A- #BookReview: The Fox Wife by Yangsze Choo

A- #BookReview: The Fox Wife by Yangsze ChooThe Fox Wife by Yangsze Choo
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: fantasy mystery, historical fantasy, magical realism
Pages: 390
Published by Henry Holt and Co. on February 13, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Some people think foxes are similar to ghosts because we go around collecting qi, or life force, but nothing could be further than the truth. We are living creatures, just like you, only usually better looking . . .
Manchuria, 1908.
A young woman is found frozen in the snow. Her death is clouded by rumors of foxes involved, which are believed to lure people by transforming themselves into beautiful women and men. Bao, a detective with a reputation for sniffing out the truth, is hired to uncover the dead woman’s identity. Since childhood, Bao has been intrigued by the fox gods, yet they’ve remained tantalizingly out of reach. Until, perhaps, now.
Meanwhile, a family that owns a famous Chinese medicine shop can cure ailments, but not the curse that afflicts them―their eldest sons die before their twenty-fourth birthdays. Now the only grandson of the family is twenty-three. When a mysterious woman enters their household, their luck seems to change. Or does it? Is their new servant a simple young woman from the north or a fox spirit bent on her own revenge?
New York Times bestselling author Yangsze Choo brilliantly explores a world of mortals and spirits, humans and beasts, and their dazzling intersection. The Fox Wife is a stunning novel about a winter full of mysterious deaths, a mother seeking revenge, and old folktales that may very well be true.

My Review:

A hint of historical fantasy, a touch of magical realism, more than a soupçon of fantasy mystery, wrapped in a surprisingly lovely tissue of love lost and found. I wasn’t expecting all of those elements in The Fox Wife, but the twists and turns from one to another and back again kept me enthralled every step of this journey’s way.

The fox spirit Snow is searching for the man responsible for the death of her cub. Bao, a detective/fixer/spy, is looking for foxes. Or rather, he’s hunting for fox spirits around the edges of the other, more practical things and people he generally looks for. In this particular case, the identity of a nameless young courtesan frozen to death behind a popular eatery. And the location of a young would-be concubine missing from a rich man’s keeping, a woman he claims is his wife-to-be, who he also claims to be possessed by a fox.

Although much of the story is told from Snow’s perspective, as a fox she’s more than a bit of an unreliable narrator. Which isn’t helped at all by the fact that she’s lying to herself even more than she is to the reader. There are things she doesn’t want to face, so she’s not – not even when they are right in her face.

Bao, on the other hand, has reached a point in his life where he’s mostly honest with himself, about both his past AND his present. At least the parts of his past where other people have been honest with him.

Which doesn’t mean that there isn’t a blank spot in his narrative as well, but where Snow knows what happened and doesn’t want to even think about it, Bao doesn’t know all of the foundational elements of his story, so keeps poking at a void that he doesn’t have the filling for.

From one perspective, this is a revenge story – or at least Snow thinks it is. Her cub is dead because a photographer was paying for a fox cub to photograph. She’s following the trail of the photographer as all sorts of roadblocks, past and present, internal and external, get in her somewhat meandering way.

Bao is following the trail of a missing person. He’s doing his job. That his job is to find Snow is something he circles towards even as Snow herself gets closer to him and to her own quest. But neither of them is in pursuit of what they believed they were. And once they figure THAT out, they each find what they were truly seeking all along.

Which was never, ever, truly each other.

Escape Rating A-: The Fox Wife is a story at an inflection point, and it manages to blend in aspects of so many genres because it takes place on the cusps of so many changes – not just for its characters but for the world in which it is set.

The story itself is at the crossroads between the numinous and the mundane, as embodied in the two narratives, the literal ‘fox wife’ Snow and the pragmatic detective, who is old enough to have a foot in both camps, as his life was influenced by magic in his childhood, at a time when beliefs in the other were still very much present.

A time that has passed, as the story takes place in China at the end of the Qing Dynasty, just as the last emperor was crowned in 1908 and World War I is looming on the horizon. The remoter places where magic still had sway, such as the places where the foxes lived, are diminishing as technology conquers magic or at least the belief in it, whether literally or figuratively.

Part of that inflection is that the two narratives, Snow’s and Bao’s, follow different paths and operate at different paces. Snow meanders, where Bao mostly follows mystery conventions – at least in his actions – even if his thoughts occasionally wander to his own past.

Which gave this reader a bit of a conflicting reaction, as I was both absolutely riveted AND wished there’d been a bit more editing to cut down on the meandering. I loved the story but I’d have loved it a bit more if it had been about 50 pages shorter. Your reading mileage may vary.

(Honestly, I know which character I’d cut to get those 50 pages down.)

What brought the whole story full circle, for all of its many, many circles, was the way that Snow’s past and Bao’s past eventually intersected in the present, but not in any of the ways that these kinds of quasi-myths often do.

Instead, they intersect in a way that fits them both into the present they are actually living in, in ways that would work with magic or without. Because just as Snow owns her own past and her own responsibility for the tragedies she has tried so hard not to face, Bao finds his way back to the best of his, in the present that he has, and finds his way to the future that he’s always desired but was never able to admit.

Which resolved the two halves of this story into one surprisingly harmonious whole.

A+ #BookReview: The Tainted Cup by Robert Jackson Bennett

A+ #BookReview: The Tainted Cup by Robert Jackson BennettThe Tainted Cup (Shadow of the Leviathan, #1) by Robert Jackson Bennett
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: epic fantasy, fantasy, fantasy mystery, urban fantasy
Series: Shadow of the Leviathan #1
Pages: 432
Published by Del Rey on February 6, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In Daretana’s most opulent mansion, a high Imperial officer lies dead—killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible.
Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities.
At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears--quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home.
Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective.
As the two close in on a mastermind and uncover a scheme that threatens the safety of the Empire itself, Din realizes he’s barely begun to assemble the puzzle that is Ana Dolabra—and wonders how long he’ll be able to keep his own secrets safe from her piercing intellect.
Featuring an unforgettable Holmes-and-Watson style pairing, a gloriously labyrinthine plot, and a haunting and wholly original fantasy world, The Tainted Cup brilliantly reinvents the classic mystery tale.

My Review:

Just like winter in Westeros, the wet season is coming to the Empire of Khanum. There are monsters massing outside the fortifications that guard the border, and there are humans behaving monstrously within the walls, jockeying for political advantage without a care in the world for the amount of collateral damage they might cause in their quest for power.

Young, newly fledged, still probationary, assistant investigator Dinios Kol has been tasked with visiting his very first death scene on behalf of senior investigator Ana Dolabra. Din has been genetically engineered to remember everything, whether at a crime scene or not, and it’s his literal job to serve as Ana’s eyes and ears.

It’s her preference to never leave her house. If Din’s observations lead her to desiring an interview with a witness or a suspect, she’ll subpoena them to come to her. She has that right and that privilege.

Which doesn’t stop the privileged servants who maintain this particular murder scene for their highly ranked gentry masters from treating Din like dirt when he shows up at their door. In spite of pretty much everyone’s strong desire to get the corpse out of the house as soon as the evidence has been collected and the scene is released.

Even if they will need to cut the dead man out of both the floor and the ceiling of the room his body is occupying. It’s not every day that someone dies because a tree took root in their lungs and rapidly grew through their body to implant its roots in the room’s floor and interweave its branches in the ceiling.

As sensational as the murder appears on the surface (or rather, all the surfaces in the room), it’s only the beginning of the story, the case, and Din’s career as an investigator. Because the plot is thicker than Din imagines, the world is much darker and dirtier than his limited experience has led him to believe – and his mentor, the eccentric and seemingly disgraced Ana Dolabra, is considerably more than she appears.

The vast intellectual light that Dolabra is hiding in Din’s tiny, backwater village is enough to burn out a whole lot of the rot. It’s up to Din to learn enough on the job to keep himself from being caught in the flames.

Escape Rating A+: There’s been a rise in science fiction mysteries in the last couple of years, with books like Mur Lafferty’s Station Eternity, Mary Robinette Kowal’s The Spare Man, and Eddie Robson’s Drunk On All Your Strange New Words leading the way. There’s also been a resurgence of urban fantasy, a genre which was always the bastard child of the paranormal (with or without romance) and mystery (If you’re interested, take a look at T.L. Huchu’s Edinburgh Nights (starting with The Library of the Dead) and James J. Butcher’s Unorthodox Chronicles that begin with Dead Man’s Hand). But there’s never been a LOT of purely fantasy mystery – at least not since Randall Garrett’s Lord Darcy, which was also, come to think of it, every bit as much of a play on Sherlock Holmes as The Tainted Cup turned out to be.

The Tainted Cup, however, is very much an epic fantasy world, but a story whose plot is wrapped around the conventions of a mystery – albeit a mystery that is not in the least cozy. The only way you’d get something cozy out of this one would be if you chopped up the tree that grew through the first body and used it to build a cozy – if somewhat gruesome – fire.

The pairing of Ana Dolabra with Dinios Kol owes a lot to Holmes and Watson – but it will also remind readers of Nero Wolfe and Archie Goodwin – or possibly their more recent reincarnations as Pentecost and Parker in Stephen Spotswood’s series that begins with Fortune Favors the Dead. Din is young, naive and untried pretty much all the way around. He’s a small town boy who is about to be thrust into a wider and more dangerous world than he ever imagined. The Tainted Cup is just the beginning of his coming-of-age story, making him considerably more like Goodwin and Parker than Watson, although Goodwin and Parker were both more worldly wise than Din at the beginnings of their respective stories.

Dolabra, on the other hand, is very much Holmesian in her eccentricities, her extreme intolerance for boredom and consequent bad behavior in regards to alleviating it, but above all in her sheer genius for resolving the mysteries put before her. On all the other hands, her unwillingness to leave her residence to seek out the clues for herself is all Wolfe and to a limited extent, Pentecost.

But the setting of The Tainted Cup, and the epically FUBAR political situation therein, is very much fantasy of both the grimdark and steampunk varieties. The world, with its mixture of science and magic and scientifically based magic is similar to the setting of L.E. Modesitt’s Grand Illusion series that kicks off with Isolate. Din shows promise of becoming Steffan Dekkard someday, but he absolutely is not there yet. Part of the fascination of The Tainted Cup is watching Din grow into his job – especially the gray areas within it – without betraying his core principles.

It’s the story of Din learning how to bend without breaking OR breaking the truly important rules. Especially when presented with incontrovertible evidence that entirely too many people already have.

That all being said, the way that this fantasy empire works – and doesn’t – especially the alchemy of corruption and power that holds the empire back and pushes the story forward, brought both Age of Ash and In the Shadow of Lightning to my mind and might to yours as well. (A hint that if you liked either of those or The Grand Illusion you might like this as well.)

I’m writing a LOT about this book and what it reminds me of because I really, really loved it and hope others do as well, leading to what may seem like an epic number of readalikes because I’m hoping to drag people in by hook or by crook.

So, The Tainted Cup reads like a murder mystery, because it absolutely is. The story progresses because Din, sometimes at Dolabra’s request but sometimes on his own, unravels the puzzle of whodunnit, how it was done and most importantly why it was done in bits and pieces, one clue and one pull of the thread at a time.

But, while Din is pulling those threads, the tapestry of this crime and the tapestry of the empire are getting bigger and broader all around him, while at the same time fraying at the edges. Din can’t see the whole picture – he doesn’t know enough to see the whole picture. And neither do we.

Watching him work his way through lets us see the vast scope of everything, both the crime he’s uncovered and the empire that’s falling apart around it, and makes for a compelling page-turner of a story.

A story that is clearly not done when the reader turns the last page. Not that this particular case isn’t solved – because it is and satisfactorily at that – but because this case is just the tip of a very dirty iceberg.

There are at least two more books planned for the Shadow of the Leviathan series. Which is a terrific thing because Din’s journey is far from complete and the depths of this empire have not yet been plumbed – and they surely need plumbing. Surely we’ll find out whether Dolabra and Din are up for THAT dirty job in those books yet to come.