Source: purchased from Amazon
Formats available: paperback, ebook, audiobook
Genres: urban fantasy
Series: Jane Yellowrock #1
Published by Ace Books on July 7, 2009
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
First in a brand new series from the author of the Rogue Mage novels
Jane Yellowrock is the last of her kind—a skinwalker of Cherokee descent who can turn into any creature she desires and hunts vampires for a living. But now she’s been hired by Katherine Fontaneau, one of the oldest vampires in New Orleans and the madam of Katies’s Ladies, to hunt a powerful rogue vampire who’s killing other vamps.
Amidst a bordello full of real “ladies of the night,” and a hot Cajun biker with a panther tattoo who stirs her carnal desire, Jane must stay focused and complete her mission—or else the next skin she’ll need to save just may be her own...
I picked this because, well, I was bouncing off pretty much everything, both to read and to listen to. When you start cheering for one of the characters in the story you’re on to get eaten by an alligator – and quickly – it’s time to pick up something different. I picked up Junkyard Cats by Faith Hunter to listen to, and got sucked in enough that I also picked up Skinwalker to read. I have a friend who adores this series, and I have a thing about books set in New Orleans. So it seemed like kismet – or something like that.
It’s been a long time since I’ve sunk my teeth, pun intended, into a new-to-me urban fantasy series. I’d forgotten just how much they are. As far as the pun goes, well, there are plenty of vampires in this version of post-Katrina New Orleans – and everywhere else. This is one of those worlds where vamps not only exist but have come out of the coffin. And the witches have come out of their gingerbread houses as well.
The weres and all the other supernatural creatures are still on the down low, but that situation can’t continue in the days of the intrusive, invasive, all-encompassing internet.
But Jane Yellowrock is none of those things. She’s something else altogether, something even she isn’t completely sure about. While she isn’t exactly a were, she’s probably closer kin to them than anything else. Because she can transform into an animal, full moon or no. Technically, she can transform into ANY animal, but her most familiar form is that of a female mountain lion, a creature who exists in her head as Beast.
Except when Beast stalks the night, and Jane exists in the back of Beast’s head.
It’s an uneasy alliance, made even more fraught by Jane’s belief that Beast remembers how they merged – as well as a whole lot of other things about Jane’s past – that Jane herself doesn’t remember. And that Beast is still mad about.
As the story begins, Jane has arrived in New Orleans at the surprising behest of the local Vampire Council. It’s surprising to Jane that she’s received this invitation/job offer because the job that Jane usually performs is hunting rogue vamps. And that’s just what the local council wants her to do – hunt a rogue vamp who has managed to elude them all – and make him, her or it true dead as fast as possible.
No matter what it takes. Or what it costs.
Escape Rating B+: First, I want to say that I had a whole lot of urban fantasy fun with Jane Yellowrock. This book had everything that I read urban fantasy for, a kickass protagonist with a mysterious background and otherworldly powers, a version of our world that is close enough to be familiar while different enough to be fascinating and a supernatural puzzle to solve that is not quite what it appears on the surface. Vampire politics add just the right amount of danger, depth and color to the story. The combination is always a win.
Jane Yellowrock strikes me as a combination of Joanne Walker, C.E. Murphy’s Urban Shaman with the post-Katrina New Orleans – along with the supernaturals and their neverending political shenanigans and grudges – of Suzanne Johnson’s Royal Street and her Sentinels of New Orleans series. From my perspective, that’s damn good company to be in.
But as much as I enjoyed the story, there were a couple of things that seriously niggled at me. One is just how different the world of 2020 feels from the world of the mid-2000s. In our current climate I don’t believe that the reveal of the existence of either vampires or witches would have gone nearly as smoothly as it does – and it hasn’t been completely smooth in Jane’s world either. Or perhaps their version of backlash is yet to come. But it feels like a more hopeful version of how things might go, in spite of the rogue vamp running around killing vampires, humans and animals all over New Orleans.
And the other thing that bothered me even more was a question about the Native American protagonist, her visions and memories of her past, and whether the interpretation of the character respected her heritage or constituted cultural appropriation. I know that I don’t know. It felt respectful, but it’s not my heritage so I’m not the best judge. And it made me wonder equally about the protagonist of the Walker Papers whose powers come from her Native American heritage.
And I’m just as bothered by the idea that when both of these books were originally published those questions might not have even been asked. And I’m not sure what to do with all of those thoughts.
But I liked Jane as a character, especially with the addition of Beast. The story is told from their first-person perspective, so we are inside both of their heads. That first person perspective takes on a different flavor when Beast is in the ascendant, and we experience the world through her not-completely animal nature. Beast sees the world differently from Jane – or from the reader – and there are plenty of times when Beast’s more direct approach feels like the right one. The push-pull between the two personalities has oodles of dramatic possibilities for future stories.
As does the intense level of vampire politicking. Their hierarchical structure feels positively Byzantine – and may well date back at least that far. The sheer level of convolution and posturing is reminiscent of Goddess with a Blade by Lauren Dane – also excellent company for an urban fantasy heroine. At the same time, the level of unfinished business that Jane has with Leo Pellisier, the vamp in control of NOLA, has a similar feel to the early Anita Blake books. The VERY early Anita Blake books.
Like much of urban fantasy, there is no romance in Skinwalker. There are possibilities hinted at for future stories, but at this beginning point, the people who have emerged as those possibilities are at the moment either too unstable, too dangerous, or too much asshole to be worth bothering with. The most likely possibilities have the longest journeys in front of them to make them remotely worthwhile so I’m happy she falls for none of them. Lusts after several, yes and rightly so from the sound of things. But none of them are relationship-worthy – at least not yet.
All things considered, I certainly had a good reading time with Jane Yellowrock. A more than good enough time that I’ll probably pick up the next book in the series, Blood Cross, when I want another urban fantasy fix.