Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: historical romance
Series: Wildes of Lindow Castle #2
Published by Avon on May 29, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
The handsome, rakish heir to a dukedom, Lord Roland Northbridge Wilde—known to his friends as North—left England two years ago, after being jilted by Miss Diana Belgrave. He returns from war to find that he's notorious: polite society has ruled him "too wild to wed."
Diana never meant to tarnish North's reputation, or his heart, but in her rush to save a helpless child, there was no time to consider the consequences of working as a governess in Lindow Castle. Now everyone has drawn the worst conclusions about the child's father, and Diana is left with bittersweet regret.
When North makes it clear that he still wants her for his own, scandal or no, Diana has to fight to keep from losing her heart to the man whom she still has no intention of marrying.
Yet North is returning a hardened warrior—and this is one battle he's determined to win.
He wants Diana, and he'll risk everything to call her his own.
Too Wilde to Wed is an absolutely delightful romp of historical romance, and definitely a fitting sequel to the equally fun and utterly frothy Wilde in Love. The Wildes are indeed very, very wild. And the wilder they are the better things seem to turn out for them.
So it proves with North, the oldest surviving son of the Duke of Lindow. We met North in Wilde in Love, as that story, while it features his brother Alaric’s romance with Willa Ffynche, begins at North’s betrothal party and ends with that betrothal going smash.
And did it ever need to.
Too Wilde to Wed begins two years after that stunner of an ending. North has just returned from two years commanding a regiment in the Colonies, during the events that on this side of the pond are referred to as the American Revolution.
He leaves the Colonies disgusted with his superiors and their idiocy. He knows that England is losing the Colonies and believes that they should let them go. He feels that he’s lost too many good men by following bad orders and he’s had enough.
But he discovers that leaving the field of battle does not mean that the war has left him. And when he comes home he discovers that he has a new battle to face. His erstwhile fiancee, Miss Diana Belgrave, a woman he once believed fit to become the next Duchess of Lindow, is in residence at his country home, serving as governess to his youngest sister, along with a little boy that everyone seems to believe is his.
A boy that he is certain was fathered by someone else before he ever met Diana. We’ll he’s half right.
Neither Diana nor North are who they were two years ago. Not that either of them was the person that the other thought they were, even at the time. The Diana he saw was an illusion created by her mother, and the North that asked for her hand was an illusion created by his valet in order to win her hand if not her heart.
Now that their circumstances have drastically changed, they are forced to start over, getting to know the people they actually are, and discovering that they like each other a whole lot more when they are being their true selves.
And therein lies the rub. Because North’s true self is the future Duke of Lindow. And Diana’s true self wants to be anything, even a governess, even a barmaid, rather than being a future Duchess.
No matter how much she’s like to be North’s wife.
Escape Rating B+: This was just plain fun. As in, read in one day fun.
One of the great things about this story is the way that it took two people that we had already been introduced to and showed that we really didn’t know them at all. And that no matter what either of them thought, they didn’t know each other the tiniest little bit either.
In Wilde in Love, Diana was almost a cipher. There was a person filling her gowns, but she seemed to have almost no personality. Now we know why, and we hope there’s a hotter place in hell for her mother. The Diana that North saw had almost no relationship to the person she actually was. When keeping up the pretense became too much for her, she fled. And while she was foolish in many practical ways, all of her reasons were quite sound.
North acted like he had the proverbial stick shoved very, very far up his fundament. He was an entitled, overdressed prig. He deserved Diana’s jilting. But as was true with Diana, the person he pretended to be only had a passing relationship with who he really was. Part of that was due to his own self-deception, and part of it was a result of his trying to please the woman he thought Diana was. Their original relationship, if you can call it that, was doomed to failure. It’s lucky for both of them that it failed before the grand wedding instead of after.
The real people underneath both of their carefully constructed facades are much nicer, and much, much more interesting. Also much more real. And have more in common than either of their fake personas might have guessed.
North makes a worthwhile hero for a couple of reasons. He is doing the British stiff-upper-lip thing and doing his duty the best he can. He’s the oldest surviving son, he was not originally the heir. And he doesn’t want it, but doesn’t feel as if he can just give it up. He’s coping, but he certainly isn’t happy. He also went to war, and the experience left him with almost as many scars as his older brother’s death. He certainly has PTSD. It was also fascinating to see someone on the English side of the Revolution realize that any attempt to hold the Colonies was doomed to failure and deserved to be.
Unlike the fake version in Wilde in Love, this version of North is difficult not to like.
Diana as the heroine was a mass of contradictions. On the one hand, she was proud of her ability to earn her own living, and unlike so many Regency heroines, felt much more at home as the governess than she ever did as a potential duchess. On the other hand, so few of her decisions seem to have been backed up by any practicality or sense. She does the right thing for the right reasons, but goes about the practicalities the wrong way pretty much every time, and often, as the saying goes, bites off her nose to spite her face. She’s tenderhearted when she can’t afford to be, and all too often proud when she really can’t afford to be.
At the same time, she’s right about not being a good candidate to be the next duchess. She does eventually discover that she wants to be North’s wife, but thinks too little of herself to take the bad of being duchess as the necessary evil required to be with the man she loves.
They also both have a bad cases of thinking that they are not worthy of the other, but they are also surprisingly honest about it with each other. In spite of the description in the book blurb, North does figure out that this is not a battle, and that he can’t really win in the traditional sense. He can overwhelm Diana’s objections and defenses, but that will only result in both of them being completely miserable.
They both need a way out. When it comes from the most surprising source, everyone is astonished at just how long it took them both to see it. But it makes for a lovely ending. And sets readers up for more to come in the third book in the series, Born to be Wilde.
~~~~~~ TOURWIDE GIVEAWAY ~~~~~~
GIVEAWAY TERMS & CONDITIONS: Open to US shipping addresses only. One winner will receive a hardcover copy of WILDE IN LOVE by Eloisa James and a peacock keychain. This giveaway is administered by Pure Textuality PR on behalf of Avon Romance. Giveaway ends 6/10/2018 @ 11:59pm EST. Avon Romance will send the winning copies out to the winner directly. Limit one entry per reader and mailing address. Duplicates will be deleted.