Source: supplied by publisher via Edelweiss
Formats available: paperback, large print, ebook, audiobook
Genres: historical fiction, World War I
Published by William Morrow Paperbacks on November 5, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
In the tradition of Jennifer Robson and Hazel Gaynor, this unforgettable debut novel is a sweeping tale of forbidden love, profound loss, and the startling truth of the broken families left behind in the wake of World War I.1921. Survivors of the Great War are desperately trying to piece together the fragments of their broken lives. While many have been reunited with their loved ones, Edie’s husband Francis is still missing. Francis is presumed to have been killed in action, but Edie knows he is alive.
Harry, Francis’s brother, was there the day Francis went missing in Ypres. And like Edie, he’s hopeful Francis is living somewhere in France, lost and confused. Hired by grieving families in need of closure, Harry returns to the Western Front to photograph soldiers’ graves. As he travels through France gathering news for British wives and mothers, he searches for evidence his own brother is still alive.
When Edie receives a mysterious photograph that she believes was taken by Francis, she is more certain than ever he isn’t dead. Edie embarks on her own journey in the hope of finding some trace of her husband. Is he truly gone, or could he still be alive? And if he is, why hasn’t he come home?
As Harry and Edie’s paths converge, they get closer to the truth about Francis and, as they do, are soon faced with the life-changing impact of the answers they discover.
An incredibly moving account of an often-forgotten moment in history—those years after the war that were filled with the unknown—The Poppy Wife tells the story of the thousands of soldiers who were lost amid the chaos and ruins in battle-scarred France; and the even greater number of men and women hoping to find them again.
I read this book on November 11, the day that was originally created as Remembrance Day. A day to commemorate those who served in the war that is over but not done for the protagonists of this marvelous story.
They always say that funerals are for the living, not the dead. They provide closure, and as humans, we all need that. Or, to put it another way, we need to get through those famous “seven stages of grief“ to move on with our lives after a loss.
This story is not merely about the two protagonists, but about thousands of people – possibly whole nations of people – who are stuck in that first stage of grief, shock and denial. Because there’s no body, no definitive answer. Only a gaping wound where a loved one used to be and no certainty that they are really gone. Only that they are lost – and so are their survivors.
Edie and Harry are linked by one such loss. Her beloved husband Francis was Harry’s oldest brother. Or at least by 1921 the past tense in reference to Francis is presumed but not absolutely certain. Francis is one of the thousands of soldiers who has been labeled “missing, presumed dead.”
Harry saw him wounded, shot in the chest at Ypres. Harry saw him sent back to an aid station, and was certain that his brother’s wound was fatal. But Francis’ body was never processed. If he is truly dead, no one seems to know where or when.
But four years after the war, someone sends Edie a photograph of Francis in the mail. It’s a Francis she never knew, a man who had been ravaged by war. But a man still alive – at least at the time the photograph was taken. There’s no note with the photograph and nothing to say where or when it was either taken or mailed.
So Edie asks Harry to look, again, for Francis. Not that Harry hasn’t looked plenty of times before – and not just for Francis. After all, it’s Harry’s job to go to the battlefields and graveyards and photograph the graves, the artifacts, and the ruins. He is the photographer of the lost. (This book was originally published in the U.K. under that title, The Photographer of the Lost.)
But sending Harry doesn’t stop Edie from also going herself. To look, one more time, for evidence that her husband is dead – or to find him if he is alive. She is not alone on her journey – and neither is Harry.
Their dead travel with them – and with every single person they meet along the way, all hoping against hope that this time they will find what they are looking for. Even if it’s just that much needed but so far elusive sense of closure.
Escape Rating A: The word most commonly used in reviews of The Poppy Wife (under both of its titles) is haunting. Because it is. All of Europe is haunted by the ravages and losses of the Great War, and so are all those left behind, as Edie, Harry and the people they meet along the way certainly are.
I will also add here that while this book is beautiful, it is not one to read if you are already down. This is a story about finding closure, not about finding a happy ever after. Unless you are prone to schadenfreude while watching other people grieve, this is a hard book to read. Beautiful and deeply felt, but if you’re in the doldrums it’s likely to make them worse, not better.
“The past is never dead. It’s not even past.” Or so goes the famous quote by William Faulkner. The Poppy Wife is the story of two people, and an entire generation, who are doing their best to put the dead into their own past. One step, one relic, one graveyard at a time. And we grieve with them.
I leave you, The Poppy Wife and The Photographer of the Lost with this final note. The painful and painstaking journey that Edie and Harry and the many characters of this story are trapped in the middle of continues to the present day. According to the Commonwealth War Graves Commission, there are, on average, 50 discoveries of World War I remains every year, but few are ever identified. The remains of Lance Corporal Frederick Thomas Perkins were discovered in 2018, giving his granddaughter the closure that his family still needed more than a century after he was declared “missing, presumed dead.”