A- #BookReview: Murder of a Suffragette by Marty Wingate

A- #BookReview: Murder of a Suffragette by Marty WingateMurder of a Suffragette (London Ladies' Murder Club #4) by Marty Wingate
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, historical mystery
Series: London Ladies' Murder Club #4
Pages: 331
Published by Bookouture on October 28, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & Noble
Goodreads

Women from all around the country have joined together to fight for the vote. But when one of them is killed, only amateur sleuth Mabel Canning can halt a murderer’s campaign…Fellbridge Hall, England: Mabel Canning is thrilled to be organising a suffragette conference. But when all the women are settled in the sprawling country mansion, she barely has time for a sip of gin before chaos ensues. Leading suffragette Annie Harkin has been found murdered in her bed, clutching a white feather in her outstretched hand…As the guests clamour for justice for Annie, young police officers Ned and Ted arrive in time to trip over the banners and be roundly ignored. And with a killer on the loose, the suffragettes swiftly vote for Mabel and her pals to take control. When it comes to solving mysteries, there’s nobody equal to the London Ladies’ Murder Club!But soon it’s clear many a suffragette is hiding a secret under her sash. Eccentric veteran of the cause Dorothea Goose is acting rather flighty; why is she so afraid of the police? Would Annie’s rival go this far to replace her as leader? Or has someone taken a life to stop the cause of women’s lib?Then Mabel uncovers what happened to Annie’s closest comrade in the years before the war, and she is sure the answers lie in the past. But will Mabel be elected as the killer’s next victim? Or can she crack the case and save the fight for Votes for Women?A totally addictive whodunnit bursting with suspense and sparkling with wit, from USA Today bestseller Marty Wingate. Perfect for fans of Agatha Christie, Richard Osman, Verity Bright and T.E. Kinsey.

My Review:

As much as it makes Mabel Canning’s father worry about her when she’s on her own in London, it’s clear from this fourth entry in the utterly charming London Ladies’ Murder Club that her home, the tiny village of Peasmarsh and its surrounds, are better off if Mabel is in London.

Not because of Mabel herself, but rather because she seems to have a fortunately unfortunate knack for finding herself in the midst of murder investigations. Peasmarsh’s population is much too small to survive the number of deaths that Mabel and her ‘club’ become involved with on the regular!

As this case is a, well, case in point. Mabel has returned to the Peasmarsh area to serve as the personal secretary to Lady Emma Fellbridge at nearby Fellbridge Hall. Lady Emma has known Mabel all of Mabel’s life, and Mabel was a frequent guest at the hall as her dearest childhood friend was Lady Emma’s daughter-in-law until the Spanish Flu took her much too soon.

Lady Emma was one of the heroines of the suffragette movement, and has convened a meeting of her fellow campaigners at Fellbridge Hall to consider the next phase of their work. At the time this story takes place, 1922, women 30 years of age and over who were property owners or householders, or married to men who were either of the above, or occupiers of rental property over a certain rate, or university graduates had the right to vote, while men could vote from age 21 with considerably fewer restrictions. These women, who once chained themselves to gates and went on hunger strikes in prison, are determined to continue the fight for equality into a new generation.

Mabel and her ‘Murder Club’ have arrived at Fellbridge Hall under the auspices of Miss Kerr’s Useful Women’s Agency for which Mabel works and of which her ‘Murder Club’ is an active part. She’s not expecting for the club to be active at the suffragette meeting – but that’s exactly what happens when one of the suffragettes, in fact, one of the women in contention to become the next leader of the movement, is murdered.

Mabel has more experience with murder investigations than the local police do – and Detective Inspector Tollerton of the Met is just far enough away in London and snowed under with urgent cases in the metropolis to leave Mabel temporarily in charge. Somewhat to his own surprise – and even occasional chagrin – Tolly is forced to leave Mabel leading the investigation, seconded by WPC Hildy Wardle, several members of her Murder Club, and two local constables who desperately need someone to give them orders.

When a second suffragette is murdered, and Mabel herself is attacked twice, she’s certain that she’s on the trail of a murderer – but the clues are misleading at best and confoundingly conflicting at worst. She’ll need the wits, and the skills, of every single member of the London Ladies’ Murder Club to catch the killer – before he strikes again.

Escape Rating A-: I’ve been looking forward to reading this latest entry in the London Ladies’ Murder Club since the minute I finished the previous book, A Body at the Dance Hall. And it absolutely was worth the wait! My one regret about having finished this book is that I don’t know for certain that there will be a next book in the series – or when that MUCH hoped for book will be published. (I have my fingers crossed!)

I’ve fallen for this series because I’ve taken to Mabel Canning as the protagonist. The charm of the series rides very much on her shoulders – and it’s just terrific to follow the investigation from inside her thoughtful, intelligent head.

What makes this series work for me is that Mabel does an excellent job of straddling the line between being a woman of her own time and not ours, while still having a realistic amount of agency to go about her business – which in Mabel’s case is investigating murders.

She does have to reckon with the attitudes towards women’s roles and women’s place, but because of her particular era, just post-World War I, she’s part of a time when things were still in flux because of the war – and because the war killed a generation of young men leaving many women without the prospects of marriage even if they wanted it.

The series does not shy away from the fact that some didn’t, including Mabel’s friends Skeff and Cora, as well as, it turns out, both Lady Emma and the first victim, Annie, even though the earlier generation did follow tradition – at least to all outward appearances. And it’s the degree to which lip service was given to those outward appearances that creates one of the sets of misunderstood clues and red herrings that makes this particular case so juicy.

Another part of the series that works particularly well is the way that it dives into women’s experiences and women’s history. In this particular case, the suffragette movement, its sister movement, the suffragists, and the contention between the two. Suffragettes were the considerably more militant arm of the movement – while suffragists preferred to conduct their campaign via entirely legal means. There existed tension between the two as well as an acknowledgement that some women switched from one to the other (and back and again) over time.

Voting rights for women on the same terms as men was finally granted in 1928, but at the time of this story the fight was not yet won. The question before the gathered women centered on just who would be the best person to lead that fight. The strong personalities of many of the women involved made leadership of the movement a possible motive that Mabel was forced to consider – no matter how much she wished it was not.

Part of what makes Mabel such a fascinating protagonist is the way that she navigates her world, and the push and pull of loving her father and wanting to remain in his good graces – he’s a good man and has been an excellent father – but still NEEDS to live her own life on her own terms gave this entry in the series a very personal touch as well.

Her father wants her to be safe – but he recognizes that safe on his terms is not what his daughter was built for. It was wonderful to see a supportive father-daughter relationship in a female-led historical mystery – as opposed to the more usual situation, where dear-old-dad has often been the impetus for his daughter’s flight from conventionality in one way or another. If not several.

In other words, there are a LOT of reasons why I enjoy the London Ladies’ Murder Club series and this entry is certainly an excellent example of why. I did figure out WHOdunnit a bit early, although the WHYdunnit took a bit longer. I’m here for Mabel Canning, and I hope you will be too. If you haven’t discovered her yet, start with A Body on the Doorstep to see just how the London Ladies’ Murder Club got its start!

A- #BookReview: A Body at the Dance Hall by Marty Wingate + #Giveaway

A- #BookReview: A Body at the Dance Hall by Marty Wingate + #GiveawayA Body at the Dance Hall (London Ladies' Murder Club #3) by Marty Wingate
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, historical mystery
Series: London Ladies' Murder Club #3
Pages: 304
Published by Bookouture on April 8, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.org
Goodreads

1922. Amateur sleuth Mabel Canning is surrounded by the bright lights of London as she chaperones a young American woman to a dance. But when someone is murdered, a deadly tango begins…Meet plucky woman-about-town Mabel Canning, leader of the London Ladies’ Murder Club and trusted assistant to gentlewomen. When she is tasked with accompanying Roxy, a fun-loving heiress, on a glamorous night out, Mabel can’t wait to sip champagne and practice the foxtrot. But just as Roxy sashays out of sight, a mysterious man warns Mabel that the feisty young redhead is in danger. And someone is dead before the music stops...Roxy was the last person to see the victim alive, and she stumbles into Mabel’s arms with her daffodil-yellow dress splashed with blood. Determined to protect her ward, Mabel gathers her dashing beau Winstone and her pals from the murder club. Together they trace the weapon back to the ballroom, but when its twin goes missing, it is clear time is running out to prevent another murder on the dance floor…The police conclude the killer is in Roxy’s family, but Mabel finds herself spinning between a motley troupe of suspects. Mr Bryars, the anxious ballroom manager, is constantly tripping over himself to hide his secrets. But would he kill to protect his reputation? And young Ned Kettle may have looked dashing while waltzing around with Roxy, but he was once a notorious thief. Is the sticky-fingered rogue also a dab hand at murder?Just as Mabel and her murder club friends quickstep closer to the truth, Roxy is kidnapped, and Mabel comes cheek to cheek with the killer. Can she save poor Roxy and herself? Or has she danced her last dance?A delightfully witty and utterly addictive whodunnit absolutely bursting with 1920s sparkle, from USA Today bestselling author Marty Wingate. Perfect for fans of Agatha Christie, Richard Osman, Verity Bright and T.E. Kinsey.

My Review:

As a member of Miss Kerr’s Useful Women Agency, Mabel Canning has taken on all kinds of jobs and been useful to many different people, from helping someone decide on wallpaper to delivering packages to making sure that certain young scamps really do board their trains back to school.

It’s not at all outside the bounds of the services offered by the Useful Women Agency for Mabel to accompany a young American woman on outings and excursions, to be her tour guide while keeping an eye on her, and doing her best to keep Roxanne Arkwright out of trouble.

But trouble finds Mabel, as it has in her previous adventures, A Body on the Doorstep and A Body at the Séance, in the form of, well, a dead body – this time on the floor of the Hammersmith Palais de Danse.

(Yes, it’s a new face on the ballroom floor, which is how I always heard the phrase, “new face on the BARroom floor” as a child. I’m both tickled at the reference and chagrined at how long it took me to figure it out – albeit not THIS long.)

Scotland Yard, in the person of Detective Inspector Tollerton isn’t nearly as surprised as he’d like to be to discover Mabel on the scene of yet another murder – but Mabel has been useful to Scotland Yard in two previous cases, so Tollerton seems to have reached a position of tolerance, at least, on the subject of Mabel and her penchant for being on the scene when a body drops at someone’s feet – whether those feet are her own or not.

At least this time around Mabel can’t possibly be a suspect, as she was locked in the Palais’ larder at the time. And neither can her charge, Roxanne Arkwright, be in this particular frame. Although Roxanne’s father certainly could be. And briefly is as the case unfolds.

That the murder victim, Oswald Deuchar, was a private investigator in the employ of Roxanne’s father, Rupert Arkwright, for the purpose of watching over Roxanne – along with Mabel but without her knowledge – adds both to the confusion and to the potential motives for his death. After all, private investigators, even ones as quirky and eccentric as Deuchar often accumulate enemies.

Unless the poor man’s death wasn’t about Oswald the investigator and protector, but instead had everything to do with his protectee – and Mabel’s – Roxanne Arkwright.

Escape Rating A-: I’ve already reached the point in Mabel’s adventures where I’m here specifically for her, and the particular case she’s working on is just extra. A compelling extra in the case of A Body at the Dance Hall, but still extra. I’m here to see how Mabel and her friends are doing, and to watch as she learns more about London, her assigned jobs for the Useful Women Agency, and the progress of her romance with her neighbor, Park Winstone. I’m especially here for the way that she keeps learning how to be a good investigator as well as an independent woman, a good worker and a good friend.

What I really like about Mabel and her adventures is that Mabel comes into the story both by agency and with agency and that it doesn’t feel anachronistic that she does.

In the first book in the series, A Body on the Doorstep, Mabel comes to London from the tiny village of Peasmarsh. She’s in her early 30s, never married, and has always dreamed of being on her own. She loves her father dearly, but Peasmarsh is a small, insular town and she’s not ready to settle into the plans it has for her.

Mabel’s comes to London after both the Great War and the Spanish Flu epidemic. An entire generation of young British men died in the trenches, to the point where Mabel is one of many women who may have to make their own ways in the world because of those losses. The idea that she might be on her own, that her father may worry about her – he does – that the doorman at her building looks out for her on his behalf and sends back reports – which he does – does not mean that Mabel isn’t completely independent. It just means that he loves her and wants to know someone is looking out for her, but even that doorman abides by the principle that what her dad doesn’t know won’t hurt anyone. No one is supporting Mabel except herself and she answers to no one except Miss Kerr at the Useful Women Agency.

Mabel’s life is a far cry – and a delightful one – from women in quite a lot of historical mysteries (including the one I bailed on last week in a rage). Mabel’s world isn’t fair to women – the world STILL isn’t – but her times and her circumstances allow her to be in a position to answer to herself alone and not be forced to kowtow to the men in her life for every second of her existence. Which was a true experience but isn’t any fun to read and too many female-fronted historical mysteries spend the first third of the book if not more showing all the ways that the world forces them to conform and how they, in turn, are forced to work around all those restrictions.

This series is a breath of fresh air because Mabel doesn’t have to do all of that heavy lifting just to be about her business. And I’m so very happy that is so and honestly relieved to start another of her cases.

And I’ll get down from my soapbox now.

The thing about this particular case is that both Roxanne and the villain have daddy issues. Their fathers have been missing from their lives from about the same age – but the reasons for their absence are quite different, and the results, well, the results are about as diametrically opposed as they could get – very few of which have to do with their positions at nearly opposite ends of the socioeconomic ladder.

Because I don’t want to get into spoiler territory, let’s talk about Roxanne’s issues because, well, her issues have issues and not a one of them is her fault. Her parents are divorced, her mother left England for America eight years ago, when Roxy was just ten years old. And her mother has been gaslighting her ever since about pretty much everything to do with her father, to the point of outright parental alienation so severe as to constitute emotional abuse while demonstrating EXACTLY why parental alienation is considered emotional abuse at the same time. Roxanne comes to London expecting to find a monster, only to discover a father who loves her very much and has missed her terribly, and a stepmother who can help Roxy heal from her mother’s treatment and build up faith in herself and her own judgment – because that’s exactly what her own mother has been tearing down all these years.

All of which means that in the middle of her assignment to show Roxanne the sights of London, Mabel also has a ringside seat on the behavior of Roxy, her father and stepmother, her mother when she arrives from America very much like the avatar of DOOM in T. Kingfisher’s A Sorceress Comes to Call – albeit one without any actual magic but plenty of the same malice.

The closer Mabel gets to Roxy, the more she treats her as a bit of a ‘little sister’, the much harder it is to detach herself as the plot closes in and traps Roxy in its jaws. From that point, it’s a race to the finish, to save the young woman from an enemy that no one saw coming because there was so much enmity already floating around.

I had a ball with A Body at the Dance Hall, so I’m thrilled to say that there is a FOURTH book coming in December, Murder of a Suffragette. I’m already looking forward to it.

~~~~~~ GIVEAWAY ~~~~~~

Because I really enjoy Mabel’s adventures, as I did the author’s Birds of a Feather and Potting Shed series, I chose this book for my Blogo-Birthday Celebration Week, so that I could share that enjoyment with the lucky winner of today’s giveaway.

On this second day of my Blogo-Birthday Celebration, today’s giveaway is the winner’s choice of ANY one of Marty Wingate’s books, in any format, up to $20 (US).

Good luck with today’s giveaway and remember that there’s more to come!
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A- #BookReview: A Body at the Seance by Marty Wingate

A- #BookReview: A Body at the Seance by Marty WingateA Body at the Séance (London Ladies' Murder Club, #2) by Marty Wingate
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: cozy mystery, historical mystery
Series: London Ladies' Murder Club #2
Pages: 332
Published by Bookouture on January 11, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBetter World Books
Goodreads

When a body turns up at a glamorous séance, Mabel Canning’s sleuthing skills are put to the test. Because it appears the victim died twice…
London, 1921: As a winter wind blows through the streets of London, Mabel Canning is hired by the Useful Women’s Agency to attend a séance at the home of famous medium Madame Pushkana. But when Mabel hears a choking noise and a loud thud, she quickly turns on the lights to find herself at the scene of a murder.
The victim is none other than Stamford Plomley, whose widow arranged the séance after he died in a fire eight months ago. How did he come back from the dead without a scorch mark on him? And could one of their assembled party of gentlewomen have killed him… again?
When Scotland Yard arrive, the police try to stop Mabel from interfering. But having just formed the London Ladies’ Murder Club, Mabel isn’t going anywhere. And with the help of former detective Park Winstone, she begins to piece together what really happened at the ghostly gathering.
But when Mabel receives a threatening letter warning her to stay away from the case, she realises the murderer may have another victim in mind. With time running out, will she hit a dead end? Or can she keep herself from becoming the next one to be sent to an early grave?
A totally gripping, witty and warm Golden Age cozy murder mystery from USA Today bestselling author Marty Wingate. Perfect for fans of Agatha Christie, Richard Osman, Verity Bright and T.E. Kinsey.

My Review:

Whether or not one is a believer in spiritualism, the best one can hope for at a séance is a ‘message from the other side’ from the dearly departed. But no matter how much one believes, one absolutely does not expect the dearly departed to appear in the flesh. Even more miraculously, in the whole and entirely not desiccated or decomposing flesh – in spite of the dearly departed’s departure having taken place eight months previously.

However, one could not exactly say that reports of Stamford Plomley’s death had been greatly exaggerated – more that they were clearly premature eight months ago. Because the man is certainly dead now, strangled with the rope generally used to tie back the curtains that had so recently concealed his quite living body until the advent of the rope and whoever used it to bring about his delayed – or at least erroneously reported – demise.

And not that the world – and certainly Stamford Plomley’s widow Ivy – aren’t both better off with him firmly and finally deceased. However, that leaves both Scotland Yard and Mabel Canning, the head of the Useful Women’s Agency’s private investigations division with cases to solve.

Mrs. Plomley hires Mabel to investigate the circumstances of Stamford Plomley’s ‘first’ death, while Inspector Tollerton of Scotland Yard must look into the case of his second and more permanent one.

They will both have their hands full looking into the cult of believers who attended the séance conducted by the mysterious Madame Pushkana. A séance that was intended to bring Mrs. Plomley a message from the perhaps not-so-dearly departed – a message that was providentially – for someone – interrupted by a bit of flash paper and that rope around Mr. Plomley’s neck.

But if the late and not-so-lamented-as-was-originally-believed Stamford Plomley was killed with a rope in the séance room, when Madame Pushkana, the medium herself, is murdered by a knife in the back, backstage before one of her public ‘spiritual evenings’, both Inspector Tollerton and Mabel are forced to the realization that their cases have become uncannily close – and that someone is stalking their list of potential suspects.

Escape Rating A-: I couldn’t resist diving almost straight into A Body at the Séance so soon after the first book in the London Ladies’ Murder Club series, the charmingly murderous A Body on the Doorstep, because that book was just so much cozy mystery fun that I had to find out if the author managed to capture that lightning in the bottle a second time – even if said lightning jumped out of the bottle and killed someone new.

Which it did – in all the ways that the above can be taken as a pun. A Body at the Séance was every bit as much fun as the first book – if not just a teeny bit more because of the many ways that Mabel managed to hang onto her skepticism even as she found herself investigating an all-too-real murder that was just a bit over the top because of both setting and circumstances.

Watching Mabel unravel the murder while exploring her post-World War I London was just as charming as the first book – even if I did figure out whodunnit well before the final reveal.

What carried this second entry in the series, at least for this reader, was the intelligence and yes, charm, of Mabel herself. She’s easy for contemporary readers to identify with because, in spite of an entire century between her world and ours, her situation is so very similar to that of any independent woman determined to stretch her wings and make a place for herself on her own merits for the very first time in her life.

So Mabel is finding her way in what, for her, is intended to be a brave, new world, and it is. She’s got to earn a living, watch her expenses, find a new set of friends, new familiar places, and generally make her own way. She’s not rich, she’s not poor, she’s not in service, she’s from a comfortably middle-class background and has been given strong roots by her upbringing and wings from being finally able to make her own life.

And that’s a circumstance that many of us can identify with – with or without the ubiquity of social media.

That Mabel may have found an unexpected romance is just icing on a cake that she’s not sure she’s ready to eat. Because her independence is precious to her, she’s worked hard to reach it, and she’s not willing to fall back into the expected female role. She just isn’t sure yet whether the man she stumbled across in her first investigation will be able to accept her as an equal and not just as a wife.

She’s not willing to settle. And she doesn’t have to. Which makes her the kind of role model the world could still use more of.

So, as much as I came for the cozy murder mystery setting so reminiscent of the Golden Age of detective fiction, I’m absolutely sticking for Mabel Canning, her London Ladies’ Murder Club and the wonderful doggy assistance of the rather intelligent Gladys, because I’m loving every page.

Mabel, and her growing ‘Scooby Gang’, especially Gladys, will be back in April in A Body at the Dance Hall. As a child, I thought the old saying was “a new face on the BALLroom floor”, instead of what it really is. It looks like this time I’ll get to see my version come to life. Or, more likely, death, in just a couple of months.

Either way, I’m definitely looking forward to seeing how Mabel and her friends get to the bottom of their next case!

A- #AudioBookReview: A Body on the Doorstep by Marty Wingate

A- #AudioBookReview: A Body on the Doorstep by Marty WingateA Body on the Doorstep (London Ladies' Murder Club, #1) by Marty Wingate
Narrator: Naomi Frederick
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: cozy mystery, historical mystery
Series: London Ladies' Murder Club #1
Pages: 288
Length: 9 hours and 3 minutes
Published by Bookouture on January 11, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleBookshop.orgBetter World Books
Goodreads

Fiercely independent Mabel Canning can’t wait to begin working for the Useful Women’s Agency. But when she discovers a body on her client’s doorstep, it’s time to add solving murders to her job description…
London, 1921: Mabel Canning is proud to be a modern woman working for the Useful Women’s Agency, carrying out tasks for gentlewomen from flower arranging to washing muddy dogs. But when she answers the door for wealthy widow Rosalind Despard, she almost chokes on her cucumber sandwich when she finds a soldier’s body on the doorstep.
As she offers tea to the policemen of Scotland Yard, Mabel can’t resist getting drawn into the investigation. Who was the mysterious dead man? And why was he holding a letter for Rosalind, written by her husband on the day he disappeared?
As Mabel hunts for clues, she joins forces with Rosalind’s handsome brother, former detective Park Winstone, and his adorable terrier, Gladys. But when Mabel suspects she is being followed, the detective duo know that time is running out before the killer strikes again.
As she investigates, Mabel discovers dusty old photographs that help her reveal the soldier’s true identity. But as she gets closer to uncovering the young man’s murderer, she knows she’s also one step closer to danger... Can she outsmart the killer and save Park and Rosalind before they also turn up dead as doornails?
A totally unputdownable and utterly charming Golden Age cozy mystery from USA Today bestselling author Marty Wingate. Perfect for fans of Agatha Christie, Richard Osman, Verity Bright and T.E. Kinsey.

My Review:

Miss Mabel Canning has arrived in London in 1921 after FINALLY managing to convince her father that it was no longer scandalous for an unmarried woman to live on her own and support herself in the big city. She’s also running away from her whole village’s firmly held belief that she should marry the local vicar – who is also her best friend’s widower after the ravages of the Spanish Flu epidemic.

Mabel has always dreamed of going to London and living on her own, and she sees poor, dear Ronald as a brother and absolutely NOT a potential spouse. In her mid-30s, Mabel isn’t even certain she wants one of those. She’s certain she doesn’t want any of the available men back home in Peasmarch.

We meet her on her first assignment for the Useful Women’s Agency. She’s been tasked with helping newly declared widow Rosalind Despard at the wake for her late and much lamented husband. But Rosalind isn’t even certain that her husband Guy is actually dead. He’s been missing for seven years and has been declared legally dead so that his business affairs can be taken care of. It’s all about closure – a closure that Rosalind isn’t sure she’s either ready or even eligible for.

So it’s a very strange wake, under rather unusual circumstances. Circumstances that only get stranger and even more unusual when a dead man thumps into the front door with a seven-year-old letter from Guy Despard in his pocket.

No one knows who the dead man is. No one knows what the letter has only turned up seven years after Guy’s disappearance. No one is entirely certain whether the letter is real or merely an elaborate hoax.

But the dead body is certainly real enough to bring the police to the house and open up all the questions and insinuations that Rosaline Despard has been dealing with all these years.

This is certainly not closure, not for Rosalind and not for any of her friends and family. And not for Miss Mabel Canning, who has befriended the widow and is determined to help her get that closure – one way or another – while doing her best to keep her own body and soul together along the way.

Escape Rating A-: This was lovely, very much a case of the right book at the right time, as I’ve been in a bit of a murder-y mood this week – actually this whole entire year so far.

From the beginning, Mabel Canning’s situation at the Useful Women’s Agency reminded me of something, and it’s a something that very much fits. The ‘Golden Age’ detective series about Lord Peter Wimsey, written by Dorothy Sayers, is also set in the 1920s, and the world has some of the same feel even if Mabel is seeing it from much more towards the middle of the social strata.

But during the Wimsey series, Lord Peter funds an agency for independent women, very much like the Useful Women’s Agency. He hires Miss Katharine Climpson’s agency to investigate situations in various cases where women will have entry and he does not, much like Mabel Canning uses the Useful Women’s Agency to get herself involved in a murder investigation.

Unlike Miss Climpson, Miss Kerr and the Useful Women’s Agency really existed – without Miss Canning’s particular specialty – because there was a need for independent women to make their own livings after World War I followed by the flu epidemic wiped out much of the generation of men they would otherwise have married.

The mystery in The Body on the Doorstep is quite nefarious, multi-layered and much closer to home than anyone imagined at its beginning. Well, not the police as they ALWAYS assumed that the wife did it. An erroneous assumption, of course, otherwise we wouldn’t have a mystery on our hands.

The story is cozy without being twee, and its setting in London as seen through the eyes of a woman on the verge of ‘middle-age’ gives her perspective a combination of freshness and maturity at the same time.

There are plenty of murders, and they are often all too gruesome, and yet the details are smudged just enough that the reader ‘gets’ the gruesomeness without being bathed in the blood – so to speak.

But the story works well because we’re following Mabel Canning, and her opening herself to the city and all its possibilities for independence and purpose makes her interesting to follow. We empathize with her every bit as much as she empathizes with the characters who become caught up by the ever expanding tendrils of the murder and its cover up.

I listened to this one for about half its length, and the narrator gave Mabel just the right voice for her inner thoughts and outer expressions. But I got so caught up in the mystery itself that I had to see whodunnit and switched to text because it’s a)faster and b) a whole lot easier to thumb to the end. Although I resisted that temptation by simply finishing in one sitting.

I liked Mabel, I enjoyed her two steps forward, one step back, looking over her shoulder investigation through friendship and a sincere desire to help, and am happy to say that there are two more books in this series – at least!

Particularly because there’s a hint of a possibility of romance for Mabel in this first book, and I’m hoping that we’ll learn whether they will or they won’t in A Body at the Seance, which is out now, and A Body at the Dance Hall, coming in April.