Review: The White Lady by Jacqueline Winspear

Review: The White Lady by Jacqueline WinspearThe White Lady by Jacqueline Winspear
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, World War I, World War II
Pages: 352
Published by Harper on March 21, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The White Lady introduces yet another extraordinary heroine/sleuth from Jacqueline Winspear, creator of the best-selling Maisie Dobbs series. This heart-stopping adventure follows the coming of age and maturity of former wartime operative Elinor White—veteran of two wars, trained killer, protective of her anonymity—when she is drawn back into the world of violence she has been desperate to leave behind.
A reluctant ex-spy with demons of her own, Elinor finds herself facing down one of the most dangerous organized crime gangs in London, and exposing corruption from Scotland Yard to the highest levels of government.
Post-World War II Britain, 1947. Forty-one-year-old “Miss White," as Elinor is known, lives in a village in Kent, England, so quietly and privately as to seem an enigma to her fellow villagers. Well she might, as Elinor occupies a "grace and favor" property, a rare privilege offered to faithful servants of the Crown for services to the nation. But the residents of Shacklehurst have no way of knowing how dangerous Elinor's war work had been, or how deeply their mysterious neighbor continues to be haunted by her past.
It will take the child of Jim Mackie, a young farmworker and his wife, Rose, to break through Miss White's icy demeanor—but Jim has something in common with Elinor. He, too, is desperate to escape his past. When the powerful Mackie crime family demands a return of their prodigal son for an important job, Elinor assumes the task of protecting her neighbors, especially the bright-eyed Susie, who reminds her of the darkest day of her life.
Elinor’s wartime training and instincts serve her well, but as she endeavors to neutralize the threat to Jim, Rose and Susie Mackie, she is rapidly led along a tunnel of smoke and mirrors in which former wartime colleagues – who know the truth about what happened in 1944, and the terrible event that led to her wartime suicide attempt – are compromised by more powerful influences.
Ultimately, Elinor will hold a gun to the head of a Mackie crime lord to uncover the truth behind the family's pursuit of Jim, and in doing so, reveal the far-reaching tentacles of their power—along with the truth that will free Elinor from her past.

My Review:

For the past several years of her cases (since The Mapping of Love and Death) March has been the month of Maisie. Maisie Dobbs, that is.

Which means that all of Maisie’s fans and friends are pretty much primed for a book every March  filled with Maisie’s inimitable style of detection and the combination of found and birth family that she has gathered around herself to help her both solve her cases and live a life that combines danger and intrigue with a intense insight into the human nature that has created the situations in which she regularly finds herself.

Maisie seems to have taken a vacation this March, and in her place we have Elinor White, who both is and is not the ‘White Lady’ of the title.

Elinor’s story is told in two timeframes, both her present in 1947 and the past that led her there, from her childhood in occupied Belgium through her wartime service in the top-secret Special Operations Executive to the point where her past meets her present after the war.

We first meet 1947 Elinor, a middle-aged spinster living in a ‘grace and favor’ cottage in Kent. That cottage was granted to her for her lifetime for services rendered to the crown in both wars, and it’s what those services consisted of that makes up the past we have to see, and the lessons Elinor has to learn, before the person we met in 1947 comes fully into focus.

And then shatters when she learns that what she believed was the worst crime she ever committed was nothing that she did at all. The crime was committed by someone she believed was a friend and an ally. Although she is certainly the one who paid for it then, and very nearly does again.

It’s only after the smoke clears, quite literally, that Elinor White may be able to step forward into a future that holds more than waiting for fate to catch up to her and make her pay for all the wrongs she committed in the name of a greater purpose.

If she can set aside the necessary cautions that come from having survived not one but two wars as a spy and saboteur.

Escape Rating B: I ended this book with a LOT more mixed feelings than I expected going into it. I enjoy the Maisie Dobbs series because I find the history interesting, Maisie’s perspective fascinating, and the story as a whole absorbing. I like the characters and more importantly I CARE about them every bit as much as I care about seeing the solution of the mystery.

It’s the care that was missing in my reading of The White Lady. The history was every bit as fascinating as I was expecting from this author. While Britain’s Special Operations Executive and the women who served as agents in it have appeared in an increasing number of stories lately – as have the women of Bletchley Park – Elinor’s experiences as an agent of La Dame Blanche – the Belgian resistance in World War I funded by Britain – were new to me. Her experiences in the Belgian Occupation, when she was just barely into her teens, were searing and absorbing.

But something about those experiences feels like it set Elinor herself just a shade apart from real life – or at least from her own real life. She seems so used to keeping herself utterly guarded – a necessity during the war that kept her alive – that she remains just a touch removed from the life we read about in this story. It makes it difficult to know her well enough to care about her character.

I didn’t feel invested in her journey and it kept me from being absorbed in the story.

Which doesn’t mean that parts of it were not fascinating, because her surprising – to herself most of all – foray into a police investigation of the criminal gangs controlling vast swaths of London had the potential for chills and thrills – and delivered them as well as a bit of schadenfreude that the men who thought they knew everything – both among the police and among the criminals – discovered they were wrong, wrong, wrong. And still weren’t convinced they’d been hoodwinked by a gang of women. Or that a woman figured out the real crime being planned while all the experienced detectives dismissed her at every turn.

In the end, I liked The White Lady but didn’t love her. I’m glad I read this one but not disappointed that it appears to be a standalone title and not the start of a new series. I hope we see Maisie again next March – or whenever her next adventure appears.

Review: The Cliff’s Edge by Charles Todd

Review: The Cliff’s Edge by Charles ToddThe Cliff's Edge (Bess Crawford #13) by Charles Todd
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, World War I
Series: Bess Crawford #13
Pages: 320
Published by William Morrow on February 14, 2023
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

In the aftermath of World War I, nurse Bess Crawford is caught in a deadly feud between two families in this thirteenth book in the beloved mystery series from New York Times bestselling author Charles Todd. Restless and uncertain of her future in the wake of World War I, former battlefield nurse Bess Crawford agrees to travel to Yorkshire to help a friend of her cousin Melinda through surgery. But circumstances change suddenly when news of a terrible accident reaches them. Bess agrees to go to isolated Scarfdale and the Neville family, where one man has been killed and another gravely injured. The police are asking questions, and Bess is quickly drawn into the fray as two once close families take sides, even as they are forced to remain in the same house until the inquest is completed.
When another tragedy strikes, the police are ready to make an arrest. Bess struggles to keep order as tensions rise and shots are fired. What dark truth is behind these deaths? And what about the tale of an older murder--one that doesn't seem to have anything to do with the Nevilles? Bess is unaware that when she passes the story on to Cousin Melinda, she will set in motion a revelation with the potential to change the lives of those she loves most--her parents, and her dearest friend, Simon Brandon...

My Review:

A Duty to the Dead by Charles ToddThe cliff’s edge of the title is both literal and figurative in this 13th entry in the Bess Crawford series.

Former battlefield nurse Bess Crawford finds herself in Yorkshire in her latest attempt to put off making firm decisions about what she will do now that her war is over. While she has resigned from QAIMNS, (Queen Alexandra’s Imperial Military Nursing Service), that itself was out of a sense of duty. She has a secured future, whether it’s one she wants or not. Bess’ dilemma is either that she does not want the future that would have been hers if there had never been a war – or more likely that she either doesn’t want to give up the freedom and purpose that came with her wartime service or believes that what she really wants is not possible for her.

Or perhaps that should be “who” she wants. Or all of the above, wrapped in a great big ball of angst, recriminations and regrets.

Her cousin Melinda asked her to see Lady Beatrice through her gallbladder surgery. Lady Beatrice asked her to go to Scarfdale to make sure that her adult godson was alive after a terrible accident and to help in any way that she could – as well as send back a great deal more information than was supplied in the initial, alarming telegram.

When Bess arrives in Scarfdale she learns all about that cliff’s edge. The edge that two men fell over, or were pushed over, or pulled each other over. One man is dead under these rather murky circumstances, while the other is alive, severely injured, and suspected of the other’s murder.

While Bess’ first responsibility is to her new patient, and her second to Lady Beatrice, still recovering at her home, as usual Bess can’t stop herself from becoming at least curious if not downright involved in the mysteries and tensions that swirl around the house AND the village that depends upon it.

The family and ‘friends’ that had gathered in the house clearly can’t stand each other. The local police seem all too willing to rush the survivor to judgment for reasons that no one is willing to tell a stranger – namely Bess.

And the injured survivor is not in nearly as desperate straits as first appeared. It will be up to Bess to learn what she can – and protect whom she feels she must – in order to bring this thorny case to some kind of conclusion.

Preferably without bringing too many others, including Bess herself, to theirs.

Escape Rating B-: As much as I have enjoyed this series, I believe that it is time for it to come to an end unless it makes a major change in direction. Because Bess has been in limbo for several entries now – at least since book 10, A Forgotten Place and perhaps as long ago as book 9, A Casualty of War. That limbo that makes sense in her circumstances – but her limbo of indecision has sunk into a slough of despond and it feels like it’s simply time for her to get on with her life.

But first she has to decide what that life is going to be, which means she needs to come to a whole bunch of resolutions that may be outside of her control.

What made Bess such a terrific choice of protagonist back in her first adventure, A Duty to the Dead, has reached a kind of expiration date now that the war is over. As a battlefield nurse, Bess had agency, responsibility and purpose. It was necessary for her to be able to think for herself, do for herself, and take charge of her own actions. That her sense of responsibility and inability to leave a puzzle unsolved led her into investigating murder worked intensely well.

But her war is over, she’s resigned from the service. She’s no longer in that position of independence and agency and looking for a new purpose. It stretches the long arm of coincidence – or perhaps that’s the willing suspension of disbelief – that in her decision-making paralysis about the shape of her post-war life she keeps tripping over and into murder investigations one after another – which feels like a bridge too far.

She could return to nursing, in a hospital or in private service, and perhaps run across more such mysteries among her duties. She could become a private investigator as Maisie Dobbs has done, but it seems less likely. Or she could marry. And that’s where Bess’ personal dilemma runs headlong into this rather murky mess of a case.

Because Bess is angsting over the state of her relationship with her father’s aide-de-camp Simon Brandon. Not that their relationship has ever been romantic. When Simon first entered her life, he was fourteen and on the run from some mysterious fate or abusive situation and Bess was still a child. But they’ve both grown up and Bess has come to see Simon in a different light while Simon seems to have distanced himself over something Bess said or did and won’t either acknowledge that distance or explain it.

So Bess is in Yorkshire in the midst of this case, which is quite a muddle that doesn’t seem much clearer at its end. Not that the cause of the whole thing isn’t found, but rather that the solution isn’t terribly cathartic and doesn’t seem to resolve much of the surrounding tension.

What it does do is re-open the situation that brought Simon Brandon to Colonel Crawford’s door and regiment so many years ago – even if Simon is not yet aware of it when The Cliff’s Edge ends. But that ending does give me hope that Simon’s past desperation, Bess’ present angst and the question of both of their futures will finally be resolved in the next book in the series.

Review: The Blue Diamond by Leonard Goldberg

Review: The Blue Diamond by Leonard GoldbergThe Blue Diamond (The Daughter of Sherlock Holmes Mysteries #6) by Leonard Goldberg
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, World War I
Series: Daughter of Sherlock Holmes #6
Pages: 336
Published by Minotaur Books on June 14, 2022
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.orgBetter World Books
Goodreads

The fate of the allied forces lies in the hands of Joanna and the Watsons in the next Daughter of Sherlock Holmes mystery from USA Today bestselling author Leonard Goldberg.During a critical stage in World War One, the Governor-General of South Africa journeys to London for a meeting of The Imperial War Conference. Days prior to the conference, the Governor-General is scheduled to have an audience at Buckingham Palace at which time a most precious blue diamond will be presented to King Edward as a symbolic gesture of the colonies’ resolute and never-ending allegiance to England.
The flawless blue diamond, with its magnificent luster, weighs nearly 3000 carats which renders it one of the world’s largest and most valuable gems. On the Governor-General’s arrival, he is ensconced at the fashionable Windsor Hotel under the tightest security, with his entire entourage and formidable security team occupying the entire penthouse floor. All entrances and exits are locked down and closely guarded, and no one is allowed entrance after 6 PM.
Despite the extreme precautions, the famous diamond is stolen from the Governor-General’s suite in the middle of the night, with no clues left behind. With Scotland Yard baffled, Joanna and the Watsons are called in to investigate the theft and it becomes clear that the crime is not simply the work of a master thief, but one that could greatly aid the Germans and turn the tide of war in their favor. Time is of the essence and the blue diamond must be recovered before it begins its travels which could cause irreparable damage to the allied war plans.

My Review:

Up until this entry of this series featuring Joanna (Holmes) Blalock Watson, the Daughter of Sherlock Holmes of the series title, it has very much seemed as if the books in the series have been as much, or even more, in dialogue with Sherlock Holmes himself and the canon of the elder Dr. Watson’s accounts as they were about the investigations conducted in the series’ present by Joanna Watson with the able assistance of her husband, the younger Dr. Watson, and his esteemed father.

But in this entry in the series, even though it does call back to the codebreaking in her father’s Adventure of the Dancing Men, is finally dealing directly with the important events of her day rather than her father’s famous cases.

That is because The Blue Diamond takes place in 1916, and the criminal activities that Joanna and the Watsons are called in to investigate in London are directly related to the war taking place in Europe – even if that is only a suspicion when they are first called in.

At first, it looks like a series of very high-end thefts occurring at equally high-end hotels. The first prize the clearly expert thieves took was a rare Ming vase worth over 100,000 pounds. The second was an even rarer – and much more highly prized – blue diamond. Hence the title of the book.

But the diamond was stolen from the suite of the Governor-General of South Africa – making the whole mess a political nightmare. Even so, the theft of a rare vase and an even rarer diamond are still property crimes – even if the value of the items represented riches beyond the dreams of avarice – if not beyond the dreams of high-end thieves.

The third item stolen shifted the entire investigation from mere grand theft to treason when top secret papers were extracted from a visiting French Minister’s suite. Those papers, which contained top secret plans for a joint operation between the British and the French designed to draw the German army into a trap and then break them in a pincer movement, elevated the crime to one that would get the perpetrators hung – if Joanna and the Watsons can figure out who they are.

And as much as Scotland Yard wanted Joanna and the Watsons on the original case, MI5 was even more eager to have them discover not just whodunnit, but how and why and especially whether or not those plans had been relayed to the enemy.

The tide of the war depended on those answers. It really, truly did.

Escape Rating B: This series always gives me mixed feelings. Probably because at least within the confines of my own head, it is in dialogue with two other series (Mary Russell and Lady Sherlock) that re-work Holmes and each treats the Great Detective entirely differently. (If anyone knows of a story or even fanfiction that puts Joanna, Charlotte and Mary in the same room for what would be an utterly fascinating conversation please let me know!)

Only the Russell series has fully traveled beyond the original canon by virtue of having Sherlock outlive it. Lady Sherlock is still working her way through it. This is the first case of Joanna’s where she is dealing fully with her own contemporary circumstances and not her father’s.

Rather than being rooted in Sherlock Holmes’ old case, this one is rooted in what we now call history. It’s 1916, the Great War is creating great casualties along with victories that seem like defeats. The U.S. has not yet entered the war, and Germany seems unstoppable. The situation is grim. Those plans have the potential to change the tide of the war – but only if the Germans don’t see them (This eventually happened, the plans referenced in the story were carried out at the Battle of Amiens.)

At first, there are few clues beyond the obvious, that stealing the plans benefits the German High Command. If the plans reach Berlin it gives the enemy knowledge of future military strategy. It has the potential to demoralize the Allies. The uncertainty about whether the plans have been seen and/or tampered with throws up confusion and doubt.

While Germany’s motives are obvious, there don’t seem to be any German agents involved. Instead it all circles back to the South African Governor-General and his entourage. South Africa is a Dominion of the British Empire – an ally. And that’s where the case gets more convoluted.

As Joanna becomes more certain that the thefts were an inside job, the reasons for those thefts becomes that much more elusive. It’s only as the noose tightens around 221B Baker Street that Joanna is finally able to determine who is holding the rope – and why.

There are things about this series that I really like, particularly the portrayal of Dr. Watson Sr. as an intelligent man and a dedicated physician who misses his old friend and finds delight and purpose in helping his friend’s daughter and his own son continue in their footsteps. He’s delightful and he feels both real and right as a character. That he’s well into his 80s at this point in the series and has a heart condition makes me sad. He can’t live forever and there are signs that his time is coming.

I want to say that I find Joanna a bit odd – but she comes by that honestly, considering who her father was. Or does she? That, for me, is the greatest puzzle of the entire series so far, as Joanna seems to have every single one of her father’s habits, quirks and eccentricities to the point where she can seem to be a caricature of a man she never met. That she might have inherited his genius would be entirely possible – but not the whole kit and kaboodle of his personality in all its extremities. Rather than ringing true, this particular bell is ringing cracked.

The case she has to solve here is every bit as contrived and convoluted as any that her father faced. But at least this one is hers, born out of the war the world is facing in her time and not his. This feels like a step forward for the series so I’m glad to see it.

In spite of those quibbles, and all the ways in which this series drives me crazy, I know I’ll be back for the next book in the series. I never can resist a Holmes story.

Review: Band of Sisters by Lauren Willig

Review: Band of Sisters by Lauren WilligBand of Sisters by Lauren Willig
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical fiction, World War I
Pages: 528
Published by William Morrow on March 2, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A group of young women from Smith College risk their lives in France at the height of World War I in this sweeping novel based on a true story—a skillful blend of Call the Midwife and The Alice Network—from New York Times bestselling author Lauren Willig.
A scholarship girl from Brooklyn, Kate Moran thought she found a place among Smith’s Mayflower descendants, only to have her illusions dashed the summer after graduation. When charismatic alumna Betsy Rutherford delivers a rousing speech at the Smith College Club in April of 1917, looking for volunteers to help French civilians decimated by the German war machine, Kate is too busy earning her living to even think of taking up the call. But when her former best friend Emmeline Van Alden reaches out and begs her to take the place of a girl who had to drop out, Kate reluctantly agrees to join the new Smith College Relief Unit.
Four months later, Kate and seventeen other Smithies, including two trailblazing female doctors, set sail for France. The volunteers are armed with money, supplies, and good intentions—all of which immediately go astray. The chateau that was to be their headquarters is a half-burnt ruin. The villagers they meet are in desperate straits: women and children huddling in damp cellars, their crops destroyed and their wells poisoned. 
Despite constant shelling from the Germans, French bureaucracy, and the threat of being ousted by the British army, the Smith volunteers bring welcome aid—and hope—to the region. But can they survive their own differences? As they cope with the hardships and terrors of the war, Kate and her colleagues find themselves navigating old rivalries and new betrayals which threaten the very existence of the Unit.
With the Germans threatening to break through the lines, can the Smith Unit pull together and be truly a band of sisters?  

My Review:

On “the eleventh hour of the eleventh day of the eleventh month” of 1918, the guns of World War I finally went silent after four years of a hellish war that was supposed to have ended all wars. Which unfortunately it did not.

This day is now celebrated as Veterans’ Day in the United States, Remembrance Day in the United Kingdom and many Commonwealth countries and Armistice Day in France, where this story takes place. And where the story that inspired it took place in real life..

This is one of those stories, one of those situations, where it’s a good thing that there is historical evidence to back up its main premise, as the idea seems a bit stranger than fiction. But then, fiction has to at least seem plausible, where history just has to have really happened, plausible or not.

The Smith College Relief Unit really happened. A group of Smith College alumnae organized themselves into a self-contained unit of unprepared, under-equipped and overly naïve aid workers who were not nurses – although two were doctors – to go to recently liberated and bombed out villages in war-torn France, in 1917. While the war was still being fought.

The trenches were practically next-door, to the point where they could feel the ground shake during major troop movements even when they couldn’t see or hear the artillery. Not that they didn’t get bombed.

The SCRU reads a bit like the American version of noblesse oblige combined with too much idealism and not nearly enough preparation. The intention was for the women to provide aid and succor along with bootstrapping for a lot of tiny communities that had lost everything; their homes, their families, their livelihoods and their souls. To set up schools for children who had lived under threat for so long that they had not known anything else. To provide seeds and farm machinery and hope in places that hadn’t seen any of the above through all the long years of the German Occupation.

And help they did, even if not always in the way that they had intended, and not nearly as much as they hoped. Some of them managed to rise above their preconceived notions about themselves, each other and the people they came to serve. Some did not.

But the story of this bunch of well-meaning if not always well-doing women was real. This did happen and they did try in spite of the conditions and the dangers and the odds.

This is their story, even if it is a bit fictionalized. Many of the names have been changed. Some of the incidents have been shifted in time, although in the main they really happened. And the letter and diary entries that head each chapter are entirely real, first person accounts of the biggest and most heartbreaking adventure any of them would ever take.

The real SCRU in 1917

Escape Rating A: Today is Veterans Day in the U.S. My posts on this day fall into one of three categories, either I post about the holiday, I post about World War I, or, like today, I post a review of a book about World War I.

Band of Sisters is a marvelous, surprising, sometimes heartwarming and often heartbreaking book about World War I. If it sounds right up your alley, I also recommend Sisters of the Great War by Suzanne Feldman and the story collection Fall of Poppies, featuring a remarkable selection of stories that are set on Armistice Day, as this holiday is known in Britain and the Commonwealth countries.

Band of Sisters is one of those “fiction is the lie that tells the truth” kind of stories, and that’s what makes it so fascinating. Our perspective on the Smith College Relief Unit is through the eyes and words of the women in the unit, but especially through Emmie Van Alden and her college roommate and best friend, Kate Moran.

Emmie is the daughter of just the type of wealthy family that made up the usual run of Smith alumnae. As awkward and inadequate as her family frequently makes Emmie feel, she still wields her extreme privilege so naturally and so casually that she doesn’t notice how much it shapes and wounds her friend Kate.

Because Kate was a charity case, both for Emmie’s family and at Smith. She’s now middle class, she’s Catholic, and once upon a time her mother worked as a cleaner to make ends barely meet for her daughter and her widowed self. Emmie may not think of Kate as an outsider, but the rest of the group does so at every turn – and that casual malice can be brutal.

The same kind of casual malice and well-aimed social weaponry that stripped the founder of the unit of her position and her cause. A weapon that has Kate in its sights from the moment she becomes the new deputy.

But the group also perseveres in something that would now be called the “hearts and minds” plan. The war is still raging, the U.S. is in but Germany is not yet out, and the SCRU is stationed entirely too close to the front lines, trying their kind hearted but not always well-conceived best to bring milk, medicine and hope to people who have known none of the above for entirely too long.

They are not trained. They are not prepared. Still they do their best. It might not be enough, but it is certainly something. And it makes for an absorbing and marvelous read, particularly apropos for this day.

Review: Sisters of the Great War by Suzanne Feldman

Review: Sisters of the Great War by Suzanne FeldmanSisters of the Great War by Suzanne Feldman
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, World War I
Pages: 400
Published by Mira on October 26, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Inspired by real women, this powerful novel tells the story of two unconventional American sisters who volunteer at the front during World War I
August 1914. While Europe enters a brutal conflict unlike any waged before, the Duncan household in Baltimore, Maryland, is the setting for a different struggle. Ruth and Elise Duncan long to escape the roles that society, and their controlling father, demand they play. Together, the sisters volunteer for the war effort--Ruth as a nurse, Elise as a driver.
Stationed at a makeshift hospital in Ypres, Belgium, Ruth soon confronts war's harshest lesson: not everyone can be saved. Rising above the appalling conditions, she seizes an opportunity to realize her dream to practice medicine as a doctor. Elise, an accomplished mechanic, finds purpose and an unexpected kinship within the all-female Ambulance Corps. Through bombings, heartache and loss, Ruth and Elise cherish an independence rarely granted to women, unaware that their greatest challenges are still to come.
Illuminating the critical role women played in the Great War, this is a remarkable story of resilience, sacrifice and the bonds that can never be vanquished.

My Review:

“It is only those who have neither fired a shot nor heard the shrieks and groans of the wounded who cry aloud for blood, more vengeance, more desolation. War is hell.” The quote is by William Tecumseh Sherman. While Sherman was referring to the American Civil War, it is just as germane to World War I, and indeed any war either before or since.

Sisters of the Great War focuses on, not those who fired the shots, but rather those whose duty it was to hear the shrieks and groans of the wounded. Those who were tasked with the duty of transporting the wounded from the “front” to the makeshift hospitals nearly always inadequately staffed with doctors, nurses and orderlies who did the best they could with what little they had to patch them up if they could, invalid them out if they could not, or at least give them as much peace and surcease from pain as possible as they died.

Ruth and Elise Duncan represent two of those women. Ruth as a nurse, and Elise as an ambulance driver and mechanic. The story in Sisters of the Great War is the story of service on the front lines of that hell, undertaken with a lot of pluck, a great deal of stubbornness, and no small amount of naivete as a way of escaping privileged but unfulfilled lives under their father’s dictatorial thumb.

In Baltimore. In the United States. In 1914. Three years before the Americans entered the war. They volunteered, not really knowing, as no one did in 1914, that the war was going to take four long years of trenches and gas and devastation. Ruth left behind her father’s stern disapproval in the hopes that somehow, someway, serving as a nurse in wartime would give her the experience and the attitude needed for her to live her dream and become a doctor.

Elise just came along to keep her sister safe. Not that, as it turned out, safety was what either of them was built for. Nor was there any safety to be had in hospital tents or in barely functioning ambulances that were shelled almost as often as the trenches.

This is a story of perseverance in the face of bombs, shells and prejudice, railing against the lice and the substandard food and the even worse conditions and the sheer bloody-mindedness required to do not nearly enough with not nearly enough in order to save as many as possible – even if that wasn’t nearly enough either.

But they tried their best. They kept trying in the face of all the odds. And in the end, it was enough.

Escape Rating A: There have been plenty of stories featuring women who served in World War I as nurses or ambulance drivers. I can think of three off the top of my head; Phryne Fisher, Maisie Dobbs and Bess Crawford. (It may or may not be a coincidence that all lead mystery series.)

But the thing that struck me about all three of those heroines in comparison to Ruth and Elise Duncan is that in all three of those cases, in spite of the war being a critical part of each of their experiences, the brutal, devastating, depressing horror of the experience itself is a bit glossed over.

Phryne firmly keeps herself from looking back at her experience as an ambulance driver, while Maisie’s wartime experience effectively occurs between stories. Even Bess Crawford a nurse in a forward aid station, just as Ruth Duncan is at the beginning of her career, seems to carefully glance away from the worst of the gore in the operating theater to focus on the more individual gore of the murders that Bess uncovers.

What feels singular about Sisters of the Great War is that it uses Ruth’s and Elise’s slightly separated perspectives to put the nearly neverending horrors of the war and the desperation of the health care workers attempting to save them in the center of the story.

We’re with them every draining, numbing step of their way. We feel for them and with them and it makes their experience searing and horrifying and so very human. They’re both trying so hard and it’s never enough and they keep doing it anyway. We can’t turn our eyes away from their story – because they didn’t.

And yet, they’re not superhuman. We see their hopelessness and their fears and their exhaustion and we’re with them.

But because the story doesn’t gloss over just how much hell this war is, it’s a hard book because their experience, and the entire experience of that war, was so very hard and so deeply dark.

Not that there aren’t light moments in the story and in their hopes for the future – even as both of those things are full of fear. Ruth may have volunteered to escape their father, but she is also following the man she loves. Elise finally admits the truth of her own heart, and lets herself fall in love with another woman in spite of the censure they will face.

They do emerge from their war, bloody, often literally, and not either unscathed or unbowed. But they find the light at the end of their long dark tunnel and the entire experience makes for an extremely compelling read.

Review: An Irish Hostage by Charles Todd

Review: An Irish Hostage by Charles ToddAn Irish Hostage (Bess Crawford #12) by Charles Todd
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, World War I
Series: Bess Crawford #12
Pages: 336
Published by William Morrow on July 6, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the uneasy peace following World War I, nurse Bess Crawford runs into trouble and treachery in Ireland—in this twelfth book in the New York Times bestselling mystery series.
The Great War has finally come to an end, but tensions remain high throughout Europe. In Ireland, no one has forgotten the bloody 1916 Easter Rising that fought to end British rule in the country. Bess’s old friend, nurse Eileen Flynn, returns to her isolated Irish village where two factions continue to battle against each other. Eileen’s time with the British army makes her a target for retaliation. Her missing cousin, who was active in the rising and is still being hunted by the British, is her only protection.
Despite concerns about her safety, Bess keeps her promise to her wartime friend and travels to Ireland to be part of Eileen’s wedding party. But on her arrival, Bess discovers that the groom has gone missing. Then a body is fished from the sea. The villagers are hungry to see justice carried out—for wrongdoings new and old—and Eileen’s protection is running out. But clearing her name may mean sacrificing another beloved friend’s neck to the noose instead. Bess must unravel a dark, deceptive plot before someone she loves dies. 

My Review:

“How ‘Ya Gonna Keep ‘Em Down on the Farm (After They’ve Seen Paree?) was a popular World War I song, particularly after the war ended. Just at the point where this 12th book in the Bess Crawford series takes place.

A Duty to the Dead by Charles ToddBecause in June of 1919, Bess Crawford was facing her own version of that question. When we met her in A Duty to the Dead, all the way back in 1916, her war was just beginning, and Bess, a trained nurse in Queen Alexandra’s Imperial Military Nursing Service, was on her way to the forward aid stations to serve her country in her chosen profession, aboard the HMHS Britannic – which nearly sank along with her and her career.

Back on that doomed ship, Bess saved the life – and the injured legs – of one of her fellow nurses, Eileen Flynn. Now that the war is over, Eileen and the soldier she waited for for more than four years are going to be married. At Eileen’s family home in Killeighbeg, on the west coast of Ireland.

Eileen just wants to be married with her family and friends around her, in the place where she grew up and in the church where she was baptized. She wants to set out on her life’s journey by starting in her home.

But Eileen’s soldier took the “King’s Shilling” back in 1914, serving in the Irish Guards. That was before the Easter Rising of 1916 and the brutal British repression of the rebellion. Sentiment has changed quite a bit in Ireland in the following years.

Eileen and her fiancé Michael are both considered traitors by many of the locals for having served in the British Army. Eileen has asked Bess to be her attendant at the wedding and Michael has asked one of his commanding officers, so not only are Eileen and Michael considered traitors but they’ve invited English “spies” to come to Killeighbeg as well.

Although what there is in tiny Killeighbeg to spy on is anyone’s guess.

Emotions and tempers are high – on both sides. When Bess arrives just a few days before the wedding she finds herself in the middle of a powder keg that feels like it’s going to explode at any moment.

The groom is missing and entirely too many of the locals believe that it’s good riddance to bad rubbish – including Eileen’s tyrannical grandmother. Who appears to be the local despot in charge of all things Rebellion – in spite of her own son being a live – and wanted – hero of the Easter Rising.

Bess feels like a hostage in hostile territory, only because she is. But she can’t leave until Eileen’s betrothed is found – one way or another. And that can’t happen until someone figures out who took him and why.

But in the moments in between worrying about her friend’s future, Bess has little to do but consider her own. Because she’s seen her own Paree, she’s had a life where she was independent and responsible for herself, respected for her skills. She can’t quite see herself going back to being a dependent daughter again.

She envies Eileen her possibility of happiness, even as she fears that it may not come to pass. And in the darkness of entirely too many nights of tension and terror, she has to face her own truth no matter how much she wants to turn away.

Escape Rating A-: The story in An Irish Hostage feels close and tight, and that’s probably the way it should be. There are huge issues on the horizon, and in the story, and most of them are too big for Bess to solve. She’s stuck, inside tiny, hostile Killeighbeg, caught in the web of the Flynn household, and trapped entirely too often inside her own head.

I want to say that the house and town read like an attempt at a microcosm of Irish history in that tense period between the Rising and Independence. Some want to continue the bloodshed at all costs, some want to find a peaceful solution, some just want to stir up trouble for its own sake. Some people, like Eileen’s cousin Terrance, want justice for Ireland, meaning independence. Some, like Eileen’s grandmother, want vengeance at any cost. Many refuse to recognize that justice and vengeance are NOT the same thing.

And others, like Eileen and her Michael, just want peace – even if they have to leave their home in order to get any.

(I just had the very wild thought that pretty much all of the above could be applied to the Middle East as well, and that one of the big root causes in both places was the British Empire meddling in places that it arguably had no business meddling. I digress.)

And that leads directly to Bess, who is a symbol of, in some ways, the worst of all possibilities, that now that the Great War is over, the British Army in all of its might is going to come down on Ireland like many, many armed tons of explosive bricks.

While the future of Ireland looms over the entire story, it is much too big a thing for Bess to even think about solving. All she can do is get herself and those she has pledged to help out of the line of fire.

But Bess’ future is a problem that only she can solve. It, too, has been looming on the horizon for the past several books, possibly as far back as A Question of Honor, set in the Summer of 1918, but certainly by A Forgotten Place, set in November 1918 as the Armistice is signed.

Her dilemma feels real – although she has a bit too much time on her hands to mull it over. She knows what she’s expected to do. As a woman, she’s expected to “forget” having been an independent and responsible adult in a war zone for the past four years and go back to being a dependent female until she marries. She also knows that isn’t enough for her but that her choices are few.

At the same time, she is wondering about who she will spend the rest of her life with. Unlike many long-running mystery series, Bess’ love life has never been a feature of the books. She hasn’t fallen in love with anyone. By the end of An Irish Hostage, we know precisely why.

We just don’t know what Bess is going to do about it. And neither does she. Hopefully, that answer is to come in the next book in the series!

Review: Beauty Among Ruins by J’nell Ciesielski

Review: Beauty Among Ruins by J’nell CiesielskiBeauty Among Ruins by J'nell Ciesielski
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: historical fiction, historical romance, World War I
Pages: 416
Published by Thomas Nelson on January 12, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In Ciesielski’s latest sweeping romance, an American heiress finds herself in Scotland amid the fallout of the Great War, and a wounded Scottish laird comes face-to-face with his past and a woman he never could have expected.
American socialite Lily Durham is known for enjoying one moment to the next, with little regard for the consequences of her actions. But just as she is banished overseas to England as a “cure” for her frivolous ways, the Great War breaks out and wreaks havoc. She joins her cousin in nursing the wounded at a convalescent home deep in the wilds of Scotland at a crumbling castle where its laird is less than welcoming.
Alec MacGregor has given his entire life to preserving his home of Kinclavoch Castle, but mounting debts force him to sell off his family history bit by bit. Labeled a coward for not joining his countrymen in the trenches due to an old injury, he opens his home to the Tommies to make recompense while he keeps to the shadows. But his preference for the shadows is shattered when a new American nurse comes streaming into the castle on a burst of light.
Lily and Alec are thrown together when a series of mysterious events threatens to ruin the future of Kinclavoch. Can they put aside their differences to find the culprit before it’s too late, or will their greatest distraction be falling in love?

My Review:

Which would be the lesser of evils, an enemy in your face, with their knife (metaphorically or otherwise) obviously aimed at a vital organ – or a enemy who pretends to have your back while searching for the best place to stick their hidden knife into a vital organ?

Poor Alec MacGregor doesn’t get to choose which of those is the lesser evil, as his current circumstances have him caught between both, with an obvious enemy trying to bring him down and a hidden enemy pretending to be a friend in the hope of bringing him, quite literally, to his knees.

But this story does not begin as Alec’s story, although it gets itself to Kinclavoch Castle soon enough. Rather, the story begins with the flighty, impetuous and disobedient – at least according to her parents – young American socialite Lily Durham.

Lily is not so much irresponsible as she is a bird who is very much aware of the gilded cage in which she lives – and she resents every single bar of that cage. So when her upper-crust, Gilded Age New York City parents ship her off to her mother’s relatives in England, they think they’re forcing her into an even more restricted life than the one they already have wrapped tightly around her.

Lily’s parents have seriously misjudged, both the circumstances and Lily herself. Lily may leap before she looks, but that’s because if she looks first all she’ll see and hear are her parents misjudging her intelligence, her purpose and even her very person. They misjudge the circumstances even more, as Europe is on the verge of World War I. Once the war begins, it becomes unsafe for ships to cross the Atlantic, out of the very real fear of being sunk by German U-boats, leaving Lily “stuck” in England for longer than the year her parents originally intended.

But the war also brings opportunities for Lily – and her best friend and cousin Elizabeth (called Bertie) to escape the bars of their respective gilded cages. Bertie becomes a nurse. Lily takes the courses with her but doesn’t manage to pass them. Still, with Bertie’s qualifications and her parent’s generous patronage of the nursing service comes an opportunity that neither girl can resist. An opportunity to serve as nurses – or at least as a nurse’s aide in Lily’s case, to convalescing soldiers in a not-too-badly crumbling castle in the Scottish lowlands.

That very same castle that Alec MacGregor, Lord Strathem, is hanging onto, in the face of dangerous enemies and even more dastardly overdue bills and overeager tax collectors, by the skin of his teeth. Along with the fact that he hasn’t sold off all of his family’s accumulated treasures. Yet.

Lily, with her American optimism and her disregard for the rules, bursts into Kinclavoch like a gale force wind of fresh air that neither Alec nor the matron of the nursing service have any desire to accommodate.

But Lily shines her light into all the dark places at Kinclavoch, especially into the hearts of the soldiers she is there to help. And even more into the darkness that shadows bitter, wounded Alec MacGregor.

Escape Rating B: My feelings about this story are very solidly mixed, I think because the blurb leads the reader to expect that the romance is the primary storyline, and it actually isn’t. It’s definitely there, but it doesn’t feel like the primary plot thread. Or at least I found the romantic suspense plot thread more interesting.

After all, it’s Alec is facing threats on all sides, even if he believes those threats are only coming from one side. He sees the enemy in front of him, because that enemy is screamingly obvious about it. Alec may not know how, or especially why, at the beginning, but the who is right there in front of him, smirking. Alec just can’t figure out how to prove it.

The enemy behind him, well, let’s just say it’s obvious to the reader. Or at least it was equally, screamingly obvious to this reader. And that the how and why in this case were every bit as obvious as the who.

What made this part of the plot so interesting – also infuriating – is that it violates Occam’s Razor, that the simplest solution is usually the right solution. It’s the reason why there is usually only one villain in mysteries, because two villains for the same set of crimes – unless they are partners – stretches the long arm of coincidence a bit too long. It doesn’t here which does lead the reader to wonder if one of the enemies isn’t quite as effective or quite as dastardly as they BOTH initially appear.

The romance here is VERY slow burn. Both Lily and Alec are very wounded people, in both cases emotionally and in Alec’s case also physically. But neither of them expects or is remotely looking for a romance with anyone – let alone with each other. And they kind of get dragged into the realization that they are, after all, in love with each other, kicking and screaming. It’s very much not what either them expected or even wanted at the beginning of the story.

Alec’s situation was more interesting – or had more elements that made it a bit different – than Lily’s. Historical fiction and historical romance are rife with characters like her, birds in gilded cages who get sprung by the exigencies of war. She was a well-drawn character of her type, but didn’t feel like more than that. Alec, on the other hand, had plenty of interesting facets, between his childhood injury that kept him out of the war, the way he’s treated because of it, AND the threats that he faces on all sides, with his family issues with both his mother and his sister on top.

I will say that I was beginning to wonder if his sister suffered from Munchausen syndrome by proxy, but it wasn’t quite that dire. Still bad, but not THAT bad. Her condition certainly made the pile of woes that had been piled on Alec all that much higher.

One of the things that I really liked about this story was that it turned out to be a World War I story that isn’t really about the war itself. Instead, it’s a story about the effects of the war, and that makes it all the more affecting for the reader.

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Review: A Cruel Deception by Charles Todd

Review: A Cruel Deception by Charles ToddA Cruel Deception (Bess Crawford, #11) by Charles Todd
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery, World War I
Series: Bess Crawford #11
Pages: 305
Published by William Morrow on October 22, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the aftermath of World War I, nurse Bess Crawford attempts to save a troubled former soldier from a mysterious killer.
The Armistice of November 1918 ended the fighting, but the Great War will not be over until a Peace Treaty is drawn up and signed by all parties. Representatives from the Allies are gathering in Paris, and already ominous signs of disagreement have appeared.
Sister Bess Crawford, who has been working with the severely wounded in England in the war’s wake, is asked to carry out a personal mission in Paris for a Matron at the London headquarters of The Queen Alexandra’s.
Bess is facing decisions about her own future, even as she searches for the man she is charged with helping.  When she does locate Lt. Lawrence Minton, she finds a bitter and disturbed officer who has walked away from his duties at the Peace Conference and is well on his way toward an addiction to opiates. When she confronts him with the dangers of using laudanum, he tells her that he doesn’t care if he lives or dies, as long as he can find oblivion. But what has changed him? What is it that haunts him? He can’t confide in Bess—because the truth is so deeply buried in his mind that he can only relive it in nightmares. The officers who had shared a house with him in Paris profess to know nothing—still, Bess is reluctant to trust them even when they offer her their help. But where to begin on her own?
What is driving this man to a despair so profound it can only end with death? The war? Something that happened in Paris? To prevent a tragedy, she must get at the truth as quickly as possible—which means putting herself between Lieutenant Minton and whatever is destroying him. Or is it whoever?
 

My Review:

This is a story about being stuck in limbo, and that’s fitting for its time and place. Because in Paris, in the spring of 1919, there was nothing but limbo. Not for the residents of Paris, not for the delegates to the Peace Conference, and certainly not for Bess Crawford, one of the many nurses in Queen Alexandra’s Imperial Military Nursing Service who was wondering whether she would be able to stay in the service once the wounded from the (hopefully) late war were finally settled and cared for back home in England.

And whether, or what, that was what she truly wanted.

A Duty to the Dead by Charles ToddWhen we first met Bess, back in November 1916 in A Duty to the Dead, she was a dedicated battlefield nurse in a war that was already two years old and seemed to have no end in sight. Getting through each day and each night, saving who she could and grieving the many she could not was all that the eye could see.

But in March of 1919, when this story takes place, the Armistice has been in effect for over 5 months, but a peace treaty was nowhere in sight. The Allied Powers are in a state of such disagreement that it sometimes seems as if a shooting war will break out across their negotiating table long before they reach the point where they can present anything like a united front to the Central Powers, meaning Germany and her allies.

It’s into the middle of this muddle, slightly muddled herself, that Bess finds herself back in Paris, and just like her “adventure” in The Shattered Tree, poking her nose into places that entirely too many people think it doesn’t belong.

Especially the man that she has come to Paris to find, Lieutenant Lawrence Minton. Lt. Minton’s mother is someone whose requests Bess is unable to refuse. His mother is the current Matron, or head, of the nursing service that Bess would like to remain part of after the war is finally officially over.

Matron is concerned that her son has been reported absent from his duties as one of many military attaches to the peace conference, and when Bess arrives to investigate, she learns that those fears are more than justified. The lieutenant is not just missing, he seems to be rusticating in the French countryside and doing his level best to remain doped to the eyeballs on laudanum every waking minute.

Bess feels caught between a rock and a hard place. If she reports the man’s current state to anyone, including his mother, officialdom will step in and he will be discharged in disgrace. As the lieutenant is an officer in her father’s old regiment, that disgrace will reflect badly on the regiment and could even reach up to the Colonel Sahib, who may no longer be the regiment’s official leader but is still involved with both the regiment and the war effort.

So Bess decides to investigate the matter herself – as she so often does. She knows that something happened to Minton in Paris that seems to have changed him overnight from a dutiful, conscientious officer who wanted to remain in uniform to a lying, cruel opium addict. She is determined to find out just what is driving the man’s search for oblivion at any cost.

That her search sends her straight into the path of someone determined to drive Minton to that oblivion, and to death beyond it, by the quickest road puts Bess in the sights of a murderer with nothing left to lose.

A place that Bess seems to find herself again and again, but this time without her usual allies and with more than the usual number of enemies.

Escape Rating B: As I said at the top, this is a story about being in limbo. There are just too many things that are very much up in the air, and Bess’ investigation into Minton’s circumstances are just one of the many, many things that are hanging.

The problem for the book is that limbo is a frustrating place to be, but not generally an interesting one. Limbo is angsty without a resolution in sight. While Bess’ investigation does eventually lead to resolution and the hope of closure for Minton, most of the other circumstances are out of her control, even at the story’s end.

And it seems as if Minton’s situation is equally unresolved for about 2/3rds of the story. Bess spends a LOT of time trying to figure out what’s wrong with him and then searching for answers that seem to be out of reach, either lost in Minton’s confused mind or eluding her through the streets of war-weary Paris.

As is known from history, the formal state of war between the Allies and the Central Powers did not end until the signing of the Treaty of Versailles on June 28, 1919. A treaty which, again as we know now, led directly to the conditions which brought about World War II. But at the point where this story takes place, the Allies are still wrangling. France wants Germany to pay crippling reparations, a condition which they eventually won. The U.S., under President Woodrow Wilson, has his optimistic vision for the League of Nations, which he also eventually won. Neither side got exactly what they hoped for, but hindsight is always 20/20.

However, as this story takes place, the treaty is in the future. What is known is that all the powers, with the possible exception of the U.S., are much too war-torn and war-weary for the hostilities to continue, no matter what it takes to get everyone to the treaty-table.

Bess herself is in limbo, as the nursing service is drawing down rapidly. Many women are resigning in order to marry the men they either waited for or met during the war. Those that survived. England lost a generation of young men in the war, and many women would be unable to marry after the war because there weren’t nearly enough men left TO marry.

Bess can return to her parents house and be their daughter again. Not that she was ever disowned – far from it. She has, however, the option to be the daughter that she would have been if the war hadn’t intervened. But it did. She’s used to being on her own, making not just her own decisions but decisions of life and death for the men under her care. Going back to being anyone’s protected, obedient and dependent child is not a path she wants to take.

At the same time, in spite of the number of proposals that she has received during the war, she has no desire to see if any of those proposals were real. She may have liked or been fond of the men who made them, but she doesn’t love any of them. She’s not sure if there’s anyone she does love enough to marry. Except possibly her father’s regimental sergeant, Simon Brandon, a man who has been part of her life and her family for many years. But Brandon is absent throughout this story, as far as Bess knows off in Scotland courting someone else. Maybe or maybe not.

So Bess is in a personal limbo for this whole story. Admittedly, she doesn’t angst about it a lot, and when she does, it is mostly about her career and future in general, and not about marriage in particular, to Simon or anyone else. Not that Simon has ever offered. But it never read, at least to me, like romantic pining or that the story was in any way revolving around her love life. Bess is trying to figure out what her future will look like at a time when all futures were very much up in the air. As an intelligent, thoughtful person, worrying about the future in these circumstances is the right thing for her to be doing.

But limbo is just not as interesting as action. Or at least forward motion in some form. Something that I hope to see a lot more of whenever Bess returns in her next adventure.

Review: The Poppy Wife by Caroline Scott

Review: The Poppy Wife by Caroline ScottThe Poppy Wife: A Novel of the Great War by Caroline Scott
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: paperback, large print, ebook, audiobook
Genres: historical fiction, World War I
Pages: 448
Published by William Morrow Paperbacks on November 5, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the tradition of Jennifer Robson and Hazel Gaynor, this unforgettable debut novel is a sweeping tale of forbidden love, profound loss, and the startling truth of the broken families left behind in the wake of World War I.1921. Survivors of the Great War are desperately trying to piece together the fragments of their broken lives. While many have been reunited with their loved ones, Edie’s husband Francis is still missing. Francis is presumed to have been killed in action, but Edie knows he is alive.

Harry, Francis’s brother, was there the day Francis went missing in Ypres. And like Edie, he’s hopeful Francis is living somewhere in France, lost and confused. Hired by grieving families in need of closure, Harry returns to the Western Front to photograph soldiers’ graves. As he travels through France gathering news for British wives and mothers, he searches for evidence his own brother is still alive.

When Edie receives a mysterious photograph that she believes was taken by Francis, she is more certain than ever he isn’t dead. Edie embarks on her own journey in the hope of finding some trace of her husband. Is he truly gone, or could he still be alive? And if he is, why hasn’t he come home?

As Harry and Edie’s paths converge, they get closer to the truth about Francis and, as they do, are soon faced with the life-changing impact of the answers they discover.

An incredibly moving account of an often-forgotten moment in history—those years after the war that were filled with the unknown—The Poppy Wife tells the story of the thousands of soldiers who were lost amid the chaos and ruins in battle-scarred France; and the even greater number of men and women hoping to find them again.

My Review:

I read this book on November 11, the day that was originally created as Remembrance Day. A day to commemorate those who served in the war that is over but not done for the protagonists of this marvelous story.

They always say that funerals are for the living, not the dead. They provide closure, and as humans, we all need that. Or, to put it another way, we need to get through those famous “seven stages of grief“ to move on with our lives after a loss.

This story is not merely about the two protagonists, but about thousands of people – possibly whole nations of people – who are stuck in that first stage of grief, shock and denial. Because there’s no body, no definitive answer. Only a gaping wound where a loved one used to be and no certainty that they are really gone. Only that they are lost – and so are their survivors.

Edie and Harry are linked by one such loss. Her beloved husband Francis was Harry’s oldest brother. Or at least by 1921 the past tense in reference to Francis is presumed but not absolutely certain. Francis is one of the thousands of soldiers who has been labeled “missing, presumed dead.”

Harry saw him wounded, shot in the chest at Ypres. Harry saw him sent back to an aid station, and was certain that his brother’s wound was fatal. But Francis’ body was never processed. If he is truly dead, no one seems to know where or when.

But four years after the war, someone sends Edie a photograph of Francis in the mail. It’s a Francis she never knew, a man who had been ravaged by war. But a man still alive – at least at the time the photograph was taken. There’s no note with the photograph and nothing to say where or when it was either taken or mailed.

So Edie asks Harry to look, again, for Francis. Not that Harry hasn’t looked plenty of times before – and not just for Francis. After all, it’s Harry’s job to go to the battlefields and graveyards and photograph the graves, the artifacts, and the ruins. He is the photographer of the lost. (This book was originally published in the U.K. under that title, The Photographer of the Lost.)

But sending Harry doesn’t stop Edie from also going herself. To look, one more time, for evidence that her husband is dead – or to find him if he is alive. She is not alone on her journey – and neither is Harry.

Their dead travel with them – and with every single person they meet along the way, all hoping against hope that this time they will find what they are looking for. Even if it’s just that much needed but so far elusive sense of closure.

Escape Rating A: The word most commonly used in reviews of The Poppy Wife (under both of its titles) is haunting. Because it is. All of Europe is haunted by the ravages and losses of the Great War, and so are all those left behind, as Edie, Harry and the people they meet along the way certainly are.

I will also add here that while this book is beautiful, it is not one to read if you are already down. This is a story about finding closure, not about finding a happy ever after. Unless you are prone to schadenfreude while watching other people grieve, this is a hard book to read. Beautiful and deeply felt, but if you’re in the doldrums it’s likely to make them worse, not better.

“The past is never dead. It’s not even past.” Or so goes the famous quote by William Faulkner. The Poppy Wife is the story of two people, and an entire generation, who are doing their best to put the dead into their own past. One step, one relic, one graveyard at a time. And we grieve with them.

I leave you, The Poppy Wife and The Photographer of the Lost with this final note. The painful and painstaking journey that Edie and Harry and the many characters of this story are trapped in the middle of continues to the present day. According to the Commonwealth War Graves Commission, there are, on average, 50 discoveries of World War I remains every year, but few are ever identified. The remains of Lance Corporal Frederick Thomas Perkins were discovered in 2018, giving his granddaughter the closure that his family still needed more than a century after he was declared “missing, presumed dead.”

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Review: Death in Focus by Anne Perry

Review: Death in Focus by Anne PerryDeath in Focus (Elena Standish #1) by Anne Perry
Format: eARC
Source: supplied by publisher via Edelweiss, supplied by publisher via NetGalley
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: historical fiction, historical mystery, World War I, World War II
Series: Elena Standish #1
Pages: 320
Published by Ballantine Books on September 17, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In the start of an all-new mystery series set in pre-World War II Europe, an intrepid young photographer carries her dead lover's final, world-shattering message into the heart of Berlin as Hitler ascends to power.

On vacation from London on the beautiful Italian coast, twenty-eight-year-old Elena Standish and her older sister, Margot, have finally been able to move on from the lasting trauma of the Great War, in which the newly married Margot lost her husband and the sisters their beloved brother. Touring with her camera in hand, Elena has found new inspiration in the striking Italian landscape, and she's met an equally striking man named Ian. When Ian has to leave unexpectedly, Elena--usually the more practical of the sisters--finds she's not ready to part from him, and the two share a spontaneous train trip home to England. But a shocking sequence of events disrupts their itinerary, forcing Elena to personally deliver a message to Berlin on Ian's behalf, one that could change the fate of Europe.

Back home, Elena's diplomat father and her secretive grandfather--once head of MI6, unbeknownst to his family--are involved in their own international machinations. Worried when Elena still hasn't returned from Italy, her grandfather starts to connect the dots between her change in plans and an incident in Berlin, where Adolf Hitler and the Third Reich are on the rise. It seems the message Elena delivered has forced her into a dangerous predicament, and her grandfather's old contacts from MI6 may be the only people who can get her out alive--if Elena can tell the difference between her allies and her enemies.

New York Times bestselling author Anne Perry merges family secrets with suspense on the world stage, as darkness bubbles under the surface of a Europe on the brink of change. In these complicated times, Elena emerges as a strong new heroine who learns quickly that when nothing is certain, she can rely only on herself.

My Review:

Today is Veterans Day in the U.S. and Remembrance Day in the U.K. and other Commonwealth countries. On this day in 1919, “at the 11th hour of the 11th day of the 11th month”, the guns of World War I finally went silent.

I don’t usually post a review on this day, but this marvelous book dropped into my lap, and it seemed so perversely relevant to the day that I couldn’t help myself.

Death in Focus does not take place during the Great War, but the war and its aftermath directly influences everything that happens within it. Both because all of the characters are still scarred by the war well over a decade later, but also because the seeds of World War II were sown in the treaty that ended World War I.

But that’s something that is taken as a given now. One of the things that underpins this story is that those seeds were sown on both sides of that first conflict. The punishing reparations inflicted upon Germany as the losing side set up the desperate economic conditions that fueled Hitler’s rise to power.

The brutal death toll on the winning side, particularly in Great Britain, led to the tragic appeasement tactics of the interwar years. Britain had lost an entire generation of young men, and few of the survivors were willing to entertain the possibility that all of those sacrifices might be in vain. Many, including those in government, were willing to tolerate anything, no matter how heinous, in order to preserve the fragile peace.

Not that there weren’t plenty of people in Britain, including Duke of Windsor (the former King Edward VIII) who sympathized with entirely too many of Hitler’s goals, including the concept of the Aryans as the so-called “master race” along with the willingness to eliminate any people who were not part of that “race”. A belief that led to the concentration camps and the gas chambers.

While Death in Focus doesn’t deal directly with the factions in Britain who believed that the concentration camp opened at Dachau in 1933 (when this story takes place) were just a good start, it does give insight into those, both in government and out, who simply could not face the idea of another war because they lost so much in the last war and couldn’t even bear the idea of doing it again.

So, the story of Death in Focus operates on two fronts. One is the story that follows Elena Standish as she finds herself in the midst of Nazi Germany on the run from both the Gestapo and the British Foreign Service, betrayed by her own country and framed for a crime that she did not commit.

Meanwhile, back on the home front, her father and grandfather are at loggerheads, and not just about Elena’s current plight.

Her father is a senior official in the diplomatic service who is certain that his father, a paper pusher during the first war, can’t possibly know what the current situation in Germany – or anywhere else – is really like. That the old man can’t possibly understand why so many, including himself, will do anything to prevent another war. And that both Hitler and Mussolini are actually doing good things for their countries that shouldn’t be interfered with from the outside.

But granddad is actually the retired head of MI6. He knows perfectly well what happened during the first war, and still has his finger on the pulse of current events around the world. He is certain that another war is coming and is beyond worried that his beloved granddaughter seems to have been unwittingly caught up in it.

Escape Rating A: As much as I got completely wrapped up in this story, I have to admit that what grabbed me wasn’t Elena, even though this is the first book in a projected series that will follow her exploits.

Exploits that remind me more than a bit of those of Maisie Dobbs, particularly in Journey to Munich, where Maisie was undercover in Nazi Germany in 1938. Although Maisie’s official cover doesn’t fail quite as badly as the way that Elena gets dumped in the soup.

Instead, the fascination for me with Death in Focus was on the home front, with her grandfather’s internal conflict. He has kept his secrets for so long, to the point where he and his son have become estranged, because he knows the war is coming and his son, in grief over his own wartime losses, needs desperately to stick his head in the sand and believe that the peace will last. Their characters and their dilemma resonated more for me, perhaps because they felt more fully developed as characters. Elena, like Maisie Dobbs in the first book in her series, has a lot of development yet to come.

In spite of his diplomatic service, her father doesn’t see what is going on because he doesn’t want to see. And in his willful blindness we see the same in plenty of others, including the government of Neville Chamberlain. Hindsight is not only 20/20, but it is downright painful.

At the same time, this is a murder mystery. Elena seems to be trailing dead bodies behind her, and she doesn’t know why. She only knows that she herself is not the killer. So there is a traditional mystery to solve, albeit in very nontraditional circumstances.

In the end, many characters discover that things are not quite as they seem. Including everything that Elena believed about her trip to Berlin and what she discovered. And that while revenge is still a dish best served cold, sometimes the chef for that dish misjudges their enemies and finds themselves served instead.