Stacking the Shelves (622)

This stack has pretty covers and pretty cool covers as well!

I think the prettiest covers are The Geographer’s Map to Romance and Pets in Space 9, although they are clearly not pretty in the same way at all. Ill-Fated Fortune is also pretty, but mostly it makes me pretty hungry when I look at at. One Level Down is just a cool cover. I could see that background being used in some fascinating designs and Insta posts.

And then there’s Aunt Tigress, which I honestly got FOR the cover. It’s not exactly “pretty”, and if pretty is as pretty does, based on the blurb ‘pretty’ is going to end up being a really wrong word all the way around. Fascinating, yes. Compelling, I hope so. Possibly even a bit bloody – or at least bloody-minded. But pretty, well, not so much. And that’s a good thing for the kind of urban fantasy I really, really hope it is!

One more thing…the book in this stack I’m most looking forward to is, hands down, Who Will Remember by C.S. Harris, the OMG 20th book in the marvelous Sebastian St. Cyr series.

For Review:
Aunt Tigress by Emily Yu-Xuan Qin
Claim (Fury Brothers #5) by Anna Hackett
The Curious Kitten at the Chibineko Kitchen (Meals to Remember at the Chibineko Kitchen #1) by Yuta Takahashi, translated by Cat Anderson
The Geographer’s Map to Romance (Love’s Academic #2) by India Holton
One Level Down by Mary G. Thompson
Our Nazi by Michael Soffer
Rebellious Grace (King’s Fool #3) by Jeri Westerson
Star-Crossed Egg Tarts (Magical Fortune Cookie #2) by Jennifer J. Chow
Stone Certainty (Holy Terrors #2) by Simon R. Green
Who Will Remember (Sebastian St. Cyr #20) by C.S. Harris

Purchased from Amazon/Audible/Etc.:
Ill-Fated Fortune (Magical Fortune Cookie #1) by Jennifer J. Chow
Pets in Space 9 edited by Carol Van Natta


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#BookReview: What We Sacrifice for Magic by Andrea Jo DeWerd

#BookReview: What We Sacrifice for Magic by Andrea Jo DeWerdWhat We Sacrifice for Magic by Andrea Jo DeWerd
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: historical fantasy, relationship fiction, women's fiction
Pages: 304
Published by Alcove Press on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Perfect for fans of Practical Magic and The Lager Queen of Minnesota: a coming-of-age novel following three generations of witches in the 1960s, this enchanting and heartwarming debut explores the importance of family and the delight and heartbreak of discovering who you truly are.

It’s 1968, and the Watry-Ridder family is feared and respected in equal measure. The local farmers seek out their water charms, and the teenagers, their love spells. The family’s charms and spells, passed down through generations of witches descending from the Black Forest, have long served the small town of Friedrich, Minnesota.

Eldest daughter Elisabeth has just graduated high school—she is expected to hone her supernatural abilities to take over for her grandmother, the indomitable Magda. She’s also expected to marry her high school sweetheart and live the rest of her life in Friedrich. But all she can ask is, why her? Why is her path set in stone, and what else might be out there for her?

She soon discovers that magic isn’t the only thing inherited in her family. That magic also comes with a great price—and a big family secret. The more she digs, the more questions she has, and the less she trusts the grandmother she thought she knew. Who is Elisabeth without her family? She must ultimately decide what she’s willing to sacrifice for her family, for their secrets and their magic, or risk it all to pave her own way.

Navigating the bittersweet tension between self-discovery and living up to familial expectations, What We Sacrifice for Magic is a touching look at coming into one’s own.

My Review:

The Age of Aquarius might have dawned in the rest of the world, but 1968 in tiny Friedrich, Minnesota seemed like it would be no different from the year before, or the year after. The witches of the Watry-Ridder family had been doing their very best – and occasionally their damndest – to make sure that life in the town they held under their protection stayed protected and pretty much the same.

Helped by the fact that it was a teeny-tiny farming community and change came even slower to those sorts of towns than it did to the big cities – and a few well-placed memory charms helped with the rest.

But 1968 was the year that Elisabeth Watry-Rider graduated high school – and was expected to settle down in Friedrich, marry the boy she’d been dating for two years, and take up the reins of her family’s magical power – reins that had been firmly held in the iron grip of her grandmother Magda since long before Elisabeth was born.

No one has ever asked Elisabeth what she wants. Not that she hasn’t always enjoyed the attention of being Magda’s favorite, and not that she hasn’t pitied both her mother and her younger sister Mary, whose powers seem to be considerably less than her own.

As Elisabeth feels the walls closing in, she envies them both their freedom from the strait-jacket of the family legacy. She begins to ask questions about why she is the one who must give up all her freedom, while everyone around her has choices. Choices that the formidable Magda took from her when she was too young to even have a voice to protest with.

Before the bars of her prison of expectations clang shut for good, Elisabeth publicly defies her grandmother, accidentally sets fire to half the town, and flees into the night. Clawing out just a little tiny space of time to see who SHE wants to be when she grows up.

It’s the making of her – even as it breaks the back of her family and shatters the community’s faith in their powers. But some things are made to be broken, and some family secrets have to be exposed before the light of hope and possibility can have a chance to heal what’s – and who’s – been torn apart.

Escape Rating B: If Hazel Beck’s Witchlore and The Lager Queen of Minnesota by J. Ryan Stradel had a book baby, with Alice Hoffman’s Practical Magic serving as either the midwife or the fairy godmother – or both – that book would be What We Sacrifice for Magic.

The title manages to tease the story without giving it away, and it’s a doozy but not in the way I expected, which leads back to those books I think contributed to its DNA.

Even though Lager Queen isn’t a book about magic, it is a story about family secrets and family rifts in a similar setting to What We Sacrifice for Magic with similar family dynamics. It’s a story about family traditions carried on by the women of the family, and the stresses and strains of a family heritage and business that is jealously guarded instead of shared.

Hazel Beck’s Witchlore and Ann Aguirre’s Fix-It Witches have similar witchy elements in that an older generation of witches is doing its damndest to control who gets power in ways that are detrimental to pretty much everyone involved – which is definitely paralleled by the story of What We Sacrifice for Magic.

The third element here – and one that didn’t get quite enough attention for this reader – is that late 1960s setting. The past is another country, they do things differently there, and that feels particularly true of the way things were before all of the social revolutions of the 1960s. The world was changing faster than small towns or formerly dominant institutions were able to keep up with – and Elisabeth’s coming of age felt like it was on the cusp of that but it wasn’t as much as this reader might have liked.

At its heart, this is a story about the family ties that bind and strangle, and the ballast of family expectations that may be great for the town but has turned out to be pretty catastrophic for the women who are supposed to bear its burdens. I felt for Elisabeth’s need to escape, I just found myself wishing that she hadn’t felt the need to take on so much guilt for having done so, and was glad to see the family start to heal when the dark secrets were finally exposed to the light.

A- #BookReview: In the Shadow of the Ship by Aliette de Bodard

A- #BookReview: In the Shadow of the Ship by Aliette de BodardIn the Shadow of the Ship by Aliette de Bodard
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook
Genres: alternate history, science fiction
Series: Universe of Xuya
Pages: 96
Published by Subterranean Press on September 30, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Nightjar, sentient ship and family matriarch, looms large in Khuyên’s past. Disappearances drove teenage Khuyên from it, but death will steer her back.
Now an adult and a magistrate, Khuyên came for her maternal grandmother’s funeral but finds herself unwittingly reliving her past on the decaying Nightjar. Children are still disappearing as her childhood friends once did; and worse, her beloved Cousin Anh vanishes after pleading for her help.
Khuyên sets out to save Anh alongside Thảo, a beautiful and mysterious woman who seems to know more than she should about Khuyên and the ship. But saving Anh requires doing what Khuyên couldn’t do before: face her family, face the ship, face her own hopes and fears for the future—a future that might well include Thảo, but only if Khuyên can stop listening to the critical voice in her head.
A voice that sounds an awful lot like Nightjar’s...

My Review:

The Universe of Xuya isn’t so much a series as it is a sprawl of alternate history that extends from the early 15th century – the point where the butterfly flapped its wings differently from the history we know – all the way out to an undetermined point VERY far in the future.

It’s a vast, sprawling canvas of a universe that hinges on a single year in history (1411) where two events turned left instead of right. An internal political struggle at the Imperial court of Ming-dynasty China sent the Empire looking outward instead of in (as it did in our history) and a fleet of Imperial ships that planned to head east along the coast was struck by typhoons and found itself drifting north, across the Bering Strait to Alaska, resulting in an earlier “discovery” of North America, from Asia instead of from Europe.

And with those two almighty flaps of the butterfly’s wings, history goes down the other leg of the trousers of time (to thoroughly mix my metaphors) and results in the universe of this series, where China and eventually an independent Việt empire become the dominant influences in the world instead of the West – not that, by the time of this particular entry in the sprawl, the West hasn’t established its own hegemonies in the greater galaxy.

The past is another country, they do things differently there. And if they did things differently than what we know, the future would be an even more different country that it will be on history’s current trajectory.

But the thing about the Xuya Universe is that even though the author has a broad outline of what brought it about and some stories set in the historical past that illustrate some of the points, most of it is set in the future. The galaxy is big, the history and future history is potentially very long indeed, and there’s plenty of scope for pretty much anything to happen pretty much anywhere.

Which leads back to the Universe of Xuya being more of a sprawl than the way we usually think of ‘series’. Each story set in the Xuya Universe is intended to be standalone, and while it might link thematically with other stories, that doesn’t mean it will feature any of the same characters as previous or future entries. There’s obviously a publication order for the series, but the internal chronology is ever changing, and considerably more fluid than is usually the case.

I fell into this series, somewhere in the middle, with The Tea Master and the Detective, because it’s a Sherlock Holmes pastiche and that was an entry point that worked for me – as it usually does. (Also, Tea Master is one of the longer works in the series so it has time and space to get a new reader stuck into the world that’s already been built.) I’ve read around Xuya, but not thoroughly – at least not yet – ever since. Although I’ve just had the light dawn that several of the short stories that were in various SFF magazines are also available as podcasts and that’s an avenue to be explored.

I know I haven’t talked about this particular entry in the series yet, and that’s a bit by design as I have mixed feelings about whether this story is a good place to start. I found it fascinating but I don’t think it’s a good entry point. The author has an excellent precis of the history of Xuya, with a list of stories that give both a loose chronology and some suggestions of stories that might make good places to start on her website – so if you’re looking for an entry point or have visited Xuya and are wondering how it all fits together, take a look.

The story of In the Shadow of the Ship is deceptively small and at first seems simple. It’s the story of a young woman who left a conservative and restrictive home because she didn’t fit in. The life that was mapped out for her, even before her birth, was one she had no interest in or desire to follow. That it seemed like she never had a chance to earn her mother’s love or acceptance made it that much easier to leave the world of her birth behind.

She’s been successful, if lonely, in the intervening years. But when she learns of the death of her grandmother, duty and respect call her home. But home is not a planet, or even a station. Home is a decaying mindship, a refugee from the galactic war that destroyed so much and left so many refugees, ship-bound and planet-dwellers alike. A war that her home, her ship, her family, was on the losing side of.

A home that wants her back – even if her mother still does not.

As an adult, Khuyên has knowingly kept the secret of her family’s status from the empire she serves, even though she knows they are war criminals and that she is guilty by association – and silence. She can’t make herself turn them in, and she can’t bear losing her job and her purpose in the universe she’s made her own.

At the same time, as an adult, when she returns for the funeral, she is able to see that the ship is manipulating her and everyone around her, and that the terrible things she was told to ignore when she was a child are no longer ignorable – or honorable. And that they are wrong.

And that there is no second escape. This time, the only way out is through – no matter the cost.

Escape Rating A-: I enjoyed In the Shadow of the Ship, although it is a very shadowed story indeed and probably needs to be read with the lights on. There’s an underlying creepiness that is totally justified but isn’t revealed until past the halfway point.

Although there’s also a lovely sapphic romance that redeems that darkness – it just takes a while to get there.

That two of the characters of this story were mindships felt like the one, solid link to the Xuya Universe, at least so far as I’ve read into it. A reader who has come at this series from different angles might find more linkages, but it was fine as it was.

The story that it did remind me of, however, was the author’s “The Mausoleum’s Children”, one of this year’s Hugo nominees for Best Short Story. (BTW the award was won by “Better Living Through Algorithms” by Naomi Kritzer, which I read and loved.)

In my review of “The Mausoleum’s Children”, I said that the themes were a bit too big for the package, that it would have worked better in a longer format. Those themes; survivor’s guilt, living with trauma, returning to the place that broke you in the hopes of saving others, and more, received that longer treatment here In the Shadow of the Ship, which made me like both stories just that much better.

#BookReview: Shoestring Theory by Mariana Costa

#BookReview: Shoestring Theory by Mariana CostaShoestring Theory by Mariana Costa
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: cozy fantasy, fantasy, fantasy romance, romantasy, time travel romance
Pages: 400
Published by Angry Robot on October 8, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A queer, madcap, friends-to-lovers-to-enemies-to-lovers time travel romance with the future of the world at stake, this charming fantasy tale is sure to satisfy fans of Legends and Lattes by Travis Baldree.
The kingdom of Farsala is broken and black clouds hang heavy over the arid lands. Former Grand-Mage of the High Court, Cyril Laverre, has spent the last decade hiding himself away in a ramshackle hut by the sea, trying to catch any remaining fish for his cat familiar, Shoestring, and suppressing his guilt over the kingdom’s ruin. For he played his part – for as the King, Eufrates Margrave, descended further and further into paranoia, violence and madness, his Grand-Mage – and husband – Cyril didn’t do a thing to stop him.
When Shoestring wanders away and dies one morning, Cyril knows his days are finally numbered. But are there enough left to have a last go at putting things right? With his remaining lifeblood, he casts a powerful spell that catapults him back in time to a happier period of Farsalan history – a time when it was Eufrates’s older sister Tig destined to ascend to the throne, before she died of a wasting disease, and a time when Cyril and Eufrates’s tentative romance had not yet bloomed. If he can just make sure Eufie never becomes King, then maybe he can prevent the kingdom’s tragic fate. But the magical oath he made to his husband at the altar, transcending both time and space, may prove to be his most enduring – and most dangerous – feat of magic to date…
Featuring a formidable Great Aunt, a friends-to-lovers-to-enemies-to-lovers romance, an awkward love quadrangle and a crow familiar called Ganache, this charming story is imminently easy to read and sure to satisfy fans of fanfiction who like their fantasy lite.

My Review:

I picked this one up for the cat. Which is fair, because from a certain perspective, this whole story is, in fact and for real, all about Shoestring the cat. Even though, like Jacob Marley in A Christmas Carol, Shoestring is dead, to begin with.

If you’re also here for the cat, I will give you one spoiler, a spoiler that I seriously wished I had at the beginning. Because at the end, Shoestring will be just fine. Really, truly. (Not knowing that gave me some terrible approach/avoidance problems when I began reading the story. I was having as hard a time dealing with Shoestring’s apparent death as Cyril was.)

In a terrible future that should never have been, Cyril has been barely surviving as what used to be the Kingdom of Farsala literally rots all around him. It’s been years with bad air, almost no sun, and a starvation diet for both himself and poor Shoestring.

Cyril’s only reason for continuing this meager, guilt-ridden existence is to catch fish for his familiar, Shoestring. Everyone else he ever cared about is dead. From a certain perspective – namely Cyril’s – it’s all his fault.

But Shoestring’s passing is the cosmic kick in the pants that Cyril needed. Without Shoestring, he’s faced with two choices. He can either wither away into death, as all mages do when their familiars die, or he can get off his magical ass and go back and fix things.

Or at least try, making this whole marvelous story a fix-it fic, set in a magical world that needs a hell of a lot of fixing. The only problem is that Cyril isn’t really the right person to get the job. But he is the right person to keep his loved ones alive – and they absolutely are.

Escape Rating B: I had some mixed feelings about this book, in spite of how much I generally adore fix-it fics. Part of that can be laid at the feets of poor Shoestring, as I was nearly as heartbroken at his early, first-chapter death as Cyril was.

And, I’ll admit, I’m used to the protagonists of fix-it fics – which I usually love – being somewhat more competent hot messes than it seems Cyril could ever possibly be. He does not look before he leaps. It often seems as if he doesn’t even look after he leaps. Or at all. He doesn’t act – he reacts – and generally cluelessly at that.

Which is how his country got in the mess it did in the first place. Because Cyril is the heir to the Grand Mage of the whole entire kingdom and he’s supposed to be a whole lot more capable than he has ever demonstrated being. His great-aunt, Heléne, the current high-court witch, is that great and it seems from Cyril’s barely-adult perspective that she always has been.

But Heléne is slowing down, and Cyril hasn’t been stepping up. Which is why everything went pear-shaped. Because he didn’t see the rot in the kingdom at a point where it could be stopped. This time around, he has to do better, to be better, and at the beginning, he isn’t.

He does, eventually, and with frequent application of several boots to his ass, get better enough to figure out what went wrong the first time around – but he’s a bit slow on the uptake. Frequently. Often.

Which is why the comparisons between Shoestring Theory and Legends & Lattes fall spectacularly apart. They are both cozy fantasies – but they take vastly different approaches to both the coziness and the fantasy.

For one thing, Viv in Legends & Lattes is very competent and gets shit done. It’s just that what she wants to get done is very cozy in that her goal is to open a coffee shop. She has doubts, she has fears, she backslides in her ambition to eschew her old, violent ways as a mercenary – but she gets the job done because of herself.

Cyril gets the job done in spite of himself. In the end he does get there, but he faffs around a LOT. If it wasn’t for his friends he wouldn’t manage to get his head on straight. He IS, actually, quite capable – but he’s never been pushed to apply himself until now and it takes him a LONG time to get out of that mindset.

A lot longer than it took this reader to figure out who the true villain of the piece really was, and that Shoestring’s restoration would be part of Cyril’s reward for finally getting his act together.

In the end, I liked Shoestring Theory, but not nearly as much as I expected to. There just wasn’t enough of Shoestring himself in the story, and Cyril turned out to be a surprisingly incompetent protagonist for a fix-it story.

But I did enjoy the way the story turned itself inside out, that all of Cyril’s intentions and memories of that first, terrible, time around turned out to be not what he thought they were, and that he did manage to get to the truth and the whole truth of what went wrong the first time – and that it wasn’t ALL his fault.

So, in spite of Cyril’s frequent faffing around, the one thing he always was that shone through was that he loved deeply if not always wisely, that he had a huge capacity for trust even if it was sometimes misplaced, and that the story, the kingdom and even Cyril himself are finally saved by the depth of his loyalty to those he loves – and the reciprocation of that love and loyalty in full measure in return.

A+ #AudioBookReview: Rough Pages by Lev A.C. Rosen

A+ #AudioBookReview: Rough Pages by Lev A.C. RosenRough Pages (Evander Mills, #3) by Lev A.C. Rosen
Narrator: Vikas Adam
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, ebook, audiobook
Genres: historical mystery, mystery, noir
Series: Evander Mills #3
Pages: 272
Length: 9 hours and 15 minutes
Published by Forge Books, Macmillan Audio on October 1, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Private Detective Evander "Andy" Mills has been drawn back to the Lavender House estate for a missing person case. Pat, the family butler, has been volunteering for a book service, one that specializes in mailing queer books to a carefully guarded list of subscribers. With bookseller Howard Salzberger gone suspiciously missing along with his address book, everyone on that list, including some of Andy's closest friends, is now in danger.
A search of Howard's bookstore reveals that someone wanted to stop him and his co-owner, Dorothea Lamb, from sending out their next book. The evidence points not just to the Feds, but to the Mafia, who would be happy to use the subscriber list for blackmail.
Andy has to maneuver through both the government and the criminal world, all while dealing with a nosy reporter who remembers him from his days as a police detective and wants to know why he's no longer a cop. With his own secrets closing in on him, can Andy find the list before all the lives on it are at risk?
Set in atmospheric 1950s San Francisco, Rough Pages asks who is allowed to tell their own stories, and how far would you go to seek out the truth.

My Review:

The case that Andy has to solve in Rough Pages begins by circling back to the events of the first book in the series, Lavender House. In that first book, Andy Mills found a purpose, became part of a found family, and solved a murder, all while keeping the police – of which he used to be a part – from learning the truth about the residents of Lavender House.

That every single member of the family, and the staff, were queer. He managed to keep their secrets in spite of his own already being common knowledge – at least among his former ‘brothers in blue’ in the San Francisco Police Department.

So Rough Pages begins by taking Andy back to Lavender House, because they need his detective skills again – even if they don’t know it yet.

The Lamontaine family at Lavender House has adopted a baby. Or nearly so. The paperwork and the inspections and the questions have not quite run their course. It would still be much too easy for social services to take the baby back. If the family’s secret comes out – they certainly will.

At first, the case doesn’t seem like much. A friend of the family, the owner of a queer bookstore, is missing. Nearly all of the family have bought books from the shop. The butler/majordomo, Pat, volunteers there on his days off.

But it’s not just the owner that’s missing. Because he kept a list of all the subscribers to his book service, a kind of book club for queer books, mailed to subscribers all over the state of California – and even beyond. It’s not just that he’s missing – his list is missing too. A list that includes every single member of the Lamontaine family old enough to read.

Mailing ‘dirty’ books through the mail was illegal and ALL books with a hint of queer contents were considered ‘dirty’ automatically. If that list is in the wrong hands, they’re all in trouble and they’ll lose the baby.

So there’s the obvious possibility that Howard and his business partner DeeDee, who is also missing, might have been arrested by the feds, and that the feds have the list.

But it could be worse, because Howard may have gotten himself in trouble with the mob, either because his boyfriend is a mobster’s nephew or because he planned to publish the memoirs of a gay mobster – anonymously, of course. Either of those circumstances is more than enough to land him in big trouble with some very shady characters.

The feds will just ruin everyone’s lives and send as many as possible to jail. But the mob? Blackmail is the most likely outcome. Or, they might send somebody to ‘feed the fishes’. Unless they already have.

Escape Rating A+: I am absolutely hooked on this series, and Rough Pages was a totally worthy successor to the first two books, Lavender House and The Bell in the Fog. And it’s even better and more utterly absorbing in Vikas Adam’s narration, which I’ve had the pleasure of listening to for all three books so far. And OMG but I hope there are more.

I fell into this book so deeply that I had to let it process for a couple of days before I could write anything coherent. With a book this good it takes a while for the ‘SQUEE!” to settle down. I’m not exactly certain that it has even now, but I’ll certainly try.

This is a book that can be read – or listened to – from multiple perspectives with multiple hooks, all of which ‘hook’ the reader rather firmly.

Mystery readers, particularly readers who love noir detective fiction will feel right at home in the foggy streets of Andy’s San Francisco. Andy Mills is exactly the type of hardboiled detective featured in the work of Raymond Chandler, Dashiell Hammett and James M. Cain – or he would be if Andy wasn’t queer.

At the same time, this series is historical fiction, set in the early 1950s, among San Francisco’s gay community. Also, it’s set at the point in U.S. postwar history where everyone was trying to repair and/or return to a ‘normalcy’ fractured by war. The tolerance of the war period was over and McCarthyism was on the rise, searching for liberals, queers and communists in every closet, under every bed, and any place where anyone who stood up or stood out might ask questions, persecuting and prosecuting them unmercifully in both the courts and the press, driving them out of jobs, homes and even the whole country.

The fear that Andy, his friends, his found family, and the community he serves, live under every day is as palpable as Andy’s personal fear that his former ‘buddies’ in the SFPD will find him and beat him again and again – and that they might not stop when he’s merely ‘near‘ death the next time.

And in this particular case, Andy’s job and his life intersect with an issue that, while it never goes away, has reared its ugly head as high in our present day as it did during the 1950s setting of the story. And that’s censorship and the repression of thought and speech that is always its ultimate goal.

The combination of themes gives this story a resonance from past to present while also telling a terrific story, putting the reader squarely at Andy’s side during a compelling investigation, and feeling right along with him as he does his best to protect the people he has come to hold dear – in a life that he never expected to have.

Some readers will be here for the mystery, some for the history, some for the portrait of gay life in a time and place where everything had to be hidden – and the cost of that attempt at hiding one’s truest self on every action and reaction. And anyone who believes in the power of words and thoughts and books and reading to change lives and form communities – and just how much some parts of society will attempt to suppress those same words and thoughts and even lives, will find Rough Pages to be a story that sticks long after the final page is turned.

A- #BookReview: The Village Library Demon Hunting Society by C.M. Waggoner

A- #BookReview: The Village Library Demon Hunting Society by C.M. WaggonerThe Village Library Demon-Hunting Society by C.M. Waggoner
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy fantasy, cozy mystery, paranormal
Pages: 339
Published by Ace on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A librarian with a knack for solving murders realizes there is something decidedly supernatural afoot in her little town in this cozy fantasy mystery.
Librarian Sherry Pinkwhistle keeps finding bodies—and solving murders. But she's concerned by just how many killers she's had to track down in her quaint village. None of her neighbors seem surprised by the rising body count...but Sherry is becoming convinced that whatever has been causing these deaths is unnatural. But when someone close to Sherry ends up dead, and her cat, Lord Thomas Crowell, becomes possessed by what seems to be an ancient demon, Sherry begins to think she’s going to need to become an exorcist as well as an amateur sleuth. With the help of her town's new priest, and an assortment of friends who dub themselves the "Demon-Hunting Society," Sherry will have to solve the murder and get rid of a demon. This riotous mix of Buffy the Vampire Slayer and Murder, She Wrote is a lesson for demons and murderers.
Never mess with a librarian.

My Review:

Teeny, tiny Winesap, New York might just be the murder capital of the whole, entire world, and from a certain perspective it’s all Librarian Sherry Pinkwhistle’s fault. And she wouldn’t have it any other way.

That sounds terrible, doesn’t it?

Which is exactly what Sherry realizes when the latest victim of the town’s absolutely-not-a-serial-killer crime spree is the gentleman she’s been seeing for several months now. (Sherry, as a woman of a certain age, has a difficult time thinking of him as her ‘boyfriend’ because that just sounds ridiculous – but it is the truth all the same.)

But Alan Thompson’s murder is the first death that has touched her personally, and it shakes her out of her waking daydream of being Winesap’s equivalent of Jessica Fletcher, assisting the police with their investigations no matter how much it embarrasses them.

After all, just like Jessica, Sherry is good at it, and the local police clearly need her help. Just as much as Sherry needs to feel useful and needed and smart and at the center of everything – something that she’s otherwise never been in her whole, entire life.

Alan’s death shakes Sherry and rattles her self-absorbed, contented little bubble. She doesn’t feel any compulsion to investigate Alan’s death – she just wants to grieve for the man who might have been the love of her life. If she’d let him.

Which is the point where the story switches from Murder, She Wrote to Buffy the Vampire Slayer. Not that there are any actual vampires around Winesap in need of slaying. But the town might be sitting on a Hellmouth all the same.

Because suddenly there are demons – or at least A demon – possessing random townspeople who all berate Sherry, at increasing volume and at all hours of the day and night, to stop crying over Alan and put on her big girl panties and investigate his murder – whether she wants to or not.

As far as all of those possessed townspeople are concerned – or at least as far as the demon possessing them is concerned – investigating murders is Sherry’s purpose in Winesap and she needs to get right to it.

So she asks herself, “What Would Buffy Do?” (not exactly but close enough) and puts together her very own Scooby Gang to figure out what’s really going on in Winesap and what she needs to do to set it right.

Even if it involves closing a Hellmouth. Or her own.

Escape Rating A-: Were you teased by that blurb description of Buffy the Vampire Slayer meets Murder, She Wrote?

I absolutely was, because that’s not exactly a combo that anyone would expect to see, pretty much ever. They absolutely are two great tastes – but whether they’d be great together is definitely an open question.

It turns out that it is, but not in the manner that you might expect. Just like it certainly is a cozy fantasy mystery, but likewise, not in the way that blurb might lead a reader to expect. And I definitely have quibbles about the description of it being “riotous” because that’s not true at all.

More like darkly snarky and filled with a lot of wry ruefulness – along with a bit of righteous fear and a whole heaping helping of pulling back the corners of a surprising amount of self-deception.

I think that the blurb description should be reversed, because at the opening it’s very much Murder, She Wrote, to the point where Sherry acknowledges that she often feels like she’s playing the part of Jessica Fletcher in a story for someone else’s entertainment, just as Angela Lansbury played Fletcher in the TV series.

What makes the story work AND descend into the creeping darkness of Buffy is that Sherry discovers that feeling is the literal truth. Winesap is a stage set where murder plays are acted out in order to entertain and amuse an epically bored demon.

Because immortality is both lonely AND boring, and this particular demon, like so many humans, has discovered the joys of the Golden Age of Detective Fiction, particularly the stories of Agatha Christie, and is having a grand time watching Sherry and her fellow villagers play out ALL the parts for her.

Particularly as the demon doesn’t actually know how it will end. She claims she’s not forcing anyone to do anything – the increasing frequency and volume of her importuning of Sherry notwithstanding. The demon claims she’s only making suggestions and providing opportunities, that all of the murderers Sherry has ‘caught’ have acted of their own free will.

As has Sherry in her zeal for investigation.

All of which, if true – and it might not be, after all demons lie every bit as much as humans if not a bit more – makes the story a whole lot darker than it first seemed. And opens up the possibility of a sequel – which has the possibility of being even more fascinating as Sherry would have to enter into the thing with full self-awareness.

Along with the awareness that her cat, Lord Thomas Cromwell (the blurb infuriatingly misspells his name – and it MATTERS) really does contain the spirit of the actual historical figure, Lord Thomas Cromwell, the architect of Henry VIII’s infamous divorce, and that her cat is not only watching and judging her – as they all do – but has the ability to tell her all about herself whenever he damn well pleases. Or whenever the demon lets him. Pretty much the same thing.

I hope we’ll get to see them both again.

The Sunday Post AKA What’s on my (Mostly Virtual) Nightstand 10-6-24

First things first – as you can see from the sidebar, I’m not just participating, I’m hosting one of the challenges for this year’s Ho-Ho-Ho Readation (#2024HOHOHORAT), hosted by Caffeinated Reviewer. This will be my first time at both, and I’m collecting Holiday/Winter reads to review for the two weeks of the Readathon. There will be prizes available to participants from all of the challenge hosts, so sign up if you love holiday reads.

Today’s picture is of a self-boxing Tuna – although it’s been a day where I feel like I’m the one in the box. Not in a bad way at all, just that my keyboard drawer has been kitty central for most of the day, which is lovely. But it’s difficult to type on the keyboard when I have it shoved out of the cats’ way, which I have to do because they ALL type. Hecate is particularly adept at reducing the screen dimensions to something so tiny it’s invisible to the naked eye. Most of the others merely park their butts on the space bar, but she has a ‘special’ knack.

Which generally causes her humans to say to each other, “We love them. Why was that again?” Sometimes Tuna’s wide-eyed, slightly blank-faced cuteness pays the rent for everyone!

Current Giveaways:

$10 Gift Card or $10 Book PLUS EVENT-WIDE AMAZON/PAYPAL PRIZE in the Early Fall Giveaway Event
$10 Gift Card or $10 Book in the Scaredy Cat Giveaway Hop
$10 Gift Card or $10 Book in the Fall 2024 Seasons of Books Giveaway Hop

Winner Announcements:

The winner of the Falling into Leaves Giveaway Hop is Darlene

Blog Recap:

B #BookReview: Murder at King’s Crossing by Andrea Penrose
Scaredy Cat Giveaway Hop
A- #BookReview: The Restaurant of Lost Recipes by Hisashi Kashiwai, translated by Jesse Kirkwood
B+ #BookReview: One Big Happy Family by Susan Mallery
Grade A #BookReview: Darkside by Michael Mammay
Stacking the Shelves (621)

Coming This Week:

The Village Library Demon Hunting Society by C.M. Waggoner (#BookReview)
Rough Pages by Lev A.C. Rosen (#AudioBookReview)
Shoestring Theory by Mariana Costa (#BookReview)
In the Shadow of the Ship by Aliette de Bodard (#BookReview)
What We Sacrifice for Magic by Andrea Jo DeWerd (#BookReview)

Stacking the Shelves (621)

A slightly shorter stack this week. I do have a few more, but no covers to go with them – so they’ll be waiting a bit.

But the books with covers I do have are an interesting bunch. The pretty covers are The December Market and Greenteeth. The book I’m most looking forward to is The Sea Eternal by Emery Robin – because I loved the first book in the series, The Stars Undying.

The book I’m really, really curious about is The Vengeance by Emma Newman, because, well, vampires in the world of Alexandre Dumas and possibly his Three Musketeers. If that wasn’t a tease enough, I’m also wondering how it will compare to Genevieve Cogman’s Scarlet Revolution series (which begins with Scarlet), which mixes vampires with the French Revolution. Clearly there’s something in the literary air about vampires mixing with French history and I’m really curious what THAT’s all about.

What about you? What have you added to your stack this week?

For Review:
The December Market (Shelter Springs #2) by RaeAnne Thayne
Don’t Sleep with the Dead by Nghi Vo
Greenteeth by Molly O’Neill
Israel Alone by Bernard-Henri Lévy
Lifeform by Jenny Slate
One Final Turn (Electra McDonnell #5) by Ashley Weaver
The Sea Eternal (Empire Without End #2) by Emery Robin
Two Times Murder (Quiet Teacher #2) by Adam Oyebanji
The Vengeance (Vampires of Dumas #1) by Emma Newman


If you want to find out more about Stacking The Shelves, please visit the official launch page

Please link your STS post in the linky below:


Grade A #BookReview: Darkside by Michael Mammay

Grade A #BookReview: Darkside by Michael MammayDarkside (Planetside, #4) by Michael Mammay
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook, audiobook
Genres: military science fiction, science fiction, space opera
Series: Planetside #4
Pages: 336
Published by Harper Voyager on September 24, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In this thrilling, action-packed fourth installment in the Planetside series from acclaimed science fiction author Michael Mammay, retired Colonel Carl Butler gears up for another military investigation, full of danger, corporate intrigue, and tech people would kill for—perfect for fans of John Scalzi and Craig Alanson.
Colonel Butler has paid his dues and just wants to enjoy his retirement on a remote planet. But the galaxy has had other plans. He has been roped into searching for a politician’s missing son and an industry magnate’s missing daughter. He has been kidnapped, violated numerous laws, and caused the destruction of colonial facilities. He’s famous—or infamous, depending on who you ask—praised and reviled in equal measure across the galaxy for his exploits.
And he is determined to never let the government drag him into another investigation.
But when a runaway twelve-year-old girl whose father has gone missing asks him for help, well…it’s a lot harder to say no.
The girl’s father, Jorge Ramiro, was supposed to have been on Taug, a moon orbiting the gas giant Ridia 5, working on a dig with a famous archaeologist. But now there’s no sign of him and no record of him being there. Mining operations on the moon are run by two different consortiums, Caliber and Omicron—both of which have tried to kill Butler in the past. Butler doesn’t believe in coincidence.
Landing on Taug with his right-hand man Mac, computer genius Ganos, and an elite security squad, Butler soon finds that they’ve charged back into the crosshairs—because Ramiro is not the only who has disappeared, and the perpetual darkside of this moon is hiding more than the truth about a missing archeologist…

My Review:

Carl Butler has the worst best luck in universe. Or the other way around. He always gets his team out of whatever FUBAR situation he’s gotten them into. Then again, it’s a FUBAR situation that they’re in because FUBAR follows him around like a lost puppy that doesn’t seem to realize it’s already found a forever home.

Or, to put it the way that Butler’s ace hacker Ganos put it, “This is a Carl Butler operation. When is it not the worst-case scenario?”

Carl and company put themselves into this particular mess because an almost literal lost puppy – or at least a young girl with puppy dog eyes – has shown up on his rather remote doorstep.

He’s retired and he’s enjoying it. Dammit. At least that’s what Butler says, anyway.

But he can’t resist Eliza Ramiro and her crowdfunded campaign to hire him to find out what happened to her missing father. Based on her story, he’s pretty sure it’s going to be bad news. At 12, she’s old enough to know that as well.

Still, she needs to KNOW and not just assume. And he gets that. And he’s probably a bit bored – even if he’s trying to tell himself that he’s not.

His team knows he’s going as soon as Eliza tells her story. It just takes Carl a while to catch up. Which is fine because they are way ahead of him on planning this trip he says he doesn’t want to take – when they all know that he really does.

The problem that Butler discovers when he reaches the last place Jorge Ramiro was seen is that everyone on Taug is way, way ahead of him as well. Including not one but two interstellar mining corporations who have each done their damndest to kill Butler in the past – and are unlikely to have compunctions about doing so in the present.

Especially on a remote little moon where each corporation is sure that they control all the shots on the surface and all the lawyers and spin doctors they could possibly need to make sure that what happens on the darkside stays buried there forever.

Escape Rating A: I got caught up in Carl Butler’s (mis)adventures back in the first book in this series, Planetside, and I’ve been just as captivated by each of the subsequent “clusterf–ks” the man has somehow managed to get himself into, Spaceside and Colonyside. And now here we are on Darkside, literally the darkside of a moon. And it looks like Butler is going to leave this moon as the scapegoat for everything that happens – even the stuff that happened before he arrived – again.

Which seems to be his role in the universe. I wouldn’t say he’s exactly “OK” with that role, but he’s willing to accept it as long as the job gets done and he and his people get out more or less in the same number of pieces they started in. He’s honestly less invested in whether he, himself, gets out intact – but his team is VERY invested in THAT, in spite of himself.

What makes this book, and this whole series, work, is that it rides or dies – and does it ever ride – on the universe-weary voice of its protagonist, Colonel Carl Butler (ret.) Butler had and still has a reputation for getting the job done. At the same time, he had more than enough rank in the military to have gotten a good picture of how the universe’s sausage gets made. He’s pragmatic about pretty much everything except the fate of his team, and will bend ALL the rules to the point of breakage to take care of business.

He’s experienced enough and smart enough – when he lets himself take the time to BE smart – to understand how the levers of power get pulled – and to make sure that a realistic number of them get pulled in his favor whenever possible.

Above all, he’s loyal to his team – and they’re loyal to him. And that loyalty inspires others to be loyal as well. One of the things that he does very well, that shines as part of his personality, is the way that he does his best to bring out the best in everyone he works with.

He’s a good man who does some very bad things – but tries to mitigate the damage whenever he realistically can. Which doesn’t mean he isn’t perfectly willing to ream EVERYNONE involved in this CLUSTERF*** a new one. Then again, they deserve it. And we’re right there with him hoping that they all get exactly what they deserve.

At the top, I said that Carl Butler has the worst best luck in the universe. He’s actually not alone in that distinction. I was listening to Ghostdrift, coincidentally also the fourth book but in the Finder Chronicles, as I read Darkside, and Fergus Ferguson has pretty much the same kind of luck that Butler does. He’s a walking avatar for Murphy’s Law, he gets into the worst situations at the drop of a hat, everyone’s plans go straight to hell in his vicinity, but he somehow manages to survive and bring his team out intact. The two stories are both told in the first-person, and both characters have similar universe-weary voices which they each came by honestly although from different directions. Meaning that if you like one you’ll like the other. I certainly do.

Which means that I was thrilled to read in the author’s blog that he’s working on book 5 in this series and has started planning book 6. Wherever those stories take Butler and his team, I’ll be along for the ride.

#BookReview: One Big Happy Family by Susan Mallery

#BookReview: One Big Happy Family by Susan MalleryOne Big Happy Family by Susan Mallery
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: contemporary romance, holiday romance, relationship fiction, women's fiction
Pages: 320
Published by Canary Street Press on October 1, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Please don’t come home for Christmas…
Julie Parker’s kids are her greatest gift. Still, she’s not exactly heartbroken when they ask to skip a big Christmas. Her son, Nick, is taking a belated honeymoon with his bride, Blair, while her daughter, Dana, will purge every reminder of the guy who dumped her. Again. Julie feels practically giddy for one-on-one holiday time with Heath, the (much) younger man she’s secretly dating.
But her plans go from cozy to chaotic when Nick and Dana plead for Christmas at the family cabin in memory of their late father, Julie’s ex. She can’t refuse, even though she dreads their reactions to her new man when they realize she’s been hiding him for months.
As the guest list grows in surprising ways, from Blair’s estranged mom to Heath’s precocious children, Julie’s secret is one of many to be unwrapped. Over this delightfully complicated and very funny Christmas, she’ll discover that more really is merrier, and that a big, happy family can become bigger and happier, if they let go of old hurts and open their hearts to love.

My Review:

That phrase is often said ironically, with a bit of a smirk instead of a smile, even an eye roll – as if somehow it’s a contradiction in terms like ‘jumbo shrimp’. When someone says “One big happy family” there’s usually a bit of a caveat to the ‘happy’ part. That something – or perhaps a whole lot of somethings or even someones – aren’t nearly as happy as things appear on the surface.

If they’re even bothering to pretend, that is.

But the Parker family is, at least, generally happy with each other – even if that’s leavened with just a bit of sadness this particular holiday as it’s their first without one of the family’s integral members. Julie Parker may have gotten over her marriage and her divorce from Eldon years ago, but he remained her friend and co-parent if not her spouse, and their adult children, Nick and Dana, miss him a LOT this first Christmas without him. The family holiday traditions just aren’t the same without him, because Eldon was really big on Christmas and he was at the center of a lot of those traditions.

Even if Julie was the person who put in the work to make them all happen. Which is the story of both her marriage AND her life. Julie gets things done, and isn’t good at relying on anyone else in the doing. The family Christmas traditions were a LOT of work – work that ALL fell on Julie’s strong but slightly tired shoulders.

She’s REALLY looking forward to this Christmas, a holiday where her big, generally happy, family is scattering to the four winds. She’s planning on two weeks of bliss and peace – not necessarily in that order – in the coziness of her own house WITH the boyfriend that she hasn’t told her kids about yet.

The only reason Julie has been keeping Heath a secret is that she’s much too worried about her family’s judgment of their relationship. Her kids know she’s dated in the decade plus since her divorce, and they’re fine with that. But she hasn’t let those relationships become serious enough to warrant the boyfriend meeting the family.

Heath is different. On paper, they match up well. Both divorced, both with two children, both owners of successful businesses, both strong and independent and capable. Heath’s a catch, and there’s no catch to the relationship, except for one thing that Julie can’t get out of her head. Heath is 42, and Julie is 54. There’s a lot of living between those twelve years, they are at different places in their lives, and people will judge them – because that’s what people do.

It may be a bigger problem in Julie’s mind than it is in the world at large or certainly among her family – but it is a real problem or at least it certainly can be.

Julie’s not sure their relationship is ready – or more to the point, that she is ready – to make Heath a part of her one big happy family. She’s happy to be able to put that off until after the holidays – possibly indefinitely.

Which is the point where all those plans refuse to survive first contact with the rest of that family, as Christmas turns into one last almighty grab at all their holiday traditions, all at once, with extra added family and a whole entire herd of drama llamas in tow.

Heath turns out to be more than willing to roll with all the punches. The question is whether Julie is, too.

Escape Rating B+: Julie’s issues over this family holiday are far, far, far from the only ones that rear their heads this holiday – but they are the ones that tugged at my heartstrings the most because they are oh so familiar and Julie is right, society will judge her relationship with a younger man. Some will judge harshly and some will say, “You go, girl!” but there will be judgment either way. And they are at different places in their lives and always will be – but that’s true of any couple with an age gap no matter which direction it goes – even if society usually glosses over those differences when the age gap is in the ‘expected’ direction.

But Julie and Heath’s issues together, along with Julie’s need to be in control and in charge at all times and not need anyone else, are not the only snow-covered hill to climb this holiday season. Every single member of this extended family has brought their very own, personal, drama llama to this Christmas feast.

The family isn’t entirely happy – as no family ever is all of the time – but there are a lot of them and the result is a lot of family dramas in a house with such wonderfully wonky acoustics that everyone can hear everything that happens everywhere outside of a closed door, even in a house big enough for SIX bedrooms and all the communal spaces that six bedrooms full of people might possibly need.

So it’s Julie and Heath, her son Nick, Nick’s wife Blair, the uncle who actually raised Blair AND her sourpuss of an estranged mother who didn’t – as well as Nick’s secret plans to NOT take over the family business after all. Julie’s daughter Dana and the man who keeps breaking her heart, over and over again – who is also Julie’s employee. Heath’s children, Madeline and Wyatt,who are ten and eight and no problem at all, but their mother, Heath’s ex Tiffany, got dumped for Christmas so Julie invites her, too. That’s not even everyone but it’s a bit past enough even before Julie ends up in the hospital after an accident.

All that’s missing is the partridge in the pear tree!

I love a good age gap romance – particularly when the woman is the older half of that relationship – when it’s done right. Which it very much is in One Big Happy Family. Howsomever, as an only child myself, the sheer number of family members and the craziness each of them brought to the holiday table – simultaneously – was the stuff of which nightmares are made. I found plenty to empathize with in most of their relationships – but I also found myself wishing there was one less of them – although I recognize that’s a ‘me’ thing and may not be a ‘you’ thing and your reading mileage may definitely vary.

All in all, if you’re looking for a happy ever after portrait of a chaotic family holiday with a family that loves each other completely and is going to stick together no matter what and get through this mess, One Big Happy Family does turn out to be a charming holiday portrait of, in the end, really, truly, one big happy family.