Review: American Heiress by Jeffrey Toobin

Review: American Heiress by Jeffrey ToobinAmerican Heiress: The Wild Saga of the Kidnapping, Crimes and Trial of Patty Hearst by Jeffrey Toobin
Formats available: hardcover, paperback, ebook, audiobook
Pages: 368
Published by Doubleday on August 2nd 2016
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From New Yorker staff writer and bestselling author Jeffrey Toobin, the definitive account of the kidnapping and trial that defined an insane era in American history
On February 4, 1974, Patty Hearst, a senior in college and heiress to the Hearst family fortune, was kidnapped by a ragtag group of self-styled revolutionaries calling itself the Symbionese Liberation Army. The already sensational story took the first of many incredible twists on April 3, when the group released a tape of Patty saying she had joined the SLA and had adopted the nom de guerre "Tania."The weird turns of the tale are truly astonishing -- the Hearst family trying to secure Patty's release by feeding all the people of Oakland and San Francisco for free; the photographs capturing "Tania" wielding a machine gun during a bank robbery; a cast of characters including everyone from Bill Walton to the Black Panthers to Ronald Reagan to F. Lee Bailey; the largest police shoot-out in American history; the first breaking news event to be broadcast live on television stations across the country; Patty's year on the lam, running from authorities; and her circuslike trial, filled with theatrical courtroom confrontations and a dramatic last-minute reversal, after which the phrase "Stockholm syndrome" entered the lexicon. The saga of Patty Hearst highlighted a decade in which America seemed to be suffering a collective nervous breakdown. Based on more than a hundred interviews and thousands of previously secret documents, American Heiress thrillingly recounts the craziness of the times (there were an average of 1500 terrorist bombings a year in the early 1970s). Toobin portrays the lunacy of the half-baked radicals of the SLA and the toxic mix of sex, politics, and violence that swept up Patty Hearst; and recreates her melodramatic trial. American Heiress examines the life of a young woman who suffered an unimaginable trauma and then made the stunning decision to join her captors' crusade. Or did she?

My Review:

The past, as they say, is another country. They do things differently there.

1974 is definitely the past. Which is something which also feels unaccountably “wrong” at the same time. I was a junior in high school when Patty Hearst was kidnapped. And it seems like a life-time ago – only because it was.

patty hearst SLAThe story of Patty Hearst’s kidnapping, conversion, capture and conviction is so wildly improbably that it could only be fact. If someone tried to sell this saga as fiction, it would be rejected as too improbable to be believable. But it really happened.

It’s a very wild ride.

One of the things that struck this reader is just how inept both sides of the equation were. The cops, notably the FBI, come off as much more Keystone Kops than clear-eyed Eliot Ness. It’s not just that they couldn’t catch a break, but that they often didn’t know what break to catch. In hindsight, there were all kinds of clues that weren’t followed up on. This didn’t have to go on nearly as long as it did.

Especially since the criminals were no more ept than the cops. As you read the story, it’s impossible not to be struck but just how often the SLA just got lucky. They may have planned their individual operations down to the details, but there was no overall plan and no major goal to be accomplished. They seem to have been living in a bubble of their own making. And it somehow kept working for them.

Until it didn’t.

The central figure in this story is Patty Hearst herself. So much hinges on figuring out what she really thought and felt. And that’s an unknown, and always has been.

It’s difficult not to put myself in her place. At 19, if someone kidnapped you at gunpoint and locked you in a closet, what would you think when weeks later they offered you the option of walking away or joining up? Would anyone actually believe that walking away was a real option? I keep coming back to that over and over. Expediency says to play along.

The questions, both at the time and now, come back to whether or not she truly believed in the revolutionary cause she ended up espousing. But even if she did, how can anyone say that she truly gave unforced consent to anything that happened? How free was she to choose? We’ll never know.

Which is probably how she managed to receive both clemency from President Jimmy Carter and a pardon from President Bill Clinton. In the end, with Patty controlling the narrative, everyone saw what they wanted to see.

Something that Patty Hearst seems to have been very, very good at playing.

Escape Rating A-: One of the things that this book does well is to set the stage. The 1970s are not that long ago, but they are also in some ways very far away. The optimism of the civil rights movement and the feminist movement had not yet faded into cynicism. At the same time, it was a completely crazy era, as the anti-war protests of the 1960s descended into revolutionary fervor and violence of all types. Including lots of bombings and home-grown terrorism.

The cops come off as almost completely inept. At the same time, the criminals were more lucky than smart. One of the things that the author makes clear, but is so hard to imagine today, is that there were no cell phones and no internet. Communication was slow and clumsy, coordination was incredibly difficult. Those are factors which made the criminals lives much easier, and the cops’ jobs much more difficult. Occasionally, that ineptitude feels like it drags the narrative down a bit. Because the bulk of the book is about Patty’s life on the run with the SLA, the length of time she remains free and the inability of the police and the FBI to find and apprehend her goes on and on, because in real life it did.  However, I would have liked a bit more on the trial and its aftermath than is present in the book.

At the end of the book, the questions are still unanswered. Both the question of just how willing a participant Patty Hearst was in the later SLA criminal activities, and also just how much will did she have at that point? It’s ironic that the phrase that most often comes to mind in reference to her case, Stockholm Syndrome, wasn’t in use at the time of her trial because the Stockholm event itself had just occurred in 1973. Was she formally brainwashed? Based on the book, it seems doubtful. Not that the SLA might not have tried, but that they never seemed to have it that much together. Did she have Stockholm Syndrome? That seems much more plausible.

That the questions from the book continue to haunt me says something about the writing. This is a good story. It always has been. There’s a lot of drama, a certain amount of melodrama, and a fascinating use of a kind of sin and redemption trope, as Patty is taken from her good girl life, becomes an outlaw, and then reforms. It’s also a story about where the rich really are different from you and me. No one else in history has ever received both clemency and a pardon. Money still talks.

American Heiress is a compulsively readable account of an utterly fascinating riches to rags to riches story of crime, punishment and redemption.

Review: Stardust by Neil Gaiman + Giveaway

Review: Stardust by Neil Gaiman + GiveawayStardust by Neil Gaiman
Formats available: hardcover, paperback, graphic novel, large print, ebook, audiobook
Pages: 288
Published by William Morrow on September 27th 2016 (first published 1999)
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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Go and catch a falling star . . .
Tristran Thorn promises to bring back a fallen star for his beloved, the hauntingly beautiful Victoria Forester—and crosses the wall that divides his English country town from another, more dangerous world of lords and witches, all of them in search of the star. Rich with adventure and magic, Stardust is one of master storyteller Neil Gaiman's most beloved tales.
“Eminently readable—a charming piece of work.”   —Washington Post Book World
“Beautiful, memorable . . . A book full of marvels.”   —Milwaukee Journal Sentinel

My Review:

Stardust the movie posterNever judge a book by its movie. I saw the movie Stardust a few years ago, but my recollection of it is NOTHING like the book. Which was lovely. But does not contain cross-dressing pirate captains. Not that a book about or containing cross-dressing pirate captains might not be good, or interesting, or funny, or all of the above. But there are none in Stardust. The book.

Stardust has the feel of a fairy tale, albeit one written for adults or near-adults. Or possibly pretending-to-be-adults. The world of Faerie, beyond the town of Wall, has all the elements of a fairy tale. There are evil witches who cast terrible spells. There’s a mysterious kingdom high in the mountains, where the throne is passed, not from father to eldest son, but from survivor to survivor, in a winner-takes-all competition for the throne. There are people ensorcelled to be animals, and animals spelled to be people.

And of course there is prophecy, destiny and fate. And absolutely nothing is as it seems.

Once upon a time, a young man of Wall spends the night in Faerie with a beautiful girl. He goes home to his ordinary life, and marries his ordinary wife, and the night he spent with the bird-girl slips further into dreams.

Until nine months later, when a baby is shoved through the opening from Faerie into Wall, and Dunstan Thorn learns that actions have consequences, although not necessarily for him. Because this is not his story.

It’s that baby’s story. Tristran Thorn grows up, and as a very young man, makes a very foolish promise to a rather stuck-up young woman. But while she means nothing of what she says to him, he means every single word that he says to her.

And off Tristran goes, to Faerie, to seek out a fallen star. He has no idea that Faerie is the land of his birth. And he equally has no idea that the fallen star he seeks is not a lump of metal, but a young woman who was knocked out of the sky by a magically thrown rock.

And of course he has no idea at all that this adventure will be the making of him. The boy who leaves Wall plans to bring the star back to show the young woman he believes that he loves.

The man he becomes, well, that man discovers something else entirely.

Escape Rating A: Stardust is, as I said in the beginning, absolutely lovely. If you have fond memories of reading fairy tales, Stardust will bring back all those feelings, while still telling a story written, if not exactly for grown ups, at least for people masquerading as such.

Stardust is also both a quest story and a coming-of-age story, in the finest fairy tale tradition. As everyone in Faerie knows, there are only two reasons for a young man to embark on the kind of quest that Tristran undertakes – either he is seeking his fortune, or he is doing it for love. And of course, they are right. While he is doing it for love, what he finds turns out to be his fortune. And also love. It wouldn’t have a happy ending otherwise.

Which it most certainly does. But it’s absolutely nothing like the movie.

NEVER JUDGE A BOOK BY ITS MOVIE! The book is ALWAYS better.

~~~~~~ TOURWIDE GIVEAWAY ~~~~~~

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William Morrow is giving away (5) sets of American Gods, Anansi Boys, Neverwhere and Stardust! (Which are all absolutely awesome books!)
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Good luck everyone!
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Review: Slaughterhouse-Five by Kurt Vonnegut

Review: Slaughterhouse-Five by Kurt VonnegutSlaughterhouse-Five by Kurt Vonnegut
Formats available: hardcover, paperback, ebook, audiobook
Pages: 215
Published by Dial Press Trade Paperback on January 12th 1999
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Kurt Vonnegut's absurdist classic Slaughterhouse-Five introduces us to Billy Pilgrim, a man who becomes unstuck in time after he is abducted by aliens from the planet Tralfamadore. In a plot-scrambling display of virtuosity, we follow Pilgrim simultaneously through all phases of his life, concentrating on his (and Vonnegut's) shattering experience as an American prisoner of war who witnesses the firebombing of Dresden.
Don't let the ease of reading fool you - Vonnegut's isn't a conventional, or simple, novel. He writes, "There are almost no characters in this story, and almost no dramatic confrontations, because most of the people in it are so sick, and so much the listless playthings of enormous forces. One of the main effects of war, after all, is that people are discouraged from being characters."
Slaughterhouse-Five is not only Vonnegut's most powerful book, it is also as important as any written since 1945. Like Catch- 22, it fashions the author's experiences in the Second World War into an eloquent and deeply funny plea against butchery in the service of authority. Slaughterhouse-Five boasts the same imagination, humanity, and gleeful appreciation of the absurd found in Vonnegut's other works, but the book's basis in rock-hard, tragic fact gives it a unique poignancy - and humor.

My Review:

1969 cover of Slaughterhouse Five
1969 cover of Slaughterhouse Five

Although I’m sure I knew it before, i was still surprised to see that Slaughterhouse Five was nominated for the Hugo Award for best science fiction novel in 1970. Slaughterhouse Five isn’t what we now think of SF. There are no spaceships (well, maybe one spaceship) and a debatable amount of faster than light or other than light travel. Instead, Slaughterhouse Five represents science fiction as the literature of ideas, and in that area, as in so many others it is a classic.

The winner of the 1970 Hugo was The Left Hand of Darkness by Ursula K. LeGuin. Slaughterhouse Five was in excellent company.

The climax of Slaughterhouse Five is the bombing of Dresden at the end of World War II. The protagonist, Billy Pilgrim, was a witness to that bombing, an American POW on the ground, or nearly under it, as the bombing took place. As one of the few survivors, he participated in the horrific clean up afterwards.

Billy Pilgrim is, to a greater or lesser extent, telling the author’s story at this point. In real life, Kurt Vonnegut was a POW held in Dresden during this incident, when allied forces reduced this once beautiful city to a rubble strewn landscape as barren and deadly as the moon.

This story is told by the unnamed narrator from a perspective at the end of Billy Pilgrim’s life. And because it is told at the end, the reader is never quite sure whether Billy really was unstuck in time, or whether he is just remembering the important bits of his life out of sequential order. And it doesn’t really matter.

Neither does the question of whether or not Billy really was kidnapped by the alien Tralfamadorians, who introduced to him the concept, or philosophy if you will, that every moment is forever, and that only remembering the good bits is the best way to manage existence.

What is certain is the Billy has post-traumatic stress disorder after his experience in Dresden. And who wouldn’t? Dresden comes last in the story, because it is the focus of everything. It is a moment of man’s absolute inhumanity to man, and Billy still can’t process it. So he keeps returning to it over and over, and every event that led to it, in an attempt to tell his truth.

Escape Rating B: I am glad I read Slaughterhouse Five. I had never read any of Vonnegut’s work before, but now I have a tiny glimpse into what made his work both so beloved, and so controversial at the same time. This review is being posted as a part of Banned Books Week, because Slaughterhouse Five is one of the most frequently challenged or banned books of the late 20th and early 21st centuries.

The bombing of Dresden was hidden from the American public for years after the war. It has been debated whether Dresden truly was a legitimate military target, or whether the entire purpose of the reduction of this formerly beautiful city to rubble was just to reduce what remained of German morale at the beginning of 1945. The bombing of Dresden caused as much of a loss of life as either Hiroshima or Nagasaki, minus the nuclear fallout. War is always hell.

Billy Pilgrim is a non-heroic hero. He is not brave in any way. He doesn’t serve with special distinction. But he survives, and manages the best he can, which in the end isn’t very well. He believes he’s done the best he can, coping with the uncope-able.

Having read the book, I’ll admit that I don’t understand the continuous attempts to ban it, particularly the most recent ones. There is profanity in this book. Many of Billy’s memories take place either among soldiers during wartime, or among POWs. I’d be more surprised if they didn’t cuss. There’s a little sex, and a lot of violence. Again, most humans manage to have a little sex, and talk about it a little more, over the course of a lifetime. And the terrible violence is part of an equally terrible war. The bombing of Dresden was nothing but violence. I will never understand the unwillingness of people to admit that what happened did in fact happen. Or those who believe that if we stop talking about the terrible past or the awful present, that it will somehow remove the worst events from history. A problem that has a great deal of resonance today.

It’s ironic that a story about the way that people in specific and humanity in general keep repeating the same mistakes over and over keeps getting banned and challenged, over and over. As that unnamed narrator says every time someone dies in the book, “And so it goes.”

Review: The Ocean at the End of the Lane by Neil Gaiman

Review: The Ocean at the End of the Lane by Neil GaimanThe Ocean at the End of the Lane by Neil Gaiman
Formats available: hardcover, paperback, ebook, audiobook
Pages: 178
Published by William Morrow Books on June 18th 2013
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Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.
Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.
A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.

My Review:

If the man who is never named, who may be someone not dissimilar to the author, returns to that ocean at the end of that lane so that Lettie can see if her sacrifice was worth it, readers are left with the certainty that it was.

If only that so we can read this strange and marvelous story that has bits of fantasy, parts of horror, and a few things that go bump in the night. Along with the sense both that we never quite grow up, and that the bits and pieces we remember of our childhoods do not necessarily resemble what actually happened.

And probably shouldn’t.

From one perspective, this story is relatively simple. A man returns to his childhood home for a funeral, and in his grief he finds himself wandering back to the places he knew as a child.

Much of his childhood has been torn down, and this is not surprising, it happens to all of us as we reach middle-age. But one place is still standing, because it is a place that has always been standing, and possibly always will be, even after the rest of us have turned to dust.

It is the place where the narrator experienced something both wonderful and terrible, an experience that was awful both in the sense that it was a horrible thing to have happen , and in its original sense, that it was full of awe. But it was an experience that his seven-year-old self wasn’t ready to experience, and one that his ordinary self is unable to remember.

Except when he returns, as he sometimes does, to remember what really happened and to give an accounting of his life to the one person who made it all possible.

And it’s magic.

Escape Rating A: Fair warning, this is going to be one of those reviews where I mostly talk about how the book made me feel. I’m not sure there is any other way to approach it.

Although most of the events being recounted happened to the protagonist when he was seven, this is an adult book. It is the man looking back on those events, and recognizing that there are things he knows now that he didn’t know then. And sometimes vice-versa.

The Ocean at the End of the Lane is a story that will either charm you and draw you in, or it won’t. It is also not quite what you might be expecting. There is a sense that it is fantasy, a possibility that it is horror, and even a chance that everything the author thinks he remembers is mostly a story that he tells himself rather than events that he actually remembers.

There are readers, who will be turned off by the child’s perspective, and there are readers who will be turned off by the fantasy elements that are inserted into the real world. Obviously, I wasn’t one of them. I found the sense that he was telling the story to himself added to the magic. It felt like a memory of the things you think you see out of the corner of your eyes – or when when you turn suddenly and what you thought was there seemingly isn’t.

This is also one of those stories that when you finish, you look back at what you read and are forced to view it in an entirely different way because of what you have learned. One of the ways in which the author turns this trope on its head is that while the reader ends with enough knowledge to re-evaluate the whole story, the protagonist forgets all that he has learned. Again.

What he experienced, what he learned, is too magical, too real, to exist in the mundane world. But it is such an important part of what made him who he is that it is necessary, every once in awhile, that he come to Lettie’s Ocean to remember it all over again.

And as the reader, I am very grateful for that.

If you believe that the world is much, much stranger than it seems, and that there are forces both wondrous and terrible still lurking in its hidden corners, this book is an incredible, and intense, treat.

Ocean
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Review: Brotherhood in Death by J.D. Robb

Review: Brotherhood in Death by J.D. RobbBrotherhood in Death (In Death, #42) by J.D. Robb
Formats available: hardcover, paperback, ebook, audiobook
Series: In Death #42
Pages: 388
Published by Berkley on February 2nd 2016
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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Sometimes brotherhood can be another word for conspiracy...
Dennis Mira just had two unpleasant surprises. First he learned that his cousin Edward was secretly meeting with a real estate agent about their late grandfather’s magnificent West Village brownstone, despite the promise they both made to keep it in the family. Then, when he went to the house to confront Edward about it, he got a blunt object to the back of the head.
Luckily Dennis is married to Charlotte Mira, the NYPSD’s top profiler and a good friend of Lieutenant Eve Dallas. When the two arrive on the scene, he explains that the last thing he saw was Edward in a chair, bruised and bloody. When he came to, his cousin was gone. With the mess cleaned up and the security disks removed, there’s nothing left behind but a few traces for forensics to analyze.
As a former lawyer, judge, and senator, Edward Mira mingled with the elite and crossed paths with criminals, making enemies on a regular basis. Like so many politicians, he also made some very close friends behind closed—and locked—doors. But a badge and a billionaire husband can get you into places others can’t go, and Eve intends to shine some light on the dirty deals and dark motives behind the disappearance of a powerful man, the family discord over a multimillion-dollar piece of real estate . . . and a new case that no one saw coming.

My Review:

I thought I would be able to resist reading this until I had a break in the schedule. Who was I kidding?

I’ve never made a secret of the fact that I love this series as whole, but there are some entries in it that I like more than others. Brotherhood in Death was definitely one of the better entries in the series, because of the way that the minor detour into the angst factory is handled this time around.

In this story, both Eve and Roarke’s ties to the victims, and the reason that it drags up crap from Eve’s crappy childhood, are integral to the story and don’t feel “tacked on” for either dramatic or emotional effect.

Eve gets dragged into this case because one of her favorite people in the world, Dr. Charlotte Mira’s husband Dennis Mira, is coshed over the head when he drops in to unexpectedly visit his powerful arsehole cousin. Dennis gets knocked out and abandoned in the family house that he and cousin Edward are fighting over, and cousin Edward is missing.

Cousin Edward is Edward Mira, retired Senator Edward Mira, retired Judge Edward Mira, and no one seems to have any sympathy for the bastard, including his cousin. Dennis mourns the boy Edward used to be, while having little or nothing to do with the man he’s become. Which doesn’t mean that he doesn’t call on Eve to investigate whatever happened, because his last sight of his cousin included a black eye and other evidence of beating and/or torture. And Edward was known to have accumulated plenty of enemies in his high-profile life, both as a Senator and sitting on the bench. There were lots of potential motives for offing him, including the fact that he (and his bitch of a wife) were both pieces of work in the pejorative sense.

Eve’s not surprised when Edward’s body turns up back in the house later, swinging by the neck from a handy chandelier. The only surprise is the sign attached to the body, proclaiming that, “Justice is Served”. Eve immediately starts questioning, “served by whom?” and “for what?”

From there it’s off to the races. It’s Eve’s case to solve, and she is resolved to solve it, even as she discovers that digging into Edward Mira’s life uncovers a slime pit that begins to have all too many resemblances to Eve’s own story.

Edward and his “brothers” at Yale suffered from a really, really horrific case of affluenza. And their victims have come back to make them suffer for the crimes they were never punished for – with every single bit of painful flourish that “the Brotherhood” inflicted on them.

It’s not every case where Eve is looking to arrest both the perpetrators and the victims, but in this one, she’ll relish it.

Escape Rating A-: As much as I enjoyed this book, it should probably come with trigger warnings. Delving into the motives for the killers forces Eve to relive her own horrific experiences, even as it makes her grateful for the people who have come into her life to sway her from the same path that these serial killer took.

I’ll confess that the scene where Eve barks out just how grateful she is to have Peabody in her life almost made me blubber as much as Peabody does while hearing it.

Part of the reason that I love this series so much, even through some of the less successful entries, is that I really like these people. I would be happy to have coffee or a drink with almost every single member of Eve’s team, with the exception of Chief Tech Dickie “Dickhead” Berenski. The team atmosphere in this series reminds me very much of the way that the team works in NCIS.

But this story does have a great deal of angst in it. And unlike some of the other occasions, this is a story where the angst is appropriate, and on Eve’s side is dealt with in a way that helps her continue to process her past and move on with her present and future.

This is a case where everyone, but especially Eve, has a tremendous amount of empathy for the perpetrators, and absolutely none for the victims. There are points early on where Eve is almost angry that she has to stand for victims who were frankly a bunch of arseholes even before their true crimes are uncovered. But she still does her job and does it excellently. In the end, as much as she empathizes with the killers, she is also angry with them for not even attempting to let the system work for them.

And Eve is absolutely right. “If every day started off with sex and waffles, people would maybe be less inclined to kill each other.” Which would be a pity, because without those gruesome murders, we wouldn’t have this marvelous series.

Review by Cass: The Beautiful Ashes by Jeaniene Frost

Review by Cass: The Beautiful Ashes by Jeaniene FrostThe Beautiful Ashes (Broken Destiny, #1) by Jeaniene Frost
Format: ebook
Source: borrowed from library
Formats available: paperback, library binding, ebook, audiobook
Genres: paranormal romance
Series: Broken Destiny #1
Pages: 384
Published by Harlequin on August 26th 2014
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

In a world of shadows, anything is possible. Except escaping your fate.
Ever since she was a child, Ivy has been gripped by visions of strange realms just beyond her own. But when her sister goes missing, Ivy discovers the truth is far worse—her hallucinations are real, and her sister is trapped in a parallel realm. And the one person who believes her is the dangerously attractive guy who's bound by an ancient legacy to betray her.
Adrian might have turned his back on those who raised him, but that doesn't mean he can change his fate…no matter how strong a pull he feels toward Ivy. Together they search for the powerful relic that can save her sister, but Adrian knows what Ivy doesn't: that every step brings Ivy closer to the truth about her own destiny, and a war that could doom the world. Sooner or later, it will be Ivy on one side and Adrian on the other. And nothing but ashes in between…

When I first began doing book reviews, I quickly learned the importance of screening titles before agreeing to read them:

  • Did this book have an editor? (I don’t care if you self-publish, but you better run a goddamn spelling and grammar check.)
  • If part of a series, have I read all previous entries? (Ever tried to jump into an epic fantasy series on book 4? Not recommended.)
  • Is this book a bullshit “rewrite” of a previously published book with minor tweaks in an attempt to make it trendy? (Looking at you Michelle Maddox.)
  • Are there substantive differences between this book and the edition published in Australia or the UK? (I order the Obernewtyn books from AUS because the publishers were worried we stupid Americans couldn’t handle long books.)

Thanks to The Beautiful Ashes I now have a new question to add to my checklist:

  • Did you read the Acknowledgements prior to starting the book?

I’ve read the first couple books in Jeaniene Frost’s Night Huntress series, and one of the Night Prince spinoffs. They were fun! Quick reads, engaging, well-written, and I loved the expansive world-building. So when I discovered she’d actually started a new series, I thought I’d hit the jackpot.

Couldn’t have been more wrong.

Which leads me back to my new screening process.

Before anyone else, I have to thank God….

Translation: READER BEWARE!!! You are about to be subjected to a religious morality tale – wearing a PNR suit – that has all the subtlety of that Old Testament coloring book your homophobic grandmother got you for your 8th birthday.

If the blurb enticed you because you wanted to read an engrossing story about a woman who was cruelly forced to believe she was insane for years discovering that all the things she saw/experienced were real then MOVE THE FUCK ON. You aren’t getting that here. Pick up a copy of  Precinct 13 by Tate Hallaway.

What was that? You wanted to read about a pair of devoted siblings who will stop at nothing to protect one another in a deadly world? Don’t worry! You’ll get three amazing sibling-powered adventures in the Newsflesh trilogy by Mira Grant. Here? Not so much.

If you are only here because you missed Cat & Bones & Vlad & Co. ….well I hate to disappoint, but as the man said, these are not the droids you’re looking for… Just re-read Halfway to the Grave

The Beautiful Ashes opens with a TSTL protagonist that, by all rights, should be dead a dozen times before you even hit Chapter Three. She has the emotional range of a lizard and all the intelligence of a hamster. Oh, my entire family died/disappeared at this exact location. I’ll just to wander around aimlessly to see if I can stumble on a clue. Oh, a bunch of people just tried to kill me, I’ll head back to my hotel now and chat up this hot dude that broke in. Oh, I’m being kidnapped. I should cooperate. What could go wrong? This couldn’t have anything to do with my parents’ recent deaths. Or my sister’s disappearance. Or those people who just tried to kill me. 

Apparently Stockholm Sydrome is still the perfect way to get some, as Dumber Than Rocks (aka The Virgin) instantly starts falling for her kidnapper/guy-that-warned-her-not-to-trust-him.

Do you know why she shouldn’t trust him? Because he is a BETRAYER. He BETRAYS. It is in his DNA. Ever since Jesus walked the earth his family has BETRAYED. (Hmmm, I wonder who he might be descended from?)

After being kidnapped by The Betrayer, Dumber Than Rocks (aka The Virgin) meets some angels and demons and learns she’s The Last Scion a descendant of King David and is now on a quest to find his Holy Slingshot so the Power of Faith can bring down Giant Evil.

Are you bored already? You should be. It’s a predictable plod through your standard bible story, with a brief stop to praise Dumber Than Rock’s virginity.

I’m guessing she’ll finally give it up to The Betrayer in the last book in this truly horrific series, at which point it will be SO MUCH WORSE when he gives the appearance of Betraying her, before coming back at this last minute to save the day and prove that her holy virgin vagina excised all that Betrayal in his DNA.

Escape Rating: F for FLEE! Save yourselves! I can never get those hours of my life back, but there is still hope for all of you!

Review: The Immortal Life of Henrietta Lacks by Rebecca Skloot

Review: The Immortal Life of Henrietta Lacks by Rebecca SklootThe Immortal Life of Henrietta Lacks by Rebecca Skloot
Formats available: hardcover, paperback, ebook, audiobook
Pages: 370
Published by Crown Publishing Group on February 2nd 2010
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
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Henrietta Lacks, as HeLa, is known to present-day scientists for her cells from cervical cancer. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells were taken without her knowledge and still live decades after her death. Cells descended from her may weigh more than 50M metric tons.
HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb’s effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks was buried in an unmarked grave.
The journey starts in the “colored” ward of Johns Hopkins Hospital in the 1950s, her small, dying hometown of Clover, Virginia — wooden slave quarters, faith healings, and voodoo. Today are stark white laboratories with freezers full of HeLa cells, East Baltimore children and grandchildren live in obscurity, see no profits, and feel violated. The dark history of experimentation on African Americans helped lead to the birth of bioethics, and legal battles over whether we control the stuff we are made of.

The Immortal Life of Henrietta Lacks was recommended to me in glowing terms by multiple people the year that it was published. And being in a contrary mood, I didn’t read it at the time.

I’m here to say that everyone who told me to “READ THIS BOOK” was absolutely right, and I was wrong to wait. This thing is awesome on so many levels.

It’s a medical mystery. It provides some serious context for discussions of medical privacy, including those HIPAA forms we all sign every time we get medical treatment these days. It dives deeply into the field of medical ethics. It makes you think about fairness and justice. It provides a fascinating and humanized history lesson in cell research.

And the description of cervical cancer treatment in 1951 is scarier than any horror movie ever made. It’s not that Henrietta Lacks was treated badly at that point, it’s that the treatment in general seems absolutely barbaric from early 21st century perspectives. The standard treatment was to insert tubes of radium into her cervix and sew them in place for TWO DAYS. If you are a woman and this doesn’t make you reflexively clench your legs shut, you are a much braver woman than I. The description of this treatment makes Torquemada look benevolent.

But this was the state of cancer treatment in 1951.

However, the story of The Immortal Life of Henrietta Lacks both is and isn’t about Henrietta herself. Because Henrietta died in 1951. Her cancer killed her. But not before her doctor removed bits of both her tumor and her healthy organs and turned them over to the nascent science of cell research.

Cell science was nascent because of one major problem, the researchers couldn’t manage to keep a cell line alive for more than a few days. The bits of Henrietta that her doctor sliced out without her permission did not obey the normal rules of harvested cells. Just as her tumors grew at an unprecedentedly rapid rate, so did her harvested and cultured cells.

Henrietta Lacks died, but her harvested HeLa cells, thrived. At first only at Johns Hopkins, but eventually at biological research labs and companies all over the world. The cancer that killer her also made her immortal.

Henrietta, through her HeLa cells, helped cure polio. And diagnose cancer, and create vaccines for HIV and HPV. And helped scientists to study the effects of travel in outer space on human cells. You name a medical breakthrough in the past 60+ years, and HeLa cells are somewhere in the story, whether the actual cells, or the techniques that were created around them.

HeLa has saved thousands, probably hundreds of thousands of lives. Those cells have also made hundreds of researchers and biological products companies either rich or famous, and sometimes both.

But her family was not informed. Nor did they consent. In fact, when researchers needed better methods of distinguishing HeLa cells from other cultures, researchers took blood samples from her surviving family, without fully informing them of the purpose of the tests. And revealed their names and relationships to Henrietta in medical journals.

All of this seems unthinkable today, but at the time it took place, it was all legal. It wasn’t until the turn of the 21st century that a researcher chose to include Henrietta’s surviving family in research about Henrietta and her miraculous HeLa cells, but by providing the family with the scientific information and simple respect that they had been denied for so long, was able to both give them closure and create the first complete record of this formerly unsung woman who changed the face of medicine.

Escape Rating A+: This book is really two stories running in a kind of parallel. The first story is Henrietta’s story. Not just the biography of her actual life, but also a tracing of the history of her immortal medical afterlife. The continuing life and journey of her HeLa cells. Those cells helped to create a revolution in cell research, which in turn created a revolution in medicine.

As with so many revolutionary ideas, those revolutions fed on themselves in either a vicious cycle or virtuous circle, depending on one’s perspective. Once a line of viable cells, the HeLa line, came into existence, everything about cell research has spent decades playing catch up. All of the procedures for handling, transporting, culturing and eventually selling cells developed because there were finally cells to create procedures around.

But even more importantly, the ongoing discussions in medical ethics, medical research and patient confidentiality are still catching up to the developments made possible by the myriad opportunities that were opened with the HeLa cells. Henrietta did not give permission for her cells to be harvested and used. The law did not require it. What will astonish you is that the law still doesn’t.

The story of the author’s search for Henrietta and her family, and her work with them and for them over the years that this book was in development make for every bit as compelling a story as the story of the HeLa cells.

As the years went by after Henrietta’s death, and as her cells were used around the world, there was a long period of time in the history where her name was obscured or deliberately covered up. Multiple names were put forward as the original HeLa, including Henrietta Lakes, or Helen Lawson, and most often, Helen Lane. Even as one reads the accounts, one gets the feeling that there was an attempt to hide the origin of the cells from the family. When the HeLa research began, the infamous Tuskegee syphilis experiment was still going on, and there was a persistent and not totally false rumor mill that African Americans were frequently kidnapped for experimental purposes and often experimented on without their consent or knowledge. The kidnappings may have been apocryphal, but the experiments so clearly were not.

This was also the era of a kind of heroic medical researcher who thought nothing of injecting unsuspecting patients of all types (including sometimes themselves) with all manner of drugs and diseases without their consent. A study was conducted with HeLa cells, injecting HeLa cells, which were known to contain cancer, into healthy patients to see if they would develop cancer in turn. The patients were not informed because it might cause them “anxiety”. No kidding. And the great majority of the patients did develop tumors at the injection site which required surgery. At least one developed cancer.

Just the thought of this kind of research brings back the spectre of Nazi medical experiments in the concentration camps. And it makes me shudder in reflexive horror.

But as the real identity of the HeLa cell donor became more and more widely known, at least in medical circles, it also brought out of the woodwork more and more people who wanted to take advantage of the family in some way. By the time the author of this book began her quest, the family was angry at partial and incomplete explanations and disgusted by or frightened of the charlatans who knocked on their door.

So part of the story that the author tells is of her journey to being trusted, and then the journey she undertakes with Henrietta’s surviving daughter to uncover the truth. The questions that are explored, and the answers that they find, stick in the mind and heart of the reader long after the last page is turned.

Reviewer’s Note: The mother of a 15-year-old boy attending a STEM Academy in Knoxville Tennessee has requested that The Immortal Life of Henrietta Lacks be banned from the entire school district on the grounds that the book is “pornographic”. Her contention is based on two incidents in the book. Henrietta first diagnoses herself by inserting her own fingers into her vagina to find the lump on her cervix that she believed was present. Which it was. And the second “support” for the charge of pornography is that Henrietta’s medical records include her multiple diagnoses of syphilis and gonorrhea, and go on to explain that she contracted the venereal diseases from her husband’s promiscuity. This is not pornography. This is history. And gynecology. Also a whole lot of courage on Henrietta’s part. How many of us would rather continue in ignorance than investigate inside our own bodies for ourselves?