, if not forget, for their own healing, but it’s a hard journey and the difficulty of it made the characters shine – even while they ranted and vented and cried.

While Finley’s story was so much more traumatic and heartbreaking, Jericho’s was a necessary part of the whole. The farcical nature of his family’s difficulty both managed to balance out the heavier nature of hers while giving them common ground for reaching their own happy ever after with their respective – and combined – dysfunctional families.

The Sister Effect turned out to be a wonderful story about the ties that bind – and sometimes strangle – within families that have been to hell and back together and separately and still manage to find a way forward – more or less together. That their journey resolves into just the right mix of hopeful ‘happy for now’ for Sloane’s on her journey while giving Finley and Jericho as well as Gil and Lauren the happy ever after they’ve finally earned.

Review: Full Exposure by Thien-Kim Lam

Review: Full Exposure by Thien-Kim LamFull Exposure: A Novel by Thien-Kim Lam
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, romantic comedy
Pages: 320
Published by Avon US on February 21, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Happy Endings author Thien-Kim Lam is back--with a rom-com set during the divine madness of Mardi Gras as two lovers ask: Can a Big Easy fling become the real thing?
Boudoir photographer Josie Parks never ever takes a vacation. But when a client cancels a New Orleans shoot at the last minute, she decides to fly out from her Washington, D.C., studio anyway. Maybe the trip will reawaken her recently stagnant muse. After all, it's Mardi Gras season...
Spencer Pham has come home after twelve soul-sucking years in corporate hell to pursue his passion: making a docu-film on his family's history as the first Vietnamese Mardi Gras krewe. The last thing he expects is getting whacked in the head by a beautiful woman trying to snag some parade beads.
During a long night at urgent care, Spencer and Josie connect over their artistic pursuits. He offers to show her the real New Orleans, if she'll help him with the camerawork for his film. Despite Josie's type-A personality clashing with Spencer's laissez-faire attitude, they seem to make a great team, and soon, the good times are rolling both on and off camera. But Josie has a life in D.C., and they both have big dreams they're chasing. When this Big Easy fling starts feeling awfully serious, can they find a way to choose between personal and professional passion?

My Review:

Mardi Gras was just this past Tuesday, making this the perfect week for a visit to New Orleans – at least between the pages of this sparkling romance. There’s always magic in New Orleans, whether at Mardi Gras or not – even if it’s just the magic of the beignets at Café du Monde.

Although the description of the messy, yeasty, sugary goodness of the beignets on Josie and Spencer’s first date will certainly make every reader’s mouth water nearly as much as Josie’s when she first checks Spencer out.

Just after she hits him in the head with the parade beads she’s just caught. It’s either a painfully cute meet cute – or just downright painful. Because either Spencer is seeing stars and little birdies after Josie clocks him – or there are some serious sparks between them from the very beginning.

Jodie’s mortified – but not concussed – and she’s feeling them too. Definitely sparks.

Over a couple of plates of those iconically delicious beignets, Spencer and Josie discover that they have more than sparks and less than a whole lot of time to see where those sparks might lead.

Josie’s in town for a mere seven days before she needs to return to her successful but stressful boudoir photography business in Washington DC. Spencer is back home in New Orleans for an unspecified while, after a dozen years in a high powered, high stress and highly detested job in – of course – Washington DC.

Spencer is more than willing to go with the flow and see where it takes them. Josie has always been constitutionally incapable of taking a step without not just A plan, but Plans B through at least F or G as well. But just this once she’ll try.

For as long as she can stand it. Or until fate intervenes. Or love walks in. Or out. Or all of the above.

Escape Rating B+: The meet-painfully-cute kicks this one off with a bang – or at least with a clonk to the noggin. The banging comes later. But this isn’t just a romantic comedy, although it certainly has plenty of the elements to make it qualify as one.

(Which is honestly kind of a relief. I read several books last year that were promoted as romcoms that turned out to be anything but. So the truth in advertising is a welcome change.)

Howsomever, Full Exposure isn’t just a romcom and it’s the not-so-funny bits that tug at the heartstrings after the final page is turned.

A big part of what both Spencer and Josie are dealing with outside of all the sparkly banter between them are real cases of burnout. Both are/were under pressure in stressful jobs and both have issues with saying enough is enough. In Spencer’s case that’s a result of family pressure and a lack of open communication, while in Josie’s case it’s because she selflessly sacrificed both her savings and her dreams when her younger sister was in a severe accident and needed long-term, expensive, hospital care and physical therapy.

While the reasons for it may be different, both of them feel intensely responsible for supporting their birth families and neither of them are able to open a space in those feelings for their own artistic dreams – because art doesn’t make money they both believe their families still need.

As much as Josie and Spencer have their artistic dreams in common, their romance is definitely a case of opposites attracting. Josie is Type-A down to her toes, while Spencer has a bit more of the New Orleans attitude of “laissez les bons temps rouler” – or at least a bone deep ability to be spontaneous that Josie planned out of her own life in the wake of her sister’s accident.

But Spencer needs a bit of Josie’s organizational magic as much as she needs a touch of his spontaneity. (Not to mention as much of his touch pretty much everywhere as she can get!)

So this is a romance of letting go, letting things out, letting things unfold, and not giving up on the best thing that’s ever happened to either of them without one hell of a fight.

One of the other terrific things about this story is that, in spite of some bumps in the road, both Josie and Spencer are functional people who have terrific support networks behind them that they both truly appreciate.

In Spencer’s case it’s his sometimes intrusive but always loving family and the New Orleans Vietnamese community of which they are an integral part. In Josie’s case it’s her best friends, the Boss Babes, who are with her through thick and thin and crisis and resolution and everything in between.

Josie’s Boss Babes are terrific, but it seemed terrifically obvious that we weren’t getting the whole picture of who they were and how they all fit together in this story. The Boss Babes, including Josie, first appeared in the author’s debut novel, Happy Endings. (In other words, while Full Exposure isn’t exactly the second book in a series it isn’t exactly not, either) So if you enjoy Josie and Spencer’s story, and I definitely did, and if you’re wishing for a gang like the Boss Babes of your very own, check out Happy Endings the next time you’re looking for a fun, sexy read with a whole lot of heart. I certainly plan to!

Review: Sentinel Security: Steel by Anna Hackett

Review: Sentinel Security: Steel by Anna HackettSteel (Sentinel Security #4) by Anna Hackett
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure romance, contemporary romance, romantic suspense
Series: Sentinel Security #4
Pages: 272
Published by Anna Hackett on January 26, 2023
Purchasing Info: Author's WebsiteAmazon
Goodreads

His skills and ruthlessness made him a legend.

The dark, dangerous former spy.

Now the operative turned billionaire known as Steel collides with fiery agent Hellfire when they discover they’re both on the kill list of a deadly assassin.

CIA agent Devyn “Hellfire” Hayden came from nothing and made herself into one of the CIA’s best deep-cover agents. She’s dedicated to her country. She’s always on the move. She’s a loner. Just the way she likes it. Letting people close is a weakness and she’ll never be weak again.

But when she finds herself under attack by an assassin targeting the world’s best intelligence agents, it sends her straight into the path of the only man who tempts her. The dark, lethal Killian “Steel” Hawke.

Killian Hawke rose through the ranks of the CIA, and knows his name is whispered in fear by his enemies. But when his sister needed him, he left and started Sentinel Security. He protects all those he considers his: his sister, his friends, his employees, and his clients.

But there is one stubborn redhead he also wants to claim.

As Devyn and Killian work together to unmask the assassin hunting them, they are forced to confront their white-hot attraction and their violent need to protect each other. Killian is tired of dancing around what he feels for her. Now that she’s in danger, he’ll do whatever it takes to make her safe, claim her heart, and possess her soul.

My Review:

Lovers of the Sentinel Security series have been teased with the inevitability of this story from the very beginning of the series, every bit as much as Killian “Steel” Hawke and Devyn “Hellfire” Hayden have been teasing each other from the first time they met. Back in the day when they were both among the CIA’s best agents.

But when they first laid eyes on each other, Hellfire was an agent on the rise, and Steel was all too aware that he was on the edge of burnout and that his days with the agency were numbered. He didn’t need the temptation, and she couldn’t afford the distraction. Or the other way around. Or both.

Definitely both.

So he turned away and went on his way, out of the CIA and into building his own top-flight, high-end, security business, Sentinel Security. While she continued her rise through the ranks of the CIA to become the best of the best – just as he once was. And still very much is, just in a slightly different and frequently adjacent sphere.

Every time they’ve run into each other – occasionally just about literally – since the Sentinel Security series began, they’ve drawn the kind of sparks off of each other that were bound to lead to one hell of a fire.

If they can just get out of their own ways. As long as they can get themselves out of the sights of an assassin who only thinks he can claim to be the best by taking down the best.

He thinks he can prove he’s in their league. Hellfire and Steel are about to show him just how much he’s not.

Escape Rating A-: First and foremost, I adore this author and her work and am always thrilled to have a new story in whichever series she happens to be working on.

Second, I always love the romance that features the leader of whatever group that series happens to be featuring, so I’ve been waiting for Killian’s story since the series began. (I’m just grateful I didn’t have to bite my nails through quite as many stories as in some of her previous series.)

Third, while I was always intending to read Steel this week I had one book absolutely disappointingly fail, so I was both thrilled and grateful to pick up Steel and dive right in. I knew I would enjoy it, but it turned out to be the perfect book at the perfect time.

Just as Killian Hawke turned out to be, not the perfect man but the perfect man for Hayden. Someone she could trust to have her back in a firefight, who would pull her up when she needed it instead of beating her down when she was already there. Someone who loved her and appreciated her for the kickass woman she was instead of trying to make her be less than in any way, shape or form.

Because she’s perfect for him just as she is. If she was anything less or anything different, she wouldn’t be the woman, the person he needed at his side.

But it isn’t ever going to be easy – and neither is this operation. Someone has a list of the top agents for every spy agency around the world and is planning to assassinate the “Top Ten” on the list. A list that Hellfire and Steel are both on.

The assassin has already eliminated two of their colleagues, had a go at a third, and now they are next. Which means that they are following the trail of their would-be assassin while he’s trying to pull them into his trap. The stakes are the highest, the tension is off the charts and the pages are turning as fast as the reader can flip them.

It’s a race to the finish; either his – or theirs. But together they can conquer anything. Even each other’s doubts, fears and demons. It’s a wild ride from beginning to end. Yet another terrific action adventure romance from an equally terrific author.

As always, I’m already looking forward to her next book, Knightmaster, the first in the Oronis Knights series. I’m always up for good science fiction romance and I know that’s just what I’ll get in March. And Sentinel Security will be back in April, and I’m sure it will be another pulse-pounding romantic adventure!

Review: Nora Goes Off Script by Annabel Monaghan

Review: Nora Goes Off Script by Annabel MonaghanNora Goes Off Script by Annabel Monaghan
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, relationship fiction, women's fiction
Pages: 272
Published by G.P. Putnam's Sons on June 7, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Nora's life is about to get a rewrite...
Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it's her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage's collapse into cash and writes the best script of her life. No one is more surprised than her when it's picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne'er do well husband Nora's life will never be the same.
The morning after shooting wraps and the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He'll pay a thousand dollars a day to stay for a week. The extra seven grand would give Nora breathing room, but it's the need in his eyes that makes her say yes. Seven days: it's the blink of an eye or an eternity depending on how you look at it. Enough time to fall in love. Enough time to break your heart.
Filled with warmth, wit, and wisdom, Nora Goes Off Script is the best kind of love story--the real kind where love is complicated by work, kids, and the emotional baggage that comes with life. For Nora and Leo, this kind of love is bigger than the big screen.

My Review:

This initially anti-romantic Nora actually writes those made-for-TV-sponsored-greeting-card-company romances that the Nora in yesterday’s book initially believed cast her as an unfeeling villain in every single outing. Unlike the romances that either of them reads, writes, agents or even watches, the particular script that this Nora is dealing with when this story begins is the story of her own life, and it’s about to be filmed in her very own picturesque but slightly run down home.

Or rather, it’s about to be filmed on her lawn and in “The Tea House” on the grounds where she does her writing. It’s a bit of art imitates life imitates art, as that Tea House was her emotional escape from an emotionally abusive but otherwise absent husband. It was the place where she wrote the scripts that literally kept their life afloat – because the asshole was just too “good” – at least by his own definition – to go out and get a damn job to contribute to the household.

Which also wasn’t good enough for him in any way, shape or form. Not Nora, and not their two kids. So he upped and left and she was actually pretty damn happy about it. She chose not to be a victim of any of her circumstances, and that’s her story and it sold and it’s being filmed and just the fees from using her house for part of the movie shoot is going to get her out of the debt the asshat left her in.

But her asshat ex is being played by the Sexiest Man Alive, and Nora is just a bit smitten. Or at least her fantasy life has suddenly taken on some new dimensions. Still, Leo Vance’s invasion of her life and occasionally her house is just a bit of excitement in her otherwise pretty ordinary and pretty contented life.

And she can’t wait for the film crew to be gone so she can get back to writing. But when the film crew leaves, Leo decides to stay. And stay. And STAY.

That’s where what was merely a blip – although a pretty damn big blip – of excitement turns into a whole lot more. Leo doesn’t just camp out in her tea house, he becomes part of her life and the lives of her two kids, Arthur and Bernadette. In a few short weeks, they become a family.

It’s easy for all of them to fall for him. He’s more involved in all their lives than the asshat EVER was. And it’s not an act. He’s not playing a part. So when Nora and Leo finally give in to the simmering tension between them, it seems like something that shouldn’t be possible might be possible after all. They might, just maybe and possibly, have some kind of future. No matter how much that seems like a fairytale.

But just when they do – they don’t. Leo gets a call, jets off to LA and then to Asia to film a big movie, and he ghosts the whole family. He misses all the things he promised he’d come back for and just disappears out of their lives if not out of their hearts.

Howsomever, this isn’t Nora’s first time on this particular merry-go-round. She wasn’t a victim before, and she isn’t going to be one now. She knows what to do. She writes her pain. She picks up the pieces and moves on. She survives.

It’s then, and only then, that the truths finally come out. The only question is whether or not it’s too late.

Escape Rating A: I fell into this one nearly as hard as I did Book Lovers, and that’s saying a lot. The two romances have a lot in common, particularly in the way that they both mix in a lot of relationship elements. Because this isn’t just a romance between the scriptwriter and the actor, it’s also a love story about the actor and the scriptwriter’s kids. They have to be able to become, not just a couple but actually a family in order for this to even possibly work.

And Nora is as surprised as anyone – if not a bit more so – that it might possibly work. So she’s not surprised at all when it doesn’t. Heartbroken this time around, but not surprised.

One of the things that makes celebrity romances so much fun – especially when they work as well as this one does, is that we’ve probably all had that daydream at least once or twice – if not a whole lot more times. It’s not remotely likely or even plausible, but it’s fun to dream.

But to make it work as in a novel that dream has to at least seem like it might possibly come true in this one particular case. (Spoiler Alert and All the Feels, both by Olivia Dade, also play with this idea but in a completely different way.) And it does seem to be working in Nora Goes Off Script – at least from Nora’s perspective.

Howsomever, because the story is told entirely from Nora’s point of view, we get why it works but we also see exactly how much she questions whether the relationship has ANY long term potential whatsoever. She knows she wants it to, but she’s realistic about wondering whether it can. That we don’t see things from Leo’s point of view means that we share her doubts and totally get why, when he disappears it’s disappointing but not as surprising as either she – or we – want it to be.

(Some of the folks in my reading circle saw these events as a giant misunderstandammit. While it’s true that the mess might have been cleared up by a conversation or a series of texts in their particular case, because of the agency in the middle of things it was easy to see that that conversation actually couldn’t happen. YMMV, as theirs obviously did.)

That all of Nora’s justified angst does lead to both another big money script sold to Hollywood AND to an HEA without her having to compromise a thing – because she shouldn’t – was a surprise and a delight. The ending fed the fantasy in a way that made this reader end the book with a big smile on my face – although probably not as big a smile as the one on Nora’s daughter Bernadette’s face.

Nora Goes Off Script is the author’s debut adult novel, although she has previously published both YA fiction and grown-up nonfiction. I’m so very happy that there is more where this one came from, and I’m looking forward to reading her sophomore adult romance, Same Time Next Summer, coming out THIS summer!

Review: Book Lovers by Emily Henry

Review: Book Lovers by Emily HenryBook Lovers by Emily Henry
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, relationship fiction
Pages: 377
Published by Berkley on May 3, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

One summer. Two rivals. A plot twist they didn't see coming....
Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.
Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute.
If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

My Review:

When it comes to Happy Ever Afters, one size definitely doesn’t fit all – even if a certain ubiquitous type of romance movie leads you to believe it does.

You know the ones I mean, on the channel created by the equally ubiquitous greeting card company, where a City Person™ is forced by circumstance to spend a month (or two) in a (very) small town and discovers true love, happiness and fulfillment in the welcoming embrace of that small town and particularly in the arms of one of the handsomest or most beautiful people there who loves the place and everyone in it that all that love converts the City Person into a country person.

This is not one of those stories.

This is a story about the city people that former City Person left behind back in the big city. Because there’s always someone in that city who they were supposed to marry as soon as they got back – which they never do. Whether that other City Person just doesn’t really understand or love them after all, or whether that person is the reincarnation of Cruella de Vil (whether male or female, doesn’t matter), that person who thought they knew where their life was going and who it was going with is left in the lurch, scrambling to put things back together.

Nora Stephens has been that ‘left behind’ person four times now. She’s a highly respected, perhaps just a teensy bit cutthroat book editor who will do anything and everything for her clients – but doesn’t leave much time, energy or effort for herself. She’s been left behind in love so many times that she’s given up on the idea.

The one person in her life that she always makes time for – even if not nearly fast enough or often enough – the one person she loves without reservation is her younger sister Libby. So when Libby entreats, inveigles and somewhat emotionally manipulates Nora into taking a vacation, together, just the two of them, away from Nora’s all-consuming job and Libby’s beloved husband and two little girls, Nora caves. Pretty much instantly. Libby has that effect on her.

Nora can sense there’s something that Libby’s not telling her. And whatever it is, she needs to get to the bottom of it so she can fix it for her sister. Because that’s what Nora always does, one way or another.

Because she can’t fix the one thing that both of them want more than anything. She can’t bring back the mother who died and left her girls behind. So she’ll give everything else instead. Including her own dreams of a Happy Ever After.

Unless, just this once, Libby can fix things so that it’s Nora who finally gets to have it all. While still managing to remain that City Person. But finally a City Person with her very own, fitted just for her, HEA.

Escape Rating A+: I loved this one for all the reasons that made Nora’s HEA seem so impossible to her at the beginning. Because her HEA fits her and doesn’t fit the cookie-cutter mold. And I loved her for it every bit as her sometimes-nemesis (but not really) does. So there’s a reason Book Lovers won so many plaudits and was on so many “Best of the Year” lists and I’m there for every single one of them.

The story is a bit meta, but in a terrific way. It’s a book about romance tropes and a romance between two people who love books, fall for each other, and have a romance that appears to be casting against all those romance tropes, only to learn that they’ve been happening while they haven’t been looking at anything but each other.

There’s also a bit of a relationship fiction/women’s fiction/chick lit story going on very much in the foreground of the story, as the only long-term relationship in Nora Stephens’ life isn’t a romance – because she’s been avoiding those or failing at them (or a bit of both) – right, left and center.

The sustaining relationship in Nora’s life is her love for her younger sister Libby. Normally, I don’t like misunderstandammits, but it’s fascinating in this book because the misunderstandammit in Book Lovers isn’t in Nora’s very slowing brewing romance with Charlie Lastra, but rather with her sister Libby.

There’s something wrong between them, and Nora knows it but doesn’t know what it is. Libby’s keeping something important from her, but she doesn’t know what that is, either. It’s only when the blowup actually happens that we – and Nora – finally understand why it needed to happen. AND why it had to reach such a huge boiling point so that Nora could finally hear it instead of trying to fix it. That what it’s about is so very real was a big part of why this book was just so damn good.

This is a story with not just one beating heart for the romance, but actually two – one for the romance and one for their sisterhood. It gives the story the kind of balance that it needs to make it work. Because Nora can’t be truly happy unless things are alright with Libby, which can’t happen until Nora stops playing “mom” so she can just live being “sister”.

And then there’s the romance. As much as the romance in this story doesn’t fit a lot of the usual tropes as Nora describes them early on, it does fall very nicely into the enemies to lovers trope. Not that Nora and Charlie Lastra ever were truly enemies. They’re not rivals or competitors in any way. They just met on what turned out to be a terrible day for each of them. Every single word of their entire conversation wasn’t heard without being filtered through their respective miseries. They gave each other good snark but just couldn’t get past their own admittedly terrible crap to see the person on the other side of the table.

Two years later, unbeknownst to each other, in the middle of trips that they’ve each been separately strong-armed into, they run into each other in the tiny town of Sunshine Falls, NC, to discover that their enmity isn’t really all that strong, but their bantering snarkitude is excellent.

It’s not every couple who gets to say they bonded over truly terrible Bigfoot erotica. But when you’re both book lovers, the bad ones are THE MOST FUN to giggle over. Together. (If there’s any truly great Bigfoot erotica I doubt that either of them would want to know. And neither do I.)

I loved Book Lovers very, very hard. Which means I’m now very much looking forward to the author’s next romance with relationships story, Happy Place. It’s coming in April so happily I don’t have that long to wait!

Review: The Very Secret Society of Irregular Witches by Sangu Mandanna

Review: The Very Secret Society of Irregular Witches by Sangu MandannaThe Very Secret Society of Irregular Witches by Sangu Mandanna
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, paranormal romance, relationship fiction
Pages: 336
Published by Berkley Books on August 23, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A warm and uplifting novel about an isolated witch whose opportunity to embrace a quirky new family--and a new love--changes the course of her life.
As one of the few witches in Britain, Mika Moon knows she has to hide her magic, keep her head down, and stay away from other witches so their powers don't mingle and draw attention. And as an orphan who lost her parents at a young age and was raised by strangers, she's used to being alone and she follows the rules...with one exception: an online account, where she posts videos pretending to be a witch. She thinks no one will take it seriously.
But someone does. An unexpected message arrives, begging her to travel to the remote and mysterious Nowhere House to teach three young witches how to control their magic. It breaks all of the rules, but Mika goes anyway, and is immediately tangled up in the lives and secrets of not only her three charges, but also an absent archaeologist, a retired actor, two long-suffering caretakers, and...Jamie. The handsome and prickly librarian of Nowhere House would do anything to protect the children, and as far as he's concerned, a stranger like Mika is a threat. An irritatingly appealing threat.
As Mika begins to find her place at Nowhere House, the thought of belonging somewhere begins to feel like a real possibility. But magic isn't the only danger in the world, and when a threat comes knocking at their door, Mika will need to decide whether to risk everything to protect a found family she didn't know she was looking for....

My Review:

What would happen if people discovered that there really were witches in the world, and that magic really did work – if only for a privileged few? Most of the urban fantasy/paranormal stories that use this premise in the world we know tend to look at how witches were treated historically – whether the women (and it was almost always women) – who got burned, stoned or drowned could actually practice magic or not and take the Harry Potter option of a Statute of Secrecy or equivalent prohibitions.

It’s not an unreasonable fear. Even without the possibility of witchcraft, humans already find plenty of reasons to persecute each other over perceived differences that mostly total up to some people hate and fear others and will latch on to any excuse to practice that hate in the hopes of putting that fear to sleep. People who are different because they have actual, real, mysterious powers? The line to pick up torches and pitchforks forms on the right. Please maintain an orderly queue.

In The Very Secret Society of Irregular Witches, the witches in question, irregular or otherwise, have taken that very reasonable fear and run a bit too far with it. Pretty much running away from each other into the mixed results at best bargain.

Mika Moon is a witch. And she’s lonely. She is forced to live a secret, and fears staying anywhere long enough to put down roots or develop friendships for fear that if people get to know her they’ll figure out what she’s hiding. Or they’ll simply decide that she’s just not worth their time, their care or their friendship.

Her entire life is a sad song of just not being enough to make anyone want to stay. Unless, of course, they have a USE for her powers.

So she’s sure that the advertisement she’s seen on the interwebs, that someone is searching very specifically for a witch, is probably a scam of some kind – at best. Howsomever, between losing her most recent job, not having enough money to pay rent and feeling like it’s time to move on from her current location, Mika is at loose ends.

The job, if it really exists, comes with room and board – along with the mystery of why someone is looking so specifically for something and someone that isn’t supposed to exist. That the location of this puzzling offer is called “Nowhere House” adds to the sensation that Mika is probably being pranked.

At least until she gets there, and meets the job head on. Three little witches, all gathered together in a way that Mika’s been taught is never supposed to happen, need an adult witch to teach them how to do magic. And more importantly, how and when NOT to do it.

Mika’s never been a teacher before. She’s been taught that witches are NEVER supposed to gather together – and certainly never to practice magic together. But the girls need her, and Mika needs a refuge where, for once in her life she can be exactly who and what she is without having to keep so many secrets.

That the adults in the house all know about magic, and seem to have a Mika-shaped hole in their lives and their hearts is the icing on a cake that Mika never thought she’d even get to taste.

Everything about Nowhere House seems like it’s made of magic. The answer that Mika has to discover for herself is whether or not it’s real – or just another illusion.

Escape Rating A-: The Very Secret Society of Irregular Witches was absolutely charming – and I was utterly charmed by it. It’s a heartwarming read with just the right touch of magic to keep you turning pages, both to be part of this wonderful if extremely irregular household and to see what happens next.

It’s also a story that sits very comfortably on the border between cozy fantasy, paranormal romance and relationship fiction, snuggled right next to The House in the Cerulean Sea by TJ Klune – with both Witch, Please by Ann Aguirre and Small Town, Big Magic by Hazel Beck looking on with stern disapproval.

By that I mean that the magical household is centered around the care of the children, in this case the three young witches. Their caretakers are not magical themselves, but they obviously love the children very much, and have gone more than a bit overboard in protecting them. They are, for the most part, an utterly delightful gang, including the young, grumpy librarian, Jamie, while the madcap Ian felt more than a bit like an homage to Tom Baker’s Doctor Who, particularly in his later incarnation as “The Curator”.

And just as in The House in the Cerulean Sea, there is more than the possibility of a romantic relationship in the air – which Ian is delightfully encouraging with mad abandon – to the consternation of Jamie, Mika and his own husband Ken.

But amongst the joy of Mika finding her place in the world, the girls learning magic and the adults making an eclectic but warm and loving home for the children and each other, there are clouds on the horizon. Just as in Witch, Please and Small Town, Big Magic, the forces of official witchdom, in the persons of the elderly ladies who have overshadowed Mika’s life as a witch from childhood, are ever present as the voice in Mika’s head telling her that everything she is doing is wrong and will be punished. Severely. Because she is breaking ALL THE RULES.

At the same time, it’s obvious fairly early on that a secret is looming over the entire household, and that secret, with all of its accompanying chickens, must come to roost before the story can reach anything like a happy ending.

So the Sword of Damocles casts a long shadow over everything – at least until it crashes down and cuts through all the hidden issues and agendas, including all the secrets standing in the way of pretty much everything. And, while it may seem like everything wraps up just a bit too neatly, by this point in our investment in the story that’s kind of what we want.

And in the end, that happy ever after, for the girls, for Mika and Jamie, and quite possibly, eventually, for witches everywhere, is utterly magical.