Source: purchased from Audible
Formats available: hardcover, paperback, ebook, audiobook
Genres: mystery, urban fantasy
Published by Tor Books on June 4th 2019
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
Sharp, mainstream fantasy meets compelling thrills of investigative noir in this fantasy debut by rising star Sarah Gailey.
Ivy Gamble has never wanted to be magic. She is perfectly happy with her life—she has an almost-sustainable career as a private investigator, and an empty apartment, and a slight drinking problem. It's a great life and she doesn't wish she was like her estranged sister, the magically gifted professor Tabitha.
But when Ivy is hired to investigate the gruesome murder of a faculty member at Tabitha’s private academy, the stalwart detective starts to lose herself in the case, the life she could have had, and the answer to the mystery that seems just out of her reach.
Magic for Liars is a mystery in the exact same way that American Magic is a spy thriller. It follows all of the conventions of its genre – except for one thing. Magic is real.
Another way of putting it would be to say that Magic for Liars takes place in the world of either Harry Potter or The Magicians. It’s very much a murder mystery, but the setting is a high school for mages, whether they are called witches, wizards or magicians, or whether they are simply said to “be magic”.
Ivy Gamble is not magic – but her twin sister Tabitha is. And is a teacher at exclusive Osthorne Academy for Young Mages, where young magic users go through high school and learn how to manage their talents.
So when one of Tabitha’s fellow teachers dies in what seems to be a spectacular case of experimental magic gone very, very wrong, the school’s headmaster, Marian Torres, comes to Ivy to investigate. The official investigation has ruled the case as an accidental death, but Torres is not convinced.
She wants Ivy to look into it. After all, Ivy is a licensed private investigator, and more importantly, Ivy won’t have to be convinced that magic is real. She’s already well-aware of that fact. And still resents the way that magic took her sister away from her.
Ivy doesn’t want the job. She doesn’t want to become immersed in a world where she’ll always be an outsider. She doesn’t want to have to deal with the sister she still loves but also deeply resents and no longer speaks to.
But she can’t resist the opportunity – or the paycheck. In spite of just how many of her own ghosts she’ll have to deal with along the way. Or drink to oblivion.
None of Ivy’s assumptions and presumptions turn out to be remotely true. Her hopes and fears on the other hand – all too desperately real – if not worse than she ever imagined.
Escape Rating A+: I listened to this one, and this is one of the rare cases where the audio doesn’t merely tell the story, it actually makes it better. Better for something that is already damn good equals awesome.
Magic for Liars is told in the first person by Ivy, who is seriously a hot mess. Her story is very noir, her internal voice sounds like one of those cliched hard-boiled detectives. What the narrator manages to do is capture both the world-weariness of her voice and her internal wistfulness. Because Ivy needs to solve the case, but what she desperately wants is to belong. More even than that, she wants her sister back. And that’s what the narrator manages to capture in a way that is, honestly, magical.
The story itself is sad and fun in equal measures. On the one hand, we have high school. With all of its drama and melodrama. One of Ivy’s frequent observations is just how trivially the students use their incredible gift for magic. But they are high school students, and that’s what high school is for.
At the same time, as an outsider she is able to see the dark underbelly in all its seedy disgustingness. The need to “fit in”, even at the cost of self. The fear of exposure. And the constant bullying and manipulation, by teachers, by siblings, by enemies and especially by friends.
But the case eludes her – not because she doesn’t understand magic, but because she doesn’t want to face her own truths. When she finally does, it all becomes clear – and clearly, heartbreakingly awful.