Source: publisher via Edelweiss
Formats available: hardcover, large print, paperback, ebook, audiobook
Genres: Chick Lit, contemporary romance, women's fiction
Published by Mira on February 26, 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
The California sunshine’s not quite so bright for three sisters who get dumped in the same week…
Finola, a popular LA morning show host, is famously upbeat until she’s blindsided on live TV by news that her husband is sleeping with a young pop sensation who has set their affair to music. While avoiding the tabloids and pretending she’s just fine, she’s crumbling inside, desperate for him to come to his senses and for life to go back to normal.
Zennie’s breakup is no big loss. Although the world insists she pair up, she’d rather be surfing. So agreeing to be the surrogate for her best friend is a no-brainer—after all, she has an available womb and no other attachments to worry about. Except…when everyone else, including her big sister, thinks she’s making a huge mistake, being pregnant is a lot lonelier—and more complicated—than she imagined.
Never the tallest, thinnest or prettiest sister, Ali is used to being overlooked, but when her fiancé sends his disapproving brother to call off the wedding, it’s a new low. And yet Daniel continues to turn up “for support,” making Ali wonder if maybe—for once—someone sees her in a way no one ever has.
But side by side by side, these sisters will start over and rebuild their lives with all the affection, charm and laugh-out-loud humor that is classic Susan Mallery.
Last week when I posted the Excerpt and Spotlight for this book, I said that I’d be reviewing it shortly. This is shortly. Probably also a bit longly, as I seldom write short reviews – and this isn’t going to be one.
I can’t do short for this because there are three separate stories packed into this lovely bit of Women’s Fiction. (A term that is attempting to morph into “Relationship Fiction” but I digress.)
Like both of her previous standalone titles, When We Found Home and Daughters of the Bride, this is a story about family. Also like both of those awesome stories, this is a book about three siblings and their sometimes fraught relationship with their remaining parental unit.
This particular story kicks off when all three of the Corrado sisters get dumped on the same day. All the dumps are different, and not all of them are either tragic or even dramatic. But the ones that are really, really are.
Finola, a daytime talk show host in the cutthroat Los Angeles TV market, gets dumped just before showtime. Her husband waltzes in to tell her that he’s leaving her just before she goes on air. Still shell-shocked, her first guest informs her that the woman Finola’s husband has just dumped her for is her. That she’s young, gorgeous and a country music sensation makes the story all that much more titillating to everyone who discovers it.
And said country music queen makes sure that EVERYONE does discover it. After all, she goes after married men on purpose because she likes the scandalous publicity – and seems to enjoy watching the dumped wife get even more dumped on by the voracious maws of both the media and public opinion.
Ali gets dumped less than two months before her wedding. By a douchebag who can’t even manage to do the dumping in person so he sends his brother instead. Leaving Ali with both the ugly job of cancelling all of the wedding arrangements AND dumping her with all of the cancellation fees that result. She’s also going to be homeless in the equally cutthroat LA housing market because she gave up her lease. After all, she was supposed to be moving in with the douchebag after the wedding.
Unlike Finola, Ali gets a knight in shining armor in the person of the douchebag’s brother. A little help with the wedding cancellation turns into a solid friendship – and more.
Zennie’s dumping is completely non-dramatic. Her relationship with Clark just isn’t working out. Or, to use the sad but true cliche, she’s just not that into him. But her non-dramatic breakup turns into something very dramatic indeed, as her newly uncommitted status lets her commit to something really, really big. She agrees to become a surrogate mother for her best friend.
The drama only increases when Zennie becomes pregnant with the first IVF treatment – and she discovers that nearly no-one in her circle of family and friends agrees with her decision AT ALL. Except for Clark, that guy she just wasn’t that into. She may not have been into him as a potential romantic partner, but a solid and supportive friendship is an entirely different thing.
But it’s not just Zennie’s decision to be a surrogate that some people disapprove of. Their mother disagrees and disapproves, loudly, frequently and with some pretty damn awful cutting remarks, that she’s unhappy with every single one of her daughters for not living their lives exactly the way she wants them to. And, ironically, for not giving her grandchildren. Yesterday.
We get to watch all of them “woman up” in the ways that work for them as they each (including mom!) discover what’s important to them, and what they want and need to have the lives they’ve each dreamed of.
A life that includes their frequently dysfunctional, sometimes crazy, but generally loving, family.
Escape Rating B+: I enjoyed California Girls, but not quite as much as Daughters of the Bride, which I absolutely, totally adored. Consider that both a recommendation and a comment that if you loved this one you’ll love that one too – and possibly more.
What makes this story is that their happy ever afters are all different, and that they all reach them in different ways. There might be an expectation that everyone ends up coupled at the end, but they don’t.
And they shouldn’t.
In many ways, Finola’s story is the most interesting as well as the most cliched and least traditional – all at the same time. She begins the story thinking she has it all – the fantastic career and the successful, adoring and understanding husband. Only to discover that what she really has is a successful career that she adores, and a whole lot of other people in her life who have played second (or third or even lower numbered) fiddles to that career.
Being dumped makes her take a long, hard look at herself, who she is and what she really wants – after she takes a realistic but not too lengthy dive into victimhood. She deserves it, she is, after all, a victim of the media circus that disrupts what’s left her life. It takes time for her to figure out that she isn’t the victim in her actual breakup. It takes two to keep a marriage strong – and it takes two to weaken it. Owning her part of her situation makes her own up to her part in what went wrong as well.
Ali’s story is the romance that readers will expect in the story – but it has its own twist. She is supposed to bounce back and find true love. She’s just not supposed to find it with her ex’s brother.
That she also finds herself as part of her journey is the icing on her particular cake.
Zennie’s story is different from her sisters’ – just not as different as I wanted it to be. At the beginning, she is happy being single as well as fairly resistant to society’s (and her mother’s) need to see her couple up with someone. Anyone. Her status as a happy single with a solid support network of friends has her mother convinced she must be a lesbian. She’s not. She’s just not interested in being half of a whole, and she hasn’t discovered sex to be “all that” in any way at all.
I was kind of hoping that Zennie would turn out to be an Ace – an asexual. I think that would have made an interesting perspective to follow through in the story as she begins with an unusual perspective and I’d like to have seen it carried through. That’s my 2 cents.
The storyline about Zennie becoming a surrogate felt well done, but also just not my cuppa. That being said, the reasons she did it worked well within the story. Her desire to help her friend and her willingness to put herself on the line for it were terrific. That pregnancy turned out to be a not exactly awesome experience was real, as were her very mixed emotional reactions all the way down the line. That her friends and family were divided and frequently disapproving also felt real.
I also have mixed feelings about their mother’s part of the story. On the one hand, it was absolutely terrific that she got her own second-chance at love with the movie star who once loved her and then dumped her. On the other hand, she was kind of a bitch to all of her daughters for much of the story. I wish her character had been more than two-dimensional.
That being said, a good time was still had by this reader with these California Girls. I look forward to the author’s next standalone story as well as my next visit to Happily Inc.!