Review: Sun-Daughters, Sea-Daughters by Aimee Ogden

Review: Sun-Daughters, Sea-Daughters by Aimee OgdenSun-Daughters, Sea-Daughters by Aimee Ogden
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: fantasy, retellings, science fiction
Pages: 112
Published by Tordotcom Publishing on February 23, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

Gene-edited human clans have scattered throughout the galaxy, adapting themselves to environments as severe as the desert and the sea. Atuale, the daughter of a Sea-Clan lord, sparked a war by choosing her land-dwelling love and rejecting her place among her people. Now her husband and his clan are dying of an incurable plague, and Atuale’s sole hope for finding a cure is to travel off-planet. The one person she can turn to for help is the black-market mercenary known as the World Witch—and Atuale’s former lover. Time, politics, bureaucracy, and her own conflicted desires stand between Atuale and the hope for her adopted clan.
Sun-Daughters, Sea-Daughters has all the wonder and romance of a classic sci-fi novel, with the timelessness of a beloved fairy tale.

My Review:

I’m not quite sure what I was expecting with this one. I know it isn’t like anything I expected it to be – and that’s always marvelous.

OK, I was expecting it to be short and it was. This week kind of fell apart for me, so I was looking for something short to round out the week and get me back on track and this definitely ticked off those boxes.

Now that I’ve had a chance to cogitate on it a bit, Sun-Daughters, Sea-Daughters has left me with three sets of resonances that really shouldn’t gel, but somehow do.

First, there is a fairytale at the heart of this story, although I didn’t figure out which one until after the end. I was just not expecting an SFnal retelling of The Little Mermaid. And it isn’t obvious at first, but when you look back, all of the elements are definitely there, even though the happy ending in this version is way more bittersweet than Disney would ever have left things.

Although I think Atuale is actually a selkie rather than a mermaid, that isn’t clear in the story and it really isn’t necessary to know. What is known about her story is just about enough. She gave up her place as a Sea-Lord’s daughter because she fell in love with a land-dweller.

But Saareval is not a prince. And he doesn’t need to be. Love is love is love, as becomes even clearer as the story continues. Atuale’s shift from sea-creature to land-dweller was also the result of intervention by a witch with a hidden agenda, but the World-Witch is no Ursula.

And in spite of its fairy tale underpinnings, this story is no fantasy.

There’s a plague on Atuale’s world, and it is raging among the land-dwellers. Her husband and his entire family have been struck down with it and the healers are unable to find a cure. It’s up to Atuale to reach out to her friend-turned-enemy, the World-Witch, to make a deal to take her out to the stars in order to find a cure that her husband’s people won’t even want if she finds it.

But her journey among the stars makes her question every single thing that has happened since the day she left the sea. There’s an entire universe out there and Atuale is eager to explore it, along with someone who loves her exactly as she is and not just the parts of her that he finds acceptable.

“For all sad words of tongue or pen, the saddest are these, ‘It might have been’”. Atuale’s choices are both sad. She can save her husband’s people, knowing that they will never fully accept her or the cure she brings. Or she can travel among the stars. She can never do both.

And the choice, her choice, is both bitter and sweet.

Escape Rating B+:The above quote is by John Greenleaf Whitter from his poem Maud Muller, and it kept running through my head the entire time I was reading this story. It’s so clear that the story isn’t about the plague, but about Atuale’s choices about what to do about it.

She’s immune, she’s not going to get it no matter what happens. The process that made her capable of living on land did not fully make her one of her husband’s people, leading to their grudging tolerance of her but also her immunity to a plague that strikes only them.

So this is a story about what we sacrifice for love, because that’s the choice that faces Atuale at every turn. In order to have one love she has to give up another, and it’s a choice that tears her in two through the entire story.

I think I felt most for Atuale as she experiences the wonders – and very definitely the dangers – of exploring the wider universe. It’s a tease and a torment and she wants it and wants to share it, but the price is too high. Which does not erase that wanting at all.

But, and it’s just enough of a but to have kept this from getting an A grade, I wanted a bit more about Atuale’s people and their world, because it’s a much bigger world and a much sadder story than we see at first. It’s not that this story isn’t complete in itself, because it is, but rather that the relationship between Atuale and the World-Witch has SO MUCH history behind it and we get hints rather than a full picture. And I wish I had that full picture, complete with its story of love both requited and unrequited, royal privilege, royal politics and revolution. I felt teased and wished I had more to go on.

Initially, I said there were three things rattling around my head after reading this book. One was The Little Mermaid. The second was that quote from Whittier. The third is also from Disney, and was that ever a surprise. The ending of Sun-Daughters, Sea-Daughters and the post-credits scene from the third Pirates of the Caribbean movie, At World’s End, encapsulates the ending to the romances in both stories in a way that echoes back to the bitter sweetness of that quote from Whittier. Love and happiness, pain and heartbreak, all jumbled together in a ball of tears.

Review: If This Goes On edited by Cat Rambo

Review: If This Goes On edited by Cat RamboIf This Goes On by Cat Rambo, E. Lily Yu, Aimee Ogden, Rachel Chimits, Cyd Athens, Scott Edelman, Jack Lothian, Gregory Jeffers, Conor Powers-Smith, Priya Sridhar, Andy Duncan, Lynette Mejía, Hal Y. Zhang, Nick Mamatas, Steven Barnes, Kitty-Lydia Dye, Tiffany E. Wilson, Nisi Shawl, Kathy Schilbach, Zandra Renwick, Chris Kluwe, Sarah Pinsker, Calie Voorhis, Marie Vibbert, James Wood, Jamie Lackey, Paul Crenshaw, Langley Hyde, Judy Helfrich, Beth Dawkins, Sylvia Spruck Wrigley
Format: eARC
Source: supplied by publisher via NetGalley
Formats available: paperback, ebook
Genres: anthologies, dystopian, post apocalyptic, science fiction, short stories
Pages: 304
Published by Parvus Press LLC on March 5, 2019
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonKoboBookshop.org
Goodreads

A bold new anthology born of rage and sorrow and hope. 30 writers look at what today's politics and policies will do to shape our world a generation from now. Some of today's most visionary writers of science fiction project us forward to the world of the future; a world shaped by nationalism, isolationism, and a growing divide between the haves and have nots. This anthology sits at the intersection of politics, speculative fiction, and American identity. The choices we make today, the policies of our governments and the values that we, as people, embrace are going to shape our world for decades to come. Or break it. Edited by Cat Rambo, the current President of the Science Fiction and Fantasy Writers of America, the stories of If This Goes On invite you to worlds very like this one-- but just a little different.

Table of contents:Green Glass: A Love Story by E. Lily YuTwelve Histories Scrawled in the Sky by Aimee OgdenDead Wings by Rachel ChimitsWelcome to Gray by Cyd AthensThe Stranded Time Traveler Embraces the Inevitable by Scott EdelmanGood Pupils by Jack LothianAll the Good Dogs Have Been Eaten by Gregory JeffersThe Sinking Tide by Conor Powers-SmithMustard Seeds and the Elephant’s Foot by Priya SridharMr. Percy’s Shortcut by Andy DuncanA Gardener’s Guide to the Apocalypse by Lynette MejíaBut for Grace by Hal Y. ZhangHurrah! Another Year, Surely This One Will Be Better Than The Last; The Inexorable March of Progress Will Lead Us All to Happiness by Nick MamatasThe Last Adventure of Jack Laff: The Dayveil Gambit by Steven BarnesThree Data Units by Kitty-Lydia DyeOne Shot by Tiffany E. WilsonKing Harvest (Will Surely Come) by Nisi ShawlCounting the Days by Kathy SchilbachMaking Happy by Zandra RenwickThe Machine by Chris KluweThat Our Flag Was Still There by Sarah PinskerThe Editor’s Eyes by Calie VoorhisFree WiFi by Marie VibbertDiscobolos by James WoodFine by Jamie LackeyBulletproof Tattoos by Paul CrenshawCall and Answer by Langley HydeA Pocketful of Dolphins by Judy HelfrichTasting Bleach and Decay in the City of Dust by Beth DawkinsThe Choices You Make by Sylvia Spruck Wrigley

My Review:

I picked this up around the same time I received Cory Doctorow’s Radicalized to review for Library Journal. Just from the descriptions, it seemed that these two books either springboarded off the same event, were in dialog with each other, or both. (This is also a giant hint that if this book interests you that one will too!)

They’re not exactly in dialog with each other, but they certainly arose out of the same event – the 2016 election. Both are wrapped around the question about what the state of the US – and by extension the world – will be in the future if the hateful politics and policies that were given voice and force by the election of 45 continue into the future relatively unchecked.

That premise is explicit in If This Goes On, and implicit in Radicalized, but it is definitely there in both books.

They are very different collections, however. Radicalized consists of four novellas by a single author, where If This Goes On is a collection in the broader sense, of relatively short stories by 30+ authors around the single theme.

A theme that the collection is screaming about – loudly and with metaphorical expletives. As far as the authors and editor are concerned (and this reader) the policies of those elected in that mess are undoing much of the good that the US has done and are making both the country and the world into a worse place than it was.

None of the writers want the situation to continue – and have done science fiction’s usual excellent job of extending the present out into the possible, even plausible, end point of the contemporary mess in order to show just how awful things can be.

In the hopes that we will band together and do something about it before it is too late.

Escape Rating B+: My feels are all over the place on this one.

First, because it bothered the hell out of me and presumably will other people, the title of the collection sounds familiar because it is. If This Goes On— is the title of a novella by Robert A. Heinlein, a novella which would itself feel at home in this collection.

Whether the title of the collection is in homage or not, there is still plenty of resonance between the two.

This is not a collection to be read late at night, particularly with only the light of one’s screen to push back the darkness. Because there’s plenty of darkness in these stories. While some of them border on horror in the traditional sense, most of the stories give the reader the sense that they are looking at something horrible. And I was appropriately – and shudderingly – horrified.

There is some humor in some of the stories, but it is primarily humor of the “gallows” persuasion. These futures are all bleak in one way or another. While the stories themselves are excellent, the overall tone is fairly dark.

Each story is followed by an editor’s note that tends to hit that dark tone over the head with a baseball bat. The stories generally speak for themselves so that repeated emphasis felt a bit like being bludgeoned with the point of the collection – over and over again. I was already metaphorically bleeding so this was a case where the beatings didn’t need to continue until morale improved because it wasn’t going to happen. But there’s something about the reference to that t-shirt saying that seems appropriate just the same – possibly because hearing the news these days does feel a bit like that proverbial beating.

As much as I agreed with the authors’ and the editor’s perspectives, I’ll admit to getting tired of having it beaten into my head over and over again. YMMV.

These stories stand on their own. Sometimes swaying in the wind from the apocalypse, but they do stand. And the collection is well worth reading. If you read nothing else from this collection, look for Mustard Seeds and the Elephant’s Foot by Priya Sridhar – it’s lovely.

As the saying goes, in reference to the collection as a whole, “Read ‘em and weep.”