Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, large print, ebook, audiobook
Genres: historical romance
Series: Wildes of Lindow Castle #1
Published by Avon on October 31st 2017
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
Lord Alaric Wilde, son of the Duke of Lindow, is the most celebrated man in England, revered for his dangerous adventures and rakish good looks. Arriving home from years abroad, he has no idea of his own celebrity until his boat is met by mobs of screaming ladies. Alaric escapes to his father’s castle, but just as he grasps that he’s not only famous but notorious, he encounters the very private, very witty, Miss Willa Ffynche.
Willa presents the façade of a serene young lady to the world. Her love of books and bawdy jokes is purely for the delight of her intimate friends. She wants nothing to do with a man whose private life is splashed over every newspaper.
Alaric has never met a woman he wanted for his own . . . until he meets Willa. He’s never lost a battle.
But a spirited woman like Willa isn’t going to make it easy. . . .
The first book in Eloisa James’s dazzling new series set in the Georgian period glows with her trademark wit and sexy charm—and introduces a large, eccentric family. Readers will love the Wildes of Lindow Castle!
Wilde in Love is the first book in what looks to be a fun new series. So no worries about whether or not to read the previous books, because this is a chance to get in on a treat of a series from the very first page.
It is also a “banter into romance” type of story. And that banter is center stage not merely from the very first page, but actually from the title. Wilde in Love is the title of a ridiculous play, that is frequently discussed, derided and ultimately just about lampooned within the pages of the book Wilde in Love.
It’s also a pun in the sense that while the play of the title is an over-the-top melodrama that fictionalized Alaric Wilde’s adventures into a romance that never existed, the story of the book is all about Alaric Wilde falling head over heels in love with the one woman who has no interest in his fame or fortune.
Not that Alaric himself has much interest in his fame. His fortune is another matter entirely. But Alaric Wilde has finally returned home to his rather eccentric family after years of traveling around the world, and penning best-selling books about his travels.
His return to England is almost a farce of its own, as crowds of admiring and swooning women greet his ship. While his books have become widely read, the play based on his supposed romantic exploits has turned him into the 18th century equivalent of a superstar – complete with the 18th century equivalent of groupies.
And he wants none of it. What he does want is to discover the anonymous author of that ridiculous play, so that he can sue them and have it closed down. Or just closed down. And all the copies burned. And the ashes covered with something permanently destructive, like quicklime. Or acid. Just in case.
Alaric’s homecoming coincides with the celebration of his brother’s betrothal. The month-long(!) house party is the perfect place for hordes of Alaric’s “admirers” to try their best to get his attention, with an eye towards romance, marriage or a notch on their bedposts. Or all of the above.
In the midst of all the chaos, Alaric finds himself attracted to the one woman who doesn’t give a fig about his fame or his fortune. She has plenty of money of her own, and if there is one thing that Willa Ffynche values above all, it’s her privacy.
So even though Willa and her best friend Lavinia have been the toast of the season, the perfectly demure young debutantes who have collected admirers and engagement offers with abandon bears no resemblance whatsoever to the real and rather earthy young women who are their true selves.
And the real Willa is the perfect woman for the rather untamed Alaric – if he can convince her that, in spite of his current notoriety, his adventurous nature is exactly what she needs to match her own.
Escape Rating B+: Wilde in Love is a romp from beginning to end. This is historical romance at the height of its over-the-top-ness. And it reaches those heights because both Willa and Alaric, in their completely separate ways, are more than willing to expose just how ridiculous all of the rules of society really are when taken to extremes.
I liked Willa (and her bestie Lavinia) very much indeed. What makes them so interesting is the way that they both acknowledge that society’s rules must be outwardly obeyed, while dealing honestly with each other. They have a pact to keep up the appearance of being “perfect” debutantes, while always admitting to each other that it is completely an act. Their attitude is quite refreshing, and it exposes a good bit of the seedy underbelly of their society.
Something that Alaric also does, but in a completely different way. He’s been out of England long enough that the extremes of social behavior and society dress are simply things he will not do. There’s a scene early in the book, where he thinks about the whole “stiff upper lip” thing that his brother North is forced to live by, and the degree to which they are both grieving the death of their oldest brother, and admits to himself that the rest of the world does not share this concept of keeping all one’s emotions tightly wrapped no matter what – so that in the end he reaches out and hugs his brother – who for a few brief but necessary moments – hugs him back. It’s a scene that says so much about Alaric, where his true heart lies, and just how high the cost for that stiff upper lip, all at the same time.
The core of Wilde in Love is the developing romance between Willa and Alaric. This is a wooing with words long before it becomes a wooing by deeds. They essentially talk each other into love, into bed, and into marriage with a whole lot of sparkling wit and a shared understanding that the conventions are not quite at the be-all-and-end-all level that society thinks they are.
This is not a romance that develops quickly, so it is good that the surrounding cast of characters is equally interesting – particularly the increasingly contentious sparring match between Willa’s friend Lavinia and Alaric’s best friend Parth. I hope that we’ll be seeing them finally figure out that the sparks they strike from each other have way more to do with love than with the detestation they are both protesting much too much in a future book in this series.
But speaking of future books in the series, Wilde in Love ends on a bit of a cliffhanger. Not that Willa’s and Alaric’s relationship doesn’t come to a marvelous and slightly unusual HEA, because of course it does. But his brother North’s betrothal, the one that was being celebrated at the beginning of the story goes completely sideways. It’s going to take another whole book for that puzzle to finally get itself worked out.
And I can’t wait to read that story in Too Wilde to Wed!