Source: publisher via NetGalley
Formats available: ebook, audiobook
Genres: contemporary romance, sports romance
Series: Cold Fury Hockey #5
Published by Loveswept on March 15th 2016
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
The Carolina Cold Fury hockey team proves that love is a power play. As Sawyer Bennett’s New York Times bestselling series continues, the league’s most notorious party animal gets blindsided by the one that got away.
Off the ice, elite defenseman Hawke Therrien enjoys his fair share of booze and good times. And why shouldn’t he? He’s worked his way up from the minor leagues and made himself a star. The only thing Hawke misses from that life is the pierced, tattooed free spirit who broke his heart without so much as an explanation. She’s almost unrecognizable when she walks back into his life seven years later—except for the look in her eyes that feels like a punch to the gut.
Vale Campbell isn’t the same girl she was at twenty. As crazy as she was about Hawke, her reckless behavior and out-of-control drinking were starting to scare her. She had to clean up her act, and that would never happen with Hawke around. Cutting him loose was the hardest thing Vale ever had to do—until now. Because she’s still crazy about Hawke. And if he could ever learn to forgive her, they just might have a future together.
I picked this up because I have generally enjoyed Bennett’s Cold Fury Hockey series. However, looking at the progression of my reviews from the first book, Alex to the most recent book, Ryker, I can see that my feelings about this series have been on a downhill slide. I had originally planned to review it as part of a tour, but after I finished, I discovered that I just couldn’t. In spite of having enjoyed most of the earlier entries in the series, I did not like this book. It hit two of my hot buttons, and not in a good way.
As my readers are aware, I am not fond of the “misunderstandammit” that often creates the fake tension in a romance. You know what I mean, where the only reason the two protagonists are apart is because they just won’t sit down and communicate with each other. They get so caught up in thinking they know what is going on in the other person’s head or heart that they never just talk about it. And all too often, whatever it is they are assuming, read for the classic definition of “assume makes an ass out of u and me” is ridiculously petty, and it is always dead wrong.
In this story there are two big misunderstandammits. One is actually pretty big and important, but it gets cleared up in the middle of the book. By the time the issue is dealt with, I suspect there will be very few readers who haven’t already figured it out, but it is understandable that the heroine didn’t reveal it to the hero at the time it happened. Probably not a good choice on her part, but understandable.
And this reader was incredibly grateful that it wasn’t a secret baby. That’s a trope I dislike pretty intensely.
But there is a second misunderstandammit, and it turns out to be both petty and stupid. It’s petty in the sense that what turns out to be behind it was petty. That it is something the heroine is still unhappy with is not. But there was no vicious motive, just coincidence and happenstance. Life happens. What felt stupid was that while he gets closure, while he discovers what happened in the past and learns the reasons behind it, she never reveals that he hurt her as well. She’s supposed to be more forgiving than that. Why? He gets the air cleared but she doesn’t? And then, when that second secret bites them in the ass, she still doesn’t reveal it. A friend has to “woman up” for her.
That’s kind of where things fell apart for me. Not because of this particular incident, but because it fell into the pattern of the book. He gets whatever he wants, and she gives in.
There is a scene about a third of the way through, where he follows her to a private place at a party, intending to talk. Instead it turns into punishment sex that doesn’t go all the way. But we see this scene from inside his head, and she says no. She may still be into him, but it’s the wrong place and the wrong time. It’s not just that there is a party in the next room, but her current boyfriend is at that party. Whatever she still feels or doesn’t, this is wrong and she says so. Hawke doesn’t care that she said no, he wants to prove to her that she still wants him, so he coerces her participation, then backs out because of shit in his own head.
It felt like there were way too many times in this story where she said, “no”, or “not now” and he decided that what he wanted was more important than her “no” or that he knew best. To me, that is not romantic. It is controlling and borderline abusive. It also feeds into the mindset that “no” really means “yes” or that the woman’s agency doesn’t matter nearly as much as the man’s does. This one drops me out of the story every single time.
There are a whole lot of times where Hawke is sweet and caring, but it doesn’t change this tone for me.
When she finally reveals what happened years ago, part of her reason for breaking up with him was that she felt that if they stayed together, it would always be about him. He would swallow her up and she would never be anything more than his appendage. At the end of the story, it is all too clear that she was right then, and she’s still right now.
Escape Rating D for very, very disappointed.