Review: Under the Whispering Door by TJ Klune

Review: Under the Whispering Door by TJ KluneUnder the Whispering Door by T.J. Klune
Format: audiobook, eARC
Source: supplied by publisher via NetGalley
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy, magical realism, paranormal, relationship fiction
Pages: 373
Published by Tor Books on September 21, 2021
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead.
Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over.
But Wallace isn't ready to abandon the life he barely lived. With Hugo's help he finally starts to learn about all the things he missed in life.
When the Manager, a curious and powerful being, arrives at the tea shop and gives Wallace one week to cross over, Wallace sets about living a lifetime in seven days.
Under the Whispering Door is a contemporary fantasy about a ghost who refuses to cross over and the ferryman he falls in love with.

My Review:

To paraphrase a classic that isn’t nearly as different as you’d think, Wallace Price was dead: to begin with. He was also an asshole.

The first condition is beyond Wallace’s own ability to change. The second, surprisingly, not so much. But unlike Scrooge’s situation, the spirits aren’t capable of doing anything to change it, and it’s going to take a whole lot more than one single night.

I know that Scrooge isn’t the one who dies in A Christmas Carol, but he was certainly headed down that road before the spirits staged their one-night intervention. The parallels are way closer than I was expecting.

Because the story about what’s behind the whispering door – not exactly under because the door is on the ceiling – is definitely a redemption story. It’s just that this redemption takes place after Wallace Price has already died. Even if he initially doesn’t want to admit it. Or accept it.

The purpose of Charon’s Crossing Tea and Treats is all about that acceptance. The redemption appears to be optional, but the acceptance, that’s required. Charon’s Crossing, pun and all, is a waystation for people who have died but who just aren’t ready to move on to their next great adventure – or the peace of the hereafter – or whatever happens next.

They need time, and that’s just what the people who make up Charon’s Crossing are there to provide. Hugo the ferryman, Mei the reaper, the irreverent Nelson who gives lessons in being dead, and Apollo the dog who won’t leave his person, not even after he’s supposed to have gone to the Rainbow Bridge, or wherever it is that good dogs go. And Apollo was, and is, a very good dog indeed.

The late and completely unlamented Wallace Price, one of the founding partners of the white shoe law firm Moore, Price, Hernandez & Worthington, is brought to Charon’s Crossing by Mei the Reaper on her first solo gig. He doesn’t want to go, he doesn’t want to be there, and he doesn’t want to accept that he’s dead.  He’s unwilling to admit that the life he barely lived is already over. And he’s still angry that his funeral was so poorly, and disrespectfully, attended.

But he’ll have all the time he needs at the tea shop to get over who he used to and learn to be who he should have been. Or so he thinks. And so Hugo hopes. Until the mysterious Manager comes to tell him that the found family he’s become a part of isn’t meant for him – no matter how much they’d love for him to stay.

So Wallace plans on one last hurrah. One final pleading before a being who is judge, jury and from a certain perspective, executioner. And it’s a doozy. The question is whether it’s enough.

Escape Rating A: Under the Whispering Door is a lovely book about the power of change and the two steps forward one step back of the process of making the attempt to change. In the end, I loved all the characters and especially the story about how they made their little found family pretty much in spite of themselves.

This is also one of the best “sad fluff” books you could possibly ever find, even though it does surprisingly manage to have a happy ending. It’s just that one person’s happy can also be another person’s letting go.

But I almost didn’t finish this. Actually the first time I read it I mostly skimmed it because the first third is hard going. Wallace Price really, truly is an asshole. Which means that the way the story is centered around him is a bit of a slog, because he’s more than a bit of a slog. And a bastard, and definitely a bastard.

To the point where the best parts of that first third are when Mei and/or Nelson get the best of him. Because Wallace SO deserves it.

So that first time I skimmed the book I missed a lot of what made it so good because I found Wallace so hard to care about. Or be in the company of. But when the audio popped up on NetGalley I decided to give it another try. And this time I fell kind of in love with the residents of Charon’s Crossing and Wallace’s redemptive story. Wallace may not just be “mostly dead” but actually all the way dead, but he still manages to get better. And isn’t that a trick and a half!

And in audio that slow but steady upwards climb captivated me and I loved every minute. Especially the times when Wallace really screws up – or gets screwed up and over – and I was laughing so hard I had to pull the car over to wipe my eyes.

One final set of thoughts. This is being marketed as fantasy because of the author’s previous work in the genre, like the lovely House in the Cerulean Sea, and because of the “I help dead people” angle. But if this is fantasy, it’s mostly of the magical realism variety, like the now-old movie Heaven Can Wait or the even older Ghost and Mrs. Muir. It’s fantastic but not fantasy as the term is generally used.

Instead, it’s more about Wallace’s developing relationships with his found family, the town that Charon’s Crossing is located in, and his growing romantic attachment to Hugo – and very much vice-versa.

At the same time, it feels like the story hints at deeper roots to the whole setup of the ferrymen and ferrywomen (ferrypersons?) and the somewhat supernatural organization that recruits them. The mysterious Manager reads like an avatar for the Horned God of ancient myth, someone like Cernunnos or Herne the Hunter or the Green Man or even Pan. But that’s all just a hint and if you squint you might miss it.

Besides those two movies, there are other stories that touch of bits of what this does. Peter S. Beagle’s classic A Fine and  Private Place is another story about redemption after death and living the life you’ve got to the fullest.

And I believe that Hugo, the ferryman and expert tea advocate, would have a great deal to share with Sibling Dex, the tea monk of Becky Chambers’ marvelous A Psalm for the Wild-Built, as both their stories, in spite of the separation of millennia, are about the joy of found families and the surprising power of a good, well-chosen blend of tea.

Review: The House in the Cerulean Sea by TJ Klune

Review: The House in the Cerulean Sea by TJ KluneThe House in the Cerulean Sea by T.J. Klune
Format: eARC
Source: supplied by publisher via Edelweiss
Formats available: hardcover, paperback, ebook, audiobook
Genres: fantasy
Pages: 398
Published by Tor Books on March 17, 2020
Purchasing Info: Author's WebsitePublisher's WebsiteAmazonBarnes & NobleKoboBookshop.org
Goodreads

A magical island. A dangerous task. A burning secret.
Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages.
When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not they’re likely to bring about the end of days.
But the children aren’t the only secret the island keeps. Their caretaker is the charming and enigmatic Arthur Parnassus, who will do anything to keep his wards safe. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn.
An enchanting story, masterfully told, The House in the Cerulean Sea is about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours.

My Review:

I have to admit that I read this last year, but didn’t write it up. And this is such a comforting and hopeful read that I couldn’t resist picking it up again. So here we are.

We’re also here because of the reason that I read this book last year. I am a member of the American Library Association Reading List Council. Every year, the committee reads a whole lot – seriously a ton – of books for adults in eight genres: Adrenaline (suspense and thrillers), Fantasy, Historical Fiction, Horror, Mystery, Relationship Fiction (Women’s Fiction), Romance and Science Fiction. Every January, usually at the ALA Midwinter Conference but this year on Zoom (technically Webex) we get together to vote on a list. For each genre we pick a winner and four honorable mentions.

This year there were 11 of us and we met for 6+ hours per day four days in a row. We’re all passionate about books – even if not necessarily the same books – and it makes for a very lively as well as lengthy meeting. The Awards ceremony for our list and all of the other lists for adults was held yesterday afternoon, and the results of all of the committees that give awards for books for adults is posted here.

The House in the Cerulean Sea is our winner for Fantasy this year, giving me a perfect excuse to pick it up again and point more readers at this marvelous book, and at ALL the lists of winners, not just ours. If you’re looking for a great book to read, take a look at the lists. You’re guaranteed to find something you’ll love.

By this point you’re probably asking, “But what about the book?” Let me tell you about this book!

At first, I wasn’t quite sure what to expect with this book. The blurb, with its references to “Extremely Upper Management”, not tongue-in-cheek but as the actual name of the department, sounded a bit twee.

And the story gets off to a bit of a slow start. Because Linus Baker, a caseworker for DICOMY (Department in Charge of Magical Youth) is merely existing. He’s working for a government agency whose organization and methods give off some seriously Orwellian vibes and he seems to have absolutely no life of his own except for his cat Calliope and the sunflowers he has planted in his tiny, postage-stamp sized yard. Those sunflowers are the only spot of color in Baker’s gray and gloomy city, in his gray and colorless life.

But, like in the movie The Wizard of Oz, Baker’s life becomes full of color – and moves a whole lot faster – when he is sent out of the city to investigate the Marsyas Island Orphanage for exceptionally unusual or dangerous magical youth. Baker considers his mission to be making sure that the place is safe for the children, but he knows that Extremely Upper Management has sent him to dig up some dirt on the Master of the house, Arthur Parnassus.

It turns out not to matter what they sent him for, because none of what Baker finds at Marsyas is remotely what he expected. Not even, or perhaps most especially, himself.

Escape Rating A: While the beginning of the story feels Orwellian, as in 1984, Big Brother is watching you and all of the double-speak, the rest of the story combines bits of Good Omens and Silver in the Wood but in its whole is something very much its own.

And it’s charming and lovely and comforting and most of all, hopeful. Something that we all need right now.

Linus Baker comes to Marsyas, the literal end of the (train) line to discover the place that he’s been looking for all of his life. The place where he belongs. Even if he doesn’t recognize it yet.

One of the things that is clear from the very beginning, is that in spite of the bureaucracy that is determined to grind him down into just another cog in the machine, Linus Baker is a genuinely good person. He truly believes that his job is to do his best for the children in DICOMY’s dubious care, even as he cuts himself off from the actual children themselves and from taking any responsibility for what happens after he does his job.

So when he comes to Marsyas for an entire month, he’s scared by all of the new experiences that have been thrust upon him, he’s flailing as much as any fish out of water, but he’s determined to do his best for the children in Arthur Parnassus care – whatever might happen after he files his reports.

But a month is a long time to try to merely observe, to sit on the sidelines and not become part of what is being observed. In spite of himself, he falls for the children. ALL of the children, including the Antichrist Lucy. (Hence the Good Omens reference).

He also falls for Arthur Parnassus. Not that Baker hasn’t always known he was gay, and not that it seems to matter in any social sense. Society has filled its need for people to denigrate, segregate and fear in magicals, it doesn’t need anyone else to be prejudiced against. It’s rather that Baker has led such a lonely and colorless life that he never expected to rise to the emotional heights of loving someone – and equally he never expected someone to love him as he feels unworthy, unlovable and even unlikeable. He’s solitary and painfully lonely and he never expected that to change.

But Arthur, like Marsyas Island and pretty much everything about this assignment, is both more and different than he seems in ways that reminded me a tiny bit of Silver in the Wood. Although, now that I think about it, that reference works better with two of the other denizens of Marsyas. But it’s definitely there.

The slow, sweet love story is beautiful and absolutely perfect for these characters. It’s also the icing on this very tasty cake. It’s Linus Baker’s adoption by – and in many ways of – the children, not just Lucy but all of them, that opens his eyes and his world. It’s the making of him – and very much the heart of this wonderful – and award winning (HA!) – story.