Source: publisher via Edelweiss
Formats available: paperback, large print, ebook, audiobook
Genres: women's fiction
Published by William Morrow Paperbacks on January 14, 2020
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
If you love Susan Mallery and Jill Shalvis, you won’t want to miss this new novel of second chances, dogs, and knitting, from the author of Pupcakes and Sit! Stay! Speak!
Laid off, cheated on, mugged: what else can go wrong in Maeve Stephens’ life? So when she learns her birth mother has left her a house, a vintage VW Beetle, and a marauding cat, in the small town of Timber Creek, Washington, she packs up to discover the truth about her past.
She arrives to the sight of a cheerful bulldog abandoned on her front porch, a reclusive but tempting author living next door, and a set of ready-made friends at the St. Francis Society for Wayward Pets, where women knit colorful sweaters for the dogs and cats in their care. But there’s also an undercurrent of something that doesn’t sit right with Maeve. What’s the secret (besides her!) that her mother had hidden?
If Maeve is going to make Timber Creek her home, she must figure out where she fits in and unravel the truth about her past. But is she ready to be adopted again—this time, by an entire town…?
This isn’t quite the book I was expecting from the blurb. It was much better than that.
On the surface, this looked like a story about second chances. And it is. But not all of those second chances belong to Maeve, the main character of this story. And some of those second chances are in the past and not the present. Or they are an unexpected and unknown present, in the other sense of the word. The present that doesn’t look like a present, the gift that Annabelle gave her daughter when she gave Maeve up for adoption.
A chance for a better life than Annabelle expected for herself – and a much better life than she could have given her daughter if she’d kept her.
But Maeve knows nothing of that past when she comes to tiny Timber Creek to attend her birth mother’s funeral. All she knows is that the woman gave her up as an infant, never answered the letters Maeve sent as a teenager, and has died leaving her everything she owned. Including a small house, a wandering cat and a fully-restored classic VW Beetle.
Along with an empty hole where the truth needs to be.
But Annabelle also left her daughter a circle of good friends, a reputation as a rescuer of last-chance animals, and just enough clues to figure out the secrets of Maeve’s origins – and the seeds that truth sowed all those years ago.
Maeve is 36, and at a crossroads in her life. More than one. Her childhood was relatively idyllic but the present is a whole other matter. Not anything terrible, but she’s just not adulting the way she expected to be in her mid-30s. She’s just lost her job – journalism is not a great career choice these days – and she discovered her boyfriend was cheating on her along with the entire rest of the world – on YouTube. Ugh.
So the trip to her birth mother’s funeral comes as Maeve has reached a big fork in her road – and doesn’t know how, or which way, to take it. There seems to be a place ready-made for her in Timber Creek – the place left achingly vacant by the sudden death of Annabelle – the mother she never knew.
Flailing at the current mess of her own life, Maeve steps hesitatingly, and sometimes more than a bit angrily, into Annabelle’s. Everyone loved the mother who gave her up. It’s awkward and sometimes even painful to feel just how much the entire town loved the woman who didn’t love her enough to keep her. It makes no sense. And it hurts.
But as Maeve gingerly becomes part of Timber Creek, she discovers the truths that lie hidden. The truth about the town, the truth about her birth mother, the truth about herself – and just how much her mother’s love and pain bound those truths together.
Escape Rating A-: I was expecting a small-town feel-good women’s fiction-type story. And it has elements of that, but the St. Francis Society for Wayward Pets isn’t just that – no matter how cute the dog and cat sweaters knitted by the society are.
Instead, this book, like last year’s The Oysterville Sewing Circle, is about a group of women who are doing their best to rescue victims of domestic abuse. It’s the dark and barely hidden underbelly of life in Timber Creek – and everywhere else.
But these women, Annabelle and her friends, are doing something about it. Whenever they can. Whenever a girl or woman is willing to ask for help. Because there was no one to help them when they were abused. Because Annabelle knew that when she became pregnant that if she kept Maeve both she and Maeve would be abused by Maeve’s grandfather – and that they’d have no weapons to fight back and no support.
So Annabelle gave Maeve up for adoption, for a better life than she knew she could give her, and spent the rest of her life rescuing as many girls and women as possible from the situation she had faced – along with rescuing a few “wayward pets” along the way.
The story is told on two levels. The main story is Maeve’s story as she comes to Timber Creek, decides to stick around rather than go back to Seattle to live with her adopted parents – again – and try to figure out where her future lies. The longer she stays in Timber Creek, the more she falls in love with the place – and the more it reaches out and enfolds her in its arms.
And the more she discovers its secrets – and her own.
But we also see bits and pieces of Annabelle’s life. I’ll admit that at first it looked like Annabelle’s story was going to be different – and even more cruel – than it actually turned out to be. Just how Annabelle became pregnant and why she gave Maeve up hung like a Sword of Damocles over much of the story. I actually read those bits ahead because I couldn’t stand the suspense and didn’t want it to turn out to be the worser of two evils. Which it was not – and was a better story for it.
The St. Francis Society for Wayward Pets has a similar storyline to The Oysterville Sewing Circle, at least in the important bits. Meaning that if you liked one you’ll like the other and vice versa. Considering that the issue that underlies both stories is an important one that needs to be dealt with, more such stories, told well, are an excellent thing.
And both of these stories are told very well indeed.