Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: epic fantasy, fantasy
Series: Chronicles of Dasnaria #2
Published by Rebel Base Books on September 4, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo
Around the shifting borders of the Twelve Kingdoms, trade and conflict, danger and adventure put every traveler on guard . . . but some have everything to lose.
ESCAPEDOnce she was known as Jenna, Imperial Princess of Dasnaria, schooled in graceful dance and comely submission. Until the man her parents married her off to almost killed her with his brutality.
Now, all she knows is that the ship she’s boarded is bound away from her vicious homeland. The warrior woman aboard says Jenna’s skill in dancing might translate into a more lethal ability. Danu’s fighter priestesses will take her in, disguise her as one of their own—and allow her to keep her silence.
But it’s only a matter of time until Jenna’s monster of a husband hunts her down. Her best chance to stay hidden is to hire out as bodyguard to a caravan traveling to a far-off land, home to beasts and people so unfamiliar they seem like part of a fairy tale. But her supposed prowess in combat is a fraud. And sooner or later, Jenna’s flight will end in battle—or betrayal . . .
Exile of the Seas is a middle book that absolutely does not have even a trace of middle-book syndrome. And that’s marvelous.
The Chronicles of Dasnaria are a prequel/sidequel to the author’s absolutely awesomesauce Twelve Kingdoms series. As a prequel it is not required to have read the Twelve Kingdoms before beginning this series As the Chronicles of Dasnaria have continued we have met some of the characters who will be major players in the Twelve Kingdoms, but it hasn’t happened yet, as they are all still children, or at least teenagers, at this point in their stories.
However, it is crucial – albeit heartrending, that one read the first book in the Chronicles of Dasnaria, Prisoner of the Crown, before essaying into Exile of the Seas. The Chronicles of Dasnaria, are the story of former Crown Princess Jenna of Dasnaria. In order to appreciate where she finds herself at the beginning of Exile of the Seas, and why she begins her transformation from Princess Jenna to Priestess Ivariel, it is necessary to see where she came from and why she fled. And definitely what she is fleeing from.
Her courage often feels of the one step forward, two steps back variety, but considering the events of Prisoner of the Crown, one is constantly amazed that she found that courage AT ALL, let alone enough of it to not merely leave but to defy every expectation that her society has of women in general or herself in particular.
Like Prisoner of the Crown, this feels like a story about becoming. In the first book, Jenna was mostly a victim, over and over and over. What saved the whole book from being merely a litany of despair and disaster was the ending, where Jenna escapes with the help of her brother Harlan.
But escape is not enough. The women of the seraglio are hothouse flowers, pets and playthings, with no tools or experience to allow them to live outside its walls. Jenna may be physically out, but mentally she has not yet begun to escape its confines. A free woman anywhere else in her world has many more options than she ever believed were possible. This is the story of her learning to grasp for at least some of those options.
The story begins with a fortuitous meeting. Or possibly a goddess-ordained one. Aboard the ship Robin, bound for anywhere away from Dasnaria, the frightened and ignorant Jenna crosses paths with Kaja, a priestess of Danu. In a bit of foreshadowing, Kaja is on her way to the court of the Twelve Kingdoms to guard the Queen and train her daughter Ursula in the way of the warrior. But Kaja feels that her goddess has led her to Jenna, to provide Jenna with aid in her quest to escape Dasnaria – or to at least be ready for it to return and attempt to reclaim her.
Under Kaja’s brief but extremely effective tutelage, Jenna becomes Ivariel, and takes the first steps on the road to becoming a warrior priestess of Danu. She takes vows of both silence and chastity – to cover both her accent and her complete unwillingness – or inability – to cope with anyone’s sexuality, including her own.
As Kaja makes her way to her destiny, Jenna, now Ivariel, lets the goddess guide her steps. Steps that take her far, far, away from Dasnaria, to a place where “seeing the elephant” is not just a metaphor.
But in keeping with that metaphor, Ivariel gains experience of her world at significant cost – but not only to herself.
Escape Rating A-: I didn’t pick up on that resonance, between seeing the elephants and “seeing the elephant” until just now. Jenna has always had a dream of seeing elephants – its a dream she was even punished for in the seraglio. Women in Dasnaria don’t get to see much of anything, and certainly not the elephants that live in far away places.
“Seeing the elephant” is a 19th century Americanism that refers to gaining experience at great cost, and was often used in conjunction with serving in the Mexican-American War or the Civil War, or heading west on one of the great stagecoach drives, or of participating in the Gold Rush.
All times and places where a lot of people got a whole lot of experience through a whole lot of hardship, peril and pain. As does Jenna/Ivariel in her own way.
For followers of the Twelve Kingdoms series, it is fascinating to see a completely different part of this world. But it IS a completely different place, so new readers get to see it for the first time along with the rest of us.
This is Jenna’s story as she transforms into Ivariel. We see her grow and stretch and reach out – and sometimes pull back. This is a story of her healing and becoming – even though some of that process is painful, bloody and violent. It feels necessary for her to get past what she lived, and the way that she accomplishes that feels right for her – if not for the faint of heart.
Because the arc of this book is on a constant rise, it does not have any of the feel of a middle book. This is overall a positive story, something that middle-books seldom are. She grows, she changes, she gets better, she takes a step backward and then she reaches forward again. She stumbles, she falls, she doubts, she gets up and tries again.
And after the pain she experienced in the first book, it is not merely good but downright cathartic to see her begin to come into her own.
I’m looking forward to the next book in this series, Warrior of the World, coming this winter. A trip to hot Nyambura should warm at least one chilly January night.