Narrator: Zachary Quinto
Source: purchased from Audible
Formats available: audiobook
Genres: mystery, science fiction
Series: The Dispatcher #3
Length: 3 hours and 43 minutes
Published by Audible Studios on September 1, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon
The world has changed. Now, when someone is murdered, they almost always come back to life—and there are professionals, called "dispatchers," who kill in order to save lives, to give those near the end a second chance. Tony Valdez is a dispatcher, and he has never been busier.
But for as much as the world has changed, some things have stayed the same. Greed, corruption and avarice are still in full swing. When Tony is called to a Chicago emergency room by an old friend and fellow dispatcher, he is suddenly and unwillingly thrown into a whirlpool of schemes and plots involving billions of dollars, with vast caches of wealth ranging from real estate to cryptocurrency up for grabs.
All Tony wants to do is keep his friend safe. But it’s hard to do when friends keep secrets, enemies offer seductive deals, and nothing is ever what it seems. The world has changed... but the stakes are still life and death.
I’ve always assumed that The Dispatcher series was set in a near-future Chicago. It seems like I was half wrong, because the opening of Travel by Bullet makes it very clear that this is an alternate Chicago, but the alterations seem limited to the switch that makes the whole series possible. That 999 out of 1,000 who are murdered don’t actually die.
The Chicago this story takes place in, however, is very much the real city, and very much right now, in a world where the pandemic just happened and we’re or in this case they’re, just getting out from under it. With all the exact same mess and uncertainty lingering in Tony Valdez’ world as there is in this one.
There really is a Lou Malnati’s Pizzeria in Wicker Park. And now I want some. Because there is nothing like a Chicago Deep-Dish Pizza – although when I lived there I usually went to Pizzeria Uno.
But you can taste the pizza as you listen to Zachary Quinto once again describe Tony Valdez’ Chicago as he slips back into the role that he voiced in the first two audio originals in this series, The Dispatcher and Murder by Other Means.
The thing about Tony Valdez’ Chicago, as described in the title of the second story in the series, is that someone who wants to commit a murder DOES need to do it by other means. Because very few people who are murdered directly – so to speak – don’t actually die. They just come back somewhere safe and let the police – or whoever – know whodunnit.
So it has to be done some other way.
But that also means that being dispatched has become a bit of a thrill-ride for the rich and jaded. A thrill-ride that Tony’s fellow dispatcher has conducted on multiple occasions. It’s a well-paid if dubiously legal and ethically questionable job. And Mason Schilling is all about getting paid.
At least until Mason throws himself out of a moving car on the Dan Ryan because he’s in something dirty and deadly up to his neck. And when he asks for Tony to be present for Mason’s own dispatching, he drops Tony into it right along with him.
Leading Tony straight into that world of the rich and jaded, while dodging questions from his friends in the Chicago PD and trying to stay just one step ahead of the folks who’d like to take him for a deadly drive on Ryan the same way they did Mason.
All in pursuit of a MacGuffin that may, or may not (it’s a bit of a Schrödinger’s MacGuffin) hold millions of dollars, or millions of dollars in secrets, or both. Or neither. The truth of which is what Tony has to figure out, one step ahead of pretty much everyone who is chasing after him – even after he travels by bullet.
Escape Rating A: The author of The Dispatcher series is best known for two things, his science fiction and his excellent line in snark. Travel by Bullet, and the entire series so far, has a whole lot more of the latter than the former.
Tony Valdez clearly represents the author’s voice in this series. There’s usually at least one character in any of Scalzi’s stories that reads like it’s his direct representation in the action, and in The Dispatcher it’s definitely Tony.
Not that the entire cast of characters isn’t plenty snarky as the situation requires. Because it generally does in this series.
What this series isn’t, at least in comparison to Redshirts, Old Man’s War or The Collapsing Empire, is all that science fictional. Instead, rather like his Lock In series, The Dispatcher series is a mystery that has been set up by an SFnal concept.
So if you’ve been curious to try Scalzi but don’t read much SF, this series might be a way in. If you’ve stayed away because of the extreme snarkitude, well, this might not be your jam.
But it certainly is mine.
What makes this particular entry in the series so delicious – besides the references to Lou Malnati’s pizza – is that it’s a story about humans behaving very, very badly and we’re inside the head of someone who isn’t afraid to say the terrible parts of that out loud – at least within the confines of his own head.
In other words, it’s fun to see rich people fuck up this badly and get at least some of their just desserts for it. The schadenfreude is strong with this one.
At the same time, we get a peek into the darker side of the more human aspects of Tony’s job. So many people want to do something for their suffering loved ones – especially in the throes of the still simmering pandemic. And Tony, along with all the other dispatchers, is at the front line of telling people that what he’s obligated to do won’t actually help. It’s heartbreaking and it’s real and it’s impossible not to feel for everyone involved.
The SFnal conceit that makes this series work also makes both the mystery and the solution of it intensely convoluted. Which is part of the fun of the whole thing, listening to what’s rattling around in Tony’s head as he tries to figure out what he’s gotten himself into, how deep he’s in it, and just how hard it’s going to be to get out.
It’s a wild ride from beginning to end, told in Zachary Quinto’s perfectly wry and world-weary voice. As with the previous books in the series, there will eventually be a hardcover book from Subterranean Press, but it’s not here yet. Still this was written for audio and it’s the perfect way to experience Tony’s Chicago.
Speaking of which, the author has said that this series is his love letter to Chicago. If you love the city as much as he does – or as much as I do – listening to The Dispatcher series will make you fall in love all over again.