Source: purchased from Audible
Formats available: hardcover, audiobook
Genres: mystery, science fiction
Series: Dispatcher #1
Published by Audible Studios on October 4th 2016
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Book Depository
One day, not long from now, it becomes almost impossible to murder anyone - 999 times out of a thousand, anyone who is intentionally killed comes back. How? We don't know. But it changes everything: war, crime, daily life.
Tony Valdez is a Dispatcher - a licensed, bonded professional whose job is to humanely dispatch those whose circumstances put them in death's crosshairs, so they can have a second chance to avoid the reaper. But when a fellow Dispatcher and former friend is apparently kidnapped, Tony learns that there are some things that are worse than death and that some people are ready to do almost anything to avenge a supposed wrong.
It's a race against time for Valdez to find his friend before it's too late...before not even a Dispatcher can save him.
The Dispatcher was the inaugural audiobook for my new car. I love audiobooks, but it’s been a while since I had a car that could play them. I also don’t have a very long commute, so I wanted to ease back into things with a relatively short book. The Dispatcher was perfect for that.
It was also very, very good.
The Dispatcher was written by John Scalzi, one of my favorite science fiction authors. But except for the science fictional nature of the device that makes this whole story possible, The Dispatcher really isn’t SF at all. It’s a mystery. Specifically a missing persons case, solved by a savvy Chicago police detective and her reluctant consultant.
The device that makes this whole story possible, and gives it many of its twists, is a change to the world we know. Murder has become impossible. Death is still very possible, but murder doesn’t happen anymore. Not exactly.
About 8 years before this story begins, someone was murdered. And instead of being permanently dead, they went poof, and found themselves alive, well and naked, on their bed at home, in the same condition they were in a few hours before the shot that was intended to be fatal.
And it kept happening. Murdered people didn’t die. They poofed back home instead. Every single time. Well almost.
1 person in 1,000 doesn’t poof. Still, that’s way better odds than before the poofing began. Whatever the cause of said poofing.
Of course, people being people, this creates all new avenues for abuse. And all new bureaucracies to license the folks who become, effectively, professional murderers. They call them “dispatchers” because they, well, dispatch people.
And it all seems to be going reasonably well. At least until one dispatcher goes missing, and that detective and her reluctant consultant, the dispatcher of the title, investigate the disappearance. With a clock ticking in the background. Because while the missing man hasn’t been murdered, that doesn’t mean he can’t turn up dead.
Unless they find him first. And to do that, they’ll have to unravel a Gordian Knot of illegal side jobs, private medical “remediation” and old school ties between business and the mob.
Even with murder officially off the table, Chicago is still Chicago.
Escape Rating A-: As a story, this is great fun. And it does lead the listener on a very merry chase, because nothing is exactly as it seems.
Our hero, Tony Valdez, is a dispatcher. He’s never had a failed dispatch, so what he does doesn’t feel like murder. So far, at least, everybody lives.
He’s a very reluctant hero. He wants to help find his friend, the missing Jimmy Albert, but he doesn’t want the police to get too close to his business. He’s currently legit, but there are plenty of gray areas in the dispatching business. And once upon a time, Tony seems to have explored all of them.
As the cop says, it’s a shit show. Or it can be. Legit is safer, and a bit easier on the conscience.
The way that the story unwinds is fascinating, and incredibly fun to follow. We see what the world has become, and that it isn’t that much different from now. But the differences represented by Tony’s job open up all sorts of possible ways to talk about the way things are then, and the way things are now.
People, after all, are still people.
And the conclusion is a “people” conclusion, not a technical or an SFnal one. What happens happens because of human nature, love and hate and fear and a rage against that dying of the light.
About the audio performance. The Dispatcher is currently only available in audio, and was scripted for that format. There’s a hardcover coming out in May for those who just don’t do audio (or want to have something for the author to sign), but this is a marvelous place to start if you are curious about what it is like to listen to a story instead of reading it.
The story is performed by Zachary Quinto, of Heroes and Star Trek reboot fame. He does an absolutely terrific job, not just in voicing Tony, but also in portraying the female police detective and the elderly suspect, as well as all the other characters who pass through the story. His performance, particularly his world-weary voice for Tony, add a great deal to the pleasure of this story.
There was a brief period when the audio of The Dispatcher was available free on Audible. I missed that window, so I paid for my copy. And it was so worth it.