Grade A #AudioBookReview: The Last Mandarin by Louise Penny and Mellissa Fung

Grade A #AudioBookReview: The Last Mandarin by Louise Penny and Mellissa FungThe Last Mandarin by Louise Penny, Mellissa Fung
Narrator: Eunice Wong
Format: audiobook, eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via Libro.fm
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: political thriller, suspense, technothriller, thriller
Pages: 400
Length: 13 hours and 16 minutes
Published by Minotaur Books on May 12, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

A standalone thriller co-written by the #1 New York Times bestselling author of the Gamache series and an award-winning journalist.
In a fast-paced, all-too-real thriller co-written by #1 New York Times bestselling author Louise Penny and award-winning journalist Mellissa Fung, global politics become personal for two unlikely heroines. Alice Li, a first-generation Chinese-American, is an erstwhile food blogger who has lived in the shadow of her mother, Vivien Li. A Chinese dissident who escaped China after Tiananmen Square, Vivien is now a globally recognized human rights activist and passionate advocate for a free and democratic China.
When security and fire alarms go off simultaneously all around the world, setting off a panic, the signal is traced back to China. As world leaders scramble to respond, Vivien and Alice are called to the White House in hopes Madame Li can decode the Chinese intentions.
While it makes some sense that the President would turn to Vivien, since she regularly advises world leaders on the actions of today’s Chinese government, what isn’t clear is why they’d want to talk to Alice.
After looking at the evidence, Vivien says that the only thing worse than the Chinese government being behind it, is if they are not. It would mean, she explains, that some clandestine element within China is calling the shots. That the President of China has lost control. And an unstable China cannot be good for anyone.
Or perhaps that’s exactly what the shrewd old politician wants everyone to think.
Caught up in the chaos, Vivien and Alice are uniquely placed to stop the next, cataclysmic attack. But there are forces deep within both the American and Chinese governments intent on stopping mother and daughter. The estranged pair, who excels at misunderstanding each other, must figure out how to work together.
The increasingly frantic search for answers takes the women from the Oval Office to an office building in Akron, Ohio, from the noodle shops of Hong Kong to the necropolis of the first emperor. Along the way they must decode an old legend, and an old language invented by women, for women.
The Last Mandarin is an electrifying study of absolute power and voracious greed, political terror and personal conviction. But it is also, as to be expected from the minds of Louise Penny, beloved author of the Gamache novels, and Mellissa Fung, an acclaimed international journalist, an intimate examination of choice, of sacrifice, of memory and myths, both cultural and personal. It is the story of a mother and daughter, as well as a compelling international thriller about the precarious balance of power across the world, and within a family. And what happens when both break down.

My Review:

The Last Mandarin is a bit of a “six impossible things before breakfast” kind of story. Then again, our perspective on the frequently insane events of this tale is named Alice – and she often doesn’t believe what’s happening either, even while she’s in the midst of experiencing it.

Especially while she’s experiencing it.

The story begins with food blogger Alice Li in the restaurant of one of Washington D.C.’s premier hotels, watching resentfully as seemingly everyone in the room sidles up to the table to pay homage to her mother Vivien. Vivien Li, a refugee from the People’s Republic of China just after the 1989 protest and massacre at Tiananmen Square, has made a name and reputation for herself in the U.S. as a renowned human rights activist, an outspoken speaker against the communist regime that continues to control and suppresses the people of her homeland and an expert on the politics and history of the country she fled.

Alice has spent her entire life in her mother’s shadow, never measuring up to whatever unspoken plans and ambitions her mother had for her. Alice is still standing in Vivien’s shadow, dragged along in her mother’s wake, when every single alarm and warning system on the entire planet – and the space surrounding it – goes off at once. Everywhere, all at once.

And Vivien – with Alice in tow – is dragged from the hotel to the White House to speak to the members of the President’s inner circle about the source of what can only be considered an attack. Because whoever did this, however they accessed every warning system everywhere, including the space station in orbit and literally all the civilian and even military ships at sea, did it from somewhere in China.

Not that the country of China was exempt from what happened. Only that someone there must know something. And that Vivien – or one of the President’s advisors – should have seen it coming. But they didn’t.

All they have is one last text from one of Alice’s old college friends. She thought Liam was just a fellow food blogger, but his message was clearly more – and so was he. Whether he was a spy, a double agent, or merely an agent of Vivien Li’s own private spy network is something yet to be determined.

But Alice Li is determined to find out what really happened. As well as with figure out who, and what, her mother really is. It might make more of a difference than either Vivien or Alice can imagine if Vivien can manage to look past her own hubris to understand who her daughter really is, and what she’s really capable of, as well.

Before it’s too late.

Escape Rating A: This story is more than a bit of a wild ride. It’s the kind of story that the late Tom Clancy used to right, filled with paranoid plots, insane situations, mutually assured destruction brinksmanship, and the potential end of the world as we know it. (That Clancy is both dead and still publishing new books fits right in, as that’s just as impossible as much of both his – and this – story.)

But the impossibilities are in the details, and in the characters who find themselves thrust into the position where they are the only ones who CAN save the world. Even as the people who believe they are the powers-that-be gibber in paranoia and delusions and paranoid delusions that might even be partially true, worrying about vast hidden conspiracies and whether or not they’ll be blamed for the destruction.

The idea that the world is much more vulnerable than we think it is, and that world leaders are simultaneously afraid of each other – with reason – and have more in common with their enemy counterparts than their own people, can be, and probably is, both counter to what we believe AND entirely true. (That concept comes straight out of old Cold War espionage stories, where the enemy agents in the same situations understood each other better than the folks back home understood them – and vice very much versa.)

Again, even if the details of this story seem over-the-top. Which they mostly are.

At the same time, it’s easy to see co-author Louise Penny’s fingerprints all over the way this story works. There’s an ongoing thread through her beloved Chief Inspector Gamache mysteries in regards to hidden, deeply rooted, long buried, patiently waiting gigantic conspiracies. And that’s exactly what’s at the heart of this story – even if their motives are different from Gamache’s usual run of antagonists.

Because the story here combines human and political plausibilities and possibilities with the implausibility of its heroes and historical antecedents which careens hard into Dan Brown and the arcane, hidden historical meanings and implanted codes of, well, The Da Vinci Code.

And it’s that juxtaposition of the likely with the quirky and otherwise downright impossible that readers will either fall into in fascination or bounce off of hard and fast.

I fell hard, for the most part. I loved the conspiracy theories and the historical underpinnings. The strained relationship between Chinese dissident turned civil rights activist Vivien Li and her resentful adult daughter Alice grounded the story in the real even more than the plot wrapped around the real-world bogeyman of artificial intelligence run amok in cyberspace.

The way that the new conspiracy is steeped in the myths and legends of Chinese history will either captivate readers or push them out of the story. I love those kinds of details, but reading mileage definitely varies.

Readers who set aside their disbelief, or at least let it rest for a while, will enjoy The Last Mandarin a great deal. It’s the kind of espionage thriller that we don’t see nearly as much of as we used to. In that sense, and in its choice of foci and protagonists, it reminds me a bit of The Silver Fish as well as both Clancy and several of M.L. Buchman’s series, particularly his Miranda Chase series.

It’s also a story that is even better in audio. I listened to Eunice Wong’s narration – she’s a great reader for Alice – and got so caught up in her reading that I was up until 3 am finishing the audio instead of switching to text and wrapping up in a single hour. It was worth it.

So if you can wrap your willing suspension of disbelief around this combination of implausible heroes and not nearly as insane as we’d like them to be conspiracy plots, The Last Mandarin is a fascinating and fantastic read. In multiple senses of both words!

A+ #BookReview: Sentient by Michael Nayak

A+ #BookReview: Sentient by Michael NayakSentient (Ice Plague Wars, #2) by Michael Nayak
Format: eARC
Formats available: paperback, ebook, audiobook
Genres: horror, science fiction, technothriller, thriller
Series: Ice Plague Wars #2
Pages: 336
Published by Angry Robot on February 24, 2026
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
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Extinction Horizon meets Contagion in this sequel to 2025's sci-fi thriller Symbiote, where the biological threat has escaped the South Pole and is now wreaking havoc upon Antarctica.

The survivors of the South Pole massacre will find that getting off the Antarctic continent may cost them their lives…

Months after the events of Symbiote, sunrise has come to the ice continent, bringing with it the beginning of the annual tourist season. where 1,500 summer visitors will soon call the coastal McMurdo Station home. With them are the architects of the classified CIA program that unleashed the deadly microbes, who are determined to uncover what happened with their experiment and harvest samples of the mutation to turn into a biological weapon.

However, when Ben Jacobs returns from an impossible journey to the Pole and is reunited with Penny - an asymptomatic carrier of the symbiotic microbes - all hell breaks loose. When the sea ice surrounding the station becomes a fertile breeding ground for a new and more dangerous infestation, Rajan Chariya and his friends will have to join forces with the CIA to fight the onslaught of infected "sea people" roving the streets. With tensions high and stakes even higher, the question becomes when will the group stop being useful, and start becoming targets who know too much?

Worse, there may be more than one asymptomatic carrier….

With a heart-stopping pace and twists that will leave readers breathless, Sentient is a thrilling sequel that brilliantly combines all the best horror tropes with real world scenarios.

My Review:

When I read Symbiote, the first book in what is now called the Ice Plague Wars series, back in late 2024, the very first scary thing in the story was that it takes place in 2028 as the U.S. and China are on the brink of World War III. Yes, that’s a THREE, in a story that was only four years out at the time.

I finished this second book, Sentient, in late 2025, when that prospect was only three years away, and as you read this review near its publication date in early 2026, it will only be two years in the future. A future that is so close – and in some frightening ways so very plausible – that it’s easy to see that future as the most frightening of the horrors outlined in the story – whether the war happens or not.

But this book, at least so far, is MOSTLY an alternative future – which doesn’t make it any less chilling and not just because of its setting at the frozen bottom of the world.

Which is thawing a bit – as much as Antarctica ever does – when this story picks up the action just a few desperate months after the fraught and bloody ending of Symbiote. Because summer, such as it is, is about to arrive at the isolated South Pole Station but also at the much more populated – and totally unprepared – McMurdo Station, along with the annual migration of the summer science and engineering crews.

Even more frightening, this year’s visitors include representatives of the architects of the ice plague that ravaged South Pole Station and is heading straight for McMurdo. From both directions.

The few survivors of the plague-induced massacre at South Pole don’t know that they are harboring the plague in their midst. The station crew at McMurdo don’t know that the CIA strike team heading their way is tasked with cleaning up the plague that the CIA scientists seeded among the international overwinter crews. A plague that has mutated so much and so fast that their only option to eradicate the plague and all the evidence about its origin may be to scorch a continent that has never seen anything like this much fire – even if they have to take themselves out along with the plague.

Everyone on the frozen continent is out for their own survival. Even the penguins. And none of them may – or perhaps should – get out of this alive. Which won’t stop all of them from trying.

Escape Rating A+: Sentient is every single bit as much of a WOW as the first book, Symbiote. It’s also a lot of the same kind of compelling but alarming, terrifying and horrifying (and I need more descriptive words because this series so far needs ALL of them) as the first. Please don’t mistake me, it’s not that this second book is the same as the first, rather that it is similarly spine-chilling only more so because the situation is just so much worse – and sinking fast.

(The first book I stopped reading at 1 am because I knew I wouldn’t sleep if I didn’t. This time I woke up at 6 am (I am NOT a morning person) because I couldn’t stop thinking about it and HAD to finish immediately.)

This second book, and the series as a whole, is definitely one of those “book in a blender” situations – starting with even more ice as the base ingredient. Then I’d throw in Michael Crichton, Robin Cook and Nicholas Sainsbury Smith for the engineered plague, extinction-level bioterrorism, utterly FUBAR’d military snafu cover up along with Tom Clancy and M.L. Buchman for the political thriller/terrorism shenanigans complete with hitting entirely too close to a possibly all-too-real terrible future.

Because, this also needs an even bigger heaping helping of that terrible classic combo, the quote from Jurassic Park that warns “Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should,” along with the much older and even truer quote from Walt Kelly’s Pogo, “We have met the enemy and he is us.”

By this time in the story, everyone we meet is part of that “us”, in one way or another. Regardless of how innocent they might have been when the saga began or how long they managed to ignore just how terrible the situation had already become.

The story here, between the bioterrorism, the political cover-up, and the shooting war that has already begun, has a lot more thriller/horror facets than it does science fiction. Which doesn’t lower the sheer, compulsive, utterly chilling readability of the thing one big. Or degree whether measured in Fahrenheit or Celsius.

Every single character has been stripped down to their basest survival instincts, and it’s just as chilling observing their individual veneers of ‘civilization’ break down as it is watching their bosses, handlers and overlords not just watching them suffer but practically ordering their deaths.

And yet, just as “it’s not over until it’s over”, the story of the Ice Plague Wars doesn’t end at the end of Sentient. It merely opens a new, wider and even more terrifying AND horrifying front in this conflict. I expect to see the iceberg on the book’s cover turn completely red as blood when the even more chilling third book in this series looms over the horizon.

#BookReview: Perun’s Hammer by Ian Heller

#BookReview: Perun’s Hammer by Ian HellerPerun's Hammer: A Novel by Ian Heller
Format: ebook
Source: borrowed from Amazon Kindle Unlimited
Formats available: paperback, ebook, audiobook
Genres: political thriller, science fiction, technothriller, thriller
Pages: 324
Published by Menlo Park Press on April 6, 2025
Purchasing Info: Author's WebsiteAmazonBarnes & NobleBetter World Books
Goodreads

What if you received a video showing exactly what happened to Amelia Earhart?

And then similar videos of the Battle of the Little Bighorn and the Tulsa Race Massacre? What would you do if historians and experts verified every detail, and none of the videos showed traces of CGI?

If you’re Rich Penton, lead reporter at the investigative news show, RECON, you’d try to figure out who made the videos, who sent them to you and what you’re supposed to do about them. The only thing you’d know for sure is that the existence of the videos is absolutely impossible.

For humans.

But when the RECON team receives a video showing Chicago destroyed by an asteroid in the near future, they decide they’d better take it seriously. That’s when they feel the full force of the U.S. military and intelligence agencies, which clearly don’t want RECON involved in whatever mess this is, and the Russians send an assassin to ensure that anybody who tries to broadcast the videos winds up dead.

Perun’s Hammer blends exciting and contemporary AI, foreign intrigue, murder, historical mysteries, hazardous asteroids, undercover agents, a bizarre cult, and a mysterious intelligence that seems to be able to see through time.

My Review:

It begins with the impossible delivery of an equally impossible video – even if all that Rich Penton and his crew at RECON are certain of at that point is that the delivery shouldn’t have been possible. The video looks like REALLY good CGI of a meteor crashing into downtown Chicago. RECON is a successful, award-winning news magazine TV series (sorta/kinda like 60 Minutes was back in the day) but based in Chicago and set in the mid-2020s.

Meaning that the team at RECON is used to getting unusual pitches for stories. And that they know all about cutting-edge CGI. But it also means that their network security is state-of-the-art, a state that means that videos should not be capable of ‘magically’ appearing in anyone’s email without getting checked. And it certainly means that once such an email is deleted – it STAYS deleted.

The painted picture on this bison hide shows the battle of the Little Bighorn, where the Plain Indians fought Lieut. Col. George Custer’s troops. By Cheyenne artist – Museum of the American Indian

Except this video isn’t behaving the way it’s supposed to.

Not that they can do anything with it or about it except for the security breach. There’s nothing attached to tell them who sent it, how it was filmed, or what the purpose of it might be. They assume it’s a pitch for something – they get those all the time, but usually with a lot more information than this.

Then the second video arrives, just as mysteriously as the first. A video that seemed to have been taken at the Battle of the Little Big Horn as it was happening. In 1876. A video that checks out in every particular except one. In spite of repeated attempts to figure out how it was made, there is ZERO evidence of it being CGI. It seems to be authentic right down to facial recognition of even minor characters – even the angle of the sun and shadows is not just internally consistent but consistent with the date, time and location of the battle.

Tulsa Race Massacre aftermath, June 1, 1921

Which is when Rich and his team at RECON start to really, really dig. Because one way or another, this is one hell of a story. But as videos keep coming in, from Amelia Earhart’s ultimately fatal crash in 1937 to the horrors of the 1921 Tulsa Race Massacre to the tragic 1945 bombing of three German ships, the Deutschland, the Thielbek, and the Cap Arcona, filled to the gunwales with Jewish concentration camp inmates who were either killed by British bombs, or from being clubbed to death by Nazi soldiers and sympathizers waiting for the few survivors to wash up on shore.

As each of the later videos gets a YES in the column for historical accuracy and a NO in the column for being provably some sort of advanced CGI, it brings questions about the purpose of that first video of a meteor or asteroid striking Chicago, into terrible focus. If all the other videos are real recordings of historical events, then what was that first video? Was it a warning?

And if it was a warning – can they get the right people to believe in something so seemingly impossible in time to change the future before it becomes the present?

Escape Rating B+: First of all, in the interests of full disclosure, I received this book in a “friend of a friend of a friend” situation. Which I was honestly a bit salty about as I’m not all that fond of being committed to things by proxy.

Howsomever, (knowing this will completely undercut any and all arguments with the friend who got me into this), I’m not at all sorry about the whole thing. In fact, I’m pretty damn pleased with the result now that I’ve finished the book – and in spite of the quibbles I’m going to throw in near the end.

I had a damn good time reading this. Seriously. It was a thrill-a-minute ride from beginning to end in the best sorta/kinda SF movie thriller tradition. Movies like Armageddon, and Deep Impact.

What made Perūn’s Hammer just a bit different, and a whole lot more fun from this reader’s perspective, is that the story is set recognizably in Chicago. Not New York, not Washington DC, but Chicago. As someone who lived in Chicago for several years, I could picture all the scenes in the story AND just how big the devastation would be.

Which leads directly to the second fun thing. In most disaster movies, the disaster has either already happened or is past the point of no return. A big part of the plot and the point of Perūn’s Hammer is that those videos represent a future that ‘might’ be, not a fixed point in time. The worst of the crisis could be averted – if humanity can get its act together in time.

So the story isn’t the dystopia that comes after, or even the planning vs. panic scenario of an inevitable onrushing catastrophe. Instead, the ticking clock that drives the action is the investigation to figure out the nature of the message and then the mad scramble to act BEFORE it’s too late.

Neither of which could possibly be the job of a single human being – so even though parts of the story are told from Rich Penton’s first person perspective – which admittedly cuts the tension a bit because we know he survived otherwise he wouldn’t be around afterwards to do that telling – much of the story is told from a third person overview in order to follow the workings of the stellar team that make the show – and this story – possible.

Their team dynamic is absolutely top-notch. Each person is at the top of their respective game, and they each do their part to solve the mystery. It’s going to be up to Rich to convince the powers-that-be to put a multibillion dollar asset into space in the hopes of knocking the object off course. But he needs their collective very able assistance to put it all together and the investigation in all its many facets is a joy to follow.

Unfortunately, this is where my two huge quibbles with the story come in, and together they were enough to knock this from an A grade to a B+. Because I was compelled, but also extremely annoyed at this part.

In order for the reader – and the team – to truly appreciate just how high the stakes are in this story, one of the team members had to die. That’s the way thrillers like this work and it wasn’t exactly a shock for the reader when it happened. Especially considering that as far as solving the mystery goes, this particular team member had already completed their role. The problem I had with this was not the death, but the choice of character to die. The team member who was killed was the only gay person in the central cast, and the only character who was not or did not become part of a romantic couple. The “Bury Your Gays” trope is basically a cheap shot that did not need to be part of this story. Or, for that matter, any story.

It also leads directly to my other issue with the story, and that’s ‘villain fail’. There is a villain here. They’re not the ones who launched the object, but they are the ones trying to take advantage of it. In the international political climate of the past few years, the idea that the Russian Federation might be gleeful about an interstellar object flattening Chicago isn’t quite out of the bounds of plausibility. That Russia would engage in a campaign of misinformation and bribery in order to prevent the US from launching countermeasures in time is also not that far-fetched. Nor is the idea that they would have agents in the U.S. working to protect such a plan. However, the idea that all of that happened AND that the specific agent involved embodied all the worst possible racist, homophobic, sexist, psychopathic, sociopathic, violent and outright ‘bwahaha’ villain characteristics that have ever been assigned to a negative portrayal of an enemy agent in a single person put the whole thing way over the top and tripped my willing suspension of disbelief completely. To make a long harangue into a short sentence, the character of the villain of the piece slipped WAY over the line from CHARACTER into CARICATURE.

Amelia Earhart standing under nose of her Lockheed Model 10-E Electra. Gelatin silver print, 1937 by Underwood & Underwood

Very much on my other, and much more fascinated hand, I loved the deep dive into the historical incidents that were part of the vetting process for the videos. I wanted to say ‘happy’, but that’s the wrong word in this case. The historical analysis read as in-depth and extremely well done, which is something that I always love to see. However, I think it is important to note that all of the historical incidents with the exception of Amelia’s Earhart’s most likely sad end, were all true events that were horrifying in the extreme. They were also outright brutal tragedies of human inhumanity to other humans that were swept under the historical carpet because the victims were considered “other” from the perspective of the powers that be at the time.

A lot of the SFnal aspects of Perūn’s Hammer have been done before, in stories that reach as far back as Niven and Pournelle’s Lucifer’s Hammer through Kowal’s Lady Astronaut series and all the way up to last year’s When the Moon Hits Your Eye by way of at least two of the Star Trek movies (TMP and IV) as well as those disaster thrillers I started with.  Those familiar SFnal elements blend into a story that will keep readers on the edge of their seats, whether the parts that appeals are the historical mysteries, the technical breakthroughs, the political shenanigans and the spy games, or the surprisingly open-ended conclusion.

In spite of my quibbles, I had a grand time with Perūn’s Hammer. I think those quibbles hit so hard BECAUSE I was having such a grand reading time and those flaws disappointed me in a book that was otherwise really terrific.

All of which means that I’m glad that the author has already promised a sequel, tentatively titled Perūn Rises. I’m looking forward to seeing what happens next.

Grade A #BookReview: Air Force One by M.L. Buchman

Grade A #BookReview: Air Force One by M.L. BuchmanAir Force One (Miranda Chase NTSB #16) by M L Buchman
Format: ebook
Source: author
Formats available: paperback, ebook, audiobook
Genres: action adventure, political thriller, technothriller, thriller
Series: Miranda Chase NTSB #16
Pages: 358
Published by Buchman Bookworks on October 1, 2025
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads


Brace for the ultimate plunge!

The seemingly invincible Air Force One suffers a catastrophic engine failure. When it plummets into the Atlantic with the U.S. President and Chairman of the Joint Chiefs of Staff aboard, the world dives toward a peace-shattering crisis.
Enter Miranda Chase, the high-functioning autistic air-crash genius, and her extraordinary NTSB team. Faced with an impossible deep-sea salvage operation of the 747, Miranda must rely on her unparalleled intellect and her diverse the fiercely loyal Holly, methodical Mike, brilliant Jeremy, and resilient Andi, along with the enigmatic Taz.
This meticulously researched, hard-hitting, and suspenseful thriller unveils a deep-seated conspiracy that threatens global stability and challenges the team’s very definitions of loyalty and survival. Can Miranda’s and the team’s skills help them survive exposing the truth before the world unravels?
(Can be read stand-alone or in series.)
"Miranda is utterly compelling!" - Booklist, starred review“Escape A. Five Stars! OMG just start with Drone and be prepared for a fantastic binge-read!” -Reading Reality

My Review:

The story kicks off with a bang, and a whimper, and a plummet toward disaster – all at the same time. Miranda Chase, on her honeymoon, gets a call from a dead man. Not a recording, not a premonition, not a ghost. Instead, an acknowledgement that the die has already been cast and there’s nothing that anyone can do to turn back the clock.

Air Force One, with the President, the First Lady, and the Chairman of the Joint Chiefs of Staff aboard, is going down after a catastrophic failure of all four engines, over the Atlantic Ocean, 200 miles off the Eastern Seaboard. The plane will not reach shore, and everyone aboard knows it. General Drake Nason can’t stop it, and neither can Miranda Chase.

But Nason can give his friend Miranda one final order. To do what she does best, and figure out who killed them. Because it wasn’t pilot error, and it wasn’t mechanical failure. It was clearly sabotage, and Miranda is the best in the business at figuring out who or what caused a crash.

She already knows that this time it’s definitely not a ‘who’, and she’s determined to solve this crash, wherever the investigation takes her and her team – along with all of those mourning for those they lost.

The meat of this story is, as has always been fantastically true in this series, the recovery of the plan and the investigation of the crash. The recovery is a true nail-biter, as the seas are rough and the plane is in a precarious position. The wrong move, or merely a change in the weather, will send the downed jet to the bottom of the Atlantic. Wind and waves don’t care that Miranda and her team need every scrap of debris to figure this one out. But the Coast Guard does deliver – with only a bit of damage to their ships.

Which highlights one of the terrific things about this series. Not just that Miranda and her team are the best at what they do, but that the people who surround them are also the best at what THEY do. It’s always a pleasure to read about excellent people doing their jobs excellently while facing challenges that test them to their limits.

Once the plane has been secured, it’s not a difficult job at all to figure out the ‘what’ of this crash. With all the pieces of the puzzle, the method used to crash the plane is obvious.

But Miranda doesn’t do the ‘why’ of crashes. She’s not good with human factors, and motivation is all about human factors. It’s up to her team to figure out the ‘who’ in whodunnit, with the help of the allies and frenemies around the world that they have made and saved over the years.

That the last pieces of the puzzle come from the most unlikely of sources, who need to be rescued in the most bizarre and dangerous of ways, is a typically atypical part of the chills and thrills that have kept this reader on the edge of her seat for six years and now sixteen books in the series.

This final chapter in Miranda Chase’s saga turned out to be a somewhat sad but ultimately fitting ending for a tremendous series. It’s been a glorious ride, every step and book of the way. I just wish it wasn’t over.

Escape Rating A: I’ll start with this. The blurb is a bald-faced lie. Not the whole thing, just the ending. Because whoever had the bright idea that this FINAL book in this compelling AND complex long-running series can be read as a standalone, well, I can’t even with that because it’s just not true. At all.

For this reader, the fact that the books in this series are intertwined and build on each other was part of the point of the whole thing. Also part of the reason I started this last book, set it aside for 24 hours, and then went back because it took that long for my need to know how the rest of it ended to win its struggle with my need not to go through the depths of grief right along with the characters.

In a long running series like the Miranda Chase series, part of what keeps me coming back book after book, isn’t just the pulse-pounding plot. It’s about the characters. I return, over and over, because I want to see how they’re doing, how their world is doing, AND exactly what kind of mess they’ve gotten into this time around.

This book STARTS with the dramatic, catastrophic loss of three of the important secondary characters, and it’s a loss that resonates throughout the story and even afterwards. As much as this is the investigation to end all investigations – literally – and as much as the motives display so much of the author’s uncanny prescience about events in the real world that are a bit too close to the plot of the book, it’s the grief of all the characters that drips from every page.

A lot of series endings, at least for this reader, fall into the gulf between crying because it’s over but smiling because it happened. I’m still stuck at the crying part. This series ender wraps up what it needs to wrap, and marks a point in the lives of the characters where it is right and proper that this chapter of their lives comes to a close, but I’d have personally preferred a more unequivocally happy ending. It is as triumphant as I’d ever hoped, but that triumph is muted by loss. Which may be the way of the world but it’s that world I come to books to escape from for a bit.

That’s not to say that the story of Miranda Chase’s last investigation for the NTSB isn’t an absolute page-turner of a thrill ride, because it definitely is. As has been every single book in this series, starting with Drone. But be warned, that the more deeply you get into this series – and I promise you will – and the more you fall in love with Miranda and her ‘Scooby gang’, the harder it will be to see it end.

A- #BookReview: Where the Axe is Buried by Ray Nayler

A- #BookReview: Where the Axe is Buried by Ray NaylerWhere the Axe Is Buried by Ray Nayler
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: artificial intelligence, dystopian, political thriller, science fiction, technothriller
Pages: 336
Published by MCD on April 1, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

All systems fail. All societies crumble. All worlds end.
In the authoritarian Federation, there is a plot to assassinate and replace the President, a man who has downloaded his mind to a succession of new bodies to maintain his grip on power. Meanwhile, on the fringes of a Western Europe that has renounced human governance in favor of ostensibly more efficient, objective, and peaceful AI Prime Ministers, an experimental artificial mind is malfunctioning, threatening to set off a chain of events that may spell the end of the Western world.
As the Federation and the West both start to crumble, Lilia, the brilliant scientist whose invention may be central to bringing down the seemingly immortal President, goes on the run, trying to break out from a near-impenetrable web of Federation surveillance. Her fate is bound up with a worldwide group of others fighting against the global status quo: Palmer, the man Lilia left behind in London, desperate to solve the mystery of her disappearance; Zoya, a veteran activist imprisoned in the taiga, whose book has inspired a revolutionary movement; Nikolai, the President’s personal physician, who has been forced into more and more harrowing decisions as he navigates the Federation’s palace politics; and Nurlan, the hapless parliamentary staffer whose attempt to save his Republic goes terribly awry. And then there is Krotov, head of the Federation’s security services, whose plots, agents, and assassins are everywhere.
Following the success of his debut novel, The Mountain in the Sea, Ray Nayler launches readers into a thrilling near-future world of geopolitical espionage. A cybernetic novel of political intrigue, Where the Axe is Buried combines the story of a near-impossible revolutionary operation with a blistering indictment of the many forms of authoritarianism that suffocate human freedom.

My Review:

I picked this up because I adored the author’s debut novel, The Mountain in the Sea, very much liked his later novella, The Tusks of Extinction, and was hoping for more of the same. Which I sorta/kinda got, but not in ANY of the ways that I was expecting.

I’m every bit as wowed by Axe as I was the other two, but that’s a feeling that I came to in the end even as I muddled a bit through the middle. Which is also very much like both of those previous works. Which is where that ‘sorta/kinda’ qualifier comes in.

There are three distinct locuses (loci?, focal points?) for this story; deep in the Russian Federation, the fringes of the halls of academia in England, and the halls of Parliament in a former Soviet Republic on the fringe of both the European Union and the Federation but currently part of neither.

In a near-future more-or-less dystopian world that may, or may not be on the fringe of multiple states of collapse. Whether that state is the cause of, or caused by, an artificial intelligence takeover of the reins of power is subject to interpretation.

Lots of interpretation, pretty much everywhere.

In the Russian Federation, one man plans – and has so far succeeded – in ruling forever through a process of uploading his consciousness and downloading it into a new host as each of his bodies fail. Or when the apparatus of the state determines that it is a good time for a crisis and a cleansing.

In the West, human governments have come under the control of artificial intelligence created ‘Prime Ministers’, whose mandate is to govern in humanity’s long-term best interests, no matter the short term consequences. The idea was that an AI wouldn’t need to have its wheels or its palms greased, wouldn’t be hungry for power for its own sake, and wouldn’t have a personal agenda or a need to get itself re-elected once it’s been voted into power.

But this isn’t a story about process, although process laid the groundwork for it. It’s a story about people. And that’s where things get interesting even as they fragment across multiple fault lines.

Because, of course, neither system really works – if by work you mean actually function for the good of the greatest number of its citizens. Not that the system in the Federation EVER even gave lip service to that particular idea.

However, the one thing that both systems, the Federation’s quasi-immortal President and the AI PM so-called Rationalization policies do, in their varying ways, is cement a status quo in place. Which is not nearly as good for anyone as the respective powers-that-be would want people to believe.

That’s where our widely scattered group of protagonists – or at least points of view characters come in. An old resistance fighter imprisoned in the Russian taiga, a government functionary in that former Republic, the partner of a cutting edge AI scientist in Britain, and that AI scientist, locked in a prison of her own making back in the Federation, desperate to complete her magnum opus of quantum entanglement.

Each is both observer and observed, acting on their own little piece of a world-spanning puzzle, not even aware of the puppet master pulling all of their strings.

And the puppet master themselves, the spider in the center of the web, whose motivations are not certain, even at the end, whether their goal was to give humanity a chance to try again – or merely to burn it all down.

Escape Rating A-: I have to admit that, at first, I was wondering how this was all going to come together. Then again, I had the same reaction to The Mountain in the Sea so I should have expected it.

The different points of view are worlds apart – which I realized at the end was absolutely the point. Each of the characters represents one of those fabled blind men looking at the elephant in that they can only see a tiny piece of the whole picture.

One of the difficult bits to get over, or past, particular for those of us who live in the West, is that the situation under so-called “Rationalization” isn’t all that much better than the repressive regime in the Russian Federation. No one is actually free, it’s just that the cages in the West are a bit more comfortable and one is considerably less likely to get murdered by the state.

What seems to be driving the story – at least for most of its length – is the story of that genius AI scientist Lilia. She comes back to the Federation to see her father one last time, gets trapped and goes on the run. Much of the drive of the story is wrapped around her, the shadowy figures chasing her, the ones who pretend to be helping her, the ones who are chasing them, the endless cells within cells of resistance and/or state security whose goals are never clear even to themselves.

But she’s a stalking horse – as are all the other human agents on all the possible sides – as the story gets really big and then comes down to one human who has been pulling all the strings – including their own. And that’s the point where it all suddenly made sense as all the systems come crashing down and the metaphor of the title becomes clear.

Even as the ending, in the end, feels like it isn’t. The puppet master has given humanity another chance to get it right. Or at least better. But the closing scenes lead the reader to see that, while things may be better in the short run, over the long haul the humans are gonna human, that the fault lies not in our stars but in ourselves, and that we have met the enemy and he is us.

A+ #BookReview: Symbiote by Michael Nayak

A+ #BookReview: Symbiote by Michael NayakSymbiote (Ice Plague Wars #1) by Michael Nayak
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: horror, science fiction, technothriller, thriller
Series: Ice Plague Wars #1
Pages: 400
Published by Angry Robot on February 11, 2025
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

World War III rages, and the scientists at the South Pole are thankful for the isolation – until a group of Chinese scientists arrive at the American research base with a dead man in their truck. The potential for a geopolitical firestorm is great, and, with no clear jurisdiction, the Americans don’t know what to do. But they soon realize the Chinese scientists have brought far more with them than the body…
Within seventy-two hours, thirteen others lie dead in the snow, murdered in acts of madness and superhuman strength. An extremophile parasite from the truck, triggered by severe cold, is spreading by touch. With rescue impossible for months, it is learning from them. Evolving. It triggers violent tendencies in the winter crew, and, more insidiously… The beginnings of a strange symbiotic telepathy.
From an exciting new voice comes this propulsive SF-thriller, infused with authentic details about life in one of the world’s harshest, most mysterious landscapes, Antarctica.

My Review:

Four years from now – just think about that for a minute. Four years from right NOW. The world is on the brink of World War III.

And that’s not necessarily the most frightening part of the story!

The fears and frights and scares and outright terrors are layered in this OMG DEBUT novel, to the point where the reader’s heart is pounding alongside all the rest of the characters. I say ‘rest’ of the characters because frankly, if this is that close then we’re already in it and it’s already all of us.

A map of Antarctica showing the location of the Amundsen–Scott South Pole Station (circled)

But those layers of fear may start with just thinking about how close this might be, but the part of the story that grabs the reader by the throat and doesn’t let go is the part that happens far, far away, in the remotest place on Earth.

Over an entirely too short 72 hours in the midst of the long Antarctic winter, the tiny overwinter crew at Amundsen-Scott South Pole Station is reduced from 41 scientists, technicians and support crew to just FIVE scarred and scared survivors after the station is invaded.

In the midst of the Third World War that is happening in the world at large, the crew at the U.S. controlled South Pole fears that the vehicle heading their way from the Chinese-controlled Dome A is the vanguard of that invasion.

And it is – but not in the way that anyone thinks. It’s not the three starving Chinese men who are the threat – it’s the dead man in the back, the one who dashed himself against the walls until he died.

He had a passenger. (Technically, the dead man had a host of passengers.) In the best SF horror thriller tradition, those passengers, a lab experiment gone much too successfully and entirely too wrong, have plans of their own.

Geographic South Pole

Escape Rating A+: There are so many ways to think/talk/write about Symbiote – and they ALL work. The whole thing was a WOW. (Admittedly, a WOW I had to stop reading at 1 am, even though I had less than an hour left. I could have finished. And I’d probably have been awake for the rest of the night as a result. It’s that kind of WOW.)

The horrors, as I said, are layered. There’s the World War III aspect, which is touched on just enough to give the reader the shivers, which then gets subsumed in all the other horrors, only to rear its ugly head again at the end.

Underneath the World War III scares and the political maneuverings that go with it is the horror so brilliantly pointed out in the first Jurassic Park movie, “Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should.” The results are not actually dissimilar, although part of the horror leans a bit on another famous, and much older quote from Walt Kelly’s Pogo, “We have met the enemy and he is us.”

One of the biggest, and most in the moment layers of the horrors in Symbiote is very definitely the human equation.

An aerial view of the Amundsen–Scott South Pole Station taken in about 1983. The central dome is shown along with the arches, with various storage buildings, and other auxiliary buildings such as garages and hangars.

The small crew of overwinter “polies” is, as they are every year, alternately hard working and bored, often introverted but stuck in the enforced intimacy of a VERY TINY small town, isolated from the whole entire rest of the world and quite possibly just a bit – or a lot – cracked in one way or another.

There’s also a deep, resentful divide between the scientists – the ‘beakers’, and the techs and support crew – the ‘loggers’. On top of that there’s a huge gender imbalance, three men for every woman. It’s a pressure cooker on multiple axes and the stew gets aside to cook for a nine-month season. It’s not really a surprise that it boils over at the best of times – which this particular overwinter absolutely is not.

In other words, the story in Symbiote had more than enough stress factors to go to the ‘dark side’ from the human parts of the equation alone. And to some extent those human factors continue to drive events even after not all the humans are exactly still or just merely human.

And it’s those human factors that give the story its compulsive, breakneck pace. Because it’s the humans that we care about – and we do. We absolutely do. From the beginning, when it just seems like the scares come from humans just being human and some of them being shitty humans, we already have our hero, our sidekicks and most definitely our villains.

A photo of the station at night. The new station can be seen in the far left, the electric power plant is in the center, and the old vehicle mechanic’s garage in the lower right. The green light in the sky is part of the aurora australis.

As the snow gets deeper and the shit gets WAY more complicated, so do the motivations of ALL the players – and the reader gets even more invested as each character learns something new and shitty about themselves – and stands or folds under the weight of that knowledge.

I got so caught up in this story I barely stopped to sleep while I still could. When I finished, I found the ending cathartic enough – and yet still open. Because it reads like this chapter may be done, but there is plenty of story yet to come.

As there should be. Because the survivors have merely managed to survive the horror they faced in their isolated base. The huge, horrifying issues that brought this mess to their snowy doorstep are out in the wider world – and have yet to be addressed. Even though one of those messes already clearly has plans to address them.

A- #BookReview: Wedgetail by M.L. Buchman

A- #BookReview: Wedgetail by M.L. BuchmanWedgetail (Miranda Chase NTSB #15) by M L Buchman
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: action adventure, political thriller, technothriller, thriller
Series: Miranda Chase NTSB #15
Pages: 316
Published by Buchman Bookworks on December 14, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads


Is an attack on the greatest shipping choke point in the world, the Strait of Malacca, a move for economic control…or something worse?

A Wedgetail, the most powerful surveillance airplane in the skies, goes down—hard. Miranda and her team race to investigate, unwittingly placing themselves in the crosshairs.
From the world’s greatest shipping chokepoint at the Strait of Malacca to the Malaysian wilderness, from the Australian Outback to the halls of power in Southeast Asia, survival becomes the greatest challenge.
Can Miranda and her team unravel the crisis before it destroys global shipping and kills them all?
"Miranda is utterly compelling!" - Booklist, starred review“Escape A. Five Stars! OMG just start with Drone and be prepared for a fantastic binge-read!” -Reading Reality

My Review:

I just re-read my review of the previous book in this awesome series, Gryphon, and re-discovered that this book, Wedgetail, was originally supposed to have been published over the summer. With this series, it’s definitely a case of better a bit late than never, as I’m always up to get caught up in another of Miranda Chase’s edge-of-the-seat thrilling adventures.

This one turned out to be a bit more edge-of-the-seat, at least Miranda’s literal seat, than most, as someone is taking shots at her, her team, and the plane they happen to be flying in. While they are flying over the GAFA (that’s the Great Australian Fuck-All, the Australian Outback, in a very dry indeed dry season. On what was supposed to have been a vacation.

Their previous attempt at a vacation, in Osprey, nearly started World War III and temporarily broke up the team. They’re ALL still recovering from the second part of that equation. Someone really should have known better. Actually, Holly Harper, currently an integral part of Miranda’s team but once upon a time a member of Australia’s Special Air Service Regiment absolutely did know better. Or at least knew that she had zero desire to take her teammates back to the place she left in her rear-view long ago and never intended to return to.

But it’s Holly’s skills, both from her childhood traveling in and around the Bush and the survival skills drummed into her by the SASR, that are going to keep her team alive and off the radar of whoever it is who is literally out to get them.

While it’s Holly’s job to get everyone to safety, it’s up to former teammate Jeremy Trahn back in Washington DC to help a surprisingly high-level group of Miranda’s friends, allies and frenemies – including the Chairman of the Joint Chiefs of Staff, the Director of the CIA, and the sitting Vice President – along with a high-level Malaysian official who knows a whole lot more about what’s going on than she really ought to – figure out who’s targeting Miranda and what it might – or might not – have to do with Miranda’s last investigation.

An investigation of the crash of a VERY expensive, extremely high-tech piece of the Australian Air Force’s fleet of airborne early warning and control aircraft, the titular Wedgetail, that was shot down by another extremely high-tech infrared laser in mid-flight over the Straits of Malacca.

Miranda never answers the “why” question, but her analysis of the other “W’s”, what, when, where and above all, how, have put her in the crossfire of someone playing a high-stakes game for the basest motives of all.

Escape Rating A-: The opening of this 15th entry in the Miranda Chase series is utterly heartbreaking in a “you are there and you wish so badly you could help them” kind of way. The story of the last moments of this particular Wedgetail are absorbing and heartbreaking and they are all so heroic and they so deserve a better fate than the book demands for them and I had to stop for a bit and catch my breath as they went down.

It’s impossible not to feel for that crew – and also for Miranda’s crew as they arrive to bear witness to the devastation of the crash. A crash which Miranda figures out relatively easily thanks to the sheer, cussed determination of the Wedgetail’s last pilot as he wrestled the plane down to land ON LAND where everything could be recovered and investigated even as he died of horrific laser burns.

Miranda’s team is still exhibiting plenty of damage of their own after the events of Osprey and Gryphon, and the scar tissue is still pretty raw. Everyone is treating everyone else – but especially their neuroatypical leader Miranda, with gentle kid gloves. The investigation of the crash itself is easy for Miranda, at least, because that brave pilot did such a damn good job in his ending.

But Miranda doesn’t deal with the “why” questions of her investigations – at least not the why questions that go beyond equipment failure and pilot error to more strictly human motivations. She’s not even good at her own human motivations, dealing with those of strangers is simply outside her wheelhouse as well as her purview.

What makes this particular entry in the series interesting, even as it blunts some of its impact, is in those human motivations. On the one hand, the danger that Miranda and her team have been forced into is very real and potentially very deadly. Without Holly’s skills as well as her local knowledge, they’d all have died either because they did something obvious and got caught by their pursuers – or simply because they couldn’t reach water in time.

It’s up to others, in much safer circumstances, to figure out whodunnit and why it was done, and we don’t get as much of that part of the investigation as this reader would have liked. And what is discovered is that, for all of its cost in equipment and above all, human lives, as badly as things could have gone on the political front as fingers started pointing and blame began being apportioned – rightly or wrongly – the motivations were utterly base to the point of what could have been very costly stupidity verging on outright idiocy.

Then again, that’s humans all over. But Miranda’s investigations usually end up having higher political stakes than this one did. This particularly game was far from being worth the candle.

Very much on the other hand, Holly’s takedown of the jackass responsible was utterly righteous. Evil got its just desserts with bells on so loud it could be heard by all the interested parties even without the satellite phone she had in her pocket.

As always, I’m looking forward to the next adventure for Miranda and her team, whenever it crashes into my TBR pile. If this is your first introduction to Miranda Chase, and if you like thrillers, if you love adventures built around great teams, and if you miss Tom Clancy’s world-spanning political thrillers but wish they’d been a bit more tightly edited, start with Drone and be prepared for a wild and compelling ride!

A/A- Joint #BookReview: These Fragile Graces, This Fugitive Heart by Izzy Wasserstein

A/A- Joint #BookReview: These Fragile Graces, This Fugitive Heart by Izzy WassersteinThese Fragile Graces, This Fugitive Heart by Izzy Wasserstein
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, ebook
Genres: dystopian, science fiction, science fiction mystery, technothriller
Pages: 176
Published by Tachyon Publications on March 12, 2024
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In a queer, noir technothriller of fractured identity and corporate intrigue, a trans woman faces her fear of losing her community as her past chases after her. This bold, thought-provoking debut science-fiction novella from a Lambda Award finalist is an exciting and unpredictable look at the fluid nature of our former and present selves.
In mid-21st-century Kansas City, Dora hasn’t been back to her old commune in years. But when Dora’s ex-girlfriend Kay is killed, and everyone at the commune is a potential suspect, Dora knows she’s the only person who can solve the murder.
As Dora is dragged back into her old community and begins her investigations, she discovers that Kay’s death is only one of several terrible incidents. A strange new drug is circulating. People are disappearing. And Dora is being attacked by assailants from her pre-transition past.
Meanwhile, It seems like a war between two nefarious corporations is looming, and Dora’s old neighborhood is their battleground. Now she must uncover a twisted conspiracy, all while navigating a deeply meaningful new relationship.

Amy and Marlene’s Joint Review:

Amy: After the downfall of most governments in the US, the gap between the haves and the have-nots has gotten even bigger. In a time not too far past our own, in a mostly-dead downtown Kansas City, a young transwoman named Dora gets a visit from an old friend. Her former lover, who still lived in the commune Dora left, is dead. She goes to see, to say goodbye, and discovers that it wasn’t just an overdose — it was a murder. She’s determined to figure it all out, but while she’s walking around her old neighborhood, looking for clues and thinking things over, she gets jumped by a stranger who looks an awful lot like she used to…

From the Department of Fair Warnings: This book has a non-zero amount of bloody murders in it. It’s a murder mystery, yanno? You know to expect that. Also one brief sex scene, that I did not expect, and that might catch some readers by surprise by its strangeness.

Marlene: SF mystery is seriously becoming a ‘thing’, and I’m very much here for it in general – both because I love genre blends AND because SF mystery in particular gets to use its blending to query both sides of its equation. The SF pokes at the mystery elements and the mystery elements poke at the SF.

This particular combination of the two is very much of the Earth-bound, scientific laboratory wing of the SF genre, to the point where it would probably make a great intro to SF for someone who is primarily a mystery/suspense/thriller reader, as the SFnal elements are familiar in a post-apocalyptic, dystopian sort of way. It’s not that far from now in either time or circumstances and that makes the story easy to slip into.

Dora’s world is pretty much fucked, and that’s pretty clear from the get-go. She may have thrown her own set of torches into the conflagration, but her Kansas City – particularly her part of it – is very much on its way down towards a clearly yawning abyss.

She’s burned her bridges behind her, one righteously, and the other maybe not so much. Her dad wanted the boy she was assigned to be at birth – and she couldn’t be that. He’s also a douche in general which makes him REAL easy to hate. OTOH, she’s also cut herself off from the commune community that represented both family and safety. A split that had a lot of hurt and betrayal in it then – and still does when the story begins.

The mystery that Dora is compelled to solve is the same thing that caused her split from the community in the first place, and it’s a question as old as time – or at least as old as this quote from Benjamin Franklin, the one about the willingness to give up “essential liberty to purchase a little temporary safety deserve neither liberty nor safety.”

The commune has a habit of trusting people and letting people in who arguably should have been vetted a bit better first. They were, and are, unwilling to make that trade off of liberty for safety – even though it has bitten them in the ass before and quite likely has again.

But this time, the threat came from a direction none of them would ever have expected, and it’s up to Dora to unravel the mystery that has been festering – both under the city and in her own past – all along.

Amy’s Rating A: Dora has a lot to figure out, and she gets right to it. This story rocks along fast; if you’re like me, you’ll start reading, and not stop until you’re done, which won’t take terribly long. The first unfriendly stranger startled her, but when the second one shows up, and also looks rather like she would have if she had not transitioned, she starts putting the pieces together. Like all good mysteries, she’s got to sort out the who, the what, the where, and the why; the where comes first, and the remaining pieces fall into place in quick order thereafter. On its face, it’s a fine high-speed murder mystery, complete with a deeply flawed hero and a somewhat unsurprising, even more-flawed villain.

But Izzy Wasserstein has buried something deeper to think about in this tale. When presented with her clone, Dora looks at and interacts with — and even gets intimate with — someone who might have been her, if her father had gotten his way, and she’d been the son he always wanted. The interaction between this imperfect clone of her pre-transition body, and her own traumatized persona, gives me (as a queer transwoman myself) a great deal to think about: How would things have been different if I were not who I am? And how crucial to the person I have become was my transition, and my life experiences since then? It hearkens back to the whole “nature or nurture” question that mankind has pondered for a long, long time. Are we, in fact, born this way, destined to be who we are?

Obviously, it’s not an either-or question; there are shades and nuances throughout, and Wasserstein shows us some of that in her portrayal of the clone. They are imperfect, programmed from the time they came out of the tanks to be a violent killer and think of Dora as a “traitor.” Yet they don’t kill her, and they discuss with Dora at some length their “fighting their instincts” to become their own person.

So, really, there are two stories hidden in this short book: a straightforward, well-crafted cyberpunk whodunnit, and the story of a transperson squaring off with a clone of herself. Two good, thought-provoking stories under one cover…what’s not to like?

Marlene’s Rating A-: I tend to rate novellas at the A- level a LOT of the time and this book is no exception. I love the novella length because it’s fast to read, but that length means that a lot of backstory gets left on the proverbial cutting room floor because there isn’t space for it. In other words, as much as I totally got where Dora was personally coming from, how our world got fucked up into hers that fast needed a couple more steps for me to buy into it.

I also would have loved a bit more about the anarchist and commune movement as it applied to this particular story, because I was basing all of my knowledge and acceptance of the way that part of their world worked on Cadwell Turnbull’s fantastic Convergence Saga; No Gods, No Monsters and We Are the Crisis, because that near-future SF tale is also rooted a bit in the coop/commune movement – although with a completely different crisis and in an entirely different way.

The mystery part of this mystery wasn’t quite as mysterious as it might have been. Once the cadres of poorly programmed almost-Theodores started chasing after Dora it was really obvious that they were clones AND that her dad was the mad scientist (and he so was!) creating them. No matter what his employer or moneybags might have intended them to do or be.

Howsomever, the questions that Dora asks herself are the part of the story that sticks in the mind after the last page is turned – and they turned out to be considerably more fascinating than merely ‘whodunnit’.

As Amy said, it’s that age-old question of ‘nature vs. nurture’ along with a heaping helping of what does it mean to be ‘born that way’ – whatever way that may be in the mind of the person, and whether the answer to that question is based on innate characteristics or parental or societal expectations or fate or destiny.

Dora confronts those questions, not just in her own mind, but in her relationship with one of her almost-clones and that clone’s willingness to throw off their own programming. And that’s the fragile grace that gives this story its heart.

Grade A #BookReview: Gryphon by M.L. Buchman

Grade A #BookReview: Gryphon by M.L. BuchmanGryphon (Miranda Chase NTSB #14) by M L Buchman
Format: ebook
Source: author
Formats available: paperback, ebook
Genres: action adventure, political thriller, technothriller, thriller
Series: Miranda Chase NTSB #14
Pages: 370
Published by Buchman Bookworks on January 23, 2024
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

With the rising threat of Russia, Sweden joins NATO for its own protection. But someone wants to make them pay—in blood. Sweden’s home-built, world-class jet fighters, the Saab JAS 39E Gripen—named for the mythological Gryphon—are falling out of the skies. The stability, the very existence of NATO could be torn apart, as if trapped in the Gryphon’s mighty eagle claws. Can Miranda’s team of air-crash investigators solve the crisis before the powerful lion-half shreds them asunder?

My Review:

Like all of the previous entries in the Miranda Chase series from the very first page in Drone, Gryphon is an edge-of-the-seat political technothriller with World War III looming over every action on every page.

What makes this OMG FOURTEENTH book in the series stand out is that this is the one where all of the hyper-competent people that we have come to know and love over the course of the series so far are anything but.

Not that they don’t still manage to get the job done – because of course they do! – but rather because it’s clear from the opening page that all of the members of Miranda’s team are broken after the events of Osprey – and Miranda herself is the most broken one of them all.

It’s hard to lead anyone anywhere when your heart, your soul and your entire psyche are lying in pieces on the ground at your feet.

But time, tide, plane crashes and international catastrophes wait for no one. Even if not a single one of Miranda’s team remotely has their shit together, between them they still have enough to figure out exactly which enemy is responsible for the recent series of disasters plaguing Sweden’s civilian and military aviation.

Although Sweden doesn’t have a whole lot of enemies. Which doesn’t make Ian Fleming’s old truism any less true, that “Once is happenstance. Twice is coincidence. Three times is enemy action.” It’s just that this time around they’ll have to start by identifying just who they have to stop.

Escape Rating A: Gryphon is a hard read for fans of Miranda Chase and her team. Which isn’t to say that it’s not a good read, because it oh-so-definitely is. But rather, it’s hard to see people that we’ve come to like and respect and care about act this observably broken.

It’s a heartbreaking response to the events of the previous book, but damn it hurts to watch.

But it does make it easy for someone, actually a few someones, to slip a whole lot of things past them all – because they are all very much NOT at the top of their respective games. More like at the bottom.

The crisis is a conundrum, because it only makes sense in bad ways. Either the Swedish aviation industry is having the worst luck in the universe, over and over, or someone is out to get them. And yet, the usual suspects are all quiet.

And on the third hand being held behind someone’s back, considering the current crisis in the Ukraine, blaming Russia for everyone’s troubles is a damnably easy conclusion to jump to. So it becomes a question of whether Russia has faked out literally everyone – or whether someone else is trying to make it look that way in the hopes of, what? Causing World War III? Who is crazy enough to want to ring that bell?

A question which, in its own way, is at the center of what makes this series so damn good. Because both the question and the solution in each entry in the series isn’t about the techno part of the thriller. It’s always about the human factors. Technology may make the events and crises and calamities and near-catastrophes possible, but it’s always human beings who set them into motion for all too human reasons.

And it’s the humans of Miranda’s team – pulling together and putting it all together – that have to stop the worst from happening.

Not that the tech isn’t fascinating and not that we don’t get a lot of it while following Miranda and her team – but it’s the humans we feel for and with and it’s the human cost of the disaster they’re trying to prevent that make us keep turning pages until they pull literally everyone’s fat out of whatever particular fire they’re facing this time around.

And all of that is just, well, harder in Gryphon because the humans on all sides of this particular equation are all broken, The villains are broken because the game they are playing is not worth the cost, and the ‘good guys’ are broken because they’ve been pulling separately instead of pulling together, so they’re a mess and getting messier by the day.

Whether the radical solution they come up with to begin to start fixing their broken places is something that we’ll all get to find out in the next book in this awesome series, Wedgetail. Until that comes out this summer, we’ll all just have to hope right along with the rest of the team.

Review: Osprey by M.L. Buchman

Review: Osprey by M.L. BuchmanOsprey (Miranda Chase NTSB, #13) by M L Buchman
Format: eARC
Source: author
Formats available: paperback, ebook
Genres: action adventure, political thriller, technothriller, thriller
Series: Miranda Chase NTSB #13
Pages: 392
Published by Buchman Bookworks on September 17, 2023
Purchasing Info: Author's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

Russia teeters on the brink of collapse, spoiling for a battle to end all wars. All it needs? One thin excuse. World War I began with the assassination of Archduke Ferdinand. World War II launched with the invasion of Poland. As for Russia's invasion of Ukraine... A Russian flyby of an American CMV-22 Osprey tiltrotor goes desperately wrong over the North Sea. Will the tipping point for World War III break the moment a favored daughter of the Oligarchy goes down in flames? When the NSA's secret military base at Menwith Hill in the UK needs specialized expertise, they call in Miranda Chase. She and her elite team of air-crash investigators must avert a crisis like none before. A crisis that unravels her past, batters at her autism, and threatens to crush her team in the ultimate grinder of East vs. West. "Miranda is utterly compelling!" - Booklist, starred review "Escape A. Five Stars! OMG just start with Drone and be prepared for a fantastic binge-read!" -Reading Reality

My Review:

Osprey, in addition to being about the investigation of a series of airplane crashes, as the books in the Miranda Chase series always are, is fundamentally the story of a woman who has based her life on a series of truths that turn out to be lies.

Miranda Chase is not merely A lead investigator for the National Transportation and Safety Board, but at this point in the series, THE premiere investigator for the NTSB. Miranda, along with her team, are the people that not just the NTSB but federal government all the way up to the President call whenever the crash is either too thorny for a regular investigator OR, as is very much true in this particular case, has the potential to start World War III and/or bring about the end of the world.

Considering the nuclear arsenals of the U.S. and other countries, they are likely to be one and the same.

Which is what drags Miranda and her team out of their vacation in Yorkshire, hiking the Herriot Trail, all the way to the top secret US/UK communication and intelligence support station at RAF Menwith Hill, which is, according to Miranda’s teammate Holly Harper, the place where the world ends. Because, on Holly’s last mission for Australia’s SSAR, Menwith Hill’s sister station in Pine Gap ended Holly’s.

This time around, they’re about to end Miranda’s – even as she and her team prevent the end of pretty much everyone else’s in the whole damn world.

Escape Rating A+: This was one of those books that turned out to be a much harder read than I was expecting – even as it sucked me right in and wouldn’t let me go until the end. By saying Osprey is a ‘hard read’ I mean that in the sense that, 13 books into this series, I’ve become very fond of Miranda and her team and hate seeing any of them in serious distress. But it’s clear that this is the 13th book in the series for a reason in that it seems like all the bad luck and worse trouble in Miranda’s life comes home to roost in this one and probably won’t leave anytime soon.

Like all of the books in this series so far, starting with the marvelous Drone and continuing through ALL of the team’s compelling adventures along the way, each story pretty much has two plots. The first is the actual plot that results in the crash that Miranda and company are tasked with investigating. The second line is tied up in a particular team member’s personal circumstances, whether that’s how they become part of the team, falling in love with either a fellow team member, a friend or an enemy, or when those relationships crash and burn.

With the case in Osprey it’s a question of which will burn first, Miranda or the entire world, which makes the stakes the highest they can be on both sides of that equation.

The initial crash could have, and in other circumstances would have, been put down to pilot error combined with a bit of stupid people doing stupid things. In other words, humans just being human – unfortunately at tens of thousands of feet in the air while piloting state of the art aircraft.

The situation escalates, and fast, because the initial less-than-stellar piloting was on the part of a Russian military jet playing ‘chicken’ with a brand new U.S. craft that is capable of switching from taking off like a helicopter to flying like an airplane. Sounds cool, doesn’t it? But when the jet’s wings got tied up in the Osprey’s proprotor, everything went to hell in a handbasket and both countries, already über tense – as they are in real life – were on the brink of nuclear war.

Figuring out how that crash occurred, and the even stupider one that followed, is all in a day’s work for Miranda and her team. The President of the U.S. is thrilled to take her very expert word that the crash was merely the stuff of stupid and not a deliberate provocation to war.

But the Russian side of this equation is a whole lot messier. A mess which raises questions about just how Miranda’s parents REALLY died – because the newly discovered and always obscured – evidence makes it clear that it didn’t exactly happen the way that the world, even the CIA’s hidden world, believed it did. And that’s only the beginning of how Miranda’s world falls apart, even as the rest of the world gets put back together. At least for now.

The reader knows most of what’s coming – at least as far as Miranda’s parents’ deaths are concerned – from the very first scene, so that’s not exactly a spoiler. We know it’s going to be devastating, and we’re waiting for that shoe to drop through the entire book. It’s agonizing. It’s also not all she’ll have to contend with, but getting into that would be a spoiler.

Let’s just say that on Miranda’s personal front, this is a heartbreaking story and it’s hard to watch her even begin to go through the inevitable fallout. Howsomever, as one of the strengths of this series is the way that the characters and relationships change and grow over time, Miranda’s situation is one that I expect to see explore and change and resolve over the next several books in the series, starting with Gryphon, coming in late January of 2024.

One final note; there’s a surprising bit of a parallel to The Last Devil to Die, the most recent book in the Thursday Murder Club series. The leaders of each series, Miranda and Elizabeth, are brought low by heart-shattering personal catastrophes, and it’s up to the other members of their teams to keep the case on track even as their leader, rightfully and righteously, falls apart for an understandable bit. It’s terrible seeing those leaders stumble and fall, but lovely to watch the other members of their teams carry them and carry on.