Source: borrowed from library
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: mystery, paranormal
Series: Royal Street #1
Published by Berkley Books on March 29, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org, Better World Books
The first in a new spinoff series of Karen White's New York Times bestselling Tradd Street novels.
After a difficult hiccup on her road to adulthood, Nola Trenholm is looking to begin anew in New Orleans, and what better way to start her future than with her first house? But the historic fixer-upper she buys comes with even more work than she anticipated when the house's previous occupants don't seem to be ready to depart. Although she can't communicate with ghosts like her stepmother, luckily Nola knows someone in New Orleans who can--even if he's the last person on earth she wants anything to do with, ever again. Because Beau Ryan comes with his own dark past, a past that involves the disappearance of his sister and parents during Hurricane Katrina, and the unsolved murder of a woman who once lived in the old Creole Cottage Nola is determined to make her own whether or not the resident restless spirits agree...
There’s just something about New Orleans. Not just the beignets and chicory coffee at the Café du Monde (although those beignets still loom large and delicious in my memory). It’s the hot, steamy mélange of gumbo and hurricanes – and HURRICANES – and blues and magic that seems to pervade both the area AND the history of it.
New Orleans is a place of stories – the kind of stories that are told in the light and the ones that are whispered in the dark. Which makes it the perfect place to set this combination of ghost story, cold case mystery and gothic thriller.
Nola Trenholm is named for the city, because that’s where she was conceived. (Thank goodness she wasn’t conceived in Poughkeepsie!) So the city represents her birth, but it also represents her downfall, as her first attempt at college – at Tulane University in New Orleans – ended in a haze of alcohol and addiction.
She intends for the city to be her rebirth as well. Clean, sober and with a Master’s degree in historic preservation under her belt, Nola has returned to the city with a job investigating the historical significance of buildings that may be demolished in the name of “progress”, unless her work bears compelling fruit.
Her plan is to do at least some of her preservation work very personally, by buying a historic home that is in need of TONS of professional preservation. And that’s where the mystery really begins.
The old Creole Cottage is meant to be hers. It’s not just that it calls to her in the way that some places do. It’s that it is literally intended to belong to her, at least as relayed by her grandmother Sarah from beyond the grave.
Which should be a red flag that Nola isn’t quite right in the head. But not in her family. Nola can’t see spirits or communicate with the dead, but her stepmother Melanie most definitely can, as is it told in the Tradd Street series of which this is a spinoff.
When Grandmother Sarah calls Melanie from the beyond to tell her that the house is meant to be Nola’s it doesn’t so much take care of Melanie’s many, many objections as it does move them to another sphere entirely.
Nola’s meant to have the house because she’s the one with the resources – or the sheer pigheadedness – to finally lay the ghosts haunting the cottage to rest. Nola’s historic fixer-upper is a murder house. A murder that’s tied into the one person Nola would really rather not see in her return to New Orleans.
But it’s not a coincidence that the cottage – and in some surprising ways that old murder – both belong to Beau Ryan, who once saved her from a ghost, twice saved her from the consequences of her addiction, and has the talents needed to save her yet again.
If she can bear to let him. And if he can let himself admit that, just like Nola’s stepmother Melanie, Beau Ryan can see dead people.
Escape Rating B+: As soon as I picked up a copy of this from the library last week it started calling my name – much like New Orleans itself. The combination of past and present mysteries along with ghostly and other perpetrators hiding in the shadows looked fascinating, and so it proved.
And I always love a good story set in New Orleans.
This is the first book in a new series, spun off from a previous series. Which I have not read, probably because Charleston, while a lovely historic city in its own right, doesn’t draw me the way that New Orleans does. There are plenty of cross-over characters from Tradd Street to Royal Street, but I didn’t feel like I missed too much by not having started there. Not that I might not go back when I’m next in the mood for a story like this one!
The whole point of the move back to New Orleans for Nola is to get a fresh start without her parents looking over her shoulder, which works even better for this series starter than it does for Nola herself. She’s building a new team of friends, helpers and supporters around herself in her new city so the reader gets to be introduced to all the new people and watch the “Scooby Gang” come together along with Nola.
And what a marvelously mixed bunch they are! Especially Nola’s best friend Jolene, who combines Southern Belle with Steel Magnolia, while speaking in metaphors that make perfect sense but seem to come out of an ether that only Jolene can access. Probably the same place that Jolene gets what seems to be magical talents in just about every skill a Southern Belle could possibly need or want. She’s amazing and amazingly offbeat at the same time.
But the mystery – and the ghosts – that haunt the cottage are tied to Nola’s frenemy, Beau Ryan, and especially his family and their relationship with the shady movers and shakers of the city. As Nola’s father says in every one of his best-selling mystery thrillers, there is no such thing as coincidence. And there are no coincidences in the fact that Nola’s new house, which she bought from Beau’s grandmother over Beau’s objections, is tied to Beau’s family all the way back to that long ago murder – and the consequences of that murder that keep spilling over into each generation.
While one piece of the puzzle gets resolved by the end of The Shop on Royal Street, it’s just the tip of the iceberg of a long and bloody history – one that will probably take several books to resolve. As will the glimmer of a romantic possibility between Beau Ryan and Nola Trenholm – in spite of both of their intentions to stay out of each other’s way romantically and otherwise.
It will be fun – with a bit of a ghostly chill – to see all the interwoven threads begin their unraveling in the next book in the Royal Street series, The House on Prytania, coming late next spring. I always look forward to a trip to New Orleans!