Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Published by Tordotcom on October 19, 2021
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Bookshop.org
Flowers for the Sea is a dark, dazzling debut novella that reads like Rosemary's Baby by way of Octavia E. Butler.
We are a people who do not forget.
Survivors from a flooded kingdom struggle alone on an ark. Resources are scant, and ravenous beasts circle. Their fangs are sharp.
Among the refugees is Iraxi: ostracized, despised, and a commoner who refused a prince, she’s pregnant with a child that might be more than human. Her fate may be darker and more powerful than she can imagine.
Zin E. Rocklyn’s extraordinary debut is a lush, gothic fantasy about the prices we pay and the vengeance we seek.
I picked this up because I was expecting a story that would be doing that creepy, uncomfortable straddle over the place where dark fantasy bleeds into horror. But that wasn’t quite what I got – although there was plenty of uncomfortable, downright painful straddling in the book itself.
Having finished the book, it feels like I got the middle part of a story that had a lot more depth to explore – but that those deeper elements just weren’t present in the part I got.
The story begins aboard a ship that has, or at least had, some very interesting magic. The ship is and has been, floating in an endless sea, its passengers permanent exiles from a shore they left behind. Originally, the ship fed and protected and sustained them easily, but the magic is dying, or the sea is dying, or it’s all fading away.
Our perspective on the ship, its inhabitants and its circumstances is through the mind of resentful, pregnant, angry, ostracized Iraxi. She is angry at everyone on the ship, and everyone on the ship is resentful and afraid of her. Even though they all hope that the baby she has zero desire to carry or bear will save them all.
Iraxi’s perspective is an uncomfortable one. She is, herself, extremely uncomfortable in the last days of her pregnancy, and very, very angry at everyone and everything around her. Including most especially, herself.
But Iraxi’s anger is a much bigger thing than one woman – or even one ocean – can contain. All she has to do is accept it, and accept the past that brought her to this point, and it will become big enough to encompass the world – and destroy it.
Escape Rating C: Even after finishing this book, I still had more of a sense of what it was supposed to be from the blurb than from reading – actually listening to – the entire thing from beginning to end. Not that the reader didn’t do a good job, because she most definitely did, but because the story didn’t quite gel for me – or perhaps it gelled in the wrong places.
The blurb describes Flowers for the Sea as Rosemary’s Baby meets Octavia Butler, in other words a combination of horror and SF. I was expecting something at least a bit like Rivers Solomon’s marvelous The Deep, in the sense that I was expecting a story that was intended to reclaim the Middle Passage of the slave trade for its victims and away from its perpetrators.
I didn’t exactly get either of those things. Admittedly that’s at least in part because both the author and the narrator did an all too excellent job of portraying Iraxi’s unwanted, undesired, unwelcome and utterly resented pregnancy and eventual childbirth as a internal horror of anger, fear, hatred, loathing, disgust and pretty much every other negative emotion in a way that hit me right in the nightmare to the point where it overshadowed the entire story.
The other reason the story didn’t gel is that we see the entire thing from Iraxi’s perspective, and Iraxi is angry almost to the point of incoherence pretty much all of the time. She hates her circumstances, she hates her pregnancy, she hates her baby, she hates all the people aboard the ship for the way that they have forced her to carry this unwanted pregnancy to term, the way that they in their turn hate and fear her and only give a damn about the child she is carrying. She’s lonely, she’s resentful, she’s afraid and she’s hiding the reasons she is in this circumstance from herself and from the reader, only dribbling out clues and then shutting herself down before we learn what we need to know.
Paradoxically for a story that didn’t work for me, I wish this had been longer. We don’t know anything about this world, although we learn that it isn’t exactly ours. We don’t know nearly enough about Iraxi’s people, their background or how they got into this fix. We eventually get hints, but they’re not enough. More pages, more scope to learn more, would have made this work better – at least for this reader.
Your reading mileage may vary. I’m headed off to gibber in a quiet corner someplace until the nightmare passes.