Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: contemporary romance, paranormal romance, relationship fiction
Published by Berkley Books on August 23, 2022
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository, Bookshop.org
A warm and uplifting novel about an isolated witch whose opportunity to embrace a quirky new family--and a new love--changes the course of her life.
As one of the few witches in Britain, Mika Moon knows she has to hide her magic, keep her head down, and stay away from other witches so their powers don't mingle and draw attention. And as an orphan who lost her parents at a young age and was raised by strangers, she's used to being alone and she follows the rules...with one exception: an online account, where she posts videos pretending to be a witch. She thinks no one will take it seriously.
But someone does. An unexpected message arrives, begging her to travel to the remote and mysterious Nowhere House to teach three young witches how to control their magic. It breaks all of the rules, but Mika goes anyway, and is immediately tangled up in the lives and secrets of not only her three charges, but also an absent archaeologist, a retired actor, two long-suffering caretakers, and...Jamie. The handsome and prickly librarian of Nowhere House would do anything to protect the children, and as far as he's concerned, a stranger like Mika is a threat. An irritatingly appealing threat.
As Mika begins to find her place at Nowhere House, the thought of belonging somewhere begins to feel like a real possibility. But magic isn't the only danger in the world, and when a threat comes knocking at their door, Mika will need to decide whether to risk everything to protect a found family she didn't know she was looking for....
What would happen if people discovered that there really were witches in the world, and that magic really did work – if only for a privileged few? Most of the urban fantasy/paranormal stories that use this premise in the world we know tend to look at how witches were treated historically – whether the women (and it was almost always women) – who got burned, stoned or drowned could actually practice magic or not and take the Harry Potter option of a Statute of Secrecy or equivalent prohibitions.
It’s not an unreasonable fear. Even without the possibility of witchcraft, humans already find plenty of reasons to persecute each other over perceived differences that mostly total up to some people hate and fear others and will latch on to any excuse to practice that hate in the hopes of putting that fear to sleep. People who are different because they have actual, real, mysterious powers? The line to pick up torches and pitchforks forms on the right. Please maintain an orderly queue.
In The Very Secret Society of Irregular Witches, the witches in question, irregular or otherwise, have taken that very reasonable fear and run a bit too far with it. Pretty much running away from each other into the mixed results at best bargain.
Mika Moon is a witch. And she’s lonely. She is forced to live a secret, and fears staying anywhere long enough to put down roots or develop friendships for fear that if people get to know her they’ll figure out what she’s hiding. Or they’ll simply decide that she’s just not worth their time, their care or their friendship.
Her entire life is a sad song of just not being enough to make anyone want to stay. Unless, of course, they have a USE for her powers.
So she’s sure that the advertisement she’s seen on the interwebs, that someone is searching very specifically for a witch, is probably a scam of some kind – at best. Howsomever, between losing her most recent job, not having enough money to pay rent and feeling like it’s time to move on from her current location, Mika is at loose ends.
The job, if it really exists, comes with room and board – along with the mystery of why someone is looking so specifically for something and someone that isn’t supposed to exist. That the location of this puzzling offer is called “Nowhere House” adds to the sensation that Mika is probably being pranked.
At least until she gets there, and meets the job head on. Three little witches, all gathered together in a way that Mika’s been taught is never supposed to happen, need an adult witch to teach them how to do magic. And more importantly, how and when NOT to do it.
Mika’s never been a teacher before. She’s been taught that witches are NEVER supposed to gather together – and certainly never to practice magic together. But the girls need her, and Mika needs a refuge where, for once in her life she can be exactly who and what she is without having to keep so many secrets.
That the adults in the house all know about magic, and seem to have a Mika-shaped hole in their lives and their hearts is the icing on a cake that Mika never thought she’d even get to taste.
Everything about Nowhere House seems like it’s made of magic. The answer that Mika has to discover for herself is whether or not it’s real – or just another illusion.
Escape Rating A-: The Very Secret Society of Irregular Witches was absolutely charming – and I was utterly charmed by it. It’s a heartwarming read with just the right touch of magic to keep you turning pages, both to be part of this wonderful if extremely irregular household and to see what happens next.
It’s also a story that sits very comfortably on the border between cozy fantasy, paranormal romance and relationship fiction, snuggled right next to The House in the Cerulean Sea by TJ Klune – with both Witch, Please by Ann Aguirre and Small Town, Big Magic by Hazel Beck looking on with stern disapproval.
By that I mean that the magical household is centered around the care of the children, in this case the three young witches. Their caretakers are not magical themselves, but they obviously love the children very much, and have gone more than a bit overboard in protecting them. They are, for the most part, an utterly delightful gang, including the young, grumpy librarian, Jamie, while the madcap Ian felt more than a bit like an homage to Tom Baker’s Doctor Who, particularly in his later incarnation as “The Curator”.
And just as in The House in the Cerulean Sea, there is more than the possibility of a romantic relationship in the air – which Ian is delightfully encouraging with mad abandon – to the consternation of Jamie, Mika and his own husband Ken.
But amongst the joy of Mika finding her place in the world, the girls learning magic and the adults making an eclectic but warm and loving home for the children and each other, there are clouds on the horizon. Just as in Witch, Please and Small Town, Big Magic, the forces of official witchdom, in the persons of the elderly ladies who have overshadowed Mika’s life as a witch from childhood, are ever present as the voice in Mika’s head telling her that everything she is doing is wrong and will be punished. Severely. Because she is breaking ALL THE RULES.
At the same time, it’s obvious fairly early on that a secret is looming over the entire household, and that secret, with all of its accompanying chickens, must come to roost before the story can reach anything like a happy ending.
So the Sword of Damocles casts a long shadow over everything – at least until it crashes down and cuts through all the hidden issues and agendas, including all the secrets standing in the way of pretty much everything. And, while it may seem like everything wraps up just a bit too neatly, by this point in our investment in the story that’s kind of what we want.
And in the end, that happy ever after, for the girls, for Mika and Jamie, and quite possibly, eventually, for witches everywhere, is utterly magical.