Source: supplied by publisher via NetGalley
Formats available: paperback, ebook, audiobook
Genres: contemporary romance, western romance
Series: Gold Valley #4
Published by Hqn on September 25, 2018
Purchasing Info: Author's Website, Publisher's Website, Amazon, Barnes & Noble, Kobo, Book Depository
It’s Christmas in Gold Valley, and this wounded widower is about to get another shot at love…
Grant Dodge didn’t expect to find a woman sleeping in an abandoned cabin on his family ranch. Or to find her so intriguing. Unlike every other woman in town, McKenna Tate doesn’t know Grant’s a widower. There’s no pity in the looks she gives him. McKenna wants him, and Grant has forgotten what it’s like to feel like a man. A no-strings fling for Christmas might be the kind of holiday cheer Grant needs…
With only a suitcase to her name, McKenna came to Gold Valley to confront her birth father. She didn’t plan to work at the Dodge ranch or fall for the gorgeous cowboy who keeps his heart roped off. But there’s no denying the way their broken pieces fit together. Hope brought her to Gold Valley—but will it be the gift that could finally heal Grant, and McKenna’s own wounded heart?
Also includes a bonus Gold Valley novella, Snowed in with the Cowboy!
It’s hard to believe that anyone would actually WANT to win a gold medal in the “Life Sucks” Marathon, but when Grant Dodge and McKenna Tate meet they are both serious contenders for that “grand” prize.
Possibly it’s a grand prize in the joke sense that first prize is one week in Hell and second prize is two weeks – although the way they both have been chasing this particular goal, that might actually be the other way around.
We’ve met Grant Dodge in the previous books in the Gold Valley series as his brothers have discovered their own happy ever afters. But Grant is a special case. He already found his happy, and knew perfectly well at the time that there was no “ever after” attached. Grant is semi-famous for having married his high school sweetheart knowing that she had terminal cancer, and caring for her for the eight years she managed to survive.
But he’s also been a widower for eight years, and is more than tired of all the pitying looks he gets from everyone in town and everyone he meets. His tragedy was so touching that it became fodder for one of the morning quasi-news shows, so no one ever lets him forget.
He’s wrapped his misery around him like a well-worn but scratchy blanket and doesn’t let anyone get close – not even his family – even though they are all working on the ranch together.
While Grant should be the first place finisher in that misery marathon, McKenna Tate is still in the running. He finds McKenna camped out in one of the ranch’s few remaining dilapidated (unheated and uninsulated) remote cabins. In December. In Oregon.
He claims he doesn’t want to be bothered, but he still takes her into the ranch house, where his brother and sister-in-law promptly offer McKenna a job and a cabin. She doesn’t want to take the charity, but she NEEDS it. She’s broke and homeless and out of options.
And she needs to be in Gold Valley. Her mother gave up her parental rights back when McKenna was only two, so she was raised in, or survived, foster care. Now she’s 24 and has come to Gold Valley to discover if the man listed on her birth certificate as her father is willing to give her a hand up.
She’s afraid to acknowledge, even to herself, that what she really wants is to belong. To someone. To be part of something. To finally have a place.
But while she tries to figure out how to approach her possible father, who turns out to be “rodeo royalty”, she becomes part of the mixed family of birth and choice that centers around the Get Out of Dodge Ranch.
And just maybe, she and Grant might manage to stop racing towards that first place in the misery marathon and reach for each other instead.
Escape Rating B+: In my review of Good Time Cowboy I called Maisey Yates the cowgirl queen of angsty western romance. The story in A Tall, Dark Cowboy Christmas certainly adds more sparkle to that crown.
Both Grant and McKenna begin the story in a serious bad way. But the bad way they’ve found themselves in, and the equally bad ways that they feel about it, feel like exactly the way a person would feel under their individual circumstances. It’s not manufactured angst or self-inflicted angst. They’ve had terrible things happen to them and they feel terrible because of those things.
Grant, in particular, has been living so much on the periphery of life at the ranch that it is more than possibly to read this book without having read the other books in the series first – not that they aren’t terrific reads. But Grant has done his best to not let other people in, to the point where he only plays a very minor role in his brothers’ lives – and is only willing to let them a tiny way into his.
McKenna has certainly had a lifetime of hard knocks that led her to Gold Valley. But she also has one attribute that draws Grant in like a magnet – she doesn’t know anything about his history. She doesn’t pity him or feel sorry for him. And she doesn’t want either of those things from him. She just thinks he’s hot. And she gets him hot and bothered in a way that he’s never allowed himself to feel.
The begin what becomes their relationship by finally giving into their amazing chemistry. They both think that’s all they have. But as much as Grant tries to stick to a rule of “no talking”, they can’t. McKenna can’t stop herself from talking under any circumstances, and Grant has spent so many years locked inside his own head that once he opens up at all he can’t make himself stop.
There is so much heartbreak in this story. Both Grant and McKenna begin the story as very broken people, and it’s tough reading their emotional turmoil. Watching them slowly heal each other is lovely, especially with their acknowledgement that it’s the hurts that they’ve each suffered that has made them the people they need to be for each other.
~~~~~~ GIVEAWAY ~~~~~~
I’m giving away a copy of Tall, Dark Cowboy Christmas to one lucky US/CAN commenter!