Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical fiction, historical mystery, mystery, World War I
Series: Bess Crawford #12
Published by William Morrow on July 6, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
In the uneasy peace following World War I, nurse Bess Crawford runs into trouble and treachery in Ireland—in this twelfth book in the New York Times bestselling mystery series.
The Great War has finally come to an end, but tensions remain high throughout Europe. In Ireland, no one has forgotten the bloody 1916 Easter Rising that fought to end British rule in the country. Bess’s old friend, nurse Eileen Flynn, returns to her isolated Irish village where two factions continue to battle against each other. Eileen’s time with the British army makes her a target for retaliation. Her missing cousin, who was active in the rising and is still being hunted by the British, is her only protection.
Despite concerns about her safety, Bess keeps her promise to her wartime friend and travels to Ireland to be part of Eileen’s wedding party. But on her arrival, Bess discovers that the groom has gone missing. Then a body is fished from the sea. The villagers are hungry to see justice carried out—for wrongdoings new and old—and Eileen’s protection is running out. But clearing her name may mean sacrificing another beloved friend’s neck to the noose instead. Bess must unravel a dark, deceptive plot before someone she loves dies.
“How ‘Ya Gonna Keep ‘Em Down on the Farm (After They’ve Seen Paree?) was a popular World War I song, particularly after the war ended. Just at the point where this 12th book in the Bess Crawford series takes place.
Because in June of 1919, Bess Crawford was facing her own version of that question. When we met her in A Duty to the Dead, all the way back in 1916, her war was just beginning, and Bess, a trained nurse in Queen Alexandra’s Imperial Military Nursing Service, was on her way to the forward aid stations to serve her country in her chosen profession, aboard the HMHS Britannic – which nearly sank along with her and her career.
Back on that doomed ship, Bess saved the life – and the injured legs – of one of her fellow nurses, Eileen Flynn. Now that the war is over, Eileen and the soldier she waited for for more than four years are going to be married. At Eileen’s family home in Killeighbeg, on the west coast of Ireland.
Eileen just wants to be married with her family and friends around her, in the place where she grew up and in the church where she was baptized. She wants to set out on her life’s journey by starting in her home.
But Eileen’s soldier took the “King’s Shilling” back in 1914, serving in the Irish Guards. That was before the Easter Rising of 1916 and the brutal British repression of the rebellion. Sentiment has changed quite a bit in Ireland in the following years.
Eileen and her fiancé Michael are both considered traitors by many of the locals for having served in the British Army. Eileen has asked Bess to be her attendant at the wedding and Michael has asked one of his commanding officers, so not only are Eileen and Michael considered traitors but they’ve invited English “spies” to come to Killeighbeg as well.
Although what there is in tiny Killeighbeg to spy on is anyone’s guess.
Emotions and tempers are high – on both sides. When Bess arrives just a few days before the wedding she finds herself in the middle of a powder keg that feels like it’s going to explode at any moment.
The groom is missing and entirely too many of the locals believe that it’s good riddance to bad rubbish – including Eileen’s tyrannical grandmother. Who appears to be the local despot in charge of all things Rebellion – in spite of her own son being a live – and wanted – hero of the Easter Rising.
Bess feels like a hostage in hostile territory, only because she is. But she can’t leave until Eileen’s betrothed is found – one way or another. And that can’t happen until someone figures out who took him and why.
But in the moments in between worrying about her friend’s future, Bess has little to do but consider her own. Because she’s seen her own Paree, she’s had a life where she was independent and responsible for herself, respected for her skills. She can’t quite see herself going back to being a dependent daughter again.
She envies Eileen her possibility of happiness, even as she fears that it may not come to pass. And in the darkness of entirely too many nights of tension and terror, she has to face her own truth no matter how much she wants to turn away.
Escape Rating A-: The story in An Irish Hostage feels close and tight, and that’s probably the way it should be. There are huge issues on the horizon, and in the story, and most of them are too big for Bess to solve. She’s stuck, inside tiny, hostile Killeighbeg, caught in the web of the Flynn household, and trapped entirely too often inside her own head.
I want to say that the house and town read like an attempt at a microcosm of Irish history in that tense period between the Rising and Independence. Some want to continue the bloodshed at all costs, some want to find a peaceful solution, some just want to stir up trouble for its own sake. Some people, like Eileen’s cousin Terrance, want justice for Ireland, meaning independence. Some, like Eileen’s grandmother, want vengeance at any cost. Many refuse to recognize that justice and vengeance are NOT the same thing.
And others, like Eileen and her Michael, just want peace – even if they have to leave their home in order to get any.
(I just had the very wild thought that pretty much all of the above could be applied to the Middle East as well, and that one of the big root causes in both places was the British Empire meddling in places that it arguably had no business meddling. I digress.)
And that leads directly to Bess, who is a symbol of, in some ways, the worst of all possibilities, that now that the Great War is over, the British Army in all of its might is going to come down on Ireland like many, many armed tons of explosive bricks.
While the future of Ireland looms over the entire story, it is much too big a thing for Bess to even think about solving. All she can do is get herself and those she has pledged to help out of the line of fire.
But Bess’ future is a problem that only she can solve. It, too, has been looming on the horizon for the past several books, possibly as far back as A Question of Honor, set in the Summer of 1918, but certainly by A Forgotten Place, set in November 1918 as the Armistice is signed.
Her dilemma feels real – although she has a bit too much time on her hands to mull it over. She knows what she’s expected to do. As a woman, she’s expected to “forget” having been an independent and responsible adult in a war zone for the past four years and go back to being a dependent female until she marries. She also knows that isn’t enough for her but that her choices are few.
At the same time, she is wondering about who she will spend the rest of her life with. Unlike many long-running mystery series, Bess’ love life has never been a feature of the books. She hasn’t fallen in love with anyone. By the end of An Irish Hostage, we know precisely why.
We just don’t know what Bess is going to do about it. And neither does she. Hopefully, that answer is to come in the next book in the series!